2157:"In the verity of his visionary productions we find him of the company of Blake and Fuseli and their circle; but far superior to any of them in the mastery of representational craft." His comeditative magical art is a dynamic framework of Tantric energy—which is to say contains absolute, real, intrivalent and of cosmological transcendental—proportions. It is similar to the language amalgamations in the book of Abramelin. Haydn Mackey, commenting in a radio program broadcast shortly after Spare's death, and; "There now hang on one of my walls seven of his paintings, each so different in style and character that it is almost impossible to believe that the same hand was responsible for any two of them. And there rest on a table in my sitting-room overlooking Trafalgar Square three sketchbooks full of 'automatic drawings' unique in their mastery of line, unique, too, in their daring of conception."
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Borough. There he kept open house; critics and purchasers would go down, ring the bell, be admitted, and inspect the pictures, often in the company of some of the models - working women of the neighbourhood. Spare was convinced that there was a great potential demand for pictures at 2 or 3 guineas each, and condemned the practice of asking £20 for "amateurish stuff". He worked chiefly in pastel or pencil, drawing rapidly, often taking no more than two hours over a picture. He was especially interested in delineating the old, and had various models over 70 and one as old as 93.
1115:, for which Spare provided ten drawings) suggests, "When Mr. Spare was first heard of six or seven years ago he was hailed in some quarters as the new Beardsley, and as the work of a young man of seventeen his drawings had a certain amount of vigour and originality. But the years have not dealt kindly with Mr. Spare, and he must not be content with producing in his majority what passed muster in his nonage. However, his designs are not inappropriate for the crude paradoxes that form the text of this book. It is far easier to imitate an epigram than to invent one."
728:. Eager to marry off her daughter, who already had one child from an earlier relationship, Mrs Shaw soon introduced Spare to her child, Eily Gertrude Shaw (1888-1938). Spare fell in love, producing a number of portraits of Eily, before marrying her on 4 September 1911. However, the relationship between Spare and his wife was strained; unlike him, she was "unintellectual and materialistic", and disliked many of his friends, particularly the younger males, asking him to cease his association with them.
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mold or even determine entirely the entire conscious personality of a person right down to the most subtle detail, this means nothing more than the fact that through repression ("forgetting") many impulses, desires, etc. have the ability to create a reality to which they are denied access as long as they are either kept alive in the conscious mind or recalled into it. Under certain conditions, that which is repressed can become even more powerful than that which is held in the conscious mind."
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1436:'s thesis that "Mediation, which is the immediacy of all mental communication, is the fundamental problem of linguistic theory, and if one chooses to call this immediacy magic, then the primary problem of language is its magic. Spare's 'sentient symbols' and his 'alphabet of desire' situate this mediatory magic in a libidinal framework of Tantric—which is to say cosmological—proportions." (An alphabet of desire modelled after Spare's ideas has since been developed by
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And here we must credit Mr. Spare with a considerable fund of fancy and invention, although the activities of his mind still find vent through somewhat tortuous channels. Like most young men he seems to take himself somewhat too seriously". Our critic ends his review with the observation that Spare's "drawing is often more shapeless and confused than we trust it will be when he has assimilated better the excellent influences upon which he has formed his style."
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in the mystical tradition, Spare may be regarded as one of the last
English Symbolists, following closely his great influence George Frederick Watts. The recurrent motifs of androgyny, death, masks, dreams, vampires, satyrs and religious themes, so typical of the art of the French and Belgian Symbolists, find full expression in Spare's early work, along with a desire to shock the bourgeois.
482:. Journalists from the British press took a particular interest in his work, highlighting the fact that, at seventeen years of age, he was the youngest artist in the exhibition, with some erroneously claiming that he was the youngest artist to ever exhibit at the show. In 1905, he left the RCA without having received any qualifications.
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423:, his artistic style focused on clear lines, which was in stark contrast to the College's emphasis on shading. Still living in his parents' home, he began dressing in unconventional and flamboyant garb, and became popular with other students at the college, with a particularly strong friendship developing between Spare and
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disagreed, believing that the term "ZOS" had instead been adopted by Spare to counterbalance his own initials, "AOS", in which the A would represent the beginning of the alphabet, and the Z would represent the end. In this way, Moore argued, Spare was offering an "ultimate and transcendent expression
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During his lifetime, Spare left critics unable to place his work comfortably. Ithell
Colquhoun supported his claim to have been a proto-Surrealist and posthumously the critic Mario Amaya made the case for Spare as a Pop Artist. Typically, he was both of these - and neither. A superb figurative artist
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psychology has had a heavy influence on Spare's belief, specifically that the mind has strange hidden depths in it, and that magic basically depends on activating the subconscious as much as the conscious. Despite his interest in the unconscious, Spare was deeply critical of the ideas put forward by
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It has been argued that Spare's magic depended (at least in part) upon psychological repression. According to one author, Spare's magical rationale was as follows, "If the psyche represses certain impulses, desires, fears, and so on, and these then have the power to become so effective that they can
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has resurrected an unknown
English artist named Austin Osman Spare, who imitates etchings in pen and ink in the manner of Beardsley but really harks back to the macabre German romanticism. He tortured himself before the first war and would have inspired the surrealist movement had he been discovered
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Surrealism took an interest in automatism and the unconscious, and the reporter Hubert
Nicholson ran a story on Spare titled "Father of Surrealism – He's a Cockney!". Jumping onto this new craze for surrealism, Spare released a set of what he described as "SURREALIST Racing Forecast Cards" for
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published in
December 1909, which must have appeared around the time of Spare's 23rd birthday, is by turns condescending and grudgingly respectful, "Mr. Spare's work is evidently that of young man of talent." However, "What is more important is the personality lying behind these various influences.
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Thereafter Spare was rarely found in the purlieus of Bond St. He would teach a little from
January to June, then up to the end of October, would finish various works, and from the beginning of November to Christmas would hang his products in the living-room, bedroom, and kitchen of his flat in the
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In
October 1907 Spare held his first major exhibition, titled simply "Black and White Drawings by Austin O Spare", at the Bruton Gallery in London's West End. Attracting widespread interest and sensational views in the press, he was widely compared to Aubrey Beardsley, with reviewers commenting on
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and evolution, both being factors which Spare saw intertwined which furthered evolutionary progression. For these reasons, he believed in the intimate unity between humans and other species in the animal world; this was visually reflected in his art through the iconography of the horned humanoid
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for
Chapman and Hall publishers. This was a short-lived project, but during its brief career it reproduced impressive figure drawing and lithographs by Spare and others. In 1925 Spare, Alan Odle, John Austen, and Harry Clarke showed together at the St George's Gallery, and in 1930 at the Godfrey
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Public awareness of Spare seems to have declined somewhat in the 1960s before the slow but steady revival of interest in his work beginning in the mid-1970s. The following passage in a discussion of an exhibit including Spare's work in the summer of 1965 suggests some critics had hoped he would
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Spare's work is remarkable for its variety, including paintings, a vast number of drawings, work with pastel, a few etchings, published books combining text with imagery, and even bizarre bookplates. He was productive from his earliest years until his death. According to Haydn Mackay, "rhythmic
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Spare held his first pub show at the Temple Bar in
Walworth Road in late 1949, which again proved successful, earning Spare 250 guineas. One of those who had seen the show was publisher Michael Hall, and impressed by Spare's work, he commissioned him to help provide illustrations for his new
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Spare believed that intentionally repressed material would become enormously effective in the same way that "unwanted" (since not consciously provoked) repressions and complexes have tremendous power over the person and his or her shaping of reality. It was a logical conclusion to view the
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In May 1904, Spare held his first public art exhibition in the foyer of the
Newington Public Library in Walworth Road. Here, his paintings illustrated many of the themes that would continue to inspire him throughout his life, including his mystical views about Zos and Kia. His father then
752:, which he self-published in 1913. Exploring his own mystical ideas regarding the human being and their unconscious mind, it also discussed magic and the use of sigils. "Conceived initially as a pictorial allegory the book quickly evolved into a much deeper work, drawing inspiration from
1213:. Raised in the Anglican denomination of Christianity, Spare had come to denounce this monotheistic faith when he was seventeen, telling a reporter that "I am devising a religion of my own which embodies my conception of what; we are, we were, and shall be in the future."
1122:, the critic (again anonymous) seems resigned to bewilderment, "It is impossible for me to regard Mr. Spare's drawings otherwise than as diagrams of ideas which I have quite failed to unravel; I can only regret that a good draughtsman limits the scope of his appeal".
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ladder. In Spare's worldview, the "soul" was actually the continuing influence of "the ancestral animals" that humans had evolved from, that could be tapped into to gain insight and qualities from past incarnations. In many ways this theory offered a unison of
1319:"A bat first grew wings and of the proper kind, by its desire being organic enough to reach the sub-consciousness. If its desire to fly had been conscious, it would have had to wait till it could have done so by the same means as ourselves, i.e. by machinery."
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Spare "elaborated his sigils by condensing letters of the alphabet into diagrammatic glyphs of desire, which were to be integrated into postural (yogalike) practices—monograms of thought, for the government of energy." Spare's work is contemporaneous with
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which he called "siderealism". This work appears to have been well received. In 1947 he exhibited at the Archer Gallery, producing over 200 works for the show. It was a very successful show and led to something of a post-war renaissance of interest.
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Spare was regarded as an artist of considerable talent and good prospects, but his style was apparently controversial. Critical reaction to his work in period ranged from baffled but impressed, to patronizing and dismissive. An anonymous review of
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in 1929, but his work received little praise in the press or attention from the public. Living in poverty and with his work becoming unpopular in the mainstream London art scene, Spare contemplated suicide. He then undertook a series of
735:, a book of epigrams written by two doctors, James Bertram and F. Russell, in which his illustrations once more displayed his interest in the abnormal and the grotesque. Another notable work from this period was an illustration known as
933:. The first issue appeared in October 1922, featuring a lithograph from Spare titled "The New Eden." Faced with problems, the journal eventually decreasing in size from a folio to a quarto, and in 1924 it folded after eight issues.
