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383:(1964). His early paintings, which the artist described as "Indian Baroque", are characterized by totemic shapes, personifying the mysterious myths of ancient exotic civilizations. The magical ornamental fantasy of Lamr's paintings springs from somewhere in the darkness of human cultural history, and the painter co-created it with his imagination, as if it were not only an artistic but also a spiritual drug. These ornamental symbols from 1966 to 1967, which are often composed symmetrically to a central axis, have the character of hallucinatory revelations. The paintings are darkly transparent and mostly monochromatic blue, and are strikingly at odds with Lamr's other work, but the prosaic reason was the lack of funds, which then sufficed for only one painter's paint.
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555:, a gag can be regarded as a specific case of the embellishment of the initial situation, consisting in its overturning and exposing the absurdity and absurdity, thus creating the actual meaning core of the gag. The playfully grotesque form of Lamr's ""New Figuration"", the spontaneous play with shapes and the joy of free white space continued the liberating optimism of the late 1960s and lightened the gloomy atmosphere of the occupation despair of the
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work with the backdrops of the spatial plans of the painting, in which vivid movement takes place. The distinction between the shape of a concrete object derived from reality and a wholly abstract sign disappears, and the silhouette of the object and its internal structure merge seamlessly with the surrounding space through patches of identical colours.
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Ball Game Hall (2003), "The Spirit blows where it wills", taken from the Bible, fully expresses the lightness and playful imagination of his work after 2000. It is dominated by abstraction and the spontaneous gesture of painting, expressed by throwing paint onto the canvas, symbolizes the dynamics of
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Lamr's painting after 1989 moved towards generalization and de-psychologization of content. Increasingly larger formats display the grace of geometric and anarchically abstract configurations, in which he seemed willing to show the viewer all the shape types that determine the synthetic nature of the
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was at its peak, a dark colour appeared in Lamre's paintings, from which a rainbow, star, spiral or cross emerged as colour symbols related to the sky rather than the earth. A serious element of deep personal faith comes into play, and this respect for spiritual values is associated with a heightened
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If his paintings from the 1970s can be loosely classified with the "Czech
Grotesque" and "New Figuration", they should also be placed in the context of the hilariously artistic grotesque of Californian "funk-art" or the playfully critical naïveté of the "Imaginists" from the Chicago area. Compared to
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During Lamr's military service, when he worked as an artist and was tasked with, among other things, designing posters, Lamr's artistic style changed. The mid-1960s in the Czech milieu are characterized by a growing polemic with abstraction and the actualization of various forms of figuration. At the
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over several generations. His sisters are also artists (Eva Bergeå Lamrová, * 1946, painter and ceramicist, Blanka, Aleš * 1949, photographer and ceramicist). The ceramic workshop, with which many important
Moravian artists collaborated, is still active today. In 1974, a family exhibition of ceramics
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As a three-dimensional counterpart to his paintings, he also creates spatial installations made of steel wire. He uses bent metal reinforcement obtained from the recycling of reinforced concrete, which he polychromes. Together with Jan Beran's artistic blacksmith shop, he has made polychromed welded
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From the early 1970s, Lamr's artistic style was characterized by loose outline drawings of objects and figures, and surfaces filled with varied but harmoniously softened tones of acrylic paint that create a dynamic mosaic of shapes. The painter's training in spatial art is evident in his inventive
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After graduating from art school, Aleš Lamr felt that he had mastered drawing and painting well and was more attracted to artistic expression in spatial form. He failed the entrance exams for sculpture, yet throughout his life, in parallel with painting, he has been creating sculptures which are
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From 1960 to 1964, he studied at the
Secondary School of Arts and Crafts, Department of Spatial Design in Brno, under prof. arch. J.A. Šalek. There he gained experience in the field of scenography and mastered artistic techniques ranging from painting and printmaking to working with wood, glass,
296:, he created several murals in the presidential office and in 1995 in his private villa. He collaborated with a number of architects (E. Zavadil, M. Rajniš, B. Dudař, J. Lábus) and had dozens of realizations in mural painting and ceramics (together with M. Neubert). In 1992, he exhibited at the
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actually three-dimensional painting objects. From the classical figuration of the mid-1960s, when he worked in stone and bronze, he moved on to loose, colourfully polychromed and grotesque figures in wood, which are close in character to the life-celebrating and playful sculptural metaphors of
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Aleš Lamr was one of the few essential colourists on the Czech art scene and his paintings are unmistakable in their style. They are characterized by flat drawings and marks abstracted from reality, filled with contrasting colours that look like a playful mosaic. Lamr's drawings are integrally
845:(polychrome wood, 2015) forms a counterpart to the abstract paintings of the same period and is characterized by its playfulness and spontaneous color. The sculptor also works with ceramics and porcelain, decorated with coloured glazes. Some smaller porcelain objects were also cast in bronze.
