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At Long Last Love

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389:"). Italian gambler Johnny Spanish wins a poker game and returns to his shabby downtown apartment ("Tomorrow"). Spoiled heiress Brooke Carter returns to her hotel suite after a night out, only to be given an official notice by her maid Elizabeth, saying that they will be evicted unless she settles the bill ("Which?"). Playboy millionaire Michael Oliver Pritchard III drives home with his chauffeur and valet Rodney James after being bored with partying all night long ("Poor Young Millionaire"). The hungover Kitty runs out and hails Michael's limousine, mistaking it for a taxi. Rodney manages to avoid her, but he still causes a minor accident. Michael and Kitty start chatting and take an instant liking to each other. 686:
chortle at his own cleverness"; and he particularly criticized Cybill Shepherd, stating, "Cybill Shepherd, Mr B's inamorata, plays a poor little snotty rich girl with a notion of sophistication that is underpassed only by her acting ability. (I will not even sully my pen by making it describe her singing and dancing.) If it weren't for an asinine superciliousness radiating from her, Miss Shepherd would actually be pitiable, rather like a kid from an orphanage trying to play Noel Coward."
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and attempt to rekindle their relationships with Kitty and Brooke, respectively. The two couples make up at the dance floor ("A Picture of Me Without You"). The bandleader asks the dancers to change partners and they do. Dancing with Kitty, Johnny observes that Brooke has never been more lovely. Michael, dancing with Brooke, notes that Kitty has never been more beautiful.
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Elizabeth declines, but nudges Brooke to accept. Kitty and Michael, increasingly smitten, drink champagne at his apartment, while Brooke and Johnny go for a car ride. Brooke finds herself warming to Johnny and confesses that she has not heard from her mother, who sends her money, in three months. Johnny offers to settle her hotel bill, which Brooke gladly accepts ("
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to the nightclub and Michael invites them to his country house for the weekend. On the way, they pick up Elizabeth who finds herself attracted to Rodney, much to his annoyance. Then they stop at Johnny's place and Brooke is disappointed to find he's living in a poor apartment building. Kitty and Michael manage to bring them back to a good mood ("Friendship").
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on talk shows, and be rather arrogant and talk about how bad critics are. That was the final straw. So they were waiting with their knives and whatever. And along came Peter who finally gave them something they could kill him with. Unfortunately there I was, between Cybill's broad shoulders and Peter's ego. And I got killed along with the rest of them.
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and people were liking it. For the first time in many years, he watched it himself, and for the first time in years, he liked what he saw. But it was not his cut. It was discovered that a longtime studio editor named Jim Blakely had secretly assembled another edit (running approximately 121 minutes),
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Peter Bogdanovich's much-maligned evocation of the classical 1930s musical. It's a light, silly, impeccably stylish entertainment...The movie's no masterpiece, but I can't account for the viciousness of some of the critical attacks against it. It's almost as if Bogdanovich is being accused of the sin
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of apology printed in newspapers throughout the U.S. Bogdanovich later said once the film was released "I realized how I should have cut it after that and I immediately did cut it, they let me recut and I think I paid for that, and that version was then shown on television and that's the version that
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The next morning, Rodney and Elizabeth fix breakfast for their employers while recovering from a drinking binge which resulted with another car crash at the country house doorway. She tries to seduce him, to no avail ("But in the Morning, No"). Johnny apologizes to Brooke for lying and promises he'll
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which more closely resembled Bogdanovich's shooting script and first preview cut. He quietly substituted it as the default version as early as 1979, and that was the version made available on streaming. Bogdanovich has gratefully acknowledged Blakely, who died before anyone learned what he had done.