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Following his experience with Aleister Crowley and other Thelemites, Spare developed a hostile view of ceremonial magic and many of those occultists who practised it, describing them as "the unemployed dandies of the Brothels" in
380:. In the evenings he attended the Lambeth School of Art. Two visitors to Powell's, Sir William Blake Richmond and FH Richmond RBA, came across some of Spare's drawings, and impressed, they recommended him for a scholarship to the
1527:, who believed that Spare's artworks depicting celebrities, produced in the late 1930s and 1940s, represented "the first examples of Pop art in this country." Furthermore, he proclaimed that Spare's automatic drawings "predicted
617:. Crowley introduced himself to Spare, becoming a patron and champion of his art, which he proclaimed to be a message from the Divine. Spare subsequently submitted several drawings for publication in Crowley's Thelemite journal,
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inspired by Spare. It focuses on one's individual universe and the influence of the magician's will on it. While the Zos Kia Cultus has very few adherents today, it is widely considered an important influence on the rise of
1009:. The renewed interest benefited him, with his 1936, 1937 and 1938 exhibitions in Walworth Road proving a success, and he began teaching students at his studio in what he called his Austin Spare School of Draughtsmanship.
859:, where he worked as a medical orderly. Later, he was appointed to the position of Acting Staff-Sergeant, and given the task of illustrating the conflict along with other artists based in a studio at 76 Fulham Road.
643:, but although he remained in A∴A∴ until 1912, ultimately Spare never became a full member, disliking Crowley's emphasis on strict hierarchy and organisation and becoming heavily critical of the practice of
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subconscious mind as the source of all magical power, which Spare soon did. In his opinion, a magical desire cannot become truly effective until it has become an organic part of the subconscious mind.
1078:, producing artworks with titles such as "Witchery", "Walpurgis Vampire" and "Satiated Succubi" and claiming that on a bus he had encountered a group of female witches on their way to the Sabbath.
773:, which was edited in Victoria Street, submitting a number of contributions to its early issues. He soon developed the idea of founding his own art magazine, suggesting the idea to the publisher
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277:. Moving to various working class areas of South London over the following decades, Spare lived in poverty, but continued exhibiting his work to varying degrees of success. With the arrival of
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Soon, he began studying at the RCA, but was dissatisfied with the teaching he received there, becoming a truant and being disciplined by his tutors as a result. Influenced by the work of
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The couple's fourth surviving child, Austin Osman Spare was born shortly after four o'clock on the morning of 30 December 1886. Spare attended St. Agnes School, attached to a prominent
1568:. Carroll and other writers such as Ray Sherwin are seen as key figures in the emergence of some of Spare's ideas and techniques as a part of a magical movement loosely referred to as
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onto the London art scene during the 1930s, critics and the press once more took an interest in his work, seeing it as an early precursor to surrealist imagery. Losing his home during
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Following the culmination of the war, Spare held a comeback show in November 1947 at the Archer Gallery. A commercial success, the works on display showed the increasing influence of
308:. Spare's art once more began to receive attention in the 1970s, due to a renewed interest in Art Nouveau in Britain, with several retrospective exhibitions being held in London.
1235:" as the human body and mind, and would later adopt the term as a pseudonym for himself. Biographer Phil Baker believed that Spare derived the word from the Ancient Greek words
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Spare was often described as kind and down-to-earth by his friends. A lifelong animal lover, he took care of many animals that he found near his home and was a member of the
866:, Spare had separated from his wife Eily, who had begun a relationship with another man. Focusing on the writing and illustration of a new book, 1921 saw the publication of
177:, his art was known for its clear use of line, and its depiction of monstrous and sexual imagery. In an occult capacity, he developed supposed magical techniques including
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images lampooning such institutions as politics and the clergy. The volume contained a number of self-portraits; he also filled many of the images with illustrations of
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in December 1879. The Spare's first child to survive was John Newton Spare, born in 1882, with William Herbert Spare following in 1883 and then Susan Ann Spare in 1885.
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2180:, "Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993–2006)" Edgewise Press. 2009, pp. 40-52
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would later claim that he was "strongly" homosexual but had suppressed these leanings. In contrast to this, in later life Spare would refer to a wide variety of
1646:"Zos Kia Cultus" is a term coined by Kenneth Grant, with different meanings for different people. One interpretation is that it is a form, style, or school of
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921:. However, Spare discontinued the magazine after the third issue, which was published in January 1922. He then moved on the production of another art journal,
562:, leading to the release of an expanded second edition in 1909. Meanwhile, in 1907 Spare produced one of his most significant illustrations, a drawing titled
1059:(1924–2011). Spare and the Grants became great friends, frequenting a number of London pubs together and sharing books on the subject of the esoteric.
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by Morland Press. Edited and introduced by Frederick Carter, the book once more dealt with Spare's mystical ideas, continuing many of the themes explored in
1243:, meaning animal or beast, with Spare also being attracted to the exotic nature of the letter "z", which rarely appears in the English language. The author
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Spare's major patron during this period was the wealthy property developer Pickford Waller, although other admirers included Desmond Coke, Ralph Strauss,
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circles in Edwardian London, with several known gay men becoming patrons of his work. In particular he became good friends with the same-sex couple
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Some of Spare's techniques, particularly the use of sigils and the creation of an "alphabet of desire" were adopted, adapted and popularized by
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1506:. He died at the hospital on the afternoon of 15 May 1956, at the age of 69. He was buried alongside his father at St. Mary's Church in the
623:, receiving payment in the form of an expensive ritual robe. Spare would also be invited to join Crowley's new Thelemite magical order, the
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1048:. He also featured a number of portraits of famous movie stars in the exhibit, leading him to later gain the moniker of "the first British
677:, with Spare later characterising the latter as "the most wonderful man I have ever met." Gray would introduce Spare to the Irish novelist
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But Spare did not entirely disappear. During the late 1930s he developed and exhibited a style of painting based on a logarithmic form of
1086:. The fifth issue, for August–September 1950, contained an article on Spare and his work, while the sixth contained an article written by
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Having left higher education, Spare became employed as a bookplate designer and illustrator, with his first book commission being for
250:(1921). Alongside a string of personal exhibitions, he also achieved much press attention for being the youngest entrant at the 1904
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In the spring of 1949, a recently married woman named Steffi Grant introduced herself to Spare. She introduced him to her husband
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published by Elkin Mathews. First ed 1887 (no Spare illustration). 2nd edition 1909 has a Spare illustration to the front board.
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to be useless for this, believing that it only served to reinforce the separation between ourselves and that which we desire.
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2009:
by James Bertrand Russell. Published by John Lane 1911 (ed of 350 copies). Reissued London: Temple Press, 1989 (500 copies).
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In 1900, Spare began working as a designer at Powell's glass-working business in Whitefriars Street, which had links to the
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819:, arguing that it allowed the unconscious part of the mind to produce art, a theme that Spare had previously dealt with in
795:, who used the pseudonym of Francis Marsden. The first issue appeared in the summer of 1916, containing contributions from
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The majority of the books listed above are available as modern reprints. For a more complete listing see Clive Harper's
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creature, visually depicting his belief in the innate mental connection between humanity and our non-human ancestors.
681:, whom he would subsequently befriend. The actual nature of Spare's sexuality at the time remains debated; his friend
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commented that "his inventive faculty is stupendous and terrifying in its creative flow of impossible horrors", while
510:(1909). In 1905, he once more exhibited at the Royal Academy's summer exhibition, having submitted a drawing known as
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In 1964, the Greenwich Gallery held an exhibition of Spare's work accompanied by a catalogue essay by the Pop Artist
1432:'s attempts "to rediscover the evangelical concept of the 'word' (logos) as a magical complex image"—as well as with
940:, which contained a series of grotesque creatures; the sole copy of the book would be purchased by the art historian
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1028:, Spare's flat and all the artwork in it was destroyed by a bomb on 10 May 1941, leaving him temporarily homeless.
396:, and in 1903 he won a silver medal at the National Competition of Schools of Art, where the judges, who included
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portraits, predominantly of young women, which he termed the "Experiments in Reality". Influenced by the work of
546:, of which he was a great collector. The book was finished off with an introduction authored by Scottish painter
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760:, but primarily from his experiences as an artist." The book sold poorly, and received a mixed review from the
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newspaper. When not involved in these jobs, he devoted much of his time to illustrating a second publication,
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Review of "The Starlit Mire" (by James Bertram and F. Russel, with ten drawings by Austin Osman Spare), in
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in 1939, Spare, an ardent anti-Nazi, tried to enlist into the army, but was deemed too old. In the ensuing
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1279:. Phil Baker believed that Spare had developed this word either from Eastern or Cabalistic words such as
783:, an influential periodical that had appeared between 1894 and 1897. Envisioning his new venture, titled
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in the latter part of the 20th century, and his beliefs regarding sigils provided a key influence on the
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he was conscripted into the armed forces and worked as an official war artist. Spare attempted to revive
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was poorly received by the critics and the public, being described as a "very horrible publication" by
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Review of " The Book of Pleasure (Self-Love), the Psychology of Ecstasy" (by Austin Osman Spare) in
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Spare also believed in what he called "atavistic resurgence", the idea that the human mind contains
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1001:, Central London in November 1930, an exhibit that proved to be Spare's last in London's West End.
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388:. He achieved further attention when his drawings were exhibited in the British Art Section of the
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in 1907. Becoming the seventh member of the order in July 1907, where he used the magical name of
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881:, with the first issue appearing in a new format in October 1921, edited by Spare and his friend
739:, which included a self-portrait of Spare surrounded by a variety of horned animals and a horned
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550:. Proud of his son's achievement, Spare's father would later inquire as to whether the publisher
478:, one of which, a design for a bookplate, was accepted for exhibition at that year's prestigious
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in 1878, being stationed at Snow Hill Police Station. Austin's mother, Eliza Osman, was born in
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Keith Richmond, "Discord in the Garden of Janus - Aleister Crowley and Austin Osman Spare", in
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960:, which served as a criticism of British society influenced by the ideas of German philosopher
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766:, which while accepting Spare's "technical mastery", was more critical of much of the content.
