Knowledge

Ateyyat El Abnoudy

Source 📝

108:. El-Abnoudy was considered to be one of the pioneering Arab female movie directors as her films inspired the works of many Arab women in the industry. She has been called the "poor people's filmmaker" due to the subject matter that inspired her to make films, including civil rights issues and the condition of impoverished Arabs. 157:. This later inspired her to take up production and become a filmmaker who shed light on the plight of some poor people in Egypt. El-Abnoudy quickly became known by two titles: the "poor people's filmmaker" and the "mother of documentaries". She inspired many Arab women filmmakers to follow in her footsteps. 152:
El Abnoudy started her acting career as a means to financially support herself in school while she studied journalism. When El-Abnoudy's career as a journalist began, she took a particular interest in the poor of Egypt, specifically
164:. El-Abnoudy further contested the censorship of Egypt's filmmakers when she became the first female to establish her own production company, Abnoudy Film, which supported small filmmakers similar to her. 100:(November 26, 1939 – October 5, 2018), also known as Ateyyat Awad Mahmoud Khalil, was an Egyptian journalist, lawyer, actress, producer, and movie director. She was born in a small village along the 781: 129:
to attain her law degree, working as an actress at a local theatre to fund her education. While at the university, she met her first husband, a journalist and poet named
791: 160:
El-Abnoudy's films are known for dealing with political, social, and economic issues in Egypt. They challenged the censored state of film during Egypt's
884: 778: 528: 741: 869: 854: 879: 161: 532: 844: 818: 125:
Ateyyat El Abnoudy was raised in a small village by her two parents in a working-class family. El-Abnoudy attended the
687: 625: 591: 874: 859: 142: 864: 849: 141:
El Abnoudy played various roles at the theater, such as stage manager and assistant. In 1972 she attended the
812: 548: 772: 149:, which was not only her first documentary, but also Egypt's first documentary produced by a woman. 133:. Abdel's career gave Atteyyat access to a network of writers, poets, and other artists in Egypt. 544:
1992, Egyptian Film Critics Prize, Ismailia International Documentary & Short Film Festival.
111:
El Abnoudy has received more than 30 international awards for her 22 films, including three for
679: 130: 749: 839: 834: 583: 8: 807: 683: 621: 587: 646: 607: 721: 716: 704: 675: 613: 579: 126: 785: 779:
Permissible Documentaries: Representation in Ateyyat El Abnoudy's documentaries
828: 199: 113: 617: 803: 606:
Valassopoulos, Anastasia (2013-09-13). Valassopoulos, Anastasia (ed.).
101: 527:
1971, three international prizes at the Grand Prix Film Festival,
16:
Egyptian journalist, lawyer, actress, producer, and movie director
541:
1990, Best Co-Production Prize, Valencia Film Festival, Spain.
154: 105: 672:
Ateyyat El Abnoudy: Poetic Realism in Egyptian Documentaries
578:, American University in Cairo Press, pp. 421–448, 705:"The Physicalities of Documentaries by African Women" 538:
1972, French Critics Prize at Grenoble Film Festival.
145:
to finish her film studies. While there, she created
574:
Hillauer, Rebecca (2006-02-02), "Other Filmmakers",
773:
The Physicalities of Documentaries by African Women
