370:, the mural (1956, paint on canvas) is part of AMOCA's permanent collection. Sheets and Hertel depicted the history of the valley from the time of Native American inhabitants to the arrival of the railroad and the incorporation of Pomona in 1888. Sheets, an art professor and prolific public muralist, created works for commercial and governmental buildings many in Los Angeles County. Susan Lautmann Hertel, a painter and designer, worked with Sheets at the design firm Millard Sheets Designs, Inc., which she took over following his retirement in the 1970s.
38:
47:
229:. The museum was first located in a Pomona storefront. In 2010, Armstrong purchased a two-story building, the former headquarters of Pomona First Federal Savings and Loan, which was designed by Benjamin Hall Anderson in 1956. The Anderson building houses a legacy mural in the interior by the Southern California artist
513:
AMOCA received a donation of 3,000 books from Helen and Roger Porter in 2010. The collection focuses on ceramics, including technical handbooks, books on the history of ceramic art, and exhibitions catalogs from international and national exhibitions. The library also includes approximately 4,000
337:
AMOCA's
Mettlach collection was donated by Robert D. and Colette D. Wilson, collectors of Mettlach pieces who grew their holdings over a 30-year period. AMOCA contains a 3,000+ piece Mettlach Collection, one of the largest collections of Mettlach wares (dating from c. 1840–1915) in the world. The
341:
Robert Wilson, born in
Southern California, started collecting at the age of thirteen from antique shops on Sepulveda Blvd in Los Angeles. At the beginning of WWII Robert Wilson started a Mettlach stein collection. Colette Wilson, raised in Southern California, was instrumental in starting the
504:
The ceramic studio has offered classes to the public since 2011. The 12,000 sq. foot studio currently offers semi-private and private studio rentals for artists with ceramic experience, artists in residence opportunities, and classes and workshops for all levels of experience.
259:
The museum's founder, David
Armstrong, moved to Pomona, California with his family in 1944. His father, David S. Armstrong, opened a furniture and appliance business at 150 East Third Street. Armstrong earned a Bachelor of Arts degree from
240:. Gerstein succeeds founding executive director Christy Johnson who retired in 2013. From 2004 to her retirement in 2013, Johnson facilitated a diverse, five-exhibition-a-year schedule. While at AMOCA, Johnson was involved with the Getty’s
346:
collection of ceramics that the pair also donated to AMOCA. The Wilson collection was first exhibited at AMOCA in
October 2012. At the opening reception Isabella von Boch, from the family that now manages the
501:
AMOCA's 12,000 square foot ceramics studio hosts workshops, lectures, and educational programs for artists in residence, studio artists, students, members of AMOCA and the general public.
305:
studying with Paul
Soldner. Around the year 2000, Armstrong shifted the focus of his gallery towards contemporary studio ceramics. He closed Armstrong's Gallery in 2014 to focus on AMOCA.
1329:
294:
fired onto porcelain. Armstrong's ceramic products included ceramic baseball cards and plaques, along with elaborate gold borders on collector plates to enhance the artist's design.
246:
1339:
213:, the museum exhibits historic and contemporary ceramic artwork from both its permanent collection of 10,000 objects and through temporary rotating exhibitions.
89:
647:
275:
In 1969, Armstrong converted the family furniture business into
Armstrong's Gallery which featured limited edition ceramic collectibles and specialized in
779:
282:
Armstrong began producing porcelain collector plates in the early 1970s. He generated a series of collector plates in collaboration with comedian
1311:
1334:
409:, an examination of both the cohesiveness and the diversification found within the Los Angeles-area, post-World War II, clay community. (2011)
1102:
406:
754:
21:
1046:
237:
236:
In 2014, AMOCA hired Beth Ann
Gerstein to serve as the executive director. Gerstein joined AMOCA after a twenty-year tenure at
1213:
1030:
845:
705:
622:
290:, in 1975. For 27 years, Armstrong produced and distributed Red's limited edition ceramic collectibles through the use of
437:
presented over 200 objects in the ceramics tradition in Korea from antique techniques to contemporary innovations. (2013)
1178:
861:
1203:
1020:
920:
835:
727:
586:
366:
along with his frequent collaborator Susan
Lautmann Hertel to create a 78-foot mural for the interior. Titled
338:
museum regularly displays several hundred pieces from the permanent collection in the building's lower level.
1229:
1273:
82:
351:, Mettlach Factory, declared that "this was the largest and most comprehensive collection in the world."
