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225:. The images were meant to supply the global market of advertising, business, art, and journalism with imagery that represents widespread feelings of financial uncertainty and discontent. Public Investor Meetings were held at various locations, and the project had its solo gallery debut at Project Native Informant in London in June 2014. The project was brought to an end through a liquidation event at the Museum of Modern Art Warsaw in 2016.
233:"Uncertainty Seminars" is both a single channel video and a multi-channel video installation. Framed as a 5 part psychiatric care video series spread across 5 clinical viewing units, each unit positions the viewer's body in particular ways according to each video section's demands. The architecture and objects were made in collaboration with artist Nick Bastis.
130:. The work presents Wilson's relationship with Akhil, his 25-year-old personal assistant. Instead of asking Akhil to complete the tasks he was used to doing for other clients - such as email, finances, and calendar management - Wilson reversed this by asking Akhil to assign him tasks and to come up with ideas for collaborative projects.
346:
Ode to
Seekers 2012 is an infinite loop video that celebrates the existence and activity of three differently scaled entities - a mosquito, an oil pumpjack, and a syringe - as they seek out an ambiguous resource by piercing a surface that looks like desert salt flats, or skin under a microscope, or
244:
is a curatorial project produced with collaborator Aily Nash that debuted at MoMA PS1 in
September 2013. It presents recent moving image works that investigate various modes of contemporary production. The selected works illustrate differing approaches to the subject, from observational films that
363:
A semi-biographical fiction inspired by his father's work at one of Kodak's first processing labs, Wilson's speculative gloss on the evolution of photochemical science entwines multiple perspectives and personas. Co-written by James N. Kienitz
Wilkins,
163:. The inspiration for this piece came from Wilson's experience of working at Google in 2007; it presents the class structure of Google shown through Wilson's encounter with the yellow-badge workers, a stratum of workers that privately scan books for
368:
imagines a dialogue between a blind, mentally unstable former film technician and George
Eastman himself, recordings of whom play out over a procession of photographs, home video footage, vintage Kodak ads, and animations.
221:(formerly known as Stock Fantasy Ventures) consists of proposals to investors to fund the creation of commercial image concepts that were then distributed on both the art market and stock media marketplaces such as
315:, an obscure educational home video series produced in the 1980s by a group of investors seeking to profit off the narrative models that Sesame Street invented for educational children's entertainment.
210:
while considering related histories of film and video, photography, and literature. The material basis of analog and digital media, as well as their labor processes, are also addressed.
245:
avoid participation in capitalistic image creation, to videos that engage corporate omnipotence by employing its processes, as well as works that complicate these two tendencies.
167:. Wilson's casual attempts to film and interview the yellow-badge workers were stopped quickly by Google, and it resulted in the termination of his employment at Google. It went
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conflates scientific visualization (3D modeling, simulation, endoscopy, dissection, reflection) and cinematic technique to reconstruct science as a cultural practice.
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in Queens, New York (2013). Solo exhibitions include Fluxia in Milan, Project Native
Informant in London, Document in
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70:"Virtual Assistance", "Workers Leaving the Googleplex", "ScanOps", "The Unthinkable Bygone", "Ode to Seekers 2012"
398:
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images in which errors in the scanning process are visible. The yellow-badge workers that are the subject of
124:. In this piece Wilson documents his use of a personal assistant outsourcing service located in India called
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potato casserole. Its formal composition is based on a translation of the poetic techniques used in
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95:. He received a BS in Television, Radio, and Film from the Newhouse School of Communications at
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959:"Andrew Norman Wilson on his project for the Gwangju Biennale - artforum.com / 500 words"
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at Bard
College in Annandale-on-Hudson, New York (2015), Office Space at
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663:"Art from Outside the Googlplex: An Interview with Andrew Norman Wilson"
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is the same group of workers responsible for the scanning of books for
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153:, with a voice-over narrative spoken by Wilson. Its title references
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Andrew Norman Wilson's exhibitions include
Dreamlands at the
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in 2006. Wilson then received an MFA in
Sculpture from the
729:"The Hidden Hands Scanning The Worlds Knowledge for Google"
323:
Through the use of Baby
Sinclair, a puppet character from
685:"Notes from the indie underground: the ATA Film Festival"
532:
Nick
Pinkerton, Andrew Norman Wilson: His Master’s Voice
202:
is an extended essay video that presents an overview of
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when it began to be circulated on the Internet in 2011.
133:
120:(2009–11) was made while he was an MFA candidate at the
751:"Google Books scanning errors turned into works of art"
431:
Rencontres internationales du documentaire de Montréal
995:"The Interdisciplinary Seminar: Andrew Norman Wilson"
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79:(born November 1986) is an artist living in America.
