Arthur Adams (comics)

799:, and without a firm schedule, which provided Adams the time he needed to complete it. This was due in part to his problems with perspective and other things he was not accustomed to drawing, such as windmills, babies and people smiling, and in part because he had to redraw the first half of it, as Ann Nocenti's story was so dense that the pages featured up to 20 panels. As a result, Adams took eight months to draw the first issue. This problem was addressed by editor Elliot Brown, who showed Adams how to compose panels depicting multiple actions. Simonson would later introduce Adams to Marvel editor-in-chief 1425: 2059: 38: 1704: 1934:. Though he says he prefers group books because they more easily allow him to hide his "bad layout skills", he is nonetheless comfortable with solo character books. He begins drawing thumbnail layouts from the story he is given, either at home or in a public place. The thumbnails range in size from 2 inches x 3 inches to half the size of the printed comic book. He or an assistant will then enlarge the thumbnails and trace them onto 6014: 1955:" at twice the printed comic size, and also drew the fifth chapter, "The Garden of the Sklin", at a size larger than standard, in order to render more detail than usual in those stories. For a large poster image with a multitude of characters, he will go over the figure outlines with a marker in order to emphasize them. He will use photographic reference when appropriate, as when he draws things that he is not accustomed to. 1239:, but Dark Horse wanted to produce an adaptation of the film first, and told Adams that if he illustrated that, that he would be able to illustrate a future sequel. The 50-page adaptation was published in 1993, but the line's low sales cost Dark Horse money, and it was canceled after four books, precluding the sequel that Adams wanted to draw. 1861:, who needed a break in order to catch up on his own work on that title, Adams managed to pencil the first two issues in five weeks and four weeks, respectively, but was considerably late on the third. In 1997 Adams stated that he could produce a page of either pencils or inks in a day. In a 2007 interview, he stated he tends to produce 846: 1243: 1893:, which due to changing deadlines, he completed at a quicker pace. Adams singles out one page of that book that he drew in a half-hour as his personal record for speed, but decries its poor quality. Adams is also noted for the humor in his work, as with, for example, the extraneous characters he places in 4684:

Batman celebrated the 400th issue of his self-titled comic with a blockbuster featuring dozens of famous comic book creators and nearly as many infamous villains. Written by Doug Moench, with an introduction by novelist Stephen King ... drawn by George Pérez, Bill Sienkiewicz, Arthur Adams, Joe

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Adams has explained his view on illustrating covers by saying, "My job is to make the characters look as good as I can in the context of what they’re asking for. So I always just try to represent the characters to the best of my ability and sell the book." When asked for his favorite cover work, he

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does have one major saving grace, and that is the penciling of Arthur Adams. I'm going to once again go out on my prophetic limb and predict that Art will soon become a fan favorite. He has a dynamic style that grabs your attention and won't let go. To be sure, he exhibits some of the weaknesses of

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were rendered with a combination of ink, watercolor and color pencil), his color work is so sporadic that he says he has to relearn what he has forgotten in the interim each time, and is usually dissatisfied with the results. Because a significant portion of his income is derived from selling his

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Adams does not have a favorite character to draw, having remarked in a 2015 interview, "I'm just happy that they pay me to draw." Nonetheless, he stated in a 2019 interview that while he had not harbored any strong emotional attachment to the X-Men as a child, he had been drawn to that franchise

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light blue pencil, because it is not too waxy, and erases easily. When working on the final illustration board, he does so on a large drawing board when in his basement studio, and a lapboard when sitting on his living room couch. After tracing the thumbnails, he will then clarify details with

744:. Though Adams completed the story, the series was canceled before his story was published, and Adams returned to submitting samples while working at the pizzeria. Adams later dismissed the story as poorly drawn. He also drew "Away Off There Amid The Softly Winking Lights", a story in the 1984 2216:, which depicts Wolverine as he befriends a teenaged boy hiding in cave after his out-of-control emerging powers have killed hundreds of people, including those closest to him. Adams said of the story, "It's a standalone story, it's Bendis, it's one of my favorite comics of all time." 1818:

Though his work for Marvel takes priority for him, he also makes a significant amount of his income from private commissions, which he produces when time permits. In a 2017 interview he stated that if he did interior work again, it would more likely be on a creator-owned project, like

1122:, who also was the regular artist on the title, decided to write a story for Adams to draw in order to catch up on his deadlines. Simonson asked Marvel's Marketing Department who the four top-selling characters were, and was told they were Wolverine, Ghost Rider, Spider-Man, and the 634: 1272:, which Larsen and a group of other artists formed to publish creator-owned books. Adams had never before considered producing his own original material, as he preferred to illustrate the properties he enjoyed as a child. However, his talks with Larsen convinced him to create 4761:

Manning, Matthew K. "1990s" in Gilbert (2008), p. 252: "Spider-Man, the Hulk, Wolverine, and Ghost Rider were tricked into forming a new Fantastic Four ... Written by Walter Simonson with art by Arthur Adams, this new FF found themselves locked in battle with the Mole

1832: 431:. Adams' first exposure to superhero and monster comics came through the ones his mother would buy for him once a month at a thrift store. His enthusiasm for superhero stories by particular creators began when his father returned from an overseas trip with the first 1126:. Adams disliked the Punisher, and especially disliked drawing guns, because he felt he was not good at it, and suggested the Hulk. When Simonson asked him what he liked to draw, Adams indicated that he was a fan of the classic elements of the book, such as the 947:#4 cover that featured most of the characters appearing in all the X-Men-related books at the time, also with a charging Wolverine in the center. By 1986, Adams' professional career had been cemented, and he moved out of his parents' home and into the same 784:

script, from which Adams did layouts of 10 to 15 pages. Adams stated that while his action scenes were not rendered very well, the editors praised his casual, character-based scenes. Nocenti described to Adams the concept for a miniseries she was writing,

4285: 612:. Aside from books on drawing human anatomy, Adams' only formal education in illustration was learning newspaper strip-type drawing in his freshman year of high school from Mr. Vandenberg, a teacher who stressed the importance of clear storytelling and 791:, which had been turned down by every other artist she offered it to. Adams, now a couple of months before his twentieth birthday, did a series of preliminary design drawings, basing the main character's appearance and hairstyle on that of singer 1072:

for the job, considered this, and eventually agreed to it after contacting Burden, who was enthusiastic about the idea. That book, which demonstrated Adams' versatility in handling comedy as well as superheroics, garnered him and Burden a 1988

803:, who furthered Adams' understanding of storytelling clarity by sitting down with him and showing him the panel-to-panel structure in an old Marvel book. He would take two years to draw all six issues of the miniseries. Prior to the release of 4456:

Ann Nocenti wanted to introduce a character who was a clean slate. One with no history, no past, and no prejudices. A man without a memory. With Arthur Adams and Whilce Portacio providing the art, Nocenti wrote the six-issue limited series

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any young artist, the occasional awkward pose or crude drawing--but as a first effort this is incredibly impressive. In fact, this limited series should be worth buying simply to watch the progress Adams makes from issue to issue.

1400:, a collection of Adams' previously published stories that paid tribute to various B-movie monsters, some of which had originally been published in black and white, but which were colored for the collection. They included Adams' 1974:, he was spurred to switch to a brush, which he used for approximately a year before returning to a Croquille. He eventually began to ink his own work, which he prefers to do. Beginning in the late 1990s, he began using the 1764:

announced it that would be producing limited edition poly-resin busts of female characters for its Women of Dynamite line, based on Adams' renditions of those characters and sculpted by Jason Smith. The first bust was a

584:, which Adams saw as "the bible of how to draw comics", and "the perfect example of how to do a team book." Adams names Simonson and Golden as his two largest artistic influences. Simonson and his wife, writer/editor 1306:, often featuring the type of movie monsters Adams is fond of, such as the subterranean Shrewmanoid and the extraterrestrial Froglodytes. Despite the offer from Image, Adams and Mignola (the latter of whom created 1677:, composing them as eight pieces of a single, interlocked image, which depicts all of the major characters of the Marvel Universe. It was the single piece that took the longest for Adams to complete, at 10 weeks. 4289: 1518:

video game character books when he drew "Jonni Future", and refrained from using straight edges or templates in order to achieve a more elegant, hand-drawn appearance. He regards "Jonni Future" as his best work.

368:. He has done design work for toys and video games, and miniature busts have been produced based on his renditions of notable characters. In the early 2000s he was commissioned to create artwork for the 1007:, in 1986, 1988, and 1990. It was in drawing the 1988 annual that Adams says he felt like a professional comic book artist for the first time, as he first felt confident that he knew what he was doing. 540:. Something about it just blew me away. That was the book that made me say, 'Yeah, this is what I'm going to do for my career, for the rest of my life. I'm going to find a way to draw comic books, man!' 4157: 940:

for comics shops, and led to two other posters by Adams, a 1987 X-Men poster featuring most of the characters that had ever been a member of that team, and "Mutants", a modification of Adams' 1988

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story in his portfolio, although he was only a casual fan of the X-Men himself. He would later become closely associated with the X-Men in his early career. After showing his portfolio to editor

1064:. Adams, who did not harbor fond memories of that cartoon as a child, and who feared he would be typecast as a Gumby artist if he took the job, told Schultz he would only do it if she could get 4652:

Talented writer Ann Nocenti and influential artist Arthur Adams crafted an offbeat tale when the New Mutants' eccentric member cybernetic alien Warlock decided to take a trip to New York City.

