Knowledge

American Museum of Ceramic Art

Source 📝

370:, the mural (1956, paint on canvas) is part of AMOCA's permanent collection. Sheets and Hertel depicted the history of the valley from the time of Native American inhabitants to the arrival of the railroad and the incorporation of Pomona in 1888. Sheets, an art professor and prolific public muralist, created works for commercial and governmental buildings many in Los Angeles County. Susan Lautmann Hertel, a painter and designer, worked with Sheets at the design firm Millard Sheets Designs, Inc., which she took over following his retirement in the 1970s. 38: 47: 229:. The museum was first located in a Pomona storefront. In 2010, Armstrong purchased a two-story building, the former headquarters of Pomona First Federal Savings and Loan, which was designed by Benjamin Hall Anderson in 1956. The Anderson building houses a legacy mural in the interior by the Southern California artist 513:
AMOCA received a donation of 3,000 books from Helen and Roger Porter in 2010. The collection focuses on ceramics, including technical handbooks, books on the history of ceramic art, and exhibitions catalogs from international and national exhibitions. The library also includes approximately 4,000
337:
AMOCA's Mettlach collection was donated by Robert D. and Colette D. Wilson, collectors of Mettlach pieces who grew their holdings over a 30-year period. AMOCA contains a 3,000+ piece Mettlach Collection, one of the largest collections of Mettlach wares (dating from c. 1840–1915) in the world. The
341:
Robert Wilson, born in Southern California, started collecting at the age of thirteen from antique shops on Sepulveda Blvd in Los Angeles. At the beginning of WWII Robert Wilson started a Mettlach stein collection. Colette Wilson, raised in Southern California, was instrumental in starting the
504:
The ceramic studio has offered classes to the public since 2011. The 12,000 sq. foot studio currently offers semi-private and private studio rentals for artists with ceramic experience, artists in residence opportunities, and classes and workshops for all levels of experience.
259:
The museum's founder, David Armstrong, moved to Pomona, California with his family in 1944. His father, David S. Armstrong, opened a furniture and appliance business at 150 East Third Street. Armstrong earned a Bachelor of Arts degree from
240:. Gerstein succeeds founding executive director Christy Johnson who retired in 2013. From 2004 to her retirement in 2013, Johnson facilitated a diverse, five-exhibition-a-year schedule. While at AMOCA, Johnson was involved with the Getty’s 346:
collection of ceramics that the pair also donated to AMOCA. The Wilson collection was first exhibited at AMOCA in October 2012. At the opening reception Isabella von Boch, from the family that now manages the
501:
AMOCA's 12,000 square foot ceramics studio hosts workshops, lectures, and educational programs for artists in residence, studio artists, students, members of AMOCA and the general public.
305:
studying with Paul Soldner. Around the year 2000, Armstrong shifted the focus of his gallery towards contemporary studio ceramics. He closed Armstrong's Gallery in 2014 to focus on AMOCA.
1329: 294:
fired onto porcelain. Armstrong's ceramic products included ceramic baseball cards and plaques, along with elaborate gold borders on collector plates to enhance the artist's design.
246: 1339: 213:, the museum exhibits historic and contemporary ceramic artwork from both its permanent collection of 10,000 objects and through temporary rotating exhibitions. 89: 647: 275:
In 1969, Armstrong converted the family furniture business into Armstrong's Gallery which featured limited edition ceramic collectibles and specialized in
779: 282:
Armstrong began producing porcelain collector plates in the early 1970s. He generated a series of collector plates in collaboration with comedian
1311: 1334: 409:, an examination of both the cohesiveness and the diversification found within the Los Angeles-area, post-World War II, clay community. (2011) 1102: 406: 754: 21: 1046: 237: 236:
In 2014, AMOCA hired Beth Ann Gerstein to serve as the executive director. Gerstein joined AMOCA after a twenty-year tenure at
1213: 1030: 845: 705: 622: 290:, in 1975. For 27 years, Armstrong produced and distributed Red's limited edition ceramic collectibles through the use of 437:
presented over 200 objects in the ceramics tradition in Korea from antique techniques to contemporary innovations. (2013)
1178: 861: 1203: 1020: 920: 835: 727: 586: 366:
along with his frequent collaborator Susan Lautmann Hertel to create a 78-foot mural for the interior. Titled
338:
museum regularly displays several hundred pieces from the permanent collection in the building's lower level.
