Knowledge

Alternate picking

Source 📝

25: 782: 456: 246:) emphasize the near-exclusive use of alternate picking, even in situations where another technique would be easier, claiming that pure alternate picking leads to a more consistent sound and allows for greater control of tone. 146:
Alternate picking involves a continuous down-up or up-down motion of the picking hand, even when not picking a note (except when the gap lasts longer than one full up-down motion). In this manner, an
158:) will always be played with an upward picking stroke, while the down-beats are always played with downward picking strokes. This allows for fluid incorporation of 177:
the guitarist is attempting to play. For example, during fast passages, alternate picking is necessary in keeping the picking arm from tiring out. At very high
337:
Perfect pick technique for guitar: A method of playing steel-strung guitar devised to result in a flawless basic right hand technique without limitations
207:) are very difficult to play using pure alternate picking and almost impossible to play at great speeds, which is why many guitarists choose to employ 612: 131:
that employs alternating downward and upward strokes in a continuous fashion. If the technique is performed at high speed on a single
392: 89: 838: 440: 61: 819: 68: 192:
runs are most easily played using alternate picking. Similarly, the complex, syncopated rhythm guitar patterns found in
42: 344: 312: 108: 75: 605: 46: 57: 385: 227:). Similarly, some kinds of licks are easier when played using such specialized techniques as legato, 812: 598: 378: 35: 82: 843: 477: 360: 805: 793: 8: 365: 238:
Despite some of the well-known disadvantages of the technique, some guitarists (such as
756: 579: 464: 741: 736: 340: 308: 258: 761: 706: 685: 173:
The technique has many advantages and some disadvantages, largely depending on the
711: 665: 640: 551: 525: 254: 249:
Alternate picking can be heard in almost all styles of picked guitar music, from
228: 789: 650: 492: 435: 415: 401: 278: 155: 136: 132: 128: 832: 716: 670: 535: 332: 262: 220: 216: 208: 189: 690: 621: 561: 556: 530: 515: 212: 174: 147: 751: 726: 520: 502: 430: 283: 243: 239: 224: 193: 182: 151: 196:
require a good alternate picking technique to play fast and accurately.
566: 425: 731: 645: 482: 163: 24: 721: 660: 590: 472: 420: 200: 181:, alternate picking is essentially required, since techniques like 167: 675: 487: 370: 232: 140: 655: 204: 159: 125: 265:
uses his thumb for alternate picking, as displayed on his DVD
445: 349:. Distributed by the Hal Leonard Corporation HL00695293. 178: 307:(1. ed.). Chichester: Wiley & Sons Ltd. p. 9. 781: 746: 250: 49:. Unsourced material may be challenged and removed. 339:. Tyne and Wear: Ashley Mark Publishing Company. 139:voicing the same note, it may be referred to as " 830: 813: 606: 386: 231:(a hybrid of alternate and sweep picking) or 820: 806: 613: 599: 393: 379: 203:(especially those spanning more than one 109:Learn how and when to remove this message 331: 831: 788:This article relating to guitars is a 594: 374: 302: 776: 620: 47:adding citations to reliable sources 18: 13: 400: 366:Alternate Picking for Bass Players 325: 14: 855: 354: 170:in the middle of picked phrases. 780: 454: 23: 34:needs additional citations for 305:Mandolin exercises for dummies 296: 211:to play these arpeggios (e.g. 143:picking" or "double picking". 1: 839:Guitar performance techniques 289: 792:. You can help Knowledge by 7: 361:Alternate Picking Explained 272: 10: 860: 775: 150:(such as an even-numbered 699: 628: 575: 544: 501: 463: 452: 408: 267:Super Bass Solo Technique 199:On the other hand, large 16:Guitar playing technique 185:are made not feasible. 441:Performance techniques 154:or, at faster tempos, 478:Carter Family picking 162:-based notes such as 43:improve this article 303:Julin, Don (2014). 