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317:, who studied harmony with him at the conservatory, wrote, "Lyadov's critical comments were always precise, clear, understandable, constructive, and brief.... And it was done indolently, without haste, sometimes seemingly disdainfully. He could suddenly stop in midword, take out some small scissors from his pocket and start doing something with his fingernail, while we all waited."
371:. He published music by Glazunov, Lyadov, Rimsky-Korsakov and Borodin at his own expense. In addition, young composers appealed for Belyayev's help. Belyayev asked Lyadov to serve with Glazunov and Rimsky-Korsakov on an advisory council to help select from these applicants. The group of composers that formed eventually became known as the
332:.' This was said in a tone that meant 'Go to the devil!'" Still, Lyadov told his acquaintances about Prokofiev. "I am obliged to teach him. He must form his technique, his style—first in piano music." In 1905, he resigned briefly over the dismissal of Rimsky-Korsakov, only to return when Rimsky-Korsakov was reinstated.
323:
remarked that Lyadov was as strict with himself as he was with his pupils, writing with great precision and demanding fine attention to detail. Prokofiev recalled that even the most innocent musical innovations drove the conservative Lyadov crazy. "Shoving his hands in his pockets and rocking in his
472:
It has been argued that Lyadov never completed a large-scale work. However, many of his miniatures have their place in the repertory. In 1905 Lyadov began work on a new ballet score, but when the work failed to progress, he shifted gears to work on an opera instead. Lyadov never finished the opera,
423:
While Lyadov's technical facility was highly regarded by his contemporaries, his unreliability stood in the way of his advancement. His published compositions are relatively few due to a certain self-critical lack of confidence. Many of his works are variations on or arrangements of pre-existing
40:
382:. Nearly seven years earlier Tchaikovsky had given a negative opinion to the publisher Besel about a piano arabesque Lyadov had written. Even before this visit, though, Tchaikovsky's opinion of Lyadov may have been changing. He had honored Lyadov with a copy of the score of his
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389:. Now that he had actually met the man face-to-face, the younger composer became "dear Lyadov." He became a frequent visitor to Lyadov and the rest of the Belyayev Circle, beginning in the winter of 1890.
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461:, "The Enchanted Lake"). These short tone poems, probably his most popular works, exhibit an exceptional flair for orchestral tone colour. In his later compositions he experimented with
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composers. In 1884 Belyayev instituted the
Russian Symphony Concerts and established an annual Glinka Prize. The following year he started his own publishing house in
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276:– the famous Russian ballet dancer and choreographer and his descendants now live in Iran with their second family (Zartari).
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510:; however, despite the much-repeated story that Lyadov was slow to start composing the work which eventually became
141:, Russian Empire, into a family of eminent Russian musicians. He was taught informally by his conductor step-father
506:, and on 4 September that year wrote to the composer asking for a new ballet score for the 1910 season of his
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167:, although he remained a fine pianist. His natural musical talent was highly thought of by, among others,
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Troparions "Blagoobrazny Iosiph (Prosperous Joseph)" and "Mironositsam zhenam (For myrrh-bearers wives)"
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soft woolen shoes without heels, he would say, 'I don't understand why you are studying with me. Go to
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435:
Like many of his contemporaries, Lyadov was drawn to intensely
Russian subjects. Much of his music is
401:, Novgorod Governorate, where he spent his summers composing unhurriedly, and where he died in 1914.
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for solo voices, chorus and orchestra, Op. 28 (1878, published 1891). This was his graduation piece.
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363:. Interest in Glazunov's music quickly grew to Belyayev's patronage of an entire group of Russian
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313:. Consistent with his character, he was a variable but at times brilliant instructor. Conductor
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He married into money in 1884, acquiring through his marriage a country property in
Polynovka,
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Babi Yar (Berkeley, Los
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266:) – a famous Russian actress and singer who became famous in operettas, married
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He taught at the St. Petersburg
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428:, Op. 58). He did compose a large number of piano miniatures, of which his
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Polonaise in C major ("In Memory of
Pushkin") for orchestra, Op. 49 (1899)
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Troparion for the
Nativity of Christ "Rozdestvo Tvoe, Christe Bozhe nash"
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father
Konstantin Lyadov – chief conductor of the Imperial Opera Company
1293:(a collection of old Russian Orthodox liturgical chants), Op. 61 (1909)
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Polnoye sobraniye sochinery: literaturnïye proizvedeniya i perepiska
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228:) – the famous Russian opera singer; the second: Ivan Pomazanskiy (
520:), there is no evidence that Lyadov ever accepted the commission.
