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536:... bearing any sort of national character." He offered specific recommendations for bringing one about by encouraging natural originality over studied adherence to established models. He said: "If you go in your natural shape, in the true garb of your nation, you will never be laughed at." Neal also advised literary critics to give US writers more attention, but to avoid undeserved praise, for fear it would stifle creative growth. "Let us never make a prodigious fuss about any American book, which if it were English, would produce little or no sensation
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784:] at this renegade's base attempt to assassinate the reputation of this country", warning Neal to be on guard should he return to the US, "or you may reap that reward for your vile labors, which you so richly merit." This was the beginning of a feud between the two men that continued for years. Speaking for the minority of US literary figures who favored Neal's piece in
175:. Neal argued American literature relied too much on British precedent and had failed to develop its own voice. He offered sharp criticism of many authors and urged critics not to offer writers from the US undeserved criticism, lest it stifle the development of a truly distinct American literature. Poe's later critical essays on literature reflected these strictures.
849:, the latter of which being a semi-autobiographical story that disparaged well-respected locals. Pattee summarized: "For a time he felt like a man without a country". He was accosted on the street by locals waiting for him on the stoop of a tavern. The confrontation led to a fistfight in which the group's leader left with a bloody nose. Neal also found
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value. A "man of grievances" according to
English scholar George L. Nesbitt, Neal envisioned those journals as a "blazing rocket-battery" he could turn to fire upon the readership of "swarming whipper-snappers" in Great Britain. Thinking highly of his own abilities, he was confident he would fast become a leading literary figure in London.
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accepted, and Neal became a regular contributor, finding himself "warmly welcomed and handsomely paid", according to Sears. As the magazine's first major
American contributor, Neal authored an article for every issue between July 1824 and February 1826. Neal's presence in its pages was substantial enough that literary historian
560:. Richards considered that coverage to be far out of proportion to his role in American literature. Literature scholar Jonathan Elmer called it "brazen". The coverage offers mixed reviews, saying of himself "he overdoes everything" in his novels, "hardly one of which it is possible to read through." He nevertheless judged
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This series of articles highlighted cultural similarities between the US and UK, making the case for an improved transatlantic relationship. It served to counterpoise ample content from contemporary UK authors that predominantly disparaged the US, when it considered the new nation at all. A decade later, Neal called
178:
Neal wrote the series in London, where he lived between 1824 and 1827. Moving there from
Baltimore, his goals were to establish himself as America's leading literary figure, encourage the development of a uniquely American writing style, and reverse British disdain for literature from the US. He soon
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includes what Pattee and literature scholar Abbate Badin considered a more interesting version of Neal's ability to produce a series of sketches of
American figures, which is why Pattee decided to include the excerpt. This was the first republication of a substantial work by Neal since his death and
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articles: "The series is notoriously riddled with factual errors". He wrote it all in a style unique to himself, despite external pressures to adhere to established models. That style was nevertheless more controlled than his other work in order to maintain his
English pseudonym. Literature scholars
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as the leading US literary figure, usher into existence a new uniquely
American literary style, and reverse British disdain for American literature. To accomplish the third goal, Neal sought publication in British literary journals to expose UK readers to writing from the US and convince them of its
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in five installments between
September 1824 and February 1825, it is recognized by scholars as the first history of American literature and the first substantial work of criticism concerning US authors. It is Neal's longest critical work and at least 120 authors are covered, based entirely on Neal's
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the first history of literature from that country and the first substantial criticism of
American literature. Some contend it is the work for which Neal is best known, at least among his British publications, or for that period of his life. Of all Neal's works of literary criticism, it is the most
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posted throughout the city sarcastically proclaiming his writing in London and
Baltimore had driven him insane and he was recovering with help from an "African Physician", who was in actuality a local Black man hired by the broadside's authors to follow him in public. Neal allowed the man to follow
187:
under an
English pseudonym, which Neal assumed was convincing. Blackwood and British readers likely realized they were reading the work of an American, and multiple leading American periodicals outed Neal before the series was completed. The series was well received in the UK and exerted measurable
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Neal later wrote about this period to indicate he was already on a mission to write about American topics in the UK, but biographer Irving T. Richards argues Neal likely found the opportunity with Blackwood after he arrived. Either way, he quickly became Blackwood's primary authority on US topics.
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Pattee acknowledged Neal's misinformation and unfair attacks, but otherwise judged the work as "sound criticism", and praised the staying power of Neal's critiques, saying, "his critical judgments have held. Where he condemned, Time has almost without exception condemned also." Literature scholar
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articles called it "the most brilliant, troubling, acerbic and imaginative periodical of the post-Napoleonic age". Literature scholar Fritz Fleischmann described the magazine as subscribing to an "aesthetic belief in original thoughts expressed in bold and forceful language". The editor of a 1959
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more than any of his previous works. At the same time, the reception there was much worse than in the UK. American readers were generally offended by Neal's sharp criticism, particularly because he wrote and published it in a country with which they had been at war two times in the previous half
893:, according to Lease, and likely had a direct influence on Whitman, according to literature scholar Joseph Jay Rubin. Neal's pleas not to stifle US literature by fluffing undeserving American writers likely influenced Poe's critical essays, which contained similar language. Neal's criticism of
512:
comprises about 50,000 words over 80 magazine pages. Literature scholars Alfred Fiorelli, Benjamin Lease, and Hans-Joachim Lang counted 120 names among the authors covered by Neal. Both Richards and scholar Alberta Fabris put the number at 135. Those figures, both living and dead at the time,
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paid more than Blackwood, but he also rejected all of Neal's subsequent submissions after learning who Neal was. Neal sent five more articles to Blackwood with a letter explaining his willingness to cover any manner of topics; Blackwood rejected them all. His sixth submission to Blackwood was
406:
and refrain from calling him a blackguard. After publishing the last installment in February 1825, Blackwood sent Neal a letter congratulating him on completing the series. He encouraged standalone articles in the future, but to continue on American topics. Neal did not publish anything else
419:
Neal was convinced that anything submitted by an American to any British periodical would be rejected if it did not disparage the US. For his writing to be accepted, "Neal treated the venture as an undercover operation", according to literature scholar Ellen Bufford Welch. "e considered an
572:"is full of power—eloquence—poetry—instinct" but still "so outrageously overdone, that no-body can read it through." Lease and Cairns considered Neal's coverage of Cooper to be disproportionately brief. In it, he dismissed Cooper's female characters as "nice, tidy, pretty—behaved women, who
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He wrote about all authors from recollection, having brought neither any of their works nor any notes on them from America. As a result, Neal devoted more space in some cases to anecdotes relating to an author than to analysis of their work. According to the editors of a 2016 collection of
155:
memory; having no notes or books for reference contributed to Neal's disproportionate coverage of many figures and much disinformation about them. Modern scholars nevertheless praise the staying power of Neal's opinions, many of which are reflected by later critics decades later, notably "
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articles, who pointed to "caustic one-liners or generic praise" Neal used for works with which he was less familiar but "cogent, authoritative and lucid" comments for his favorite works. An example of Neal's misinformation and unfairness was captured by the 1930 biographer of
285:. His letter said he was about to leave London to explore Europe, but: "In the mean time, I must have some sort of employment to keep me out of mischief." Biographer Donald A. Sears says "the situation was desperate" when Neal received a response from Scottish publisher
17:
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in Baltimore wrote him in July 1825 to inform him of the poor reaction from American journalists, including many with whom Neal had associated before leaving Baltimore. Years later he wrote, "the whole paperhood of America, were baiting and badgering me, at every
513:
included novelists, poets, political writers, scientific writers, philosophers, theologians, journalists, historians, geographers, and even painters. Each figure is covered with at least a paragraph, though some get multiple pages. He dedicated half a page to
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the most important literary periodical in 1820s Great Britain, a period in which such periodicals were more influential than ever before. Neal was already familiar with it and had read it in Baltimore. The editors of a six-volume 2016 academic collection of
827:, in July 1827, likely expecting the ire sparked by his British publications to have died down and for a warm welcome to be in its place. He instead found hostility in Portland to be greater than the nation as a whole. Many still resented him for not only
540:... it is only insulting the Americans", he said. Following his own advice, his assessment of individual writers was "brutally honest", according to Welch. Where he did find what he considered truly American literature, he named only Brown, himself, and
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called Neal a "slimy reptile" and "impudent scribbler", suggesting controversy drove him from Baltimore to London "where he earns his crust by defaming his native land", such that he "should be spit upon or cowskinned". After reading the installment of
317:, having sought it out as "the cleverist, the sauciest, and most unprincipled of our calumniators", he later wrote. Cairns agreed, writing: "Neal's slashing style and the somewhat sensational nature of his utterances fitted well with the manner of
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exerted measurable influence over British periodicals and the way they treated literature from the US; many used quotes to substantiate their own work, including multiple instances of misinformation unwittingly copied from Neal. For instance, the
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until Neal's detractors could no longer afford to pay him to continue. Neal had not planned on staying in Portland, but changed his mind in defiance of the opposition to his return. He stayed in Portland until his death forty-nine years later.
420:
impenetrable disguise", according to Pattee. Neal started by introducing himself as Carter Holmes in his first communication with Blackwood, and continued using the pseudonym in all correspondence with him while writing
682:] articles I have had which have done so much for as these of this writer." To Neal, he wrote after the last installment: "You have finished your series in capital style. The whole is spirited and most original."
884:
supports this theory among scholars. Neal said: "The day is rapidly approaching, when the poetry of conventional meter must give way to a mightier poetry in prose." Neal's theory "boldly prophesies the organicism of"
325:, he was one of two to exhibit the publisher's desired style notably well. Neal's article in the May 1824 issue was the first by an American to appear in any British literary journal, and it was republished by the
657:, saying it "shows him to be well worth the trouble of breaking in". Cairns credits Neal's coverage of himself with ushering a brief period of increased critical attention of his novels among British reviewers.