2117:, he states that Adams popularized them. Adams' conception of Spider-Man with a large-eyed mask, detailed "spaghetti"-style webbing, and more contorted poses while web-swinging can be seen in 515:. His interest in professional paleontology waned, however, when he realized that the extreme climates of the environments in which he would be required to work were not appealing to him. 6162: 2093:

over brushwork in rendering, and the depiction of cybernetic limbs and other reflective surfaces seen in those artists' styles as being derived from Adams' work, in particular his run on

1727:, this was done on Adams' request, who wanted nothing to do with the publisher, and took action to keep his name off the book's cover. The book is nonetheless sold by merchants such as 1310:, which had been rejected by DC Comics), took their ideas to Dark Horse, for whom Adams had already done work, as it would allow them to collaborate with creators they admired, such as 1700:#100 that Adams drew on a whim was later used by Marvel Comics as a variant cover to an actual issue, and in July 2019, as the image of a 500-piece jigsaw puzzle licensed by Aquarius. 1183:, which he designed to be a Japanese version of the Fantastic Four, and in the story, had that group mention that they had fought the Shrewmanoid, a villain Adams later created for 5636: 2141:, Callahan refers to that book as "early Image, in primal form". Artists whose work has been viewed as imitative of Adams' style, or who have named Adams as an influence include 598:

after he became a professional artist. Because he tends to consult source material when illustrating a book, he studied much of Kirby's work in particular during his 1990 run on

5555: 2425: 2409: 663:#1 (cover dated Spring 1982). Though it was an unpaid work, it was Adams' first published work, though he has lightheartedly decried its quality, saying, "It was pretty bad." 5333: 2073:

Adams is one of the most popular and widely imitated artists in the American comics industry. His style is attributed as a direct influence on the artists who would found

1134:, which Simonson incorporated into the story. The three-issue arc, which is cited by Adams as one of his favorite works, was later referenced by late night talk show host 5302: 5212: 5155: 2018:

because "I just like the characters and I've worked on them enough that they trust me," and has gone on to name his favorite X-Men characters to draw. He said he loves

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On November 30, 2011, Gumby Comics/Wildcard Ink published a single volume collecting Adams' previous two specials featuring Gumby. The book was initially called

604:, learning much about focusing on clarity and dynamism over attention to detail. In a 1997 interview, Adams responded to the observation that fans had noticed a 5275: 5091: 1302:, and Axewell Tiberius, a super-intelligent gorilla man from another dimension. The duo finds itself embroiled in a variety of adventures typical of classic 511:

when he was 13 or 14, and attempted to mimic his style using watercolor. Adams did not consider illustration as a profession, however, as he aspired to be a

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He is one of the most popular and widely imitated artists in the comics industry, whose drawing style has been credited as an influence upon artists such as

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When Adams learned that Dark Horse would acquire the rights to the Universal Monsters, Adams lobbied to them to illustrate a comics sequel to the 1954 film

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and Linda Grant, who in 1983 offered Adams the chance to write and draw "The Return of Richard Buzznick", a short story for the black and white anthology

6148: 5383: 4931: 277:, a science fiction adventure series featuring archetypal sci-fi monsters that Adams wrote and illustrated. Although the Legend imprint ceased in 1998, 772:, who was ending his career as a Marvel editor to go freelance, found Adams' samples as he was cleaning out his office for its future occupant, editor 5426: 5181: 6058: 616:. After a female classmate Adams was attracted to talked him into joining the acting club, Adams also considered becoming an actor, eventually doing 5360: 4062: 2166: 4809: 1360:

miniseries. They would eventually graduate to their own self-titled miniseries in 1996. When first producing the series, Adams had on hand the

932:, who was in charge of producing Marvel's posters, asking Adams to produce a Wolverine poster with the same type of pose. The image, inked by 4040: 6091: 4520: 1982:. He prefers pens to brushes because pens feel "looser", and cited this as his reason for using felt-tip pens when he inked "Jonni Future". 1118:

formed a replacement Fantastic Four after being falsely informed that three of the original Fantastic Four had been murdered. Series writer

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at a Creation Convention, he gained permission to set up a table, doing drawings for fans for $ 5 – $ 10. He began submitting samples to

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points to the use of dynamic action poses, idealized figures, costume designs featuring numerous accessories, a preference for copious

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in 2002, significant portions of which Adams was asked by DC Comics to redraw in order to de-emphasize the violence, in light of the

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Adams' association with the X-Men franchise early in his career included a number of posters, including this iconic 1986 image of

5325: 4610: 2065:(left) is one of the artists who was influenced by Adams (right), seen here during an appearance at Campbell's booth at the 2017 1881:

of a page a day, and can also ink at that rate, but can do up to two pages in a day if he is under pressure, as when he produced

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monster stories "Where Monsters Dwell" and "Creatures on the Loose" for inspiration. Although the Legend imprint ceased in 1998,

1217:#1 that is notable for being the only work of his to date that he wrote, penciled, inked and lettered, and "Tramplin' Tokyo", an 5758: 1970:. When Adams attempted to ink his own work before becoming a professional, he initially used a Croquille pen, but after meeting 1534:, an avid comic book collector and vendor. Dolmayan commissioned Adams to illustrate a scene of giant women fighting robots and 308:, and his admittedly slow pace, Adams mostly does cover work. When he does do interior art, it is usually for short storylines, 5151: 5007: 4243: 875:'s discovery of Adams' work, and in turn to Adams' frequent association with that franchise during the 1980s. This began with 651:

at age 17. At one of them, Adams met someone who, after seeing Adams' artwork, asked Adams for a submission for a comic book

4677: 4645: 4449: 4391: 4257: 5807: 5267: 4961: 1439:, featuring artwork by Adams and other commissioned artists. Adams' art is on the drum just above and to the left of center. 6036: 5933: 647:

Adams initially created a portfolio of pinups and monster splash pages, and added story sequences when he began attending

5898: 4869: 4411: 3839: 2678: 1775: 287: 5092:"AQUARIUS Marvel Avengers Puzzle (500 Piece Jigsaw Puzzle) - Officially Licensed Marvel Merchandise & Collectibles" 4710: 2231: 1682: 671: 5454: 411:, though his family moved from there when he was a year old, and thus he has no memory of that town. His father was a 5963: 5959: 5929: 1538:

for one drum, while the art for other drums in the kit, which depicted other characters and scenes, were produced by

1354:#27 in 1994. The duo's first appearance under the Legend imprint was an ongoing backup story in Mike Mignola's 1994 6413: 6408: 6045: 3715: 3667: 2960: 2123:

Annual #2, published in June 1986 (approximately 1½ years before Todd McFarlane's first published Spider-Man work,

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In 1999, Adams returned to Wildstorm to draw an eight-page flashback sequence in issue #4 of Alan Moore's series,

588:, would later become close friends and collaborators with Adams, with Louise editing Adams' breakthrough project, 5416: 5169: 3271: 2638: 2187: 1611: 1605: 1028:#1 in 1987. The latter is viewed as a turning point in Adam's drawing style, characterized by bulkier figures of 813:#13, which was released March 10, 1984, marking his first published work for Marvel. He also penciled Page 30 of 5594: 3554: 2777: 1715:, but was eventually published with a sticker covering Adams' name on the cover, effectively renaming the book 1488: 1235: 518:

Adams' desire to draw drawing comics professionally was cemented in high school, when he bought Marvel Comics'

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Regarding religion, Adams has stated that he does not believe in "any particular god". He does not drive.

827:#1 was published on September 1, 1985, with a cover date of September 1985. Reviewing the first issue for 2902: 1627:#113 - 115 in 2008, as well for three of its collected editions. His 2000s interior comics work includes 494: 182: 5356: 1068:

to write it, on the assumption that Schultz would decline this condition. Schultz, who initially wanted

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magazine that imagined a number of controversial public figures as comic book supervillains, including

1201:. A book on the making of that film features a cover illustration of Godzilla that was copied from the 1811:, whose profits would be donated to relief efforts for Ukrainian refugees resulting from the February 6418: 3787: 3747: 3691: 3643: 3368: 3220: 3105: 2944: 2823: 2418: 2375: 1883: 1795:

In April 2022, Adams was reported among the more than three dozen comics creators who contributed to

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Adams' art style is noted for its high level of detail, and he has a reputation of being a "tight"

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In 2014, Adams illustrated variant covers for each of the eight issues of Marvel Comics miniseries

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Adams did work for publishers other than Marvel during the 1980s, as when he drew several pages of

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Because of his reputedly tight, labor-intensive penciling style, which was initially influenced by

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Although Adams has experimented with painting with watercolor and oil paints (his 1989 covers for

222:. Adams has also illustrated books featuring characters for which he has a personal love, such as 6320: 6311: 6248: 5654: 4154:"(Interview) X-Men: Blue cover artist Arthur Adams talks strange commissions at Boston Comic Con" 3723: 3132: 2138: 2003: 1836: 1501: 1038: 711:, with whom Adams became friends, and later, business partners. Because of the popularity of the 613: 525: 433: 416: 301: 4572: 1144:. Adams did more work for the X-Men franchise, such as the 1997 intercompany crossover one-shot 532:

I was collecting comic books from the mid-70s, and then I discovered Michael Golden working on

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in 1986 and 1987, respectively. He also drew all but three of the first 23 covers and interior

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had not received its own annual until this issue by scribe John Byrne and artist Arthur Adams.

1424: 449:. He particularly liked Marvel Comics for their stories with monster-like characters like the 6140: 6040: 5781: 5517: 4903: 4546: 4480: 4383: 4249: 4117: 4036: 3871: 3498: 3459: 3436: 3386: 3118: 2643: 2622: 2023: 1967: 1939: 1902: 1680:

Outside the field of comics, Adams has provided illustrations for various magazines, such as

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as a character, despite not having had many opportunities to draw her; he enjoyed depicting

886:#9, which were part of the "Asgardian Wars" storyline, and which Adams began drawing before 6393: 6224: 5871: 4926: 4092: 3903: 3879: 3731: 3546: 3264: 2786: 2734: 2595: 2514: 2306: 2213: 2209: 2086: 1599: 1493: 1471: 1467: 317: 162:. His subsequent interior comics work includes a number of Marvel's major books, including 5033: 8: 6084: 4779: 4286:"Word Balloon Podcast Greg Pak, Cincy Comicon Panels with Art Adams and Ethan Van Sciver" 3823: 3562: 3531: 3350: 3259: 2720: 2556: 2490: 2402: 2359: 2225: 2182: 2113: 1691: 1623: 1571: 1483: 1455: 1373: 1315: 1017: 948: 921: 909: 696: 545: 282: 256: 4736: 1486:, which was published in eight-page installments in the America's Best Comics anthology 6116: 5986: 4702: 4669: 4637: 4441: 4376: 4056: 3925: 3592: 3570: 3506: 3285: 2910: 2851: 2462: 2066: 2019: 1935: 1894: 1889: 1180: 1166: 999: 740: 570: 194: 120: 43: 900:

in Africa, which was written and illustrated by dozens of creators, including writers

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for two years. He quit acting when he turned 19, in order to concentrate on drawing.

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DeAngelo, Danny (November/December 1997). "Art Adams: King of the Monster Artists".

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In the early part of his career, Adams' pencils were embellished by inkers such as

1728: 1527: 1432: 1135: 1046:'s inking, which exhibited a different line weight. That same year, he illustrated 917: 735: 561: 553: 373: 348: 336: 6287: 5008:"Art Adams Reveals Massive, Interconnected Image From Original Sin Variant Covers" 6062: 5640: 4813: 3917: 3847: 3771: 3519: 3157: 3100: 2936: 2741: 2590: 2475: 2455: 2343: 2134: 1959: 1948: 1907: 1858: 1660: 1629: 1170: 1119: 892: 872: 845: 796: 704: 609: 585: 575: 305: 37: 6299: 5556:"Kibbles 'n' Bits 6/9/16: This Arthur Adams Avengers piece will blow your mind!" 2443: 5925: 5384:"Comic Book Creators Team for Ukraine Relief Effort Anthology 'Sunflower Seed'" 4775: 3942: 3792: 3707: 3022: 3015: 2894: 2882: 2802: 2770: 2753: 2631: 2615: 2495: 2470: 2314: 2204: 2162: 2098: 2077:, and the other popular artists of the 1990s associated with that era, such as 1853: 1804: 1753: 1745: 1102: 991:

from 1986 to 1988. His interior X-Men-related work included a two-issue run on

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and writer. He first broke into the American comic book industry with the 1985

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original artwork, he is reluctant to learn how to produce his work digitally.

