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Ashtanga vinyasa yoga

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3780: 171: 341:(to exhale and inhale) as much as possible. "It is sufficient, however, to breathe in and out five to eight times in each posture." In an interview regarding the length of the breath, Pattabhi Jois instructs practitioners to inhale for ten to fifteen seconds, and to exhale for ten to fifteen seconds. He goes on to clarify: " your breath strength is possibly ten-second inhalations and exhalations, you do ten; fifteen seconds possible, you do fifteen. One hundred possible, you perform one hundred. Five is possible, you do five". His son Manju Jois also recommends taking more breaths in difficult postures. 355:, meaning long, deep, slow exhalations and inhalations. "It should be dirgha... long, and like music. The sound is very important. You have to do the ujjayi pranayama". In late 2011, Sharath Jois stated that ujjayi breathing as such was not to be performed in the asana practice, but that asanas should be accompanied merely by deep breathing with sound. He reiterated this notion in a conference in 2013, stating: "You do normal breath, inhalation and exhalation with sound. Ujjayi breath is a type of pranayama. This is just normal breath with free flow". 2747: 575: 53: 259:
Workshops, detailed alignment instructions and strength-building exercises should not form part of the method, neither for the practitioner nor for the teacher. However, most teachers who claim to have been taught by Sharath do in practice employ the above methods, exercises and postures in their teaching.
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There has been much debate over the term "traditional" as applied to ashtanga yoga. The founder's students noted that Jois freely modified the sequence to suit the practitioner. Some of the differences include the addition or subtraction of postures in the sequences, changes to the vinyasa (full and
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Each asana in ashtanga yoga is part of a set sequence, as described above. The stated purpose of the asanas is to increase the strength and flexibility of the body. Officially, the style is accompanied by very little alignment instruction. Breathing is ideally even and steady, in terms of the length
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by the otherwise unknown author Vamama Rishi. This text was imparted to Krishnamacharya in the early 1900s by his Guru, Yogeshwara Ramamohana Brahmachari. Jois insists that the text described all of the asanas and vinyasas of the sequences of the ashtanga system. However, the text is said to have
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Traditionally, ashtanga vinyasa yoga students memorised a sequence and practised it together without being led by a teacher. Teacher-led classes were introduced in K. Pattabhi Jois's later years. Such classes are typically taught twice per week in place of Mysore style classes. Teachers guide the
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Since the beginning of the twenty-first century a new generation of ashtanga vinyasa yoga teachers have embraced Sharath's rules, teaching in a linear style without variations. Practice typically takes place in a strict, Mysore style environment under the guidance of a Sharath-approved teacher.
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Several changes to the practice have been made since its inception. Nancy Gilgoff, an early student, describes many differences in the way she was taught ashtanga to the way it is taught now. According to her experiences, some of the differences include: Pattabhi Jois originally left out seven
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Krishnamacharya's asana system. In particular, the flowing surya namaskara, which later became the basis of Krishnamacharya's Mysore style, was in the 1930s considered as exercise and not part of yoga; the two styles were at that time taught separately, in adjacent halls of the Mysore palace.
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Both Pattabhi Jois and Sharath Jois recommend practising mula and uddiyana bandha even when not practicing asanas. Pattabhi Jois explains: (translated quote) "You completely exhale, apply mula bandha and after inhaling you apply uddiyana bandha. Both bandhas are very important... After bandha
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There is also evidence that the ashtanga yoga series incorporates exercises used by Indian wrestlers and British gymnasts. Recent academic research details documentary evidence that physical journals in the early 20th century were full of the postural shapes that were very similar to
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As far as other types of pranayama are concerned, the consensus is that they should be practised after the asanas have been mastered. Pattabhi Jois originally taught pranayama to those practicing the second series and later changed his mind, teaching pranayama after the third series.
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Drishti is the point where one focuses the eyes while practicing asana. In the ashtanga yoga method, there is a prescribed point of focus for every asana. There are nine drishtis: the nose, between the eyebrows, navel, thumb, hands, feet, up, right side and left side.