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wrote to Blackwood, attacking the series as "a tissue of lies from beginning to end". Citing the broadly positive feedback he had already received from his readership, Blackwood responded, "there are not manny
4580:
Nineteenth-Century Literature Criticism: Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current
4080:
Nineteenth-Century Literature Criticism: Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current
395:"the first British Magazine that ever allowed an American fair play". He further claimed Blackwood "published for me what no other magazine-proprietor in the three kingdoms would have dared to publish".
200:, leading to a fistfight. In defiance, he decided to stay in Portland, where he lived until his death forty-nine years later. The first postmortem republication of any of his works was 1937, when
746:, reacting to the series's first installment, called Neal "a half educated, half crazy headed author" who was "kicked from every city in the United States" to "escape to England, to sell their
690:
Neal wrote five novels in Baltimore and published extensively in periodicals throughout the US before moving to London, but by mid 1825, American readers generally associated his name with
188:
influence over British critics, some of whom copied Neal's analyses and misinformation into their own essays. It conversely drew considerable ire from US journalists, none more severe than
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pieces. Despite describing himself in those pages as English, most British readers likely knew they were reading the work of an American. Likely reflecting British readership in general,
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collection used the words "rioutous" and "blackguardly". The magazine had not, however, published a single piece on an American topic from June 1822 until Neal's first piece in May 1824.
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that scholars generally still agreed with Neal's assessment of many of the authors the piece considers, particularly Bryant and Irving. The introduction to the 1927 edition of Irving's
4613:
484:, Neal proclaimed his true nationality and signed it with his last initial. He revealed his name to Blackwood in a letter around the same time. The protagonist of Neal's 1830 novel
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extensive, and according to one scholar, his most interesting to a modern audience. Fleischmann called it "an unprecedented success" in terms of educating British readership.
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Edward Watts and David J. Carlson contended the series foreshadowed a clash on the literary horizon between genteel traditions and popular vulgarity in anglophone literature.
271:
Neal's resources were running low after living in England with no income for three months. Capitalizing on Europeans' interest in US politics sparked by recent news of the
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series came out in the September 1824 issue. Before publishing the second installment, Blackwood requested some changes, particularly that Neal tone down his attack on
50:
4612:
Strachan, John; Mason, Nicholas; Mole, Tom; Snodgrass, Charles (2016) . "Introduction". In Strachan, John; Mason, Nicholas; Mole, Tom; Snodgrass, Charles (eds.).
321:". Blackwood seemed to enjoy Neal's style and wanted it in his magazine. Neal was one of many new contributors adopted by Blackwood in the early 1820s; alongside
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Fleischmann, Fritz (1987). "Yankee Heroics: New England Folk Life and Character in the Fiction of Portland's John Neal (1793–1876)". In Vaughan, David K. (ed.).
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901:(1824) contended the book did a great job of presenting dry history while failing to communicate the spirit of the experience. This analysis likely influenced
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the best assessment of US literature yet published, praising "its knowledge of a subject concerning which we sit in darkness." Conversely, fellow contributor
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was originally published as five successively-numbered installments between September 1824 and February 1825. Their first collection in one publication was
424:. He made clear it was a pseudonym, but maintained he was English. Blackwood and his editors likely figured out quickly they were dealing with an American.
4383:
Merlob, Maya (2012). "Celebrated Rubbish: John Neal and the Commercialization of Early American Romanticism". In Watts, Edward; Carlson, David J. (eds.).
1853:
How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda
472:, Neal hinted at his identity, saying, "we know him well" and describing his anonymously-published novels: "No matter whose they are—mine or another's
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is that the US had not yet developed its own voice: there is "no such thing in the United States of North America, as a body of native literature
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Readers on both sides of the Atlantic largely knew they were reading the work of an American, particularly those in the US. Many connected
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is "generally rich in acute critical perceptions." This was also echoed by Sears, Lease, and the editors of a 21st-century collection of
35:
947:, who referred to Neal's critique of Halleck as "difficult to match for hopeless inaccuracy and unabashed egotism." Richards summarized
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4685:
Weyler, Karen A. (2012). "John Neal and the Early Discourse of American Women's Rights". In Watts, Edward; Carlson, David J. (eds.).
913:(1845) two decades later. By claiming the US did not yet have a distinct literature, it is possible Neal helped authors of the later
276:
1873:
How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States
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feel justified in disregarding a half century of American precedent and thinking themselves the first in their country's history.
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being the longest and best-remembered of his works on American topics in multiple UK periodicals. He wrote for Scottish publisher
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581:
156:
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s value had "sadly fallen off when a man who could not find a reader in America, goes to England, and ranks first quill." The
640:, rather than based on an original interpretation. Being published in a respected journal likely convinced British readers of
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and his review of Cooper from "Late American Books". Of those, Pattee's collection is the most accessible to modern readers.
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stated years later in 1831: "There is no mistaking the hand of John Neal" in his work published in British periodicals.
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British Criticisms of American Writings 1815–1833: A Contribution to the Study of Anglo-American Literary Relationships
1986:
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3970:. University of Wisconsin Studies in Language and Literature Number 14. Madison, Wisconsin: University of Wisconsin.
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as "altogether honest, reasonably just, and exceedingly shrewd in its judgments." Richards contended a century after
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that mentions him, Hall called Neal "a liar of the first magnitude" and a "nauseous reptile". A New York critic said
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to Neal. Based on his reading of the first two installments, Philadelphian John Elihu Hall outed Neal as author in
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576:... talk very much like a book". Neal summed him up as "a man of sober talent—nothing more." Seven decades later,
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592:. That section is a largely accurate prediction of Hunter's future reputation as an untrustworthy imposter and
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During his three years in England, Neal contributed articles to eight other British periodicals, including
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4261:"In Search of the 'Real North American Story': John Neal's Short Stories 'Otter-Bag' and 'David Whicher'"
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was published to intimidate America's developing literary community. The most severe reaction came from
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4654:"Literary Nationalism and the Renunciation of the British Gothic Tradition in the Novels of John Neal"
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Watts, Edward; Carlson, David J. (2012). "Introduction". In Watts, Edward; Carlson, David J. (eds.).
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778:, whereat he was apprenticing. He said: "We cannot express sufficiently, our Indignation [
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Orestano, Francesca (2012). "John Neal, the Rise of the Critick, and the Rise of American Art".
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claimed Neal's to be "the most intelligent review" of that work since its publication in 1809.
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Richter, Jörg Thomas (2012). "Notes on Poetic Push-Pin and the Writing of Life in John Neal's
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Fourteenth Annual Report of the Proceedings of the Maine Press Association, for the Year 1877
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was named Carter Holmes, which the book called a "fictitious name" connected to "Blackwood".
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century. Neal expected this reaction and was aware before he returned to the US. His friend
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Elwell, Edward H. (1877). "Historical Sketches: Cumberland County". In Wood, Joseph (ed.).
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A Right View of the Subject: Feminism in the Works of Charles Brockden Brown and John Neal
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Aside from familiarizing British readers with American authors, Neal's central message in
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American Writers: A Series of Papers Contributed to Blackwood's Magazine (1824–1825)
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Heralds of Promise: The Drama of the American People During the Age of Jackson 1829–1849
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The Making of an Abolitionist: William Lloyd Garrison's Path to Publishing the Liberator
30:
This article is about the 1824–25 publication. For a list of American-born writers, see
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Consumable Goods: Papers from the North East Popular Culture Association Meeting, 1986
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Formalism, Experience, and the Making of American Literature in the Nineteenth Century
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in September 1825. Scholar Robert Bain considered that piece the sixth installment of
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Rubin, Joseph Jay (1941) . "John Neal's Poetics as an Influence on Whitman and Poe".
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for the first time into one publication. That edition remains the most accessible of
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American Writers: A Series of Papers Contributed to Blackwood's Magazine (1824–1825)
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American Writers: A Series of Papers Contributed to Blackwood's Magazine (1824–1825)
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American Writers: A Series of Papers Contributed to Blackwood's Magazine (1824–1825)
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American Writers: A Series of Papers Contributed to Blackwood's Magazine (1824–1825)
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American Writers: A Series of Papers Contributed to Blackwood's Magazine (1824–1825)
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Observations on American Art: Selections from the Writings of John Neal (1793–1876)
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called it an "unnatural" and "unprincipled" attack on Neal's country. Hall in the
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1820:"The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)"
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Carlson, David J. (2012). "'Another Declaration of Independence': John Neal's
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in 1824, which is approximately equal to £584.00 or $ 694.00 in present terms.
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in April 1826 said Neal "has really and truly done much service to his country
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History, Abolition, and the Ever-Present Now in Antebellum American Writing
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and the Assault on Precedent". In Watts, Edward; Carlson, David J. (eds.).
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Neal critiqued his own works and included a short biography of himself in
4637:. Lewisburg, Pennsylvania: Bucknell University Press. pp. xi–xxxiv.
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4689:. Lewisburg, Pennsylvania: Bucknell University Press. pp. 227–246.
4451:. Lewisburg, Pennsylvania: Bucknell University Press. pp. 123–144.
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The source URL includes multiple separate publications bundled together.
4102:. Lewisburg, Pennsylvania: Bucknell University Press. pp. 145–157.
3991:. Lewisburg, Pennsylvania: Bucknell University Press. pp. 159–184.
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Alexander Cowie issued a similarly balanced assessment, concluding that
289:: "You are exactly the correspondent that we want". The payment of five
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4387:. Lewisburg, Pennsylvania: Bucknell University Press. pp. 99–122.
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Observations on American Art: Selections from the Writings of John Neal
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476:... I shall neither acknowledge, nor deny them." In his last piece for
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4563:. Lewisburg, Pennsylvania: Bucknell University Press. pp. 75–97.