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Adams prefers to work from a plot rather than from a full script, a result of

1815:. Adams would provide one of the covers to the softcover edition of the book. 6387: 6329: 6212: 6200: 6132: 6108: 6096: 6019: 5903: 5299:"Arthur Adams, Declan Shalvey and Ed McGuinness Get Marvel Monograph Volumes" 5271: 5208: 5147: 3755: 3609: 3443: 3326: 3177: 3061: 2968: 2952: 2887: 2867: 2730: 2606: 2599: 2541: 2523: 2430: 2396: 2350: 2330: 2150: 2142: 2090: 1963: 1808: 1796: 1724: 1720: 1703: 1687: 1543: 1531: 1436: 1404:, two of his Godzilla stories, "The Shocking Case of the Brief Journey" from 1378: 1338:, a creator-owned imprint of Dark Horse. After an initial 1993 appearance in 1335: 1319: 1257: 1242: 1043: 1023: 987: 952: 929: 897: 867: 724: 489: 420: 388: 384: 377: 312:, miniseries or contributions to anthologies, such as his 2002–2004 work on " 293: 264: 200: 153: 149: 6049: 5682:"Look Back: Gen 13 #1 Exploded the Variant Cover Game with 13 Total Covers!" 4473:

Ash, Roger (August 2008). "Ann Nocenti and Arthur Adams Bet on a Longshot".

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His work on the X-Men franchise would continue with a number of covers for

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at a Creation Convention. Rubinstein took Adams' samples to Marvel editors

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bust in February 2017. In the late 2010s, Adams illustrated cover runs on

823:, and released April 10, 1985, though Adams was not credited in the book. 6344: 6266: 5590: 5559: 5329: 4475: 4433: 4371: 3807: 3799: 3763: 3243: 3210: 2918: 2766: 2689: 2519: 2380: 2364: 2337: 2326: 2154: 2082: 2031: 1943: 1915: 1757: 1331: 1323: 1265: 967: 928:#173, whose focus was Wolverine charging the viewer. This in turn led to 877: 815: 800: 777: 727:

when he was 18, taking a job at a pizzeria after graduating high school.

720: 565: 549: 6092:"Fan-Favorite Arthur Adams Talks About His Journey as Comic Book Artist" 5899:"Joyce Chin Admitted to Chicago Hospital With Arthur Adams, Not at C2E2" 2594:: "The Spider in the Hairdo" (with Robert Boyd, Jan Harold Brunvald and 1887:#9 (1986) in 22 days, for example. Another example is the 1989 one-shot 391:, as well as the artists associated with the founding and early days of 6305: 6281: 6194: 5488: 4606: 4576: 4516: 4498: 3595: 3589: 3573: 3421: 3321: 3297: 3227: 3205: 3172: 3140: 3056: 2989: 2757:#10, 12: "Legends of Apokolips" (with Walter Simonson, DC Comics, 2001) 2713: 2703: 2650: 2611: 2414: 2268: 2178: 1998: 1781: 1770: 1655: 1510: 1445: 1384: 1218: 1161:

Adams became acquainted with Randy Stradley and other staff members of

1146: 1111: 1065: 942: 773: 769: 689: 608:

influence in his work by stating that he had likely been influenced by

595: 520: 446: 442: 438: 412: 206: 4542: 4113: 1924:

scripts, though he has worked from a full script, as with his work on

1154:. His 1990s Marvel work also included providing designs for a line of 1036:, though Adams explains that this was in part due to the influence of 666:

Adams' first paid work was a Farrah Foxette pinup that he copied from

6206: 5755:"Shelby Robertson Creating a Graphic Novel: Art - Food - Photography" 5357:"'Comics for Ukraine: Sunflower Seeds' to benefit Ukrainian refugees" 5326:"ZOOP launches benefit anthology COMICS FOR UKRAINE: SUNFLOWER SEEDS" 5063: 4895: 3699: 3617: 3581: 3514: 3333: 3290: 3145: 2982: 2810: 2746: 2655: 2392:#2: "Wake Me Up I Gotta Be Dreaming" (with Ann Nocenti, Marvel, 1986) 2368: 2043: 1975: 1848: 1766: 1634: 1581: 1554: 1547: 1195:

films, would later introduce a version of that team in the 1993 film

679: 503: 487:. He also enjoyed superhero and science fiction programming, such as 462: 458: 80: 6080: 4807:"Conan O'Brien Claims Hulk Was A Fantastic Four Member, Nerds React" 2195:. They later moved to San Francisco, California, before settling in 1522:

In the early 2000s Adams was commissioned to create artwork for the

659:. Adams submitted the horror story "One-Eyed Jack", which saw print 536:. And I don't know exactly what it is about the very first issue of 3779: 3251: 2843: 2536: 2506:: "Godzilla: King of the Monsters" (with Randy Stradley, one-shot, 2185:. Chin has inked Adams' pencils, and Adams has inked Chin's, as on 2047: 1638: 1559: 1535: 1523: 1497: 1428: 1303: 1289: 1127: 1123: 1033: 369: 354: 352:, as well as pinups and other spot illustrations for books such as 6013: 1734:

In 2016 Adams provided the illustrations for a satirical piece in

1252:#1 (July 1996), Adams' creator-owned work, which was published by 890:#1 was published. Nocenti also asked Adams to produce a cover for 6254: 5685: 5525: 5499: 4980: 4957: 4791: 4697:

Manning, Matthew K. (2014). "1980s". In Dougall, Alastair (ed.).

4415: 3472: 3359: 3184: 2859: 2078: 1646: 1307: 1088:

Adams was one of 54 artists profiled in Ron Goulart's 1989 book,

937: 858: 652: 633: 544:

Adams would subsequently seek out work by other artists, such as

5587:"INTERVIEW: Rob Liefeld Isn't Silent About SNAKE EYES: DEADGAME" 1686:, as well as toy designs, video games, and X-Men-themed cans of 1653:#7 - 9, as well as those issues' covers. In 2010 he illustrated 1408:#2, and the "Trapped In The Lair of the Shrewmanoid" story from 1179:#1 in 1992. For that story Adams created an organization called 936:, became not only a bestselling poster, but an iconic life-size 3413: 2097:. Callahan also points out that the detailed webbing for which 1565: 1515: 1470:, much to Adams' frustration. That same year, Adams and writer 1131: 1029: 792: 6170: 5718:"The Aaron Kuder Interview, Part 1: Awesomeness is Contagious" 4632:

Manning, Matthew K. (2012). "1980s". In Gilbert, Laura (ed.).

4024: 1831: 1553:

Throughout the 2000s, Adams provided cover images for various

1268:, who invited them to produce books of their own creation for 6029: 5846:"Scratch the Surface #147 with Arthur Adams & Joyce Chin" 4664:

Manning, Matthew K. (2010). "1980s". In Dolan, Hannah (ed.).

3489: 2927: 2273: 712: 605: 236: 84: 5829:"Fast Times At Mutant High, An Interview With Nick Bradshaw" 5124:. Comic Art Fans Galleries & Marketplace. Archived from 5122:"Arthur Adams ~ AVENGERS #100 Recreation/Variant Cover #700" 2050:, because he believes that he is not adept at drawing guns. 1901:, or the forms in which he depicted the shapeshifting alien 1575:, as well as for books by various other publishers, such as 1100:

Adams' 1990s Marvel work included a 1990 three-issue run on

528:, the first artist Adams noticed significantly. He relates: 334:(Vol 2) #7 - 9. His other cover work includes books such as 5205:"Arthur Adams Draws Donald Trump And Vladimir Putin For GQ" 2835: 2039: 1947:

another light blue pencil, and finalize the details with a

1188: 1155: 1107: 548:, whom he has called a "huge" influence upon his work, and 454: 2819:#10 : "The Many Deaths of Superman" (DC Comics, 2007) 1205:, which amused Adams. Adams would follow these with other 5268:"First Look At The Arthur Adams Inspired Vampirella Bust" 4634:

Spider-Man Chronicle Celebrating 50 Years of Web-Slinging

1449:, which was published under Moore's brand for Wildstorm, 951:

apartment building where fellow artists Mike Mignola and

5987:"Waiting For Tommy XXIII: Interview with Grant Morrison" 5737:"The Aaron Kuder Interview, Part 2: Finding the Balance" 5417:"Legendary comics artist Arthur Adams on his artful art" 2305:: "Away Off There Amid the Softly Winking Lights" (with 1264:

In the early 1990s, Adams and Mignola were contacted by

251:

In 1994, Adams joined a group of creators that included

198:, as well as books by various other publishers, such as 5239: 4241: 2839:: "Where Monsters Dwell" (with Jeph Loeb, Marvel, 2008) 2532:: "King Kong vs. Godzilla" (one-shot, Dark Horse, 1993) 2355:#9–10, 12, 14 (with Chris Claremont, Marvel, 1985–1990) 1736: 1478:", a pastiche of a pulp science fiction series such as 1095: 865:

Nocenti's position as editor on the X-Men books led to

692:, paid Adams $ 10 to publish the piece as a fan pinup. 423:. When Adams was five years old, the family settled in 5630:"Year of the Artist, Day 329: Joe Madureira, Part 1 – 5152:"The Gumby Specials That Dare Not Say Art Adams' Name" 5032:

Weiland (2014); The referenced exchange occurs at the

4496:"Art Adams interview". "The Mutant Report". Volume 3. 1897:

of his comics, as when he drew Gumby in the panels of

1138:

in the "Fan Corrections" segment of a 2012 episode of

1010: 730:

Adams' first professional job came about after he met

461:. He became interested in dinosaurs and monsters like 2765:#27–28: "Brave New World, Parts Two and Three" (with 2202:

When asked to name a favorite comic, Adams has named

6071:

at the Unofficial Handbook of Marvel Comics Creators

6009: 5455:"GIANT-SIZE X-Men Monday #24 – FAN EXPO Boston 2019" 5235:"A Field Guide to the New Age of the Super-Villain!" 2610:#18: "Alan Moore's Songbook: Trampling Tokyo" (with 1081:. Adams would later illustrate a second Gumby book, 699:

in San Francisco, Adams received career advice from

316:", a pulp science fiction series he co-created with 4922:"System of a Down's drummer on his art-covered kit" 4502:#71 (February 1989). Marvel Comics. pp. 12–15. 2026:out of costume in a storyline that paired him with 833:, R.A. Jones, who criticized the writing, stating: 5323: 4375: 4288:. Word Balloon Comic Books Podcast. Archived from 2537:Universal Monsters: Creature from the Black Lagoon 2107:had previously been used by Adams on the cover of 267:, an imprint of creator-owned comics published by 5482: 4796:The referenced exchange begins at the 10:57 mark. 4780:"ECCC 2014: Secret Origins Presents Arthur Adams" 4088: 4086: 4084: 4082: 4080: 4078: 4076: 4074: 4072: 1496:influence, with greater amounts realism and fine 1092:, whose front and back covers Adams illustrated. 955:lived. Adams and Nocenti reunited for a story in 920:. Nocenti asked Adams to pattern the cover after 6385: 5550: 5048:. arthuradamsart.com. Retrieved August 22, 2015. 5005: 4737:"1988 Will Eisner Comic Industry Award Nominees" 4242:Khoury, George; Nolen-Weathington, Eric (2006). 4237: 4235: 4233: 4231: 4229: 4227: 4225: 4223: 4221: 4219: 4217: 4215: 4213: 4211: 4209: 4207: 4205: 4203: 4201: 4199: 4197: 4195: 1857:#347–349 in 1990 for regular writer/illustrator 1412:#27. The collection featured an introduction by 4193: 4191: 4189: 4187: 4185: 4183: 4181: 4179: 4177: 4175: 4025:Cooke, Jon B.; Knutson, Jon B. (January 2002). 1792:, a 120-page omnibus collection of Adams' art. 5584: 5448: 5446: 5444: 5296: 4774: 4283: 4069: 3023:The Impossible Man Summer Vacation Spectacular 2466:(with Chris Claremont, one-shot, Marvel, 1989) 1453:. His subsequent Wildstorm work would include 285:stories with other comics characters, such as 6156: 5679: 5511: 5509: 5485:"CGC's Brittany McManus interviews Art Adams" 5452: 5414: 5354: 5265: 5202: 5057: 4919: 4279: 4277: 4275: 4273: 4271: 4269: 4151: 4147: 4145: 4143: 4141: 4139: 707:, and also met another aspiring illustrator, 5779: 4839:Adams, Arthur. "Attack of the Shrewmanoid", 4492: 4490: 4405: 4403: 4172: 4061:: CS1 maint: multiple names: authors list ( 2191:#4 (January 2000). As of 1997 they lived in 1835:Adams was heavily influenced by the work of 1649:story that appeared in 11-page installments 1376:stories with other comics characters, as in 361:The Official Handbook of the Marvel Universe 5843: 5441: 4770: 4768: 1372:continued to appear in print, sometimes in 1191:, the production company that produces the 857:, which also became a bestselling retailer 281:continued to appear in print, sometimes in 130:Eisner Award for Best Single Issue/One-Shot 6172:Russ Manning Most Promising Newcomer Award 6163: 6149: 5839: 5837: 5747: 5728: 5709: 5506: 5381: 4977:"Loeb and Adams Ask What Is 'Ultimate X?'" 4739:. Hahn Library Comic Book Awards Almanac. 4436:(2008). "1980s". In Gilbert, Laura (ed.). 4266: 4136: 2255:Russ Manning Most Promising Newcomer Award 1826: 1213:", a story that appeared in the anthology 1056:, a job he obtained through Comico editor 407:Arthur Adams was born on April 5, 1963 in 240:, the latter of which garnered him a 1988 36: 4731: 4729: 4666:DC Comics Year By Year A Visual Chronicle 4487: 4400: 4366: 4364: 4362: 4360: 4358: 4356: 4354: 4352: 3558:#5, 12 (America's Best Comics, 2003–2005) 2827:#14: "The Origin of Gorilla Grodd" (with 2177:Adams is married to fellow comics artist 1790:Marvel Monograph: The Art Of Arthur Adams 1769:bust debuting in November, followed by a 1633:#26 (2006), an issue dedicated to writer 1615:. Adams' 2000s Marvel cover work include 1382:#41 (September 1997) by Erik Larsen, and 581:The Uncanny X-Men and The New Teen Titans 364:and his own published sketchbook series, 19:For other people with the same name, see 6090:Sarahtika, Dhania (September 12, 2017). 5984: 5896: 5831:. ENR Express Comics News & Reviews. 5734: 5715: 5516:Callahan, Timothy (September 30, 2013). 5515: 5172:Gumby's Arthur Adams Specials Collection 5146: 4765: 4338: 4336: 4334: 4332: 4330: 4328: 4020: 4018: 4016: 4014: 4012: 4010: 4008: 4006: 4004: 4002: 4000: 3998: 3996: 3994: 3992: 3990: 3988: 3986: 3984: 3982: 3980: 2863:#6 (with Jeph Loeb, Marvel, 2012, pg 18) 2710:Legends of the DC Universe 80-Page Giant 2646:, among other artists, Dark Horse, 1997) 2057: 1839:, among other sources, in illustrating " 1830: 1702: 1423: 1298:and that film's special effects creator 1284:. The stories star San Francisco native 1241: 844: 685:Captain Carrot and His Amazing Zoo Crew! 632: 5997:from the original on December 30, 2013. 5834: 5757:. Sigmatestudio.com. October 28, 2009. 5646: 4974: 4964:from the original on December 28, 2013. 4696: 4663: 4631: 4438:Marvel Chronicle A Year by Year History 4432: 4370: 4326: 4324: 4322: 4320: 4318: 4316: 4314: 4312: 4310: 4308: 3978: 3976: 3974: 3972: 3970: 3968: 3966: 3964: 3962: 3960: 2486:#1 (with Walter Simonson, Marvel, 1991) 2442:#1: "Chapter 1: The Diving Bird" (with 2342:#1: "Home is Where the Heart is" (with 1951:. He drew the first three chapters of " 594:. Adams also says he was influenced by 6386: 6087:, with six library catalog records 5878:from the original on February 15, 2005 5852:from the original on September 6, 2019 5788:from the original on February 19, 2018 5761:from the original on December 12, 2013 5724:from the original on October 16, 2012. 5661: 5483:McManus, Brittany (October 29, 2015). 5478: 5476: 5461:from the original on December 12, 2023 5429:from the original on December 12, 2023 5278:from the original on December 12, 2023 5247:from the original on December 12, 2023 5184:from the original on September 4, 2012 5014:from the original on December 12, 2023 4934:from the original on November 20, 2015 4726: 4422:from the original on February 3, 2014. 4409: 4378:The Great Comic Book Artists, Volume 2 4349: 4160:from the original on December 12, 2023 4124:from the original on December 12, 2023 3711:#551, 583–584, 600 (Marvel, 2008–2011) 1090:The Great Comic Book Artists, Volume 2 1085:, which was written by Steve Purcell. 6144: 5936:from the original on October 30, 2013 5324:Kaplan, Rebecca O. (April 18, 2022). 5158:from the original on January 7, 2012. 4987:from the original on February 4, 2010 4915: 4913: 4743:from the original on October 24, 2013 4543:"Marvel Super-Heroes Secret Wars #12" 4284:Siuntres, John (September 11, 2013). 4245:Modern Masters Volume 6: Arthur Adams 4043:from the original on November 3, 2013 2379:#9: "The Lady and the Unicorn" (with 2034:a good character; and enjoys drawing 1225:#18 (December 1994). In 1995 he drew 758: 6356:Jorge Corona / Greg Smallwood (2015) 6117:Russ Manning Most Promising Newcomer 6048:at the Comic Book DB (archived from 5966:from the original on January 3, 2022 4855:Adams, Arthur. "Into the Terminus", 4613:from the original on August 24, 2024 4583:from the original on August 24, 2024 4553:from the original on August 24, 2024 4523:from the original on August 24, 2024 4305: 3957: 1895:cameo appearances in the backgrounds 1843:", which he considers his best work. 1731:under its originally intended name. 1707:Adams at the 2018 Phoenix Comic Fest 1396:In 1996 Dark Horse Comics published 1096:1990s monster and creator-owned work 148:(born April 5, 1963) is an American 6365:Hamish Steele / Pablo Tunica (2018) 5985:Johnston, Rich (January 29, 2003). 5827:Michaels, Dave (December 9, 2012). 5806:Ching, Albert (February 28, 2012). 5704:"Exclusive Ed McGuinness Interview" 5532:from the original on March 30, 2024 5473: 5396:from the original on April 20, 2022 5363:from the original on April 26, 2022 5336:from the original on April 18, 2022 5215:from the original on March 15, 2017 5203:Wickline, Dan (February 21, 2016). 5058:Adams, Arthur (November 28, 2020). 