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In his youth, he was influenced by the environment of the family's ceramics workshop but also by the colourful exotic butterflies in the collection of his grandfather, who had made a trip to South
America in the 1930s. While studying at high school, he visited exhibitions of
703:, 2016). He used the technique of collage, cutting out silhouettes of female bodies from scraps of flats of coloured acrylic paint, combining them in playfully erotic and dynamic compositions of female athletes or dancers. Some paintings paraphrase classical themes (
458:, with its flat graphicism and reportage-like matter-of-factness, the European "New Figuration" is characterized by a looser play with pictorial motifs. Lamr combined this mannered dynamic shape metaphor with the narrative style he developed in the following years.
683:(2015), he opened up the pictorial space to randomness, sometimes with the intention of juxtaposing disparate abstract expressions. The result is a playfully optimistic game in which the painter sees a way to understand the creative genius of creation and
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in his own way and picked up on the impulses of narrative figuration in an original way (exhibition at the Václav Špála
Gallery, 1966, curated by Gérard Gassiot-Talabot), but he was also influenced by the legacy of domestic
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202:, where his sister was married, and visited the galleries there. He was influenced by Pablo Picasso's monumental sculptures in Moderna Museet Park. He exhibited at the important national show of contemporary painting,
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and could earn a living as a freelance artist (he was not admitted as a full member until 1989). He first exhibited independently in 1968 at the private Small
Gallery in Žižkov (defunct since 1970) and in 1970 at the
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and the following year he married textile artist Blanka Grebeňová. His son Řehoř (born 1973) is an entrepreneur, his sons Hanuš (born 1976) and Jan (born 1983) are artists. In 1978 he acquired a studio in
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La figuration narrative: Continuous style, temporal juxtapositions, cloisonnés and polyptychs, itineraries and metamorphoses, Václav Špála
Gallery, Prague 1966, curated by Gassiot-Talabot Gérald, Petrová
715:, 2015). Lamr activates some aspects of his early work and reflects on the growing feminine element of the contemporary world, which, in addition to being poignantly engaging, invites deeper reflection.
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Caribbean
Lighthouse, poetry of the Caribbean, introduction by V. Klíma, illustrator Aleš Lamr, Československý spisovatel, Prague, 1987 (honorable mention in the Most Beautiful Book competition)
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The "New
Figuration" movement and its specific existentially burdened offshoot, called the "Czech Grotesque", developed from the mid-1960s and continued through the period of
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TOMEŠ, Josef, et al. Czech biographical dictionary of the 20th century: part II: K-P. Prague; Litomyšl: Paseka; Petr
Meissner, 1999. 649 p. ISBN 80-7185-246-5. p. 247.
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699:, 2016), but in fact express the need to capture the essence and meaning of the paint itself. After the previous series, Aleš Lamr gradually returned to figuration (
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Lamr received his primary education in Litovel (1948–1957) and his further direction was influenced by the Litovel painter and teacher Karel Homola, a pupil of
110:(12 June 1943 – 16 February 2024) was a Czech visual artist. He presented himself as a painter, printmaker, author of murals and ceramic reliefs, sculptor and
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The inclination towards the sculptural form follows Lamr's outdoor actions from the 1970s, and many of the sculptures have found application in architecture.
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Lamr also used colour dripping, using bright acrylic paints and composing collaged paintings from their fragments. In a series of abstract paintings entitled
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Aleš Lamr : in room : works from 1962 to 2008. Prague: Art D – Grafický ateliér Černý, 2008, 2008. 179 p. ISBN 978-80-903876-5-2.