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became the first American published in any British literary journal,
4618:. Vol. 6. New York City, New York: Routledge. pp. xii–xx.
4497:. Durham, North Carolina: Duke University Press. pp. vii–viii.
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525:—a proportionality Richards said was "frequently grossly violated".
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in 1824 was the equivalent of one pound and one shilling, roughly
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the first of a series in the twentieth century that also included
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under the name X.Y.Z., which he borrowed from fellow contributors
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was more than Neal had ever received for any magazine submission.
3928:. Bainbridge, New York: York Mail–Print, Inc. pp. viii–xli.
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1019:
in 1978, the last of which includes Neal's review of Irving from
722:
for May 1825 that Neal's authorship rendered the series invalid.
4687:
John Neal and Nineteenth Century American Literature and Culture
4635:
John Neal and Nineteenth Century American Literature and Culture
4561:
John Neal and Nineteenth Century American Literature and Culture
4519:. Durham, North Carolina: Duke University Press. pp. 3–26.
4449:
John Neal and Nineteenth Century American Literature and Culture
4385:
John Neal and Nineteenth Century American Literature and Culture
4100:
John Neal and Nineteenth Century American Literature and Culture
3989:
John Neal and Nineteenth Century American Literature and Culture
2829:
2297:
2295:
1772:"Understanding Old British Money — Pounds, Shillings, and Pence"
468:
followed suit the following May. When reviewing his own work in
4318:
That Wild Fellow John Neal and the American Literary Revolution
3837:
3835:
3833:
3815:
3707:
3563:
2598:
1886:
653:
in April 1826 said Neal's novels were too extreme, but praised
588:, which was based to a degree on their time in the same London
296:
Early American literature scholar William B. Cairns considered
144:
is a work of literary criticism by American writer and critic
3575:
2292:
1005:
in 1943, "Critical Essays and Stories by John Neal" in 1962,
4475:. Durham, North Carolina: Duke University Press. p. v.
4225:"John Neal, American Romance, and International Romanticism"
4123:. Portland, Maine: Brown Thurston & Co. pp. 22–31.
3830:
3779:
3176:
704:... because, forsooth, in dealing with our American authors,
243:
sailed to England. He pursued three primary goals: supplant
4065:. State College, Pennsylvania: Pennsylvania State College.
3941:
reproduction of 1823 Baltimore edition, two volumes in one.
3297:
3295:
2957:
2955:
2429:
2227:
2125:
2065:
1902:
4611:
4157:
Literary Nationalism in the Works of John Neal (1793-1876)
4098:
Elmer, Jonathan (2012). "John Neal and John Dunn Hunter".
3859:
3803:
3689:
3629:
3307:
3105:
2588:
2586:
2584:
2350:
2282:
2280:
2278:
2164:
2143:
2035:
1950:
1944:
1649:
3791:
3487:
3451:
800:...; his treatment in America was cruel and abominable".
780:
678:
3475:
3379:
3292:
2952:
2906:
2904:
2889:
2763:
2761:
2441:
2205:
2203:
2201:
1914:
4083:. Farmington Hills, Michigan: Gale, A Cengage Company.
3883:
3871:
3755:
3551:
3122:
3120:
2581:
2469:
2334:
2332:
2330:
2275:
2251:
2239:
2089:
2077:
1974:
4513:(1937c). "Introduction". In Pattee, Fred Lewis (ed.).
4246:. New York City, New York: Columbia University Press.
4181:. Erlangen, Germany: Verlag Palm & Enke Erlangen.
3847:
3667:
3427:
2417:
2407:
2405:
2170:
2101:
2014:
4366:
The Genius of John Neal: Selections from His Writings
3731:
3719:
3695:
3539:
3463:
3439:
3236:
3077:
3001:
2901:
2758:
2569:
2509:
2481:
2356:
2198:
2113:
2041:
1721:
1719:
1717:
1715:
1690:
1688:
636:
s March 1825 review of Irving was likely copied from
3743:
3527:
3499:
3367:
3264:
3117:
2967:
2726:
2327:
2053:
2002:
1700:
772:
was Garrison's most substantial contribution to the
275:, he wrote an article on the five US presidents and
2877:
2817:
2402:
2263:
1926:
1794:
1661:
4491:(1937b). "Contents". In Pattee, Fred Lewis (ed.).
4364:Lease, Benjamin; Lang, Hans-Joachim, eds. (1978).
4046:. New York, New York: Cambridge University Press.
2773:
2215:
1712:
1685:
1637:
823:Neal left England and returned to his hometown of
600:was likely the basis for the section on Bryant in
329:in multiple languages throughout mainland Europe.
167:foreshadowed and likely influenced later works by
4469:(1937a). "Preface". In Pattee, Fred Lewis (ed.).
4434:. Durham, North Carolina: Duke University Press.
4299:"John Neal's Quarrel with the Westminster Review"
4244:American Literature in Nineteenth Century England
383:called it a "complete surrender" on the part of "
4773:
880:'s theory of poetry. Poe's own involvement with
857:
27:1824–25 work of literary criticism by John Neal
580:struck a very similar tone in his own essay, "
4026:A Down-East Yankee From the District of Maine
4010:. New York, New York: American Book Company.
566:to be "one of the best romances of the age".
239:After eight years in Baltimore, in late 1823
4632:
4597:. Boston, Massachusetts: Twayne Publishers.
4282:. Oxford, England: Oxford University Press.
3581:
2301:
1839:
1806:
1655:
4195:
4176:
3776:, pp. 52–53, quoting Nelson F. Adkins.
3713:
3111:
2748:
1956:
480:, published after the final installment of
196:and in-person hostility in his hometown of
36:American Writers: A Journey Through History
4586:
4077:
374:s inaugural (June 1824) issue, and editor
49:
4363:
3949:. Jefferson, North Carolina: MacFarland.
3877:
3797:
3569:
3481:
3397:
3142:
3067:
2660:
2628:
2527:
2313:
2286:
1992:
1816:inflation figures are based on data from
613:
332:
220:
4538:(PhD thesis). Cambridge, Massachusetts:
4531:
4446:
4320:. Chicago: University of Chicago Press.
4258:
4153:
3824:
3809:
3785:
3625:
3413:
3385:
3357:
3341:
3313:
3301:
3282:
3254:
3226:
3210:
3182:
3154:
3138:
3099:
2922:
2807:
2704:
2696:
2676:
2632:
2592:
2563:
2543:
2531:
2475:
2435:
2317:
2257:
2245:
2233:
2176:
2131:
2095:
2083:
2071:
1908:
1866:
1846:
1682:, p. 86, quoting George L. Nesbitt.
807:
495:
254:
224:
4554:
4509:
4487:
4465:
4406:. New York, New York: Greenwood Press.
4401:
4222:
4160:(PhD thesis). New York City, New York:
4060:
4022:
3982:
3944:
3889:
3853:
3841:
3725:
3641:
3597:
3593:
3493:
3433:
3417:
3325:
3166:
3095:
3083:
2985:
2942:
2926:
2910:
2767:
2664:
2644:
2620:
2575:
2515:
2487:
2447:
2423:
2390:
2378:
2362:
2209:
2188:
2119:
2047:
1889:"Consumer Price Index (estimate) 1800–"
1706:
1031:The following authors are critiqued in
14:
4774:
4684:
4382:
4241:
4136:
4116:
4078:DiMercurio, Catherine C., ed. (2018).
3963:
3673:
3657:
3621:
3401:
3126:
3007:
2989:
2973:
2961:
2930:
2835:
2752:
2547:
2374:
2059:
2008:
1980:
1920:
1769:
964:
841:(1825), but his 1823 Baltimore novels
584:". Neal also included a discussion of
387:to the swashbuckling young American".
4651:
4592:
4577:
4351:from the original on October 28, 2023
4334:
4315:
4296:
4277:
4097:
4041:
4005:
3924:Bain, Robert (1971). "Introduction".
3906:
3865:
3773:
3761:
3749:
3737:
3701:
3685:
3661:
3645:
3617:
3605:
3601:
3557:
3545:
3533:
3517:
3505:
3469:
3457:
3445:
3421:
3373:
3270:
3242:
3194:
3051:
3035:
3019:
2946:
2895:
2883:
2867:
2839:
2823:
2791:
2779:
2744:
2732:
2716:
2700:
2692:
2624:
2604:
2559:
2499:
2459:
2338:
2321:
2269:
2107:
2020:
1968:
1932:
1887:Federal Reserve Bank of Minneapolis.
1817:
1800:
1753:
1737:
1725:
1694:
1679:
1667:
1643:
920:
907:Views and Reviews in American History
862:Along with Neal's essays on drama in
34:. For the 2001–02 C-SPAN series, see
4420:
3923:
2851:
2608:
2411:
2221:
4259:Halfmann, Ulrich (September 1990).
708:... I had told the truth of them."
582:Fenimore Cooper's Literary Offenses
157:Fenimore Cooper's Literary Offenses
24:
1971:, p. 50, quoting A.L. Strout.
1026:
990:bibliography of Neal's other works
876:was likely a primary influence on
803:
714:, called a "blockhead" by Neal in
163:. Theories of poetry and prose in
25:
4818:
4705:
4335:Lease, Benjamin (December 1974).
1782:from the original on May 31, 2020
992:and excerpts from his 1823 novel
988:The 1937 edition also includes a
618:
4223:Gilmore, Paul (September 2012).
4029:. Portland, Maine: A.J. Huston.
685:
443:. He used other names for other
313:Neal felt he was a good fit for
4535:The Life and Works of John Neal
4337:"John Neal and Edgar Allan Poe"
4061:Dickson, Harold Edward (1943).
1763:
1604:
969:Referred to by Neal as a book,
521:, eight to himself, and ten to
277:current presidential candidates
4297:Lease, Benjamin (March 1954).