4472: 3206:Leonard Nimoy's Primortals: Origins 2855:(with Jeph Loeb, Marvel, 2010–2011) 2847:#7–9 (with Jeph Loeb, Marvel, 2008) 2688:#34: "I Want My Mommaaaaa!!" (with 1801:Comics for Ukraine: Sunflower Seeds 1011:Diversification and experimentation 13: 6439:People from Holyoke, Massachusetts 6404:21st-century American male artists 6399:20th-century American male artists 5743:from the original on May 23, 2012. 5628:Burgas, Greg (November 25, 2014). 5305:from the original on July 20, 2019 4975:Phegley, Kiel (October 12, 2009). 4910: 4859:#2, August 1996, Dark Horse Comics 4805:Khouri, Andy (February 16, 2012). 4685:Kubert, Brian Bolland, and others. 4412:"Comic Book Legends Revealed #456" 4410:Cronin, Brian (January 31, 2014). 3244:The Real Adventures of Jonny Quest 2363:#400: "Resurrection Night!" (with 2232:Ghidorah, the Three-Headed Monster 2229:, and his other favorites include 1788:In February 2020, Marvel released 896:, a 1985 book intended to benefit 776:. Potts and his assistant editor, 14: 6460: 6444:People from Vacaville, California 6065:at Mike's Amazing World of Comics 6005: 5960:San Diego Comic-Con International 5930:San Diego Comic-Con International 5897:Johnston, Rich (March 23, 2019). 5670:#41 (January 1995). pp 125 - 126. 5615:Tabu, Hannibal (March 16, 2008). 5453:Hassan, Chris (August 19, 2019). 5415:Rahan, Kaleon (October 4, 2017). 5266:Wickline, Dan (October 5, 2016). 5006:Burlingame, Russ (July 9, 2014). 4152:Hassan, Chris (August 15, 2017). 3921:#22-25, 29-37 (Marvel, 2012–2013) 3128:#1 (Comics' Greatest World, 1994) 1645:#1, and later illustrated a Hulk/ 1169:he loved in his youth. His first 6012: 5808:"Artist Nick Bradshaw's Path to 5680:Cronin, Brian (March 13, 2020). 5617:"WWLA: Ultimates Directors' Cut" 5585:Henehan, Billy (July 17, 2020). 5518:"When Words Collide: Art Adams' 5355:Brooke, David (April 18, 2022). 5297:Johnston, Rich (July 19, 2019). 4920:Collis, Clark (August 8, 2006). 4717:Despite decades of publication, 3848:Captain America: Man Out of Time 3840:Avengers: The Children's Crusade 3452:X-Men: The Movie Special Edition 2725:: "Delusions of Grandeur" (with 2293: 2172: 1813:2022 Russian invasion of Ukraine 1666: 271:, through which Adams published 5978: 5948: 5918: 5890: 5864: 5821: 5800: 5782:"Talking Art with Arthur Adams" 5773: 5702:Bailey, Neal (March 31, 2004). 5696: 5673: 5652:Krug, Kurt A. (February 2009). 5622: 5609: 5578: 5544: 5408: 5375: 5348: 5317: 5290: 5259: 5227: 5196: 5162: 5140: 5114: 5098:. July 15, 2019. Archived from 5084: 5051: 5039: 5026: 4999: 4968: 4946: 4888: 4862: 4849: 4833: 4819: 4799: 4755: 4690: 4657: 4625: 4595: 4565: 4535: 4505: 4479:(29). Raleigh, North Carolina: 4466: 4426: 3613:#814-821 (DC Comics, 2004–2005) 2798:The Many Worlds of Tesla Strong 2712:#2: "The Great Unknown!" (with 2429:: "Winter Fun Adventure" (with 2413:: "Summer Fun Adventure" (with 2288: 2241:. His favorite color is green. 2129:#298). Noting also that Adams' 2101:became known during his run on 1621:#67 - 72 in 2000 and 2001, and 1514:, and the character designs in 655:he was putting together called 5735:Callahan, Tim (May 21, 2012). 5716:Callahan, Tim (May 14, 2012). 4106: 3101:Comics' Greatest World: Vortex 3000:#7 (Genesis West Comics, 1989) 2831:, co-feature, DC Comics, 2008) 2773:(uncredited), Wildstorm, 2002) 1926:Three Dimensional Alien Worlds 1402:Creature from the Black Lagoon 1278:, a duo similar in concept to 1236:Creature from the Black Lagoon 484:Creature from the Black Lagoon 231:Creature from the Black Lagoon 1: 5844:Scott, E.J. (July 31, 2017). 5382:Kit, Borys (April 20, 2022). 4872:. Bam! Kapow!. Archived from 4870:"Hellboy II: The Golden Army" 3950: 3832:Warlord of Mars: Dejah Thoris 3275:#1, 6 (Dark Horse, 1998–1999) 3119:Classic Star Wars: A New Hope 2998:The Last of the Viking Heroes 2875: 2591:The Big Book of Urban Legends 2560:#80, 100, 118–119 (1993–1997) 2544:, one-shot, Dark Horse, 1993) 2002:#9 (October 2017), featuring 1713:Gumby's Arthur Adams Specials 1659:#1-5, his first work for the 1419: 1288:, whose name is a tribute to 1198:Godzilla vs. Mechagodzilla II 628: 524:#1, which was illustrated by 402: 5872:"5 Minutes With: Joyce Chin" 4302:Interview begins at 1:19:55. 4035:. No. 17. Raleigh, NC: 3085:Superman: Legacy of Superman 2674:: "Mauling" (one-shot, 1997) 2565:Hellboy: Seed of Destruction 2053: 1460:#1 (2000) and two issues of 1398:Art Adams' Creature Features 1357:Hellboy: Seed of Destruction 1346:appeared in installments in 674:, which he submitted to the 643:#1 (September 1985) by Adams 437:, which included stories by 7: 4513:"Marvel Fanfare (1982) #13" 4248:. Raleigh, North Carolina: 3899:#1-5 (IDW Publishing, 2011) 3803:#15, 25 (Marvel, 2010–2011) 3555:Tom Strong's Terrific Tales 3006:#1 (New Comics Group, 1989) 2903:Micronauts: The New Voyages 2778:Tom Strong's Terrific Tales 2745:vol. 2 #165: "Help!" (with 2702:#1–2 (with Bruce Jones and 1803:, a project spearheaded by 1799:'s benefit anthology book, 1489:Tom Strong's Terrific Tales 574:magazine and in particular 327:Tom Strong's Terrific Tales 10: 6465: 4701:. London, United Kingdom: 4668:. London, United Kingdom: 4636:. London, United Kingdom: 4440:. London, United Kingdom: 3463:#67-72 (Marvel, 2000–2001) 3236:Untold Tales of Spider-Man 3231:#13-14 (Tekno Comix, 1996) 3228:Leonard Nimoy's Primortals 2426:Gumby's Winter Fun Special 2410:Gumby's Summer Fun Special 2181:, whom he met at the 1996 2046:. He dislikes drawing the 1406:San Diego Comic Con Comics 1340:San Diego Comic Con Comics 1229:, and wrote issues 5–8 of 1083:Gumby's Winter Fun Special 1003:, both in 1989, and three 807:, Adams drew the cover of 471:on TV every Saturday, and 18: 16:American comic book artist 6178: 6129: 6113: 6105: 4027:"The Art of Arthur Adams" 3913:#1 (IDW Publishing, 2012) 3907:#1-12 (Marvel, 2011–2012) 3811:#2, 4 (Marvel, 2010–2011) 3696:The Search for Ray Palmer 3679:#1-12 (Marvel, 2007–2008) 3644:Justice League of America 3334:Purgatori: Goddess Rising 3057:Vampirella: Summer Nights 2956:#1–23 (Marvel, 1986–1988) 2824:Countdown to Final Crisis 2679:Gen/Monkeyman and O'Brien 2664:: "Generation Gap" (with 2552:(Dark Horse, 1993–1999): 2433:, one-shot, Comico, 1988) 2247: 623: 288:Gen/Monkeyman and O'Brien 116: 90: 73: 50: 35: 30: 6061:August 18, 2018, at the 4812:August 31, 2014, at the 4699:Batman: A Visual History 4573:"Secret Wars (1984) #12" 4114:"Arthur Adams (b. 1963)" 3827:#1-2 (Marvel, 2010–2011) 3735:vol. 3 #6 (Marvel, 2008) 3272:Buffy the Vampire Slayer 2972:#214, 218 (Marvel, 1987) 2006:, which was a homage to 1807:Special Projects Editor 1612:Buffy the Vampire Slayer 1049:Gumby Summer Fun Special 637:Cover to Marvel Comics' 434:Marvel Treasury Grab-Bag 136:Gumby Summer Fun Special 6414:American comics writers 6409:American comics artists 6317:R. Kikuo Johnson (2006) 6075:Art Adams Image Gallery 5810:Wolverine and the X-Men 3727:#113-115 (Marvel, 2008) 3724:The Incredible Hercules 3668:Tales of the Unexpected 3582:Wildguard: Casting Call 3515:Cavewoman: Pangaean Sea 3322:Lady Death: The Rapture 3309:#1-4 (Dark Horse, 1999) 3286:Clerks: Holiday Special 3168:#1-7 (Dark Horse, 1995) 3042:#247–249 (Marvel, 1991) 2964:#238–239 (Marvel, 1987) 2805:, among other artists, 2367:, among other artists, 1928:for Pacific Comics and 1837:Paolo Eleuteri Serpieri 1827:Technique and materials 1776:Guardians of the Galaxy 1717:Gumby's Spring Specials 1690:pasta. A recreation of 1502:Paolo Eleuteri Serpieri 1185:Monkeyman & O'Brien 1039:The Dark Knight Returns 970:encounters Spider-Man. 417:United States Air Force 366:Arthur Adams Sketchbook 330:, and his 2008 work on 6350:Russel Roehling (2013) 6326:Cathy Malkasian (2008) 6077:at Comic Art Community 5639:March 1, 2018, at the 5632:Marvel Comics Presents 5389:The Hollywood Reporter 4830:#57 (May 1996). p. 61. 