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In addition, the cast had a tough time performing the sequences due to having to perform them in one take and deal with wonky receiver systems in order to listen to the instrumentals. Bogdanovich later said he "was very arrogant" during the making of the film, "but that arrogance was bought out of a
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influenced Bogdanovich to have all of the song sequences be filmed live, as it would recreate the "kind of sad, funny, melancholy, silly," and "spontaneous" vibe of the films. However, all of the lead actors, especially Reynolds "weren't accomplished singers or dancers," resulting in a lot of delays
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Filming started in August 1974. Resisting the urge to shoot another film in black and white, Bogdanovich had it art-directed as "Black and White in Color". He wanted the characters to feel like they were having a conversation using "greeting cards in the form of songs" like "they didn't know what to
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gave him a book of songs by the composer. "His lyrics conveyed a frivolous era," said the director. "With a kind of sadness, but very subtle... Cole Porter lyrics are less sentimental than, say, Gershwin and more abrasive... Gershwin was the greater musician. But Cole was a better lyricist and I was
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Walking in the park, Kitty complains of her unrequited love for Johnny, and Brooke of hers for Michael ("I Loved Him, But He Didn't Love Me"). Rodney, Michael, and Johnny arrive at the club. Rodney dances with Elizabeth, finally reciprocating her affection. Michael and Johnny take to the dance floor
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Later, Michael's mother Mabel comes to visit and invites the foursome to a dance party at the Racquet Club; they reluctantly accept the invitation. The club consists of uptight senior citizens which causes bored Michael, Brooke, Johnny and Kitty to play tricks on the guests. Brooke and Michael sneak
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magazine wrote the film "has to be seen to be believed. Not a complete success as a film but glorious in its ambition. Once you get into the groove, it’s actually a lot of fun and Cybill is great. People were unnecessarily mean to it, but they’d been waiting with baseball bats for Bogdanovich for a
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Not as bad as it was reviewed. What was reviewed was Cybill and Peter's relationship. You see, Peter Bogdanovich has done something that all critics will never forgive him for doing. That is, stop being a critic, go make a film and have that film be enormously successful. What he did then was to go
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that the film, "may be the worst movie musical of this or any decade: Sitting through this movie is like having someone at a fancy Parisian restaurant, who neither speaks nor reads French, read out stentoriously the entire long menu in his best Arkansas accent, and occasionally interrupt himself to
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Michael and Rodney attend Kitty's musical and wind up sitting next to Brooke and Johnny. As the show begins, Brooke recognizes Kitty as her former schoolmate Kathy Krumm ("Find Me a Primitive Man"). Afterwards, Michael, Brooke, and Johnny visit Kitty backstage and the two girls reunite. The four go
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among his ten favorite musical films of the 1970s. He described the film: "I'm here to tell you, they were all wrong. This movie is a delight. My wife and I love everything about it, we even have this poster up in our kitchen. Pop some dom, put on some white gloves and enjoy." Johnson's wife, film
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gave the film 2 stars out of 4 and wrote, "The musical numbers are a mess. Nobody knows how to dance; nobody knows how to sing. Shepherd tries to hit the high notes and ends up sounding like a choir girl with a changing voice; Reynolds maintains good cheer, but too often slides into a Dean Martin
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led the condemnation, stating; "this Cole Porter coloring book, mounted with great expense and no taste, is one of those grand catastrophes that make audiences either hoot in derisive surprise or look away in embarrassment", adding; "when dancing, the stars look as if they're extinguishing a camp
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While sharing a taxi with Kitty, Johnny decides to make Brooke and Michael jealous by following them around and posing as a couple in front of them. She agrees to do it, but eventually they spend a night at her place ("From Alpha to Omega"). Brooke and Michael return to his country house and she
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make a fortune soon. When she remains mad at him, he goes for a walk around the grounds. He runs into Kitty and flirts with her. Michael squirts shaving alcohol in his eye and accidentally bursts into Brooke's bedroom. They are slightly embarrassed, but amused by seeing each other half dressed ("
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Kitty and Johnny make out in front of Brooke and Michael at a baseball game and a boxing match, but they try to ignore them. Michael is struck by their relationship, though Brooke is unperturbed. Finally, at a movie theatre, Michael fights with Johnny in the men's room. They make up immediately
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Brooke and Elizabeth go to the race track in order to raise money for the hotel bill. They run into Johnny, whom Brooke dislikes. Brooke bets her last $ 300 on the same race as Johnny. Johnny's horse wins while Brooke's comes dead last. After the race, Johnny offers Brooke and Elizabeth a ride.