707:"At Google, Talking To Coworkers Can Get You Fired"
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776:"Andrew Norman Wilson with Laurel Ptak: ScanOps"
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405:in Beijing (2014), Scars of Our Revolution at
401:in San Francisco (2015), Art Post Internet at
179:This project is a photographic series made of
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534:, in: Camera Austria International 145 | 2019
393:(2016), and On Sweat, Paper and Porcelain at
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590:""Virtual Assistance" Humanizes Outsourcing"
891:: CS1 maint: numeric names: authors list (
811:"Stock Fantasy Ventures at Palazzo Peckham"
770:
566:. Art Slant. November 2011. Archived from
145:consisting of synchronized footage of two
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447:San Francisco International Film Festival
409:in Paris (2014), and Image Employment at
318:
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264:, Dan Eisenberg, Kevin Jerome Everson,
228:
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945:"Distant Words; Dreams and Nightmares"
855:: CS1 maint: archived copy as title (
338:
311:is an extended remake of a scene from
122:School of the Art Institute of Chicago
101:School of the Art Institute of Chicago
59:School of the Art Institute of Chicago
617:. ArtForum. July 2012. Archived from
592:. Philadelphia Weekly. Archived from
327:’s 1990s animatronic dinosaur sitcom
248:Artists included in the exhibition:
200:Movement Materials and What We Can Do
195:Movement Materials and What We Can Do
134:Workers Leaving the Googleplex (2011)
111:
705:Pascal-Emmanuel Gobry (April 2011).
564:"Sayre Gomez, Andrew Norman Wilson"
552:https://www.moma.org/artists/131861
236:
160:Workers Leaving the Lumière Factory
13:
403:Ullens Center for Contemporary Art
14:
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981:"Program 5: Persistent Analogues"
516:
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683:James H. Miller (October 2011).
469:. His work has been featured in
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399:Yerba Buena Center for the Arts
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641:"Google's Secret Class System"
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588:Robert Fallon (January 2011).
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379:Whitney Museum of American Art
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204:Workers Leaving the Googleplex
185:Workers Leaving the Googleplex
139:Workers Leaving the Googleplex
1:
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463:Universität der Künste Berlin
395:Center for Curatorial Studies
749:Martin Bryant (March 2012).
727:Reyhan Harmanci (May 2012).
687:. San Francisco Bay Guardian
639:Brian Barrett (April 2011).
487:Camera Austria International
82:
19:For the English writer, see
7:
870:MoMA PS1 (September 2013).
437:, Prospectif Cinema at the
429:. His work has screened in
89:Medfield Senior High School
10:
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1025:Artists from New York City
174:
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661:Louis Doulas (May 2012).
278:Auguste and Louis Lumière
151:Mountain View, California
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813:. DIS Magazine. May 2013
358:
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300:, Andrew Norman Wilson
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93:Medfield, Massachusetts
615:"Andrew Norman Wilson"
435:New York Film Festival
333:The Unthinkable Bygone
319:The Unthinkable Bygone
453:. He has lectured at
441:, #VOICEOVER at the
353:Ode on a Grecian Urn
268:, Zachary Formwalt,
229:Uncertainty Seminars
155:the Lumière brothers
116:Wilson's video work
77:Andrew Norman Wilson
30:Andrew Norman Wilson
911:techne-stuttgart.de
491:e-flux publications
344:Ode to Seekers 2012
339:Ode to Seekers 2012
262:Harm van den Dorpel
256:, Ben Thorp Brown,
97:Syracuse University
931:"Film Series 2016"
907:"Techne Stuttgart"
872:"Image Employment"
797:"Tensta konsthall"
709:. Business Insider
459:Harvard University
391:Bucharest Biennale
250:Michael Bell-Smith
165:Google Book Search
118:Virtual Assistance
112:Virtual Assistance
455:Oxford University
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525:Official website
427:Portland, Oregon
417:, threewalls in
383:Gwangju Biennale
252:, Neil Beloufa,
242:Image Employment
237:Image Employment
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451:Images Festival
443:Palais de Tokyo
439:Centre Pompidou
387:Berlin Biennale
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313:Peppermint Park
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274:Sharon Lockhart
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774:(March 2012).
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753:. The Next Web
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517:External links
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507:The New Yorker
475:Art in America
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309:Reality Models
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304:Reality Models
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298:Ryan Trecartin
280:, Lucy Raven,
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838:on 2014-11-08
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568:the original
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423:Reed College
407:Yvon Lambert
389:(2016), the
385:(2016), the
381:(2016), the
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294:Pilvi Takala
286:Hito Steyerl
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223:Getty Images
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189:Google Books
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181:Google Books
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66:Notable work
21:A. N. Wilson
1015:1983 births
772:Laurel Ptak
731:. Buzz Feed
373:Exhibitions
270:Mark Leckey
254:Guy Ben-Ner
45:Nationality
1009:Categories
916:2018-11-12
878:2013-09-15
874:. MoMA PS1
842:2014-11-08
817:2013-07-13
782:2013-07-13
778:. Aperture
757:2013-07-13
735:2013-07-13
713:2013-07-13
691:2013-07-13
669:2013-07-13
647:2013-07-13
625:2013-07-13
600:2013-07-13
574:2013-07-12
539:References
449:, and the
349:John Keats
325:Jim Henson
282:Ben Rivers
141:is a 2011
665:. Rhizome
643:. Gizmodo
329:Dinosaurs
290:Superflex
127:GetFriday
103:in 2011.
83:Education
55:Education
887:cite web
851:cite web
483:BuzzFeed
479:Artforum
471:Aperture
411:MoMA PS1
191:images.
49:American
499:Gizmodo
467:CalArts
419:Chicago
415:Chicago
208:ScanOps
175:ScanOps
509:, and
503:Gawker
495:Frieze
465:, and
445:, the
433:, the
147:Google
511:Wired
366:Kodak
359:Kodak
169:viral
107:Works
893:link
857:link
219:SONE
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206:and
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