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André Caplet

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31: 377: 111: 408: 346:. The chorus announces each section's title but the female soloist delivers most of the text. The music of the central movements that take Christ's passion as their subject are, according to one commentator, "remarkable for its restraint as for its dissonance". It was a religious concert work of a sort not encountered again until 450:
While Debussy was traveling Europe seeking commissions, Caplet, the Angel of Corrections, a title that was given by Debussy, would complete orchestrations, make arrangements, and correct proofs. Debussy would write many letters of correspondence to Caplet in relation to his work on musical
252:, whose wife Nina became a friend of Caplet during his time in Rome. He accepted the position to enhance his reputation as a conductor and used it to introduce contemporary French repertoire to the United States. Works by Debussy that he led include 153:
on 23 November 1878, the youngest of seven children born to a Norman family of modest means. He began studying piano and violin when a child and by the age of 13 performed in the orchestra of the Grand Théâtre there. He entered the
296:, Picardy, accompanied by the distant sounds of artillery. His service ended in 1919. On 4 June of that year he married Geneviève Perruchon, a general's daughter who followed his work as a composer closely. They had a son in 1920. 171:(SCM), the less avant-garde of French organizations promoting new music, awarded his quintet for piano and winds first prize in 1901 and premiered it on 28 February of that year. Caplet soon had success with the more progressive 158:
in 1896 and won several prizes. While a student he supported himself first by playing in dance orchestras in the evening and then by conducting, where had immediate success. After a stint as assistant conductor of the
175:(SCM) as well, including a concert dedicated to his work on 9 March 1901, and he was hailed in the musical press and from these performances until the end of his career his chamber works had a champion in the flutist 225:
As a composer Caplet wrote many vocal works and chamber pieces, several works for orchestra and only a handful of piano pieces. Especially interesting is his instrumental use of voices, as in his
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While it has been noted that Debussy allowed others to work on arrangements of his compositions, such efforts were undertaken while Caplet was conducting in Boston or in combat.
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wrote that the musical textures of this work "reflect at once the polychrome tones and timbres of Debussy's art and the fourths, fifths, discant and parallel motion of the
292:. He was wounded in May 1915 and later promoted to sergeant. In 1917 he completed the third movement and the work premiered that same year in the small church of 315:
Caplet did not return to teaching and conducting at the war's end. Instead he devoted himself to composition, including a number of religious works. His
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for four seasons, from 1910 to 1914, specializing in the French repertoire. He secured the appointment through one of its co-founders, the impresario
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for chorus and orchestra (1899) on 3 April 1901 and marked his victory by presenting several of his works at a concert on 24 November, including
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adaptations of The Fall of the House of Usher and The Devil in the Belfry complaining about Debussy's inability to properly compose new music.
2372: 485:, a native of Neuilly, was commissioned to create a monument to Caplet. This was one of Zwobada's earliest works after he graduated from the 141:
and completed the orchestration of several of Debussy's compositions as well as arrangements of several of them for different instruments.
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with the financial support the prize provided, though he took leave for long periods to attend performances in Berlin, Dresden, Hamburg.
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In 1925, Caplet caught a cold and, given how his lungs had been weakened when he was gassed during his military service, developed
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for double quintet (2 flûtes, 2 hautbois, 2 clarinettes, 2 bassons, and 2 cors), 1900, original version, also for orchestra
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in Chaumont to train U.S. military personnel in hopes of creating military bands on the model of those found in France.
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showed his contempt for the assigned text. Caplet's native city celebrated his participation with a performance of his
2156: 2117: 2057: 172: 137:(23 November 1878 – 22 April 1925) was a French composer and conductor of classical music. He was a friend of 2441: 2436: 1687: 421: 272: 164: 1911: 1428: 1413: 388: 364:". Caplet conducted its premiere in February 1924 in Lyon and its Paris premiere on 1 May of that year. 2386: 249: 2080: 1717: 1347: 266: 1860: 1937: 427: 486: 299:
In 1918–19, he taught conducting, harmony, and orchestration at the music school established by
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Le martyre de Saint-Sébastien: mystère en cinq actes, music by Debussy, transcribed by Caplet
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on 13 June 1922. It lacks the traditional "Credo" and includes the familiar Communion motet "
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pour voix principale, 3 voix accompagnantes, quatour a cordes et harpe, (original version:
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pour alto saxophone, hautbois, 2 clarinettes, basson, harpe, orgue et 2 violoncelles, 1905
8: 910: 750: 472: 30: 1810: 1702: 324: 155: 176: 2330: 2277: 2252: 2152: 2113: 2053: 1866: 1708: 1692: 1627: 1592: 1520: 933: 728: 464: 443: 160: 89: 2244: 2203: 1802: 1674: 1632: 1202: 419:, sometimes serving as translator, and he orchestrated an wrote parts of Debussy's 357: 347: 334:
composed in September 1923 features a "choeur de femmes" in an supporting role. In
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At the end of 1914, after he had completed two movements of a work that became
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for flute and piano (1901), and the cantata that won him the Prix de Rome,
183: 471:), a suburb of Paris, on 22 April 1925 at the age of 46. He was buried in 1845:. Oxford University Press. pp. 18, 31–2, 40, 59–60, 116–7, 197, 330. 447:
is probably the most widely performed and recorded example of his work.