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356:. Taking an interest in drawing, from about the age of 12, he began taking evening classes at
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1299:. Alternately, he thought that it might have been adopted from Madame Blavatsky in her book
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Philips Galleries. The 1930 show was the last West End show Spare would have for 17 years.
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early enough. He has come back in time to play a belated part in the revival of taste for
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noted that "Mr. Spare's art is abnormal, unhealthy, wildly fantastic and unintelligible".
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2019:
transcribed by Edward Pay. Published by Form at The Morland Press Ltd. 1916 (200 copies)
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based on his theories of the relationship between the conscious and unconscious self.
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in March 2020, and was described as being very different in style to his usual work.
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The Grants' influence led Spare to begin writing several new occult manuscripts, the
964:. Spare would self-publish it in an edition of 100 copies from his sister's house in
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disappear into obscurity forever. The critic writes that the curator of the exhibit
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in 1906. In ensuing years he would also illustrate such texts as Charles Grindrod's
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on his thought, and included a number of portraits of prominent Spiritualists like
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3382:"Austin Osman Spare: Fallen Visionary - Temporary exhibitions - Southwark Council"
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Oliver Bradbury & James Birch Fine Art, London, 17 November – 8 December 1984
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The summer of 1924 saw Spare produce a sketchbook of "automatic drawings" titled
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by Warren Retlaw. Privately printed, 1927. Reissued: Oxon: Mandrake Press, 2003.
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The Temple Bar (Doctors), 286 Walworth Rd. London, 28 October – 29 November 1949
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band, have a song entitled "Austin Osmanspare" on their one and only 1970 album
444:(1905), in which he took as his premise Blavatsky's idea that Earth already was
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figures. Although this "atavistic resurgence" was very different from orthodox
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In 1914, Spare was involved in a newly launched popular art magazine known as
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In 2016, a new street was named after Spare near his former home in London's
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228:. Developing his own personal occult philosophy, he wrote a series of occult
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The History of Magic in the Modern Age: A Quest for Personal Transformation.
566:, featuring himself sitting behind a table covered in assorted bric-a-brac.
4754:
4690:
4665:
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3802:
2988:
Zos-Kia: An Introductory Essay on the Art and Sorcery of Austin Osman Spare
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404:, praised his "remarkable sense of colour and great vigour of conception."
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225:
3564:
724:
On one occasion, Spare met a middle-aged woman named Mrs Shaw in a pub in
434:
After becoming a practising occultist, he wrote and illustrated his first
4788:
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4451:
4336:
4138:
3746:
3707:
3486:
Woollahra, NSW: Unity Press and Bridgport, Dorset UK: Prism Press, 1994.
2692:
Reissued with additional material including poems by Aleister Crowley as
2016:
1652:
1621:
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1524:
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1226:
1070:. Under Grant's influence, Spare began to show an increasing interest in
1045:
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555:
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467:
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349:
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204:, taking an early interest in art. Gaining a scholarship to study at the
174:
3484:
Echoes from the Void: Writings, Visionary Art and the New Consciousness.
1617:, and claimed that "what Spare did in art, we try to do through music."
1470:; in many photographs, he can be seen wearing the organisation's badge.
815:, Ricketts and Shannon. Spare and Carter co-wrote an article discussing
212:, he trained as a draughtsman, while also taking a personal interest in
4705:
4486:
4128:
3930:
3741:
1705: in this section. Unsourced material may be challenged and removed.
1495:
1442:
1244:
1071:
1006:
666:
651:" and for that reason had kept him back from fully entering the Order.
582:
448:. The work exhibited a variety of influences, including Theosophy, the
278:
201:
106:
2765:
Reissued: London: Museum Press, 1976 (facsimile; 500 numbered copies).
944:. The spring of 1925 then saw the production of a similar sketchbook,
292:
Spare's spiritualist legacy was largely maintained by his friend, the
4566:
4536:
4426:
4416:
4108:
3812:
3731:
1864:
The Viktor Wynd Museum of Curiosities, Fine Art & Natural History
1826:
Alpine Club Gallery (Group Exhibition), London, 22 June – 2 July 1965
1537:
The Viktor Wynd Museum of Curiosities, Fine Art & Natural History
1487:
1429:
1419:
1387:
1377:
1361:
1333:, believing that it was the source of inspiration. He considered the
1025:
1021:
965:
719:
The Viktor Wynd Museum of Curiosities, Fine Art & Natural History
515:
401:
333:, the daughter of a Royal Marine, and married Philip Newton Spare at
322:
282:
213:
166:
32:
2230:
Encyclopedia of the Unexplained: Magic, occultism and Parapsychology
1680:
1172:
Robert Ansell summarized Spare's artistic contributions as follows:
746:
Over a period of several years, Spare began work on his third tome,
713:"Ascension of the Ego from Ecstasy to Ecstasy", an image taken from
4093:
3972:
3726:
3509:. See Chapter 5, "Some Other Magical Visionaries," pp. 121–34.
2003:
by Hon Mr Justice Darling. Published by Smith, Elder & Co. 1909
1490:
district, where doctors noted that he had also been suffering from
1264:
994:
757:
694:
690:
435:
229:
1997:
published by Simpkin, Marshall, Hamilton, Kent & Co. Ltd. 1909
1805:
Artist's studio, 56a Walworth Road, Elephant, London, Autumn, 1938
1802:
Artist's studio, 56A Walworth Road, Elephant, London, Autumn, 1937
1542:
A portrait of an old man, with a beard, by Spare was shown on the
1324:
Spare on his views regarding the sub-conscious and conscious mind.
980:
Spare held exhibitions of his work at the St. George's Gallery in
647:. In turn, Crowley would claim that Spare was only interested in "
577:(1907). An "important self-portrait", it would later be bought by
530:
labourers in British South Africa, which appeared in the pages of
522:. Diversifying his employment, In 1906, Spare published his first
325:
in 1857, and moved to London, where he gained employment with the
4386:
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3577:
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ornament grew from his hand seemingly without conscious effort."
1049:
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608:
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what they saw as the eccentric and grotesque nature of his work.
293:
3535:
1221:
Key to Spare's magico-religious views were the dual concepts of
3573:
by Jon Lange (A children's novel based on the sorcery of Spare)
3524:
3432:
Austin Osman Spare: The Life and Legend of London's Lost Artist
3369:
1635:
1614:
1539:
has a permanent gallery dedicated to his work - The Spare Room
1507:
1272:
753:
700:
539:
56:
3676:
1263:, to refer to a universal mind or ultimate power, akin to the
514:, featuring beaked serpents swirling around the figure of the
169:
who worked as both a draughtsman and a painter. Influenced by
4633:
3766:
1395:
969:
457:
449:
330:
186:
862:
Spare was demobilized in 1919. Although they never gained a
3560:
A psychogeographical film of Austin Spare's London (part 1)
3531:
Jerusalem Press: High-quality books on Spare's art and life
2064:
Revised Notes Towards A Bibliography of Austin Osman Spare.
1394:, and in later life paid a visit to the Kentish village of
1376:
memories that have their origins in earlier species on the
1186:"Zos Kia Cultus" redirects here. For the English band, see
997:, they were exhibited at the Godfrey Phillips Galleries in
885:. Intended to be populist in tone, contributions came from
749:
The Book of Pleasure (Self Love): The Psychology of Ecstasy
689:
encounters that took place at this time, including with an
639:, it was through doing so that he befriended the occultist
445:
289:, although he continued exhibiting till his death in 1956.
165:(30 December 1886 – 15 May 1956) was an English artist and
1869:
Iceberg Projects, Chicago, IL, USA, April 19 - May 22 2022
1125:
From October 1922 to July 1924 Spare edited, jointly with
1031:
607:(1875–1947), an occultist who had founded the religion of
3346:"The visions of Austin Osman Spare - Elephant and Castle"
2068:
Significant titles published since Spare's death include
1276:
975:
877:. The success of this book led Spare to decide to revive
474:
surreptitiously submitted two of Spare's drawings to the
3536:
AustinSpare.co.uk: Articles, Genealogy, and Bibliography
2918:
Review of "A Book of Satyrs" (by Austin Osman Spare) in
2033:(stories) by J.C. Squire published by Martin Secker 1917
2027:
by J.C. Squire. Published by The Morland Press Ltd. 1916
3540:
2222:
1823:
The Greenwich Gallery, London, 23 July – 12 August 1964
1412:"Alphabet of Desire" redirects here. For the book, see
1280:
1111:
Two years later another anonymous review (this time of
3340:
3338:
3299:
3271:
1468:
Royal Society for the Prevention of Cruelty to Animals
831:, who proclaimed its design and layout to be "ancient
3413:
Borough Satyr: The Life And Art of Austin Osman Spare
1820:
Archer Gallery, London, 25 October – 26 November 1955
1817:
The White Bear, London, 19 November – 1 December 1953
1599:, which contained a song named "Austin Osman Spare".
3247:. Series 42. Episode 1. 1 March 2020. BBC Television
3064:
3062:
3049:
3047:
3009:
3007:
2351:
2349:
1985:
by Charles F. Grindrod. Published by David Nutt 1907
348:
church, and as a child he was brought up within the
3925:
3541:
Fulgur: Official Publishers, Biography and Articles
3335:
2429:
Austin Osman Spare: Artist - Occultist - Sensualist
1390:, Spare greatly admired the evolutionary biologist
1305:, which refers to the idea of an ultimate power as
3185:
321:Austin's father, Philip Newton Spare, was born in
3285:
3059:
3044:
3004:
2346:
2307:
1832:The Taranman Gallery, London, 2–23 September 1974
1799:Godfrey Phillips Galleries, London, November 1930
1248:of himself at the extremities of his own being."
