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Athol Fugard

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505:, Fats Bookholane and Mike Ngxolo as well as Nomhle Nkonyeni and Mabel Magada. They all got together, albeit at different intervals, and decided to do something about their lives using the stage. In 1961 they met Athol Fugard, a white man who grew up in Port Elizabeth and who recently returned from Johannesburg, and asked him if he could work with them "as he had the know-how theatrically—the tricks, how to use the stage, movements, everything"; they worked with Athol Fugard since then, "and that is how the Serpent Players got together." At the time, the group performed anything they could lay their hands on in South Africa as they had no access to any libraries. These included 527:, considered a highly political and telling story of the South African political landscape at the time. Ntshona answered: "We are just a group of artists who love theatre. And we have every right to open the doors to anyone who wants to take a look at our play and our work...We believe that art is life and conversely, life is art. And no sensible man can divorce one from the other. That's it. Other attributes are merely labels." They mainly performed at the St Stephen's Hall – renamed the Douglas Ngange Mbopa Memorial Hall in 2013 – adjacent to St Stephen's Church, and other spaces in and around New Brighton, the oldest Black township in Port Elizabeth. 784: 4970: 669:, Kruger observes, "The participants were engaged not only in representing social relationships on stage but also on enacting and revising their own dealings with each other and with institutions of apartheid oppression from the law courts downward", and "this engagement testified to the real power of Brecht's apparently utopian plan to abolish the separation of player and audience and to make of each player a 'statesman' or social actor...Work on 590:(1969) in 1971, arguing: "There are splinters of realities here, and pregnancies of feeling, hut nothing of significance emerges. In Mr. Fugard's earlier plays he seemed to be dealing with life at a proper level of humanity. Here—if real people are living there—they remain oddly quiet about it...The first act rambles disconsolately, like a lonely type writer looking for a subject and the second act produces with pride a birthday party of 2377: 917:, New Haven. This short play was performed with an "introductory scene" compiled by Paula Fourie from Fugard's journal writings. With "the playwright digging through these diaries on a set which resembles an old, busy writer's workspace", the scene blends into the main play, which begins when Boba, the grandson of the story-telling grandfather character Oupa (played by Fugard) comes to visit. 323:." His good friendship with prominent local anti-apartheid figures had a profound influence on Fugard. His plays' political expression brought him into conflict with the national government; to avoid prosecution, he had his plays produced and published outside South Africa. Fugard struggled with alcohol for a time but has been a teetotaler since the early 1980s. 458:
Of the few venues in the country where a play could be presented to mixed audiences, Fugard noted that some were little better than barns. But he concluded that under these circumstances, "every conceivable dignity--audience, producer, act, 'professional' etc.--" was "operative" in the white theatre
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I'm beginning to wonder whether it really works that way. The supposition seems to be that there is a didactic--a teaching through feeling element in art. What I do know is that art can give meaning, can render meaningful areas of experience, and most certainly also enhances. But teach? Contradict?
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Some of his plays are grouped together. Sometimes this is based on the subject matter (the Port Elizabeth plays), sometimes it is based on a period and style (the Statement Plays)..But no category is complete, and there is overlap (The Township and The Statement Plays) and some plays do not easily
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Back in S'Kop after five weeks in London for BBC TV production of The Blood Knot. Myself as Morrie, with Charles Hyatt as Zach. Robin Midgley directing. Midgley reduced the play to 90 minutes...Midgley did manage to dig up things that had been missed in all the other productions. Most exciting was
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as "awkward and thin. It is unable to communicate very much about its characters, or make them much more than the servants of a noticeably ticking plot." Eder said, "Queenie is the most real of the characters. Her sense of herself and where she wants to go makes her believable and the crumbling of
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In the 1960s, Fugard formed the Serpent Players, whose name derives from its first venue, the former snake pit (hence the name) at the Port Elizabeth Museum, "a group of black actors worker-players who earned their living as teachers, clerks, and industrial workers, and cannot thus be considered
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classifies many of Fugard's dramatic works according to chronological periods of composition and similarities of style: "Apprenticeship" (1957); "Social Realism" (1958–1961); "Chamber Theatre" (1961–1970); "Improvised Theatre" (1966–1973); and "Poetic Symbolism"
876:, farmer. While they dispute property titles, both share a reverence for the land and fear change. In October 1995, Fugard took the play to the United States with a production by the Manhattan Theatre Club at the McCarter Theatre in Princeton, New Jersey. 442:
to prevent any British entertainer visiting South Africa unless the audiences were allowed to be multi-racial. In a decision that caused him to reflect on the power of art to effect change, Fugard decided that the "answer must be No" to segregation.
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In 1962, Fugard found the question of whether he could "work in a theatre which excludes 'Non-Whites'--or includes them only on the basis of special segregated performance-- increasingly pressing". It was made more so by the decision of
330:, California, where he taught as an adjunct professor of playwriting, acting, and directing in the Department of Theatre and Dance at the University of California, San Diego (UCSD). For the academic year 2000–2001, he taught at 746:
While dramatising frustrations in the lives of his audience members, the plays simultaneously drew them into the action and attempted to have them analyse the situations of the characters in Brechtian fashion, according to
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and some of Fugard's other works are subtitled. The play deals with the relationship between a 17-year-old white South African and two African men who work for the white youth's family. Its world premiere was performed by
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The Serpent Players conceptualised and co-authored many plays that it performed for a variety of audiences in many theatres around the world. The following are some of its notable and most popular plays:
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In 2015, after almost 60 years of marriage, the Fugards divorced. In 2016, in New York City Hall, Fugard married Paula Fourie, a younger South African writer and academic. Fugard and Fourie live in the
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21 (Summer/Fall 2002); in Fugard's National Orders Award (27 September 2005) from the government of South Africa, presented to "Harold Athol Lanigan Fugard (1932 –)"; and in his "Full Profile" in
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at the Yale Rep in New Haven CT, in 1987. Inspired by the true story of World War II Soviet deserter, Fugard plays a paranoid who spent four decades hiding with his pigs. As with
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bathos but less than Chaplinesque invention and spirit.. harangue one another in an awkward dislocation between a formal speech and an interior monologue." Mark Blankenship of
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her dour defenses at a touch of hope makes her affecting. By contrast, Johnny is unreal. His warmth and hopefulness at the start crumble too suddenly and too completely".
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That old argument used to be so comforting; so plausible: 'One person in that segregated, white audience, might be moved to think, and then to change, by what he saw'.
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negatively reviewed a 2005 revival of the same work, writing that it "lacks the emotional intensity and theatrical imagination that mark such Fugard favorites" as
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After returning to Port Elizabeth in the early 1960s, Athol and Sheila Fugard started The Circle Players, which derives its name from the production of
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his treatment of the letter writing scene – 'Address her' – which he turned into an essay in literacy...Zach sweating as the words clot in his mouth...
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as Zachariah and Fugard himself as Morris, as in the original 1961 première in Johannesburg. Less pleased than Fugard, the South African government of
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dramatized the choices facing a woman whose husband, convicted of anti-apartheid political activity, left her only a coat and instructions to use it.
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amateurs in the manner of leisured whites", developing and performing plays "under surveillance by the Security Police", according to Loren Kruger's
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in Silver from the government of South Africa "for his excellent contribution and achievements in the theatre". He is also an Honorary Fellow of the
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In 1958, Fugard organised "a multiracial theatre for which he wrote, directed, and acted", writing and producing several plays for it, including
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leaves the Karoo to pursue a singing career in Cape Town but then returns, after his death, to create a new life on the land for her young son.
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In September 1956, he married Sheila Meiring, a University of Cape Town Drama School student whom he had met the previous year. Now known as
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and many other prominent playwrights of the time. In an interview in California, Ntshona and Kani were asked why they were doing the play
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He left home, hitchhiked to North Africa with a friend, and spent the next two years working in east Asia on a steamer ship, the
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Fugard also served as an adjunct professor of playwriting, acting and directing in the Department of Theatre and Dance at the
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Fugard's plays are produced internationally and have won multiple awards, and several have been made into films (see
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and social situations and encouraged audiences to analyze rather than merely applaud the action"; for example,
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Fisher gives Fugard's full birth name as "Harold Athol Lanigan Fugard", spelling Fugard's middle name as
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In other words, can art change a man or woman? No. That is what life does. Art is no substitute for life.
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was premiered in Johannesburg, in August, 1995, with Fugard in the role of both a white, and of a
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1974. By Athol Fugard, John Kani, and Winston Ntshona. Rev. ed. Oxford and New York: OUP, 1978.
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was being held, too controversial, so Fugard and the Serpent Players used the alternative title
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His film debut as a director occurred in 1992, when he co-directed the adaptation of his play
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Kruger, Loren (2004). "Chapter 5: The Dis-illusion of Apartheid: Brecht in South Africa".
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Kruger, Loren (2004). "Chapter 5: The Dis-illusion of Apartheid: Brecht in South Africa".
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led directly to the creation, in 1966, of what is still South Africa's most distinctive
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was filmed by the BBC in 1967, with Fugard's collaboration, starring the Jamaican actor
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Acclaimed in 1985 as "the greatest active playwright in the English-speaking world" by
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theatre company in February 2010 and a new play written and directed by Athol Fugard,
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with Peter Goldsmid, who also wrote the screenplay. The film adaptation of his novel
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Fugard developed these two plays for the Serpent Players in workshops, working with
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led indirectly to the Serpent Players' most famous and most Brechtian productions:
421: 5030: 2923: 2551:. South African Government Online (info.gov.za). 27 September 2005. Archived from 967:
Outside of his own work, Fugard has a number of cameo film roles, most notably as
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According to Loren Kruger, Professor of English and Comparative Literature at the
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In 2012, Fugard returned again to South Africa, where he now lives permanently.
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He has received many awards, honours, and honorary degrees, including the 2005
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below). Fugard himself performed in the first of these, as Boesman alongside
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in Silver – "for his excellent contribution and achievements in the theatre"
837:, New Haven, Connecticut, in May 1984. Directed by Fugard, the cast starred 6708: 6650: 6636: 6586: 6576: 6550: 6518: 6493: 6391: 6361: 6297: 6218: 6214: 6184: 6166: 6107: 6073: 6060: 6030: 6018: 5968: 5882: 5827: 5823: 5812: 5631: 5505: 5449: 5430: 5410: 5042: 5006:. (Includes YouTube Video clip of Athol Fugard's Burke Lecture "A Catholic 3640: 3460: 3440: 3268: 2868: 2780: 2216: 895: 842: 808: 788: 758: 551: 502: 477: 416: 402: 316: 264: 236: 61: 5014:", the Eugene M. Burke C.S.P. Lectureship on Religion and Society, at the 4635:(13). Google Books. Retrieved 1 October 2008. (Limited preview available.) 4194:
A list of Fugard's Broadway theatre award nominations may be found at the
2916:"African Odyssey: Lisa Fugard Explores the Moral Ambiguities of Apartheid" 6702: 6669: 6423: 6371: 6343: 6319: 6308: 6287: 6129: 5886: 5845: 5738: 5671: 5596: 5572: 5548: 5418: 5380: 5367: 5286: 4952: 3941: 3081:"Athol Fugard Gets Personal In 'Shadow of the Hummingbird' At Long Wharf" 2715: 1999: 816: 493:, published in 2004. The group largely consisted of black men, including 432: 371: 309: 291: 162: 5146: 5076: 4644:, Truth and Reconciliation, Camus, Pascal and 'courageous pessimism'..." 4154: 4136: 4118: 255:, South Africa, on 11 June 1932. His mother, Marrie (née Potgieter), an 6602: 6329: 6283: 6210: 6022: 5944: 5892: 5679: 5193: 4975: 4837: 3745: 3281: 2960: 2353: 2109: 2093: 1984: 1680:. Ed. and introd. Dennis Walder. Oxford and New York: Oxford UP, 1993. 1640: 1378: 1046: 1040: 957: 740: 547: 451:
State the opposite to what you believe and then lead you to accept it?