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Sharath Jois later produced a series of videos teaching alternate nostril breathing to beginners. This pranayama practice was never taught to beginners by his grandfather and it is one of the many changes Sharath has made to the ashtanga yoga method of instruction.
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There were originally four series on the ashtanga vinyasa syllabus: primary, intermediate, advanced A, and advanced B. A fifth series was the "Rishi series", which Pattabhi Jois said could be performed once a practitioner had mastered the preceding four series.
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In 2008, yoga researchers in Europe published a survey of practitioners of ashtanga yoga that indicated that 62 percent of respondents had suffered at least one injury that lasted longer than one month. However, the survey lacked a
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Various influential figures have discussed the specific process of breathing in ashtanga vinyasa yoga. Pattabhi Jois recommended breathing fully and deeply with the mouth closed, although he did not specifically term this as
287:). These are considered core concepts for ashtanga yoga practice, encompassing the three levels of purification: the body, nervous system, and the mind. They are supposed to be performed in conjunction with each other. 766:. She also notes that Pattabhi Jois added supta urdhva pada vajrasana as well as the seven headstands when another yogi asked for more; these eight postures were not part of the intermediate series prior to this. 1391:
Ashtanga yoga : practice and philosophy : a comprehensive description of the primary series of Ashtanga yoga, following the traditional Vinyasa count, and an authentic explanation of the Yoga Sutra of
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enthusiast, separately put their own spins on the style and provided its branding. Neither Baptiste's power yoga nor Kest's power yoga are synonymous with ashtanga yoga. In 1995, Pattabhi Jois wrote a letter to
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Vinyasas are flowing sequences of movements that connect each asana to the next. Additionally, modern vinyasa yoga coordinates the breath with the vinyasa transition movements between the asanas.
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practice, take to the location where they are applied and maintain that attention at all times, while walking, talking, sleeping and when walk is finished. Always you control mula bandha".
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been eaten by ants so it is impossible to verify his assertions. Additionally, it is unusual that the text is not mentioned as a source in either of the books by Krishnamacharya,
333:, Pattabhi Jois recommends remaining in each posture for five to eight breaths, or else staying in each posture for as long as possible. Breathing instructions given are to do 1724: 562:, which lists nearly all the postures of the Pattabhi Jois primary series and several postures from the intermediate and advanced series, described with reference to vinyasa. 1873: 267:
Ashtanga vinyasa yoga emphasizes certain key components, namely tristhana ("three places of action or attention", or the more physical aspects of poses) and vinyasa (which
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A and B respectively, followed by a standing sequence. The practitioner then progresses through one of six series of postures, followed by a standard closing sequence.
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were not in the series at this point; and Jois did not give a vinyasa between the same poses on the different sides of the body or between variations on a pose (e.g.,
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are one of the three key elements of ashtanga vinyasa yoga, alongside breath and drishti. There are three principal bandhas which are considered internal body locks:
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Although ashtanga yoga keeps a general principle of steady and even inhalations and exhalations, the particulars of pranayama during the asana practice are debated.
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postures in the standing sequence, but later assigned utthita hasta padangusthasana and ardha baddha padmottanasana before the intermediate series was given;
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According to Sharath Jois, the purpose of vinyasas is to purify the blood, which is supposedly otherwise heated and contaminated by the practice of asanas.
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expressing his disappointment at the association between his ashtanga yoga and the newly-coined power yoga, referring to it as "ignorant bodybuilding".
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Sequential movement that interlinks postures to form a continuous flow. It creates a moving meditation that reveals all physical forms as impermanent.
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Power yoga began in the 1990s via a "nearly simultaneous invention" by two students of K. Pattabhi Jois and similar forms led by other yoga teachers.
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and supta konasana were also grouped together without a vinyasa between them, as were ubhaya padangusthasana and urdhva mukha paschimottanasana.
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According to Gilgoff, Pattabhi Jois prescribed practising twice a day, primary and intermediate series, with no vinyasa between sides in
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practice, adjusting and assisting with postures and leading the group of students through a series of postures all at the same time.
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According to Manju Jois, the sequences of ashtanga yoga were created by Krishnamcharya. There is some evidence to support this in
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The original power yoga was developed and founded by Beryl Bender Birch, but is now a term used to describe many vigorous "
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disagreed; in his view, students were occasionally allowed to practice the postures in a non-linear format.