3687:#1-2 (DC Comics, 2007) 3566:#1-6 (DC Comics, 2003) 3298:Darkchylde: The Legacy 3198:Godzilla vs. Hero Zero 3106:Comics' Greatest World 3096:#11 (Dark Horse, 1993) 3069:Marvel Holiday Special 3004:Tommy and the Monsters 2503:Godzilla Color Special 2483:Marvel Holiday Special 2463:Excalibur: Mojo Mayhem 2226:Godzilla vs. The Thing 2188:Xena: Warrior Princess 2133:pencils were inked by 2126:The Amazing Spider-Man 2085:. Timothy Callahan of 2070: 1890:Excalibur: Mojo Mayhem 1844: 1762:Dynamite Entertainment 1708: 1606:Xena: Warrior Princess 1440: 1387:/MonkeyMan and O'Brien 1334:, the creators formed 1261: 1227:Godzilla vs. Hero Zero 1211:King Kong vs. Godzilla 1176:Godzilla Color Special 1000:Excalibur: Mojo Mayhem 862: 843: 644: 542: 409:Holyoke, Massachusetts 297:#41 (September 1997). 67:Holyoke, Massachusetts 6368:Lorena Alvarez (2019) 6275:Matt VanderPol (1998) 6041:Grand Comics Database 5784:. POPCulture Online. 5780:Chen, KangYi (2017). 5522:- Image Is Something" 5243:. February 23, 2016. 4904:Grand Comics Database 4857:Monkeyman and O'Brien 4841:Monkeyman and O'Brien 4778:(December 22, 2014). 4547:Grand Comics Database 4481:TwoMorrows Publishing 4250:TwoMorrows Publishing 4118:Grand Comics Database 4037:TwoMorrows Publishing 3835:#1-5 (Dynamite, 2011) 3783:#10-12 (Marvel, 2009) 3655:#26 (DC Comics, 2007) 3542:#29 (Wildstorm, 2002) 3427:America's Best Comics 3391:#11 (DC Comics, 1999) 3382:#12 (DC Comics, 1999) 3355:#23 (DC Comics, 1999) 3255:#1 (Dark Horse, 1998) 3247:#9 (Dark Horse, 1997) 3201:#1 (Dark Horse, 1995) 3136:#2 (Dark Horse, 1994) 3122:#1 (Dark Horse, 1994) 3114:#7 (Dark Horse, 1994) 2940:#38–39 (Marvel, 1986) 2801:(with Alan Moore and 2791:America's Best Comics 2626:#1: "Warchild" (with 2573:Monkeyman and O'Brien 2549:Monkeyman and O'Brien 2061: 2014:#50 (November 1968). 1940:non-photo blue pencil 1834: 1821:Monkeyman And O'Brien 1706: 1663:line of comic books. 1451:America's Best Comics 1427: 1391:Wildstorm Productions 1370:Monkeyman and O'Brien 1344:Monkeyman and O'Brien 1275:Monkeyman and O'Brien 1249:Monkeyman and O'Brien 1245: 1005:Uncanny X-Men Annuals 848: 835: 819:, which was inked by 688:That series' editor, 636: 530: 429:Travis Air Force Base 425:Vacaville, California 322:Wildstorm Productions 279:Monkeyman and O'Brien 274:Monkeyman and O'Brien 110:Monkeyman and O'Brien 6449:Inkpot Award winners 6434:Marvel Comics people 6424:Eisner Award winners 6374:Zoe Thorogood (2023) 6371:Luana Vecchio (2022) 6225:Richard Piers Rayner 5962:. December 6, 2012. 5706:. Superman Homepage. 5655:Comics Buyer's Guide 5150:(December 5, 2011). 5128:on November 29, 2020 5102:on November 29, 2020 5072:on December 24, 2021 4958:Lambiek Comiclopedia 4927:Entertainment Weekly 4603:"Longshot (1985) #1" 4093:Kraft, David Anthony 3880:Journey into Mystery 3703:#1 (DC Comics, 2007) 3671:#7 (DC Comics, 2007) 3663:#2 (Wildstorm, 2007) 3647:#5 (DC Comics, 2007) 3639:#1 (Wildstorm, 2006) 3631:#1 (Wildstorm, 2006) 3550:#1 (Wildstorm, 2002) 3409:#2 (DC Comics, 1999) 3400:#8 (DC Comics, 1999) 3373:#8 (DC Comics, 1999) 3364:#5 (DC Comics, 1999) 3346:#3 (DC Comics, 1999) 3317:#1 (Wildstorm, 1999) 3088:#1 (DC Comics, 1993) 3080:#1 (DC Comics, 1993) 2817:Action Comics Annual 2596:Robert Loren Fleming 2515:Creepy 1993 Fearbook 2478:, Marvel, 1990–1991) 2401:#1: "Skeeter" (with 2210:Brian Michael Bendis 2087:Comic Book Resources 1942:, sometimes using a 1694:'s classic cover to 1683:PlayStation Magazine 1468:September 11 attacks 884:Uncanny X-Men Annual 672:1976 swimsuit poster 6353:Aaron Conley (2014) 6341:Nate Simpson (2011) 6278:Jay Anacleto (1999) 6272:Walt Holcomb (1997) 6085:Library of Congress 3929:#1-5 (Marvel, 2013) 3883:#622 (Marvel, 2011) 3875:#154 (Marvel, 2011) 3808:New Mutants Forever 3719:#112 (Marvel, 2008) 3716:The Incredible Hulk 3563:JLA: Scary Monsters 3447:#100 (Marvel, 2000) 3046:Animal Confidential 3039:Conan the Barbarian 3031:Marvel Super-Heroes 2914:#142 (Marvel, 1985) 2898:#141 (Marvel, 1984) 2706:, Dark Horse, 1997) 2557:Dark Horse Presents 2491:Armageddon: Inferno 2183:San Diego Comic-Con 1760:. Later that year, 1692:Barry Windsor-Smith 1624:Incredible Hercules 1572:JLA: Scary Monsters 1362:Marvel Monsterworks 1348:Dark Horse Presents 962:#2 (1986) in which 949:Oakland, California 715:, Adams included a 697:Creation Convention 560:. Adams also cites 546:Barry Windsor-Smith 6362:Anne Szabla (2017) 5993:. Dynamic Forces. 5874:. Dynamic Forces. 5692:on March 14, 2020. 4960:. April 14, 2012. 4816:. Comics Alliance. 4703:Dorling Kindersley 4670:Dorling Kindersley 4638:Dorling Kindersley 4442:Dorling Kindersley 4384:St. Martin's Press 4292:on January 3, 2014 3926:Battle of the Atom 3891:#43 (Marvel, 2011) 3692:Countdown Presents 3599:#1 (Top Cow, 2004) 3577:#1 (Top Cow, 2003) 3502:#50 (Marvel, 2001) 3494:'00 (Marvel, 2000) 3301:#2-3 (Image, 1998) 3239:#17 (Marvel, 1996) 3072:'92 (Marvel, 1993) 3011:Appleseed Book Two 2871:#25 (Marvel, 2014) 2852:Ultimate Comics: X 2749:, DC Comics, 2001) 2716:, DC Comics, 1998) 2568:(co-feature, 1994) 2498:, DC Comics, 1992) 2446:, DC Comics, 1988) 2405:, DC Comics, 1987) 2300:Three Dimensional 2276:Summer Fun Special 2137:and an uncredited 2071: 2067:New York Comic Con 1936:illustration board 1845: 1709: 1441: 1410:Dark Horse Insider 1352:Dark Horse Insider 1292:'s character from 1286:Ann Darrow O'Brien 1262: 1221:story he drew for 1167:Universal Monsters 863: 750:Three Dimensional 741:Bizarre Adventures 649:comics conventions 645: 195:Ultimate Comics: X 121:Russ Manning Award 44:East Coast Comicon 42:Adams at the 2015 6381: 6380: 6336:Marian Churchland 6139: 6138: 6130:Succeeded by 5991:Waiting For Tommy 5301:. Bleeding Cool. 5154:. Bleeding Cool. 5010:. ComicBook.com. 4845:Dark Horse Comics 4679:978-0-7566-6742-9 4647:978-0-7566-9236-0 4451:978-0-7566-4123-8 4393:978-0-312-01768-2 4346:. pp. 22–25. 4259:978-1-893905-54-2 4103:. pp. 16–27. 4032:Comic Book Artist 3946:#9 (Marvel, 2023) 3938:#1 (Marvel, 2014) 3896:Godzilla: Legends 3888:Astonishing X-Men 3867:#5 (Marvel, 2011) 3859:#6 (Marvel, 2011) 3851:#1 (Marvel, 2011) 3843:#3 (Marvel, 2011) 3819:#2 (Marvel, 2010) 3775:#1 (Marvel, 2009) 3767:#0, 4 (2008–2009) 3751:#50 (Image, 2008) 3527:Angel and the Ape 3510:#2 (Marvel, 2001) 3455:#1 (Marvel, 2000) 3405:Martian Manhunter 3337:#1 (Chaos!, 1999) 3112:Out of the Vortex 3093:Dark Horse Comics 3050:Dark Horse Comics 2994:#4 (Marvel, 1988) 2948:#3 (Marvel, 1986) 2932:#9 (Marvel, 1985) 2906:#2 (Marvel, 1984) 2727:J. Scott Campbell 2699:Starship Troopers 2668:, one-shot, 1997) 2388:Web of Spider-Man 2265:Best Single Issue 2147:J. Scott Campbell 2120:Web of Spider-Man 2063:J. Scott Campbell 1978:Pigment Liner, a 1594:Madman Adventures 1506:Warren Publishing 1281:Angel and the Ape 1254:Dark Horse Comics 1231:Target: Godzilla! 1163:Dark Horse Comics 1079:Best Single Issue 1021:#400 in 1986 and 997:and the one-shot 979:The Uncanny X-Men 958:Web of Spider-Man 924:'s 1983 cover of 618:community theater 473:Universal Monster 468:Creature Features 397:J. Scott Campbell 269:Dark Horse Comics 246:Best Single Issue 165:The Uncanny X-Men 150:comic book artist 143: 142: 104:The Uncanny X-Men 6456: 6419:DC Comics people 6267:Alexander Maleev 6165: 6158: 6151: 6142: 6141: 6106:Preceded by 6103: 6102: 6033: 6032: 6030:Official website 6022: 6017: 6016: 5999: 5998: 5982: 5976: 5975: 5973: 5971: 5952: 5946: 5945: 5943: 5941: 5922: 5916: 5915: 5913: 5911: 5894: 5888: 5887: 5885: 5883: 5868: 5862: 5861: 5859: 5857: 5841: 5832: 5825: 5819: 5804: 5798: 5797: 5795: 5793: 5777: 5771: 5770: 5768: 5766: 5751: 5745: 5744: 5732: 5726: 5725: 5713: 5707: 5700: 5694: 5693: 5688:. 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Archived from 5055: 5049: 5043: 5037: 5030: 5024: 5023: 5021: 5019: 5003: 4997: 4996: 4994: 4992: 4972: 4966: 4965: 4950: 4944: 4943: 4941: 4939: 4917: 4908: 4907: 4892: 4886: 4885: 4883: 4881: 4866: 4860: 4853: 4847: 4837: 4831: 4823: 4817: 4803: 4797: 4795: 4789: 4787: 4772: 4763: 4759: 4753: 4752: 4750: 4748: 4733: 4724: 4723: 4694: 4688: 4687: 4661: 4655: 4654: 4629: 4623: 4622: 4620: 4618: 4599: 4593: 4592: 4590: 4588: 4569: 4563: 4562: 4560: 4558: 4539: 4533: 4532: 4530: 4528: 4509: 4503: 4494: 4485: 4484: 4470: 4464: 4463: 4430: 4424: 4423: 4407: 4398: 4397: 4381: 4368: 4347: 4340: 4303: 4301: 4299: 4297: 4281: 4264: 4263: 4239: 4170: 4169: 4167: 4165: 4149: 4134: 4133: 4131: 4129: 4110: 4104: 4101:Fictioneer Books 4097:Comics Interview 4090: 4067: 4066: 4060: 4052: 4050: 4048: 4022: 3934:Uncanny Avengers 3759:#7 (Image, 2008) 3743:#1 (Image, 2008) 3740:The Perhapanauts 3676:Avengers Classic 3605:#1 (Image, 2004) 3585:#3 (Image, 2003) 3417:#4 (Image, 1999) 3281:#1 (Image, 1998) 2662:Gen/Generation X 2584:#1–7 (1998–1999) 2581:Dark Horse Extra 2376:Cloak and Dagger 2193:Portland, Oregon 2159:Shelby Robertson 1884:Cloak and Dagger 1880: 1879: 1875: 1870: 1869: 1865: 1729:Mile High Comics 1528:System of a Down 1433:System of a Down 1350:#80 in 1993 and 1318:. Together with 1209:works, such as " 1158:action figures. 