Ain't Them Bodies Saints

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in commercial reception, recording a 147% increase in weekend box office growth of $ 65,175, ending the week with a 144% overall increase from the opening week, recording a box office return for the week ending 29 August of $ 100,005, bringing its total theatrical run to $ 140,926 from 28 theatres and marking its highest domestic box office ranking of 43. The film continued its improving theatrical performance in its third week by opening in 12 extra theatres to make the total 40 theatres, recording $ 109,209 in box office revenue, an increase of 9.2% on the previous week, bringing he total to $ 250,135. in the month of September the film commercial performance started to lag, recording less than $ 140,000 for the month. The domestic theatric run for the film ended on October 3, with total domestic returns of $ 396,519.

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not see each other for a long period of time. Lowery encouraged a collaborative effort in regard to how his actors interpreted the script and the behavior of their characters, as long as it stayed true to their elements. Ben Foster confirmed this approach to the acting for the film, stating that "nothing was nailed down on paper" and that he had to "fill in the cracks" himself before shooting the scenes. In the scenes in which Mara acts as a mother to the two child actresses, Mara took over the direction of their scenes in order to get more authenticity into the scenes.

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Sylvie are taken to the police station for questioning and safekeeping. When Patrick returns them to their home, they find the front door open and Patrick goes in to investigate, finding a grievously wounded Bob. Ruth follows Patrick into the house and stops Patrick from approaching Bob. Ruth tends to Bob, and Sylvie enters to see her father dying in the arms of her mother. Patrick takes Sylvie back outside and comforts her, while her parents exchange a few last words.

554: 815:. The film was not shot in chronological order but rather in a sequenced manner focusing on each of the primary actors. Affleck filmed his scenes first and then shooting moved to filming the scenes in which Affleck and Mara are together, with Mara's scenes being shot last. The conditions were very hot and humid, reaching 103 degrees most days, which fit with the tone of the movie. 376:. Patrick, who does not know it was Ruth that actually shot him, notices Ruth and Sylvie around town, but Ruth avoids any contact with him. One day, Patrick makes a visit to Ruth's residence and tells her that Bob has escaped from prison. The local detective questions Ruth as to Bob's whereabouts, and Ruth tells him that Bob has not come to visit her. Meanwhile, Bob is traversing 1292:: it looks derivative, with the familiar lens flare and sunset wash. But if it is a homage, this is an intelligent and accomplished one, a conscientious matching-up of style and substance.' David Gritten also said the Malick influences worked in the film, commenting "Lowery's opening scenes could even serve as the start of an imagined sequel to Terrence Malick's 1973 classic 389:

encounters the bounty hunters. They shoot at him, and he kills one during a struggle, but he is also seriously wounded. He gets away but is chased by the third. Bob coerces a driver, Will, to drive him back to Ruth's house. Will tries to tell Bob that he should be taken to a hospital but Bob refuses, insisting to be taken to Ruth's house.

31: 1305:. The setting of 1970s Texas, the impressionistic wisps of memory, the quiet naturalism of warm sunlight and the dusky magic-hour melancholy—they're all there, all those signatures that are reminiscent of the master filmmaker." Some critics were less positively inclined towards the film's intimations of Malick's artistry, with 954:, who had acquired the international distribution rights for the film. Lowery has stated that the changes were not foisted upon him, but rather he agreed with them and felt that the pre-Sundance editing process had been too rushed, and went on to say that even so, the film apparently hasn't been drastically reshaped. 1331:

had its US domestic opening on the weekend of 16–18 August 2013 in 3 theatres, where it made $ 26,419, ranking at number 58 in the Box office charts. At the end of week ending 22 August the film made $ 40,921, ending 59th on the box office charts. The second week of the film saw a drastic improvement

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wrote, "Authenticity is rarely a fair standard for judging movies, which always depend on overt and invisible artifice. But this film's longing for just that quality—for a simple, elemental truth that will be both specific to its time and place and ripe with deeper meanings—is precisely what makes it

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The actors had no traditional rehearsal times, but instead worked using an outline of the script as they filmed. Mara and Affleck did not spend much time shooting together and Mara felt it worked since it fit in with the story of the film since for most of the film Maras's and Affleck's characters do

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I went and met him here in New-York, and we were instantly brothers. We were finishing each others sentences, we were both vegan, that was really helpful, and we both had big beards at the time, and no hair, it was almost like we were twins immediately ... He got what I wanted to do. He got the idea

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The texture and tone of the movie was already so specific and so set in stone prior to casting, I knew what I wanted it to look like and feel like ... I was very conscientious of not casting anyone that would stick out, there are actors who I am big fans of who feel too modern, i didn't want anything

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My agent sent me his script, sent me his short film, and it all went on from there. David is a really talented writer and has a special, specific voice ... I felt that his short was really interesting and kind of odd, and I thought he would make an interesting movie, then I sat down with him and just

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Later, Bob and Freddy commit a crime while Ruth waits in the getaway car. The police, including Patrick Wheeler, pursue them to farmhouse. In the ensuing gunfight, Freddy is killed and Ruth shoots Patrick. Bob takes the fall for shooting Patrick and the crime committed earlier so Ruth can avoid jail.