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had replaced Gould. Bogdanovich says he was "talked into" using Burt Reynolds, who wanted to try a musical. "The whole joke is that he's kind of a nice fellow, good looking, not particularly good at dancing. He can't dally with the girl. He's rather ineffectual." He gave the other male lead to
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store and tearfully forgive each other. Along with Elizabeth, they state their disenchantment with men ("Most Gentlemen Don't Like Love"). Kitty and Brooke make plans to go dancing in the evening before leaving for a walk. Elizabeth phones Rodney and hatches a plan with him.
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After finding out how it happened, Bogdanovich called Fox to say he liked that version. He made some refinements, including 90 seconds of restored footage, bringing the final running time to 123 minutes. The studio released it as the "Definitive Director's Version" on
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called the film "Peter Bogdanovich's audacious attempt to make a stylish, nineteen-thirties Hollywood musical comedy with a superb score by Cole Porter but with performers who don't dance much and whose singing abilities might be best hidden in a very large choir."
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as two couples who each switch partners during a party and attempt to make each other jealous. Bogdanovich was inspired to make a musical with Porter's songs after Shepherd gave him a book of them. All of the musical sequences were performed live by the cast, for
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of pride for daring to make a musical in the classical Hollywood style...Bogdanovich has too much taste, too sure a feel for the right tone, to go seriously wrong. And if he doesn't go spectacularly right, at least he provides small pleasures and great music."
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Brooke stays in her suite for days and does not return Johnny's calls, who in the meantime has won $ 500,000 in a card game. Kitty avoids Michael, who buys a horse called Kathy-O. Brooke reads about the purchase in the paper and mourns her lost relationship
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did not have an official home media release for many years; until the early 2010s the only available versions of the film were through bootleg TV and VHS recordings, and 16mm prints. Bogdanovich's 121-minute 1979 default version of the film was issued to
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all release prints have been ever since. That was quite different from the opening version. Very different, but unfortunately it was too late." The director has stated many people who first saw it in this version did not react so badly to the film.
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remarked: "One of the worst bombs of the 1970s, this foolish attempt at re-creating the lush musicals of the 1930s offers fabulous art deco sets, memorable Cole Porter songs, and slick production values, yet it goes down like a stricken elephant."
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more interested in lyrics than music." When he heard the lyrics for "I Loved Him", with its reversal of emotion and wry lyric, he decided to use that as the finale and "worked back from there". The film was originally called
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In September 1973, Bogadanovich announced the cast would be Cybill Shepherd, Madeline Kahn, Ryan O'Neal, and the director himself. Shepherd had recorded an album of Cole Porter songs paid for by Paramount called
445:"). Brooke's mother sends a telegram informing Brooke that she has deposited $ 1,000,000 in her account. Elizabeth persuades Brooke to go shopping. Kitty and Brooke accidentally meet in the powder room of the 307:, and received very low box office returns, only making less than half of its $ 5.14 million budget. The critical reception was so negative that Bogdanovich printed newspaper ads apologizing for the film. 1096:
The Lives, Loves and Hard Times of Peter Bogdanovich and Cybill Shepherd: The Heartbreak Kids The Lives, and Loves and Hard Times of the Heartbreak Kids By Sally Quinn. The Washington Post20 Dec 1976: B1.
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in 1981. In addition, there were different versions (each with different scenes and numbers added and missing) floating around among fans and collectors, from 16mm prints and various TV broadcasts.
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Peter Bogdanovich hews to single theme--variety By Nora E. Taylor Staff writer of The Christian Science Monitor The Christian Science Monitor. The Christian Science Monitor 0 Apr 1975: 13.
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was Bogdanovich's first musical film, as well as the first motion picture he wrote by himself. He got the idea to do a musical film of Cole Porter songs when his then-girlfriend
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CYBILL SHEPHERD--SHE GETS A CHANCE AT A SECOND ACT: SHEPHERD: A SHOT AT A SECOND ACT SHEPHERD: A SHOT AT A SECOND ACT Rosenfield, Paul. Los Angeles Times October 9, 1983: w3.