2001:. Appleton-Century. pp. 28, 89–91, 118, 129, 180–2, 208–9, 245, et. 1797:
Spencer, Williametta (1982). "André Caplet, Aussi 'Musicien Français'".
376: 167:. Some of his student compositions were published as early as 1897. The 1814: 1799:
Revue Belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap
293: 288:, Caplet enlisted in the French army and saw combat in the trenches at 186:
in 1901, composing in a conventional style to please the judges, while
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The three additional movements do not survive in their flute versions.
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d'après Poe pour harpe à pedales et quatour à cordes, (published 1924)
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Epiphanie, fresque musicale pour violoncelle principal et orchestre
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The judges were unforgiving and Ravel never won the Prix de Rome.
407: 229:(1909). He was also one the composers who first incorporated the 1638: 343: 289: 116: 2378: 2052:(in French). Vol. 3. BoD - Books on Demand. p. 306. 952:, scène lyrique, (1er Grand Prix de Rome), (F. Beissier), 1901 731:), 27 August 1916, (published by Lyra with harp accompaniment) 1622: 1118:
Le masque de la mort rouge pour harpe chromatique principale
425:. He also collaborated with Debussy in the orchestration of 2375:
Score from Sibley Music Library Digital Scores Collection
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Score from Sibley Music Library Digital Scores Collection
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Debussy Redux: The Impact of His Music on Popular Culture
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dedicated to Barrère and incorporated as Nos. 2 and 5 in
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Marche heroïque de la Ve Division, pour musique militaire
1014:(voice, harp, string quartet) (see under voice and piano) 431:. In 1911, Caplet prepared an orchestration of Debussy's 1125:
Marche solennelle pour le centenaire de la Villa Medicis
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Suite d'orchestre (sur des mélodies populaires persanes)
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pour piano, flûte, hautbois, clarinette et basson, 1898
2329:. Oxford University Press. pp. 54ff. et passim. 1527:
Le martyre de Saint Sébastien, Fragments symphoniques
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The SCM was "too conventional for Debussy or Satie".
163:, in 1899 he took over the musical direction at the 1436: 2230: 1843:Monarch of the Flute: The Life of Georges Barrère 1241:, pour quatour a cordes et 3 voix feminines, 1909 2398: 2109:Proof Through the Night: Music and the Great War 478:His widow conducted many concerts of his music. 319:for a capella female chorus had its premiere in 2112:. University of California Press. p. 328. 633:, 1914–1917, (also for harp and string quartet) 2010: 2008: 1591:Most of the German repertoire was assigned to 244:Caplet served as one of the conductors of the 2322: 342:as meditations on the fifteen decades of the 1716:and incidental music to stage performances: 1582:, who campaigned on behalf of the saxophone. 