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Artout
Project was set up as a service company offering as a product artists' time, rather than any material work. Any interested party can hire an artist to spend time with and this in itself constitutes a creative act. The project was conceived as a meditation on the relationship between art
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New York Post art critic Dan Avery hailed Artout as "the most inventive in adapting to new economic realities".
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In 2009 the Artout
Project was invited as a special feature of Bridge Art Fair in New York.
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in his essay "On Art and
Domination", Jon Refsdal Moe's "Staging Cultural Prosperity"
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with an international group of artists, including theater critic and director of
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19:, a.k.a. Artout Escort Agency - an experimental art project created in 2006 by
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collectors and art producers, exploring new territories of
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practices. The ideas behind the project were formulated by
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153:Review of the project by the Moscow's magazine
76:and Sueli Rolni's "The Geopolitics of Pimping"
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65:mouvement, but also relies on
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87:and institutional control.
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31:Jon Refsdal Moe, artists
160:Snob magazine on Artout
149:Artout official website
63:Institutional Critique
49:, Alexander Kosolapov
91:2009 Bridge Art Fair
141:Elite Escort Agency
118:"Jon Refsdal Moe"
85:intersubjectivity
71:Anton Koslov Mayr
25:Black Box Theater
21:Anton Koslov Mayr
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67:relational art
17:Artout Project
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125:. Retrieved
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47:Mike Rimbaud
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37:Kate Pendry
127:2016-03-16
104:References
33:Per Platou
170:Category
155:Afisha
29:Oslo
27:in
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