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and stated "Duilio Del Prete, an Italian discovery with no voice, sings as if he came to paint the mansion and stayed on to regale the company with wobbly impersonations of
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Bogdanovich--Will 'Nickelodeon' Be His Last Picture Show?: Bogdanovich--What Went Wrong? Peter Bogdanovich-- What Went Wrong? By DAVID DENBY. January 30, 1977: D1
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Hyphenates Seek Unified Film Approach: European Influence Visible Definition of 'Producer Self-Defense Cited By PAUL GARDNER. New York Times February 25, 1974: 1
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faced mostly horrendous initial reviews that mainly targeted the lead actors' performances of the musical numbers. It was originally considered
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Bogdanovich Touch Turns Coincidence into Success: Turning Coincidence Into Success Haber, Joyce. Los Angeles Times September 16, 1973: o21.
746:"I came out of it with better reviews than anyone else," added Reynolds. "But that's like staying afloat longer than anybody else when the 1708: 1517: 2161: 2067: 1587: 2151: 2121: 1543: 1052: 2116: 1965: 1116: 115: 2111: 1087:'The End' is just the beginning McBride, Joseph; Riley, Brooks. Film Comment; New York Vol. 14, Iss. 3, (May/Jun 1978): 16-21. 2126: 971: 932: 347: 1674: 901: 429:"). Elizabeth does the same with Rodney by barging into his bedroom and forcing herself on him ("But in the Morning, No"). 2101: 2096: 1484: 2176: 872: 787:(winning the award for "The Worst Musical Extravaganza of All Time"), and was listed as a major financial disaster in 2171: 1255: 1026:
Cybill Shepherd: 'Henry James Had Me in Mind' By Rex Reed. The Washington Post and Times-Herald October 14, 1973: L5.
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frantic insecurity. I knew it was so possible I was wrong that I became tough about insisting that I was right."
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gave the film a mildly positive review, awarding 2.5 stars out of 4: "It's impossible not to feel affection for
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to scathing reviews and poor box office returns. The chorus of critical attacks prompted Bogdanovich to have an
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in 2012, and the "Definitive Director's Version", which is 90 seconds longer, was released on Blu-ray in 2013.
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The director dismissed the film as a painful memory until around 2011 when he was told it was streaming on
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one of her favorite films and revealing the couple has a print of the movie poster hung in their kitchen.
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and who the director thought was going to be a big star. In March 1974, Fox agreed to finance the film.
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Woses Are Wed, Madeline's a Wow!: Madeline Kahn By ROBERT BERKVIST. New York Times March 24, 1974: 131.
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rushed the film's release, only allowing for two test screenings before the final version premiered at
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MOVIE CALL SHEET: 'Marriage' to Screen in U.S. Murphy, Mary. Los Angeles Times March 27, 1974: e14.
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accent that has nothing to do with the '30s." Bruce Williamson attacked the film in a review for
442: 417:"). Mabel interrupts Brooke and Michael to tell them that Kitty and Johnny returned to the city. 385:
New York, 1935. Broadway star Kitty O'Kelly is dumped by her boyfriend after drinking heavily ("
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out to the back yard, but they are noticed by Kitty and Johnny who quietly leave the party ("
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afterward. Consequently, Michael breaks up with Brooke, and Johnny breaks up with Kitty ("
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Bogdanovich Starring in Welles Film Haber, Joyce. Los Angeles Times March 19, 1974: c8.
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in June 2013, resulting in more positive reviews than the theatrical version received.
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long time. He tried again to make a star of Duilio Del Prete here – didn’t happen."
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Workaholic Burt Reynolds sets up his next task: Light comedy Siskel, Gene.
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Siskel, Gene (March 21, 1975). "'At Long Last Love' is a labor lost".
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currently holds a 22% rating on Rotten Tomatoes based on 18 reviews.
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called it a "stillborn musical comedy-a relentlessly vapid pastiche".
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was meant by Bogdanovich to be a tribute to 1930s musical films like
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The studio rushed the film into release, with only two previews in
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Champlin, Charles (March 27, 1975). "Bogdanovich's Cold Porter".
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For the song by Cole Porter that this film is named after, see
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with adenoids and dances like a drunk killing cockroaches".
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and was equally weighted between the four lead characters.
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by removing unnecessary details and making it more concise.