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In January 2009, Fugard returned to New Haven for the premiere in the
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These plays "espoused a Brechtian attention to the demonstration of
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In April 2014, returned to the stage in the world premiere of his
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and Farber Foundry: In Association with Mmabana Arts Foundation.
771:(1978) was described as one of his major works by Alvin Klein of 634: 480:, in New York City in 1964, "launch" Fugard's "American career." 370:(1959), in which he and his colleague, black South African actor 349:
region of South Africa with their daughter, Halle Fugard Fourie.
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Fugard was honoured in Cape Town with the opening in 2010 of the
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The Dramatic Art of Athol Fugard: From South Africa to the World
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The Dramatic Art of Athol Fugard: From South Africa to the World
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The Dramatic Art of Athol Fugard: From South Africa to the World
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Nancy T. Kearns collection of Athol Fugard materials, 1983–1996
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In chronological order of first production and/or publication:
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Athol Fugard: Statements: An Athol Fugard site by Iain Fisher
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Athol Fugard: Statements: An Athol Fugard site by Iain Fisher
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Post-Imperial Brecht Politics and Performance, East and South
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Post-Imperial Brecht Politics and Performance, East and South
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Post-Imperial Brecht Politics and Performance, East and South
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The first play that Fugard wrote after the end of apartheid,
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Rich, Frank; Times, Special To the New York (3 April 1987).
1964:(1991), co-dir. by Fugard and Peter Goldsmid (screen adapt.) 1331:. Oxford and New York: Oxford University Press (OUP), 1974. 326:
For several years in the late 20th century, Fugard lived in
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Veronika, the granddaughter of Buk, the coloured farmer in
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at Google Books (several with limited previews available)
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and Creature Technology Company / Jason Michael Webb /
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Fugard, Athol (2000). Dennis Walder, and introd (ed.).
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Encyclopaedia of South African Theatre and Performance
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Fugard, Athol (1990). Stephen Gray, and introd (ed.).
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by Wilma Stockenstrom. Craighall: A. D. Donker, 1977.
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Die besoeker: 'n episode in die lewe van Eugene Marais
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Fisher observes in the Fugard "Biography" section of
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1986 – Evelyn F. Burkey Memorial Award – (along with
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Statements After an Arrest Under the Immorality Act
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Statements After an Arrest Under the Immorality Act
628:and set in the township. Other productions include 251:Fugard was born as Harold Athol Lanigan Fugard, in 4582:Blumberg, Marcia Shirley, and Dennis Walder, eds. 4070:My Children! My Africa! and Selected Shorter Plays 3623:. Bloomington: Indiana University Press. pp.  3047: 3021:Fugard, Athol & Serena Davies (8 April 2007). 2074: 1887:The Guest: an episode in the life of Eugene Marais 898:area of Cape Town opened with performances by the 193:was adapted as a film of the same name and won an 3587:"THEATER; 'Hello and Goodbye,' Early Fugard Play" 3371: 3133:"Congratulations Athol Fugard & Paula Fourie" 3048:Fugard, Athol; Bruce Burgun (29 September 2000). 338:as the IU Class of 1963 Wells Scholar Professor. 184:. Some of these have also been adapted for film. 6734: 5840:/ Experimental Theatre Inc. / Rosalind Gilder / 4885:. Bloomington: Indiana University Press, 2000. 4815:. 8 October 2003. Retrieved 29 September 2008. 4798:21 (Summer/Fall 2002). Retrieved 2 October 2008. 4779:(13). (Google Books; limited preview available.) 4677:. Johannesburg and New York: McGraw-Hill, 1982. 4072:. Johannesburg: Witwatersrand University Press. 701:(1972). The authorities considered the title of 274:. In 1938, he began attending primary school at 5142:New York Public Library for the Performing Arts 4851:, 17 August 2007. Retrieved 30 September 2008. 4648:The Morning After: Performing Arts in Australia 4238:"Athol Fugard: Award Nominations; Award(s) Won" 4033: 3526: 2879: 2877: 2451: 5917:The New York Public Library Theatre Collection 4667:, 8 April 2007. Retrieved 29 September 2008. 3160:"Aangaande Athol, Paula en Babyboy Kleintjies" 2889:"The Apprenticeship Years: Athol Fugard issue" 2752: 6823:South African male dramatists and playwrights 6112:The National Theatre Company of Great Britain 5775: 5302: 5162: 4654:. 29 January 2006. Retrieved 4 October 2008. 4260: 3878:"His Next Act: Driving Out Apartheid's Ghost" 3688:"THEATER: WORLD PREMIERE OF FUGARD' NEW PLAY" 3414: 3412: 3410: 3408: 3406: 3404: 3157: 308:, she is a novelist and poet. Their daughter 6818:White South African anti-apartheid activists 5067:– Complete Guide to Playwright and Plays at 4502: 4061: 4039: 3014: 2874: 2796:. St Dominic's Priory School. Archived from 2484: 2133:Lifetime Achievement in the Theatre (winner) 1989:Academy Award for Best Foreign Language Film 962:Academy Award for Best Foreign Language Film 778: 697:, publishing them in 1974 with his own play 433:Refusal to stage for "Whites Only" audiences 5140:, held by the Billy Rose Theatre Division, 4586:. Amsterdam and Atlanta, Georgia: Editions 4148: 3506: 3238: 2949: 2947: 2945: 2943: 2941: 2836: 2655: 2653: 2651: 2242:2007 – Outstanding New Off-Broadway Play – 1923:Films adapted from Fugard's plays and novel 1747:The Captain's Tiger: A Memoir for the Stage 1233:The Captain's Tiger: a memoir for the stage 299:The Captain's Tiger: a memoir for the stage 246: 6803:Fellows of the Royal Society of Literature 5782: 5768: 5316: 5309: 5295: 5169: 5155: 5061:(subscription based; free trial available) 4968: 4268:"Lucille Lortel Awards Archive: 1986–2000" 3451: 3449: 3401: 2847:. Bloomington: Indiana UP, 2000. pp.  2447: 2445: 2443: 2441: 2439: 2437: 2435: 2433: 2431: 5176: 5090:"Full Profile: Mr Athol 'Lanigan' Fugard" 4845:"Victory: The Fight's Gone Out of Fugard" 4584:South African Theatre As/and Intervention 4469: 4232: 4230: 4228: 4226: 3764: 3348:. New York: Alfred A. Knopf. p. 59. 1628:. Johannesburg: Witwatersrand UP, 1990. 1312:Concerning the Life of Babyboy Kleintjies 1193:A Place with the Pigs: a personal parable 739:, which infused a Brechtian critique and 6788:South African dramatists and playwrights 5118:"Athol Fugard, The Art of Theater No. 8" 5115: 5033:– "Athol Fugard", rpt. by bookrags.com ( 4508: 4130: 3618: 3612: 3459:, 6(2), 1976, pp. 5–26. Available from: 3312:"Athol Fugard, The Art of Theater No. 8" 3309: 3105: 3041: 2953: 2938: 2842: 2648: 2539: 2537: 1704:, Johannesburg: Witwatersrand UP, 1994. 782: 6773:South African people of English descent 4385:"Honorary Degree Recipients: 1948–2001" 4176:. Stellenbosch University. 16 July 2014 4099:LitNet - Die boekehuis met baie wonings 4092: 3936: 3934: 3932: 3930: 3928: 3767:"STAGE: FUGARD'S 'PLACE WITH THE PIGS'" 3654:"Yale to Stage Premiere of Fugard Play" 3446: 3318:. Vol. Summer 1989, no. 111. 