34:. When the first ballet company was formed at the newly founded Royal Danish Theatre, she and her spouse were engaged as the first professionally trained performers there. At a period when there were no Danish ballet dancers in Denmark, they were the first principal dancers in the first Danish ballet of the national stage: they were also expected to take Danish pupils, and spouse was appointed ballet master. Anna Como was described as a temperamental, beautiful redhead. As an artist, she was a respected dancer, admired for her great flexibility and agile body. As a person, however, she was talked about as the lover of the theatre director Christian Fædder, which caused accusations of nepotism, and her and her spouse's rivalry with the first Danish ballet dancer couple,
83:
123:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
126:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
186:
67:
134:
147:
Content in this edit is translated from the existing
Swedish Knowledge article at ]; see its history for attribution.
23:
1775), was an
Italian ballerina. She was the first professionally trained ballerina to be employed at the
30:
She was married to the ballet dancer
Antonio Como. She arrived in Denmark as a member of the company of
46:
142:
163:
24:
8:
35:
138:
31:
156:
180:
45:
The Como's left
Denmark in 1763. Anna Como is noted to have performed at the
95:
39:
145:
to the source of your translation. A model attribution edit summary is
120:
116:
178:
141:accompanying your translation by providing an
107:Click for important translation instructions.
94:expand this article with text translated from
179:
76:
187:18th-century Italian ballet dancers
13:
27:after its foundation, in 1755–63.
14:
198:
81:
151:You may also add the template
59:
1:
52:
7:
153:{{Translated|sv|Anna Como}}
68:Den danske ballets historie
10:
203:
115:Machine translation, like
96:the corresponding article
162:For more guidance, see
42:, attracted attention.
164:Knowledge:Translation
135:copyright attribution
25:Royal Danish Theatre
19:née Geringhelli (d.
49:in London in 1775.
143:interlanguage link
47:Drury Lane Theatre
36:Carl Vilhelm Barch
175:
174:
108:
104:
194:
154:
148:
121:Google Translate
106:
102:
85:
84:
77:
71:
63:
202:
201:
197:
196:
195:
193:
192:
191:
177:
176:
171:
170:
169:
152:
146:
109:
86:
82:
75:
74:
65:Elith Reumert,
64:
60:
55:
32:Pietro Mingotti
12:
11:
5:
200:
190:
189:
173:
172:
168:
167:
160:
149:
127:
124:
113:
110:
91:
90:
89:
87:
80:
73:
72:
57:
56:
54:
51:
9:
6:
4:
3:
2:
199:
188:
185:
184:
182:
165:
161:
158:
150:
144:
140:
136:
132:
128:
125:
122:
118:
114:
112:
111:
105:
99:
97:
92:You can help
88:
79:
78:
70:
69:
62:
58:
50:
48:
43:
41:
37:
33:
28:
26:
22:
18:
139:edit summary
130:
101:
93:
66:
61:
44:
29:
20:
16:
15:
103:(June 2019)
40:Marie Barch
98:in Swedish
53:References
157:talk page
17:Anna Como
181:Category
133:provide
155:to the
137:in the
100:.
117:DeepL
21:after
131:must
129:You
38:and
119:or
183::
166:.
159:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.