1229: 1273: 82: 351:, Mettlach Factory, declared that "this was the largest and most comprehensive collection in the world." 175: 534: 302: 704:
Arenson, Adam; Foo, Jason; Harding Rivas, Laurene; O’Brien, Regina; Dudley Roberts, Cheryll (2012).
784:. Vol. 3. Washington DC: United States Government Printing Office. 1957. pp. 2632–2637. 562: 362:
The building was previously the site of a former bank, Pomona First Federal, that commissioned
226: 210: 623:"Resistance in clay: Ceramic artists speak out against Trump, war and more in 'We the People'" 325:
ceramics, industrial ceramics, factory made ceramics, ancient vessels from the Americas, fine
466: 1054: 8: 970: 318: 298: 1127: 485: 348: 314: 225:
in 2003 by David Armstrong, a Pomona businessman and ceramic artist. It is a 501(c)(3)
222: 206: 74: 37: 1209: 1026: 841: 396: 481: 807: 458: 430: 416: 343: 269: 363: 261: 230: 313:
AMOCA's permanent collection consists of more than 10,000 pieces and includes
1323: 450: 446: 442: 291: 104: 91: 869: 677: 470: 454: 381: 265: 264:
in 1962 and while earning his degree, he also studied with ceramic artist
945: 892: 329:
of Asia and Europe, and functional and sculptural contemporary ceramics.
283: 202: 994: 781:
United States Congress House Committee on Education and Labor: Hearings
474: 124: 1152: 1076: 461:, Rebekah Bogard, Betty Davenport Ford, Connie Layne, Jamie Bardsley, 392:, a retrospective including 90 works of ceramist Robert Sperry. (2008) 921:"Millard Sheets & Susan Hertel - "Panorama of the Pomona Valley"" 462: 326: 276: 138: 594: 514:
monographs and 2,000 periodicals spanning from 1883 to the present.
755:"Seismic State: California Ceramics at Sparrow Gallery, Sacramento" 322: 134: 1259: 1237: 971:"Susan Hertel: Public Art and Architecture from Around the World" 1281: 426: 287: 703: 233:. The museum was relocated into the larger building in 2011. 16:
For the museum in Sakhnin, Israel, sometimes abbreviated as
1330:
Art museums and galleries in Los Angeles County, California
648:"Birthday party for Harrison McIntosh at 95 and AMOCA at 5" 893:"A Brief Guide to Sheets's Home Savings Art Collaborators" 221:
The American Museum of Ceramic Art (AMOCA) was founded in
837:
Common Ground: Ceramics in Southern California, 1945-1975
395:
Harrison McIntosh: A Timeless Legacy, a retrospective of
244:
initiative, producing a critically acclaimed exhibition,
808:"David Armstrong and the American Museum of Ceramic Art" 403:
Common Ground: Ceramics in Southern California 1945–1975