3073: 2786: 2428: 906:, played at the theatre in March 2010. 863: 6843:21st-century South African male actors 6838:20th-century South African male actors 6808:Writers Guild of America Award winners 6778:South African people of French descent 6735: 6305:Eugene O'Neill Memorial Theater Center 5789: 4989:Internet Off-Broadway Database (IOBDb) 4908:. . Gen. Ed., Kimball King. New York: 4490:from the original on 21 September 2008 4327:"Athol Fugard Biography and Interview" 4223: 4067: 3875: 3719: 3557: 3532: 3472: 3418: 3343: 3280: 3274: 3244: 3184: 3158:van der Merwe, Elna (7 October 2022). 2989: 2895:. 39.4 (Winter 1993). findarticles.com 2758: 2545:"Harold Athol Lanigan Fugard (1932 -)" 2506: 2504: 1546:. New York and London: Penguin, 1984. 483: 6768:South African people of Irish descent 6763:South African people of Dutch descent 6455:Edward E. Colton / Ben Edwards (1998) 5763: 5421:, Local 1101 & District 1 of the 5290: 5150: 4290: 4166: 4025:that South African writer and critic 3981: 3584: 3457:Ufahamu: A Journal of African Studies 3108:"Athol Fugard wins prestigious award" 3099: 2913: 2907: 2823:"Boesman and Lena – Author Biography" 2534: 2408: 2274:National Orders Award (South Africa) 2139:New York Drama Critics' Circle Awards 1314:(2022) (co-written with Paula Fourie) 550:, to explore the theatrical force of 6813:Recipients of the Order of Ikhamanga 6753:People from Middelburg, Eastern Cape 4790:. Department of Theatre and Dance. 4509:Enwemeka, Zeninjor (21 April 2006). 4440: 4415:"Honorary Graduates: 1920s to 2000s" 4407: 4300:. Writers Write, Inc. Archived from 4188: 3925: 3856: 3798: 3750:"Stage: 'To Mecca,' By Athol Fugard" 3685: 3210: 3002:from the original on 1 November 2010 2261:Writers Guild of America, East Award 374:performed. In 1978, Richard Eder of 16:South African playwright (born 1932) 5016:University of California, San Diego 4943:University of California, San Diego 4928:(13). (Out of print; unavailable.) 4792:University of California, San Diego 4511:"Stellenbosch honours Athol Fugard" 4112: 4093:Petrick, Nadine (11 October 2022). 3475:"Theater: People Are Living There'" 3286:"Stage: 'The Blood Knot' by Fugard" 2739:University of California, San Diego 2737:, Department of Theatre and Dance, 2516:University of California, San Diego 2501: 2466:from the original on 25 August 2008 1560:. New York: Alfred A. Knopf, 1984. 1305:The Painted Rocks at Revolver Creek 1044:(1961); later revised and entitled 429:to be Fugard's first "major play". 215:University of California, San Diego 13: 6833:21st-century South African writers 6828:20th-century South African writers 6668:The Broadway Advocacy Coalition / 6376:New York State Council on the Arts 4949:as "Personal Website"; see below.) 4457:News Bureau (Sweeney). 24 May 1995 4428:from the original on 3 August 2008 4377: 4341: 4242:The Internet Off-Broadway Database 3987: 3888:from the original on 24 March 2010 3876:Dugger, Celia W. (13 March 2010). 3720:Arnott, Christopher (8 May 2018). 3507:Blankenship, Mark (17 June 2005). 3473:Barnes, Clive (19 November 1971). 3383:The Internet Off-Broadway Database 2883: 2659: 2570: 2452:McLuckie, Craig (3 October 2003). 2070:(1991) as Reverend Marius Byleveld 1792:. Oxford and New York: OUP, 2000. 1778:. Oxford and New York: OUP, 2000. 1718:. Oxford and New York: OUP, 1994. 1590:. Oxford and New York: OUP, 1987. 1530:. Oxford and New York: OUP, 1983. 1514:. Oxford and New York: OUP, 1983. 1443:. Oxford and New York: OUP, 1980. 1426:. Oxford and New York: OUP, 1977. 243:for lifetime achievement in 2011. 14: 6854: 5423:Communications Workers of America 4932: 4742:, by Athol Fugard. Johannesburg: 3585:Klein, Alvin (13 February 1994). 3567:, Special issue on Athol Fugard, 3539:. Craighall: A. D. Donker, 1983. 3211:Eder, Richard (4 December 1978). 3054:Indiana University at Bloomington 2990:Fugard, Athol (31 October 2010). 2954:McDonald, Marianne (April 2003). 2347:Fullerton, Ian (1980), review of 2207:1996 – Outstanding Body of Work ( 1764:. London: Faber and Faber, 1998. 1734:. London: Faber and Faber, 1996. 1607:. London: Faber and Faber, 1988. 1576:. London: Faber and Faber, 1985. 1490:. Oxford and New York: OUP, 1981. 286:Early career, marriage and family 6177:-American Theatre Society (1972) 5613:Committee to Protect Journalists 3185:Fourie, Paula (6 October 2022). 3106:Samodien, Leila (17 July 2014). 2992:"Once upon a life: Athol Fugard" 2375: 2226:1999 – Theatrical Productions – 1473:. New York: Random House, 1980. 1410:. New York: Viking Press, 1976. 6617:National Endowment for the Arts 6438:National Endowment for the Arts 5911:Fourth Street Chekov Theatre / 5833:The Importance of Being Earnest 5116:Richards, Lloyd (Summer 1989). 5039:Encyclopedia of World Biography 4716:. London: Methuen Drama, 1991. 4422:University of the Witwatersrand 4335:American Academy of Achievement 4319: 4086: 3951: 3900: 3869: 3857:Gans, Andrew (11 August 2008). 3850: 3834: 3818: 3792: 3758: 3739: 3713: 3679: 3646: 3578: 3500: 3466: 3362: 3337: 3303: 3204: 3178: 3151: 3125: 2983: 2914:Mudge, Alden (1 January 2006). 2815: 2710:, 2004) and in Stephen Gray's 2680: 2409:Smith, David (12 August 2014). 2317:University of the Witwatersrand 2287:American Academy of Achievement 2075:Selected awards and nominations 1983:(2005), screen adapt. and dir. 1455:Selected Plays of Fugard: Notes 1322: 357: 6783:South African male film actors 5640:Archive of American Television 5589:Museum of Television and Radio 5250:"Master Harold"...and the Boys 5058:Britannica Online Encyclopedia 3070:(RealAudio clip of interview.) 2922:. Bookpage.com. Archived from 2622: 2600: 2478: 2402: 2357:No. 4. Winter 1980–81, p. 41, 2185:"Master Harold"...and the Boys 2169:"Master Harold"...and the Boys 1995:"Master Harold"...and the Boys 1949:"Master Harold"...and the Boys 1917: 1881:Co-authored with Ross Devenish 1543:"Master Harold"...and the Boys 1177:"Master Harold"...and the Boys 982:, and as Doctor Sundesval in 797:"Master Harold"...and the Boys 761:confiscated Fugard's passport. 601:"Master Harold"...and the Boys 462:Fugard publicly supported the 315:In 1958, the Fugards moved to 126:"Master Harold"...and the Boys 1: 6798:Special Tony Award recipients 6134:New York Shakespeare Festival 5955:New York Shakespeare Festival 5929:American Shakespeare Festival 5908:Proscenium Productions (1955) 5274:The Shadow of the Hummingbird 4820:"Falling Sky: Athol Fugard's 4531: 3686:Rich, Frank (17 March 1982). 2485:Andie Miller (October 2009). 2198:1992 – Outstanding Revival – 1956:, first broadcast on Showtime 1388:. Oxford and New York, 1974. 1297:The Shadow of the Hummingbird 491:The Dis-illusion of Apartheid 459:except one, "human dignity". 419:. In 1989, Lloyd Richards of 270:In 1935, his family moved to 6793:South African male novelists 6507:' Def Poetry Jam on Broadway 6473:/ T. Edward Hambleton (2000) 6280:National Theatre of the Deaf 6262:Circle in the Square Theatre 5807:/ Ira and Rita Katzenberg / 5094:Who's Who of Southern Africa 5010:: An Episode in the Life of 4617:Theatre Communications Group 4569:Twentieth Century Literature 4156:Meetings with Remarkable Men 4138:The Guest at Steenkampskraal 4120:Master Harold...and the Boys 3908:"Fugard's Hummingbird Flies" 3569:Twentieth Century Literature 3316:The Paris Review. Interviews 2893:Twentieth Century Literature 2747:Who's Who of Southern Africa 2714:(Johannesburg and New York: 2708:Theatre Communications Group 2391:South Africa under apartheid 2221:Audio Publishers Association 2035:(1979) as Professor Skridlov 2032:Meetings with Remarkable Men 2021:The Guest at Steenkampskraal 1810:Theatre Communications Group 1647:Theatre Communications Group 197:in 2005. It was directed by 43:Harold Athol Lannigan Fugard 7: 6465:/ Isabelle Stevenson (1999) 6274:/ Equity Liberty Theatre / 5919:/ The Shakespearewrights / 4163:. Retrieved 3 October 2008. 4145:. Retrieved 4 October 2008. 4127:. Retrieved 3 October 2008. 3948:. Retrieved 3 October 2008. 3799:Rich, Frank (15 May 1984). 3575:. Retrieved 4 October 2008. 