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Miniature from the St. Petersburg Album. Allegorical figure, seen floating on a cloud above the three figures below, was executed separately and pasted onto the already painted page when the album was designed.
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323:ʿAli Qoli Jebādār et l'Occidentalisme Safavide: Une étude sur les peintures dites farangi sāzi, leurs milieux et commanditaires sous Shāh Soleimān (1666-94)
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182:, 1674 (Miniature with Two Ladies with a Page). Institute of Oriental Manuscripts of the Russian Academy of Sciences
206:"Two Old Men in Discussion Outside a Hut", Folio from the Davis Album. Iran, 1674-1675. Metropolitan Museum of Art
162:. Isfahan, 1670. Two greatly distorted Georgian inscriptions are visible above the two figures at the top left.
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Portrait of the
Russian Ambassador, Prince Andrey Priklonskiy, Folio from the Davis Album. Iran, 1673–1674.
194:"Diana, Goddess of the Hunt", Folio from the Davis Album. Attributed to Isfahan. Metropolitan Museum of Art
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Jabbadar's name appears on a number of miniatures dating from the 17th century, including four from the
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courtly life, especially his careful rendition of the physical setting and of details of dress.
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Habibi, Negar (2017). "ʿAli Qoli Jebādār et l'enregistrement du réel dans les peintures dites
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in the United States. In one of the signatures, the artist refers himself to as
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245:"‘Aliquli Jabbadar", in: Bloom, Jonathan M. and Blair, Sheila S. (2009), The
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Institute of
Oriental Manuscripts of the Russian Academy of Sciences
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Mediaeval
Persian painting: the evolution of an artistic vision
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40:) was an Iranian artist, one of the first to have incorporated
99:("keeper of the armory"), suggesting that he was one of those
218:"Lady Offering Refreshments to a Tribesman" (attribution).
139:"Horse inspection". Probably Isfahan, late 17th century.
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71:", a reference to his European, or more probably, to
247:Grove encyclopedia of Islamic art and architecture
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105:, who rose to ranks at the Safavid court.
75:. Furthermore, two of his paintings bear
120:"A lady offering a flower to a prince".
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408:17th-century painters from Safavid Iran
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354:Encyclopaedia Iranica, Vol. I, Fasc. 8
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325:(in French). Brill. pp. 1–157.
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48:. He is known for his scenes of the
158:and his courtiers", Folio from the
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393:Iranian people of Georgian descent
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270:Adamova, Adelʹ Tigranovna (2008),
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403:Artists from Georgia (country)
274:, p. 79. Bibliotheca Persica,
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79:. He also referred himself as
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398:17th-century Iranian painters
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73:Georgian and Christian origin
59:in Russia and four from the
16:Georgian painter (1666–1694)
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220:Museum of Islamic Art, Doha
61:Metropolitan Museum of Arts
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388:Iranian miniature painters
25:Metropolitan Museum of Art
141:Art Institute of Chicago
95:("head of mosaics") and
314:10.1515/islam-2017-0008
251:Oxford University Press
249:, Volume 2, pp. 55-56.
348:Soucek, P. P. (1985).
321:Habibi, Negar (2018).
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375:at Wikimedia Commons
350:"ʿALĪ-QOLĪ JOBBA-DĀR"
331:10.1163/9789004356139
77:Georgian inscriptions
33:(‘Alī-qolī Jabbadār;
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160:St. Petersburg Album
356:. pp. 872–874.
81:ghulāmzāda-i qadimi
44:in the traditional
42:European influences
83:("former slave"),
38: 1666 – 1694
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373:Ali Culi Jabbadar
371:Media related to
340:978-90-04-35613-9
124:, ca. 1660-1670.
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382:Categories
230:References
89:("lord"),
302:Der Islam
97:jabbadār
122:Isfahan
67:, "the
65:farangi
50:Safavid
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180:Qazvin
102:ghulām
69:Frank
335:ISBN
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