4008:The Rise of the American Novel
3909:"L'Opera Critica di John Neal"
899:A Peep at the Pilgrims in 1636
720:United States Literary Gazette
466:United States Literary Gazette
282:Blackwood's Edinburgh Magazine
151:Blackwood's Edinburgh Magazine
88:Blackwood's Edinburgh Magazine
13:
1:
4652:Welch, Ellen Bufford (2021).
4615:Blackwood's Magazine, 1817–25
3102:, pp. 480–481, 563, 569.
1625:
858:Influence on American writers
768:, whose May 1825 reaction to
750:, to mercenary journalists."
398:The first installment of the
262:
215:
4532:Richards, Irving T. (1933).
3213:, pp. 563–564, quoting
1881:American Antiquarian Society
1861:American Antiquarian Society
1630:
868:and the preface to his poem
414:
7:
4807:Books of literary criticism
4782:Books by John Neal (writer)
4402:Meserve, Walter J. (1986).
4177:Fleischmann, Fritz (1983).
3964:Cairns, William B. (1922).
3257:, p. 567, quoting the
2992:, p. 212, quoting the
1585:
367:. He had an article in the
210:Neal's literary productions
55:Spine of 1937 republication
10:
4823:
4202:National Poetry Foundation
4139:"Il Randolph di John Neal"
3899:
1123:Joseph Stevens Buckminster
491:
411:until September, however.
29:
4658:Early American Literature
4593:Sears, Donald A. (1978).
4368:. Las Vegas: Peter Lang.
4266:The New England Quarterly
4242:Gohdes, Clarence (1944).
4154:Fiorelli, Alfred (1980).
4023:Daggett, Windsor (1920).
4006:Cowie, Alexander (1951).
3259:Boston Commercial Gazette
3157:, pp. 1, 356–1, 357.
2854:, p. xxxiv, quoting
794:New York Literary Gazette
744:Boston Commercial Gazette
610:over twenty years later.
121:
113:
105:
78:
70:
60:
48:
32:Lists of American writers
4316:Lease, Benjamin (1972).
4137:Fabris, Alberta (1966).
3945:Brennan, Dennis (2014).
3582:Watts & Carlson 2012
3362:Sumner Lincoln Fairfield
2302:Watts & Carlson 2012
1656:Watts & Carlson 2012
1597:
1203:Peter Stephen Du Ponceau
1108:Henry Marie Brackenridge
790:Sumner Lincoln Fairfield
358:The New Monthly Magazine
4278:Insko, Jeffrey (2018).
3360:, p. 570, quoting
3344:, p. 569, quoting
3285:, p. 568, quoting
3229:, p. 564, quoting
3197:, p. 123, quoting
2647:, p. 482, quoting
2502:, p. 480, quoting
2462:, p. 147, quoting
1995:, p. xiv, quoting
1818:Clark, Gregory (2017).
1778:. Woodlands Resources.
1136:William Ellery Channing
1017:The Genius of John Neal
4797:1937 non-fiction books
3907:Badin, Abbate (1969).
3827:, pp. 431, 431n8.
3520:, p. 75, quoting
3346:William Lloyd Garrison
3330:William Lloyd Garrison
3328:, p. 50, quoting
3169:, p. 13, quoting
3054:, p. 55, quoting
3038:, p. 55, quoting
3022:, p. 55, quoting
2870:, p. 53, quoting
2810:, p. 21, quoting
2794:, p. 64, quoting
2719:, p. 17, quoting
2679:, p. 80, quoting
2396:The Westminster Review
2393:, p. 23, quoting
2191:, p. 14, quoting
1770:Barrow, Mandy (2013).
1756:, p. 49, quoting
1740:, p. 48, quoting
1393:Robert Treat Paine Jr.
1236:Thomas Green Fessenden
1224:Alexander Hill Everett
1182:Richard Henry Dana Sr.
1141:Edward Tyrrel Channing
1113:Charles Brockden Brown
1075:Rev. Frederick Beazley
895:Harriet Vaughan Cheney
820:
766:William Lloyd Garrison
748:venom, froth, and lies
614:Contemporary reactions
519:Charles Brockden Brown
506:
449:The Westminster Review
364:The Westminster Review
333:Steady contributorship
268:
236:
221:Blackwood engages Neal
190:William Lloyd Garrison
4670:10.1353/eal.2021.0039
3878:Lease & Lang 1978
3798:Lease & Lang 1978
3570:Lease & Lang 1978
3482:Lease & Lang 1978
3398:Lease & Lang 1978
3143:Lease & Lang 1978
3070:, p. x, quoting
3068:Lease & Lang 1978
2661:Lease & Lang 1978
2629:Lease & Lang 1978
2528:Lease & Lang 1978
2314:Lease & Lang 1978
2287:Lease & Lang 1978
1993:Lease & Lang 1978
1592:Articles by John Neal
1278:Robert Goodloe Harper
1169:James Fenimore Cooper
1118:William Cullen Bryant
1071:Benjamin Smith Barton
958:A History of New York
925:Scholars have called
911:William Gilmore Simms
870:The Battle of Niagara
811:
598:William Cullen Bryant
596:. Neal's critique of
515:James Fenimore Cooper
499:
340:The European Magazine
258:
249:James Fenimore Cooper
228:
96:Duke University Press
4208:. pp. 157–165.
4042:Davis, Theo (2007).
3868:, pp. 10, 10n8.
3844:, pp. vii–viii.
3690:Strachan et al. 2016
3630:Strachan et al. 2016
3572:, p. 280n23–24.
3199:Joseph T. Buckingham
2546:, pp. 479–480;
2351:Strachan et al. 2016
2165:Strachan et al. 2016
2144:Strachan et al. 2016
2036:Strachan et al. 2016
1945:Strachan et al. 2016
1418:James Gates Percival
1408:James Kirke Paulding
1382:Mordecai Manuel Noah
915:American Renaissance
905:'s similar take on
737:Blackwood's Magazine
724:Joseph T. Buckingham
602:James Russell Lowell
542:James Kirke Paulding
441:John Gibson Lockhart
279:and submitted it to
4802:Books about writers
4583:. pp. 183–184.
4304:American Literature
4230:American Literature
4206:University of Maine
3788:, pp. 481–482.
3716:, pp. 148–149.
3460:, pp. 124–125.
3424:, pp. 123–124.
3185:, pp. 565–567.
2898:, pp. 148–149.
2438:, pp. 563–564.
2236:, pp. 485–486.
2134:, pp. 475–476.
2074:, pp. 474–475.
1911:, pp. 472–473.
1513:Gulian C. Verplanck
1268:Fitz-Greene Halleck
1198:Joseph Rodman Drake
965:Publication history
945:Fitz-Greene Halleck
903:Nathaniel Hawthorne
887:Ralph Waldo Emerson
607:A Fable for Critics
431:series appeared in
346:The London Magazine
45:
4792:1825 in literature
4787:1824 in literature
4763:1937 republication
4540:Harvard University
4511:Pattee, Fred Lewis
4489:Pattee, Fred Lewis
4467:Pattee, Fred Lewis
4426:Pattee, Fred Lewis
4162:Fordham University
3098:, pp. 12–13;
3024:David Macbeth Moir
2945:, pp. 23–24;
2320:, pp. 28–29;
1923:, pp. 10, 15.
1814:Retail Price Index
1474:Catharine Sedgwick
1403:Theophilus Parsons
1362:Samuel L. Mitchill
1273:Alexander Hamilton
1186:John Beale Davidge
1159:Cadwallader Colden
1097:Edmund March Blunt
1056:Washington Allston
921:Modern scholarship
833:Blackwood and Sons
821:
775:Newburyport Herald
712:Theophilus Parsons
665:David Macbeth Moir
604:'s satirical poem
507:
464:in late 1824. The
269:
237:
234:Sarah Miriam Peale
74:Literary criticism
43:
4696:978-1-61148-420-5
4644:978-1-61148-420-5
4625:978-1-85196-800-8
4604:978-0-8057-7230-2
4587:DiMercurio (2018)
4570:978-1-61148-420-5
4458:978-1-61148-420-5
4394:978-1-61148-420-5
4375:978-3-261-02382-7
4327:978-0-226-46969-0
4188:978-3-7896-0147-7
4109:978-1-61148-420-5
4090:978-1-4103-7851-4
3998:978-1-61148-420-5
3764:, pp. 54–55.
3560:, pp. 38–39.
3404:, pp. 25–26.
3072:William Blackwood
3056:William Blackwood
2964:, p. 148n11.
2534:, pp. 27–28.
2450:, pp. 24–25.
2110:, pp. 71–72.
2023:, pp. 50–52.
1983:, pp. 29–30.
1758:William Blackwood
1546:Mason Locke Weems
1526:Mercy Otis Warren
1522:William B. Walter
1508:Benjamin Trumbull
1498:St. George Tucker
1494:Benjamin Stillman
1426:Timothy Pickering
1304:Washington Irving
1240:Benjamin Franklin
1208:Timothy Dwight IV
1146:Parker Cleaveland
1046:John Quincy Adams
835:-published novel
523:Washington Irving
381:Fred Lewis Pattee
287:William Blackwood
260:William Blackwood
245:Washington Irving
202:Fred Lewis Pattee
185:William Blackwood
137:
136:
106:Publication place
44:American Writers
16:(Redirected from
4814:
4761:American Writers
4700:
4681:
4648:
4629:
4608:
4584:
4574:
4551:
4528:
4506:
4484:
4462:
4443:
4417:
4398:
4379:
4360:
4358:
4356:
4331:
4312:
4293:
4274:
4255:
4238:
4219:
4200:. Orono, Maine:
4192:
4173:
4150:
4132:
4113:
4094:
4074:
4057:
4038:
4019:
4002:
3979:
3960:
3937:
3920:
3893:
3887:
3881:
3875:
3869:
3863:
3857:
3851:
3845:
3839:
3828:
3822:
3813:
3812:, p. 2,190.