1407:Do, Re, Mi, Fa, Sol (petites pièces faciles) 2015:Warszawski, Jean-Marc (20 September 2021). 2005: 213:Until the end of 1905, Caplet lived at the 2308:(in French). Paris: Éditions Cercle d'Art. 2138: 2136: 2014: 1854: 1852: 227:Septuor à cordes vocales et instrumentales 29: 2391:International Music Score Library Project 2323:Johnson, Graham; Stokes, Richard (2002). 2151:. Taylor & Francis. pp. 178–82. 1792: 1790: 1788: 1786: 1784: 1782: 1780: 1712:. In addition to operas he led the Verdi 1442:For various numbers of pianos and players 737:, (R.P. Lacordaire), for the armed forces 437:, which, along with his orchestration of 16:French composer and conductor (1878–1925) 2276:. Indiana University Press. p. 71. 2045: 1892: 1858: 936:), 8 April 1924, published by Lyra with 406: 2303: 2208:10.1093/gmo/9781561592630.article.04843 2194:Orledge, Robert (2001). L. Macy (ed.). 2193: 2142: 2133: 2105: 1849: 1796: 2399: 2345:"Compositeur André Caplet (1878–1925)" 2178: 1836: 1834: 1832: 1830: 1828: 1826: 1824: 1777: 1578:Both those works were commissioned by 1090:, (C. Spinelli), 1900 (published 1920) 2269: 2231:Lockspeiser, Edward; Debussy (1956). 2226: 2224: 1996: 1900:. Paris: H & D. pp. 108–109. 1533: 853:, (reduction) (H. Gheon), Summer 1923 835:, (reduction, P. Fort), November 1920 2027:from the original on 6 November 2022 1840: 371: 367: 1821: 1741:One of Caplet's students there was 1247:pour piano, voix, violoncelle, 1919 1094: 169:Société des compositeurs de musique 13: 2467:19th-century French male musicians 2462:20th-century French male musicians 2221: 14: 2478: 2360: 2306:Jacques Zwobada – L'œuvre dessiné 2181:The Interpretation of French Song 743:, (H. Charasson), 9 November 1918 463:, which proved fatal. He died in 356:(1944). The British music critic 310: 220: 2422:20th-century classical composers 2417:19th-century classical composers 2183:. New York: Norton. p. 221. 1437:Arrangements of works by Debussy 1150: 411:André Caplet with Claude Debussy 375: 109: 2432:French male classical composers 2297: 2263: 2187: 2172: 2099: 2073: 2039: 1990: 1960: 1930: 1757: 1748: 1735: 1598: 1071:, (R. de Gourmont), August 1914 841:, (C. Baudelaire), January 1922 833:L'hymne à la naissance du matin 709:, (H. de Regnier), 9 March 1915 547:, (P. Gravollet), February 1903 533:Poème de mai (Tu nous souriais) 1938:""Louise" at the Boston Opera" 1904: 1886: 1585: 1572: 1563: 1554: 1305:Impressions d’automne – Elégie 703:, (C. d'Orleans), October 1914 701:En regardant ces belles fleurs 509:Viens! ... Une flûte invisible 303:at the behest of U.S. General 279: 270:, and the incidental music to 1: 2457:20th-century French composers 2452:19th-century French composers 2147:. In Potter, Caroline (ed.). 1770: 1484:Le martyre de Saint Sébastien 1006:Hymne à la naissance du matin 665:, (R. de Gourmont), 1914–1917 422:Le Martyre de saint Sébastien 273:Le Martyre de saint Sébastien 233:into his chamber works, like 144: 2447:Prix de Rome for composition 847:, (C. Baudelaire), June 1922 725:Quand reverrai-je, hélas!... 