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Alec Hanley Bemis

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was widely disseminated on the internet. It was called "19 things I'd tell people contemplating starting a record label (after running one for 19 years)". it was a mix of advice, warnings, and personal history gleaned from almost two decades of operating Brassland. It was followed by an appearance on
164:, a non-profit that sends musicians to teach in New York City schools. He frequently emphasizes the importance of collaboration in creating music and culture, stating that Brassland was created to "foster the growth of the bands and the community around them." 167:
Previous to starting the label, Bemis had an active career as a writer. In the 1990s, he published Jaboni Youth fanzine, focusing on the nascent American independent music scene. In the early 2000s he worked as a journalist for
123:). Brassland was initially created as a vehicle to release the debut recordings by The National and Clogs. Today it documents the work of an international community of musicians surrounding The National. 156:, and performing arts institutions including Australia's Adelaide Festival, Ireland's National Concert Hall, and Greece's Stavros Niarchos Foundation. He has served on the board of directors for both 161: 129:
newspaper called it "the record label at the centre of New York's other music scene" and "a focus for some of the city's most intriguing and creative musicians."
192:. Since the mid-2000s, his writing has primarily appeared on personal social network sites and occasionally blogs such as Arcade, a humanities site published by 515: 761: 561: 675: 736: 629: 731: 469: 490: 63: 41: 756: 34: 519: 447: 116: 149: 676:"19 things I'd tell people contemplating starting a record label (after running one for 19 years)" 587: 751: 201: 107:
who are known for their prominent role in American independent music (i.e. performing roles in
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It may require cleanup to comply with Knowledge's content policies, particularly
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Bemis worked as a manager and consultant with artists including
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is a writer and manager of cultural projects who lives in
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A major contributor to this article appears to have a
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A series of video interviews at Artists House Music
743: 697:"174: Alec Hanley Bemis (Brassland Records)" 732:A series of video interviews at InFrame.TV 344: 273:The Creatures in the Garden of Lady Walton 204:. In autumn 2020, an article he wrote for 64:Learn how and when to remove this message 762:Record producers from New York (state) 744: 630:"Arcade > Alec Hanley Bemis's blog" 467: 632:. Arcade.stanford.edu. Archived from 418:Plays Gavin Bryars & Philip Glass 388:Revelation: Music in Pure Intonation 358:Brian Eno: Music for Airports (Live) 18: 217: 213:Discography (as Executive Producer) 13: 424:Dark Full Ride: Music in Multiples 297:With My Left Hand I Raise the Dead 14: 773: 714: 450:from the original on 28 June 2010 590:. Newyorker.com. October 7, 2002 44:. Please discuss further on the 23: 689: 668: 647: 622: 601: 580: 554: 533: 508: 483: 461: 436: 400:Music From the Film (Untitled) 115:, and curatorial roles in the 1: 429: 678:. thecreativeindependent.com 588:"NewYorker.com search query" 468:Snapes, Laura (2011-06-16). 7: 225:High Heart & Low Estate 162:Manhattan New Music Project 10: 778: 562:"NYTimes.com search query" 493:. Mnmp.org. Archived from 356:Bang on a Can All-Stars - 327:Sad Songs for Dirty Lovers 95:In 2001, Bemis co-founded 90: 541:"Brassland > About Us" 472:. London: Guardian.co.uk/ 406:Seven: Music by Don Byron 209:the Third Story podcast. 352:Michael Gordon: Van Gogh 206:The Creative Independent 345:Cantaloupe Music albums 728:(writing archive site) 202:Clocktower Productions 150:All Tomorrow's Parties 757:Writers from Brooklyn 609:"AHB's Teenage Kicks" 42:neutral point of view 416:Sentieri Selvaggi - 376:Baroque Tardif: Soli 726:AlecHanleyBemis.com 611:. 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Brassland.org. 410:Tristan Perich - 380:Michael Gordon - 231:Critics Pass Away 189:Los Angeles Times 146:The Barr Brothers 121:MusicNOW Festival 77:Alec Hanley Bemis 74: 73: 66: 37:with its subject. 769: 708: 707: 705: 704: 693: 687: 686: 684: 683: 672: 666: 665: 663: 662: 657:. clocktower.org 651: 645: 644: 642: 641: 626: 620: 619: 617: 616: 605: 599: 598: 596: 595: 584: 578: 577: 575: 574: 558: 552: 551: 549: 548: 537: 531: 530: 528: 527: 512: 506: 505: 503: 502: 487: 481: 480: 478: 477: 465: 459: 458: 456: 455: 440: 243:Thom's Night Out 229:Baby Dayliner - 223:Baby Dayliner - 218:Brassland albums 154:Cantaloupe Music 142:Dirty Projectors 119:compilation and 69: 62: 58: 55: 49: 35:close connection 27: 26: 19: 777: 776: 772: 771: 770: 768: 767: 766: 742: 741: 717: 712: 711: 702: 700: 695: 694: 690: 681: 679: 674: 673: 669: 660: 658: 655:"Teenage Kicks" 653: 652: 648: 639: 637: 628: 627: 623: 614: 612: 607: 606: 602: 593: 591: 586: 585: 581: 572: 570: 560: 559: 555: 546: 544: 543:. 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Index

close connection
neutral point of view
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Brooklyn
New York
Brassland
Aaron Dessner
Bryce Dessner
The National
Clogs
Dark Was the Night
MusicNOW Festival
Alexi Murdoch
!!!
Dirty Projectors
The Barr Brothers
All Tomorrow's Parties
Cantaloupe Music
WYBC
Manhattan New Music Project
LA Weekly
The New York Times
The New Yorker
Los Angeles Times
Stanford University
Alanna Heiss
Clocktower Productions
"Brassland"
Archived

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