46: 1306: 1179:"Your Concise Los Angeles Art Guide for November 2021" 354: 535:"American Museum Of Ceramic Art - Nonprofit Explorer" 186: 1205:Peter Callas: American Pioneer: an Enduring Legacy 706:"Millard Sheets: A Legacy of Art and Architecture" 946:"Introduction to Art at Scripps: The Early Years" 725: 1321: 1103:"Art reviews common ground clays tectonic shift" 1039: 1340:Buildings and structures in Pomona, California 1266: 423:ICHEON: Reviving the Korean Ceramics Tradition 286:, who was also a painter known for portraying 247:Common Ground: Ceramics in Southern California 1202:Adamson, Glenn; Brown, Glen R. (2022-02-15). 301:degree with a concentration in ceramics from 1201: 890: 22:Arab Museum of Contemporary Art and Heritage 943: 891:Glick Kudler, Adrian (September 12, 2012). 715:. Part of Pacific Standard Time: Art in LA. 441:Other exhibitions have included artwork by 45: 36: 1274:"Helen and Roger Porter Resource Library" 1176: 1120: 805: 728:"Ceramic Art Surveyed at AMOCA in Pomona" 1101:Knight, Christopher (February 8, 2012). 726:Drohojowska-Philp, Hunter (2011-12-29). 238:The Society of Arts and Crafts of Boston 1312:American Museum of Ceramic Art page at 833: 806:Whittaker, Richard (October 31, 2016). 645: 563:"AMOCA: American Museum of Ceramic Art" 1322: 1100: 1094: 1047:"Harrison McIntosh, A Timeless Legacy" 1018: 620: 480:The museum has exhibited objects from 332: 1335:Ceramics museums in the United States 968: 915: 913: 829: 827: 801: 799: 797: 795: 793: 791: 675: 1145: 749: 747: 699: 697: 671: 669: 667: 616: 614: 612: 557: 555: 529: 527: 1069: 508: 415:a retrospective of American artist 13: 1208:. American Museum of Ceramic Art. 1025:. American Museum of Ceramic Art. 969:Casey, Cindy (December 17, 2014). 950:Traditional Fine Arts Organization 910: 840:. American Museum of Ceramic Art. 824: 788: 496: 254: 14: 1351: 1300: 1260:"About the AMOCA Ceramics Studio" 1128:"Patti Warashina: Wit and Wisdom" 744: 694: 664: 609: 552: 524: 491: 433:that began over 5,000 years ago, 429:, South Korea. With a history of 652:LA Times Blogs - Culture Monster 587:"American Museum of Ceramic Art" 457:, Tim Berg & Rebekah Myers, 413:Patti Warashina: Wit and Wisdom, 279:figurines and collector plates. 27:Art Museum in Pomona, California 1252: 1222: 1195: 1170: 1012: 987: 962: 937: 884: 854: 772: 646:Muchnic, Suzanne (2009-08-04). 1177:Stromberg, Matt (2021-10-31). 925:American Museum of Ceramic Art 719: 639: 579: 373: 308: 199:American Museum of Ceramic Art 31:American Museum of Ceramic Art 1: 676:Cheng, Scarlet (2019-09-04). 517: 425:, an exhibition organized by 368:Panorama of the Pomona Valley 356:Panorama of the Pomona Valley 201:(AMOCA) is an art museum for 380:Inferno: The Ceramic Art of 251:and book of the same title. 7: 1022:Robert Sperry: Bright Abyss 621:Ollman, Leah (2017-08-29). 390:Robert Sperry, Bright Abyss 10: 1356: 944:MacNaughton, Mary (1987). 216: 15: 834:Johnson, Christy (2012). 321:ceramics and dinnerware, 303:Claremont Graduate School 181: 168: 160: 152: 144: 130: 120: 81: 68: 60: 56: 44: 35: 1019:Kangas, Matthew (2008). 