2698:, 2003). It is spelled as 2690:, following Dennis Walder, 2610:. Creative Feel. March 2019 2582:Royal Society of Literature 2549:2005 National Orders Awards 2368: 2150:1988 – Best Foreign Play – 2098:1971 – Best Foreign Play – 911:The Shadow of a Hummingbird 226:Royal Society of Literature 10: 6859: 6573:Actors' Equity Association 6340:The Actors Fund of America 6200:A Moon for the Misbegotten 6195:Actors' Equity Association 6181:The Actors Fund of America 4966:Internet Broadway Database 4740:and Selected Shorter Plays 4205:Internet Broadway Database 2341: 2335:University of Stellenbosch 2238:Outer Critics Circle Award 2062:(1984) as Doctor Sundesval 1944:(1980), dir. Ross Devenish 1622:and Selected Shorter Plays 1375:Three Port Elizabeth Plays 1164: 1006: 956:, written and directed by 641:The Caucasian Chalk Circle 391:The Caucasian Chalk Circle 267:who had become disabled. 6496:/ Robert Whitehead (2002) 6480: 6470:Dame Edna: The Royal Tour 6398:Brooklyn Academy of Music 6264:/ Thomas H. Fitzgerald / 6246: 5797: 5714: 5623: 5532: 5441: 5351: 5324: 5188: 4812:The Literary Encyclopedia 4657:–––, and Serena Davies. 4539:The Amajuba Resource Pack 4047:. London: Methuen Drama. 3959:"Boesman and Lena (1973)" 3619:Wertheim, Albert (2000). 3509:"People Are Living There" 3379:"Athol Fugard: Biography" 2956:"Introd. of Athol Fugard" 2843:Wertheim, Albert (2000). 2662:"Athol Fugard: Biography" 2459:The Literary Encyclopedia 2292:2014 - Golden Plate Award 779:Yale Rep premieres, 1980s 721:meaning "carrion fly" in 612:Its first production was 538:the Serpent Players used 352: 158: 138: 120: 112: 104: 93: 67: 58:Middleburg, Cape Province 39: 23: 6569:/ Philip J. Smith (2011) 6440:/ Harvey Sabinson (1995) 6227:Theatre Development Fund 5049:. All rights reserved.") 5031:"Athol Fugard Biography" 4906:Athol Fugard: A Casebook 4818:Morris, Stephen Leigh. 4746:University Press, 1990. 4298:"The Audie Awards: 1999" 4023:Athol Fugard: Statements 4010:fit into any categories. 3997:Athol Fugard: Statements 3310:Richards, Lloyd (1989). 2666:Athol Fugard: Statements 2396: 2043:(1980) as Paulus Olifant 1363:(13). (Co-authored with 1093:Friday's Bread on Monday 996: 622:, directed by Fugard as 476:at the Cricket Theatre, 253:Middelburg, Eastern Cape 247:Early life and education 6300:and Charles Moss (1978) 6217:/ Harold Friedlander / 5989:John D. Rockefeller III 5084:"Books by Athol Fugard" 5065:"Athol Fugard (1932– )" 5053:"Athol Fugard (1932– )" 5035:Ambassadors Group, Inc. 4738:My Children! My Africa! 4659:"My Week: Athol Fugard" 3023:"My Week: Athol Fugard" 2920:First Person: Interview 2634:Encyclopædia Britannica 1952:(1984), TV movie, dir. 1830:Dramatists Play Service 1620:My Children! My Africa! 1527:People Are Living There 1257:Booitjie and the Oubaas 1201:My Children! My Africa! 1120:(1972) (developed with 1104:(1972) (developed with 1071:People Are Living There 920: 852:Fugard appeared in his 588:People Are Living There 464:Anti-Apartheid Movement 280:University of Cape Town 276:Marist Brothers College 98:University of Cape Town 6679:Freestyle Love Supreme 6541:Robert Russell Bennett 6326:/ Hobe Morrison (1980) 6116:Negro Ensemble Company 6072:APA-Phoenix Theatre / 5937:Robert Russell Bennett 5393:Jerome B. Lurie (1985) 5318:Evelyn F. Burkey Award 4807:"Athol Fugard (1932–)" 4786:Sorrows and Rejoicings 4201:"Athol Fugard: Awards" 3533:Fugard, Athol (1983). 3344:Fugard, Athol (1984). 2726:Sorrows and Rejoicings 2518:(UCSD). Archived from 2454:"Athol Fugard (1932–)" 2289:'s Golden Plate Award 2162:Evening Standard Award 1805:Sorrows and Rejoicings 1241:Sorrows and Rejoicings 835:Yale Repertory Theatre 825:New Haven, Connecticut 821:Yale Repertory Theater 792: 787:The Fugard Theatre in 580: 560:and, a year later, on 557:Caucasian Chalk Circle 456: 415:in 1987), directed by 411:(revised and retitled 263:descent, was a former 151:Paula Fourie (m. 2016) 6619:/ Miles Wilkin (2016) 6599:John Cameron Mitchell 6366:La Tragedie de Carmen 6344:Warner Communications 6336:Radio City Music Hall 6318:Richard Fitzgerald / 5868:/ Philip Faversham / 5388:Leonard Wasser (1984) 5375:Herman Brodkin (1982) 5110:National Public Radio 4904:–––, ed. and introd. 4782:McDonald, Marianne. 4712:–––, ed. and introd. 4638:–––, and Chris Boyd. 4448:"News release 94–185" 4389:Wittenberg University 3990:"Athol Fugard: Plays" 3912:New Haven Independent 3284:(24 September 1985). 2311:Wittenberg University 2194:Lucille Lortel Awards 1603:A Place with the Pigs 1498:. A.D. Donker, 1982. 1381:; Hello and Goodbye; 854:A Place With the Pigs 841:, Marianne Owen, and 833:was presented at the 786: 536: 532:University of Chicago 445: 146:Sheila Meiring Fugard 6513:James M. Nederlander 6189:Shubert Organization 5974:La Plume de Ma Tante 5922:The Threepenny Opera 5815:/ P. A. MacDonald / 5197:(1961, revised 1987) 5124:. Summer 1989 (111). 4834:The Fountain Theatre 4571:39.4 (Winter 1993). 4551:The Oxford Playhouse 4544:14 June 2011 at the 4484:Princeton University 3660:. 21 February 1982. 3571:(Winter 1993); rpt. 3368:Fugard (1984), p. 60 3213:"'Nongogo,' a Drama" 3060:on 11 September 2008 2733:24 July 2008 at the 2608:"The Fugard Theatre" 2329:Princeton University 1954:Michael Lindsay-Hogg 1790:Port Elizabeth Plays 1605:: a personal parable 1574:: A Play in Two Acts 973:Richard Attenborough 864:Post-apartheid plays 336:Bloomington, Indiana 148:(m. 1956; div. 2015) 116:Drama, novel, memoir 6633:Andrew Lloyd Webber 6589:/ Paul Libin (2013) 6162:Fiddler on the Roof 5943:/ Joseph Harbuck / 5941:William Hammerstein 5933:Jean-Louis Barrault 5242:Marigolds in August 5234:A Lesson from Aloes 5218:Sizwe Bansi Is Dead 5047:Thomson Corporation 5012:Hildegard of Bingen 4843:Spencer, Charles. 4612:A Lesson from Aloes 4567:. Special issue of 4331:www.achievement.org 3843:Valley Song Summary 3827:Valley Song Summary 3536:Notebooks 1960–1977 3346:Notebooks 1960–1977 2704:Notebooks 1960–1977 2558:on 21 November 2008 2245:Exits and Entrances 2166:1983 – Best Play – 2145:A Lesson From Aloes 2143:1981 – Best Play – 2117:Sizwe Banzi Is Dead 2114:1975 – Best Play – 2040:Marigolds in August 1941:Marigolds in August 1825:Exits and Entrances 1762:Athol Fugard: Plays 1558:Notebooks 1960-1977 1495:Marigolds in August 1486:A Lesson from Aloes 1424:and Two Early Plays 1401:Sizwe Bansi Is Dead 1249:Exits and Entrances 1157:A Lesson from Aloes 1101:Sizwe Banzi Is Dead 1011:Klaas and the Devil 768:A Lesson from Aloes 736:Sizwe Banzi Is Dead 709:, the prison where 705:, which alludes to 676:Sizwe Banzi Is Dead 653:Sizwe Banzi Is Dead 614:Niccolò Machiavelli 552:Brecht's techniques 524:Sizwe Banzi Is Dead 519:William Shakespeare 484:The Serpent Players 6715:/ Nikiya Mathis / 6303:Walter F. Diehl / 5791:Special Tony Award 5004:The New York Times 4910:Garland Publishing 4881:Wertheim, Albert. 4365:on 10 October 2008 3882:The New York Times 3805:The New York Times 3771:The New York Times 3753:The New York Times 3692:The New York Times 3658:The New York Times 3591:The New York Times 3479:The New York Times 3290:The New York Times 3217:The New York Times 2969:The New York Times 2926:on 11 October 2008 2761:The Township Plays 2636:. 24 November 2019 2279:Order of Ikhamanga 2131:Special Tony Award 2081:Praemium Imperiale 2059:The Killing Fields 2051:(1982) as General 1678:The Township Plays 1624:. Ed. and introd. 989:The Killing Fields 915:Long Wharf Theatre 827:, in March 1982. 793: 773:The New York Times 741:vaudevillian irony 584:The New York Times 542:'s elucidation of 377:The New York Times 332:Indiana University 222:Order of Ikhamanga 6730: 6729: 6641:Bruce Springsteen 6613:Marshall W. Mason 6450:Bernard B. Jacobs 6175:The Theatre Guild 6100:Leonard Bernstein 6082:Maurice Chevalier 6013:Franco Zeffirelli 5999:The Theatre Guild 5875:Ruth Green (1951) 5838:Robert W. Dowling 5817:Vincent Sardi Sr. 5757: 5756: 5466:Jacqueline Babbin 5284: 5283: 5258:The Road to Mecca 5202:Hello and Goodbye 4926:978-0-8153-0745-7 4899:978-0-253-33823-5 4876:978-0-7463-0948-3 4801:McLuckie, Craig ( 4777:978-0-521-81708-0 4730:978-0-413-64580-7 4707:978-0-07-450615-8 4691:978-0-07-450633-2 4640:"Athol Fugard on 4633:978-1-55936-001-2 4604:978-90-420-0537-2 4453:(Press release). 4395:on 14 August 2007 4054:978-0-413-64580-7 3940:"Filmography" in 3643:limited preview.) 