641: 639: 637: 792:Popular Egyptian Cinema: Gender, Class, and Nation 826: 742:"Ateyat El Abnoudy | The Women and Memory Forum" 634: 605: 696: 663: 702: 669: 120: 736: 734: 732: 569: 567: 565: 720: 521: 680:10.3366/edinburgh/9780748696062.001.0001 647:"WOMEN MAKE MOVIES | Ateyyat El Abnoudy" 573: 547:1998, Honoured, National Film Festival, 885:Cairo Higher Institute of Cinema alumni 729: 562: 827: 576:Encyclopedia of Arab Women Filmmakers 670:Van de Peer, Stefanie (2017-04-01). 584:10.5743/cairo/9789774249433.003.0011 13: 767: 14: 896: 813:1993 Ateyyat El-Abnoudy interview 797: 788:written by Stefanie Van De Peer 775:written by Stefanie Van De Peer 143:Cairo Higher Institute of Cinema 870:Egyptian documentary filmmakers 509:Ethiopia through Egyptian Eyes 75:Actress, lawyer, movie producer 722:10.1080/19301944.2011.10781405 703:Van De Peer, Stefanie (2011). 674:. Edinburgh University Press. 599: 167: 1: 855:Egyptian women film directors 555: 880:Women documentary filmmakers 819:Ateyyat El Abnoudy Interview 748:. 2018-01-04. Archived from 549:Egyptian Ministry of Culture 7: 10: 901: 845:Egyptian women journalists 243:Two Festivals in Grenoble 176: 136: 87: 79: 71: 63: 47: 28: 21: 794:written by Viola Shafik 369:Interview in Room No. 8 121:Early life and education 875:Egyptian film producers 860:Egyptian film actresses 481:Cairo 1000, Cairo 2000 131:Abdel-Rahman El Abnoudy 91:Abdel-Rahman El Abnoudy 865:Civil rights activists 850:Egyptian women lawyers 709:Critical Interventions 533:Damascus Film Festival 522:Awards and nominations 821:with Rebecca Hillauer 618:10.4324/9781315873206 609:Arab Cultural Studies 529:Mannheim Film Festiva 117:, released in 1971. 746:whoisshe.wmf.org.eg 383:Sellers and Buyers 313:Permissible Dreams 285:To Move into Depth 173: 127:University of Cairo 67:University of Cairo 804:Attiyat El-Abnoudy 784:2019-07-29 at the 467:Egyptian Heroines 453:Days of Democracy 439:Girls Still Dream 411:Responsible Women 215:Sad Song of Touha 172: 98:Ateyyat El Abnoudy 23:Ateyyat El Abnoudy 815:with Kevin Thomas 519: 518: 95: 94: 80:Years active 42:Nile Delta, Egypt 32:November 26, 1939 892: 761: 760: 758: 757: 738: 727: 726: 724: 700: 694: 693: 667: 661: 660: 658: 657: 643: 632: 631: 603: 597: 596: 571: 495:The Nubia Train 174: 171: 58: 56: 39: 37: 19: 18: 900: 899: 895: 894: 893: 891: 890: 889: 825: 824: 800: 786:Wayback Machine 770: 768:Further reading 765: 764: 755: 753: 740: 739: 730: 701: 697: 690: 668: 664: 655: 653: 645: 644: 635: 628: 604: 600: 594: 572: 563: 558: 524: 397:Diary in Exile 341:Rhythm of Life 299:Seas of Thirst 170: 139: 123: 54: 52: 51:October 5, 2018 43: 40: 35: 33: 24: 17: 12: 11: 5: 898: 888: 887: 882: 877: 872: 867: 862: 857: 852: 847: 842: 837: 823: 822: 816: 810: 799: 798:External links 796: 769: 766: 763: 762: 728: 695: 688: 662: 633: 626: 598: 592: 560: 559: 557: 554: 553: 552: 545: 542: 539: 536: 523: 520: 517: 516: 513: 510: 507: 503: 502: 499: 496: 493: 489: 488: 485: 482: 479: 475: 474: 471: 468: 465: 461: 460: 457: 454: 451: 447: 446: 443: 440: 437: 433: 432: 429: 426: 423: 419: 418: 415: 412: 409: 405: 404: 401: 398: 395: 391: 390: 387: 384: 381: 377: 376: 373: 370: 367: 363: 362: 359: 356: 353: 349: 348: 345: 342: 339: 335: 334: 331: 328: 325: 321: 320: 317: 314: 311: 307: 306: 303: 300: 297: 293: 292: 289: 286: 283: 279: 278: 275: 272: 269: 265: 264: 261: 258: 255: 251: 250: 247: 244: 241: 237: 236: 233: 230: 227: 223: 222: 219: 216: 213: 209: 208: 205: 202: 197: 193: 192: 189: 186: 183: 