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Twentieth Century Fox: A Corporate and Financial History
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Twentieth Century Fox: A Corporate and Financial History
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also condemned the film and Shepherd specifically in
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ElDorado Road Productions. 1047: 1045: 1043: 1041: 2187:Films with screenplays by Peter Bogdanovich 1709: 1695: 1129: 595:and mess-ups during the shooting process. 281:in which the songs were shot in that way. 36: 2068:Voyage to the Planet of Prehistoric Women 1515: 1038: 373:Learn how and when to remove this message 1174: 1172: 1106: 1104: 1102: 806:Some modern directors praised the film. 2142:English-language romantic musical films 1966:Rescuers: Stories of Courage: Two Women 1585: 737:Burt Reynolds later said the film was: 2137:English-language romantic comedy films 2084: 986: 984: 982: 980: 2132:English-language musical comedy films 1716: 1690: 1482: 1169: 1099: 627: 1516:Longworth, Karina (April 25, 2017). 1426: 1243: 1180:At Long Last Love' Evokes Past Films 902:British Board of Film Classification 330: 2157:Films directed by Peter Bogdanovich 1301:"Harsh Reviews | Movie Film Review" 1081: 977: 550:who had just been in Bogdanovich's 228:written, produced, and directed by 13: 873:List of films considered the worst 819:, reiterated this on her podcast 558:say to each other." The movies of 305:one of the worst films of all time 14: 2203: 1609: 1178:Canby, Vincent (March 7, 1975). " 838:was released on videocassette by 778:The Fifty Worst Films of All Time 2162:Films produced by Frank Marshall 535:Cybill Does It... to Cole Porter 348:too long or excessively detailed 335: 2152:Films about music and musicians 2122:American romantic musical films 1925:The Great Buster: A Celebration 1579: 1553: 1536: 1491: 1476: 1454: 1439: 1420: 1401: 1392: 1379: 1361: 1318: 1293: 1279: 1264: 1237: 1204: 1191: 1138: 1090: 1072: 1063: 1029: 466:as Michael Oliver Pritchard III 2117:American romantic comedy films 1976:Naked City: A Killer Christmas 1483:Sharf, Zack (March 25, 2020). 1244:Kael, Pauline (May 15, 1991). 1113:August 2004: Peter Bogdanovich 1020: 1011: 1002: 993: 956: 938: 917: 885: 868:List of American films of 1975 753:Despite the negative reviews, 16:1975 film by Peter Bogdanovich 1: 2112:American musical comedy films 1146:"At Long Last Love - Details" 1053:"Peter Bogdanovich Interview" 878: 830: 512: 2127:1970s English-language films 1417:Retrieved December 30, 2018. 1151:AFI Catalog of Feature Films 775:was listed in the 1978 book 7: 1996:The Mystery of Natalie Wood 1499:"70s Musical Extravaganza!" 1448:The Hollywood Hall of Shame 953:Retrieved December 24, 2012 861: 793:, all written by Harry and 790:The Hollywood Hall of Shame 602: 10: 2208: 2102:1975 romantic comedy films 2097:1970s musical comedy films 2037:The Killing of the Unicorn 1057:Directors Guild of America 18: 2177:Films shot in Los Angeles 2058: 2017: 1936: 1895: 1724: 1348:www.movie-film-review.com 1305:www.movie-film-review.com 1247:5001 Nights at the Movies 1119:December 6, 2012, at the 719:." John Barbour wrote in 344:This film's plot summary 206: 198: 190: 182: 172: 149: 139: 129: 121: 111: 77: 65: 57: 47: 42:Theatrical release poster 35: 30: 2172:Films set in Los Angeles 1463:At Long Last Love (1975) 1197:Hulin, Adam (director). 