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Anine Frølich

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140:. Having been made ballet-master of the Court Theater, he completely reformed the Danish ballet and stimulated a new enthusiasm for the art among the public. Until then, Danish ballet had been abstract and undramatic, formal and stilted. The idea of ballet as a dramatic art was introduced into Denmark by Galeotti, who made Frølich the star vehicle of his innovative choreography. With her expressive manner of dancing she complemented perfectly the new style of ballet under his direction. Under his leadership she became the ruling ballerina of the Danish ballet. One of her most famous roles was in the ballet 147:
She and Galeotti also became lovers, but the relationship ended unhappily. Exhausted by the intense physical demands of her art, Frohlich's health deteriorated quickly. In 1784, she collapsed during a performance and was carried home, but died shortly afterwards in Copenhagen.
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Frølich debuted in 1773 and became an instant success on account of her astonishing beauty, technical accomplishment and dramatic technique, which separated her from the more formal and stiff mannerisms adopted by most of contemporaries.
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At this time, Ballet had only very recently been performed by native ballet dancers in Denmark. At the Royal Danish Theatre, native dancers had only performed since the season of 1758-59, which became the debut of
93:(13 March 1762 – 6 November 1784) was a Danish ballerina, one of the first professional native ballet dancers in Denmark and the first native star within the 205: 200: 210: 97:. Anine Frølich was perhaps the principal figure in the emergence of classical ballet as a distinct art-form in Denmark. 105:
Frølich was born in Copenhagen, and was accepted as a student in the ballet school of the Court-Theater
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by Pierre Laurent of the French theater troupe employed there: it was to be merged with the
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From 1775, Frølich came under the influence of the Italian dancer
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in 1771. The Court-Theater had been founded in 1767 at the
177: 117:when the French troupe was fired in 1772-73. 178: 13: 206:18th-century Danish ballet dancers 14: 222: 201:Danish people of German descent 171:Dansk Kvindebiografisk Leksikon 1: 163: 91:Anine Marie Magdalene Frølich 30:Anine Marie Magdalene Frølich 100: 7: 211:Royal Danish Ballet dancers 151: 10: 227: 78: 68: 50: 25: 18: 111:Christiansborg Palace 115:Royal Danish Theatre 95:Royal Danish Ballet 62:Copenhagen, Denmark 44:Copenhagen, Denmark 127:Carl Vilhelm Barch 196:Danish ballerinas 142:Den forlodte Dido 138:Vincenzo Galeotti 88: 87: 218: 158:Margrethe Schall 57: 39: 37: 16: 15: 226: 225: 221: 220: 219: 217: 216: 215: 176: 175: 166: 154: 103: 64: 59: 55: 54:6 November 1784 46: 41: 35: 33: 32: 31: 21: 12: 11: 5: 224: 214: 213: 208: 203: 198: 193: 188: 174: 173: 165: 162: 161: 160: 153: 150: 102: 99: 86: 85: 80: 76: 75: 70: 66: 65: 60: 58:(aged 22) 52: 48: 47: 42: 29: 27: 23: 22: 19: 9: 6: 4: 3: 2: 223: 212: 209: 207: 204: 202: 199: 197: 194: 192: 189: 187: 184: 183: 181: 172: 168: 167: 159: 156: 155: 149: 145: 143: 139: 134: 130: 128: 124: 118: 116: 112: 108: 98: 96: 92: 84: 81: 77: 74: 71: 67: 63: 53: 49: 45: 40:13 March 1762 28: 24: 20:Anine Frølich 17: 169:(In Danish) 146: 141: 135: 131: 119: 106: 104: 90: 89: 56:(1784-11-06) 191:1784 deaths 186:1762 births 123:Marie Barch 69:Nationality 180:Categories 164:References 107:Hofteatret 79:Occupation 36:1762-03-13 144:in 1777. 101:Biography 83:Ballerina 152:See also 73:Danish 125:and 51:Died 26:Born 182:: 129:. 38:) 34:(

Index

Copenhagen, Denmark
Copenhagen, Denmark
Danish
Ballerina
Royal Danish Ballet
Christiansborg Palace
Royal Danish Theatre
Marie Barch
Carl Vilhelm Barch
Vincenzo Galeotti
Margrethe Schall
Dansk Kvindebiografisk Leksikon
Categories
1762 births
1784 deaths
Danish ballerinas
Danish people of German descent
18th-century Danish ballet dancers
Royal Danish Ballet dancers

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