517:, (text by Fernand Beissier) 497: 415:He became a close friend of 173:Société nationale de musique 7: 2387:Free scores by André Caplet 2351:(in French). Archived from 1728:'s music for Maeterlinck's 1382:Menuet dans le style ancien 1371:, 1900, voice, flute, piano 1257:The Masque of the Red Death 930:Sonnet: "Doux fut le trait" 859:, (chanson populaire), 1925 10: 2483: 2427:French classical composers 2149:French Music Since Berlioz 1997:Eaton, Quaintence (1965). 1859:Cottrell, Stephen (2013). 1369:Viens! Une flûte invisible 1275:pour violon et orgue, 1924 1134:, (poème symphonique) 1902 1076:Mixed chorus and orchestra 1008:, (P. Fort), November 1920 812:Notre chaumière en Yveline 580:Le furet du bois, mesdames 529:, (Richepin), January 1903 202:for chorus and orchestra, 2304:Vasseur, Bernard (2008). 1968:"[Advertisement]" 1912:"Boston Gets Weingartner" 1865:. Yale University Press. 149:André Caplet was born in 122: 104: 96: 75: 40: 28: 21: 2233:"New Letters of Debussy" 2145:"Church and Organ Music" 1999:The Boston Opera Company 1896:(2004). "André Caplet". 1547: 1414:Un tas de petites choses 789:Cinq Ballades françaises 562:Le livre ou je veux lire 553:, (P.J. Pain), 1898–1901 492: 454: 2442:Musicians from Le Havre 2437:Impressionist composers 2373:The Masque of Red Death 2326:A French Song Companion 2270:Brown, Matthew (2012). 2179:Bernac, Pierre (1978). 2143:Simeone, Nigel (2017). 2106:Watkins, Glenn (2002). 2081:"Music Here and Afield" 2046:Landormy, Paul (2022). 1348:Rêverie et Petite valse 1069:Inscriptions champêtres 964:, (G. Jean-Aubry), 1908 762:Le corbeau et le renard 353:Trois petites liturgies 2196:"Caplet, André (Léon)" 1978:(3): 27. December 1912 1972:Harvard Musical Review 1942:Harvard Musical Review 1604:Other operas included 818:Songe d'une nuit d'été 785:, (15 exercises), 1920 768:La cigale et la fourmi 616:Ce sable fin et fuyant 591:, (A. Silvestre), 1900 541:, (P. Gravollet), 1903 535:, (A. Silvestre), 1902 481:In 1926, the sculptor 412: 215:French Academy in Rome 1948:(4): 19. January 1913 1894:Thiollet, Jean-Pierre 938:Quand reverrai-je ... 715:, (J. Hebertot), 1916 511:, (Hugo), August 1900 410: 239:Impressions d’automne 2355:on 10 November 2007. 2049:La musique française 1841:Toff, Nancy (2005). 1429:Deux Divertissements 994:La croix douloureuse 735:La croix douloureuse 648:Salutation angélique 487:École des Beaux-Arts 338:Caplet set texts by 267:Pelléas et Mélisande 246:Boston Opera Company 35:André Caplet in 1910 1492:, 2 pianos, 6 hands 1458:Rondes de Printemps 996:, (R.P. LaCordaire) 962:Paroles a l'absente 944:Voice and orchestra 919:, 19 September 1924 907:Corbeille de fruits 845:La mort des pauvres 774:Le loup et l'agneau 686:In una selva oscura 654:Symbole des apôtres 595:Paroles à l'absente 473:Montmartre Cemetery 2317:Additional sources 2200:Grove Music Online 1898:Sax, Mule & Co 1703:Tristan und Isolde 1595:from 1911 to 1914. 1534:Other arrangements 1263:Le miroir de Jésus 1025:Messe à trois voix 990:, (R. de Gourmont) 851:Le miroir de Jésus 721:, (J. Ochse), 1915 642:Oraison dominicale 574:Les pleurs de bébé 523:, (Verlaine), 1902 428:La boîte à joujoux 413: 387:. You can help by 332:Le Miroir de Jésus 330:His oratorio-like 325:O salutaris hostia 317:Messe à trois voix 165:Théâtre de l'Odéon 156:Paris Conservatory 2336:978-0-19-924966-4 2243:(1362): 404–406. 2237:The Musical Times 1801:. 36/38: 162–74. 