1124:National Board of Review 784:The Golden Turkey Awards 750:sunk. I still drowned." 435:Just One of Those Things 21:At Long Last Love (song) 1544:"Panorama TV, May 1981" 1156:American Film Institute 1126:, accessed June 4, 2013 457: 443:I Get a Kick out of You 326: 158:March 1, 1975 2167:Films set in the 1930s 2107:20th Century Fox films 1522:You Must Remember This 1427:Vagg, Stephen (2021). 1212:"Cinema: Playing Taps" 821:You Must Remember This 744: 591:The Smiling Lieutenant 278:The Smiling Lieutenant 2182:Jukebox musical films 1905:Directed by John Ford 1864:The Thing Called Love 1744:The Last Picture Show 1445:Medved & Medved, 739: 617:Radio City Music Hall 289:Radio City Music Hall 2192:1970s American films 2047:This is Orson Welles 1946:To Sir, with Love II 1915:Runnin' Down a Dream 1884:She's Funny That Way 1586:Bogdanovich, Peter. 609:San Jose, California 1956:The Price of Heaven 1369:"At Long Last Love" 1330:. Section 3, p. 12. 415:Well, Did You Evah! 221:is a 1975 American 2147:Films about actors 1633:TCM Movie Database 1218:. March 31, 1975. 1185:The New York Times 659:The New York Times 628:Critical reception 564:Jeanette MacDonald 502:as Mabel Pritchard 387:Down in the Depths 310:Apart from a 1981 2079: 2078: 1896:Documentary films 1784:At Long Last Love 1718:Peter Bogdanovich 1680:Chicago Sun Times 1661:At Long Last Love 1650:At Long Last Love 1639:At Long Last Love 1628:At Long Last Love 1617:At Long Last Love 1592:www.indiewire.com 1567:. January 9, 2012 1505:. March 24, 2020. 1409:At Long Last Love 1287:"Contact Support" 1273:Los Angeles Times 1110:Gallagher, John. 972:978-0-8108-4244-1 962:Solomon, Aubrey. 946:At Long Last Love 933:978-0-8108-4244-1 923:Solomon, Aubrey. 895:AT LONG LAST LOVE 836:At Long Last Love 825:At Long Last Love 812:At Long Last Love 801:At Long Last Love 773:At Long Last Love 759:At Long Last Love 717:Maurice Chevalier 670:Los Angeles Times 573:One Hour With You 568:Maurice Chevalier 518:At Long Last Love 484:as Johnny Spanish 447:Lord & Taylor 407:At Long Last Love 383: 382: 375: 316:At Long Last Love 301:At Long Last Love 260:One Hour with You 255:At Long Last Love 230:Peter Bogdanovich 218:At Long Last Love 214: 213: 125:Douglas Robertson 69:Peter Bogdanovich 61:Peter Bogdanovich 52:Peter Bogdanovich 31:At Long Last Love 2199: 2072: 2051: 2041: 2031: 2010: 2000: 1990: 1986:A Saintly Switch 1980: 1970: 1960: 1950: 1937:Television films 1929: 1919: 1909: 1888: 1878: 1868: 1858: 1848: 1838: 1828: 1818: 1814:They All Laughed 1808: 1798: 1788: 1778: 1768: 1758: 1748: 1738: 1711: 1704: 1697: 1688: 1687: 1603: 1602: 1600: 1598: 1583: 1577: 1576: 1574: 1572: 1557: 1551: 1550: 1548: 1540: 1534: 1533: 1531: 1529: 1513: 1507: 1506: 1495: 1489: 1488: 1480: 1474: 1473: 1472: 1470: 1458: 1452: 1443: 1437: 1436: 1424: 1418: 1405: 1399: 1396: 1390: 1389:28 Nov 1976: e2. 1383: 1377: 1376: 1365: 1359: 1358: 1356: 1354: 1340: 1331: 1322: 1316: 1315: 1313: 1311: 1297: 1291: 1290: 1283: 1277: 1276:. 