3634:978-0-253-33823-5 3443:limited preview.) 3434:978-0-521-81708-0 3262:978-0-521-81708-0 2871:limited preview.) 2862:978-0-253-33823-5 2783:limited preview.) 2774:978-0-19-282925-2 2702:in Athol Fugard, 2229:The Road to Mecca 2178:Drama Desk Awards 2153:The Road to Mecca 2067:The Road to Mecca 2016:(1974) as Boesman 1961:The Road to Mecca 1874:978-0-19-281170-7 1845:Co-authored with 1716:Hello and Goodbye 1701:Cousins: A Memoir 1694:978-0-19-282925-2 1572:The Road to Mecca 1479:978-0-394-51384-3 1361:978-0-19-281170-7 1345:978-0-19-211385-6 1320: 1319: 1185:The Road to Mecca 1055:Hello and Goodbye 947:The Road to Mecca 900:Isango Portobello 858:The Road to Mecca 831:The Road to Mecca 803:Cousins: A Memoir 511:August Strindberg 169: 168: 6850: 6758:Afrikaner people 6683:Graciela Daniele 6655:Terrence McNally 6623:James Earl Jones 6545:Stephen Sondheim 6324:Mary Tyler Moore 6155:Roger L. Stevens 6138:Barbra Streisand 6086:Marlene Dietrich 6045:Eva Le Gallienne 5981:Burgess Meredith 5951:Mrs. Martin Beck 5805:Dora Chamberlain 5784: 5777: 5770: 5761: 5760: 5750: 5742: 5734: 5726: 5707: 5704:Franklin Leonard 5699: 5691: 5683: 5675: 5667: 5659: 5651: 5643: 5635: 5616: 5608: 5605:Walter Bernstein 5600: 5592: 5584: 5576: 5568: 5560: 5552: 5544: 5525: 5517: 5509: 5501: 5493: 5485: 5482:Joan Ganz Cooney 5477: 5469: 5461: 5453: 5434: 5426: 5414: 5406: 5394: 5389: 5384: 5376: 5371: 5363: 5344: 5336: 5311: 5304: 5297: 5288: 5287: 5266:The Train Driver 5210:Boesman and Lena 5171: 5164: 5157: 5148: 5147: 5125: 5045:, a part of the 4972: 4854:Walder, Dennis. 4803:Okanagan College 4577:Findarticles.com 4555:Oxford Playhouse 4526: 4525: 4523: 4521: 4506: 4500: 4499: 4497: 4495: 4481: 4480:(World Wide Web) 4473: 4467: 4466: 4464: 4462: 4455:Brown University 4452: 4451:(World Wide Web) 4444: 4438: 4437: 4435: 4433: 4419: 4418:(World Wide Web) 4411: 4405: 4404: 4402: 4400: 4391:. Archived from 4381: 4375: 4374: 4372: 4370: 4364: 4358:. Archived from 4353: 4345: 4339: 4338: 4323: 4317: 4316: 4314: 4312: 4306: 4305:(World Wide Web) 4294: 4288: 4287: 4285: 4283: 4278:on 21 March 2009 4274:. Archived from 4264: 4258: 4257: 4255: 4253: 4248:on 15 March 2009 4244:. Archived from 4234: 4221: 4220: 4218: 4216: 4207:. Archived from 4192: 4186: 4185: 4183: 4181: 4170: 4164: 4152: 4146: 4134: 4128: 4116: 4110: 4109: 4107: 4105: 4090: 4084: 4083: 4065: 4059: 4058: 4037: 4031: 4019: 4013: 4012: 4006: 4004: 3999:. iainfisher.com 3994: 3993:(World Wide Web) 3985: 3979: 3978: 3976: 3974: 3969:on 4 August 2021 3965:. 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Nicola 6689:Angela Lansbury 6674:American Utopia 6647:Rosemary Harris 6609:Sheldon Harnick 6583:Bernard Gersten 6505:Russell Simmons 6476: 6313:Richard Rodgers 6272:Cheryl Crawford 6266:Mathilde Pincus 6242: 6231:John F. Wharton 6171:Richard Rodgers 6039:W. McNeil Lowry 6027:Jonathan Miller 6009:Richard Rodgers 6005:Brooks Atkinson 5897:Beatrice Lillie 5870:Brock Pemberton 5809:Jules Leventhal 5793: 5788: 5758: 5753: 5745: 5737: 5729: 5721: 5710: 5702: 5694: 5686: 5678: 5670: 5662: 5654: 5646: 5638: 5630: 5619: 5611: 5603: 5595: 5587: 5579: 5571: 5565:Martin Scorsese 5563: 5557:Colin Callender 5555: 5547: 5539: 5528: 5520: 5512: 5504: 5496: 5488: 5480: 5472: 5464: 5458:George Schaefer 5456: 5448: 5437: 5429: 5417: 5409: 5397: 5392: 5387: 5379: 5374: 5366: 5360:Walter Cronkite 5358: 5347: 5341:Barbara Schultz 5339: 5331: 5320: 5315: 5285: 5280: 5184: 5175: 5105:Morning Edition 4935: 4860:British Council 4836:, Los Angeles, 4757:Kruger, Loren. 4609:Fugard, Athol. 4546:Wayback Machine 4534: 4529: 4519: 4517: 4507: 4503: 4493: 4491: 4479: 4475: 4474: 4470: 4460: 4458: 4450: 4446: 4445: 4441: 4431: 4429: 4417: 4413: 4412: 4408: 4398: 4396: 4383: 4382: 4378: 4368: 4366: 4362: 4356:Yale University 4351: 4347: 4346: 4342: 4325: 4324: 4320: 4310: 4308: 4304: 4296: 4295: 4291: 4281: 4279: 4272:Lortel Archives 4266: 4265: 4261: 4251: 4249: 4236: 4235: 4224: 4214: 4212: 4211:on 4 March 2007 4199: 4193: 4189: 4179: 4177: 4172: 4171: 4167: 4153: 4149: 4135: 4131: 4117: 4113: 4103: 4101: 4091: 4087: 4080: 4066: 4062: 4055: 4038: 4034: 4020: 4016: 4002: 4000: 3992: 3986: 3982: 3972: 3970: 3957: 3956: 3952: 3939: 3926: 3916: 3914: 3906: 3905: 3901: 3891: 3889: 3874: 3870: 3855: 3851: 3840: 3839: 3835: 3824: 3823: 3819: 3809: 3807: 3797: 3793: 3783: 3781: 3763: 3759: 3744: 3740: 3730: 3728: 3718: 3714: 3704: 3702: 3684: 3680: 3670: 3668: 3652: 3651: 3647: 3635: 3617: 3613: 3603: 3601: 3583: 3579: 3563:Dennis Walder, 3562: 3558: 3547: 3531: 3527: 3517: 3515: 3505: 3501: 3491: 3489: 3471: 3467: 3454: 3447: 3435: 3417: 3402: 3392: 3390: 3377: 3376: 3372: 3367: 3363: 3356: 3342: 3338: 3328: 3326: 3308: 3304: 3294: 3292: 3279: 3275: 3263: 3243: 3239: 3229: 3227: 3209: 3205: 3195: 3193: 3183: 3179: 3169: 3167: 3156: 3152: 3142: 3140: 3131: 3130: 3126: 3116: 3114: 3104: 3100: 3090: 3088: 3087:. 23 March 2014 3079: 3078: 3074: 3063: 3061: 3046: 3042: 3032: 3030: 3027:Telegraph.co.uk 3019: 3015: 3005: 3003: 2988: 2984: 2974: 2972: 2958: 2952: 2939: 2929: 2927: 2912: 2908: 2898: 2896: 2882: 2875: 2863: 2841: 2837: 2827: 2825: 2821: 2820: 2816: 2806: 2804: 2800: 2792: 2791: 2787: 2775: 2757: 2753: 2735:Wayback Machine 2696:British Council 2685: 2681: 2671: 2669: 2658: 2649: 2639: 2637: 2628: 2627: 2623: 2613: 2611: 2606: 2605: 2601: 2591: 2589: 2576: 2575: 2571: 2561: 2559: 2555: 2543: 2542: 2535: 2525: 2523: 2510: 2509: 2502: 2492: 2490: 2483: 2479: 2469: 2467: 2450: 2429: 2419: 2417: 2407: 2403: 2399: 2381: 2374: 2371: 2344: 2305:Yale University 2255:Honorary awards 2077: 1920: 1851:Winston Ntshona 1643:and Other Plays 1470:Tsotsi: a novel 1441:and Other Plays 1369:Winston Ntshona 1325: 1126:Winston Ntshona 1110:Winston Ntshona 1018:The Cell (play) 999: 960:, won the 2005 923: 866: 781: 695:Winston Ntshona 644:and Sophocles' 495:Winston Ntshona 486: 435: 360: 355: 288: 249: 154: 129: 89: 56: 53: 47: 45: 44: 35: 27: 26: 17: 12: 11: 5: 6856: 6846: 6845: 6840: 6835: 6830: 6825: 6820: 6815: 6810: 6805: 6800: 6795: 6790: 6785: 6780: 6775: 6770: 6765: 6760: 6755: 6750: 6745: 6728: 6727: 6725: 6724: 6706: 6696: 6686: 6666: 6663:Harold Wheeler 6644: 6629:John Leguizamo 6626: 6620: 6606: 6596: 6593:Jane Greenwood 6590: 6580: 6570: 6564: 6557:Alan Ayckbourn 6554: 6548: 6538: 6532: 6522: 6516: 6510: 6497: 6491: 6488:Paul Gemignani 6484: 6482: 6478: 6477: 6475: 6474: 6466: 6456: 6453: 6447: 6441: 6434:Carol Channing 6431: 6421: 6413: 6407: 6401: 6395: 6385: 6379: 6369: 6353: 6347: 6333: 6327: 6316: 6301: 6291: 6269: 6258:Richard Burton 6250: 6248: 6244: 6243: 6241: 6240: 6234: 6192: 6178: 6158: 6141: 6119: 6097: 6090:Audrey Hepburn 6078:Carol Channing 6070: 6064: 6058: 6051:Gilbert Miller 6048: 6042: 6016: 6002: 5992: 5978: 5965:Howard Lindsay 5958: 5948: 5926: 5909: 5906: 5900: 5890: 5876: 5873: 5863: 5857: 5854:James Whitmore 5820: 5801: 5799: 5795: 5794: 5787: 5786: 5779: 5772: 5764: 5755: 5754: 5752: 5751: 5743: 5735: 5727: 5718: 5716: 5712: 5711: 5709: 5708: 5700: 5692: 5684: 5676: 5668: 5660: 5652: 5644: 5636: 5627: 5625: 5621: 5620: 5618: 5617: 5609: 5601: 5593: 5585: 5577: 5569: 5561: 5553: 5545: 5536: 5534: 5530: 5529: 5527: 5526: 5518: 5510: 5502: 5494: 5486: 5478: 5470: 5462: 5454: 5445: 5443: 5439: 5438: 5436: 5435: 5427: 5415: 5407: 5403:Lloyd Richards 5395: 5390: 5385: 5377: 5372: 5364: 5355: 5353: 5349: 5348: 5346: 5345: 5337: 5328: 5326: 5322: 5321: 5314: 5313: 5306: 5299: 5291: 5282: 5281: 5279: 5278: 5270: 5262: 5254: 5246: 5238: 5230: 5222: 5214: 5206: 5198: 5189: 5186: 5185: 5174: 5173: 5166: 5159: 5151: 5145: 5144: 5135: 5129:"Athol Fugard" 5126: 5113: 5097: 5087: 5081: 5073: 5062: 5050: 5041:. ("2005–2006 5028: 5019: 4991: 4982: 4973: 4959: 4950: 4939:"Athol Fugard" 4934: 4933:External links 4931: 4930: 4929: 4902: 4879: 4852: 4841: 4816: 4799: 4780: 4755: 4733: 4714:File on Fugard 4710: 4668: 4655: 4636: 4607: 4580: 4562: 4533: 4530: 4528: 4527: 4501: 4468: 4439: 4406: 4376: 4340: 4318: 4289: 4259: 4222: 4187: 4165: 4147: 4129: 4111: 4085: 4078: 4060: 4053: 4045:File on Fugard 4043:, ed. (1991). 