3807:
3801:
3795:
3789:
3783:
3777:
3771:
3765:
3759:
3753:
3747:
3741:
3735:
3729:
3723:
3717:
3714:Fleischmann 1983
3711:
3705:
3699:
3693:
3683:
3677:
3671:
3665:
3655:
3649:
3639:
3633:
3615:
3609:
3604:, pp. 8–9;
3591:
3585:
3579:
3573:
3567:
3561:
3555:
3549:
3543:
3537:
3531:
3525:
3515:
3509:
3503:
3497:
3496:, p. 176n6.
3491:
3485:
3479:
3473:
3467:
3461:
3455:
3449:
3443:
3437:
3431:
3425:
3411:
3405:
3395:
3389:
3383:
3377:
3371:
3365:
3355:
3349:
3339:
3333:
3323:
3317:
3316:, p. 568n3.
3311:
3305:
3299:
3290:
3280:
3274:
3268:
3262:
3252:
3246:
3240:
3234:
3224:
3218:
3208:
3202:
3192:
3186:
3180:
3174:
3164:
3158:
3152:
3146:
3136:
3130:
3124:
3115:
3112:Fleischmann 1987
3109:
3103:
3093:
3087:
3081:
3075:
3065:
3059:
3049:
3043:
3033:
3027:
3017:
3011:
3005:
2999:
2983:
2977:
2971:
2965:
2959:
2950:
2940:
2934:
2920:
2914:
2908:
2899:
2893:
2887:
2881:
2875:
2865:
2859:
2849:
2843:
2833:
2827:
2821:
2815:
2805:
2799:
2789:
2783:
2777:
2771:
2765:
2756:
2751:, pp. 5–8;
2749:Fleischmann 1983
2742:
2736:
2730:
2724:
2714:
2708:
2690:
2684:
2674:
2668:
2663:, p. xiii;
2658:
2652:
2642:
2636:
2618:
2612:
2602:
2596:
2590:
2579:
2573:
2567:
2557:
2551:
2541:
2535:
2525:
2519:
2513:
2507:
2497:
2491:
2485:
2479:
2473:
2467:
2457:
2451:
2445:
2439:
2433:
2427:
2421:
2415:
2409:
2400:
2388:
2382:
2372:
2366:
2360:
2354:
2348:
2342:
2336:
2325:
2311:
2305:
2304:, p. xviii.
2299:
2290:
2284:
2273:
2267:
2261:
2255:
2249:
2243:
2237:
2231:
2225:
2219:
2213:
2207:
2196:
2186:
2180:
2174:
2168:
2162:
2147:
2141:
2135:
2129:
2123:
2117:
2111:
2105:
2099:
2093:
2087:
2081:
2075:
2069:
2063:
2057:
2051:
2045:
2039:
2033:
2024:
2018:
2012:
2006:
2000:
1990:
1984:
1978:
1972:
1966:
1960:
1957:Fleischmann 1983
1954:
1948:
1942:
1936:
1930:
1924:
1918:
1912:
1906:
1900:
1899:
1897:
1895:
1884:
1878:
1864:
1858:
1843:
1837:
1836:
1834:
1832:
1810:
1804:
1798:
1792:
1791:
1789:
1787:
1767:
1761:
1751:
1745:
1735:
1729:
1723:
1710:
1704:
1698:
1692:
1683:
1677:
1671:
1665:
1659:
1653:
1647:
1641:
1619:
1617:
1608:
1576:Samuel Woodworth
1556:Alexander Wilson
1481:J. S. Somerville
1422:Willard Phillips
1344:Charles F. Mayer
1314:Thomas Jefferson
1299:John Dunn Hunter
1283:Horace H. Hayden
1155:Robert S. Coffin
1033:American Writers
1021:American Writers
983:American Writers
971:American Writers
953:American Writers
949:American Writers
936:American Writers
927:American Writers
874:American Writers
838:Brother Jonathan
829:American Writers
799:
770:American Writers
762:American Writers
741:
733:American Writers
716:American Writers
707:
703:
692:American Writers
669:American Writers
655:American Writers
647:s validity. The
646:
642:American Writers
635:
630:Quarterly Review
624:American Writers
586:John Dunn Hunter
575:
558:American Writers
539:
535:
530:American Writers
510:American Writers
482:American Writers
475:
470:American Writers
456:American Writers
429:American Writers
422:American Writers
400:American Writers
376:Alexander Walker
373:
352:Monthly Magazine
323:Eyre Evans Crowe
267:
264:
206:American Writers
181:American Writers
165:American Writers
141:American Writers
127:American Writers
53:
46:
42:
21:
4822:
4821:
4817:
4816:
4815:
4813:
4812:
4811:
4772:
4771:
4708:
4703:
4697:
4645:
4626:
4605:
4571:
4459:
4414:
4395:
4376:
4354:
4352:
4328:
4290:
4216:
4189:
4143:Studi Americani
4110:
4091:
4054:
3999:
3957:
3913:Studi Americani
3902:
3897:
3896:
3888:
3884:
3876:
3872:
3864:
3860:
3852:
3848:
3840:
3831:
3823:
3816:
3808:
3804:
3796:
3792:
3784:
3780:
3772:
3768:
3760:
3756:
3748:
3744:
3736:
3732:
3724:
3720:
3712:
3708:
3704:, pp. 8–9.
3700:
3696:
3688:, p. 473;
3684:
3680:
3672:
3668:
3660:, p. 101;
3656:
3652:
3644:, p. 482;
3640:
3636:
3628:, p. 194;
3616:
3612:
3600:, p. xvi;
3592:
3588:
3584:, p. xiii.
3580:
3576:
3568:
3564:
3556:
3552:
3544:
3540:
3532:
3528:
3516:
3512:
3504:
3500:
3492:
3488:
3480:
3476:
3468:
3464:
3456:
3452:
3444:
3440:
3432:
3428:
3416:, p. 573;
3412:
3408:
3396:
3392:
3384:
3380:
3372:
3368:
3356:
3352:
3340:
3336:
3324:
3320:
3312:
3308:
3300:
3293:
3281:
3277:
3269:
3265:
3253:
3249:
3241:
3237:
3231:John Elihu Hall
3225:
3221:
3215:John Elihu Hall
3209:
3205:
3193:
3189:
3181:
3177:
3165:
3161:
3153:
3149:
3137:
3133:
3125:
3118:
3110:
3106:
3094:
3090:
3082:
3078:
3066:
3062:
3050:
3046:
3034:
3030:
3018:
3014:
3006:
3002:
2984:
2980:
2972:
2968:
2960:
2953:
2941:
2937:
2925:, p. 481;
2921:
2917:
2909:
2902:
2894:
2890:
2882:
2878:
2866:
2862:
2850:
2846:
2838:, p. 148;
2834:
2830:
2822:
2818:
2806:
2802:
2790:
2786:
2778:
2774:
2766:
2759:
2743:
2739:
2731:
2727:
2715:
2711:
2699:, p. 480;
2695:, p. 474;
2691:
2687:
2675:
2671:
2659:
2655:
2643:
2639:
2623:, p. 482;
2619:
2615:
2607:, p. 474;
2603:
2599:
2591:
2582:
2574:
2570:
2562:, p. 473;
2558:
2554:
2542:
2538:
2526:
2522:
2514:
2510:
2498:
2494:
2486:
2482:
2474:
2470:
2458:
2454:
2446:
2442:
2434:
2430:
2422:
2418:
2410:
2403:
2389:
2385:
2373:
2369:
2361:
2357:
2353:, p. xxn1.
2349:
2345:
2337:
2328:
2312:
2308:
2300:
2293:
2285:
2276:
2268:
2264:
2256:
2252:
2244:
2240:
2232:
2228:
2220:
2216:
2208:
2199:
2187:
2183:
2175:
2171:
2163:
2150:
2142:
2138:
2130:
2126:
2118:
2114:
2106:
2102:
2094:
2090:
2082:
2078:
2070:
2066:
2058:
2054:
2046:
2042:
2038:, p. xiii.
2034:
2027:
2019:
2015:
2007:
2003:
1991:
1987:
1979:
1975:
1967:
1963:
1955:
1951:
1943:
1939:
1931:
1927:
1919:
1915:
1907:
1903:
1893:
1891:
1876:
1868:McCusker, J. J.
1856:
1848:McCusker, J. J.
1844:
1840:
1830:
1828:
1811:
1807:
1799:
1795:
1785:
1783:
1776:Project Britain
1768:
1764:
1752:
1748:
1736:
1732:
1724:
1713:
1705:
1701:
1693:
1686:
1678:
1674:
1666:
1662:
1654:
1650:
1642:
1638:
1633:
1628:
1623:
1622:
1615:
1609:
1605:
1600:
1588:
1583:
1566:Samuel Williams
1551:James Wilkinson
1490:Charles Sprague
1436:William Pinkney
1358:George R. Minot
1349:William Maxwell
1319:William Johnson
1263:John Elihu Hall
1245:Joseph Galloway
1233:Henry T. Farmer
1164:William Coleman
1084:Anthony Benezet
1029:
1027:Authors covered
967:
923:
878:Edgar Allan Poe
860:
825:Portland, Maine
817:Portland, Maine
806:
804:Portland, Maine
797:
757:Weekly Register
739:
718:, wrote in the
705:
701:
688:
644:
633:
621:
616:
573:
537:
533:
517:, six pages to
494:
473:
417:
407:substantial in
404:John Elihu Hall
371:
369:European Review
335:
273:Monroe Doctrine
265:
223:
218:
198:Portland, Maine
169:Edgar Allan Poe
148:. Published by
101:
56:
39:
28:
23:
22:
15:
12:
11:
5:
4820:
4810:
4809:
4804:
4799:
4794:
4789:
4784:
4770:
4769:
4757:
4745:
4733:
4721:
4707:
4706:External links
4704:
4702:
4701:
4695:
4682:
4664:(2): 471–497.