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In 1975 he travelled to France and in 1979, in connection with his first foreign exhibition, to the United States, where he met
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Aleš Lamr: The Game in Reality. Drawings, Sculptures, Objects, text by Jan Kříž, Art D - Graphic Atelier Černý, Prague 2006
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were among its members. Some of Aleš Lamr's paintings from the 1970s have the character of an artistic gag. According to
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in the lithography workshop of Jan Tůma. Later he also collaborated with lithographers M. Řehák, J. Lípa and J. Kejklíř.
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composed in both surface and detail and often contain urgent messages, interpreted in a surprising artistic cipher.
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Aleš Lamr: Spirit blows where it will, text by Jan Kříž, Via Art Gallery, Prague Castle Administration, Prague 2003
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Kabinet české grafiky: Aleš Lamr, ceny a uznání / Cabinet of Czech Graphic Arts: Aleš Lamr, awards and recognition
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2006 Aleš Lamr: Playing for Real: Sculptures and Objects 1964–2006, Sovinec Castle, NM Prague City Hall, GM Plzeň
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Aleš Lamr was born the eldest son of three children in a family of stove-builders and ceramists, settled in
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Aleš Lamr: A Brief Retrospective, text by Jan Kříž, 28 p., GMU Hradec Králové, 2016, ISBN 978-80-87605-09-7
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2005 Aleš Lamr: New works / Recent works. Obrazy & objekty / Paintings & objects, Praha City Center
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2003/2004 Aleš Lamr: Spirit blows where it will, Prague Castle Ballroom, AJG České Budějivice, ZČM Plzeň
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1988 Honourable mention in the Best Book of the Year competition (illustrations of Caribbean poetry)
308:) and in 1993, together with arch. P. Fuchs participated in the artistic design of the pavilion for
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2001 The Way of the Cross, Temný důl, Maršov (in cooperation with the enamel factory in Český Brod)
833:. His sculptures are mostly carved from a block of wood and supplemented with various protrusions (
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and between 1991 and 2013 he was a member of the Hollar Society. He lived and worked in Prague and
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and later was assigned as an artist in publicity and in a mobile print shop. At the height of the
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metal, plastic and paper. He applied unsuccessfully for admission to the sculpture studio at the
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1987 Aleš Lamr: Paintings, drawings, objects, Central Cultural House of Railway Workers, Prague
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Rudolf Greiner, Aleš Lamr: Farben – Felder – Figurationen, Galerie Planie 22, Reutlingen 1999
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KŘÍŽ, Jan. Aleš Lamr. Prague: Art D-Grafický atelier Černý, 2003. 271 p. ISBN 80-902892-2-3.
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level of abstraction and a move towards aggregate symbolic forms with timeless validity.
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Aleš Lamr: Works from 1963 to 1993, text by Jan Kříž, cat. 61 p., Kincl and Hauner 1993
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2013 Aleš Lamr: Heavenly Setting, Church of the Assumption of the Virgin Mary, Letohrad
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178:, among others). At that time he shared a studio in Štěpánská Street with photographer
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1980–1983 children's pavilion L'AMARC in Montreal (with architect Martin Rajnisš)
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end of the 1960s, Aleš Lamr adopted and interpreted the playful colourfulness of
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Jan Kříž, 2003, introductory text, in: Aleš Lamr: The spirit blows where it will
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1981 Aleš Lamr: Paintings, drawings, objects, Těšín Theatre, foyer, Český Těšín
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1998 Aleš Lamr: Acryl, aquarelle, pastelle, Galerie Pintner, Frankfurt am Main
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2017 Aleš Lamr: Brief retrospective, Gallery of Modern Art in Hradec Králové
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1988 two ceramic walls, polychrome walls and chimney, Příbram Primary School
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Artlist (database of contemporary art), Aleš Lamr: exhibitions, collections
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Aleš Lamr, Gallery of Modern Art in Hradec Králové, air conditioning (2017)
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1999 Aleš Lamr: Bilder, pastelle, aquarelle, Galerie Planie 22, Reutlingen
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1993 Aleš Lamr: Selection of works, Exhibition Hall of Meat Shops, Pilsen
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The Bible, 21st century translation, Biblion 2009, ISBN 978-80-87282-28-1
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the modern world and the liberating moment of the elemental joy of life.