1709:Die Meistersinger 1693:Hansel and Gretel 1593:Felix Weingartner 1541:Danse villageoise 1521:Suite bergamasque 1504:Children's Corner 1395:Piano, four hands 1363:Feuillets d'album 1356:Feuillets d'album 1252:Conte fantastique 1113:Étude symphonique 1084:, (V. 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Fort) 1920 663:Le vieux coffret 539:Dans la fontaine 400: 397: 379: 372: 358:Felix Aprahamian 348:Olivier Messiaen 305:John J. 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Richepin) 901:Voice and flute 884:, November 1919 876:Panis angelicus 864:Voice and organ 839:La cloche felée 713:Prière normande 503:Voice and piano 500: 495: 483:Jacques Zwobada 457: 401: 395: 392: 385:needs expansion 370: 321:Sainte Chapelle 313: 301:Walter Damrosch 282: 223: 177:Georges Barrère 147: 110: 108: 92: 87: 81: 79: 71: 52: 46: 44: 36: 24: 17: 12: 11: 5: 2480: 2470: 2469: 2464: 2459: 2454: 2449: 2444: 2439: 2434: 2429: 2424: 2419: 2414: 2409: 2395: 2394: 2384: 2376: 2370: 2362: 2361:External links 2359: 2358: 2357: 2341: 2335: 2319: 2318: 2312: 2311: 2296: 2283:978-0253357168 2282: 2262: 2249:10.2307/938129 2220: 2186: 2171: 2157: 2132: 2118: 2098: 2085:New York Times 2072: 2058: 2038: 2017:"André Caplet" 2004: 1989: 1959: 1929: 1916:New York Times 1903: 1885: 1872:978-0300190953 1871: 1848: 1820: 1775: 1774: 1772: 1769: 1766: 1765: 1756: 1747: 1734: 1684:La Forêt Bleue 1597: 1584: 1571: 1562: 1552: 1551: 1549: 1546: 1545: 1544: 1535: 1532: 1531: 1530: 1524: 1513: 1508: 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1553: 1542: 1538: 1537: 1528: 1525: 1523: 1522: 1517: 1516:Clair de lune 1514: 1512: 1509: 1506: 1505: 1501: 1500: 1497:For orchestra 1496: 1495: 1491: 1488: 1485: 1482: 1480: 1477: 1476: 1471: 1467: 1465: 1461: 1459: 1455: 1454: 1453: 1452: 1449: 1446: 1445: 1441: 1440: 1431: 1430: 1426: 1425: 1421: 1420: 1416: 1415: 1411: 1408: 1405: 1402: 1399: 1398: 1394: 1393: 1389: 1386: 1383: 1380: 1379: 1375: 1374: 1370: 1367: 1364: 1361: 1357: 1353: 1352: 1350: 1349: 1345: 1344: 1340: 1339: 1336: 1333: 1331: 1328: 1325: 1322: 1319: 1316: 1315: 1311: 1310: 1306: 1303: 1302: 1297: 1293: 1291: 1287: 1285: 1281: 1280: 1279: 1278: 1274: 1271: 1268: 1264: 1261: 1258: 1254: 1253: 1249: 1246: 1243: 1240: 1237: 1236: 1230: 1229:Iskia Samaisi 1226: 1224:, (andantino) 1223: 1219: 1216: 1212: 1211: 1210: 1209: 1205: 1204: 1203:Suite persane 1200: 1199: 1194: 1190: 1188: 1184: 1182: 1178: 1176: 1172: 1171: 1170: 1169: 1165: 1164: 1160: 1159: 1155: 1154: 1151:Chamber music 1145: 1142: 1139: 1136: 1133: 1130: 1127: 1126: 1122: 1119: 1116: 1114: 1111: 1108: 1105: 1102: 1099: 1098: 1089: 1086: 1083: 1080: 1079: 1075: 1074: 1070: 1067: 1066: 1061: 1057: 1055: 1051: 1049: 1045: 1043: 1039: 1037: 1036:Kyrie eleison 1033: 1032: 1031: 1030: 1026: 1023: 1022: 1018: 1017: 1013: 1010: 1007: 1004: 1001: 998: 995: 992: 989: 986: 985: 980: 976: 974: 970: 969: 968: 967: 963: 960: 957: 954: 951: 948: 947: 943: 942: 939: 935: 931: 928: 927: 923: 922: 918: 915: 912: 908: 905: 904: 900: 899: 895: 892: 889: 886: 883: 880: 877: 874: 871: 868: 867: 863: 862: 858: 855: 852: 849: 846: 843: 840: 837: 834: 831: 830: 825: 821: 819: 815: 813: 809: 807: 803: 801: 800:Cloche d'aube 797: 796: 795: 794: 790: 787: 784: 781: 780: 775: 771: 769: 765: 763: 759: 758: 