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15 August] 1914) was a
Russian composer, teacher and
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30 April] 1855 – 28 August [
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Article about Lyadov and his op. 63, the tone poem
Kikimora
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516:(famously fulfilled by the then relatively inexperienced
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but sections of the work found realization in the short
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List of music students by teacher: K to M#Anatoly Lyadov
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grandfather on his father's side – Nikolai G. Lyadov (
1486:(Moscow, 1953–1981), vol. 9, 36. As quoted in Brown,
1391:, symphonic picture for orchestra, Op. 66 (1910–1912)
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He soon gave up instrumental study to concentrate on
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Scherzo in D major for orchestra, Op. 16 (1879–1886)
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commissioned Lyadov to orchestrate a number for the
196:) was a conductor of Petersburg Philharmonic Society
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Novellette in A minor for piano, Op. 20 (1882–1889)
1270:Humorous Song 'I Danced With The Gnat'./Allegretto
800:, Ballade in D major for orchestra, Op. 21b (1889)
1222:Polonaise in D major for orchestra, Op. 55 (1902)
1091:Two Preludes and Mazurka for piano, Op. 42 (1898)
1041:Etude and Three Preludes for piano, Op. 40 (1897)
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1608:(New York: Knopf, 1925, 3rd ed. 1942). ISBN n/a.
1604:(St. Petersburg, 1909), published in English as
1385:Dance of the Amazon for orchestra, Op. 65 (1910)
837:Little Waltz in G major for piano, Op. 26 (1891)
152:from 1860 to 1868, and then in 1870 entered the
1566:, (New York: W.W. Norton & Company, 1991).
1546:The New Grove Dictionary of Music and Musicians
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806:, Esquisse in F major for piano, Op. 23 (1890)
794:, Ballade in D major for piano, Op. 21a (1889)
1656:Free scores by Anatoly Konstantinovich Lyadov
1178:Three Ballet Pieces for piano, Op. 52 (1901)
603:Impromptu in D major for piano, Op. 6 (1881)
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1007:Mazurka in F major for piano, Op. 38 (1895)
1231:Three Pieces for piano, Op. 57 (1900–1905)
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1660:International Music Score Library Project
1615:(Oxford: Oxford University Press, 1996).
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1200:Three Bagatelles for piano, Op. 53 (1903)
1004:Etude in F major for piano, Op. 37 (1895)
713:Etude in E major for piano, Op. 12 (1886)
352:Lyadov introduced timber millionaire and
1666:Naxos site about Liadov's life and music
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1366:Four Pieces for piano Op. 64 (1909–1910)
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175:. He entered the composition classes of
1733:20th-century Russian conductors (music)
1564:Tchaikovsky: The Final Years, 1885–1893
976:Three Preludes for piano, Op. 36 (1895)
840:Three Preludes for piano, Op. 27 (1891)
763:Two Bagatelles for piano, Op. 17 (1887)
560:Four Arabesques for piano, Op. 4 (1878)
535:Six Pieces for piano, Op. 3 (1876–1877)
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1169:Variations on a Polish Folk Theme in A
1122:Four Preludes for piano, Op. 46 (1899)
1010:Four Preludes for piano, Op. 39 (1895)
785:, Mazurka for orchestra, Op. 19 (1887)
716:Four Preludes for piano, Op. 13 (1887)
619:Two Intermezzi for piano, Op. 8 (1883)
606:Two Intermezzi for piano, Op. 7 (1881)
83:, Novgorod Governorate, Russian Empire
1613:Stravinsky and the Russian Traditions
1548:. Macmillan Publishers Ltd., London.
1264:Christmas Carol 'Kolyada'. Allegretto
951:Three Canons for piano, Op. 34 (1894)
929:Three Pieces for piano, Op. 33 (1889)
926:) in A major for piano, Op. 32 (1893)
747:Two Mazurkas for piano, Op. 15 (1887)
691:Three Pieces for piano, Op. 11 (1885)
669:Three Pieces for piano, Op. 10 (1884)
1778:Saint Petersburg Conservatory alumni
1512:Rimsky-Korsakov, 308 + 309 footnote.