4032: 4014: 3988:Fisher, Iain. 3980: 3950: 3924: 3899: 3868: 3849: 3833: 3817: 3791: 3757: 3738: 3712: 3678: 3645: 3633: 3611: 3577: 3556: 3545: 3525: 3499: 3465: 3445: 3433: 3400: 3370: 3361: 3354: 3336: 3302: 3273: 3261: 3237: 3203: 3177: 3166:(in Afrikaans) 3150: 3124: 3098: 3072: 3040: 3013: 2982: 2967:Times Topics, 2937: 2906: 2885:Fugard, Sheila 2873: 2861: 2835: 2814: 2785: 2773: 2751: 2679: 2660:Fisher, Iain. 2647: 2630:"Athol Fugard" 2621: 2599: 2569: 2533: 2522:on 15 May 2008 2512:"Athol Fugard" 2500: 2477: 2427: 2400: 2398: 2395: 2394: 2393: 2387: 2386: 2370: 2367: 2366: 2365: 2343: 2340: 2339: 2338: 2332: 2326: 2320: 2314: 2308: 2301: 2300: 2296: 2295: 2294: 2293: 2284: 2283: 2282: 2272: 2271: 2270: 2267:Lloyd Richards 2257: 2256: 2252: 2251: 2250: 2249: 2235: 2234: 2233: 2214: 2213: 2212: 2205: 2191: 2190: 2189: 2175: 2174: 2173: 2159: 2158: 2157: 2148: 2136: 2135: 2134: 2127: 2107: 2106: 2105: 2090: 2089: 2085: 2084: 2076: 2073: 2072: 2071: 2063: 2055: 2044: 2036: 2028: 2017: 2008: 2007: 2003: 2002: 1991: 1976: 1965: 1957: 1945: 1937: 1925: 1924: 1919: 1916: 1915: 1914: 1901:. Trans. into 1883: 1882: 1878: 1877: 1854: 1853: 1842: 1841: 1821: 1801: 1787: 1776:Interior Plays 1773: 1759: 1743: 1727: 1713: 1697: 1675: 1658: 1637: 1616: 1599: 1588:Selected Plays 1585: 1568: 1555: 1539: 1523: 1507: 1491: 1482: 1466: 1452: 1435: 1418: 1397: 1372: 1324: 1321: 1318: 1317: 1316: 1315: 1309: 1301: 1293: 1285: 1277: 1269: 1261: 1253: 1245: 1237: 1229: 1221: 1213: 1205: 1197: 1189: 1181: 1173: 1163: 1162: 1161: 1153: 1145: 1137: 1129: 1113: 1097: 1089: 1081: 1075: 1067: 1059: 1051: 1041:The Blood Knot 1037: 1029: 1025:No-Good Friday 1021: 1015: 998: 995: 922: 919: 892:Fugard Theatre 865: 862: 839:Carmen Mathews 780: 777: 765:Fugard's play 763: 762: 748: 744: 711:Nelson Mandela 687: 686: 663: 515:Samuel Beckett 507:Bertolt Brecht 485: 482: 474:The Blood Knot 470:Lucille Lortel 440:British Equity 434: 431: 427:The Blood Knot 408:The Blood Knot 396:Bertolt Brecht 364:No-Good Friday 359: 356: 354: 351: 347:Cape Winelands 287: 284: 272:Port Elizabeth 248: 245: 233:Fugard Theatre 167: 166: 160: 156: 155: 153: 152: 149: 142: 140: 136: 135: 122: 118: 117: 114: 110: 109: 106: 102: 101: 95: 91: 90: 88: 87: 84: 81: 78: 75: 71: 69: 65: 64: 41: 37: 36: 28: 24: 15: 9: 6: 4: 3: 2: 6855: 6844: 6841: 6839: 6836: 6834: 6831: 6829: 6826: 6824: 6821: 6819: 6816: 6814: 6811: 6809: 6806: 6804: 6801: 6799: 6796: 6794: 6791: 6789: 6786: 6784: 6781: 6779: 6776: 6774: 6771: 6769: 6766: 6764: 6761: 6759: 6756: 6754: 6751: 6749: 6748:Living people 6746: 6744: 6741: 6740: 6738: 6722: 6718: 6714: 6710: 6707: 6704: 6700: 6697: 6694: 6690: 6687: 6684: 6680: 6676: 6675: 6671: 6670:David Byrne's 6667: 6664: 6660: 6659:Sonny Tilders 6656: 6652: 6648: 6645: 6642: 6638: 6634: 6630: 6627: 6624: 6621: 6618: 6614: 6610: 6607: 6604: 6600: 6597: 6594: 6591: 6588: 6584: 6581: 6578: 6574: 6571: 6568: 6565: 6562: 6561:Marian Seldes 6558: 6555: 6552: 6549: 6546: 6542: 6539: 6536: 6533: 6530: 6529:Harold Prince 6526: 6523: 6520: 6517: 6514: 6511: 6508: 6506: 6501: 6498: 6495: 6492: 6489: 6486: 6485: 6483: 6479: 6472: 6471: 6467: 6464: 6463:Arthur Miller 6460: 6457: 6454: 6451: 6448: 6445: 6442: 6439: 6435: 6432: 6429: 6428:Jessica Tandy 6425: 6422: 6419: 6418: 6414: 6411: 6408: 6405: 6402: 6399: 6396: 6393: 6389: 6388:George Abbott 6386: 6383: 6380: 6377: 6373: 6370: 6367: 6363: 6359: 6358: 6357:A Chorus Line 6354: 6351: 6348: 6345: 6341: 6337: 6334: 6331: 6328: 6325: 6321: 6317: 6314: 6310: 6306: 6302: 6299: 6295: 6294:Irving Berlin 6292: 6289: 6285: 6281: 6277: 6276:Barry Manilow 6273: 6270: 6267: 6263: 6259: 6255: 6254:George Abbott 6252: 6251: 6249: 6245: 6238: 6237:Al Hirschfeld 6235: 6232: 6228: 6224: 6223:Liza Minnelli 6220: 6216: 6212: 6208: 6207: 6202: 6201: 6196: 6193: 6190: 6186: 6182: 6179: 6176: 6172: 6168: 6164: 6163: 6159: 6156: 6152: 6151: 6146: 6145:Elliot Norton 6143:Ingram Ash / 6142: 6139: 6135: 6131: 6127: 6126:Lynn Fontanne 6123: 6120: 6117: 6113: 6109: 6105: 6104:Carol Burnett 6101: 6098: 6095: 6094:David Merrick 6091: 6087: 6083: 6079: 6075: 6071: 6068: 6065: 6062: 6059: 6056: 6052: 6049: 6046: 6043: 6040: 6036: 6035:Irving Berlin 6032: 6028: 6024: 6020: 6017: 6014: 6010: 6006: 6003: 6000: 5996: 5995:David Merrick 5993: 5990: 5986: 5985:James Thurber 5982: 5979: 5976: 5975: 5970: 5966: 5962: 5961:Russel Crouse 5959: 5956: 5952: 5949: 5946: 5942: 5938: 5934: 5930: 5927: 5924: 5923: 5918: 5914: 5910: 5907: 5904: 5901: 5898: 5894: 5891: 5888: 5884: 5880: 5879:Charles Boyer 5877: 5874: 5871: 5867: 5866:Maurice Evans 5864: 5861: 5858: 5855: 5851: 5850:George Pierce 5847: 5843: 5842:June Lockhart 5839: 5835: 5834: 5829: 5825: 5822:Vera Allen / 5821: 5818: 5814: 5810: 5806: 5803: 5802: 5800: 5796: 5792: 5785: 5780: 5778: 5773: 5771: 5766: 5765: 5762: 5748: 5747:Not presented 5744: 5740: 5736: 5732: 5731:Not presented 5728: 5724: 5723:Not presented 5720: 5719: 5717: 5713: 5705: 5701: 5697: 5696:Not presented 5693: 5689: 5688:Not presented 5685: 5681: 5677: 5673: 5669: 5665: 5664:James Schamus 5661: 5657: 5656:Not presented 5653: 5649: 5648:Not presented 5645: 5641: 5637: 5633: 5629: 5628: 5626: 5622: 5614: 5610: 5606: 5602: 5598: 5594: 5590: 5586: 5582: 5581:Claire Labine 5578: 5574: 5570: 5566: 5562: 5558: 5554: 5550: 5546: 5542: 5538: 5537: 5535: 5531: 5523: 5519: 5515: 5514:Judy Crichton 5511: 5507: 5503: 5499: 5498:Ken Saro-Wiwa 5495: 5491: 5490:Dennis Potter 5487: 5483: 5479: 5475: 5474:Arthur Miller 5471: 5467: 5463: 5459: 5455: 5451: 5447: 5446: 5444: 5440: 5432: 5428: 5424: 5420: 5416: 5412: 5408: 5404: 5400: 5396: 5391: 5386: 5382: 5378: 5373: 5369: 5365: 5361: 5357: 5356: 5354: 5350: 5342: 5338: 5334: 5330: 5329: 5327: 5323: 5319: 5312: 5307: 5305: 5300: 5298: 5293: 5292: 5289: 5276: 5275: 5271: 5268: 5267: 5263: 5260: 5259: 5255: 5252: 5251: 5247: 5244: 5243: 5239: 5236: 5235: 5231: 5228: 5227: 5223: 5220: 5219: 5215: 5212: 5211: 5207: 5204: 5203: 5199: 5196: 5195: 5191: 5190: 5187: 5183: 5179: 5172: 5167: 5165: 5160: 5158: 5153: 5152: 5149: 5143: 5139: 5136: 5134: 5130: 5127: 5123: 5119: 5114: 5111: 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3755:, 15 May 1984 3754: 3751: 3747: 3742: 3727: 3723: 3716: 3701: 3697: 3693: 3689: 3682: 3667: 3663: 3659: 3655: 3649: 3642: 3636: 3630: 3626: 3622: 3615: 3600: 3596: 3592: 3588: 3581: 3574: 3570: 3566: 3560: 3553: 3548: 3546:0-86852-011-X 3542: 3538: 3535: 3529: 3514: 3510: 3503: 3488: 3484: 3480: 3476: 3469: 3462: 3458: 3452: 3450: 3442: 3436: 3430: 3426: 3422: 3415: 3413: 3411: 3409: 3407: 3405: 3388: 3384: 3380: 3374: 3365: 3357: 3355:0-394-53755-6 3351: 3347: 3340: 3325: 3321: 3317: 3313: 3306: 3291: 3287: 3283: 3277: 3270: 3264: 3258: 3254: 3250: 3249: 3241: 3226: 3222: 3218: 3214: 3207: 3192: 3188: 3181: 3165: 3164:Vrye Weekblad 3161: 3154: 3139:. 13 May 2016 3138: 3137:Creative Feel 3134: 3128: 3113: 3109: 3102: 3086: 3082: 3076: 3059: 3055: 3051: 3044: 3028: 3024: 3017: 3001: 2997: 2993: 2986: 2971: 2970: 2962: 2957: 2950: 2948: 2946: 2944: 2942: 2925: 2921: 2917: 2910: 2894: 2890: 2886: 2880: 2878: 2870: 2864: 2858: 2854: 2850: 2846: 2839: 2824: 2818: 2799: 2795: 2789: 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2097: 2096: 2095: 2092: 2091: 2087: 2086: 2082: 2079: 2078: 2069: 2068: 2064: 2061: 2060: 2056: 2054: 2050: 2049: 2045: 2042: 2041: 2037: 2034: 2033: 2029: 2027: 2026:Eugene Marais 2023: 2022: 2018: 2015: 2014: 2010: 2009: 2005: 2004: 2001: 1998:(2010), dir. 1997: 1996: 1992: 1990: 1986: 1982: 1981: 1977: 1975: 1972:(2000), dir. 1971: 1970: 1966: 1963: 1962: 1958: 1955: 1951: 1950: 1946: 1943: 1942: 1938: 1936: 1935:Ross Devenish 1933:(1974), dir. 1932: 1931: 1927: 1926: 1922: 1921: 1912: 1911:0-949937-43-6 1908: 1904: 1900: 1896: 1895:0-949937-36-3 1892: 1888: 1885: 1884: 1880: 1879: 1875: 1871: 1867: 1866:0-19-281170-3 1863: 1859: 1858:Statements: . 