958:The Anathema of Zos: The Sermon to the Hypocrites
4821:
3462:Lost Envoy: The Tarot Deck of Austin Osman Spare
2336:
2334:
1979:by Ethel Rolt Wheeler. Issued by David Nutt 1906
1878:
1814:The Mansion House Tavern, 12 June – 12 July 1952
1787:The Ryder Gallery, London, 17 April – 7 May 1912
1423:A sample of sigils created by Austin Osman Spare
285:, he fell into relative obscurity following the
3617:
2922:, Vol. 16, No. 81, (December 1909), pp. 170-171
1922:Self-published; republished by John Lane, 1909
1808:Archer Gallery, London, 3–30 July November 1947
1784:The Baillie Gallery, London, 10–31 October 1912
1781:The Baillie Gallery, London, 11–31 October 1911
952:. He also began work on a new book, a piece of
948:, and then a further suite of pictures, titled
367:
3482:Drury, Nevill. "The Magic of Austin Spare" in
3197:
2602:
2188:
2186:
1613:(formed in 1982) described Spare as being his
1440:amongst others, especially in his influential
1197:From his early years, Spare developed his own
697:with a protuberant forehead and a Welsh maid.
3911:
3692:
3603:
3109:"S5-E4 – The Birth of Chaos-Peter J. Carroll"
3106:
2948:, Vol. 26, No. 139, (October 1914), pp. 38-39
2397:
2331:
1201:philosophy which has come to be known as the
1032:Kenneth Grant and later life: 1946–1956
855:still raging, Spare was conscripted into the
466:and his own mystical ideas regarding Zos and
269:after the war before shifting his efforts to
257:After publishing a short-lived art magazine,
1398:, where Darwin had written his seminal text
976:Surrealism and World War II: 1927–1945
3555:The London based Austin Osman Spare Society
3268:, Liber Null & Psychonaut, Weiser, 1987
3156:Imagining Language: An Anthology, MIT Press
2183:
2133:"The Art and Magic of Austin Osman Spare -"
791:, he was joined as co-editor by the etcher
603:One of those attracted to Spare's work was
3918:
3904:
3699:
3685:
3610:
3596:
2957:"Current and Forthcoming Exhibitions", in
2935:, Vol. 19, No. 99 (June 1911), pp. 177-177
2077:The Collected Works of Austin Osman Spare,
485:
31:
3217:"Seek Out Oddities Among The Already-Odd"
2981:
2979:
1796:The Lefevre Galleries, London, April 1929
1765:Learn how and when to remove this message
1364:, referring to them as "Fraud and Junk."
4805:Museum of Witchcraft and Magic, Cornwall
2961:, Vol. 107, No. 747, (June 1965), p. 330
2946:The Burlington Magazine for Connoisseurs
2933:The Burlington Magazine for Connoisseurs
2920:The Burlington Magazine for Connoisseurs
2455:, Vol. 1, No. 2, London, September 1909.
1793:St. George’s Gallery, London, March 1927
1418:
708:
568:
3521:Artworks by or after Austin Osman Spare
1857:, South London, September–November 2010
1670:
1595:band, released an album in 1972 called
1513:
1367:
1312:
611:in 1904, taking as its basis Crowley's
316:
4822:
3584:, with 9 library catalogue records
2985:
2976:
2001:On the Oxford Circuit and Other Verses
1790:The Baillie Gallery, London, July 1914
1778:Bruton Galleries, London, October 1907
538:, which consisted of a series of nine
508:On the Oxford Circuit and other Verses
4865:British Army personnel of World War I
4432:Gormshuil Mhòr na Maighe (aka Gormla)
3899:
3680:
3591:
3459:
2081:Axiomata & The Witches' Sabbath,
1968:
1703:adding citations to reliable sources
1674:
192:Born into a working-class family in
3989:Dummy, the Witch of Sible Hedingham
2167:, Vol. 1, No. 5, Hulton Press, 1950
2043:
1535:was heard of in England." London's
1407:
1329:Spare placed great emphasis on the
558:would be interested in re-printing
13:
3453:
3231:
1845:Henry Boxer, London, November 1992
1209:), a term coined by the occultist
368:Artistic training: 1900–1905
14:
4916:
4900:Royal Army Medical Corps soldiers
4840:20th-century English male artists
4043:Hermetic Order of the Golden Dawn
3514:
3494:. See Chapter 5, pp. 86–103.
3097:, Llewellyn Worldwide, 2005, p134
3095:High Magic: Theory & Practice
3084:, Llewellyn Worldwide, 2005, p133
3082:High Magic: Theory & Practice
1829:The Obelisk Gallery, London, 1972
1628:recorded a studio album entitled
1555:
1181:
631:, which had been co-founded with
526:, a satire on the use of Chinese
220:, becoming briefly involved with
4119:Samuel Liddell MacGregor Mathers
2161:, "The Mystery of an Artist" in
1679:
1461:
1192:Zos Kia Cultus (Here and Beyond)
3706:
3550:by James Bertram and F. Russell
3374:
3363:
3321:
3259:
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2283:
2271:
2259:
1873:
1860:Atlantis Bookshop, London, 2010
1842:Gallery, London, September 1987
1690:needs additional citations for
1090:that was illustrated by Spare.
731:Around 1910, Spare illustrated
252:Royal Academy summer exhibition
4895:People from the City of London
3403:
3107:Rudolf Berger (26 July 2020).
2247:
2235:
2210:
2198:
2170:
2151:
2125:
2050:Form - A Quarterly of the Arts
1989:The Shadow of the Ragged Stone
1216:
1190:. For the Behemoth album, see
835:" and thereby out of fashion.
394:Paris International Exhibition
1:
4845:20th-century English painters
4234:Northamptonshire witch trials
4038:Hermetic Brotherhood of Luxor
3885:Thee Temple ov Psychick Youth
3154:Jed Rasula, Steve McCaffery,
2114:
2073:A Book of Automatic Drawings,
1879:Books written and illustrated
1658:
662:. Spare became popular among
512:The Resurrection of Zoroaster
506:(1909) and Justice Darling's
504:The Shadow of the Raggedstone
306:Thee Temple ov Psychick Youth
4743:Last person imprisoned under
4264:Bury St Edmunds witch trials
3565:Austin Osman Spare Galleries
2696:. Oxon: Mandrake Press, 1990
2119:
1331:unconscious part of the mind
1137:Spare's obituary printed in
1093:
946:A Book of Automatic Drawings
777:, who had formerly produced
311:
196:in London, Spare grew up in
94:Drawing, painting, occultism
7:
3953:Anglo-Saxon metrical charms
3329:"Behemoth's Zos Kia Cultus"
2176:"On Austin Osman Spare" in
1641:
1575:
1566:Liber Null & Psychonaut
1084:The London Mystery Magazine
516:ancient Persian philosopher
498:, published by the company
154:Austin Osman Spare – Art UK
10:
4921:
4512:George and Lachlan Rattray
4382:Janet Douglas, Lady Glamis
4204:North Berwick witch trials
4058:Society of the Inner Light
3546:Spare's illustrations for
3429:
3415:. London: Fulgur Limited.
3410:
3203:
3191:
3179:
3167:
3142:
3130:
3068:
3053:
3038:
3025:
3013:
2970:
2906:
2894:
2882:
2870:
2858:
2846:
2834:
2822:
2810:
2798:
2786:
2774:
2753:
2741:
2729:
2717:
2705:
2680:
2668:
2656:
2644:
2632:
2620:
2608:
2596:
2584:
2572:
2560:
2548:
2536:
2524:
2512:
2500:
2488:
2476:
2464:
2440:
2415:
2403:
2391:
2379:
2367:
2355:
2340:
2325:
2313:
2301:
2289:
2277:
2265:
2253:
2241:
2216:
2204:
2192:
1411:
1335:conscious part of the mind
1185:
317:Childhood: 1886–1900
16:English artist (1886–1956)
4797:
4776:
4767:
4733:
4656:
4626:
4617:
4590:
4327:
4176:
4151:
4071:
4020:
4011:
3981:
3945:
3938:
3880:Illuminates of Thanateros
3872:
3831:
3785:
3714:
3626:
3501:London: Constable, 2000.
2873:. pp. 209–211, 217.
2089:The Book of Ugly Ecstasy,
1956:
1941:
1926:
1913:
1898:
1893:
1890:
1887:
1605:of the influential early
1580:Bulldog Breed, a British
1518:
984:in 1927, and then at the
763:Times Literary Supplement
148:
144:
116:
112:
98:
90:
80:
64:
42:
30:
23:
4784:Witches' Well, Edinburgh
3460:Allen, Jonathan (2016).
3331:. Encyclopedia Metallum.
3293:"In The Realm Of Asgærd"
1531:long before the name of
1473:
1401:On the Origin of Species
1024:of London by the German
938:The Book of Ugly Ecstasy
857:Royal Army Medical Corps
431:and leftist campaigner.
374:Arts and Crafts movement
4314:Islandmagee witch trial
3963:Cunning folk in Britain
3466:Strange Attractor Press
3436:Strange Attractor Press
3411:Ansell, Robert (2005).
2959:The Burlington Magazine
2228:Richard Cavendish (ed)
2164:London Mystery Magazine
2085:From The Inferno To Zos
1983:Songs From The Classics
1482:and he was admitted to
1255:", which he pronounced
1141:of 16 May 1956 states:
486:Early career: 1906–1910
360:under the tutorship of
4880:English occult writers
4268:1645, 1662, 1655, 1694
3571:Jason (Spaceman) Jones
2986:Semple, Gavin (1995).
2037:The Youth and the Sage
1597:In the Realm of Asgærd
1529:Abstract Expressionism
1484:South Western Hospital
1424:
1321:
1179:
1170:
1148:
1068:Zoetic Grimoire of Zos
797:Edmund Joseph Sullivan
721:
671:Marc-André Raffalovich
586:
575:Portrait of the Artist
564:Portrait of the Artist
273:, in partnership with
131:Marc-André Raffalovich
4875:English male painters
4214:Aberdeen witch trials
3307:"Sounds of Blakeness"
2467:. pp. 65–69, 88, 103.
2431:, Beskin Press, 1999.
1478:In May 1956, Spare's
1422:
1317:
1251:Spare used the term "
1174:
1161:
1152:anamorphic projection
1143:
871:The Mutterings of AOS
717:(1913). now owned by
712:
656:Lord Howard de Walden
572:
417:George Frederic Watts
358:Lambeth School of Art
327:City of London Police
123:Lord Howard de Walden
4860:Art Nouveau painters
4284:Bideford witch trial
4053:Ordo Templi Orientis
3958:Anglo-Saxon paganism
3823:William S. Burroughs
3648:The Book of Pleasure
3430:Baker, Phil (2011).