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Ashtanga Yoga - Understanding the Method, Interview with Manju Pattabhi Jois, in English and German (2009)
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Sharath Jois says: "Without bandhas, breathing will not be correct, and the asanas will give no benefit".
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Jois established his Ashtanga Yoga Research Institute in 1948. The current style of teaching is called "
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Jois elided any distinction between his sequences of asanas and the eight-limbed ashtanga yoga (
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Eddie Sterne, Guruji: A Portrait of Sri K. Pattabhi Jois Through the Eyes of His Students
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to parsva dhanurasana were done in a group, with a vinyasa only performed at the end.
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An ashtanga vinyasa practice of asanas typically begins with five repetitions of
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May the leaders of the Earth protect in every way by keeping to the right path.
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Tristhana means the three places of attention or action: breathing system (
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Astanga Yoga: Including the Benefits of Yoga Chikitsa; I & II Series
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also were done altogether. The same went for eka pada sirsasana through
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half vinyasa), and specific practice prescriptions to specific people.
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suggests, derive from the old name of surya namaskar in the system of
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go-brāhmaṇebhyaḥ śubham astu nityaṁ lokāḥ samastāḥ sukhino bhavantu
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This article is about a dynamic style of yoga poses popularised by
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Pattabhi Jois claimed to have learned the system of ashtanga from
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during the twentieth century, often promoted as a dynamic form of
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Mikkonen, Jani; Pederson, Palle; McCarthy, Peter William (2008).
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Ashtanga Yoga: The Definitive Step-by-Step Guide to Dynamic Yoga.
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May there be goodness for those who know the Earth to be sacred.
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Ashtanga Yoga: The Definitive Step-By-Step Guide to Dynamic Yoga
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A, B, and C were done together, followed by a vinyasa. Likewise
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svasti prajābhyaḥ paripālayantāṁ nyāyena mārgeṇa mahīṁ mahīśāḥ
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Ashtanga practice is traditionally started with the following
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International Association of Yoga Therapists • Richard Miller
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or root lock at the pelvic floor (drawing in the perineum)
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Matsyendrasana (the sage Matsyendra, lord of the fishes)
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Jois claimed to have learnt the system from his teacher
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Yoga Body : the origins of modern posture practice
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Power yoga: The total strength and flexibility workout
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Chakrasana (wheel) or Urdhva Dhanurasana (upward bow)