1856: 1855: 1852: 1848: 1844: 1843: 1839: 1838:0-8222-2041-5 1835: 1831: 1828:. New York: 1827: 1826: 1822: 1819: 1818:1-55936-208-1 1815: 1811: 1807: 1806: 1802: 1799: 1798:0-19-282529-1 1795: 1791: 1788: 1785: 1784:0-19-288035-7 1781: 1777: 1774: 1771: 1770:0-571-19093-6 1767: 1763: 1760: 1757: 1756:1-86814-324-4 1753: 1749: 1748: 1744: 1741: 1740:0-571-17908-8 1737: 1733: 1732: 1728: 1725: 1724:0-19-571099-1 1721: 1717: 1714: 1711: 1710:1-86814-278-7 1707: 1703: 1702: 1698: 1695: 1691: 1687: 1686:0-19-282925-4 1683: 1679: 1676: 1673: 1672:1-86814-219-1 1669: 1665: 1663: 1659: 1656: 1655:1-55936-019-4 1652: 1648: 1644: 1642: 1638: 1635: 1634:1-86814-117-9 1631: 1627: 1623: 1621: 1617: 1614: 1613:0-571-15114-0 1610: 1606: 1604: 1600: 1597: 1596:0-19-281929-1 1593: 1589: 1586: 1583: 1582:0-571-13691-5 1579: 1575: 1573: 1569: 1567: 1566:0-394-53755-6 1563: 1559: 1556: 1553: 1552:0-14-048187-7 1549: 1545: 1544: 1540: 1537: 1536:0-19-570332-4 1533: 1529: 1528: 1524: 1521: 1520:0-19-570331-6 1517: 1513: 1512: 1508: 1505: 1504:0-86852-008-X 1501: 1497: 1496: 1492: 1489: 1487: 1483: 1480: 1476: 1472: 1471: 1467: 1464: 1463:0-582-78129-9 1460: 1456: 1453: 1450: 1449:0-19-570197-6 1446: 1442: 1439: 1436: 1433: 1432:0-19-211390-9 1429: 1425: 1423: 1419: 1417: 1416:0-670-64784-5 1413: 1409: 1408: 1403: 1402: 1398: 1395: 1394:0-19-211366-6 1391: 1387: 1384: 1380: 1376: 1373: 1371:; see below.) 1370: 1366: 1362: 1358: 1354: 1353:0-19-281170-3 1350: 1346: 1342: 1338: 1337:0-19-211385-2 1334: 1330: 1327: 1326: 1313: 1310: 1307: 1306: 1302: 1299: 1298: 1294: 1291: 1290: 1286: 1283: 1282: 1278: 1275: 1274: 1270: 1267: 1266: 1262: 1259: 1258: 1254: 1251: 1250: 1246: 1243: 1242: 1238: 1235: 1234: 1230: 1227: 1226: 1222: 1219: 1218: 1214: 1211: 1210: 1206: 1203: 1202: 1198: 1195: 1194: 1190: 1187: 1186: 1182: 1179: 1178: 1174: 1171: 1170: 1166: 1165: 1159: 1158: 1154: 1151: 1150: 1146: 1143: 1142: 1138: 1135: 1134: 1130: 1128:in workshops) 1127: 1123: 1119: 1118: 1114: 1112:in workshops) 1111: 1107: 1103: 1102: 1098: 1095: 1094: 1090: 1087: 1086: 1082: 1079: 1076: 1073: 1072: 1068: 1065: 1064: 1060: 1057: 1056: 1052: 1049: 1048: 1043: 1042: 1038: 1035: 1034: 1030: 1027: 1026: 1022: 1019: 1016: 1013: 1012: 1008: 1007: 1005: 1002: 994: 992: 990: 985: 981: 979: 974: 970: 969:General Smuts 965: 963: 959: 955: 954: 949: 948: 942: 940: 939:Ross Devenish 936: 932: 928: 918: 916: 912: 907: 905: 901: 897: 893: 888: 886: 882: 877: 875: 871: 861: 859: 855: 850: 848: 847:Master Harold 845:. Along with 844: 840: 836: 832: 828: 826: 822: 818: 814: 813:Zeljko Ivanek 810: 805: 804: 799: 798: 790: 785: 776: 774: 770: 769: 760: 756: 755:Charles Hyatt 752: 749: 745: 742: 738: 737: 732: 728: 727: 726: 724: 720: 716: 712: 708: 707:Robben Island 704: 700: 696: 692: 684: 683: 678: 677: 672: 668: 664: 661: 660: 655: 654: 649: 648: 643: 642: 637: 636: 631: 630:Georg Buchner 627: 626: 621: 620: 619:La Mandragola 615: 611: 610: 609: 605: 603: 602: 597: 593: 589: 585: 579: 577: 573: 569: 565: 564: 559: 558: 553: 549: 545: 544:gestic acting 541: 535: 533: 528: 526: 525: 520: 516: 512: 508: 504: 500: 496: 492: 481: 479: 475: 471: 467: 465: 460: 455: 452: 448: 444: 441: 430: 428: 424: 423: 418: 414: 410: 409: 404: 399: 397: 393: 392: 386: 383: 379: 378: 373: 369: 365: 350: 348: 342: 339: 337: 333: 329: 324: 322: 318: 313: 311: 307: 306:Sheila Fugard 302: 300: 296: 295: 283: 281: 277: 273: 268: 266: 262: 258: 254: 244: 242: 238: 234: 229: 227: 223: 218: 216: 211: 209: 208: 202: 200: 196: 195:Academy Award 192: 191: 185: 183: 179: 176: 173: 164: 161: 157: 150: 147: 144: 143: 141: 137: 134: 133: 128: 127: 123: 121:Notable works 119: 115: 111: 107: 103: 100:(dropped out) 99: 96: 92: 85: 82: 79: 76: 73: 72: 70: 66: 63: 59: 54:(age 92) 42: 38: 34: 31: 22: 19: 6717:Jack O'Brien 6709:Alex Edelman 6672: 6651:Marin Mazzie 6637:Chita Rivera 6587:Ming Cho Lee 6577:Hugh Jackman 6567:Athol Fugard 6566: 6551:Jerry Herman 6534: 6519:Edward Albee 6503: 6494:Julie Harris 6481:2001–present 6468: 6443: 6415: 6409: 6403: 6392:Jackie Mason 6381: 6365: 6362:Peter Feller 6355: 6349: 6298:Stan Dragoti 6219:Bette Midler 6215:Dudley Moore 6204: 6198: 6185:John Lindsay 6167:Ethel Merman 6160: 6148: 6108:Rex Harrison 6074:Pearl Bailey 6066: 6061:Helen Menken 6055:Oliver Smith 6031:Dudley Moore 6019:Alan Bennett 5972: 5969:John Gielgud 5920: 5902: 5883:Judy Garland 5859: 5831: 5828:Joe E. Brown 5824:Paul Beisman 5813:Burns Mantle 5746: 5730: 5722: 5695: 5687: 5655: 5647: 5632:Edward Albee 5541:Václav Havel 5506:Sidney Lumet 5450:Art Buchwald 5431:Horton Foote 5411:Edwin Newman 5399:Athol Fugard 5398: 5272: 5264: 5256: 5248: 5240: 5232: 5224: 5216: 5208: 5200: 5192: 5182:Athol Fugard 5181: 5132: 5122:Paris Review 5121: 5103: 5093: 5075: 5068: 5056: 5043:Thomson Gale 5038: 5022:Athol Fugard 5003: 5000:Times Topics 4999: 4995:Athol Fugard 4993: 4985:Athol Fugard 4976:Athol Fugard 4962:Athol Fugard 4953:Athol Fugard 4946: 4905: 4882: 4856:Athol Fugard 4855: 4848: 4827: 4821: 4810: 4796:TheatreForum 4795: 4794:. Rpt. from 4785: 4758: 4736: 4713: 4675:Athol Fugard 4674: 4662: 4651: 4647: 4641: 4615:. New York: 4610: 4583: 4576: 4568: 4565:Athol Fugard 4564: 4537: 4520:23 September 4518:. Retrieved 4514: 4504: 4492:. Retrieved 4471: 4459:. Retrieved 4442: 4430:. Retrieved 4409: 4397:. Retrieved 4393:the original 4379: 4367:. 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Retrieved 2415:The Guardian 2414: 2404: 2352: 2348: 2248:(nomination) 2243: 2227: 2208: 2199: 2183: 2167: 2151: 2144: 2121: 2115: 2099: 2065: 2057: 2046: 2038: 2030: 2019: 2011: 1993: 1978: 1967: 1959: 1947: 1939: 1928: 1898: 1886: 1857: 1823: 1808:. New York: 1803: 1789: 1775: 1761: 1745: 1729: 1715: 1699: 1677: 1660: 1645:. 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Vorster 750: 734: 718: 714: 702: 698: 688: 680: 674: 670: 666: 657: 651: 645: 639: 633: 623: 617: 606: 599: 595: 592:Chaplinesque 587: 583: 581: 575: 571: 567: 561: 555: 537: 529: 522: 503:Welcome Duru 490: 487: 478:Off Broadway 473: 468: 461: 457: 453: 449: 446: 436: 426: 420: 417:Barney Simon 412: 406: 403:Johannesburg 401:In 1961, in 400: 389: 387: 381: 375: 367: 363: 361: 358:Early period 343: 340: 325: 317:Johannesburg 314: 303: 298: 293: 289: 269: 265:jazz pianist 250: 237:District Six 230: 219: 212: 205: 203: 188: 186: 172:Athol Fugard 171: 170: 130: 124: 108:1956–present 62:South Africa 52:11 June 1932 25:Athol Fugard 18: 6743:1932 births 6703:John Kander 6525:Sarah Jones 6424:Hume Cronyn 6412:(1990–1992) 6372:Yul Brynner 6320:Helen Hayes 6309:Henry Fonda 6288:Lily Tomlin 6130:Alfred Lunt 6122:NoĂ«l Coward 5913:City Center 5887:Edward Kook 5846:Mary Martin 5739:Dick Cavett 5672:Norman Lear 5597:Joan Didion 5573:John McCain 5549:Tom Fontana 5522:David Brown 5419:Andy Rooney 5381:Alan Wagner 5368:Elmer Lower 5070:Doollee.com 5037:) from the 3746:Rich, Frank 3726:courant.com 3282:Gussow, Mel 3143:16 November 2716:McGraw-Hill 2706:(New York: 2489:. Eclectica 2277:2005 – The 2000:Lonny Price 1918:Filmography 1731:Valley Song 1273:Coming Home 1225:Valley Song 1169:The Drummer 927:Filmography 817:Zakes Mokae 791:, Cape Town 679:(1972) and 638:, Brecht's 380:criticized 372:Zakes Mokae 366:(1958) and 310:Lisa Fugard 6737:Categories 6603:Tommy Tune 6330:Lena Horne 6284:Diana Ross 6211:Peter Cook 6023:Peter Cook 5971:/ Cast of 5945:Paul Shyre 5893:Danny Kaye 5830:/ Cast of 5680:Al Franken 5226:The Island 5194:Blood Knot 4838:California 4532:References 3196:9 February 3170:9 February 3117:24 October 3112:Cape Times 3091:24 October 3006:31 October 2998:. London. 2961:Video clip 2828:31 October 2354:Cencrastus 2123:The Island 2110:Tony Award 2094:Obie Award 2024:(1977) as 2006:Film roles 1985:Gavin Hood 1974:John Berry 1641:Blood Knot 1407:The Island 1379:Blood Knot 1117:The Island 1047:Blood Knot 958:Gavin Hood 751:Blood Knot 703:The Island 682:The Island 659:The Island 548:vaudeville 413:Blood Knot 241:Tony Award 199:Gavin Hood 187:His novel 132:Blood Knot 74:Playwright 68:Occupation 48:1932-06-11 6713:Abe Jacob 6699:Joel Grey 6685:(2020/21) 6459:Uta Hagen 6417:Oklahoma! 6247:1976–2000 5798:1947–1975 4945:. 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London 3000:Archived 2731:Archived 2700:Lannigan 2464:Archived 2369:See also 2232:(winner) 2204:(winner) 2188:(winner) 2172:(winner) 2156:(winner) 2147:(winner) 2104:(winner) 1832:, 2004. 1812:, 2002. 1662:Playland 1649:, 1991. 1488:: A Play 1217:Playland 1063:The Coat 874:coloured 685:(1973)." 