3388:on 10 September 2010
2909:. pp. 228–230.
2897:. pp. 225–227.
2885:. pp. 213–214.
2861:. pp. 201–203.
2825:. pp. 177–179.
2801:. pp. 162–164.
2777:. pp. 157–158.
2732:. pp. 144–145.
2720:. pp. 137–141.
2708:. pp. 136–137.
2683:. pp. 129–133.
2659:. pp. 122–123.
2647:. pp. 116–117.
2635:. pp. 112–113.
2623:. pp. 111–112.
2599:. pp. 105–106.
2109:Psycopathia Sexualis
1929:The Book of Pleasure
1714:"Austin Osman Spare"
1699:improve this article
1671:Selected exhibitions
1514:Legacy and influence
1456:The Book of Pleasure
1368:Atavistic resurgence
1313:The unconscious mind
1239:, meaning life, and
1120:The Book of Pleasure
1118:In a 1914 review of
875:The Book of Pleasure
821:The Book of Pleasure
787:, as a successor to
715:The Book of Pleasure
703:The Book of Pleasure
390:St. Louis Exposition
382:Royal College of Art
241:The Book of Pleasure
206:Royal College of Art
85:Royal College of Art
4905:World War I artists
4890:People from Holborn
4870:British war artists
4855:Artists from London
4747:Witchcraft Act 1735
4619:Neopagan witchcraft
4412:Issobell Fergussone
3864:Robert Anton Wilson
3582:Library of Congress
3350:Elephant and Castle
2694:And Now For Reality
2097:The Valley of Fear,
1958:The Anathema of Zos
1884:
1665:Elephant and Castle
1638:in September 2002.
1356:the psychoanalysts
1302:The Secret Doctrine
1231:. Spare described "
962:Friedrich Nietzsche
845:The Anathema of Zos
829:George Bernard Shaw
614:The Book of the Law
218:Western esotericism
4600:Christian Caldwell
4477:Euphame MacCalzean
4377:Katherine Campbell
4304:Pittenweem witches
4254:Witches of Belvoir
4244:Samlesbury witches
4194:Witches of Warboys
4134:Austin Osman Spare
4124:Madeline Montalban
3844:Austin Osman Spare
3620:Austin Osman Spare
3578:Austin Osman Spare
3145:. pp. 88–89.
3028:. pp. 28–29.
2990:. London: Fulgur.
2575:. pp. 82–83.
2292:. pp. 20–21.
2244:. pp. 16–17.
1952:The Morland Press
1883:
1591:Asgærd, a British
1446:, a sourcebook of
1425:
1105:The Book of Satyrs
1088:Algernon Blackwood
1042:Arthur Conan Doyle
1016:broke out against
950:The Valley of Fear
851:In 1917, with the
722:
633:George Cecil Jones
587:
532:The Morning Leader
492:Ethel Rolt Wheeler
163:Austin Osman Spare
25:Austin Osman Spare
4817:
4816:
4813:
4812:
4763:
4762:
4729:
4728:
4638:Alexandrian Wicca
4613:
4612:
4591:Witch hunters and
4572:Major Thomas Weir
4147:
4146:
4007:
4006:
3999:George Pickingill
3893:
3892:
3793:Genesis P-Orridge
3674:
3673:
3656:The Focus of Life
3317:on 12 April 2001.
3244:Antiques Roadshow
3041:. pp. x–xi.
1969:Books illustrated
1966:
1965:
1944:The Focus of Life
1775:
1774:
1767:
1749:
1582:psychedelic music
1549:Antiques Roadshow
1414:Ken Norris (poet)
1129:, the quarterly,
954:automatic writing
942:Gerald Reitlinger
929:and published by
925:, co-edited with
911:Walter de la Mare
893:, Herbert Furst,
869:The Focus of Life
847:: 1917–1927
841:The Focus of Life
817:automatic writing
801:Walter de la Mare
705:: 1911–1916
524:political cartoon
480:summer exhibition
335:St Bride's Church
247:The Focus of Life
183:automatic drawing
179:automatic writing
160:
159:
4912:
4774:
4773:
4740:
4739:
4721:Cecil Williamson
4648:Cochrane's Craft
4643:Gardnerian Wicca
4624:
4623:
4542:Annaple Thomsone
4532:Bessie Stevenson
4447:Gwen ferch Ellis
4392:Margaret Duchill
4357:Margaret Barclay
4174:
4173:
4089:Aleister Crowley
4079:Peter J. Carroll
4018:
4017:
4013:Ceremonial magic
3943:
3942:
3920:
3913:
3906:
3897:
3896:
3839:Aleister Crowley
3808:Peter J. Carroll
3777:Synchromysticism
3722:Cut-up technique
3701:
3694:
3687:
3678:
3677:
3664:Anathema of Zos
3640:A Book of Satyrs
3612:
3605:
3598:
3589:
3588:
3548:The Starlit Mire
3479:
3449:
3426:
3398:
3397:
3395:
3393:
3384:. Archived from
3378:
3372:
3367:
3361:
3360:
3358:
3356:
3342:
3333:
3332:
3325:
3319:
3318:
3313:. Archived from
3303:
3297:
3296:
3289:
3283:
3282:
3275:
3269:
3266:Peter J. Carroll
3263:
3257:
3256:
3254:
3252:
3239:"Battle Abbey 1"
3235:
3229:
3228:
3226:
3224:
3213:
3207:
3201:
3195:
3189:
3183:
3177:
3171:
3165:
3159:
3152:
3146:
3140:
3134:
3128:
3122:
3121:at 25:40 minutes
3120:
3118:
3116:
3104:
3098:
3091:
3085:
3078:
3072:
3066:
3057:
3051:
3042:
3035:
3029:
3023:
3017:
3011:
3002:
3001:
2983:
2974:
2968:
2962:
2955:
2949:
2942:
2936:
2929:
2923:
2916:
2910:
2904:
2898:
2892:
2886:
2880:
2874:
2868:
2862:
2856:
2850:
2844:
2838:
2832:
2826:
2820:
2814:
2808:
2802:
2796:
2790:
2784:
2778:
2772:
2766:
2763:
2757:
2751:
2745:
2739:
2733:
2727:
2721:
2715:
2709:
2703:
2697:
2690:
2684:
2678:
2672:
2666:
2660:
2654:
2648:
2642:
2636:
2630:
2624:
2618:
2612:
2606:
2600:
2594:
2588:
2582:
2576:
2570:
2564:
2558:
2552:
2546:
2540:
2534:
2528:
2522:
2516:
2510:
2504:
2498:
2492:
2486:
2480:
2474:
2468:
2462:
2456:
2450:
2444:
2438:
2432:
2425:
2419:
2413:
2407:
2401:
2395:
2389:
2383:
2382:. pp. 42–44, 47.
2377:
2371:
2365:
2359:
2353:
2344:
2338:
2329:
2323:
2317:
2311:
2305:
2299:
2293:
2287:
2281:
2275:
2269:
2263:
2257:
2251:
2245:
2239:
2233:
2226:
2220:
2214:
2208:
2202:
2196:
2190:
2181:
2178:Joseph Nechvatal
2174:
2168:
2155:
2149:
2148:
2146:
2144:
2129:
2070:Poems and Masks,
2044:Magazines edited
2007:The Starlit Mire
1915:A Book of Satyrs
1885:
1882:
1866:, October 2014 -
1770:
1763:
1759:
1756:
1750:
1748:
1707:
1683:
1675:
1607:industrial music
1562:Peter J. Carroll
1510:area of London.
1438:Peter J. Carroll
1408:Magic and sigils
1349:Peter J. Carroll
1325:
1199:magico-religious
1113:The Starlit Mire
1076:witches' sabbath
1064:Logomachy of Zos
1046:Kate Fox-Jencken
1014:Second World War
931:Chapman and Hall
793:Frederick Carter
733:The Starlit Mire
660:Charles Ricketts
645:ceremonial magic
629:Argenteum Astrum
605:Aleister Crowley
560:A Book of Satyrs
536:A Book of Satyrs
425:Sylvia Pankhurst
421:Aubrey Beardsley
409:Charles Ricketts
386:South Kensington
352:denomination of
287:Second World War
222:Aleister Crowley
210:South Kensington
156:
139:Aleister Crowley
127:Charles Ricketts
119:
107:proto-surrealism
71:
53:30 December 1886
52:
50:
35:
21:
20:
4920:
4919:
4915:
4914:
4913:
4911:
4910:
4909:
4820:
4819:
4818:
4809:
4793:
4769:
4759:
4744:
4735:
4725:
4716:Doreen Valiente
4701:Frederic Lamond
4676:Robert Cochrane
4671:Charles Cardell
4658:
4652:
4609:
4592:
4586:
4562:Beatrix Watsone
4457:Grissel Jaffray
4372:Margaret Burges
4362:Magdalene Blair
4347:Allison Balfour
4342:Margaret Aitken
4329:
4323:
4294:Paisley witches
4184:Windsor Witches
4172:
4154:
4143:
4084:Andrew Chumbley
4067:
4063:Typhonian Order
4003:
3977:
3934:
3924:
3894:
3889:
3868:
3827:
3818:Ralph Tegtmeier
3786:Notable figures
3781:
3772:Symbol of Chaos
3710:
3705:
3675:
3670:
3622:
3616:
3517:
3512:
3497:Drury, Nevill.
3476:
3456:
3454:Further reading
3446:
3423:
3406:
3401:
3391:
3389:
3380:
3379:
3375:
3368:
3364:
3354:
3352:
3344:
3343:
3336:
3327:
3326:
3322:
3305:
3304:
3300:
3291:
3290:
3286:
3279:"Bulldog Breed"
3277:
3276:
3272:
3264:
3260:
3250:
3248:
3237:
3236:
3232:
3222:
3220:
3215:
3214:
3210:
3202:
3198:
3190:
3186:
3178:
3174:
3166:
3162:
3153:
3149:
3141:
3137:
3129:
3125:
3114:
3112:
3105:
3101:
3092:
3088:
3079:
3075:
3067:
3060:
3052:
3045:
3036:
3032:
3024:
3020:
3012:
3005:
2998:
2984:
2977:
2969:
2965:
2956:
2952:
2943:
2939:
2930:
2926:
2917:
2913:
2905:
2901:
2893:
2889:
2881:
2877:
2869:
2865:
2857:
2853:
2845:
2841:
2833:
2829:
2821:
2817:
2813:. pp. 175, 184.