1309:Kondakion for the Nativity of Christ
967:Variations on a Theme by Glinka in B
457:Op. 62 (inspired by the painting by
1743:20th-century Russian male musicians
1299:Stichira for the Nativity of Christ
1147:Two Pieces for piano, Op. 48 (1899)
1108:Mazurka on Polish Themes in A major
1072:Two Fugues for piano, Op. 41 (1896)
900:Two Pieces for piano, Op. 31 (1893)
809:Two Pieces for piano, Op. 24 (1890)
532:, 14 pieces for piano, Op. 2 (1876)
13:
1637:(New York: The Free Press, 1995).
1635:St. Petersburg: A Cultural History
1394:Nénie for orchestra, Op. 67 (1914)
644:Two Pieces for piano, Op. 9 (1883)
336:Glazunov, Belyayev and Tchaikovsky
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1763:Pupils of Nikolai Rimsky-Korsakov
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1583:A History of Russian Music: From
1228:for orchestra, Op. 56 (1891–1904)
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419:commemorating Lyadov's centennial
264:Вера Александровна Лядова-Иванова
1768:Russian male classical composers
1728:20th-century classical composers
1718:19th-century classical composers
1689:Works by or about Anatoly Lyadov
1602:Letoppis Moyey Muzykalnoy Zhizni
465:, like his younger contemporary
432:of 1893 is perhaps most famous.
115:Анато́лий Константи́нович Ля́дов
1758:Musicians from Saint Petersburg
1738:Russian male conductors (music)
1723:19th-century conductors (music)
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1273:Legend of The Birds. Allegretto
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777:Bagatelle in B major (Pastoral)
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1357:) for orchestra, Op. 62 (1909)
1175:major for piano, Op. 51 (1901)
1119:major for piano, Op. 44 (1898)
973:major for piano, Op. 35 (1894)
897:major for piano, Op. 30 (1889)
888:major for piano, Op. 29 (1892)
834:major for piano, Op. 25 (1891)
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344:Portrait of M. P. Belyayev by
111:Anatoly Konstantinovich Lyadov
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1678:Lyadov Music Society (Russia)
1488:Tchaikovsky: The Final Years,
1439:Vospominaniia o B.V. Asaf'eve
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439:; for example his tone poems
378:In November 1887, Lyadov met
205:sister Valentina K. Lyadova (
154:Saint Petersburg Conservatory
1544:Sadie, Stanley, ed. (1980).
1501:Tchaikovsky: The Final Years
1363:for orchestra, Op. 63 (1909)
1256:for orchestra, Op. 58 (1906)
868:Final scene from Schiller's
359:to the music of the teenage
272:cousin's husband (divorced)
132:
16:Russian composer (1855–1914)
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1753:Burials at Tikhvin Cemetery
1324:Zadostoinik na Vozdvizhenie
905:'Rustic' Mazurka in G major
216:the first sister's husband
202:mother V Antipova – pianist
156:to study piano and violin.
137:Lyadov was born in 1855 in
10:
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1773:Russian Romantic composers
1600:Rimsky-Korsakov, Nikolai,
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1334:Tebe poem (To You we sing)
699:Mazurka in the Dorian Mode
424:material (for example his
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254:cousin (uncle's daughter)
249:Александр Николаевич Лядов
1441:(Leningrad, 1974), p. 82.
1261:Religious Chant. Moderato
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1671:16 February 2010 at the
1339:Khvalite Gospoda s nebes
1282:Village Dance Song. Vivo
783:Village Scene by the Inn
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380:Pyotr Ilyich Tchaikovsky
236:) - the Russian musician
1530:See Taruskin, pp. 577–8
1344:Chashu spaseniya priimu
1267:Plaintive Song. Andante
1254:Eight Russian Folksongs
600:for piano, Op. 5 (1881)
177:Nikolai Rimsky-Korsakov
1287:Ten Arrangements from
420:
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1276:Cradle Song. Moderato
920:Muzikalnaya tabakerka
870:Die Braut von Messina
614:Intermezzo in F major
611:Intermezzo in D major
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1581:and Erica Pomerans,
1482:Tchaikovsky, Pyotr,
1279:Round Dance. Allegro
1208:Bagatelle in G major
1205:Bagatelle in B major
943:Grotesque in C major
586:Arabesque in E major
574:Arabesque in A major
256:Vera Lyadova-Ivanova
213:) – dramatic actress
1748:Composers for piano
1611:Taruskin, Richard,
1577:Maes, Francis, tr.