671:The Coat 667:The Coat 647:Antigone 625:The Cure 576:The Coat 572:The Coat 563:Antigone 294:Graigaur 261:Huguenot 159:Children 83:director 77:novelist 6206:Candide 5131:in the 4987:at the 4964:at the 4822:Victory 4771:(10). 4627:(10). 4180:17 July 4030:(1975). 3513:Variety 2749:(2007). 2688:Lanigan 2640:9 April 2614:9 April 2493:9 April 2420:9 April 2342:Reviews 2182:1982 – 2129:2011 – 2088:Theatre 1987:; 2005 1422:Dimetos 1339:(10). 1265:Victory 1209:My Life 1149:Orestes 1141:Dimetos 1033:Nongogo 913:at the 747:Kruger. 719:Hodoshe 635:Woyzeck 596:Variety 586:panned 382:Nongogo 368:Nongogo 178:HonFRSL 165:, Halle 86:teacher 33:HonFRSL 6723:(2024) 6705:(2023) 6695:(2022) 6665:(2019) 6643:(2018) 6625:(2017) 6605:(2015) 6595:(2014) 6579:(2012) 6563:(2010) 6553:(2009) 6547:(2008) 6537:(2007) 6531:(2006) 6521:(2005) 6515:(2004) 6509:(2003) 6490:(2001) 6452:(1997) 6446:(1996) 6430:(1994) 6420:(1993) 6406:(1989) 6400:(1988) 6394:(1987) 6384:(1986) 6378:(1985) 6368:(1984) 6352:(1983) 6346:(1982) 6332:(1981) 6315:(1979) 6290:(1977) 6268:(1976) 6239:(1975) 6233:(1974) 6191:(1973) 6157:(1971) 6140:(1970) 6118:(1969) 6114:/ The 6096:(1968) 6069:(1967) 6063:(1966) 6057:(1965) 6047:(1964) 6041:(1963) 6015:(1962) 6001:(1961) 5991:(1960) 5977:(1959) 5957:(1958) 5947:(1957) 5925:(1956) 5905:(1954) 5899:(1953) 5889:(1952) 5872:(1950) 5862:(1949) 5856:(1948) 5819:(1947) 5749:(2023) 5741:(2022) 5733:(2021) 5725:(2020) 5706:(2019) 5698:(2018) 5690:(2017) 5682:(2016) 5674:(2015) 5666:(2014) 5658:(2013) 5650:(2012) 5642:(2011) 5634:(2010) 5615:(2009) 5607:(2008) 5599:(2007) 5591:(2006) 5583:(2005) 5575:(2004) 5567:(2003) 5559:(2002) 5551:(2001) 5543:(2000) 5524:(1999) 5516:(1998) 5508:(1997) 5500:(1996) 5492:(1995) 5484:(1994) 5476:(1993) 5468:(1992) 5460:(1991) 5452:(1990) 5433:(1989) 5425:(1988) 5413:(1987) 5405:(1986) 5401:& 5383:(1983) 5370:(1981) 5362:(1980) 5343:(1979) 5335:(1978) 5277:(2014) 5269:(2010) 5261:(1984) 5253:(1982) 5245:(1980) 5237:(1978) 5229:(1972) 5221:(1972) 5213:(1969) 5205:(1965) 4924:  4920:(10). 4916:  4897:  4893:(10). 4889:  4874:  4870:(10). 4866:  4775:  4767:  4750:  4728:  4724:(10). 4720:  4705:  4701:(10). 4697:  4693:(13). 4689:  4685:(10). 4681:  4642:Tsotsi 4631:  4623:  4602:  4598:(10). 4594:  4588:Rodopi 4076:  4051:  3973:24 May 3917:24 May 3810:24 May 3784:24 May 3777:  3731:11 May 3705:24 May 3698:  3671:24 May 3664:  3631:  3604:10 May 3597:  3543:  3518:10 May 3492:10 May 3485:  3431:  3425:217–18 3352:  3329:10 May 3322:  3259:  3253:215–80 3230:10 May 3223:  3191:LitNet 2859:  2853:224–38 2771:  2361:  2349:Tsotsi 2337:, 2006 2331:, 1998 2325:, 1995 2319:, 1993 2313:, 1992 2307:, 1983 2209:winner 2048:Gandhi 1980:Tsotsi 1909:  1893:  1876:(13). 1872:  1868:(10). 1864:  1836:  1816:  1796:  1782:  1768:  1754:  1738:  1722:  1708:  1696:(13). 1692:  1688:(10). 1684:  1670:  1653:  1632:  1611:  1594:  1580:  1564:  1550:  1534:  1518:  1502:  1477:  1461:  1447:  1430:  1414:  1392:  1359:  1355:(10). 1351:  1347:(13). 1343:  1335:  1308:(2016) 1300:(2014) 1292:(2010) 1284:(2009) 1276:(2009) 1268:(2007) 1260:(2006) 1252:(2004) 1244:(2001) 1236:(1997) 1228:(1996) 1220:(1993) 1212:(1992) 1204:(1989) 1196:(1987) 1188:(1984) 1180:(1982) 1172:(1980) 1160:(1978) 1152:(1978) 1144:(1975) 1136:(1972) 1124:, and 1108:, and 1096:(1970) 1088:(1969) 1080:(1969) 1074:(1968) 1066:(1966) 1058:(1965) 1050:(1987) 1036:(1959) 1028:(1958) 1020:(1957) 1014:(1956) 991:(1984) 980:(1982) 978:Gandhi 953:Tsotsi 540:Brecht 353:Career 190:Tsotsi 139:Spouse 105:Period 5715:2020s 5624:2010s 5533:2000s 5442:1990s 5352:1980s 5325:1970s 5178:Plays 4901:(13). 4878:(13). 4735:–––. 4732:(13). 4709:(13). 4606:(13). 4573:Index 4363:(PDF) 4352:(PDF) 4104:8 May 2397:Notes 2351:, in 997:Plays 723:Xhosa 113:Genre 80:actor 6426:and 6213:and 6128:and 6029:and 5983:and 5963:and 4980:IMDb 4922:ISBN 4914:ISBN 4895:ISBN 4887:ISBN 4872:ISBN 4864:ISBN 4773:ISBN 4765:ISBN 4748:ISBN 4726:ISBN 4718:ISBN 4703:ISBN 4695:ISBN 4687:ISBN 4679:ISBN 4629:ISBN 4621:ISBN 4600:ISBN 4592:ISBN 4522:2017 4496:2008 4463:2008 4434:2008 4401:2008 4371:2008 4313:2008 4284:2008 4254:2008 4217:2008 4196:IBDB 4182:2014 4106:2024 4074:ISBN 4049:ISBN 4005:2008 3975:2022 3919:2022 3894:2010 3812:2022 3786:2022 3775:ISSN 3733:2020 3707:2022 3696:ISSN 3673:2022 3662:ISSN 3629:ISBN 3606:2020 3595:ISSN 3541:ISBN 3520:2020 3494:2020 3483:ISSN 3429:ISBN 3395:2008 3350:ISBN 3331:2020 3320:ISSN 3297:2008 3257:ISBN 3232:2020 3221:ISSN 3198:2023 3172:2023 3145:2017 3119:2014 3093:2014 3066:2008 3035:2008 3008:2010 2977:2008 2932:2008 2901:2008 2857:ISBN 2830:2010 2809:2008 2769:ISBN 2674:2008 2642:2020 2616:2020 2594:2008 2564:2008 2528:2008 2495:2020 2472:2008 2422:2020 2359:ISSN 2083:2014 1907:ISBN 1891:ISBN 1870:ISBN 1862:ISBN 1849:and 1834:ISBN 1814:ISBN 1794:ISBN 1780:ISBN 1766:ISBN 1752:ISBN 1736:ISBN 1720:ISBN 1706:ISBN 1690:ISBN 1682:ISBN 1668:ISBN 1651:ISBN 1630:ISBN 1609:ISBN 1592:ISBN 1578:ISBN 1562:ISBN 1548:ISBN 1532:ISBN 1516:ISBN 1500:ISBN 1475:ISBN 1459:ISBN 1445:ISBN 1428:ISBN 1412:ISBN 1404:and 1390:ISBN 1367:and 1357:ISBN 1349:ISBN 1341:ISBN 1333:ISBN 921:Film 890:The 815:and 731:gest 693:and 656:and 207:Time 163:Lisa 40:Born 5180:by 5092:in 5055:at 5024:at 5002:in 4998:at 4978:at 4955:at 4826:. 4809:. 4805:). 4559:PDF 4515:IOL 4159:at 4141:at 4123:at 3963:BFI 3944:at 3625:225 2849:215 2765:xvi 1897:. ( 1383:and 986:'s 975:'s 971:in 823:in 725:). 665:In 632:'s 616:'s 534:, 394:by 334:in 292:SS 235:in 228:. 217:. 201:. 175:OIS 30:OIS 6739:: 6719:/ 6711:/ 6701:/ 6691:/ 6681:/ 6677:/ 6657:/ 6653:/ 6649:/ 6639:/ 6635:/ 6631:/ 6615:/ 6611:/ 6601:/ 6585:/ 6575:/ 6559:/ 6543:/ 6527:/ 6502:/ 6461:/ 6436:/ 6390:/ 6374:/ 6364:/ 6360:/ 6342:/ 6338:/ 6322:/ 6311:/ 6307:/ 6296:/ 6286:/ 6282:/ 6278:/ 6260:/ 6256:/ 6229:/ 6225:/ 6221:/ 6209:/ 6203:/ 6197:/ 6187:/ 6183:/ 6173:/ 6169:/ 6165:/ 6153:/ 6147:/ 6136:/ 6132:/ 6124:/ 6110:/ 6106:/ 6102:/ 6092:/ 6088:/ 6084:/ 6080:/ 6076:/ 6053:/ 6037:/ 6033:/ 6025:, 6021:, 6011:/ 6007:/ 5997:/ 5987:/ 5967:/ 5953:/ 5939:/ 5935:/ 5931:/ 5915:/ 5895:/ 5885:/ 5881:/ 5852:/ 5848:/ 5844:/ 5836:/ 5826:/ 5811:/ 5120:. 5108:. 5102:. 4847:. 4840:.) 4673:. 4661:. 4646:, 4575:. 4561:. 4549:. 4513:. 4486:. 4482:. 4424:. 4420:. 4387:. 4354:. 4333:. 4329:. 4270:. 4240:. 4225:^ 4203:. 4198:. 4097:. 4007:. 3995:. 3961:. 3927:^ 3910:. 3884:. 3880:. 3861:. 3803:. 3773:. 3769:. 3748:. 3724:. 3694:. 3690:. 3656:. 3627:. 3593:. 3589:. 3549:. 3511:. 3481:. 3477:. 3448:^ 3427:. 3403:^ 3381:. 3314:. 3288:. 3271:.) 3255:. 3219:. 3215:. 3189:. 3162:. 3135:. 3110:. 3083:. 3052:. 3025:. 2994:. 2965:. 2940:^ 2918:. 2891:. 2887:. 2876:^ 2855:. 2851:, 2767:. 2664:. 2650:^ 2632:. 2580:. 2547:. 2536:^ 2514:. 2503:^ 2462:. 2456:. 2430:^ 2413:. 2223:) 2120:/ 1913:.) 1598:. 1584:. 1377:: 993:. 811:, 517:, 513:, 509:, 501:, 497:, 398:. 301:. 60:, 50:) 5783:e 5776:t 5769:v 5310:e 5303:t 5296:v 5170:e 5163:t 5156:v 4824:" 4788:" 4754:. 4524:. 4498:. 4465:. 4436:. 4403:. 4373:. 4337:. 4315:. 4286:. 4256:. 4219:. 4184:. 4108:. 4082:. 4057:. 3977:. 3921:. 3896:. 3865:. 3846:. 3830:. 3814:. 3788:. 3735:. 3709:. 3675:. 3639:( 3637:. 3608:. 3522:. 3496:. 3439:( 3437:. 3397:. 3358:. 3333:. 3299:. 3267:( 3265:. 3234:. 3200:. 3174:. 3147:. 3121:. 3095:. 3068:. 3037:. 3010:. 2979:. 2963:) 2934:. 2903:. 2867:( 2865:. 2832:. 2811:. 2779:( 2777:. 2728:" 2720:n 2676:. 2644:. 2618:. 2596:. 2566:. 2530:. 2497:. 2474:. 2424:. 2269:) 2219:( 2211:) 1840:. 1820:. 1800:. 1786:. 1772:. 1758:. 1742:. 1726:. 1712:. 1674:. 1657:. 1636:. 1615:. 1554:. 1538:. 1522:. 1506:. 1481:. 1465:. 1451:. 1434:. 1396:. 717:( 570:: 46:(

Index

OIS
HonFRSL
Middleburg, Cape Province
South Africa
University of Cape Town
"Master Harold"...and the Boys
Blood Knot
Sheila Meiring Fugard
Lisa
OIS
HonFRSL
apartheid
Tsotsi
Academy Award
Gavin Hood
Time
University of California, San Diego
Order of Ikhamanga
Royal Society of Literature
Fugard Theatre
District Six
Tony Award
Middelburg, Eastern Cape
Afrikaner
Huguenot
jazz pianist
Port Elizabeth
Marist Brothers College
University of Cape Town
SS Graigaur

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