2809:
2805:
2797:
2793:
2785:
2781:
2773:
2769:
2764:
2760:
2756:. pp. 144, 155.
2752:
2748:
2740:
2736:
2728:
2724:
2716:
2712:
2704:
2700:
2691:
2687:
2679:
2675:
2667:
2663:
2655:
2651:
2643:
2639:
2631:
2627:
2619:
2615:
2607:
2603:
2595:
2591:
2583:
2579:
2571:
2567:
2559:
2555:
2547:
2543:
2535:
2531:
2523:
2519:
2511:
2507:
2499:
2495:
2487:
2483:
2475:
2471:
2463:
2459:
2451:
2447:
2439:
2435:
2426:
2422:
2414:
2410:
2402:
2398:
2390:
2386:
2378:
2374:
2366:
2362:
2354:
2347:
2339:
2332:
2324:
2320:
2312:
2308:
2300:
2296:
2288:
2284:
2276:
2272:
2264:
2260:
2252:
2248:
2240:
2236:
2227:
2223:
2215:
2211:
2203:
2199:
2191:
2184:
2175:
2171:
2156:
2152:
2142:
2140:
2131:
2130:
2126:
2122:
2117:
2046:
1976:Behind the Veil
1971:
1937:Self-published
1909:Self-published
1881:
1876:
1851:, Bristol, 2007
1771:
1760:
1754:
1751:
1708:
1706:
1696:
1684:
1673:
1661:
1644:
1586:Made in England
1578:
1558:
1521:
1516:
1476:
1464:
1434:Walter Benjamin
1417:
1410:
1370:
1327:
1323:
1315:
1219:
1195:
1184:
1096:
1034:
986:Lefevre Gallery
978:
923:The Golden Hind
853:First World War
849:
789:The Yellow Book
780:The Yellow Book
707:
496:Behind the Veil
488:
413:Edmund Sullivan
370:
319:
314:
271:The Golden Hind
263:First World War
152:
117:
76:
75:London, England
73:
69:
60:
54:
48:
46:
38:
26:
17:
12:
11:
5:
4918:
4908:
4907:
4902:
4897:
4892:
4887:
4882:
4877:
4872:
4867:
4862:
4857:
4852:
4850:Artist authors
4847:
4842:
4837:
4832:
4815:
4814:
4811:
4810:
4808:
4807:
4801:
4799:
4795:
4794:
4792:
4791:
4786:
4780:
4778:
4771:
4765:
4764:
4761:
4760:
4758:
4757:
4751:
4749:
4737:
4731:
4730:
4727:
4726:
4724:
4723:
4718:
4713:
4708:
4703:
4698:
4696:Gerald Gardner
4693:
4688:
4686:Stewart Farrar
4683:
4678:
4673:
4668:
4662:
4660:
4654:
4653:
4651:
4650:
4645:
4640:
4630:
4628:
4621:
4615:
4614:
4611:
4610:
4608:
4607:
4602:
4596:
4594:
4593:Witch-prickers
4588:
4587:
4585:
4584:
4579:
4574:
4569:
4564:
4559:
4554:
4552:Issobell Young
4549:
4544:
4539:
4534:
4529:
4527:Isobell Shyrie
4524:
4519:
4514:
4509:
4507:Alison Pearson
4504:
4499:
4494:
4492:Barbara Napier
4489:
4484:
4482:Elspeth McEwen
4479:
4474:
4472:Beatrix Leslie
4469:
4464:
4459:
4454:
4449:
4444:
4439:
4434:
4429:
4424:
4419:
4414:
4409:
4404:
4399:
4397:Geillis Duncan
4394:
4389:
4384:
4379:
4374:
4369:
4364:
4359:
4354:
4349:
4344:
4339:
4333:
4331:
4325:
4324:
4322:
4321:
4320:
4319:
4311:
4310:
4309:
4301:
4300:
4299:
4291:
4290:
4289:
4281:
4280:
4279:
4271:
4270:
4269:
4261:
4260:
4259:
4251:
4250:
4249:
4241:
4240:
4239:
4231:
4230:
4229:
4224:Pendle witches
4221:
4220:
4219:
4211:
4210:
4209:
4201:
4200:
4199:
4191:
4190:
4189:
4180:
4178:
4171:
4170:
4165:
4159:
4157:
4149:
4148:
4145:
4144:
4142:
4141:
4136:
4131:
4126:
4121:
4116:
4111:
4106:
4101:
4096:
4091:
4086:
4081:
4075:
4073:
4069:
4068:
4066:
4065:
4060:
4055:
4050:
4045:
4040:
4035:
4033:Alpha et Omega
4030:
4024:
4022:
4015:
4009:
4008:
4005:
4004:
4002:
4001:
3996:
3991:
3985:
3983:
3979:
3978:
3976:
3975:
3970:
3965:
3960:
3955:
3949:
3947:
3940:
3936:
3935:
3923:
3922:
3915:
3908:
3900:
3891:
3890:
3888:
3887:
3882:
3876:
3874:
3870:
3869:
3867:
3866:
3861:
3856:
3851:
3846:
3841:
3835:
3833:
3829:
3828:
3826:
3825:
3820:
3815:
3810:
3805:
3800:
3798:Grant Morrison
3795:
3789:
3787:
3783:
3782:
3780:
3779:
3774:
3769:
3764:
3759:
3754:
3749:
3744:
3739:
3734:
3729:
3724:
3718:
3716:
3712:
3711:
3704:
3703:
3696:
3689:
3681:
3672:
3671:
3669:
3668:
3660:
3652:
3644:
3636:
3627:
3624:
3623:
3615:
3614:
3607:
3600:
3592:
3586:
3585:
3575:
3567:
3562:
3557:
3552:
3543:
3538:
3533:
3528:
3516:
3515:External links
3513:
3511:
3510:
3495:
3480:
3475:978-1907222443
3474:
3455:
3452:
3451:
3450:
3445:978-1907222016
3444:
3427:
3422:978-0953101689
3421:
3407:
3405:
3402:
3400:
3399:
3373:
3370:Hotel Elephant
3362:
3334:
3320:
3298:
3284:
3270:
3258:
3230:
3219:. 9 March 2015
3208:
3196:
3184:
3172:
3160:
3147:
3135:
3123:
3099:
3086:
3073:
3058:
3043:
3030:
3018:
3003:
2997:978-1558183421
2996:
2975:
2963:
2950:
2937:
2924:
2911:
2899:
2887:
2875:
2863:
2851:
2839:
2827:
2815:
2803:
2791:
2779:
2767:
2758:
2746:
2734:
2722:
2710:
2698:
2685:
2673:
2661:
2649:
2637:
2625:
2613:
2601:
2589:
2577:
2565:
2553:
2541:
2529:
2517:
2505:
2493:
2481:
2479:. p. 105.
2469:
2457:
2445:
2433:
2420:
2408:
2396:
2384:
2372:
2360:
2345:
2330:
2318:
2306:
2294:
2282:
2270:
2258:
2246:
2234:
2221:
2209:
2197:
2182:
2169:
2159:Hannen Swaffer
2150:
2123:
2121:
2118:
2116:
2113:
2105:Two Grimoires,
2087:(3 Vol. Set),
2060:
2059:
2053:
2045:
2042:
2041:
2040:
2034:
2028:
2020:
2010:
2004:
1998:
1992:
1986:
1980:
1970:
1967:
1964:
1963:
1960:
1954:
1953:
1950:
1947:
1939:
1938:
1935:
1932:
1924:
1923:
1920:
1917:
1911:
1910:
1907:
1904:
1896:
1895:
1892:
1889:
1880:
1877:
1875:
1872:
1871:
1870:
1867:
1861:
1858:
1852:
1846:
1843:
1840:Morley College
1836:
1833:
1830:
1827:
1824:
1821:
1818:
1815:
1812:
1809:
1806:
1803:
1800:
1797:
1794:
1791:
1788:
1785:
1782:
1779:
1773:
1772:
1687:
1685:
1678:
1672:
1669:
1660:
1657:
1643:
1640:
1631:Zos Kia Cultus
1577:
1574:
1557:
1556:In esotericism
1554:
1544:BBC Television
1520:
1517:
1515:
1512:
1480:appendix burst
1475:
1472:
1463:
1460:
1409:
1406:
1392:Charles Darwin
1369:
1366:
1316:
1314:
1311:
1218:
1215:
1207:Zos–Kia Cultus
1203:Zos Kia Cultus
1183:
1182:Zos Kia Cultus
1180:
1095:
1092:
1033:
1030:
982:Hanover Square
977:
974:
919:Havelock Ellis
899:Frank Brangwyn
848:
837:
805:Frank Brangwyn
706:
699:
683:Frank Brangwyn
641:Victor Neuburg
520:Zoroastrianism
487:
484:
427:, a prominent
378:William Morris
369:
366:
362:Philip Connard
318:
315:
313:
310:
158:
157:
150:
146:
145:
142:
141:
120:
114:
113:
110:
109:
100:
96:
95:
92:
91:Known for
88:
87:
82:
78:
77:
74:
72:(aged 69)
66:
62:
61:
55:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
4917:
4906:
4903:
4901:
4898:
4896:
4893:
4891:
4888:
4886:
4885:Fantastic art
4883:
4881:
4878:
4876:
4873:
4871:
4868:
4866:
4863:
4861:
4858:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
4838:
4836:
4833:
4831:
4828:
4827:
4825:
4806:
4803:
4802:
4800:
4796:
4790:
4787:
4785:
4782:
4781:
4779:
4775:
4772:
4766:
4756:
4753:
4752:
4750:
4748:
4741:
4738:
4732:
4722:
4719:
4717:
4714:
4712:
4709:
4707:
4704:
4702:
4699:
4697:
4694:
4692:
4689:
4687:
4684:
4682:
4679:
4677:
4674:
4672:
4669:
4667:
4664:
4663:
4661:
4655:
4649:
4646:
4644:
4641:
4639:
4635:
4632:
4631:
4629:
4625:
4622:
4620:
4616:
4606:
4603:
4601:
4598:
4597:
4595:
4589:
4583:
4582:Bessie Wright
4580:
4578:
4577:Janet Wishart
4575:
4573:
4570:
4568:
4565:
4563:
4560:
4558:
4557:Marion Walker
4555:
4553:
4550:
4548:
4547:Marioun Twedy
4545:
4543:
4540:
4538:
4535:
4533:
4530:
4528:
4525:
4523:
4522:Agnes Sampson
4520:
4518:
4517:Elspeth Reoch
4515:
4513:
4510:
4508:
4505:
4503:
4500:
4498:
4495:
4493:
4490:
4488:
4485:
4483:
4480:
4478:
4475:
4473:
4470:
4468:
4465:
4463:
4460:
4458:
4455:
4453:
4450:
4448:
4445:
4443:
4442:Helen Guthrie
4440:
4438:
4437:Isobel Gowdie
4435:
4433:
4430:
4428:
4425:
4423:
4420:
4418:
4415:
4413:
4410:
4408:
4407:Isobel Elliot
4405:
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4274:Alloa witches
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4021:Organizations
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3994:James Murrell
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3873:Organisations
3871:
3865:
3862:
3860:
3859:Postmodernism
3857:
3855:
3854:Kenneth Grant
3852:
3850:
3849:Discordianism
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3632:Earth Inferno
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3093:Frater U∴D∴,
3090:
3083:
3080:Frater U∴D∴,
3077:
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3063:
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3015:
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2598:
2593:
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2574:
2569:
2562:
2557:
2550:
2545:
2538:
2533:
2527:. p. 57.