4649:
4643:
4630:
4624:
4609:
4603:
4590:
4575:
4569:
4552:
4529:
4507:
4485:
4463:
4457:
4444:
4418:
4412:
4399:
4393:
4380:
4374:
4361:
4332:
4326:
4313:
4294:
4288:
4275:
4256:
4239:
4220:
4214:
4193:
4187:
4174:
4151:
4145:(in Italian).
4134:
4114:
4108:
4095:
4089:
4075:
4058:
4052:
4039:
4020:
4003:
3997:
3980:
3961:
3955:
3942:
3921:
3915:(in Italian).
3903:
3901:
3898:
3895:
3894:
3892:, p. 482.
3882:
3870:
3858:
3846:
3829:
3814:
3802:
3800:, p. 283.
3790:
3778:
3766:
3754:
3742:
3740:, p. 171.
3730:
3718:
3706:
3694:
3692:, p. 257.
3678:
3676:, p. 227.
3666:
3664:, p. 147.
3650:
3634:
3632:, p. 257.
3624:, p. 16;
3620:, p. 69;
3610:
3586:
3574:
3562:
3550:
3548:, p. 183.
3538:
3526:
3510:
3498:
3486:
3474:
3472:, p. 110.
3462:
3450:
3448:, p. 124.
3438:
3426:
3420:, p. 16;
3406:
3400:, p. xv;
3390:
3388:, p. 571.
3378:
3366:
3350:
3334:
3318:
3306:
3304:, p. 568.
3291:
3287:Hezekiah Niles
3275:
3263:
3247:
3245:, p. 123.
3235:
3219:
3203:
3187:
3175:
3159:
3147:
3131:
3116:
3114:, p. 160.
3104:
3088:
3076:
3060:
3044:
3040:William Maginn
3028:
3012:
3010:, p. 214.
3000:
2995:British Critic
2988:, p. 23;
2978:
2966:
2951:
2935:
2929:, p. 24;
2915:
2900:
2888:
2876:
2860:
2844:
2828:
2816:
2800:
2784:
2772:
2757:
2747:, p. 51;
2737:
2735:, p. 474.
2725:
2709:
2703:, p. 51;
2685:
2669:
2667:, p. 482.
2653:
2637:
2627:, p. 51;
2613:
2611:, p. xii.
2597:
2595:, p. 480.
2580:
2568:
2566:, p. 132.
2552:
2536:
2530:, p. ix;
2520:
2508:
2492:
2480:
2478:, p. 492.
2468:
2452:
2440:
2428:
2426:, p. xvi.
2416:
2414:, p. xii.
2401:
2383:
2377:, p. 16;
2367:
2355:
2343:
2341:, p. 147.
2326:
2316:, p. ix;
2306:
2291:
2274:
2262:
2260:, p. 486.
2250:
2248:, p. 489.
2238:
2226:
2214:
2197:
2181:
2169:
2167:, p. 257.
2148:
2146:, p. xiv.
2136:
2124:
2112:
2100:
2098:, p. 476.
2088:
2086:, p. 473.
2076:
2064:
2052:
2040:
2025:
2013:
2001:
1985:
1973:
1961:
1959:, p. 148.
1949:
1947:, p. xii.
1937:
1925:
1913:
1901:
1885:1800–present:
1838:
1825:MeasuringWorth
1805:
1793:
1762:
1746:
1730:
1711:
1699:
1684:
1672:
1670:, p. 473.
1660:
1658:, p. xvi.
1648:
1635:
1634:
1632:
1629:
1627:
1624:
1621:
1620:
1602:
1601:
1599:
1596:
1595:
1594:
1587:
1584:
1582:
1581:
1578:
1573:
1568:
1563:
1558:
1553:
1548:
1543:
1538:
1536:Daniel Webster
1533:
1531:Tobias Watkins
1528:
1523:
1520:
1515:
1510:
1505:
1500:
1495:
1492:
1487:
1482:
1479:
1476:
1471:
1470:John Sanderson
1468:
1463:
1461:Daniel Raymond
1458:
1453:
1448:
1443:
1441:Timothy Pitkin
1438:
1433:
1428:
1423:
1420:
1415:
1410:
1405:
1400:
1395:
1390:
1389:Selleck Osborn
1387:
1384:
1379:
1377:Hezekiah Niles
1374:
1369:
1367:Jedidiah Morse
1364:
1359:
1356:
1351:
1346:
1341:
1336:
1331:
1326:
1321:
1316:
1311:
1306:
1301:
1296:
1295:George Houston
1293:
1288:
1285:
1280:
1275:
1270:
1265:
1260:
1255:
1254:William Gordon
1252:
1247:
1242:
1237:
1234:
1231:
1229:Edward Everett
1226:
1221:
1216:
1213:
1212:James Eastburn
1210:
1205:
1200:
1195:
1190:
1187:
1184:
1179:
1178:Richard Dabney
1176:
1171:
1166:
1161:
1156:
1153:
1151:DeWitt Clinton
1148:
1143:
1138:
1133:
1128:
1125:
1120:
1115:
1110:
1105:
1104:John L. Bozman
1102:
1099:
1094:
1093:William Biglow
1091:
1086:
1081:
1079:Jeremy Belknap
1076:
1073:
1068:
1063:
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1053:
1048:
1043:
1037:
1028:
1025:
966:
963:
922:
919:
859:
856:
805:
802:
752:Hezekiah Niles
697:Tobias Watkins
687:
684:
673:William Maginn
650:British Critic
620:
619:United Kingdom
617:
615:
612:
590:boarding house
493:
490:
461:The Port Folio
416:
413:
334:
331:
222:
219:
217:
214:
135:
134:
123:
119:
118:
115:
111:
110:
109:United Kingdom
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100:
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92:
82:
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75:
72:
68:
67:
62:
58:
57:
54:
26:
9:
6:
4:
3:
2:
4819:
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4805:
4803:
4800:
4798:
4795:
4793:
4790:
4788:
4785:
4783:
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4779:
4777:
4768:
4764:
4762:
4758:
4756:
4752:
4751:volumes 16–18
4750:
4746:
4744:
4740:
4738:
4734:
4732:
4728:
4726:
4722:
4720:
4716:
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4646:
4640:
4636:
4631:
4627:
4621:
4617:
4616:
4610:
4606:
4600:
4596:
4591:
4588:
4582:
4576:
4572:
4566:
4562:
4558:
4553:
4549:
4545:
4541:
4537:
4536:
4530:
4526:
4522:
4518:
4517:
4512:
4508:
4504:
4500:
4496:
4495:
4490:
4486:
4482:
4478:
4474:
4473:
4468:
4464:
4460:
4454:
4450:
4445:
4441:
4437:
4433:
4432:
4427:
4423:
4419:
4415:
4413:9780313250156
4409:
4405:
4400:
4396:
4390:
4386:
4381:
4377:
4371:
4367:
4362:
4350:
4346:
4342:
4338:
4333:
4329:
4323:
4319:
4314:
4310:
4306:
4305:
4300:
4295:
4291:
4289:9780198825647
4285:
4281:
4276:
4273:(3): 429–445.
4272:
4268:
4267:
4262:
4257:
4253:
4249:
4245:
4240:
4237:(3): 477–504.
4236:
4232:
4231:
4226:
4221:
4217:
4211:
4207:
4203:
4199:
4194:
4190:
4184:
4180:
4175:
4171:
4167:
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4158:
4152:
4148:
4144:
4140:
4135:
4130:
4126:
4122:
4121:
4115:
4111:
4105:
4101:
4096:
4092:
4086:
4082:
4076:
4072:
4068:
4064:
4059:
4055:
4053:9781139466561
4049:
4045:
4040:
4036:
4032:
4028:
4027:
4021:
4017:
4013:
4009:
4004:
4000:
3994:
3990:
3986:
3981:
3977:
3973:
3969:
3968:
3962:
3958:
3956:9781476615356
3952:
3948:
3943:
3940:
3935:
3931:
3927:
3922:
3918:
3914:
3910:
3905:
3904:
3891:
3886:
3879:
3874:
3867:
3862:
3856:, p. 10.
3855:
3850:
3843:
3838:
3836:
3834:
3826:
3825:Halfmann 1990
3821:
3819:
3811:
3810:Richards 1933
3806:
3799:
3794:
3787:
3786:Richards 1933
3782:
3775:
3770:
3763:
3758:
3752:, p. 72.
3751:
3746:
3739:
3734:
3727:
3722:
3715:
3710:
3703:
3698:
3691:
3687:
3682:
3675:
3670:
3663:
3659:
3654:
3648:, p. 68.
3647:
3643:
3638:
3631:
3627:
3626:Fiorelli 1980
3623:
3619:
3614:
3608:, p. 72.
3607:
3603:
3599:
3596:, p. v;
3595:
3590:
3583:
3578:
3571:
3566:
3559:
3554:
3547:
3542:
3536:, p. 75.
3535:
3530:
3523:
3519:
3514:
3508:, p. 39.
3507:
3502:
3495:
3490:
3484:, p. xv.
3483:
3478:
3471:
3466:
3459:
3454:
3447:
3442:
3436:, p. 20.
3435:
3430:
3423:
3419:
3415:
3414:Richards 1933
3410:
3403:
3399:
3394:
3387:
3386:Richards 1933
3382:
3376:, p. 78.
3375:
3370:
3363:
3359:
3358:Richards 1933
3354:
3347:
3343:
3342:Richards 1933
3338:
3331:
3327:
3322:
3315:
3314:Richards 1933
3310:
3303:
3302:Richards 1933
3298:
3296:
3288:
3284:
3283:Richards 1933
3279:
3273:, p. 40.
