227:(...) During a life time dedicated to creation, Alma Redlinger has built an unmistakable style. Modernism, part of the plastic idiom circulated in her paintings, has deep roots, "which come from far away". The creative solutions of cubism, of the constructivism, of the expressionism and fauvism were deposited in plastic structures proposed by Alma Redlinger, like the pearl in the sea shell. In this way, of cultural assimilation, the above-mentioned solutions provides reasoning and preciousness for the paintings thatwe already admired for a long time. Above all, we like tense dialogue, polemical, yet not without a secret threat waged between graphical and chromatic structures ... Her painting style has built, I think, as a result of this strategy of delay, of the orpheic"taming" of image sources themselves. So that the drawing gestural "clamour" almost always seeks its haven in solemn sounds of purple, or of the green which borrowed the effect of forest mossvelvet, as in a neighbor canvas, the chromatic "clamour" is fixed, as the alchemical mercury in the design of stained glass network. Alma Redlinger is the silent chronicler, patient and inspiring of this tournament without end. Following the creative effort, she manages to capture and tell us essential sequences of a perpetual genesis, during which the image occurs. Cristian Robert Velescu
230:(...)On March 16, at the Dalles hall, took place the exhibition of Alma Redlinger. The visitoris found from the entrance, under the impact of the images, impressed by the magnitude and beauty that the figures shapes or objects included in her compositions gets. There is a self-portrait in the exhibition from 2010.The movement full of enthusiasm of the author seems to cause, through the simpleact of painting, a real earthquake of the surrounding forms, imposing unexpected pitches or displacements, like a monarch who prints his will over his empire (in this case the painted canvas). Each work is a reversal " of public order ", through plans synthesis and their unexpected blend, by highlighting their key directions, their way to meet and separate. The stunning range of floral images completes the great vitality image of artist vision, by the power of transforming small items in essential cells of existence. Here, as in her large figurative compositions, the welding between objects and environment, is transformed into a unitary structure, a larger structure cell. Yvonne Hasan
224:"The one that walks the halls of Alma Redlinger exhibition, is fascinated from the first moment of the safety, the vigor and the authority expression of this artist. The figure, a force that is given only by the synthesis ability, gives greatness to some works that are not exceeding a few tens of centimeters. Two or three flat color patches give works relief, and the viewer the feeling that everything that had to be said was said. No unnecessary detail, any element "for beauty" does not disturb these images, which remain in memory long after you've seen it. In painting, drawing or collage, in the final works or drawings, Alma Redlinger is the same sober and personal artist, foreign to attractive show or complacent. In earlier paintings, compositions, still life and flowers, cubist severity intuition has made its mark. By the 70s, or even earlier, when others were trying to find Cubism, Alma Redlinger was already doing synthesis in this spirit (...)" Radu Ionescu
29:"Alma Redlinger has built a forward-looking career in its essence from the beginning. High-value, the artist's work proves an exceptional consistency and it is an example for those who have chosen art as a destiny. Alma Redlinger is part of artists generation which assure the continuity of interwar painting and contemporary painting." Octavian Barbosa, 1976
41:. She was a member of the Artists Union in Bucharest from 1951. From 1945 she exhibited at graphic painting salons and then at state art exhibitions. After 1969 she participated in decorative art exhibitions and monumental art works executed in 1959–1961, 1964.
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Alma
Redlinger, Dicționar de artă modernă și contemporană, Constantin Prut (ediție imbunătățită) Ed. Univers Enciclopedic 2002/Alma Redlinger, Dictionary of modern and contemporary art, Constantin Prut (updated edition) Edited by Encyclopedic Universe
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Yvonne Hasan fragment din catalogul
Expozitiei Alma Redlinger, Pictura si Grafica mixta, Muzeul de Istorie Suceava, 2011/ Yvonne Hasan, Alma Redlinger Exhibition Catalogue, Painting and mixed graphics, Suceava History Museum,
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Cristian Robert
Velescu, fragment din catalogul Expozitiei Alma Redlinger, Galeria Cercului Militar National, Bucuresti, 2007/Cristian Robert Velescu fragment, Exhibition catalogue, 2007 Military National Circle Gallery,
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Claus
Stephani: Ziehtochter der Avantgarde. Alma Redlinger hat rumänische Kunsttradition über den Sozialistischen Realismus herübergerettet. In: Kulturpolitische Korrespondenz (Bonn), no. 1155, 10.9.2002,
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Catalogul Expoziției Alma
Redlinger, Sala Dalles, București, Editura UNARTE, 2011, curator Adrian Buga/Alma Redlinger Exhibition Catalogue, Dalles Hall, Bucharest, Edited by UNARTE, 2011 curator Adrian
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Alma
Redlinger, Catalogul Expoziției personale de pictură, Galeria Artelor, Cercul Militar Național, București, 2007/Exhibition catalogue of Alma Redlinger, Military National Circle Gallery, Bucharest,
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Album Alma
Redlinger, Studii, pagina 227, Print Master Publishing, 2009/Album Alma Redlinger, Studies, page.227, Print Master Publishing, 2009, album of Daria Simion and Vasile Petrovici
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Octavian
Barbosa, Dictionary of contemporary Romanian artists, Meridians House, Bucharest, 1976/ Dictionarul artistilor romani contemporani – Octavian BARBOSA – Editura Meridiane – 1976;
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Dicționarul artistilor români contemporani – Octavian BARBOSA – Editura
Meridiane – 1976/Octavian Barbosa, Dictionary of contemporary Romanian artists, Meridians House, Bucharest, 1976;
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Studiu introductiv. Traducere în limba română de Ion
Peleanu. (Zweisprachige Ausgabe, deutsch-rumänisch. Ediţie bilingvă, româno-germană.) Editura Hasefer: București, 2005.