757: 756: 752: 748: 745: 742: 739: 736: 733: 730: 726: 723: 720: 717: 714: 711: 708: 705: 702: 699: 698: 693: 689: 687: 683: 681: 677: 675: 671: 670: 669: 668: 664: 661: 660: 655: 651: 649: 645: 643: 639: 638: 637: 636: 632: 629: 628: 623: 619: 617: 613: 611: 607: 606: 605: 604: 600: 599:G. Jean-Aubry 596: 593: 590: 587: 586: 581: 577: 575: 571: 569: 565: 563: 559: 558: 557: 556: 552: 551:Le Livre rose 549: 546: 543: 540: 537: 534: 531: 528: 525: 522: 519: 516: 513: 510: 507: 506: 502: 501: 490: 488: 484: 479: 476: 474: 470: 466: 462: 452: 448: 446: 445: 440: 439:Clair de lune 436: 435: 430: 429: 424: 423: 418: 409: 399: 396:November 2022 390: 386: 383:This section 381: 378: 374: 373: 365: 363: 359: 355: 354: 349: 345: 341: 337: 333: 328: 326: 322: 318: 308: 306: 302: 297: 295: 291: 287: 277: 275: 274: 269: 268: 263: 262: 257: 256: 251: 250:Henry Russell 247: 242: 240: 236: 232: 228: 218: 216: 211: 209: 205: 201: 197: 193: 189: 188:Maurice Ravel 185: 180: 178: 174: 170: 166: 162: 157: 152: 142: 140: 136: 128: 125: 121: 118: 107: 103: 99: 95: 91: 86:22 April 1925 78: 74: 69: 65: 61: 57: 43: 39: 32: 27: 20: 2353:the original 2348: 2325: 2305: 2299: 2287:. Retrieved 2272: 2265: 2240: 2236: 2211:. Retrieved 2199: 2189: 2180: 2174: 2162:. Retrieved 2148: 2123:. 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Retrieved 1861: 1842: 1798: 1759: 1750: 1737: 1729: 1722:L'Arlésienne 1721: 1713: 1707: 1701: 1691: 1683: 1680:Louis Aubert 1673: 1669: 1659: 1653: 1643: 1637: 1631: 1621: 1615: 1609: 1600: 1587: 1574: 1565: 1556: 1540: 1526: 1519: 1515: 1510: 1502: 1489: 1483: 1478: 1469: 1463: 1457: 1447: 1427: 1412: 1406: 1400: 1387: 1381: 1368: 1362: 1355: 1346: 1334: 1329: 1323: 1317: 1304: 1295: 1289: 1283: 1272: 1266: 1262: 1256: 1250: 1244: 1238: 1228: 1221: 1214: 1201: 1192: 1186: 1180: 1174: 1161: 1143: 1137: 1131: 1123: 1117: 1112: 1106: 1100: 1087: 1081: 1068: 1059: 1053: 1047: 1041: 1035: 1024: 1011: 1005: 1000:Détresse!... 999: 993: 987: 978: 972: 961: 955: 949: 937: 929: 916: 906: 893: 887: 882:Pater noster 881: 875: 872:, March 1919 869: 856: 850: 844: 838: 832: 823: 817: 811: 805: 799: 788: 782: 773: 767: 761: 747:Trois Fables 746: 741:Détresse!... 740: 734: 729:J. du Bellay 724: 718: 712: 706: 700: 691: 685: 679: 673: 662: 653: 647: 641: 630: 621: 615: 609: 594: 588: 579: 573: 568:Premier prix 567: 561: 550: 544: 538: 532: 526: 520: 514: 508: 480: 477: 458: 449: 442: 438: 432: 426: 420: 414: 393: 389:adding to it 384: 361: 351: 335: 331: 329: 316: 314: 298: 285: 283: 271: 265: 259: 253: 243: 238: 234: 226: 224: 212: 207: 203: 199: 195: 191: 184:Prix de Rome 181: 148: 135:André Caplet 134: 133: 23:André Caplet 2412:1925 deaths 2407:1878 births 2382:(in French) 2213:25 November 2021:Musicologie 1688:Humperdinck 1642:; Delibes' 1539:Chabrier's 1388:Deux pièces 1060:O Salutaris 1027:, 1919-1920 1012:Les prières 896:, 1914-1917 894:Les prières 751:La Fontaine 631:Les Prières 362:ars antiqua 340:Henri Ghéon 286:Les Prières 280:World War I 237:(1903) and 182:He won the 105:Citizenship 97:Nationality 2401:Categories 2349:ResMusicca 2289:5 November 2164:1 November 2125:1 November 2091:1 November 2065:2 November 2031:6 November 1982:1 November 1952:1 November 1922:2 November 1878:5 November 1771:References 1636:; Bizet's 1580:Elise Hall 1324:Allegresse 145:Early life 123:Occupation 82:1925-04-22 47:1878-11-23 2257:0027-4666 1628:Offenbach 1422:Harp solo 1330:Épiphanie 1290:Interieur 1163:Quintette 1054:Agnus Dei 911:R. Tagore 545:Papillons 498:For voice 441:from the 231:saxophone 210:(1901). 