3272:
3267:
3260:
3256:
3255:Richards 1933
3251:
3244:
3239:
3232:
3228:
3227:Richards 1933
3223:
3216:
3212:
3211:Richards 1933
3207:
3200:
3196:
3191:
3184:
3183:Richards 1933
3179:
3172:
3168:
3163:
3156:
3155:Richards 1933
3151:
3145:, p. xv.
3144:
3140:
3139:Richards 1933
3135:
3129:, p. 25.
3128:
3123:
3121:
3113:
3108:
3101:
3100:Richards 1933
3097:
3092:
3086:, p. 23.
3085:
3080:
3073:
3069:
3064:
3057:
3053:
3048:
3041:
3037:
3032:
3025:
3021:
3016:
3009:
3004:
2997:
2996:
2991:
2987:
2982:
2976:, p. 94.
2975:
2970:
2963:
2958:
2956:
2949:, p. 72.
2948:
2944:
2939:
2933:, p. 30.
2932:
2928:
2924:
2923:Richards 1933
2919:
2913:, p. 23.
2912:
2907:
2905:
2897:
2892:
2886:, p. 76.
2885:
2880:
2873:
2869:
2864:
2857:
2853:
2848:
2842:, p. 53.
2841:
2837:
2832:
2826:, p. 44.
2825:
2820:
2813:
2809:
2808:Fiorelli 1980
2804:
2797:
2793:
2788:
2781:
2776:
2770:, p. 19.
2769:
2764:
2762:
2755:, p. 31.
2754:
2750:
2746:
2741:
2734:
2729:
2722:
2718:
2713:
2707:, p. 73.
2706:
2705:Fiorelli 1980
2702:
2698:
2697:Richards 1933
2694:
2689:
2682:
2678:
2677:Fiorelli 1980
2673:
2666:
2662:
2657:
2650:
2646:
2641:
2635:, p. 74.
2634:
2633:Fiorelli 1980
2631:, p. x;
2630:
2626:
2622:
2617:
2610:
2606:
2601:
2594:
2593:Richards 1933
2589:
2587:
2585:
2578:, p. 13.
2577:
2572:
2565:
2564:Orestano 2012
2561:
2556:
2550:, p. 16.
2549:
2545:
2544:Richards 1933
2540:
2533:
2532:Fiorelli 1980
2529:
2524:
2518:, p. 12.
2517:
2512:
2505:
2501:
2496:
2490:, p. 79.
2489:
2484:
2477:
2476:Richards 1933
2472:
2465:
2461:
2456:
2449:
2444:
2437:
2436:Richards 1933
2432:
2425:
2420:
2413:
2408:
2406:
2398:
2397:
2392:
2387:
2381:, p. 23.
2380:
2376:
2371:
2365:, p. 17.
2364:
2359:
2352:
2347:
2340:
2335:
2333:
2331:
2324:, p. 49.
2323:
2319:
2318:Fiorelli 1980
2315:
2310:
2303:
2298:
2296:
2289:, p. ix.
2288:
2283:
2281:
2279:
2272:, p. 10.
2271:
2266:
2259:
2258:Richards 1933
2254:
2247:
2246:Richards 1933
2242:
2235:
2234:Richards 1933
2230:
2224:, p. 29.
2223:
2218:
2212:, p. 18.
2211:
2206:
2204:
2202:
2194:
2190:
2185:
2179:, p. 29.
2178:
2177:Fiorelli 1980
2173:
2166:
2161:
2159:
2157:
2155:
2153:
2145:
2140:
2133:
2132:Richards 1933
2128:
2122:, p. 16.
2121:
2116:
2109:
2104:
2097:
2096:Richards 1933
2092:
2085:
2084:Richards 1933
2080:
2073:
2072:Richards 1933
2068:
2062:, p. 54.
2061:
2056:
2050:, p. 11.
2049:
2044:
2037:
2032:
2030:
2022:
2017:
2011:, p. 16.
2010:
2005:
1998:
1994:
1989:
1982:
1977:
1970:
1965:
1958:
1953:
1946:
1941:
1935:, p. 50.
1934:
1929:
1922:
1917:
1910:
1909:Richards 1933
1905:
1890:
1882:
1875:
1874:
1869:
1862:
1855:
1854:
1849:
1842:
1827:
1826:
1821:
1815:
1809:
1803:, p. 49.
1802:
1797:
1781:
1777:
1773:
1766:
1759:
1755:
1750:
1743:
1739:
1734:
1728:, p. 71.
1727:
1722:
1720:
1718:
1716:
1709:, p. 15.
1708:
1703:
1697:, p. 47.
1696:
1691:
1689:
1681:
1676:
1669:
1664:
1657:
1652:
1646:, p. 11.
1645:
1640:
1636:
1613:
1607:
1603:
1593:
1590:
1589:
1579:
1577:
1574:
1572:
1569:
1567:
1564:
1562:
1559:
1557:
1554:
1552:
1549:
1547:
1544:
1542:
1539:
1537:
1534:
1532:
1529:
1527:
1524:
1521:
1519:
1516:
1514:
1511:
1509:
1506:
1504:
1503:William Tudor
1501:
1499:
1496:
1493:
1491:
1488:
1486:
1483:
1480:
1478:William Smith
1477:
1475:
1472:
1469:
1467:
1466:Benjamin Rush
1464:
1462:
1459:
1457:
1454:
1452:
1449:
1447:
1444:
1442:
1439:
1437:
1434:
1432:
1431:John Pierpont
1429:
1427:
1424:
1421:
1419:
1416:
1414:
1411:
1409:
1406:
1404:
1401:
1399:
1396:
1394:
1391:
1388:
1386:James Ogilvie
1385:
1383:
1380:
1378:
1375:
1373:
1370:
1368:
1365:
1363:
1360:
1357:
1355:
1354:James McHenry
1352:
1350:
1347:
1345:
1342:
1340:
1339:John Marshall
1337:
1335:
1334:James Madison
1332:
1330:
1327:
1325:
1322:
1320:
1317:
1315:
1312:
1310:
1307:
1305:
1302:
1300:
1297:
1294:
1292:
1291:David Hoffman
1289:
1286:
1284:
1281:
1279:
1276:
1274:
1271:
1269:
1266:
1264:
1261:
1259:
1256:
1253:
1251:
1250:Samuel Gilman
1248:
1246:
1243:
1241:
1238:
1235:
1232:
1230:
1227:
1225:
1222:
1220:
1217:
1215:Estwick Evans
1214:
1211:
1209:
1206:
1204:
1201:
1199:
1196:
1194:
1193:Joseph Dennie
1191:
1188:
1185:
1183:
1180:
1177:
1175:
1174:Thomas Cooper
1172:
1170:
1167:
1165:
1162:
1160:
1157:
1154:
1152:
1149:
1147:
1144:
1142:
1139:
1137:
1134:
1132:
1129:
1126:
1124:
1121:
1119:
1116:
1114:
1111:
1109:
1106:
1103:
1100:
1098:
1095:
1092:
1090:
1089:Jacob Bigelow
1087:
1085:
1082:
1080:
1077:
1074:
1072:
1069:
1067:
1064:
1062:
1059:
1057:
1054:
1052:
1049:
1047:
1044:
1042:
1039:
1038:
1036:
1034:
1024:
1022:
1018:
1015:in 1971, and
1014:
1010:
1009:
1004:
999:
995:
991:
986:
984:
980:
976:
972:
962:
960:
959:
954:
950:
946:
941:
937:
931:
928:
918:
916:
912:
908:
904:
900:
896:
892:
888:
883:
879:
875:
871:
867:
866:
855:
852:
848:
844:
840:
839:
834:
830:
826:
818:
814:
810:
801:
795:
791:
787:
783:
782:
777:
776:
771:
767:
763:
760:, suggesting
759:
758:
753:
749:
745:
738:
734:
729:
725:
721:
717:
713:
709:
698:
693:
686:United States
683:
681:
680:
674:
670:
666:
662:
658:
656:
652:
651:
643:
639:
632:
631:
625:
611:
609:
608:
603:
599:
595:
591:
587:
583:
579:
571:
570:
565:
564:
559:
554:
551:
545:
543:
531:
526:
524:
520:
516:
511:
504:
503:
498:
489:
487:
483:
479:
471:
467:
463:
462:
457:
452:
450:
446:
442:
438:
434:
430:
425:
423:
412:
410:
405:
401:
396:
394:
388:
386:
382:
377:
370:
366:
365:
360:
359:
354:
353:
348:
347:
342:
341:
330:
328:
324:
320:
316:
311:
309:
304:
299:
294:
292:
288:
284:
283:
278:
274:
261:
257:
253:
250:
246:
242:
235:
231:
227:
213:
211:
207:
203:
199:
195:
191:
186:
182:
176:
174:
170:
166:
162:
158:
153:
152:
147:
143:
142:
133:
129:
128:
124:
120:
116:
112:
108:
104:
97:
93:
90:
89:
84:
83:
81:
77:
73:
69:
66:
63:
59:
52:
47:
41:
37:
33:
19:
4760:
4748:
4736:
4724:
4712:
4686:
4661:
4657:
4634:
4614:
4594:
4579:
4560:
4556:
4534:
4515:
4493:
4471:
4448:
4430:
4403:
4384:
4365:
4353:. Retrieved
4347:(2): 38–41.
4344:
4340:
4317:
4308:
4302:
4279:
4270:
4264:
4243:
4234:
4228:
4197:
4178:
4156:
4146:
4142:
4119:
4099:
4079:
4062:
4043:
4025:
4007:
3988:
3984:
3966:
3946:
3925:
3916:
3912:
3890:Gilmore 2012
3885:
3880:, p. v.
3873:
3861:
3854:Pattee 1937c
3849:
3842:Pattee 1937b
3805:
3793:
3781:
3769:
3757:
3745:
3733:
3728:, p. v.