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held in Ústí nad Orlicí, was attended by ten members of the Lamr family.
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1990 Aleš Lamr: Selected works, Regional Gallery of Fine Arts in Olomouc
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1984 Aleš Lamr: Paintings / drawings / objects, Karlovy Vary Art Gallery
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Aleš Lamr, Brief Retrospective, Gallery of Modern Art in Hradec Králové
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1978 Aleš Lamr: Objects and Small Formats, Theatre in Nerudovka, Prague
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1976 Aleš Lamr: Paintings, Drawings, Sculptures, Gallery of Youth, Brno
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Artistic Confessions: Aleš Lamr, directed by Petr Skala, Czech TV 2011
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Three Lamrs, text by Josef Straka, Chodovská tvrz Gallery, Prague 2017
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2011 Artistic Confessions: Aleš Lamr, directed by Petr Skala, Czech TV
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In the 1980s, when society's general weariness with the atmosphere of
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Aleš Lamr: Maranatha, text by Jan Kříž, Nová síň Gallery, Prague 2015
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1991 Aleš Lamr: Retrospective, Orlická Gallery in Rychnov nad Kněžnou
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1986 A Visit to the Studio of Aleš Lamr, directed by Milan Maryška
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at the Czechoslovak State Film at Barrandov (directors Ivo Novák,
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Aleš Lamr: New Women, text by Jan Kříž, Topičův klub, Prague 2016
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2008/2009 Aleš Lamr: V sobě / In Me, Gallery of Art, Karlovy Vary
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379:(1960) and, influenced by his paintings, created the expressive
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1995 Commercial Bank Prize, Graphic Art of the Year 1994, Prague
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2016 Aleš Lamr: New Women, Topičův klub Topičova salonu, Prague
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2015-16 interior design, Gallery of Modern Art, Hradec Králové
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1989 Statutory Prize of the III Watercolour Triennial, Lučenec
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1988 Aleš Lamr: Paintings, drawings, objects, Sovinec Gallery
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Maranatha is a spiritual address from Aramaic: Our Lord Come
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1999 District Office Rychnov nad Kněžnou, mural, length 14 m
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Pierre Reverdy: A painting is a pure creation of the spirit
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1989 Aleš Lamr: Drawings, paintings, Gallery Opatov, Prague
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1996 stained glass windows and cross, chapel in Petrovičky
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2005 Excudit Prize, Graphic Art of the Year 2005, Prague
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From 1968 he was registered as a candidate of the then
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Spindle (1996), Citadel (1992), Spire (1992), bronze
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1996 Plzeňská banka Prize, Biennial of Drawing Plzeň
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2015 Aleš Lamr: Maranatha, Nová síň Gallery, Prague
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210:. In 1969–1970, he received a scholarship from the
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818:Magical Geometry, lithograph 81 x 55 cm, 1999
794:Figures-flames, lithograph 59 x 39,5 cm, 1993
782:Stones-Shadows, lithograph 59 x 39,5 cm, 1993
1108:1975 Aleš Lamr: Paintings, Jilska Gallery, Prague
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329:Lamr died on 16 February 2024, at the age of 80.
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1105:1968 Aleš Lamr: Paintings, Small Gallery, Prague
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91:Salvador Dalí Award for artistic activity (2000)
318:Lamr was a member of the art department of the
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946:1992 interior mural, Czech Television building
621:world. Lamr's motto for the exhibition at the
353:2000 Salvador Dalí Award for artistic activity
315:In 2002 he moved to a new studio in Hostivař.
1298:. Chodovská tvrz. 12 May 2018. Archived from
902:metal sculptures of musicians for Průhonice.
