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The movie's third act melts into a series of random twists involving death, multiple acts of vengeance and other peculiar developments, some of which are left unresolved. Even then, however, the wacky, unruly plot has a consistent through line: Tukel invests most of his narrative making terrible
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As the principal instigator, Tukel bestows Ron with an outsize share of unpleasant qualities that are elaborated with a tiresomely repetitive performance that draws the supporting cast into a diminishing spiral of criticism and retribution. Their sometimes vague motivations and a series of
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as "Onur Tukel's latest and most accomplished microbudget exercise in cynical absurdism" and added, "With its sarcastic dialogue, deadpan humor, believably flawed characters and surreal logic, 'Applesauce' may expand Tukel's growing indie fan base into niche release." Eric Kohn of
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criticized the script for possessing "an unfavorable view of human nature that it’s difficult to identify any likeable characters, most of whom are constantly scheming to manipulate and discredit one another." He
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implausible plot developments are further off-putting factors periodically derailing the narrative, which consistently struggles to connect, despite the film’s passable indie-production aesthetic.
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people objects of ridicule, with a final punchline suggesting that, in the game of life, everyone's stuck on one side or the other of the same bad joke.
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received a positive response from critics. The film holds a 71% positive "Fresh" rating on the review aggregator
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gave the film a modest "B" rating, calling it a "spot-on urban satire." He further wrote:
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568:Categories
554:Applesauce
368:References
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319:Applesauce
287:Applesauce
245:Onur Tukel
199:Onur Tukel
193:is a 2015
190:Applesauce
166:91 minutes
145:2015-04-19
110:Onur Tukel
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60:Matt Grady
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49:Written by
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22:Applesauce
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303:DVD
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