1521:Taruskin, pp. 576–7
1424:Prokofiev, Sergei,
1389:From the Apocalypse
1319:Chertog Tvoy vizhdu
946:Pastoral in F major
117:; 12 May [
1579:Arnold J. Pomerans
1355:The Enchanted Lake
1248:Mazurka in F minor
1142:Prelude in E minor
1139:Prelude in G major
1136:Prelude in G minor
1105:Prelude in B major
1058:Prelude in D minor
1055:Prelude in C major
1027:Prelude in B major
1024:Prelude in C minor
999:Prelude in G major
924:A musical snuffbox
854:Prelude in B major
814:Prelude in E major
774:minor (La Douleur)
755:Mazurka in A minor
752:Mazurka in A major
733:Prelude in A major
721:Prelude in G major
696:Prelude in B minor
686:Mazurka in D major
683:Mazurka in C major
555:Mazurka in C major
552:Mazurka in B major
549:Mazurka in G major
540:Prelude in D major
484:The Enchanted Lake
467:Alexander Scriabin
459:Arseny Meshchersky
454:The Enchanted Lake
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361:Alexander Glazunov
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291:Nikolai Myaskovsky
1631:Antonina W. Bouis
1351:Volshebnoye ozero
798:About Olden Times
792:About Olden Times
463:extended tonality
426:Russian Folksongs
357:Mitrofan Belyayev
169:Modest Mussorgsky
143:Konstantin Lyadov
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106:
105:
103:
102:
99:
96:
92:
90:
86:
85:
78:
76:(aged 59)
72:28 August 1914
70:
66:
65:
61:St. Petersburg
59:
48:
44:
43:
35:
34:
32:Анатолий Лядов
28:
27:
25:Anatoly Lyadov
24:
15:
9:
6:
4:
3:
2:
1790:
1779:
1776:
1774:
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1694:
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1687:
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1679:
1676:
1674:
1670:
1667:
1664:
1661:
1657:
1654:
1653:
1644:
1643:0-02-874052-1
1640:
1636:
1632:
1628:
1625:
1622:
1621:0-19-816250-2
1618:
1614:
1610:
1607:
1603:
1599:
1596:
1595:0-520-21815-9
1592:
1588:
1585:Kamarinskaya
1584:
1580:
1576:
1573:
1572:0-393-03099-7
1569:
1565:
1561:
1557:
1555:1-56159-174-2
1551:
1547:
1542:
1541:
1527:
1518:
1509:
1502:
1496:
1489:
1485:
1479:
1470:
1468:
1466:
1464:
1454:
1452:
1450:
1448:
1440:
1434:
1427:
1421:
1414:
1413:Vospominaniia
1408:
1404:
1393:
1390:
1387:
1384:
1383:
1380:Reminiscences
1379:
1376:
1373:
1370:
1369:
1365:
1362:
1359:
1356:
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1269:
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1255:
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1235:
1234:
1230:
1227:
1224:
1221:
1220:
1210:
1207:
1204:
1203:
1199:
1198:
1194:
1191:
1182:
1181:
1177:
1168:
1165:
1164:
1154:
1151:
1150:
1146:
1145:
1141:
1138:
1135:
1126:
1125:
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1111:
1107:
1104:
1095:
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1076:
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1023:
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1009:
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1003:
1002:
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989:
980:
979:
975:
966:
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961:
958:
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954:
950:
949:
945:
942:
933:
932:
928:
925:
921:
918:
917:
907:
904:
903:
899:
890:
881:
877:
874:
871:
867:
866:
856:
853:
844:
843:
839:
836:
827:
826:
817:Berceuse in G
816:
813:
812:
808:
805:
802:
799:
796:
793:
790:
787:
784:
781:
780:
776:
767:
766:
762:
759:
758:
754:
751:
750:
746:
745:
735:
732:
723:
720:
719:
715:
712:
711:
701:
698:
695:
694:
690:
689:
685:
682:
673:
672:
668:
667:
657:
648:
647:
643:
642:
632:
623:
622:
618:
617:
613:
610:
609:
605:
602:
599:
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589:
585:
576:
573:
564:
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548:
545:
542:
539:
538:
534:
531:
528:
527:
521:
519:
515:
514:
509:
505:
504:
503:Les Sylphides
500:
496:
492:
487:
485:
481:
480:
476:
470:
468:
464:
460:
456:
455:
450:
449:
444:
443:
438:
433:
431:
427:
418:
417:postage stamp
415:
411:
402:
400:
399:Borovichevsky
390:
388:
386:
381:
376:
374:
370:
366:
362:
358:
355:
347:
342:
333:
331:
327:
322:
318:
316:
315:Nikolai Malko
312:
308:
307:Boris Asafyev
304:
300:
296:
292:
288:
275:
271:
269:
261:
257:
253:
246:
242:
238:
231:
223:
219:
215:
208:
204:
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198:
191:
187:
186:
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178:
174:
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166:
162:
157:
155:
149:
144:
140:
130:
128:
124:
120:
112:
100:
97:
94:
93:
91:
87:
82:
81:Borovichevsky
71:
67:
62:
49:
45:
41:
36:
29:
22:
19:
1685:(in Spanish)
1634:
1612:
1605:
1601:
1586:
1582:
1563:
1545:
1526:
1517:
1508:
1500:
1495:
1487:
1483:
1478:
1457:Volkov, 349.