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March 4, 1975 891: 890: 886: 881: 864: 833: 781:, was cited in 703:Chicago Tribune 630: 605: 585:The Merry Widow 579:The Love Parade 522:Cybill Shepherd 515: 500:Mildred Natwick 496:as Rodney James 470:Cybill Shepherd 460: 423:Let's Misbehave 379: 368: 362: 359: 355:help improve it 352: 340: 336: 329: 272:The Merry Widow 266:The Love Parade 242:Cybill Shepherd 223:jukebox musical 175: 168: 161: 159: 152: 106:Mildred Natwick 104: 100: 96: 92: 88: 86:Cybill Shepherd 84: 70: 43: 24: 17: 12: 11: 5: 2205: 2195: 2194: 2189: 2184: 2179: 2174: 2169: 2164: 2159: 2154: 2149: 2144: 2139: 2134: 2129: 2124: 2119: 2114: 2109: 2104: 2099: 2094: 2077: 2076: 2074: 2073: 2062: 2060: 2056: 2055: 2053: 2052: 2042: 2032: 2027:Pieces of Time 2021: 2019: 2015: 2014: 2012: 2011: 2001: 1991: 1981: 1971: 1961: 1951: 1940: 1938: 1934: 1933: 1931: 1930: 1920: 1910: 1899: 1897: 1893: 1892: 1890: 1889: 1879: 1874:The Cat's Meow 1869: 1859: 1849: 1839: 1829: 1819: 1809: 1799: 1789: 1779: 1769: 1759: 1749: 1739: 1728: 1726: 1722: 1721: 1714: 1713: 1706: 1699: 1691: 1685: 1684: 1668: 1657: 1646: 1635: 1624: 1611: 1610:External links 1608: 1605: 1604: 1578: 1552: 1535: 1508: 1503:letterboxd.com 1490: 1475: 1453: 1451:(1984), p. 204 1438: 1419: 1414:RogerEbert.com 1400: 1391: 1378: 1360: 1332: 1317: 1292: 1278: 1263: 1256: 1236: 1203: 1199:By Bogdanovich 1190: 1168: 1137: 1128: 1098: 1089: 1080: 1071: 1062: 1037: 1028: 1019: 1010: 1001: 992: 976: 955: 937: 916: 883: 882: 880: 877: 876: 875: 870: 863: 860: 840:Magnetic Video 832: 829: 795:Michael Medved 649:The New Yorker 629: 626: 604: 601: 560:Ernst Lubitsch 514: 511: 510: 509: 506:M. Emmet Walsh 503: 497: 494:John Hillerman 491: 488:Eileen Brennan 485: 479: 473: 467: 459: 456: 427:It's De-Lovely 395:You're the Top 381: 380: 343: 341: 334: 328: 325: 212: 211: 208: 204: 203: 202:$ 5.14 million 200: 196: 195: 192: 188: 187: 184: 180: 179: 176: 173: 170: 169: 167: 166: 155: 153: 150: 147: 146: 141: 140:Distributed by 137: 136: 131: 127: 126: 123: 119: 118: 113: 112:Cinematography 109: 108: 102:John Hillerman 98:Eileen Brennan 79: 75: 74: 72:Frank Marshall 67: 63: 62: 59: 55: 54: 49: 45: 44: 41: 33: 32: 15: 9: 6: 4: 3: 2: 2204: 2193: 2190: 2188: 2185: 2183: 2180: 2178: 2175: 2173: 2170: 2168: 2165: 2163: 2160: 2158: 2155: 2153: 2150: 2148: 2145: 2143: 2140: 2138: 2135: 2133: 2130: 2128: 2125: 2123: 2120: 2118: 2115: 2113: 2110: 2108: 2105: 2103: 2100: 2098: 2095: 2093: 2090: 2089: 2087: 2070: 2069: 2064: 2063: 2061: 2057: 2049: 2048: 2043: 2039: 2038: 2033: 2029: 2028: 2023: 2022: 2020: 2016: 2008: 2007: 2002: 1998: 1997: 1992: 1988: 1987: 1982: 1978: 1977: 1972: 1968: 1967: 1962: 1958: 1957: 1952: 1948: 1947: 1942: 1941: 1939: 1935: 1927: 1926: 1921: 1917: 1916: 1911: 1907: 1906: 1901: 1900: 1898: 1894: 1886: 1885: 1880: 1876: 1875: 1870: 1866: 1865: 1860: 1856: 1855: 1850: 1846: 1845: 1840: 1836: 1835: 1830: 1826: 1825: 1820: 1816: 1815: 1810: 1806: 1805: 1800: 1796: 1795: 1790: 1786: 1785: 1780: 1776: 1775: 1770: 1766: 1765: 1760: 1756: 1755: 1750: 1746: 1745: 1740: 1736: 1735: 1730: 1729: 1727: 1725:Feature