58:"Alternate picking" 757:Neoclassical metal 580:Outline of guitars 801: 800: 770: 769: 742:Instrumental rock 636:Alternate picking 588: 587: 511:Alternate picking 129:playing technique 122:Alternate picking 119: 118: 111: 93: 851: 822: 815: 808: 784: 777: 762:Progressive rock 622:Guitar shredding 615: 608: 601: 592: 591: 458: 457: 395: 388: 381: 372: 371: 350: 319: 318: 300: 114: 107: 103: 100: 94: 92: 51: 27: 19: 859: 858: 854: 853: 852: 850: 849: 848: 829: 828: 827: 826: 773: 771: 766: 695: 681:Tremolo picking 666:String skipping 641:Economy picking 624: 619: 589: 584: 571: 552:Maybelle Carter 540: 526:Economy picking 497: 459: 455: 450: 404: 399: 357: 347: 328: 326:Further reading 323: 322: 315: 301: 297: 292: 275: 229:economy picking 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 857: 847: 846: 841: 825: 824: 817: 810: 802: 799: 798: 785: 768: 767: 765: 764: 759: 754: 749: 744: 739: 734: 729: 724: 719: 714: 709: 703: 701: 697: 696: 694: 693: 688: 686:Wide intervals 683: 678: 673: 668: 663: 658: 653: 651:Hybrid picking 648: 643: 638: 632: 630: 626: 625: 618: 617: 610: 603: 595: 586: 585: 583: 582: 576: 573: 572: 570: 569: 564: 559: 554: 548: 546: 542: 541: 539: 538: 533: 528: 523: 518: 513: 507: 505: 499: 498: 496: 495: 490: 485: 480: 475: 469: 467: 461: 460: 453: 451: 449: 448: 443: 438: 436:Hybrid picking 433: 428: 423: 418: 416:Alternate bass 412: 410: 406: 405: 402:Guitar picking 398: 397: 390: 383: 375: 369: 368: 363: 356: 355:External links 353: 352: 351: 345: 333:Mairants, Ivor 327: 324: 321: 320: 313: 294: 293: 291: 288: 287: 286: 281: 279:Guitar picking 274: 271: 156:sixteenth note 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 856: 845: 842: 840: 837: 836: 834: 823: 818: 816: 811: 809: 804: 803: 797: 795: 791: 786: 783: 779: 778: 774: 763: 760: 758: 755: 753: 750: 748: 745: 743: 740: 738: 735: 733: 730: 728: 725: 723: 720: 718: 715: 713: 710: 708: 705: 704: 702: 698: 692: 689: 687: 684: 682: 679: 677: 674: 672: 671:Sweep picking 669: 667: 664: 662: 659: 657: 654: 652: 649: 647: 644: 642: 639: 637: 634: 633: 631: 627: 623: 616: 611: 609: 604: 602: 597: 596: 593: 581: 578: 577: 574: 568: 565: 563: 560: 558: 555: 553: 550: 549: 547: 543: 537: 536:Sweep picking 534: 532: 529: 527: 524: 522: 519: 517: 514: 512: 509: 508: 506: 504: 500: 494: 491: 489: 486: 484: 481: 479: 476: 474: 471: 470: 468: 466: 462: 447: 444: 442: 439: 437: 434: 432: 429: 427: 424: 422: 419: 417: 414: 413: 411: 407: 403: 396: 391: 389: 384: 382: 377: 376: 373: 367: 364: 362: 359: 358: 348: 346:0-7935-9195-3 342: 338: 334: 330: 329: 316: 314:9781118769539 310: 306: 299: 295: 285: 282: 280: 277: 276: 270: 268: 264: 263:Victor Wooten 260: 256: 252: 247: 245: 241: 236: 234: 230: 226: 222: 221:Frank Gambale 218: 217:K. K. Downing 214: 210: 209:sweep picking 206: 202: 197: 195: 191: 186: 184: 180: 176: 171: 169: 165: 161: 157: 153: 149: 144: 142: 138: 134: 130: 127: 123: 113: 110: 102: 99:February 2024 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 844:Guitar stubs 794:expanding it 787: 772: 691:Pick tapping 680: 635: 562:Merle Travis 557:Robert Fripp 531:Guitar Craft 516:Crosspicking 510: 336: 304: 298: 266: 248: 237: 213:Glenn Tipton 198: 187: 172: 145: 121: 120: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 752:Jazz fusion 737:Heavy metal 727:Power metal 521:Downpicking 503:Flatpicking 465:Fingerstyle 431:Guitar pick 284:Downpicking 259:heavy metal 244:Steve Morse 240:Al Di Meola 225:Mario Parga 194:death metal 183:downpicking 152:eighth note 833:Categories 646:Hammer-ons 629:Techniques 567:Leo Kottke 545:Innovators 426:Fingerpick 290:References 164:hammer-ons 69:newspapers 732:Hard rock 712:Bluegrass 707:Classical 661:Pull-offs 483:Rasgueado 255:bluegrass 201:arpeggios 168:pull-offs 722:Flamenco 473:Apoyando 421:Arpeggio 335:(1997). 273:See also 717:Country 676:Tapping 488:Tirando 409:General 233:tapping 166:and/or 148:up-beat 141:tremolo 83:scholar 700:Genres 656:Legato 493:Travis 343:  311:  223:& 205:octave 190:scalar 179:tempos 160:legato 137:course 133:string 126:guitar 85:  78:  71:  64:  56:  446:Strum 257:, to 188:Most 175:licks 124:is a 90:JSTOR 76:books 790:stub 747:Jazz 341:ISBN 309:ISBN 253:and 251:jazz 62:news 261:. 135:or 45:by 835:: 269:. 242:, 235:. 219:, 215:, 821:e 814:t 807:v 796:. 614:e 607:t 600:v 394:e 387:t 380:v 317:. 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

Index


verification
improve this article
adding citations to reliable sources
"Alternate picking"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
guitar
playing technique
string
course
tremolo
up-beat
eighth note
sixteenth note
legato
hammer-ons
pull-offs
licks
tempos
downpicking
scalar
death metal
arpeggios
octave
sweep picking

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.