3726:Pattee 1937a
3721:
3709:
3697:
3681:
3669:
3653:
3642:Gilmore 2012
3637:
3613:
3598:Dickson 1943
3594:Pattee 1937a
3589:
3577:
3565:
3553:
3541:
3529:
3513:
3501:
3494:Carlson 2012
3489:
3477:
3465:
3453:
3441:
3434:Pattee 1937c
3429:
3418:Daggett 1920
3409:
3393:
3381:
3369:
3353:
3337:
3326:Brennan 2014
3321:
3309:
3278:
3266:
3258:
3250:
3238:
3222:
3206:
3190:
3178:
3167:Daggett 1920
3162:
3150:
3134:
3107:
3096:Daggett 1920
3091:
3084:Meserve 1986
3079:
3063:
3047:
3031:
3015:
3003:
2993:
2986:Pattee 1937c
2981:
2969:
2943:Pattee 1937c
2938:
2927:Pattee 1937c
2918:
2911:Pattee 1937c
2891:
2879:
2863:
2847:
2831:
2819:
2803:
2787:
2782:, p. 9.
2775:
2768:Pattee 1937c
2740:
2728:
2712:
2688:
2672:
2665:Gilmore 2012
2656:
2645:Gilmore 2012
2640:
2621:Gilmore 2012
2616:
2600:
2576:Daggett 1920
2571:
2555:
2539:
2523:
2516:Daggett 1920
2511:
2495:
2488:Richter 2012
2483:
2471:
2455:
2448:Pattee 1937c
2443:
2431:
2424:Dickson 1943
2419:
2394:
2391:Pattee 1937c
2386:
2379:Pattee 1937c
2370:
2363:Pattee 1937c
2358:
2346:
2309:
2265:
2253:
2241:
2229:
2217:
2210:Pattee 1937c
2189:Daggett 1920
2184:
2172:
2139:
2127:
2120:Pattee 1937c
2115:
2103:
2091:
2079:
2067:
2055:
2048:Daggett 1920
2043:
2016:
2004:
1988:
1976:
1964:
1952:
1940:
1928:
1916:
1904:
1894:February 29,
1892:. Retrieved
1872:
1852:
1841:
1829:. Retrieved
1823:
1808:
1796:
1784:. Retrieved
1775:
1765:
1749:
1733:
1707:Pattee 1937c
1702:
1675:
1663:
1651:
1639:
1606:
1571:William Wirt
1561:James Wilson
1541:Noah Webster
1518:Robert Walsh
1485:Jared Sparks
1456:David Ramsay
1451:Robert Proud
1446:David Porter
1413:William Penn
1398:Thomas Paine
1258:John Griscom
1219:Oliver Evans
1131:Mathew Carey
1041:Hannah Adams
1032:
1030:
1020:
1016:
1012:
1006:
1002:
997:
993:
987:
982:
978:
974:
970:
968:
956:
952:
948:
939:
935:
932:
926:
924:
906:
898:
891:Walt Whitman
881:
873:
869:
863:
861:
846:
842:
836:
828:
822:
793:
785:
779:
773:
769:
761:
755:
747:
743:
736:
732:
727:
719:
715:
710:
691:
689:
677:
668:
663:contributor
660:
659:
654:
648:
641:
637:
628:
623:
622:
605:
567:
561:
557:
555:
549:
546:
529:
527:
509:
508:
500:
485:
481:
477:
469:
465:
459:
455:
453:
448:
444:
432:
428:
426:
421:
418:
408:
399:
397:
392:
389:
384:
368:
362:
356:
350:
344:
338:
336:
327:New European
326:
318:
314:
312:
307:
302:
297:
295:
280:
270:
238:
232:in 1823, by
205:
180:
177:
173:Walt Whitman
164:
149:
140:
139:
138:
125:
86:
40:
4749:Blackwood's
4737:Blackwood's
4725:Blackwood's
4713:Blackwood's
4581:Evaluations
4355:January 31,
4341:Poe Studies
4311:(1): 86–88.
4081:Evaluations
3985:Rachel Dyer
3926:Seventy-Six
3674:Weyler 2012
3658:Merlob 2012
3622:Fabris 1966
3402:Elwell 1877
3127:Elwell 1877
3008:Cairns 1922
2990:Cairns 1922
2974:Cairns 1922
2962:Cairns 1922
2931:Cairns 1922
2836:Cairns 1922
2753:Cairns 1922
2548:Fabris 1966
2375:Cairns 1922
2060:Gohdes 1944
2009:Cairns 1922
1981:Cairns 1922
1921:Cairns 1922
1865:1700–1799:
1845:1634–1699:
1580:W. E. Wyatt
1329:James Logan
1324:Charles Lee
1066:Joel Barlow
1061:Fisher Ames
1013:Seventy-Six
1008:Rachel Dyer
979:Blackwood's
940:Blackwood's
882:Blackwood's
786:Blackwood's
661:Blackwood's
638:Blackwood's
563:Seventy-Six
550:Blackwood's
502:Blackwood's
478:Blackwood's
445:Blackwood's
437:John Wilson
433:Blackwood's
409:Blackwood's
393:Blackwood's
385:Blackwood's
319:Blackwood's
315:Blackwood's
308:Blackwood's
303:Blackwood's
298:Blackwood's
266: 1830
85:1824–1825 (
4776:Categories
4767:Hathitrust
4755:Hathitrust
4557:Authorship
4422:Neal, John
4215:0943373026
4035:1048477735
3866:Badin 1969
3774:Lease 1972
3762:Lease 1972
3750:Sears 1978
3738:Cowie 1951
3702:Badin 1969
3686:Welch 2021
3662:Elmer 2012
3646:Davis 2007
3618:Davis 2007
3606:Sears 1978
3602:Badin 1969
3558:Lease 1974
3546:Rubin 1941
3534:Lease 1972
3518:Lease 1972
3506:Lease 1974
3470:Sears 1978
3458:Lease 1972
3446:Lease 1972
3422:Lease 1972
3374:Sears 1978
3271:Sears 1978
3243:Lease 1972
3195:Lease 1972
3052:Lease 1972
3036:Lease 1972
3020:Lease 1972
2947:Sears 1978
2896:Elmer 2012
2884:Lease 1972
2868:Lease 1972
2840:Lease 1972
2824:Sears 1978
2792:Insko 2018
2780:Badin 1969
2745:Lease 1972
2733:Welch 2021
2717:Badin 1969
2701:Lease 1972
2693:Welch 2021
2625:Lease 1972
2605:Welch 2021
2560:Welch 2021
2500:Welch 2021
2460:Elmer 2012
2339:Elmer 2012
2322:Lease 1972
2270:Welch 2021
2108:Sears 1978
2021:Lease 1972
1969:Lease 1972
1933:Lease 1972
1801:Lease 1972
1754:Lease 1972
1738:Lease 1972
1726:Sears 1978
1695:Lease 1972
1680:Lease 1954
1668:Welch 2021
1644:Sears 1978
1626:References
1189:Delaplaine
1101:Dr. Bolman
1051:Paul Allen
865:The Yankee
851:broadsides
815:posted in
728:Port Folio
676: [
594:filibuster
578:Mark Twain
486:Authorship
216:Background
204:collected
194:broadsides
161:Mark Twain
132:HathiTrust
4743:Wikimedia
4739:volume 18
4731:Wikimedia
4727:volume 17
4719:Wikimedia
4715:volume 16
4678:243142175
4595:John Neal
4525:464953146
4503:464953146
4481:464953146
4440:464953146
4016:818012686
3939:Facsimile
3522:John Neal
3171:John Neal
2872:John Neal
2856:John Neal
2852:Bain 1971
2812:John Neal
2796:John Neal
2721:John Neal
2681:John Neal
2649:John Neal
2609:Bain 1971
2504:John Neal
2464:John Neal
2412:Bain 1971
2222:Neal 1937
2193:John Neal
1997:John Neal
1742:John Neal
1631:Citations
1372:John Neal
1127:John Burk
1011:in 1964,
819:, in 1827
813:Broadside
505:volume 16
415:Anonymity
306:academic
241:John Neal
230:John Neal
146:John Neal
79:Published
65:John Neal
4424:(1937).
4349:Archived
4149:: 15–44.
3934:40318310
1870:(1992).
1850:(1997).
1786:June 23,
1780:Archived
1586:See also
1309:John Jay
1287:Ira Hill
998:Randolph
994:Randolph
872:(1818),
843:Randolph
831:and his
4548:7588473
4428:(ed.).
4252:2777413
4170:8768529
4129:7158022
3976:1833885
3919:: 7–31.
3900:Sources
792:in the
667:called
492:Content
291:guineas
71:Subject
4693:
4676:
4641:
4622:
4601:
4567:
4546:
4523:
4501:
4479:
4455:
4438:
4410:
4391:
4372:
4324:
4286:
4250:
4212:
4185:
4168:
4127:
4106:
4087:
4071:775870
4069:
4050:
4033:
4014:
3995:
3974:
3953:
3932:
1831:May 7,
1616:US$ 25
1612:guinea
847:Errata
798:
706:
702:
574:
538:
534:
474:
361:, and
94:1937 (
61:Author
4674:S2CID
1877:(PDF)
1857:(PDF)
1598:Notes
740:'
700:turn,
645:'
634:'
569:Logan
372:'
159:" by
114:Pages
4691:ISBN
4639:ISBN
4620:ISBN
4599:ISBN
4565:ISBN
4544:OCLC
4521:OCLC
4499:OCLC
4477:OCLC
4453:ISBN
4436:OCLC
4408:ISBN
4389:ISBN
4370:ISBN
4357:2024
4322:ISBN
4284:ISBN
4248:OCLC
4210:ISBN
4183:ISBN
4166:OCLC
4125:OCLC
4104:ISBN
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