2025:Archived 1670:Habañera 1606:Massenet 1296:Alleluia 1231:, (vivo) 1222:Nihavend 1132:Salammbô 979:Angoisse 973:Préludes 870:Pie Jesu 806:La ronde 719:Solitude 680:Berceuse 610:Préludes 461:pleurisy 241:(1905). 151:Le Havre 127:Composer 70:, France 68:Calvados 64:Honfleur 56:Le Havre 54:between 2393:(IMSLP) 2389:at the 1815:3687160 1730:Pelléas 1714:Requiem 1617:Werther 1511:Pagodes 1401:Prelude 1351:, 1897 1269:), 1923 1239:Septuor 1215:Scharki 1187:Scherzo 1175:Allegro 1107:Légende 1048:Sanctus 934:Ronsard 753:), 1919 622:Angoise 235:Légende 2333:  2280:  2255:  2155:  2116:  2056:  1869:  1813:  1698:Wagner 1661:Louise 1650:Gounod 1639:Carmen 1529:(1911) 1507:(1911) 1490:La mer 1479:La Mer 1470:Ibéria 1464:Gigues 1448:Images 1417:, 1919 1409:, 1901 1403:, 1899 1390:, 1900 1384:, 1897 1365:, 1901 1326:, 1903 1320:, 1903 1318:Élegie 1245:Sonate 1193:Finale 1181:Adagio 1146:, 1923 1140:, 1917 1128:, 1903 1120:, 1908 1103:, 1900 1042:Gloria 950:Myrrha 601:, 1908 515:Myrrha 344:rosary 336:Miroir 290:Verdun 258:, the 117:France 114:  100:French 62:) and 1811:JSTOR 1726:Fauré 1655:Faust 1645:Lakmé 1623:Manon 1611:Thaïs 1548:Notes 1518:from 1284:Quiet 692:Forêt 674:Songe 521:Green 493:Works 455:Death 208:Myrra 196:L'Été 2331:ISBN 2291:2022 2278:ISBN 2253:ISSN 2215:2003 2166:2022 2153:ISBN 2127:2022 2114:ISBN 2093:2022 2067:2022 2054:ISBN 2033:2022 1984:2022 1954:2022 1924:2022 1880:2022 1867:ISBN 1724:and 1706:and 1620:and 798:1.) 76:Died 41:Born 2245:doi 2204:doi 1803:doi 1700:'s 1690:'s 1682:'s 1668:'s 1652:'s 1630:'s 1608:'s 1468:3. 1462:2. 1456:1. 1294:3. 1288:2. 1282:1. 1267:Été 1255:or 1227:3. 1220:2. 1213:1. 1191:4. 1185:3. 1179:2. 1173:1. 1082:Été 1058:5. 1052:4. 1046:3. 1040:2. 1034:1. 977:2. 971:1. 932:, ( 909:, ( 822:5. 816:4. 810:3. 804:2. 772:3. 766:2. 760:1. 749:, ( 727:, ( 690:4. 684:3. 678:2. 672:1. 652:3. 646:2. 640:1. 620:3. 614:2. 608:1. 578:4. 572:3. 566:2. 560:1. 391:. 350:'s 327:". 294:Ham 192:Été 2403:: 2347:. 2251:. 2241:97 2239:. 2235:. 2223:^ 2202:. 2198:. 2135:^ 2083:. 2023:. 2019:. 2007:^ 1974:. 1970:. 1944:. 1940:. 1914:. 1851:^ 1823:^ 1809:. 1779:^ 1696:; 1686:; 1678:; 1664:; 1648:; 1626:; 1614:, 597:, 489:. 475:. 276:. 264:, 198:, 179:. 2339:. 2293:. 2259:. 2247:: 2217:. 2206:: 2168:. 2129:. 2095:. 2069:. 2035:. 1986:. 1976:I 1956:. 1946:I 1926:. 1882:. 1817:. 1805:: 1745:. 1732:. 467:( 398:) 394:( 84:) 80:( 66:( 58:( 49:) 45:(

Index


Le Havre
Seine-Maritime
Honfleur
Calvados
Neuilly-sur-Seine
France
Composer
Claude Debussy
Le Havre
Paris Conservatory
Orchestre Colonne
Théâtre de l'Odéon
Société des compositeurs de musique
Société nationale de musique
Georges Barrère
Prix de Rome
Maurice Ravel
French Academy in Rome
saxophone
Boston Opera Company
Henry Russell
L'enfant prodigue
Children's Corner
Pelléas et Mélisande
Le Martyre de saint Sébastien
Verdun
Ham
Walter Damrosch
John J. Pershing

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