1114:, Wolverine and 918:Bernie Wrightson 562:Bill Sienkiewicz 554:Bernie Wrightson 374:System of a Down 337:Avengers Classic 76: 64: 60: 58: 40: 28: 27: 6464: 6463: 6459: 6458: 6457: 6455: 6454: 6453: 6384: 6383: 6382: 6377: 6359:Dan Mora (2016) 6174: 6169: 6135: 6126: 6120: 6111: 6063:Wayback Machine 6028: 6027: 6018: 6011: 6008: 6003: 6002: 5983: 5979: 5969: 5967: 5954: 5953: 5949: 5939: 5937: 5926:"Manning Award" 5924: 5923: 5919: 5909: 5907: 5895: 5891: 5881: 5879: 5870: 5869: 5865: 5855: 5853: 5848:. EJScott.com. 5842: 5835: 5826: 5822: 5818:on May 5, 2017. 5805: 5801: 5791: 5789: 5778: 5774: 5764: 5762: 5753: 5752: 5748: 5733: 5729: 5714: 5710: 5701: 5697: 5678: 5674: 5666: 5662: 5651: 5647: 5641:Wayback Machine 5627: 5623: 5614: 5610: 5600: 5598: 5583: 5579: 5569: 5567: 5549: 5545: 5535: 5533: 5514: 5507: 5493: 5491: 5481: 5474: 5464: 5462: 5451: 5442: 5432: 5430: 5413: 5409: 5399: 5397: 5380: 5376: 5366: 5364: 5353: 5349: 5339: 5337: 5322: 5318: 5308: 5306: 5295: 5291: 5281: 5279: 5264: 5260: 5250: 5248: 5233: 5232: 5228: 5218: 5216: 5201: 5197: 5187: 5185: 5168: 5167: 5163: 5145: 5141: 5131: 5129: 5120: 5119: 5115: 5105: 5103: 5090: 5089: 5085: 5075: 5073: 5056: 5052: 5046:"Merchandising" 5044: 5040: 5031: 5027: 5017: 5015: 5004: 5000: 4990: 4988: 4973: 4969: 4952: 4951: 4947: 4937: 4935: 4918: 4911: 4894: 4893: 4889: 4879: 4877: 4876:on July 7, 2011 4868: 4867: 4863: 4854: 4850: 4843:#1, July 1996, 4838: 4834: 4824: 4820: 4814:Wayback Machine 4804: 4800: 4785: 4783: 4773: 4766: 4760: 4756: 4746: 4744: 4735: 4734: 4727: 4713: 4705:. p. 169. 4695: 4691: 4680: 4672:. p. 221. 4662: 4658: 4648: 4640:. p. 157. 4630: 4626: 4616: 4614: 4601: 4600: 4596: 4586: 4584: 4571: 4570: 4566: 4556: 4554: 4541: 4540: 4536: 4526: 4524: 4511: 4510: 4506: 4495: 4488: 4471: 4467: 4452: 4444:. p. 222. 4431: 4427: 4408: 4401: 4394: 4369: 4350: 4341: 4306: 4295: 4293: 4282: 4267: 4260: 4240: 4173: 4163: 4161: 4150: 4137: 4127: 4125: 4112: 4111: 4107: 4091: 4070: 4054: 4053: 4046: 4044: 4023: 3958: 3953: 3918:Secret Avengers 3772:Agents of Atlas 3158:Extreme Studios 2937:The New Mutants 2921:Special Edition 2919:The New Mutants 2878: 2628:Eric Stephenson 2518:: "Bugs" (with 2476:Walter Simonson 2474:#347–349 (with 2458:, Marvel, 1989) 2456:Louise Simonson 2383:, Marvel, 1986) 2346:, Marvel, 1985) 2344:Chris Claremont 2340:Special Edition 2296: 2291: 2250: 2175: 2135:Whilce Portacio 2056: 1960:Whilce Portacio 1949:Number 2 pencil 1908:The New Mutants 1877: 1873: 1872: 1867: 1863: 1862: 1859:Walter Simonson 1829: 1719:. According to 1669: 1661:Ultimate Marvel 1630:Superman/Batman 1422: 1364:reprint of the 1256:as part of the 1120:Walter Simonson 1106:, in which the 1098: 1013: 975:The New Mutants 893:Heroes for Hope 880:Special Edition 873:Chris Claremont 797:Louise Simonson 780:, sent Adams a 767: 705:Chris Claremont 631: 626: 610:Masamune Shirow 586:Louise Simonson 576:Walter Simonson 475:movies such as 465:after watching 405: 306:Walter Simonson 139: 132: 128: 123: 93: 74: 65: 62: 56: 54: 46: 24: 17: 12: 11: 5: 6462: 6452: 6451: 6446: 6441: 6436: 6431: 6426: 6421: 6416: 6411: 6406: 6401: 6396: 6379: 6378: 6376: 6375: 6372: 6369: 6366: 6363: 6360: 6357: 6354: 6351: 6348: 6342: 6339: 6333: 6327: 6324: 6321:David Petersen 6318: 6315: 6309: 6303: 6297: 6291: 6285: 6279: 6276: 6273: 6270: 6264: 6261:Edvin Biuković 6258: 6252: 6246: 6240: 6234: 6228: 6222: 6216: 6210: 6204: 6198: 6192: 6186: 6179: 6176: 6175: 6168: 6167: 6160: 6153: 6145: 6137: 6136: 6131: 6128: 6112: 6107: 6101: 6100: 6088: 6078: 6072: 6066: 6053: 6043: 6034: 6024: 6023: 6007: 6006:External links 6004: 6001: 6000: 5977: 5956:"Inkpot Award" 5947: 5917: 5889: 5863: 5833: 5820: 5799: 5772: 5746: 5727: 5708: 5695: 5672: 5660: 5645: 5621: 5608: 5577: 5543: 5505: 5472: 5440: 5407: 5374: 5347: 5316: 5289: 5258: 5226: 5195: 5161: 5148:Johnston, Rich 5139: 5113: 5083: 5050: 5038: 5025: 4998: 4967: 4945: 4909: 4887: 4861: 4848: 4832: 4818: 4798: 4776:Weiland, Jonah 4764: 4754: 4725: 4712:978-1465424563 4711: 4689: 4678: 4656: 4646: 4624: 4594: 4564: 4534: 4504: 4486: 4465: 4450: 4425: 4399: 4392: 4348: 4304: 4265: 4258: 4171: 4135: 4105: 4068: 3955: 3954: 3952: 3949: 3948: 3947: 3943:Immortal X-Men 3939: 3930: 3922: 3914: 3908: 3900: 3892: 3884: 3876: 3868: 3864:Avengers Prime 3860: 3852: 3844: 3836: 3828: 3820: 3812: 3804: 3796: 3793:IDW Publishing 3784: 3776: 3768: 3760: 3752: 3744: 3736: 3728: 3720: 3712: 3708:Fantastic Four 3704: 3688: 3680: 3672: 3664: 3656: 3648: 3640: 3632: 3626: 3621:#1-2, 25, 50 ( 3614: 3606: 3600: 3586: 3578: 3567: 3559: 3551: 3543: 3535: 3523: 3511: 3503: 3495: 3486: 3476: 3464: 3456: 3448: 3440: 3430: 3418: 3410: 3401: 3392: 3383: 3374: 3365: 3356: 3347: 3338: 3330: 3318: 3310: 3302: 3294: 3282: 3279:Daring Escapes 3276: 3268: 3256: 3248: 3240: 3232: 3224: 3214: 3202: 3194: 3181: 3169: 3161: 3149: 3137: 3133:Medal of Honor 3129: 3123: 3115: 3109: 3097: 3089: 3081: 3073: 3065: 3053: 3043: 3035: 3027: 3026:(Marvel, 1990) 3019: 3016:Eclipse Comics 3007: 3001: 2995: 2986: 2973: 2965: 2957: 2949: 2941: 2933: 2924: 2923:(Marvel, 1985) 2915: 2907: 2899: 2895:Marvel Team-Up 2891: 2883:Marvel Fanfare 2877: 2874: 2873: 2872: 2864: 2856: 2848: 2840: 2836:King-Size Hulk 2832: 2820: 2814: 2803:Peter K. Hogan 2794: 2774: 2771:Grant Morrison 2758: 2750: 2738: 2717: 2707: 2695: 2694: 2693: 2683: 2675: 2672:Gen 3D Special 2669: 2658:, 1997–1998): 2647: 2635: 2632:Extreme Comics 2619: 2603: 2587: 2586: 2585: 2577: 2569: 2561: 2545: 2533: 2527: 2511: 2499: 2496:John Ostrander 2494:#1, 3–4 (with 2487: 2479: 2471:Fantastic Four 2467: 2459: 2447: 2434: 2422: 2406: 2393: 2384: 2372: 2356: 2347: 2334: 2318: 2315:Pacific Comics 2295: 2292: 2290: 2287: 2286: 2285: 2279: 2257: 2249: 2246: 2208:#41 by writer 2205:Ultimate X-Men 2174: 2171: 2163:Olivier Coipel 2139:Scott Williams 2099:Todd McFarlane 2055: 2052: 1854:Fantastic Four 1828: 1825: 1805:IDW Publishing 1754:Martin Shkreli 1746:Vladimir Putin 1668: 1665: 1643:King-Size Hulk 1421: 1418: 1300:Willis O'Brien 1103:Fantastic Four 1097: 1094: 1012: 1009: 908:, and artists 902:Harlan Ellison 830:Amazing Heroes 810:Marvel Fanfare 766: 757: 746:Pacific Comics 732:Joe Rubinstein 701:Steve Leialoha 668:Farrah Fawcett 630: 627: 625: 622: 601:Fantastic Four 526:Michael Golden 513:paleontologist 509:Frank Frazetta 404: 401: 302:Michael Golden 183:Fantastic Four 141: 140: 118: 114: 113: 94: 91: 88: 87: 77: 71: 70: 52: 48: 47: 41: 33: 32: 15: 9: 6: 4: 3: 2: 6461: 6450: 6447: 6445: 6442: 6440: 6437: 6435: 6432: 6430: 6429:Living people 6427: 6425: 6422: 6420: 6417: 6415: 6412: 6410: 6407: 6405: 6402: 6400: 6397: 6395: 6392: 6391: 6389: 6373: 6370: 6367: 6364: 6361: 6358: 6355: 6352: 6349: 6346: 6343: 6340: 6337: 6334: 6331: 6330:Eleanor Davis 6328: 6325: 6322: 6319: 6316: 6313: 6310: 6307: 6304: 6301: 6298: 6295: 6292: 6289: 6288:Goran Sudžuka 6286: 6283: 6280: 6277: 6274: 6271: 6268: 6265: 6262: 6259: 6256: 6253: 6250: 6247: 6244: 6241: 6238: 6235: 6232: 6229: 6226: 6223: 6220: 6219:Kevin Maguire 6217: 6214: 6213:Eric Shanower 6211: 6208: 6205: 6202: 6201:Scott McCloud 6199: 6196: 6193: 6190: 6187: 6184: 6181: 6180: 6177: 6173: 6166: 6161: 6159: 6154: 6152: 6147: 6146: 6143: 6134: 6133:Eric Shanower 6125: 6123: 6118: 6110: 6109:Scott McCloud 6104: 6099: 6098: 6097:Jakarta Globe 6093: 6089: 6086: 6082: 6079: 6076: 6073: 6070: 6067: 6064: 6060: 6057: 6054: 6051: 6047: 6044: 6042: 6038: 6035: 6031: 6026: 6025: 6021: 6020:Comics portal 6015: 6010: 5996: 5992: 5988: 5981: 5965: 5961: 5957: 5951: 5935: 5931: 5927: 5921: 5906: 5905: 5904:Bleeding Cool 5900: 5893: 5877: 5873: 5867: 5851: 5847: 5840: 5838: 5830: 5824: 5817: 5814:. Newsarama. 