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Antoine Mariotte

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to acquire the rights. Wilde's particularly complicated estate led to a court case that favoured the rights of Fürstner. Mariotte learnt that Fürstner would oppose the production of a "Salomé française" and after going to
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Mariotte's works use a wide range of operatic effects with particularly striking choral writing. He displayed a robust temperament in both tragedy and lighter music.
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Due to his mother's health, he went back to Saint-Étienne and taught piano and became an organist, also directing the symphonic society; he also wrote an
522: 126:, who found him work as a pianist at the home of the comte de Chambrun, to whom he played each day for precisely 60 minutes, in particular the 32 183:, helped him to obtain a more generous settlement from Strauss. On 30 October 1908, Mariotte's opera was produced at the Grand-Théâtre de 517: 507: 69:. While still split between the life of a sailor and musician, he worked away on harmony. He took part in campaigns on board the 412: 335:
in 1921, which depict the hard human and physical nature of Paris in expressive and sometimes violent means. There was also a
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where finally, thanks to Admiral Gervais, he had a piano. On six months leave he followed a course at the Conservatoire by
293:, a three-act tragédie lyrique after André Dumas and Sébastien-Charles Leconte was created at the Opéra on 28 April 1925, 512: 89:, initially written for the piano, but later orchestrated and performed at the Concerts Poulet on 29 January 1923 ( 497: 487: 492: 339:— a "sketch for harp and orchestra", part of an unfinished sea symphony, a sonata for piano and some songs. 229:. In November 2005 the Opera National de Montpellier juxtaposed the Strauss and Mariotte operas. Mariotte's 282:
on a libretto by RĂ©my de Gourmont, which, despite a successful launch, failed after its third performance.
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premiered at the Théâtre Trianon Lyrique on 25 May 1924 and was published later that year.
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and 10% to FĂĽrstner, with all scores to be sent after the run to FĂĽrstner to be destroyed.
171:, he obtained permission to have his piece staged, on condition that 40% royalties went to 131: 298: 249: 150: 8: 386: 115: 301:' in 4 acts) was seen at the Opéra-Comique on 15 February 1935 and revived in 1938, and 355: 188: 155: 65:, he wrote to a friend that he missed music and if he had the means he would go to the 226: 163: 123: 332: 306: 253: 118:. After prolonging his absence, he resigned from the navy in 1897. He entered the 55: 172: 159: 74: 193: 176: 471: 202: 154:, believing himself to have permission from Wilde's estate and the publisher 102: 417: 127: 97: 106:, and decided to set it to music. On return to Europe, he sailed on the 35: 187:
with success (de Wailly in the title role), and staged in 1910 at the
210: 241: 206: 138: 51: 31: 19: 30:(22 December 1875 – 30 November 1944) was a French 317: 245: 47: 218: 214: 168: 16:
French composer, conductor and music administrator (1875-1944)
413:"Salomé, Wexford festival review – Antoine Mariotte, anyone?" 260: 309:) was given five performances at the Opéra-Comique in 1940. 184: 54:) in 1875. After studies at the School of Saint-Michel in 158:. In fact, having obtained the agreement to use the play, 367:
Trois marins compositeurs, Roussel, Mariotte, Jean Cras
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Cantate pour le centenaire de la Conquête de l'Algérie
252:, who succeeded him. He led the direction of the 85:. He brought back sketches that became the suite 469: 329:Usines, Faubourgs, Guingettes, Decombres, Gares 81:, where he witnessed the closing stages of the 91:Panorama, Geishas, Temple au Crépuscule, Fête 179:, having read an article by Mariotte in the 274:On 28 February 1913 he presented in Lyon a 453: 451: 225:was seen at the Opéra on 1 July 1919 with 437: 435: 305:a three-act 'conte lyrique' (libretto by 523:French military personnel of World War I 410: 352:, Saint-Étienne, Les Amitiés, April 1935 18: 448: 441:Langham Smith R. Antoine Mariotte. In: 470: 432: 323:In 1934 came the symphonic version of 144:. Appointed professor of piano at the 61:In 1894, while serving on the frigate 445:Macmillan, London and New York, 1997. 