282:fall of the communist regime in November 1989
198:. In 1969 he travelled for the first time to
182:and belonged to the circle of artists of the
1135:1991 Horácká galerie in Nové Město na Moravě
1022:Central Bohemia Region Gallery in Kutná Hora
1037:Gallery of Modern Art in Roudnice nad Labem
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1216:"Eva Bergea Lamrová – malířka – biografie"
338:1985 3rd Prize Premió Juan Miro, Barcelona
1617:Aleš Lamr in the abART information system
1321:Ve věku 80 let zemřel výtvarník Aleš Lamr
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806:Swing, lithograph 70 x 54 cm, 1995
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1043:Gallery of Fine Arts in Havlíčkův Brod
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1092:1996 Ateliers, directed by P. Kačírek
1055:Regional Gallery of Fine Arts in Zlín
1004:Museum of National Art, Buenos Aires
662:Hummingbirds in the Rainforest (2006)
1443:Václav Havel, Anatomy of a Gag, 1963
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1070:Novohrad Museum and Gallery, Lučenec
275:20 years of Husa na provázku theatre
83:State School of Applied Arts in Brno
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1016:Brooks Hall Gallery, North Carolina
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650:Tingling with Excitement II (2000)
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1064:Museum of Art and Design, Benešov
961:2005 Czech Bar Association, mural
615:Lightning, Voices, Thunder (1989)
482:Tribute to František Kupka (1974)
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1025:Benedikt Rejt Gallery, Louny
1013:Städtische galerie Balingen
1010:Sonnenring Galerie, Münster
993:Musée d'Art Moderne de Paris
919:1979–1982 ceramic reliefs –
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1028:Regional Gallery in Liberec
884:Cherub I and II (1991-1992)
603:Journey to the Light (1987)
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591:The Rainbow in Coke (1985)
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1067:Gallery Klatovy / Klenová
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265:in Brno (theatre events
263:Husa na provázku theatre
164:New Wave of Czech cinema
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196:Young Gallery in Mánes
1061:Museum of Art Olomouc
1058:Moravian Museum, Brno
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739:Inside Colours (2013)
674:Paris triptych (2010)
226:and began to work on
140:Ostrava-Karviná Mines
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841:, 1985). The series
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638:Revelation II (1995)
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217:In 1971 he moved to
727:Torn Colours (2013)
705:Master and Margaret
557:normalization years
419:Pearl oyster (1967)
280:At the time of the
247:Malostranské dvorky
1424:Chicago Imaginists
1350:Kříž J, 2008, p. 5
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184:Křižovnická School
168:assistant director
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921:Františkovy Lázně
763:Blue Venus (2015)
709:Leda and the Swan
494:The Reaper (1975)
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1497:. Retrieved
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1304:. Retrieved
1300:the original
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1220:evabergea.cz
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925:Janské Lázně
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553:Václav Havel
545:Karel Pauzer
537:Karel Nepraš
529:Rudolf Němec
525:Václav Mergl
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302:Burning Bush
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294:Václav Havel
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73:(2024-02-16)
53:12 June 1943
37:Lamr in 2012
18:
1642:2024 deaths
1637:1943 births
769:Lithography
533:Zbyšek Sion
228:lithography
224:Malá Strana
219:Malá Strana
204:Painting 69
160:Mime artist
1631:Categories
1499:4 November
1324:(in Czech)
1306:4 November
1276:4 November
1250:4 November
1225:4 November
1202:References
521:Jiří Sopko
324:Petrovičky
176:Josef Mach
49:1943-06-12
1292:"Výstavy"
701:New Women
681:Maranatha
454:American
444:mannerism
200:Stockholm
136:tradesman
108:Aleš Lamr
80:Education
25:Aleš Lamr
711:, 2014,
707:, 2013,
697:Rasputin
695:, 2016,
691:, 2016,
689:Red Hair
310:Expo '93
286:New Life
251:Krabičky
239:New York
112:ceramist
1562:Sources
1494:nga.gov
933:Březová
456:Pop art
439:Pop art
144:Ostrava
124:Litovel
96:Website
57:Olomouc
995:(ARC)
547:, and
333:Awards
88:Awards
1523:Notes
1084:Films
843:Heads
300:(the
158:as a
142:. In
1501:2021
1308:2021
1278:2021
1252:2021
1227:2021
361:Work
241:and
208:Brno
118:Life
68:Died
43:Born
1536:Eva
277:).
257:in
206:in
1633::
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1376:^
1355:^
1341:^
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59:,
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51:)
47:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