5813: 5811: 5803: 5787: 5783: 5776: 5760: 5756: 5750: 5742: 5738: 5731: 5723: 5719: 5712: 5705: 5699: 5691: 5687: 5683: 5676: 5669: 5664: 5658:#1650. p 118. 5657: 5656: 5649: 5642: 5638: 5635: 5633: 5625: 5618: 5612: 5596: 5592: 5588: 5581: 5565: 5561: 5557: 5553: 5547: 5531: 5527: 5523: 5521: 5512: 5510: 5501: 5490: 5486: 5479: 5477: 5460: 5456: 5449: 5447: 5445: 5428: 5424: 5423: 5418: 5411: 5395: 5391: 5390: 5385: 5378: 5362: 5358: 5351: 5335: 5331: 5327: 5320: 5304: 5300: 5293: 5277: 5273: 5272:Bleeding Cool 5269: 5262: 5246: 5242: 5241: 5236: 5230: 5214: 5210: 5209:Bleeding Cool 5206: 5199: 5183: 5179: 5175: 5173: 5165: 5157: 5153: 5149: 5143: 5127: 5123: 5117: 5101: 5097: 5093: 5087: 5070: 5065: 5061: 5054: 5047: 5042: 5035: 5029: 5013: 5009: 5002: 4986: 4982: 4978: 4971: 4963: 4959: 4955: 4949: 4933: 4929: 4928: 4923: 4916: 4914: 4905: 4901: 4899: 4898:Savage Dragon 4891: 4875: 4871: 4865: 4858: 4852: 4846: 4842: 4836: 4829: 4828: 4822: 4815: 4811: 4808: 4802: 4793: 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3619: 3615: 3612: 3611: 3610:Action Comics 3607: 3604: 3601: 3598: 3597: 3594: 3591: 3587: 3584: 3583: 3579: 3576: 3575: 3572: 3568: 3565: 3564: 3560: 3557: 3556: 3552: 3549: 3548: 3544: 3541: 3540: 3539:The Authority 3536: 3533: 3529: 3528: 3524: 3521: 3517: 3516: 3512: 3509: 3508: 3504: 3501: 3500: 3496: 3493: 3491: 3487: 3484: 3480: 3477: 3474: 3470: 3469: 3465: 3462: 3461: 3457: 3454: 3453: 3449: 3446: 3445: 3441: 3438: 3434: 3431: 3428: 3424: 3423: 3419: 3416: 3415: 3411: 3408: 3406: 3402: 3399: 3397: 3396:Green Lantern 3393: 3390: 3388: 3384: 3381: 3379: 3375: 3372: 3370: 3366: 3363: 3361: 3357: 3354: 3352: 3348: 3345: 3343: 3339: 3336: 3335: 3331: 3328: 3324: 3323: 3319: 3316: 3315: 3311: 3308: 3307: 3303: 3300: 3299: 3295: 3292: 3288: 3287: 3283: 3280: 3277: 3274: 3273: 3269: 3266: 3262: 3261: 3257: 3254: 3253: 3249: 3246: 3245: 3241: 3238: 3237: 3233: 3230: 3229: 3225: 3222: 3218: 3215: 3212: 3208: 3207: 3203: 3200: 3199: 3195: 3192: 3188: 3186: 3182: 3179: 3178:Maximum Press 3175: 3174: 3170: 3167: 3166: 3162: 3159: 3155: 3154: 3150: 3147: 3143: 3142: 3138: 3135: 3134: 3130: 3127: 3124: 3121: 3120: 3116: 3113: 3110: 3107: 3103: 3102: 3098: 3095: 3094: 3090: 3087: 3086: 3082: 3079: 3078: 3074: 3071: 3070: 3066: 3063: 3062:Harris Comics 3059: 3058: 3054: 3051: 3047: 3044: 3041: 3040: 3036: 3033: 3032: 3028: 3025: 3024: 3020: 3017: 3013: 3012: 3008: 3005: 3002: 2999: 2996: 2993: 2991: 2987: 2984: 2980: 2978: 2974: 2971: 2970: 2969:Uncanny X-Men 2966: 2963: 2962: 2958: 2955: 2954: 2953:Classic X-Men 2950: 2947: 2946: 2942: 2939: 2938: 2934: 2931: 2929: 2925: 2922: 2920: 2916: 2913: 2912: 2911:The Defenders 2908: 2905: 2904: 2900: 2897: 2896: 2892: 2889: 2888:Marvel Comics 2885: 2884: 2880: 2879: 2870: 2869: 2868:All-New X-Men 2865: 2862: 2861: 2857: 2854: 2853: 2849: 2846: 2845: 2841: 2838: 2837: 2833: 2830: 2826: 2825: 2821: 2818: 2815: 2812: 2808: 2804: 2800: 2799: 2795: 2792: 2788: 2784: 2781:#1–4, 6–10: " 2780: 2779: 2775: 2772: 2768: 2764: 2763: 2762:The Authority 2759: 2756: 2755: 2751: 2748: 2744: 2743: 2739: 2736: 2732: 2731:Andy Hartnell 2728: 2724: 2722: 2718: 2715: 2711: 2708: 2705: 2701: 2700: 2696: 2691: 2687: 2684: 2681: 2680: 2676: 2673: 2670: 2667: 2663: 2660: 2659: 2657: 2653: 2652: 2648: 2645: 2641: 2640: 2639:Aliens: Havoc 2636: 2633: 2629: 2625: 2624: 2620: 2617: 2616:Caliber Press 2613: 2609: 2608: 2607:Negative Burn 2604: 2601: 2600:Paradox Press 2597: 2593: 2592: 2588: 2583: 2582: 2578: 2575: 2574: 2570: 2567: 2566: 2562: 2559: 2558: 2554: 2553: 2551: 2550: 2546: 2543: 2542:Steve Moncuse 2539: 2538: 2534: 2531: 2530:Urban Legends 2528: 2525: 2524:Harris Comics 2521: 2517: 2516: 2512: 2509: 2505: 2504: 2500: 2497: 2493: 2492: 2488: 2485: 2484: 2480: 2477: 2473: 2472: 2468: 2465: 2464: 2460: 2457: 2454:#41–42 (with 2453: 2452: 2448: 2445: 2441: 2439: 2435: 2432: 2431:Steve Purcell 2428: 2427: 2423: 2420: 2416: 2412: 2411: 2407: 2404: 2400: 2398: 2397:Action Comics 2394: 2391: 2389: 2385: 2382: 2378: 2377: 2373: 2370: 2366: 2362: 2361: 2357: 2354: 2352: 2351:Uncanny X-Men 2348: 2345: 2341: 2339: 2335: 2332: 2328: 2324: 2323: 2319: 2316: 2312: 2308: 2304: 2303: 2298: 2297: 2294:Interior work 2284: 2280: 2277: 2275: 2270: 2266: 2262: 2258: 2256: 2252: 2251: 2245: 2242: 2240: 2239: 2234: 2233: 2228: 2227: 2222: 2219:His favorite 2217: 2215: 2211: 2207: 2206: 2200: 2198: 2194: 2190: 2189: 2184: 2180: 2173:Personal life 2170: 2168: 2167:Nick Bradshaw 2164: 2160: 2156: 2152: 2151:Ed McGuinness 2148: 2144: 2143:Joe Madureira 2140: 2136: 2132: 2128: 2127: 2122: 2121: 2116: 2115: 2110: 2106: 2105: 2100: 2096: 2092: 2091:crosshatching 2088: 2084: 2080: 2076: 2068: 2064: 2060: 2051: 2049: 2045: 2041: 2037: 2033: 2030:; has called 2029: 2025: 2021: 2015: 2013: 2009: 2005: 2001: 2000: 1993: 1990: 1989: 1983: 1981: 1977: 1973: 1969: 1965: 1964:Dick Giordano 1961: 1956: 1954: 1950: 1945: 1941: 1937: 1933: 1932: 1931:The Authority 1927: 1923: 1922: 1917: 1912: 1910: 1909: 1904: 1900: 1896: 1892: 1891: 1886: 1885: 1860: 1856: 1855: 1850: 1842: 1838: 1833: 1824: 1822: 1816: 1814: 1810: 1809:Scott Dunbier 1806: 1802: 1798: 1797:Operation USA 1793: 1791: 1786: 1784: 1783: 1778: 1777: 1772: 1768: 1763: 1759: 1755: 1751: 1747: 1743: 1739: 1738: 1732: 1730: 1726: 1725:Bleeding Cool 1722: 1721:Rich Johnston 1718: 1714: 1705: 1701: 1699: 1698: 1693: 1689: 1688:Chef Boyardee 1685: 1684: 1678: 1676: 1675: 1667:2010s–present 1664: 1662: 1658: 1657: 1652: 1648: 1644: 1640: 1636: 1632: 1631: 1626: 1625: 1620: 1619: 1614: 1613: 1608: 1607: 1602: 1601: 1596: 1595: 1590: 1589: 1588:Jurassic Park 1584: 1583: 1578: 1574: 1573: 1568: 1567: 1562: 1561: 1556: 1551: 1549: 1545: 1544:Kevin Eastman 1541: 1537: 1533: 1532:John Dolmayan 1529: 1525: 1520: 1517: 1513: 1512: 1507: 1503: 1499: 1495: 1491: 1490: 1485: 1481: 1477: 1473: 1469: 1465: 1464: 1463:The Authority 1459: 1457: 1452: 1448: 1447: 1438: 1437:John Dolmayan 1434: 1430: 1426: 1417: 1415: 1411: 1407: 1403: 1399: 1394: 1392: 1388: 1386: 1381: 1380: 1379:Savage Dragon 1375: 1371: 1367: 1363: 1359: 1358: 1353: 1349: 1345: 1341: 1337: 1333: 1329: 1325: 1321: 1320:Paul Chadwick 1317: 1313: 1309: 1305: 1301: 1297: 1296: 1291: 1287: 1283: 1282: 1277: 1276: 1271: 1267: 1259: 1255: 1251: 1250: 1246:Cover art to 1244: 1240: 1238: 1237: 1232: 1228: 1224: 1223:Negative Burn 1220: 1216: 1215:Urban Legends 1212: 1208: 1204: 1203:Color Special 1200: 1199: 1194: 1190: 1186: 1182: 1178: 1177: 1172: 1168: 1164: 1159: 1157: 1153: 1152: 1148: 1143: 1142: 1137: 1136:Conan O'Brien 1133: 1129: 1125: 1121: 1117: 1113: 1109: 1105: 1104: 1093: 1091: 1086: 1084: 1080: 1076: 1071: 1067: 1063: 1059: 1055: 1054:Comico Comics 1051: 1050: 1045: 1044:Dick Giordano 1041: 1040: 1035: 1031: 1027: 1025: 1024:Action Comics 1020: 1019: 1008: 1006: 1002: 1001: 996: 995: 990: 989: 988:Classic X-Men 984: 983:frontispieces 980: 976: 971: 969: 965: 961: 959: 954: 953:Steve Purcell 950: 946: 944: 939: 935: 931: 930:Bob Budiansky 927: 926:Uncanny X-Men 923: 919: 915: 911: 907: 903: 899: 898:famine relief 895: 894: 889: 885: 881: 879: 874: 870: 869: 868:Uncanny X-Men 860: 856: 852: 847: 842: 839: 834: 832: 831: 826: 822: 818: 817: 812: 811: 806: 802: 798: 794: 790: 789: 783: 779: 775: 771: 765: 761: 756: 754: 753: 747: 743: 742: 737: 736:Dennis O'Neil 733: 728: 726: 725:Marvel Comics 722: 718: 714: 710: 706: 702: 698: 693: 691: 687: 686: 681: 677: 673: 669: 664: 662: 658: 654: 650: 642: 641: 635: 621: 619: 615: 611: 607: 603: 602: 597: 593: 592: 587: 583: 582: 577: 573: 572: 567: 563: 559: 555: 551: 547: 541: 539: 535: 529: 527: 523: 522: 516: 514: 510: 506: 505: 500: 498: 492: 491: 490:Super Friends 486: 485: 480: 479: 474: 470: 469: 464: 460: 456: 452: 448: 444: 440: 436: 435: 430: 426: 422: 421:West Virginia 418: 414: 410: 400: 398: 394: 390: 389:Ed McGuinness 386: 385:Joe Madureira 381: 379: 378:John Dolmayan 375: 371: 367: 363: 362: 357: 356: 351: 350: 345: 344: 339: 338: 333: 329: 328: 323: 319: 315: 311: 307: 303: 298: 296: 295: 294:Savage Dragon 290: 289: 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