209:. Founded in 2003 as a 173:     1230:"AMOCA Ceramics Studio" 1077:"Pacific Standard Time" 975:Art and Architecture SF 713:Los Angeles Conservancy 678:"Legendary Clay: AMOCA" 297:In 1993, he earned his 51:front entrance of AMOCA 227:nonprofit organization 211:nonprofit organization 164:Benjamin Hall Anderson 1234:AMOCA Ceramics Studio 1081:Pacific Standard Time 467:Marguerite Wildenhain 407:Pacific Standard Time 242:Pacific Standard Time 169:Public transit access 105:34.0610°N 117.7506°W 486:Villeroy & Boch 349:Villeroy & Boch 333:Mettlach collection 319:Southern California 299:Master of Fine Arts 101: /  32: 1153:"Past Exhibitions" 682:Artillery Magazine 315:California pottery 223:Pomona, California 207:Pomona, California 110:34.0610; -117.7506 75:Pomona, California 30: 1215:978-1-7337397-2-6 1107:Los Angeles Times 1032:978-0-9816728-0-9 847:978-0-9816728-5-4 627:Los Angeles Times 397:Harrison McIntosh 195: 194: 156:Beth Ann Gerstein 72:399 N. Garey Ave 1347: 1314:Craft in America 1307:Official website 1294: 1293: 1291: 1289: 1280:. Archived from 1270: 1264: 1263: 1256: 1250: 1249: 1247: 1245: 1236:. Archived from 1226: 1220: 1219: 1199: 1193: 1192: 1190: 1189: 1174: 1168: 1167: 1165: 1163: 1149: 1143: 1142: 1140: 1138: 1124: 1118: 1117: 1115: 1113: 1098: 1092: 1091: 1089: 1087: 1073: 1067: 1066: 1064: 1062: 1053:. Archived from 1043: 1037: 1036: 1016: 1010: 1009: 1007: 1005: 991: 985: 984: 982: 981: 966: 960: 959: 957: 956: 941: 935: 934: 932: 931: 917: 908: 907: 905: 903: 888: 882: 881: 879: 877: 868:. Archived from 858: 852: 851: 831: 822: 821: 819: 818: 803: 786: 785: 776: 770: 769: 767: 766: 751: 742: 741: 739: 738: 723: 717: 716: 710: 701: 692: 691: 689: 688: 673: 662: 661: 659: 658: 643: 637: 636: 634: 633: 618: 607: 606: 604: 602: 593:. Archived from 583: 577: 576: 574: 573: 559: 550: 549: 547: 546: 531: 509:Resource library 482:Gladding, McBean 191: 188: 174: 116: 115: 113: 112: 111: 106: 102: 99: 98: 97: 94: 49: 40: 33: 29: 1355: 1354: 1350: 1349: 1348: 1346: 1345: 1344: 1320: 1319: 1303: 1298: 1297: 1287: 1285: 1272: 1271: 1267: 1258: 1257: 1253: 1243: 1241: 1228: 1227: 1223: 1216: 1200: 1196: 1187: 1185: 1175: 1171: 1161: 1159: 1151: 1150: 1146: 1136: 1134: 1126: 1125: 1121: 1111: 1109: 1099: 1095: 1085: 1083: 1075: 1074: 1070: 1060: 1058: 1045: 1044: 1040: 1033: 1017: 1013: 1003: 1001: 993: 992: 988: 979: 977: 967: 963: 954: 952: 942: 938: 929: 927: 919: 918: 911: 901: 899: 889: 885: 875: 873: 860: 859: 855: 848: 832: 825: 816: 814: 804: 789: 778: 777: 773: 764: 762: 753: 752: 745: 736: 734: 724: 720: 708: 702: 695: 686: 684: 674: 665: 656: 654: 644: 640: 631: 629: 619: 610: 600: 598: 585: 584: 580: 571: 569: 561: 560: 553: 544: 542: 533: 532: 525: 520: 511: 499: 497:Ceramics studio 494: 459:Lisa Reinertson 431:ceramic culture 417:Patti Warashina 376: 360: 344:Royal Worcester 335: 311: 