175:
534:
302:
704:
Arenson, Adam; Foo, Jason; Harding Rivas, Laurene; O’Brien, Regina; Dudley
Roberts, Cheryll (2012).
784:. Vol. 3. Washington DC: United States Government Printing Office. 1957. pp. 2632–2637.
562:
362:
The building was previously the site of a former bank, Pomona First
Federal, that commissioned
226:
210:
623:"Resistance in clay: Ceramic artists speak out against Trump, war and more in 'We the People'"
325:
ceramics, industrial ceramics, factory made ceramics, ancient vessels from the Americas, fine
466:
1054:
8:
970:
318:
298:
1127:
485:
348:
314:
225:
in 2003 by David Armstrong, a Pomona businessman and ceramic artist. It is a 501(c)(3)
222:
206:
74:
37:
1209:
1026:
841:
396:
481:
807:
458:
430:
416:
343:
269:
363:
261:
230:
313:
AMOCA's permanent collection consists of more than 10,000 pieces and includes
1323:
450:
446:
442:
291:
104:
91:
869:
677:
470:
454:
381:
265:
264:
in 1962 and while earning his degree, he also studied with ceramic artist
945:
892:
329:
of Asia and Europe, and functional and sculptural contemporary ceramics.
283:
202:
994:
781:
United States Congress House Committee on Education and Labor: Hearings
474:
124:
1152:
1076:
461:, Rebekah Bogard, Betty Davenport Ford, Connie Layne, Jamie Bardsley,
392:, a retrospective including 90 works of ceramist Robert Sperry. (2008)
921:"Millard Sheets & Susan Hertel - "Panorama of the Pomona Valley""
462:
326:
276:
138:
594:
514:
monographs and 2,000 periodicals spanning from 1883 to the present.
755:"Seismic State: California Ceramics at Sparrow Gallery, Sacramento"
322:
134:
1259:
1237:
971:"Susan Hertel: Public Art and Architecture from Around the World"
1281:
426:
287:
703:
233:. The museum was relocated into the larger building in 2011.
16:
For the museum in Sakhnin, Israel, sometimes abbreviated as
1330:
Art museums and galleries in Los Angeles County, California
648:"Birthday party for Harrison McIntosh at 95 and AMOCA at 5"
893:"A Brief Guide to Sheets's Home Savings Art Collaborators"
221:
The American Museum of Ceramic Art (AMOCA) was founded in
837:
Common Ground: Ceramics in Southern California, 1945-1975
395:
Harrison McIntosh: A Timeless Legacy, a retrospective of
244:
initiative, producing a critically acclaimed exhibition,
808:"David Armstrong and the American Museum of Ceramic Art"
403:
Common Ground: Ceramics in Southern California 1945–1975
46:
1306:
1179:"Your Concise Los Angeles Art Guide for November 2021"
354:
535:"American Museum Of Ceramic Art - Nonprofit Explorer"
186:
1205:Peter Callas: American Pioneer: an Enduring Legacy
706:"Millard Sheets: A Legacy of Art and Architecture"
946:"Introduction to Art at Scripps: The Early Years"
725:
1321:
1103:"Art reviews common ground clays tectonic shift"
1039:
1340:Buildings and structures in Pomona, California
1266:
423:ICHEON: Reviving the Korean Ceramics Tradition
286:, who was also a painter known for portraying
247:Common Ground: Ceramics in Southern California
1202:Adamson, Glenn; Brown, Glen R. (2022-02-15).
301:degree with a concentration in ceramics from
1201:
890:
22:Arab Museum of Contemporary Art and Heritage
943:
891:Glick Kudler, Adrian (September 12, 2012).
715:. Part of Pacific Standard Time: Art in LA.
441:Other exhibitions have included artwork by
45:
36:
1274:"Helen and Roger Porter Resource Library"
1176:
1120:
805:
728:"Ceramic Art Surveyed at AMOCA in Pomona"
1101:Knight, Christopher (February 8, 2012).
726:Drohojowska-Philp, Hunter (2011-12-29).
238:The Society of Arts and Crafts of Boston
1312:American Museum of Ceramic Art page at
833:
806:Whittaker, Richard (October 31, 2016).
645:
563:"AMOCA: American Museum of Ceramic Art"
1322:
1100:
1094:
1047:"Harrison McIntosh, A Timeless Legacy"
1018:
620:
480:The museum has exhibited objects from
332:
1335:Ceramics museums in the United States
968:
915:
913:
829:
827:
801:
799:
797:
795:
793:
791:
675:
1145:
749:
747:
699:
697:
671:
669:
667:
616:
614:
612:
557:
555:
529:
527:
1069:
508:
415:a retrospective of American artist
13:
1208:. American Museum of Ceramic Art.