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Catalogul Expozitiei Alma Redlinger, Galeria Cercului Militar National, Bucuresti, 2007/Exhibition catalog Alma Redlinger, Military National Circle Gallery, Bucharest, 2007
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She studied at the Academy of art school free Maxy, between 1940 and 1944, and in 1945 at the Academy of Art Guguianu, with the teacher and painter
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https://web.archive.org/web/20120405135918/http://www.curierulnational.ro/Specializat/2010-03-10/Alma+Redlinger+-+Secretul+perenitatii
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Ideé et sensibilité – Dan GRIGORESCU – L'art roumain contamporain – direction et tendence – Édition Meridiane – 1991;
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Radu Ionescu : Despre Alma Redlinger, Ziarul Cotidianul, 14 iulie 1994/Radu Ionescu: About Alma Redlinger,
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https://web.archive.org/web/20120405135938/http://www.curierulnational.ro/Specializat/2010-02-10/Alma+Redlinger
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Alma Redlinger, Albumul Atelierul Internațional de creație Feminină Contemporană, Editura A. I. C. F. C. 2008
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Album Alma Redlinger, Editura Master Print, 2009, album îngrijit de Daria Simion și Vasile Petrovici
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Album Alma Redlinger, Print Master Publishing, 2009, album of Daria Simion and Vasile Petrovici
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Alma Redlinger, Lexiconul: Pictori, Sculptori și Desenatori români, de Mircea Deac, Ed. Medro
248:"Expoziție Alma Redlinger la Galeria ICR Viena | AMBASADA ROMÂNIEI în Republica Austria"
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http://www.adevarul.ro/cultura/Alma-Redlinger-batranete-intinerit-pictura_0_57596267.html
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Revista AnticArtMagazin, aprilie, 2007 pag.24,25, număr dedicat artistei Alma Redlinger
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Alma Redlinger, Catalogul Expoziției "Atelier", Galeria Veroniki Art, București, 2006
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Enciclopedia artiștilor români contemorani – Vasile FLOREA, s.a. – editura ARC 2000
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2006 – "Atelier", Painting and Graphics, Veroniki Art Gallery, Bucharest
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22:(March 8, 1924 – February 2, 2017) was a painter and illustrator from
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Maria-Magdalena CRISAN, Observator Cultural 13-19 iulie 2006, nr. 329
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1985 – Gold Medal of "Academia d'Italia delle Arti e delle Lavoro"
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1998 – Graphics, Club Junimea, Museum of Romanian Literature, Iași
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1977 – International Exhibition of Romanian fine arts, Helsinki
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2005 – Alma Redlinger "After 60 years," Allianz Tiriac Gallery
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1959–1960 Collective exhibition Belarus, Minsk, and Athens
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1983, 1987, 1991 – Painting and Graphics, Orizont Gallery
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2011 – Painting and Mixed Graphics Suceava History Museum
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2011 – Painting and Mixed Graphics, Dalles Hall Bucharest
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1994 – Painting and Graphics, National Theatre, Bucharest
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1973 – The 4th International Bienniale of Sport, Madrid
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1971 – 3rd International Bienniale of sport art, Madrid
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1970, 1975, 1978, 2002, 2004 – Painting, Simeza Gallery
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1986 – Nicolae Tonitza reverential exhibition, Barlad
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1973 – Estampe contemporaine, National Library, Paris
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1965 – Internationale Buchkunstausstellung, Leipzing
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1981 – Miro International Art Exhibition, Barcelona
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74:2000 – Painting and Graphics, Frezia Gallery, Dej
56:1976 – Drawings, Theatre Tăndărică, Victoria Hall
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135:1987 – Luchian reverential exhibition, Botoșani
50:1956, 1961, 1967 – Painting, Magheru B. Gallery
431:http://www.patzeltart.ro/v/REDLINGER+ALMA/dar/
215:Art collection of the Royal House of Romania
169:1959 – Mention of Mondial Festival of Youth;
16:Romanian painter and illustrator (1924–2017)
406:https://www.youtube.com/watch?v=dlEDUhKPYRo
368:Das Bild des Juden in der modernen Malerei.
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220:About Alma Redlinger
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370:Eine Einführung. /
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234:Notes
385:Buga
376:ISBN
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311:2011
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