270:Scripps College 257: 255:Early formation 219: 185: 176:Pomona–Downtown 172: 148:David Armstrong 109: 107: 103: 100: 95: 92: 90: 88: 87: 73: 52: 28: 25: 12: 11: 5: 1353: 1343: 1342: 1337: 1332: 1318: 1317: 1309: 1302: 1301:External links 1299: 1296: 1295: 1284:on 30 May 2015 1265: 1251: 1240:on 30 May 2015 1221: 1214: 1194: 1169: 1144: 1119: 1093: 1068: 1038: 1031: 1011: 995:"Susan Hertel" 986: 961: 936: 909: 883: 872:on 30 May 2015 866:AMOCA Mettlach 853: 846: 823: 787: 771: 743: 718: 693: 663: 638: 608: 597:on 30 May 2015 578: 551: 522: 521: 519: 516: 510: 507: 498: 495: 493: 492:Other features 490: 439: 438: 420: 410: 400: 393: 387: 375: 372: 364:Millard Sheets 359: 353: 334: 331: 310: 307: 292:ceramic decals 262:Pomona College 256: 253: 231:Millard Sheets 218: 215: 193: 192: 183: 179: 178: 170: 166: 165: 162: 158: 157: 154: 150: 149: 146: 142: 141: 132: 128: 127: 122: 118: 117: 85: 79: 78: 70: 66: 65: 62: 58: 57: 54: 53: 50: 42: 41: 26: 9: 6: 4: 3: 2: 1352: 1341: 1338: 1336: 1333: 1331: 1328: 1327: 1325: 1316: 1315: 1310: 1308: 1305: 1304: 1283: 1279: 1275: 1269: 1261: 1255: 1239: 1235: 1231: 1225: 1217: 1211: 1207: 1206: 1198: 1184: 1183:Hyperallergic 1180: 1173: 1158: 1154: 1148: 1133: 1129: 1123: 1108: 1104: 1097: 1082: 1078: 1072: 1057:on 2015-05-31 1056: 1052: 1048: 1042: 1034: 1028: 1024: 1023: 1015: 1000: 996: 990: 976: 972: 965: 951: 947: 940: 926: 922: 916: 914: 898: 894: 887: 871: 867: 863: 857: 849: 843: 839: 838: 830: 828: 813: 812:Conversations 809: 802: 800: 798: 796: 794: 792: 783: 782: 775: 760: 756: 750: 748: 733: 729: 722: 714: 707: 700: 698: 683: 679: 672: 670: 668: 653: 649: 642: 628: 624: 617: 615: 613: 596: 592: 588: 582: 568: 567:SoCal Museums 564: 558: 556: 540: 536: 530: 528: 523: 515: 506: 502: 489: 487: 483: 478: 476: 472: 468: 464: 460: 456: 452: 451:Beatrice Wood 448: 447:Betty Woodman 444: 443:Peter Voulkos 436: 432: 428: 424: 421: 418: 414: 411: 408: 404: 401: 398: 394: 391: 388: 385: 383: 378: 377: 371: 369: 365: 357: 352: 350: 345: 339: 330: 328: 324: 320: 316: 306: 304: 300: 295: 293: 289: 285: 280: 278: 273: 271: 267: 263: 252: 250: 248: 243: 239: 234: 232: 228: 224: 214: 212: 208: 205:, located in 204: 200: 190: 184: 180: 177: 171: 167: 163: 159: 155: 151: 147: 143: 140: 136: 133: 129: 126: 123: 119: 114: 86: 84: 80: 76: 71: 67: 63: 59: 55: 48: 43: 39: 34: 23: 19: 1313: 1286:. Retrieved 1282:the original 1277: 1268: 1254: 1242:. Retrieved 1238:the original 1233: 1224: 1204: 1197: 1186:. Retrieved 1182: 1172: 1160:. Retrieved 1156: 1147: 1135:. Retrieved 1131: 1122: 1110:. Retrieved 1106: 1096: 1084:. Retrieved 1080: 1071: 1059:. Retrieved 1055:the original 1050: 1041: 1021: 1014: 1002:. Retrieved 999:Susan Hertel 998: 989: 978:. Retrieved 974: 964: 953:. Retrieved 949: 939: 928:. Retrieved 924: 900:. Retrieved 896: 886: 874:. Retrieved 870:the original 865: 856: 836: 815:. Retrieved 811: 780: 774: 763:. Retrieved 761:. 