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65:, who, in addition to his other more famous pursuits, was an avid daguerreotypist. The partnership's studio, located on the top floor of a Boston building, had enormous skylights to allow in copious amounts of light necessary for relatively "short" exposures of portraits of their subjects. While they worked in formats ranging from the more common locket-sized daguerreotype, up to a stereoscopic image (also gaining in popularity at the time), they specialized in "whole plate" images, an expensive size which measured
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After wet-process plate printing came into vogue, Southworth also invented a device in 1855 that allowed up to eight exposures of the same sitter to be made in just two sequential exposures: by exposing half of a whole plate with a special four-lensed set of tubes, then moving the other half of the
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were prominent Boston daguerreotypists. Whipple's and
Southworth & Hawes's operations were the largest in Boston, and were outshone in America (after 1853) only by the New York studios of
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were among the duo's more prominent clients, but they also photographed local businessmen, society ladies, and other Boston-area citizens.
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America: The Daguerreotypes of Southworth & Hawes, Grant B. Romer and Brian Wallis (editors), Steidl Publishing.
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inches (17 cm × 22 cm)—rather large for a daguerreotype. Lawmaker
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plate into place, the other half of the plate was then exposed.
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In what could perhaps be called the ancestor of the
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31:Advertisement for Southworth studio on
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195:19th-century American photographers
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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