179: 178: 169: 166: 138: 135: 122: 119: 93: 92: 89: 85: 84: 81: 77: 76: 73: 69: 68: 65: 61: 60: 59:(aged 78) 49: 45: 44: 41: 30: 26: 25: 22: 15: 9: 6: 4: 3: 2: 897: 886: 883: 881: 878: 876: 873: 871: 868: 866: 863: 861: 858: 856: 853: 851: 848: 846: 843: 841: 838: 836: 833: 832: 830: 820: 817: 814: 811: 809: 805: 802: 801: 795: 793: 789: 787: 783: 780: 776: 774: 752:on 2019-08-06 751: 747: 743: 737: 735: 733: 723: 718: 714: 710: 706: 699: 691: 689:9781474434836 685: 681: 677: 673: 666: 652: 648: 642: 640: 638: 629: 627:9781315873206 623: 619: 615: 611: 610: 602: 595: 593:9789774249433 589: 585: 581: 577: 570: 568: 566: 561: 550: 546: 543: 540: 537: 534: 530: 526: 525: 514: 511: 508: 505: 504: 500: 497: 494: 491: 490: 486: 483: 480: 477: 476: 472: 469: 466: 463: 462: 458: 455: 452: 449: 448: 444: 441: 438: 435: 434: 430: 427: 424: 421: 420: 416: 413: 410: 407: 406: 402: 399: 396: 393: 392: 388: 385: 382: 379: 378: 374: 371: 368: 365: 364: 360: 357: 355:Year of Maya 354: 351: 350: 346: 343: 340: 337: 336: 332: 329: 326: 323: 322: 318: 315: 312: 309: 308: 304: 301: 298: 295: 294: 290: 287: 284: 281: 280: 276: 273: 271:London Views 270: 267: 266: 262: 259: 257:al-Sandawich 256: 253: 252: 248: 245: 242: 239: 238: 234: 231: 228: 225: 224: 220: 217: 214: 211: 210: 206: 203: 201: 198: 195: 194: 190: 187: 184: 181: 180: 177:Credited As: 175: 165: 163: 158: 156: 150: 148: 144: 134: 132: 128: 118: 116: 115: 109: 107: 103: 99: 90: 86: 82: 78: 74: 72:Occupation(s) 70: 66: 62: 50: 46: 31: 27: 20: 790: 777: 771: 754:. Retrieved 750:the original 745: 712: 708: 698: 671: 665: 654:. Retrieved 650: 608: 601: 575: 229:Jumble Sale 200:Horse of Mud 159: 151: 147:Horse of Mud 146: 140: 124: 114:Horse of Mud 112: 110: 97: 96: 840:2018 deaths 835:1939 births 715:: 135–153. 651:www.wmm.com 327:Rolla Tree 168:Filmography 829:Categories 756:2018-10-18 656:2018-10-11 556:References 102:Nile Delta 55:2018-10-06 36:1939-11-26 191:Producer 188:Director 162:Sadat era 83:1939-2018 64:Education 782:Archived 53: ( 34: ( 686:  624:  590:  531:l and 425:Rawya 185:Title 137:Career 88:Spouse 506:2004 492:2002 478:2000 464:1996 450:1996 436:1995 422:1995 408:1994 394:1993 380:1992 366:1990 352:1989 338:1988 324:1985 310:1983 296:1981 282:1979 268:1976 254:1975 240:1974 226:1973 212:1972 196:1971 182:Year 155:Cairo 106:Egypt 808:IMDb 684:ISBN 622:ISBN 588:ISBN 515:Yes 512:Yes 501:Yes 498:Yes 484:Yes 470:Yes 459:Yes 456:Yes 445:Yes 442:Yes 431:Yes 428:Yes 417:Yes 414:Yes 403:Yes 400:Yes 386:Yes 375:Yes 372:Yes 358:Yes 344:Yes 330:Yes 316:Yes 305:Yes 302:Yes 291:Yes 288:Yes 277:Yes 274:Yes 263:Yes 260:Yes 249:Yes 246:Yes 235:Yes 232:Yes 221:Yes 218:Yes 207:Yes 204:Yes 48:Died 29:Born 806:at 717:doi 676:doi 614:doi 580:doi 487:No 473:No 389:No 361:No 347:No 333:No 319:No 104:in 831:: 744:. 731:^ 711:. 707:. 682:. 649:. 636:^ 620:. 612:. 586:, 564:^ 759:. 725:. 719:: 713:5 692:. 678:: 659:. 630:. 616:: 582:: 551:. 535:. 57:) 38:)

Index

Nile Delta
Egypt
Horse of Mud
University of Cairo
Abdel-Rahman El Abnoudy
Cairo Higher Institute of Cinema
Cairo
Sadat era
Horse of Mud
Mannheim Film Festiva
Damascus Film Festival
Egyptian Ministry of Culture



doi
10.5743/cairo/9789774249433.003.0011
ISBN
9789774249433
Arab Cultural Studies
doi
10.4324/9781315873206
ISBN
9781315873206



"WOMEN MAKE MOVIES | Ateyyat El Abnoudy"
doi
10.3366/edinburgh/9780748696062.001.0001

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.