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187:. Twenty-four English trustees, wearing the powdered wigs and tailcoats of English gentry, gather on a slightly elevated area on the left side of the image, signifying the formality of the occasion and assumed superiority to their guests. The nine Indian delegates stand on the floor to the right and wear traditional attire of deerskin moccasins and robes, braided hair, and feathered or beaded accessories.
191:, Tomochichi's wife and the sole woman in the group, wears a pink English-style jacket and petticoats. A black bear cub and a bald eagle are intended as gifts from the Indians that also signify their perceived quality of wildness. Tomochichi, his robe draped over one shoulder, extends an open hand, palm upward, signifying frankness and amity.
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on August 1 and with
Georgia's trustees on September 11 before sailing for home in late October. Verelst painted a group portrait of this meeting between the delegates and trustees. The portrait was likely painted from sketches in the months after the visit. Verelst also painted a separate portrait
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The youth with dark skin, positioned near the center of the painting and clasping the hand of one of the
English trustees, is dressed in English formal wear. Mistaken as a "black attendant" by at least one scholar, he is Tooanahowi, the fifteen-year-old heir-designate of Tomochichi. Contemporaries
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described
Tooanahowi as the chief's nephew, but he was actually Senauki's grandson (traditional Creek society was matrilineal). The youth received English schooling, delivered speeches in English during the expedition, and later fought alongside the British in the
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in 2022. Historians and members of the
Muscogee Nation criticized the statute as historically inaccurate and its source material as "propaganda" intended to portray Native Americans as "weak and uncivilized."
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and other
English dignitaries. Oglethorpe hoped that the Indians' presence would attract greater investments to the colony. During a four-month visit, the delegates met with
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basin. Tomochichi and
Oglethorpe quickly established friendly relations that culminated in a treaty of friendship and trade, enabling the British to form the new
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222:. Commissioned by Georgia's trustees, it hung in the trustees' offices in London until the trustees dissolved after Georgia became a royal colony in 1752.
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In this painting, the
English trustees of Georgia Colony meet with a delegation of Creek Indians of the Yamacraw band at the trustees' headquarters in
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612:"Reynolds' 'King of the Cherokees' and Other Mistaken Identities in the Portraiture of Native American Delegations, 1710-1762"
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226:, acquired the portrait, which stayed in the Cooper family until it was purchased by Henry Francis du Pont circa 1930. The
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building with high stone walls, marble-tiled floor, heavy draperies, and brass chandelier with a window giving a view of
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159:. Tomochichi also played an important role in negotiating alliances between Lower Creek communities and the British.
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The painting inspired the design of a towering and nearly nude statue of
Tomochichi erected in
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147:(c. 1644–1741), a Muscogee chief, had led a band of 200 Muscogee followers (that became the
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123.19 cm × 155.893 cm (48.50 in × 61.375 in)
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Bears: Archaeological and
Ethnohistorical Perspectives in Native Eastern North America
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American
Paintings and Related Pictures in the Henry Francis du Pont Winterthur Museum
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presented a copy, painted by Edmund Dyer in 1826, to the State of Georgia in 1926.
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In 1734, a Yamacraw delegation accompanied Oglethorpe to London to meet with the
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Audience Given by the Trustees of Georgia to a Delegation of Creek Indians
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Audience Given by the Trustees of Georgia to a Delegation of Creek Indians
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band) to settle in the late 1720s, far from their ancestral lands in the
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Trustees for the Establishment of the Colony of Georgia in America
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and a group of 114 British colonists arrived at the mouth of the
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659:"Muscogee Dismayed by Nearly Naked Statue of Georgia Ancestor"
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is an oil-on-canvas group portrait created by English painter
404:"Bearing Feathers of the Eagle: Tomochichi's Trip to England"
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delegation meeting with the governing body of the English
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Collection of the Winterthur Museum, Gallery and Library
562:"Tooanahowi: The Maturation of the Next Yamacraw Leader"
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Information about the painting from Winterthur Museum
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Common Council of Georgia receiving the Indian Chiefs
500:Lapham, Heather A.; Waselkov, Gregory A. (2020).
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769:Native American history of Georgia (U.S. state)
445:"Will the Real Tomochichi Please Come Forward?"
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224:Anthony Ashley Cooper, 4th Earl of Shaftesbury
343:Creek Diplomacy in an Imperial Atlantic World
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700:, National Museum of the American Indian
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310:"Tomochichi - Travels to Great Britain"
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108:in 1734 or 1735. A bequest from
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266:from the original on 2023-01-10
104:(1704–1752). It was painted in
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657:Warren, Michael (2022-02-07).
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754:Portraits by American artists
364:Richardson, Edgar P. (1986).
285:"Tomochichi: Brief Biography"
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409:Georgia Historical Quarterly
372:University Press of Virginia
346:(PhD dissertation). Durham:
260:Winterthur Museum Collection
175:of Tomochichi and his heir.
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508:University Press of Florida
348:University of New Hampshire
340:Parmelee, Deena L. (2010).
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16:Painting by William Verelst
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560:Sweet, Julie Anne (2015).
443:Sweet, Julie Anne (2008).
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289:Georgia Historical Society
202:The scene is set inside a
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116:. The painting depicts a
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749:Paintings in Delaware
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110:Henry Francis du Pont
759:Portraits of people
318:. 10 October 2017.
197:War of Jenkins' Ear
153:Chattahoochee River
125:Province of Georgia
616:Oxford Art Journal
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135:In February 1733,
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179:Description
118:Lower Creek
708:Categories
675:2023-01-10
622:(2): 138.
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270:2023-01-10
242:References
228:ninth earl
145:Tomochichi
131:Background
71:Dimensions
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185:Whitehall
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264:Archived
214:Analysis
149:Yamacraw
143:, where
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