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The mural is to honor the contributions of women artists in the Asian-American and
Pacific Islander community. It is a response to the increased racial tensions and vandalism, and to increase the visibility of Asian American female artists. "Mural Muses" will be one of the large-scale murals in the
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PLACE offers down to earth healing tools, that relieve stress while opening up our ability to access and trust our intuition. The work is designed to help release underlying patterns and old habits and their links to individual, family and cultural histories and patterns of dysfunction. In order to
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is a collection about contributions of feminists to
American art. It is an interdisciplinary collection of essays by artists and scholars, many of whom were eyewitnesses to landmark events, relates how feminists produced vibrant bodies of art in Fresno and other locales where similar collaborations
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features the space occupied by Asian
America - socially, artistically and physically. It is a multidisciplinary arts exhibition that addresses topics such as "model minority", and challenges faced by Asian American society such as stereotypes, discrimination and invisibility. It is a joined force
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AAWAA's
Speakers Bureau consists of artists, scholars, writers, and administrators who present at institutions regarding topics such as women's issues, Asian American issues, artists' process, and AAWAA programs. Members of the Speakers Bureau have lectured at numerous institutions in California.
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exhibition uses the concept of "Hungry Ghosts", a common concept throughout many Asian cultures and religions, to explore the unsatisfied ghosts of the individual and collective historical struggles that continue to cast an effect the community. It is co-presented by the
Manilatown Heritage
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is an art-based program, first created in 2008 by the AAWAA director
Cynthia Tom. It is dedicated to improving women's mental health and seeks to challenge issues like colonization, racism, forced migration, and gender oppression. It is based around the question in Virginia Woolf's
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talks about studies in gender, sexuality, and culture. It looks into postcolonial poetic and artistic work of four generations of female Asian
American artists in the San Francisco Bay Area. There is a chapter on the AAWAA (Asian American Women Artists Association).
276:: "If you had a place of your own, what would it be?" The weekly workshops over the course of six months lead up to a professionally curated exhibition. PLACE is open to all women, regardless of art ability of experience, and uses various art mediums.
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is a multimedia exhibition featuring artists and farmers rooted in the history of Asian
Pacific American agricultural crafts and legacies. The exhibition addresses topics including migrant labor, environmental activism, land and
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is an anthology published by the AAWAA in 2007. The book compiles 77 works, including fine art, poetry, creative writing, and non-fiction work. The works are created by 64 Asian
American women ranging in age from 14 to 85.
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This program aims to stress an Asian
American Women lens to curation, to promote Asian American Women in the arts, from a curating perspective and also benefits the artists who are under represented and lack exposure.
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Melanie Elvena, programs manager at the AAWAA stated that the collaborative mural was another way to raise awareness for Asian-American women artists "in a space that has been traditionally male dominated."
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The AAWAA and the Asian Pacific Islander Cultural Center (APICC) presented this art exhibition as part of the United States of Asian America Festival opening at SOMArts Cultural Center from May 4–25, 2017.
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The exhibition took place on the 25th anniversary year of the AAWAA. It features the works of 38 AAWAA artists members, and highlights the diversity, creativity, and evolution of its artist community.
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is a multi-disciplinary arts exhibition of artworks inspired by Asian American food and foodways. Artists share stories of global fusion, and importance of food in Asian communities globally.
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features 40 artists working in various mediums, mostly from Asian Pacific American, African-American, and Latin-American backgrounds. The exhibition honors the Japanese-American activist
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Cynthia Tom (President), Shari Arai DeBoer (Secretary/Treasurer), Sigi Arnejo, Linda Inson Choy, Michelle Lee, Vinay Patel, and Pallavi Sharma.
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Fields, Jill (January 1, 2012). "Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present".
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in the visual, literary, and performing arts through activities such as art events, lectures, artists salons, and member exhibitions.
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thrive and take ownership of our life's path, women must define what is important to them alone, practicing self love and self-care.
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In 2015, in honor of its 25th anniversary, the AAWAA launched a campaign to create a large collective mural in San Francisco's
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is a documentary short film produced by the AAWAA, featuring the life and work of the lesbian Chinese American artist
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Membership to the AAWAA is open to all, as either an artist member or an affiliate member. Notable members include
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Entering the picture: Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists
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of artworks by women of color. The first meeting was held at Kano's home in Berkeley in March of that year.
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Kano and Wong were motivated to found the AAWAA after attending the 1989 national meeting of the
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Art Inspired by the Life & Activism of Yuri Kochiyama (1921–2014)
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Folk Hero: Remembering Yuri Kochiyama Through Grassroots Art.
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Susan Almazol, Renee Baldocchi, Gracie Chidmat, Lori Chinn,
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Cheers to Muses: Contemporary Works by Asian American Women
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Agrarianaa: Art Inspired by APA Agricultural Roots (2019)
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Arts organizations based in the San Francisco Bay Area
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In 2007, the organization formally incorporated as a
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818:Luhar, Monica (November 10, 2015).
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696:. September 7, 2016
274:A Room of One's Own
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