2526:
2521:
2514:
2509:
2502:
2497:
2490:
2485:
2478:
2473:
2466:
2461:
2454:
2449:
2443:. pp. 48, 50.
2442:
2437:
2430:
2424:
2417:
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2405:
2400:
2393:
2388:
2381:
2376:
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2342:
2337:
2335:
2327:
2322:
2315:
2310:
2303:
2298:
2291:
2286:
2280:. pp. 18, 20.
2279:
2274:
2268:. pp. 20, 32.
2267:
2262:
2255:
2250:
2243:
2238:
2231:
2225:
2218:
2213:
2206:
2201:
2194:
2189:
2187:
2179:
2173:
2166:
2165:
2160:
2154:
2139:. 12 May 2015
2138:
2134:
2128:
2124:
2112:
2110:
2106:
2102:
2101:Dearest Vera,
2098:
2094:
2090:
2086:
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2078:
2074:
2071:
2066:
2065:
2057:
2054:
2051:
2048:
2047:
2038:
2035:
2032:
2031:The Gold Tree
2029:
2026:
2025:
2021:
2018:
2014:
2011:
2008:
2005:
2002:
1999:
1996:
1993:
1990:
1987:
1984:
1981:
1978:
1977:
1973:
1972:
1961:
1959:
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1951:
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1945:
1940:
1936:
1933:
1931:
1930:
1925:
1921:
1918:
1916:
1912:
1908:
1905:
1903:
1902:
1901:Earth Inferno
1897:
1886:
1868:
1865:
1862:
1859:
1856:
1855:Cuming Museum
1853:
1850:
1847:
1844:
1841:
1837:
1834:
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1828:
1825:
1822:
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1795:
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1789:
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1783:
1780:
1777:
1776:
1769:
1766:
1758:
1755:December 2022
1747:
1744:
1740:
1737:
1733:
1730:
1726:
1723:
1719:
1716: –
1715:
1711:
1710:Find sources:
1704:
1700:
1694:
1693:
1688:This section
1686:
1682:
1677:
1676:
1668:
1666:
1656:
1654:
1649:
1639:
1637:
1633:
1632:
1627:
1623:
1618:
1616:
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1600:
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1583:
1573:
1571:
1567:
1563:
1553:
1551:
1550:
1545:
1540:
1538:
1534:
1533:Jack Pollock
1530:
1526:
1511:
1509:
1505:
1501:
1497:
1493:
1489:
1485:
1481:
1471:
1469:
1462:Personal life
1459:
1457:
1451:
1449:
1445:
1444:
1439:
1435:
1431:
1421:
1415:
1405:
1403:
1402:
1397:
1393:
1389:
1384:
1383:reincarnation
1379:
1375:
1365:
1363:
1359:
1358:Sigmund Freud
1354:
1350:
1346:
1342:
1338:
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1332:
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1320:
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1308:
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1254:
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1234:
1230:
1229:
1224:
1214:
1212:
1211:Kenneth Grant
1208:
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1189:
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1173:
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1057:Kenneth Grant
1053:
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1027:
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1008:
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934:
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928:
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920:
916:
915:J.F.C. Fuller
912:
908:
907:Edith Sitwell
904:
900:
896:
892:
891:Robert Graves
888:
884:
880:
876:
872:
870:
865:
860:
858:
854:
846:
842:
839:World War I,
836:
834:
830:
826:
823:. Generally,
822:
818:
814:
810:
806:
802:
798:
794:
790:
786:
782:
781:
776:
772:
767:
765:
764:
759:
755:
751:
750:
744:
742:
741:hermaphrodite
738:
734:
729:
727:
720:
716:
711:
704:
701:Marriage and
698:
696:
692:
688:
684:
680:
676:
672:
668:
665:
661:
657:
652:
650:
646:
642:
638:
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621:
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615:
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606:
601:
599:
598:
593:
584:
580:
576:
571:
567:
565:
561:
557:
553:
549:
548:James Guthrie
545:
541:
537:
533:
529:
525:
521:
517:
513:
509:
505:
501:
497:
493:
483:
481:
477:
476:Royal Academy
471:
469:
465:
464:
459:
455:
451:
447:
443:
442:
441:Earth Inferno
437:
432:
430:
426:
422:
418:
414:
410:
405:
403:
399:
395:
391:
387:
383:
379:
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365:
363:
359:
355:
351:
347:
346:High Anglican
342:
340:
336:
332:
328:
324:
309:
307:
304:movement and
303:
299:
298:Kenneth Grant
295:
290:
288:
284:
280:
276:
272:
268:
264:
261:, during the
260:
255:
253:
249:
248:
243:
242:
237:
236:
235:Earth Inferno
231:
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223:
219:
215:
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203:
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101:
97:
93:
89:
86:
83:
79:
67:
63:
58:
45:
41:
37:Spare in 1904
34:
29:
22:
19:
4755:Helen Duncan
4711:Alex Sanders
4691:Janet Farrar
4605:John Kincaid
4497:Alice Nutter
4467:Marie Lamont
4422:Agnes Finnie
4367:Janet Boyman
4153:Early Modern
4133:
4104:Dion Fortune
3843:
3803:Lionel Snell
3715:Key concepts
3662:
3654:
3646:
3638:
3630:
3619:
3570:
3547:
3523: at the
3498:
3483:
3461:
3431:
3412:
3390:. Retrieved
3386:the original
3376:
3365:
3353:. Retrieved
3349:
3323:
3315:the original
3310:
3301:
3287:
3273:
3261:
3249:. Retrieved
3243:
3233:
3221:. Retrieved
3211:
3199:
3187:
3175:
3163:
3158:, 2001, p368
3155:
3150:
3138:
3126:
3113:. Retrieved
3102:
3094:
3089:
3081:
3076:
3033:
3021:
2987:
2966:
2958:
2953:
2945:
2940:
2932:
2927:
2919:
2914:
2902:
2890:
2878:
2866:
2854:
2842:
2830:
2818:
2806:
2794:
2782:
2770:
2761:
2749:
2737:
2725:
2713:
2701:
2693:
2688:
2676:
2664:
2652:
2640:
2628:
2616:
2604:
2592:
2580:
2568:
2556:
2544:
2539:. pp. 63–64.
2532:
2520:
2508:
2503:. pp. 53–55.
2496:
2484:
2472:
2460:
2452:
2448:
2436:
2428:
2423:
2418:. pp. 47–48.
2411:
2399:
2387:
2375:
2363:
2321:
2309:
2297:
2285:
2273:
2261:
2249:
2237:
2229:
2224:
2212:
2207:. pp. 9, 13.
2200:
2172:
2162:
2153:
2141:. Retrieved
2136:
2127:
2108:
2104:
2100:
2096:
2092:
2088:
2084:
2080:
2076:
2072:
2069:
2067:
2063:
2061:
2055:
2049:
2036:
2030:
2024:Twelve Poems
2022:
2012:
2006:
2000:
1994:
1988:
1982:
1974:
1957:
1942:
1927:
1914:
1899:
1894:Republished
1874:Bibliography
1761:
1752:
1742:
1735:
1728:
1721:
1709:
1697:Please help
1692:verification
1689:
1662:
1645:
1629:
1619:
1603:John Balance
1601:
1596:
1590:
1585:
1579:
1565:
1564:in the work
1559:
1547:
1541:
1522:
1504:hypertension
1486:in London's
1477:
1465:
1455:
1452:
1441:
1426:
1399:
1378:evolutionary
1371:
1351:argues that
1347:
1343:
1339:
1328:
1322:
1318:
1306:
1300:
1295:
1291:
1285:
1281:
1275:idea of the
1260:
1256:
1252:
1250:
1240:
1236:
1232:
1227:
1222:
1220:
1206:
1202:
1196:
1175:
1171:
1165:
1162:
1157:
1149:
1144:
1138:
1136:
1130:
1127:Clifford Bax
1124:
1119:
1117:
1112:
1110:
1104:
1101:
1097:
1083:
1082:periodical,
1080:
1067:
1063:
1061:
1054:
1038:Spiritualism
1035:
1018:Nazi Germany
1011:
1003:
979:
957:
949:
945:
937:
935:
927:Clifford Bax
922:
903:Glyn Philpot
895:Laura Knight
878:
874:
867:
861:
850:
844:
840:
824:
820:
788:
784:
778:
770:
768:
761:
747:
745:
736:
732:
730:
723:
714:
702:
687:heterosexual
679:George Moore
663:
653:
636:
628:
618:
612:
602:
597:The Observer
595:
591:
588:
579:Led Zeppelin
574:
563:
559:
535:
531:
518:who founded
511:
507:
503:
495:
489:
472:
461:
454:Omar Khayyam
439:
433:
406:
398:Walter Crane
371:
354:Christianity
343:
339:Fleet Street
320:
291:
275:Clifford Bax
270:
266:
258:
256:
245:
239:
233:
191:
187:sigilization
162:
161:
70:(1956-05-15)
18:
4835:1956 deaths
4830:1886 births
4789:Maggie Wall
4770:and museums
4502:Mary Pannal
4452:Janet Horne
4337:Lilias Adie
4163:In Scotland
4139:A. E. Waite
3708:Chaos magic
3404:Works cited
2971:Ansell 2005
2585:Ansell 2005
2453:The Equinox
2137:CVLT Nation
2093:Zos Speaks,
2056:Golden Hind
2017:W. B. Yeats
2013:Eight Poems
1995:The Equinox
1653:chaos magic
1622:death metal
1620:The Polish
1570:chaos magic
1525:Mario Amaya
1500:gall stones
1448:chaos magic
1217:Zos and Kia
1166:art nouveau
1131:Golden Hind
972:, in 1927.