1025:. American Museum of Ceramic Art.
969:Casey, Cindy (December 17, 2014).
950:Traditional Fine Arts Organization
910:
840:. American Museum of Ceramic Art.
824:
788:
496:
254:
14:
1351:
1300:
1260:"About the AMOCA Ceramics Studio"
1128:"Patti Warashina: Wit and Wisdom"
744:
694:
664:
609:
552:
524:
491:
433:that began over 5,000 years ago,
429:, South Korea. With a history of
652:LA Times Blogs - Culture Monster
587:"American Museum of Ceramic Art"
457:, Tim Berg & Rebekah Myers,
413:Patti Warashina: Wit and Wisdom,
279:figurines and collector plates.
27:Art Museum in Pomona, California
1252:
1222:
1195:
1170:
1012:
987:
962:
937:
884:
854:
772:
646:Muchnic, Suzanne (2009-08-04).
1177:Stromberg, Matt (2021-10-31).
925:American Museum of Ceramic Art
719:
639:
579:
373:
308:
199:American Museum of Ceramic Art
31:American Museum of Ceramic Art
1:
676:Cheng, Scarlet (2019-09-04).
517:
425:, an exhibition organized by
368:Panorama of the Pomona Valley
356:Panorama of the Pomona Valley
201:(AMOCA) is an art museum for
380:Inferno: The Ceramic Art of
251:and book of the same title.
7:
1022:Robert Sperry: Bright Abyss
621:Ollman, Leah (2017-08-29).
390:Robert Sperry, Bright Abyss
10:
1356:
944:MacNaughton, Mary (1987).
216:
15:
834:Johnson, Christy (2012).
321:ceramics and dinnerware,
303:Claremont Graduate School
181:
168:
160:
152:
144:
130:
120:
81:
68:
60:
56:
44:
35:
1019:Kangas, Matthew (2008).
209:. Founded in 2003 as a
173:
1230:"AMOCA Ceramics Studio"
1077:"Pacific Standard Time"
975:Art and Architecture SF
713:Los Angeles Conservancy
678:"Legendary Clay: AMOCA"
297:In 1993, he earned his
51:front entrance of AMOCA
227:nonprofit organization
211:nonprofit organization
164:Benjamin Hall Anderson
1234:AMOCA Ceramics Studio
1081:Pacific Standard Time
467:Marguerite Wildenhain
407:Pacific Standard Time
242:Pacific Standard Time
169:Public transit access
105:34.0610°N 117.7506°W
486:Villeroy & Boch
349:Villeroy & Boch
333:Mettlach collection
319:Southern California
299:Master of Fine Arts
101: /
32:
1153:"Past Exhibitions"
682:Artillery Magazine
315:California pottery
223:Pomona, California
207:Pomona, California
110:34.0610; -117.7506
75:Pomona, California
30:
1215:978-1-7337397-2-6
1107:Los Angeles Times
1032:978-0-9816728-0-9
847:978-0-9816728-5-4
627:Los Angeles Times
397:Harrison McIntosh
195:
194:
156:Beth Ann Gerstein
72:399 N. Garey Ave
1347:
1314:Craft in America
1307:Official website
1294:
1293:
1291:
1289:
1280:. Archived from
1270:
1264:
1263:
1256:
1250:
1249:
1247:
1245:
1236:. Archived from
1226:
1220:
1219:
1199:
1193:
1192:
1190:
1189:
1174:
1168:
1167:
1165:
1163:
1149:
1143:
1142:
1140:
1138:
1124:
1118:
1117:
1115:
1113:
1098:
1092:
1091:
1089:
1087:
1073:
1067:
1066:
1064:
1062:
1053:. Archived from
1043:
1037:
1036:
1016:
1010:
1009:
1007:
1005:
991:
985:
984:
982:
981:
966:
960:
959:
957:
956:
941:
935:
934:
932:
931:
917:
908:
907:
905:
903:
888:
882:
881:
879:
877:
868:. Archived from
858:
852:
851:
831:
822:
821:
819:
818:
803:
786:
785:
776:
770:
769:
767:
766:
751:
742:
741:
739:
738:
723:
717:
716:
710:
701:
692:
691:
689:
688:
673:
662:
661:
659:
658:
643:
637:
636:
634:
633:
618:
607:
606:
604:
602:
593:. Archived from
583:
577:
576:
574:
573:
559:
550:
549:
547:
546:
531:
509:Resource library
482:Gladding, McBean
191:
188:
174:
116:
115:
113:
112:
111:
106:
102:
99:
98:
97:
94:
49:
40:
33:
29:
1355:
1354:
1350:
1349:
1348:
1346:
1345:
1344:
1320:
1319:
1303:
1298:
1297:
1287:
1285:
1272:
1271:
1267:
1258:
1257:
1253:
1243:
1241:
1228:
1227:
1223:
1216:
1200:
1196:
1187:
1185:
1175:
1171:
1161:
1159:
1151:
1150:
1146:
1136:
1134:
1126:
1125:
1121:
1111:
1109:
1099:
1095:
1085:
1083:
1075:
1074:
1070:
1060:
1058:
1045:
1044:
1040:
1033:
1017:
1013:
1003:
1001:
993:
992:
988:
979:
977:
967:
963:
954:
952:
942:
938:
929:
927:
919:
918:
911:
901:
899:
889:
885:
875:
873:
860:
859:
855:
848:
832:
825:
816:
814:
804:
789:
778:
777:
773:
764:
762:
753:
752:
745:
736:
734:
724:
720:
708:
702:
695:
686:
684:
674:
665:
656:
654:
644:
640:
631:
629:
619:
610:
600:
598:
585:
584:
580:
571:
569:
561:
560:
553:
544:
542:
533:
532:
525:
520:
511:
499:
497:Ceramics studio
494:
459:Lisa Reinertson
431:ceramic culture
417:Patti Warashina
376:
360:
344:Royal Worcester
335:
311:
270:Scripps College
257:
255:Early formation
219:
185:
176:Pomona–Downtown
172:
148:David Armstrong
109:
107:
103:
100:
95:
92:
90:
88:
87:
73:
52:
28:
25:
12:
11:
5:
1353:
1343:
1342:
1337:
1332:
1318:
1317:
1309:
1302:
1301:External links
1299:
1296:
1295:
1284:on 30 May 2015
1265:
1251:
1240:on 30 May 2015
1221:
1214:
1194:
1169:
1144:
1119:
1093:
1068:
1038:
1031:
1011:
995:"Susan Hertel"
986:
961:
936:
909:
883:
872:on 30 May 2015
866:AMOCA Mettlach
853:
846:
823:
787:
771:
743:
718:
693:
663:
638:
608:
597:on 30 May 2015
578:
551:
522:
521:
519:
516:
510:
507:
498:
495:
493:
492:Other features
490:
439:
438:
420:
410:
400:
393:
387:
375:
372:
364:Millard Sheets
359:
353:
334:
331:
310:
307:
292:ceramic decals
262:Pomona College
256:
253:
231:Millard Sheets
218:
215:
193:
192:
183:
179:
178:
170:
166:
165:
162:
158:
157:
154:
150:
149:
146:
142:
141:
132:
128:
127:
122:
118:
117:
85:
79:
78:
70:
66:
65:
62:
58:
57:
54:
53:
50:
42:
41:
26:
9:
6:
4:
3:
2:
1352:
1341:
1338:
1336:
1333:
1331:
1328:
1327:
1325:
1316:
1315:
1310:
1308:
1305:
1304:
1283:
1279:
1275:
1269:
1261:
1255:
1239:
1235:
1231:
1225:
1217:
1211:
1207:
1206:
1198:
1184:
1183:Hyperallergic
1180:
1173:
1158:
1154:
1148:
1133:
1129:
1123:
1108:
1104:
1097:
1082:
1078:
1072:
1057:on 2015-05-31
1056:
1052:
1048:
1042:
1034:
1028:
1024:
1023:
1015:
1000:
996:
990:
976:
972:
965:
951:
947:
940:
926:
922:
916:
914:
898:
894:
887:
871:
867:
863:
857:
849:
843:
839:
838:
830:
828:
813:
812:Conversations
809:
802:
800:
798:
796:
794:
792:
783:
782:
775:
760:
756:
750:
748:
733:
729:
722:
714:
707:
700:
698:
683:
679:
672:
670:
668:
653:
649:
642:
628:
624:
617:
615:
613:
596:
592:
588:
582:
568:
567:SoCal Museums
564:
558:
556:
540:
536:
530:
528:
523:
515:
506:
502:
489:
487:
483:
478:
476:
472:
468:
464:
460:
456:
452:
451:Beatrice Wood
448:
447:Betty Woodman
444:
443:Peter Voulkos
436:
432:
428:
424:
421:
418:
414:
411:
408:
404:
401:
398:
394:
391:
388:
385:
383:
378:
377:
371:
369:
365:
357:
352:
350:
345:
339:
330:
328:
324:
320:
316:
306:
304:
300:
295:
293:
289:
285:
280:
278:
273:
271:
267:
263:
252:
250:
248:
243:
239:
234:
232:
228:
224:
214:
212:
208:
205:, located in
204:
200:
190:
184:
180:
177:
171:
167:
163:
159:
155:
151:
147:
143:
140:
136:
133:
129:
126:
123:
119:
114:
86:
84:
80:
76:
71:
67:
63:
59:
55:
48:
43:
39:
34:
23:
19:
1313:
1286:. Retrieved
1282:the original
1277:
1268:
1254:
1242:. Retrieved
1238:the original
1233:
1224:
1204:
1197:
1186:. Retrieved
1182:
1172:
1160:. Retrieved
1156:
1147:
1135:. Retrieved
1131:
1122:
1110:. Retrieved
1106:
1096:
1084:. Retrieved
1080:
1071:
1059:. Retrieved
1055:the original
1050:
1041:
1021:
1014:
1002:. Retrieved
999:Susan Hertel
998:
989:
978:. Retrieved
974:
964:
953:. Retrieved
949:
939:
928:. Retrieved
924:
900:. Retrieved
896:
886:
874:. Retrieved
870:the original
865:
856:
836:
815:. Retrieved
811:
780:
774:
763:. Retrieved
761:. 2022-03-17
759:Ceramics Now
758:
735:. Retrieved
731:
721:
712:
685:. Retrieved
681:
655:. Retrieved
651:
641:
630:. Retrieved
626:
599:. Retrieved
595:the original
590:
581:
570:. Retrieved
566:
543:. Retrieved
541:. 2013-05-09
538:
512:
503:
500:
479:
471:Peter Callas
455:Chris Gustin
440:
434:
422:
412:
402:
389:
382:Paul Soldner
379:
367:
361:
355:
340:
336:
312:
296:
281:
274:
266:Paul Soldner
258:
249:(1945-1975),
245:
241:
235:
220:
198:
196:
17:
405:as part of
374:Exhibitions
309:Collections
284:Red Skelton
203:ceramic art
131:Collections
108: /
96:117°45′02″W
83:Coordinates
61:Established
1324:Categories
1188:2022-04-04
980:2022-04-05
955:2022-04-05
930:2022-04-05
862:"Mettlach"
817:2022-04-05
765:2022-04-04
737:2022-04-04
687:2022-04-04
657:2022-04-05
632:2022-04-04
572:2022-04-05
545:2022-04-04
539:ProPublica
518:References
475:Viola Frey
327:porcelains
268:at nearby
125:Art Museum
93:34°03′40″N
897:LA Curbed
591:AMOCA.org
463:Don Reitz
277:porcelain
161:Architect
139:Sculpture
419:. (2012)
399:. (2009)
323:Mettlach
153:Director
135:Ceramics
69:Location
217:History
182:Website
145:Founder
1288:30 May
1244:29 May
1212:
1162:30 May
1137:30 May
1112:30 May
1086:30 May
1061:30 May
1029:
1004:29 May
902:29 May
876:29 May
844:
601:29 May
473:, and
435:ICHEON
427:Icheon
386:(2004)
288:clowns
20:, see
1278:Amoca
1157:Amoca
1132:Amoca
1051:AMOCA
709:(PDF)
358:mural
187:amoca
77:91767
18:AMOCA
1290:2015
1246:2015
1210:ISBN
1164:2015
1139:2015
1114:2015
1088:2015
1063:2015
1027:ISBN
1006:2015
904:2015
878:2015
842:ISBN
732:KCRW
603:2015
484:and
197:The
189:.org
121:Type
64:2003
1326::
1276:.
1232:.
1181:.
1155:.
1130:.
1105:.
1079:.
1049:.
997:.
973:.
948:.
923:.
912:^
895:.
864:.
826:^
810:.
790:^
757:.
746:^
730:.
711:.
696:^
680:.
666:^
650:.
625:.
611:^
589:.
565:.
554:^
537:.
526:^
488:.
477:.
469:,
465:,
453:,
449:,
445:,
317:,
272:.
137:,
1292:.
1262:.
1248:.
1218:.
1191:.
1166:.
1141:.
1116:.
1090:.
1065:.
1035:.
1008:.
983:.
958:.
933:.
906:.
880:.
850:.
820:.
768:.
740:.
690:.
660:.
635:.
605:.
575:.
548:.
384:.
24:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.