2022-03-17 759:Ceramics Now 758: 735:. Retrieved 731: 721: 712: 685:. Retrieved 681: 655:. Retrieved 651: 641: 630:. Retrieved 626: 599:. Retrieved 595:the original 590: 581: 570:. Retrieved 566: 543:. Retrieved 541:. 2013-05-09 538: 512: 503: 500: 479: 471:Peter Callas 455:Chris Gustin 440: 434: 422: 412: 402: 389: 382:Paul Soldner 379: 367: 361: 355: 340: 336: 312: 296: 281: 274: 266:Paul Soldner 258: 249:(1945-1975), 245: 241: 235: 220: 198: 196: 17: 405:as part of 374:Exhibitions 309:Collections 284:Red Skelton 203:ceramic art 131:Collections 108: / 96:117°45′02″W 83:Coordinates 61:Established 1324:Categories 1188:2022-04-04 980:2022-04-05 955:2022-04-05 930:2022-04-05 862:"Mettlach" 817:2022-04-05 765:2022-04-04 737:2022-04-04 687:2022-04-04 657:2022-04-05 632:2022-04-04 572:2022-04-05 545:2022-04-04 539:ProPublica 518:References 475:Viola Frey 327:porcelains 268:at nearby 125:Art Museum 93:34°03′40″N 897:LA Curbed 591:AMOCA.org 463:Don Reitz 277:porcelain 161:Architect 139:Sculpture 419:. (2012) 399:. (2009) 323:Mettlach 153:Director 135:Ceramics 69:Location 217:History 182:Website 145:Founder 1288:30 May 1244:29 May 1212:  1162:30 May 1137:30 May 1112:30 May 1086:30 May 1061:30 May 1029:  1004:29 May 902:29 May 876:29 May 844:  601:29 May 473:, and 435:ICHEON 427:Icheon 386:(2004) 288:clowns 20:, see 1278:Amoca 1157:Amoca 1132:Amoca 1051:AMOCA 709:(PDF) 358:mural 187:amoca 77:91767 18:AMOCA 1290:2015 1246:2015 1210:ISBN 1164:2015 1139:2015 1114:2015 1088:2015 1063:2015 1027:ISBN 1006:2015 904:2015 878:2015 842:ISBN 732:KCRW 603:2015 484:and 197:The 189:.org 121:Type 64:2003 1326:: 1276:. 1232:. 1181:. 1155:. 1130:. 1105:. 1079:. 1049:. 997:. 973:. 948:. 923:. 912:^ 895:. 864:. 826:^ 810:. 790:^ 757:. 746:^ 730:. 711:. 696:^ 680:. 666:^ 650:. 625:. 611:^ 589:. 565:. 554:^ 537:. 526:^ 488:. 477:. 469:, 465:, 453:, 449:, 445:, 317:, 272:. 137:, 1292:. 1262:. 1248:. 1218:. 1191:. 1166:. 1141:. 1116:. 1090:. 1065:. 1035:. 1008:. 983:. 958:. 933:. 906:. 880:. 850:. 820:. 768:. 740:. 690:. 660:. 635:. 605:. 575:. 548:. 384:. 24:.

Index

Arab Museum of Contemporary Art and Heritage

American Museum of Ceramic Art
Pomona, California
Coordinates
34°03′40″N 117°45′02″W / 34.0610°N 117.7506°W / 34.0610; -117.7506
Art Museum
Ceramics
Sculpture
Pomona–Downtown
amoca.org
ceramic art
Pomona, California
nonprofit organization
Pomona, California
nonprofit organization
Millard Sheets
The Society of Arts and Crafts of Boston
Common Ground: Ceramics in Southern California
Pomona College
Paul Soldner
Scripps College
porcelain
Red Skelton
clowns
ceramic decals
Master of Fine Arts
Claremont Graduate School
California pottery
Southern California

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.