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after one of the original postures in the sequence,
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The awakening happiness of one's own-self revealed,
4143:Prasarita Padottanasana (wide stance forward bend) 2143: 2132: 1902:Lino Miele, Astanga Yoga Book - The Yoga of Breath 1318:Yoga Breathing for Stress Relief with Sharath Jois 910: 1272: 1075: 4230: 2150:. New York, USA: Simon & Schuster. pp.  1663: 1661: 1158: 1100: 750:. The closing sequence included only mudrasana, 465:Beyond better, acting like the jungle physician, 271:defines as a system of breathing and movement). 4209:Utthita Padangusthasana (standing big toe hold) 2266: 1552: 1550: 1362: 884: 2146:The Science of Yoga: The Risks and the Rewards 1186: 3654: 2449: 1658: 1474: 1472: 1328: 1326: 1324: 1314: 1312: 2399:. Austin, Texas: Ashtanga Yoga Productions. 1581: 1547: 618:. The eight limbs of Patanjali's scheme are 2214:(in Kannada). New York: North Point Press. 1815: 1764: 1380: 1115:"Articles by Nancy – House of Yoga and Zen" 3661: 3647: 3572:Core Strength Vinyasa Yoga (Sadie Nardini) 2456: 2442: 2109: 2086: 1935: 1469: 1321: 1309: 474:Taking the form of a man to the shoulders, 51: 2280: 2188: 1997: 1711: 1374: 794:calls "the original power yoga" in 1995. 2047:. Ashtanga Yoga Library. 15 October 2012 1944:"Power Yoga History and Health Benefits" 1026:Ashtanga yoga : the practice manual 573: 236: 169: 4138:Parshvottanasana (intense side stretch) 4094:Paschimottanasana (seated forward bend) 2118:"Five Words That Do Not Belong in Yoga" 1874:"Ashtanga Yoga Shala NYC - On Practice" 1023: 476:Holding a conch, a discus, and a sword, 283:), posture (asana), and looking place ( 165: 14: 4231: 2334:Ashtanga Yoga: Practice and Philosophy 2092: 1958: 1386: 771: 490:and closes with the "mangala mantra" ( 247:According to Pattabhi Jois's grandson 3912:Jathara Parivartanasana (belly twist) 3765:Eka Pada Rajakapotasana (king pigeon) 3642: 2437: 2181:International Journal of Yoga Therapy 2138: 2013: 1941: 916: 658:gymnastic exercises, which was named 4013:Bharadvajasana (the sage Bharadvaja) 2463: 2236: 2206: 2115: 1463: 1169: 997: 291:of the inhalations and exhalations. 3836:Adho Mukha Svanasana (downward dog) 3800:Bakasana (crane) or Kakasana (crow) 3755:Viparita Dandasana (inverted staff) 3111:Yoga Tradition of the Mysore Palace 2190:10.17761/ijyt.18.1.l0748p25k2558v77 1770: 1140:"Ashtanga Yoga Therapy | Biography" 762:after karandavasana and ended with 138:) are linked by flowing movements ( 24: 4168:Utthita Parshvakonasana (sideways) 4163:Uttanasana (standing forward bend) 3866:Viparita Karani (legs up the wall) 3805:Koundinyasana (the sage Kaundinya) 2397:Ashtanga Yoga: The Practice Manual 2313: 1187:Clark, Richard (7 February 2005). 945:. 17 February 2013. Archived from 578:Ashtanga yoga may owe its name to 467:Pacifying delusion, the poison of 25: 4250: 4054:Garbha Pindasana (embryo in womb) 4044:Akarna Dhanurasana (shooting bow) 3892:Ashtanga Namaskara (eight-limbed) 3856:Setu Bandha Sarvangasana (bridge) 3841:Adho Mukha Vrkshasana (handstand) 3740:Bidalasana (cat)/Bitilasana (cow) 3374:Complete Illustrated Book of Yoga 2422: 1231:. 24 October 2014. Archived from 872:from the original on 25 July 2011 816: 196:, yoga for health or yoga therapy 4204:Natarajasana (lord of the dance) 3902:Chaturanga Dandasana (low plank) 3778: 2745: 2244:. Mysore, India: KPJAYI Mysore. 975:. 7 October 2011. Archived from 404: 4018:Marichyasana (the sage Marichi) 2885:Yoga and cultural appropriation 2168: 2059: 2007: 1905: 1896: 1866: 1798: 1747: 1717: 1687: 1628: 1608: 1602: 1575: 1521: 1495: 1478: 1247: 1217: 1132: 4194:Durvasasana (the sage Durvasa) 2116:Cahn, Lauren (3 August 2009), 2093:McLean, Bethany (April 2012). 