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Anne Charton-Demeur

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about her great beauty, her passionate acting and singing as Dido, although she had not sufficient voice wholly to realise his ideal heroine, and her generosity in accepting the engagement at a pecuniary loss to herself, a more lucrative offer having been made her for an engagement in Madrid. On the
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in Paris, she adopted the Italian stage, and appeared successfully in St Petersburg, Vienna, in North and South America, and in Paris at the Théâtre-Italien as Desdemona in Rossini's
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wrote: "She made an impression when singing in French comic opera by her pleasing voice and appearance and by a certain cosiness of manner which was very charming".
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In 1847 she married Jules-Antoine Demeur, a flautist from Belgium, whom she met at Drury Lane. He subsequently travelled with his wife on her engagements.
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conclusion of the run of the opera she sang at Madrid, but afterwards returned to the Lyrique, where, in May 1866, she played Donna Anna in
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in London, and became highly popular in various light parts, many of which were new to England. These included Angèle, Henriette in
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After formally retiring from singing about 1869, she appeared occasionally in concerts. She died in Paris in 1892.
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In August of that year, Anne Charton-Demeur played the heroine in the original production of
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This article incorporates text from a publication now in the
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Having sung with little success in 1849 and 1853 at the
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In 1849 and 1850 she was the principal female singer in
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in England in July, and with great success as Angèle in
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Index


Édouard Dubufe
soprano
mezzo-soprano
Berlioz
Béatrice et Bénédict
Les Troyens
Saujon
Charente-Maritime
Lucia di Lammermoor
Drury Lane
Le postillon de Lonjumeau
La Juive
Le domino noir
John Mitchell
St James's Theatre
L'ambassadrice
Le pré aux clercs
Richard Coeur-de-lion
Le concert Ă  la cour
Actéon
Ne touchez pas Ă  la reine
Le comte Ory
La dame blanche
Zampa
Le val d'Andorre
Le caĂŻd
Les diamants de la couronne
Henry Chorley
Her Majesty's Theatre

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