887:Sidney Sime
883:W.H. Davies
813:J.C. Squire
809:W.H. Davies
664:avant-garde
649:black magic
620:The Equinox
581:-guitarist
556:Bodley Head
544:bric-a-brac
429:Suffragette
302:chaos magic
244:(1913) and
175:Art Nouveau
68:15 May 1956
4824:Categories
4736:witchcraft
4706:Sybil Leek
4487:Violet Mar
4462:Mary Hicks
4155:witchcraft
4129:Alan Moore
4114:James Lees
3939:Folk magic
3933:in Britain
3931:witchcraft
3832:Influences
3742:Initiation
3732:Entheogens
3464:. London:
3434:. London:
3295:. Discogs.
3281:. Discogs.
3204:Baker 2011
3192:Baker 2011
3180:Baker 2011
3168:Baker 2011
3143:Baker 2011
3131:Baker 2011
3069:Baker 2011
3054:Baker 2011
3039:Baker 2011
3026:Baker 2011
3014:Baker 2011
2907:Baker 2011
2895:Baker 2011
2883:Baker 2011
2871:Baker 2011
2859:Baker 2011
2847:Baker 2011
2835:Baker 2011
2823:Baker 2011
2811:Baker 2011
2799:Baker 2011
2787:Baker 2011
2775:Baker 2011
2754:Baker 2011
2742:Baker 2011
2730:Baker 2011
2718:Baker 2011
2706:Baker 2011
2681:Baker 2011
2669:Baker 2011
2657:Baker 2011
2645:Baker 2011
2633:Baker 2011
2621:Baker 2011
2609:Baker 2011
2597:Baker 2011
2573:Baker 2011
2561:Baker 2011
2549:Baker 2011
2537:Baker 2011
2525:Baker 2011
2513:Baker 2011
2501:Baker 2011
2489:Baker 2011
2477:Baker 2011
2465:Baker 2011
2441:Baker 2011
2416:Baker 2011
2404:Baker 2011
2392:Baker 2011
2380:Baker 2011
2368:Baker 2011
2356:Baker 2011
2341:Baker 2011
2326:Baker 2011
2314:Baker 2011
2302:Baker 2011
2290:Baker 2011
2278:Baker 2011
2266:Baker 2011
2254:Baker 2011
2242:Baker 2011
2217:Baker 2011
2205:Baker 2011
2193:Baker 2011
2115:References
2107:2011, and
1725:newspapers
1659:In culture
1546:programme
1496:bronchitis
1443:Liber Null
1245:Alan Moore
1072:witchcraft
1050:Pop Artist
1007:divination
999:St James's
991:anamorphic
693:person, a
667:homosexual
583:Jimmy Page
528:wage slave
500:David Nutt
279:surrealism
202:Kennington
198:Smithfield
49:1886-12-30
4777:Monuments
4768:Monuments
4567:Jane Weir
4537:Anna Tait
4427:Maud Galt
4417:John Fian
4218:1596–1597
4198:1589–1593
4109:Phil Hine
4072:Magicians
3982:Magicians
3813:Phil Hine
3762:Servitors
3618:Works by
3392:31 August
3223:4 October
3206:. p. 258.
3194:. p. 256.
3182:. p. 254.
3111:(Podcast)
3037:Moore in
2973:. p. 19.
2849:. p. 188.
2837:. p. 182.
2789:. p. 160.
2744:. p. 146.
2671:. p. 123.
2611:. p. 111.
2120:Footnotes
2058:1922–1924
2052:1916–1922
1849:Arnolfini
1593:prog rock
1488:Stockwell
1430:Hugo Ball
1388:Darwinism
1374:atavistic
1362:Carl Jung
1139:The Times
1094:As artist
1026:Luftwaffe
1012:When the
966:Goodmayes
833:Morrisian
775:John Lane
737:A Fantasy
675:John Gray
637:Yihovaeum
592:The World
552:John Lane
540:satirical
402:Byam Shaw
384:(RCA) in
323:Yorkshire
312:Biography
294:Thelemite
283:the Blitz
232:, namely
230:grimoires
214:Theosophy
200:and then
194:Snow Hill
171:symbolism
167:occultist
135:John Gray
118:Patron(s)
103:Symbolism
81:Education
59:, England
4657:Neopagan
4627:Variants
4168:In Wales
4094:John Dee
3973:Nicnevin
3946:Variants
3752:Playback
3727:Egregore
3170:. p. 88.
3133:. p. 95.
3071:. p. 89.
3056:. p. 28.
3016:. p. 27.
2563:. p. 82.
2551:. p. 81.
2515:. p. 62.
2491:. p. 56.
2406:. p. 44.
2394:. p. 53.
2370:. p. 31.
2358:. p. 51.
2343:. p. 41.
2328:. p. 32.
2316:. p. 23.
2304:. p. 22.
2256:. p. 17.
2232:, p. 224
2219:. p. 16.
2143:28 April
1642:In magic
1626:Behemoth
1576:In music
1404:(1859).
1267:idea of
1074:and the
1066:and the
995:El Greco
758:Buddhism
691:intersex
573:Spare's
436:grimoire
392:and the
350:Anglican
238:(1905),
224:and his
99:Movement
4798:Museums
4666:Artemis
4659:witches
4387:Meg Dow
4330:witches
4328:Accused
3757:Scrying
3355:10 July
3251:6 March
3115:7 March
2587:. p. 6.
2195:. p. 5.
1739:scholar
1492:anaemia
1353:Jungian
1271:or the
1269:Brahman
1188:Zos Kia
1005:use in
956:titled
864:divorce
726:Mayfair
609:Thelema
463:Inferno
296:author
149:Website
4734:Modern
4177:Trials
4048:O∴A∴A∴
3968:Goetia
3767:Sigils
3737:Gnosis
3667:(1927)
3659:(1921)
3651:(1913)
3643:(1907)
3635:(1905)
3525:Art UK
3505:
3490:
3472:
3442:
3419:
2994:
2111:2022.
2103:2010,
2099:2008,
2095:1999,
2091:1996,
2083:1992,
2079:1986,
2075:1974,
1888:Title
1741:
1734:
1727:
1720:
1712:
1667:area.
1636:Warsaw
1615:mentor
1609:group
1519:In art
1508:Ilford
1502:, and
1307:Kia-yu
1273:Taoist
1205:(also
771:Colour
754:Taoism
57:London
4634:Wicca
3927:Magic
1962:1927
1949:1921
1934:1913
1919:1907
1906:1905
1891:Year
1746:JSTOR
1732:books
1648:magic
1624:band
1474:Death
1396:Downe
1296:chiah
1265:Hindu
1241:zoion
1022:Blitz
970:Essex
695:dwarf
458:Dante
450:Bible
331:Devon
4745:the
4681:Dafo
4318:1711
4308:1704
4298:1696
4288:1684
4278:1658
4258:1619
4248:1612
4238:1612
4228:1612
4208:1590
4188:1579
4028:A∴A∴
3929:and
3527:site
3503:ISBN
3488:ISBN
3470:ISBN
3440:ISBN
3417:ISBN
3394:2010
3357:2017
3253:2020
3225:2015
3117:2023
2992:ISBN
2145:2017
1838:The
1718:news
1611:Coil
1360:and
1292:khya
1261:keer
1257:keah
1225:and
1044:and
917:and
879:Form
843:and
825:Form
785:Form
756:and
673:and
658:and
625:A∴A∴
446:Hell
419:and
400:and
376:and
267:Form
259:Form
226:A∴A∴
216:and
185:and
173:and
65:Died
43:Born
3747:Kia
3580:at
2015:by
1701:by
1634:in
1450:.)
1294:or
1286:chi
1277:Tao
1259:or
1253:Kia
1237:zoe
1233:Zos
1228:Kia
1223:Zos
1052:".
627:or
554:of
494:'s
468:Kia
460:'s
337:in
208:in
4826::
4636::
3468:.
3438:.
3348:.
3337:^
3309:.
3241:.
3061:^
3046:^
3006:^
2978:^
2348:^
2333:^
2185:^
2135:.
1655:.
1588:.
1572:.
1498:,
1494:,
1458:.
1309:.
1289:,
1284:,
1282:ki
968:,
913:,
909:,
905:,
901:,
897:,
889:,
811:,
807:,
803:,
799:,
470:.
456:,
452:,
438:,
415:,
411:,
364:.
254:.
181:,
137:,
133:,
129:,
125:,
105:,
3919:e
3912:t
3905:v
3700:e
3693:t
3686:v
3611:e
3604:t
3597:v
3478:.
3448:.
3425:.
3396:.
3359:.
3255:.
3227:.
3119:.
3000:.
2147:.
1768:)
1762:(
1757:)
1753:(
1743:·
1736:·
1729:·
1722:·
1695:.
1416:.
1194:.
1168:.
585:.
51:)
47:(
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