1058:"Ashtanga Primary Series list" 1050: 1000:"Style Profile: Ashtanga Yoga" 961: 931: 917:Lewis, Waylon (18 June 2009). 858: 831:, the splits, or a backbend". 596:Modern yoga § Renaissance 436:saṁdarśita-svātma-sukhāvabodhe 128:classical Indian (hatha) yoga. 36:Ashtanga (eight limbs of yoga) 13: 1: 4189:Ardha Chandrasana (half moon) 1942:Pizer, Ann (8 January 2019). 1919:. 8 July 2012. Archived from 1396:. New World Library. p.  1028:. Ashtanga Yoga Productions. 852: 523:May all the worlds be happy. 517:May all be well with mankind, 262: 3851:Sarvangasana (shoulderstand) 3735:Anjaneyasana (crescent moon) 1287:"The Practice: Sharath Jois" 734:in the intermediate series. 673: 569: 440:saṁsāra-hālāhala-mohaśāntyai 274: 220:Advanced B, or fourth series 7: 3942:Yoganidrasana (yogic sleep) 3887:Anantasana (Vishnu's couch) 2290:. Oxford University Press. 1225:"Manju Jois Mini Interview" 1198:(12): 42–45. Archived from 821:In an article published by 438:niḥśreyase jāṅ̇galikāyamāne 434:vande gurūṇāṁ caraṇāravinde 226:Advanced D, or sixth series 223:Advanced C, or fifth series 217:Advanced A, or third series 156: 10: 4255: 4084:Mulabandhasana (root lock) 3668: 2873:Sexual abuse by yoga gurus 2363:. Rome, Italy: Lino Miele. 2327:. New York: Ashtanga Yoga. 2268:Krishnamacharya, Tirumalai 2200: 866:"Ashtanga Yoga Background" 775: 593: 529: 366: 319: 302: 298: 240: 29: 4181: 4125: 4116: 4036: 4005: 3987:Siddhasana (accomplished) 3967:Baddha Konasana (cobbler) 3957: 3950: 3937:Vasishtasana (side plank) 3879: 3828: 3795:Ashtavakrasana (8-angled) 3787: 3776: 3725: 3676: 3628:Modern Yoginis (template) 3580: 3368:Vishnudevananda Saraswati 3290:Tirumalai Krishnamacharya 3237: 3198: 3101: 3005: 2920: 2855: 2794:Harmonial gymnastics/yoga 2761: 2754: 2743: 2694: 2669: 2661:International Day of Yoga 2648: 2596: 2556: 2478: 2471: 1483:. Ashtanga Yoga Shala NYC 697:parivritta parsvakonasana 536:Tirumalai Krishnamacharya 478:One thousand heads white, 315: 199:The intermediate series: 132:Tirumalai Krishnamacharya 106: 101: 92: 87: 79: 69: 50: 45: 4173:Virabhadrasana (warrior) 3871:Vrischikasana (scorpion) 3623:Yoga teachers (category) 3618:Yoga scholars (template) 3126:A History of Modern Yoga 1825:. KPJAYI. Archived from 1671:. KPJAYI. Archived from 1433:"Vinyasa Yoga Sequences" 1377:, pp. 176, 184–190. 445:śaṅ̇kha-cakrāsi-dhāriṇam 3997:Vajrasana (thunderbolt) 3861:Shirshasana (headstand) 3414:Satchidananda Saraswati 3165:The Path of Modern Yoga 2844:Autobiography of a Yogi 2395:Swenson, David (1999). 2332:Maehle, Gregor (2006). 1387:Maehle, Gregor (2007). 1024:Swenson, David (2000). 210:, centering of strength 4153:Trikonasana (triangle) 3977:Gorakshasana (cowherd) 3972:Gomukhasana (cow face) 3917:Makarasana (crocodile) 3820:Tittibhasana (firefly) 3810:Kukkutasana (cockerel) 2574:European Union of Yoga 2372:. Stroud: Gaia Books. 2242:Aṣṭāṅga yoga anuṣṭhana 2023:. Simon and Schuster. 998:Anon (12 April 2017). 726:, eka pada sirsasana, 693:parivritta trikonasana 591: 447:sahasra-śirasaṁ śvetam 178: 97:, connecting movements 4158:Utkatasana (powerful) 4059:Hanumanasana (monkey) 3927:Shalabhasana (locust) 3330:Ashtanga Vinyasa Yoga 2838:Paramahansa Yogananda 2618:Trauma-sensitive yoga 2569:British Wheel of Yoga 2321:Jois, Sri K. 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Index

Ashtanga Vinyasa Yoga
K. Pattabhi Jois
Ashtanga (eight limbs of yoga)

K. Pattabhi Jois
Larry Schultz
K. Pattabhi Jois
Vinyasas
Iyengar yoga
yoga as exercise
K. Pattabhi Jois
classical Indian (hatha) yoga.
Tirumalai Krishnamacharya
asanas
vinyasas
Mysore style
power yoga

Eka Pada Galavasana
surya namaskara
Mysore style
R. Sharath Jois
Manju Jois
Sharath Jois
pranayama
drishti
Vinyasa
Pranayama
ujjayi breathing
Bandhas

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