1438:
1433:
1425:
1420:
1412:
1407:
1388:
1360:
1354:
1350:
1343:
1338:
1333:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1288:
1253:
1236:Prelude in D
1225:
1127:Prelude in B
1096:Prelude in B
1061:Prelude in D
1030:Prelude in F
1015:Prelude in A
990:Prelude in B
981:Prelude in F
923:
919:
908:Prelude in B
879:
875:
869:
857:Prelude in G
845:Prelude in E
803:
797:
791:
782:
736:Prelude in F
724:Prelude in B
702:Mazurka in F
674:Prelude in D
658:Mazurka in A
529:
513:The Firebird
511:
501:
488:
483:
477:
471:
452:
446:
440:
437:programmatic
434:
429:
425:
422:
396:
384:
377:
351:
319:
284:
258:(1839–1870;
243:(1818–1871;
161:counterpoint
158:
136:
110:
109:
74:(1914-08-28)
18:
1713:1914 deaths
1708:1855 births
880:Marionettes
828:Idylle in D
393:Later years
365:nationalist
146: [
89:Occupations
79:Polynovka,
57:12 May 1855
1702:Categories
1473:Maes, 173.
1437:Quoted in
1399:References
1377:Temptation
1195:in A major
1192:in C major
1077:Fugue in F
1046:Etude in C
649:Valse in F
592:Etude in A
475:tone poems
346:Ilya Repin
274:Lev Ivanov
268:Lev Ivanov
113:(Russian:
53:1855-05-12
1428:, p. 138.
1426:Materialy
1226:Baba Yaga
442:Baba Yaga
133:Biography
127:conductor
101:conductor
1669:Archived
1415:, p. 45.
1361:Kikimora
1239:♭
1214:♭
1186:♭
1172:♭
1158:♭
1130:♭
1116:♯
1099:♭
1080:♯
1064:♭
1049:♯
1033:♯
1018:♭
993:♭
984:♯
970:♭
937:♭
911:♭
894:♭
885:♭
860:♭
848:♭
831:♭
820:♭
771:♭
739:♯
727:♭
705:♯
677:♭
661:♭
652:♯
636:♭
627:♭
595:♭
580:♭
568:♯
530:Biryulki
489:In 1909
479:Kikimora
451:Op. 63,
448:Kikimora
445:Op. 56,
414:U.S.S.R.
387:Symphony
328:. Go to
173:The Five
95:Composer
1691:at the
1662:(IMSLP)
1658:at the
1538:Sources
1499:Brown,
1371:Grimace
1290:Obikhod
876:Kukolki
497:-based
385:Manfred
369:Leipzig
330:Debussy
309:. See:
281:Teacher
260:Russian
245:Russian
230:Russian
222:Russian
207:Russian
190:Russian
98:teacher
1641:
1629:, tr.
1619:
1593:
1570:
1552:
882:) in E
499:ballet
495:Chopin
348:(1886)
305:, and
183:Family
1503:, 91.
1374:Gloom
1242:major
1217:major
1189:major
1161:major
1133:major
1102:major
1083:minor
1067:major
1052:minor
1036:minor
1021:major
996:minor
987:major
940:major
914:minor
863:major
851:major
823:major
742:minor
730:major
708:minor
680:major
664:major
655:minor
639:major
630:major
598:major
583:major
571:minor
405:Music
165:fugue
150:]
1639:ISBN
1617:ISBN
1591:ISBN
1568:ISBN
1550:ISBN
1183:in E
482:and
163:and
123:O.S.
119:O.S.
69:Died
47:Born
1490:91.
1704::
1633:,
1587:to
1462:^
1446:^
486:.
469:.
375:.
301:,
297:,
293:,
289:,
262::
247::
232::
224::
209::
192::
148:ru
129:.
1645:.
1623:.
1597:.
1574:.
1558:.
1353:(
922:(
878:(
220:(
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