films 1723: 1719: 1712: 1707: 1705: 1700: 1698: 1693: 1692: 1689: 1682: 1681: 1676: 1672: 1669: 1667: 1663: 1662: 1658: 1656: 1652: 1651: 1647: 1645: 1641: 1640: 1636: 1634: 1630: 1629: 1625: 1623: 1619: 1618: 1614: 1613: 1593: 1589: 1582: 1566: 1562: 1556: 1545: 1539: 1523: 1519: 1512: 1504: 1500: 1494: 1486: 1479: 1465: 1464: 1457: 1450: 1449: 1442: 1434: 1430: 1423: 1416: 1415: 1410: 1404: 1395: 1388: 1382: 1374: 1370: 1364: 1349: 1345: 1339: 1337: 1329: 1328: 1321: 1306: 1302: 1296: 1288: 1282: 1275: 1274: 1267: 1259: 1257:9780805013672 1253: 1250:. 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It stars 234:Cole Porter 226:comedy film 178:123 minutes 134:Cole Porter 66:Produced by 48:Directed by 2092:1975 films 2086:Categories 1854:Noises Off 1844:Texasville 1804:Saint Jack 1764:Paper Moon 879:References 831:Home media 823:, calling 815:historian 688:Frank Rich 677:John Simon 513:Production 363:March 2024 207:Box office 162:1975-03-01 58:Written by 1524:(Podcast) 1224:0040-781X 679:wrote in 633:Jay Cocks 527:Quadrille 508:as Harold 314:release, 122:Edited by 1644:AllMovie 1117:Archived 935:. p. 257 862:See also 730:TV Guide 642:fire." 603:Versions 570:such as 191:Language 130:Music by 78:Starring 1734:Targets 1683:website 1677:at the 1631:at the 1433:Filmink 847:Netflix 766:Filmink 748:Titanic 709:Playboy 700:of the 682:Esquire 667:of the 353:Please 346:may be 321:Netflix 293:critics 194:English 183:Country 160: ( 2071:(1968) 2050:(1992) 2040:(1984) 2030:(1973) 2009:(2004) 2006:Hustle 1999:(2004) 1989:(1999) 1979:(1998) 1969:(1997) 1959:(1997) 1949:(1996) 1928:(2018) 1918:(2007) 1908:(1971) 1887:(2014) 1877:(2001) 1867:(1993) 1857:(1992) 1847:(1990) 1837:(1988) 1827:(1985) 1817:(1981) 1807:(1979) 1797:(1976) 1787:(1975) 1777:(1974) 1767:(1973) 1757:(1972) 1747:(1971) 1737:(1968) 1675:review 1565:UPROXX 1254:  1222:  970:  931:  248:, and 199:Budget 2059:Other 2018:Books 1547:(PDF) 1188:. 22. 562:with 295:like 1824:Mask 1622:IMDb 1599:2017 1573:2017 1530:2023 1471:2023 1355:2017 1312:2017 1252:ISBN 1231:2017 1220:ISSN 1216:Time 1163:2018 968:ISBN 929:ISBN 911:2012 897:(U)" 810:put 715:and 638:Time 588:and 566:and 458:Cast 437:"). 409:"). 397:"). 327:Plot 275:and 1673:'s 1664:at 1653:at 1642:at 1620:at 1411:". 1182:". 949:at 656:of 646:in 635:in 425:"/" 2088:: 1590:. 1563:. 1520:. 1501:. 1431:. 1371:. 1346:. 1335:^ 1303:. 1214:. 1171:^ 1154:. 1148:. 1101:^ 1055:. 1040:^ 979:^ 899:. 797:. 582:, 576:, 441:(" 299:, 269:, 263:, 244:, 240:, 1710:e 1703:t 1696:v 1601:. 1575:. 1549:. 1532:. 1487:. 1435:. 1375:. 1357:. 1314:. 1289:. 1260:. 1233:. 1165:. 1059:. 913:. 893:" 376:) 370:( 365:) 361:( 350:. 164:) 23:.

Index

At Long Last Love (song)

Peter Bogdanovich
Frank Marshall
Burt Reynolds
Cybill Shepherd
Madeline Kahn
Duilio Del Prete
Eileen Brennan
John Hillerman
Mildred Natwick
Laszlo Kovacs
Cole Porter
20th Century Fox
jukebox musical
comedy film
Peter Bogdanovich
Cole Porter
Burt Reynolds
Cybill Shepherd
Madeline Kahn
Duilio Del Prete
One Hour with You
The Love Parade
The Merry Widow
The Smiling Lieutenant
20th Century Fox
Radio City Music Hall
critics
Roger Ebert

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