240:During the war, Mariotte was sent to 411:Maddocks, Fiona (November 2, 2014). 459:La Musique Française après Debussy. 369:, Paris, Imprimerie Bellemand, 1948 58:, he entered naval school aged 15. 13: 14: 539: 201:. After having been performed at 162:had in turn asked his publisher 518:Schola Cantorum de Paris alumni 342: 285:His three-act comédie musicale 266: 181:Revue internationale de musique 508:French male conductors (music) 443:New Grove Dictionary of Opera. 404: 391: 380: 1: 373: 316:, played with enthusiasm in 148:, he completed the score of 96:In the Far East he read the 41: 7: 528:Businesspeople from Avignon 503:French male opera composers 10: 544: 291:Esther, princesse d'Israêl 191:in Paris, while Strauss's 513:French conductors (music) 401:, March 2006, pp 303–304. 327:, five pieces for piano ( 38:and music administrator. 134:in chronological order. 461:Gallimard, Paris, 1943. 122:where he was taught by 498:French opera composers 488:Musicians from Avignon 397:Maddocks F. Review in 235:Wexford Festival Opera 67:Conservatoire de Paris 24: 493:French opera managers 387:From French Knowledge 46:Mariotte was born in 22: 325:Impressions urbaines 263:) in 1944, aged 68. 259:He died in Izieux, ( 244:where he contracted 312:In 1930 he wrote a 256:from 1936 to 1939. 116:Charles-Marie Widor 356:Gustave Samazeuilh 146:Lyon Conservatoire 25: 237:in October 2014. 83:Sino-Japanese War 535: 462: 455: 446: 439: 430: 429: 427: 425: 408: 402: 395: 389: 384: 360:Musique et Radio 350:Antoine Mariotte 337:Paysage maritime 307:Camille Mauclair 276:tragédie lyrique 233:was produced by 28:Antoine Mariotte 23:Antoine Mariotte 543: 542: 538: 537: 536: 534: 533: 532: 468: 467: 466: 465: 456: 449: 440: 433: 423: 421: 409: 405: 396: 392: 385: 381: 376: 345: 331:) premiered by 287:Léontine soeurs 269: 227:Lucienne Bréval 173:Richard Strauss 160:Richard Strauss 120:Schola Cantorum 75:South China Sea 44: 17: 12: 11: 5: 541: 531: 530: 525: 520: 515: 510: 505: 500: 495: 490: 485: 480: 464: 463: 447: 431: 403: 390: 378: 377: 375: 372: 371: 370: 363: 353: 344: 341: 333:Édouard Risler 299:rabelaisiennes 268: 265: 250:René Berthelot 197:was on at the 177:Romain Rolland 124:Vincent d'Indy 77:, then on the 43: 40: 15: 9: 6: 4: 3: 2: 540: 529: 526: 524: 521: 519: 516: 514: 511: 509: 506: 504: 501: 499: 496: 494: 491: 489: 486: 484: 481: 479: 476: 475: 473: 460: 454: 452: 444: 438: 436: 420: 419: 414: 407: 400: 394: 388: 383: 379: 368: 364: 361: 357: 354: 351: 347: 346: 340: 338: 334: 330: 326: 321: 319: 315: 310: 308: 304: 300: 296: 292: 288: 283: 281: 277: 272: 264: 262: 257: 255: 254:Opéra-Comique 251: 247: 243: 238: 236: 232: 228: 224: 221:, Mariotte's 220: 216: 212: 208: 204: 200: 196: 195: 190: 189:Gaîté-Lyrique 186: 182: 178: 174: 170: 165: 161: 157: 153: 152: 147: 143: 140: 135: 133: 129: 125: 121: 117: 113: 109: 105: 104: 99: 94: 92: 88: 84: 80: 76: 72: 68: 64: 59: 57: 56:Saint-Étienne 53: 49: 39: 37: 33: 29: 21: 458: 457:Landormy P. 442: 422:. Retrieved 418:The Observer 416: 406: 398: 393: 382: 366: 365:A. Thomazi, 359: 349: 343:Bibliography 336: 328: 324: 322: 313: 311: 302: 294: 290: 286: 284: 280:Le Vieux Roi 279: 273: 270: 267:Compositions 258: 239: 230: 222: 192: 180: 149: 141: 136: 111: 107: 101: 95: 90: 86: 78: 70: 62: 60: 45: 27: 26: 483:1944 deaths 478:1875 births 362:, June 1951 303:Nele Dooryn 98:Oscar Wilde 472:Categories 374:References 348:A. Payre, 297:('scenes 295:Gargantua 211:Marseille 132:Beethoven 110:then the 87:Kakémonos 79:Vinh-Long 63:Iphigénie 42:Biography 36:conductor 242:Salonica 207:Le Havre 164:Fürstner 139:operetta 52:Vaucluse 32:composer 424:8 April 318:Algiers 246:malaria 156:Methuen 142:Armande 128:sonatas 112:Magenta 108:Marceau 73:in the 71:Forfait 48:Avignon 231:Salomé 223:Salomé 219:Prague 217:, and 215:Geneva 194:Salomé 169:Berlin 151:Salomé 103:Salome 399:Opera 261:Loire 203:Nancy 199:Opéra 100:play 426:2016 185:Lyon 130:of 93:). 474:: 450:^ 434:^ 415:. 358:, 320:. 278:, 213:, 209:, 205:, 34:, 428:. 50:(

Index


composer
conductor
Avignon
Vaucluse
Saint-Étienne
Conservatoire de Paris
South China Sea
Sino-Japanese War
Oscar Wilde
Salome
Charles-Marie Widor
Schola Cantorum
Vincent d'Indy
sonatas
Beethoven
operetta
Lyon Conservatoire
Salomé
Methuen
Richard Strauss
FĂĽrstner
Berlin
Richard Strauss
Romain Rolland
Lyon
Gaîté-Lyrique
Salomé
Opéra
Nancy

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