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Lowery provided the film's script to Hart in the summer of 2012 and discussed the potential soundscape and instrumentation designed for the film. He had a smaller string ensemble designed with low brass and atmospheric drones and wrote a piece for the montage sequence in which Bob goes to prison and

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Even so, Lowery found the editing phase of the film to be a tough process and more arduous than he had anticipated. Usually a lone editor, Lowery felt the scope of the film required additional editors, and he brought on Craig McKay and Jane Rizzo to work with him. However, he found the experience to

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After the initial script had been written, Lowery and his producers had a start date for the production. But they were advised by producers such as Jay Van Hoy, Lars Knudsen and Amy Kaufman to aim for a bigger production, with Lowery being told "doing the micro budget version is a great plan B, and

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Ruth Guthrie walks across a field and is followed by Bob Muldoon, who tries to dissuade Ruth from leaving him to return to her mother's. Ruth is adamant and reveals that she is angry because Bob told Freddy that he was going to 'strike out on his own'. Bob says this isn't the case. Ruth reveals she

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as Patrick Wheeler. Bob (Affleck) and Ruth (Mara) are a couple who become involved in criminal activities and are caught, with Bob taking the blame and going to prison. The film follows the events after the criminal activities as Ruth gives birth to their daughter, and the two live comfortably. When

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focused his praise on the contributions of Bradford Young and Daniel Hart, maintaining that the film " its influences on its sleeve feeling stale or derivative ... is an immaculate piece of storytelling that boasts serious talent whichever way you look. Special mention must go to Bradford Young's

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were in discussions for the US distribution rights. On January 25 it was announced that Cassian Elwes and WME Global's Graham Taylor and Alexis Garcia closed a deal with IFC Films' Arianna Bocco reportedly worth slightly more than $ 1 million for the US distribution rights. IFC confirmed on January

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Lowery worked with Jade Healy to develop the production design for the film. He, Healy, and Young looked over archives of still photos and whittled them away to come up with a specific look and palette for the film. Healy had to also work on providing the right lighting for the period the film was

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Casting began while Lowery was participating in the Sundance Institute Writer Lab sessions in January 2012. The script for the film was being circulated amongst various talent agencies and Lowery was being contacted by Actors and Actresses wanting to audition for the role, two of those actors being

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Lowery wanted to capture the feeling of the actions and write a script based on that in the vein of 1960s and 1970s movies and folk songs. He said specifically that he wanted to "make a movie that felt like a folk song". Working on this concept, he thought about American folk mythology dealing with

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Patrick visits Ruth to return her letters the police looked over after Bob escaped. He tells her that she should move to a safer place, which Ruth takes to mean as until Bob is caught. Bob visits Skerrit at his hardware store, where Skerrit tells him there are many people who want him dead and that

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When editing, Lowery focused on what happened rather than how it happened, considering what's happening in the scene to be more important than how it happened, and choosing the cuts accordingly. Upon commencing the editing process for the film, he found that he already had 80% of the planned shots

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We kept saying we wanted the film to look like it was shot through a bottle of bourbon or through a piece of burlap. Vilmos was doing lots of flashing and under-exposing and bleach-retention on the negative—a lot of things in the lab that I felt would be interesting if we could do on this film. We

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Rooney Mara cited the script as the main reason for why she accepted the role, saying that it "felt right", and Casey Affleck cited his meeting with and instincts about Lowery as a director as the reason he accepted the role. Nate Parker also cited the script as the main reason he joined the cast,

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is no Malick homage. That's a relief: there are quite enough already. Indeed, far from dwelling on transcendence, as Malick does, Lowery's film has a solid, grounded storyline, rooted in crime thrillers and film noir tradition." Lemire also compared him to Malick, in a positive vein, writing that

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s Nick McCarthy giving the film a score of 2.5 out of 4, pointing out that "director David Lowery, with the aide of Bradford Young's sublime cinematography, goes to great lengths to stylistically evoke the emotionally complex nature of the characters' forlornness, but the film's highly calculated

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The film was shot on 35mm film using the ARRICAM LT and Panavision XL. Most of the film was shot on Cooke S4 lenses and Low Con 1 and Low Con 2 filters in order to achieve the desired look. Cinematographer Bradford Young said he wanted to witness to the film's form take shape instead of having to

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Sylvie wakes up to find her mother sleeping on the sofa in Patrick's arms. They are startled by gunshots outside. Patrick runs out to investigate and finds the third bounty hunter in a shootout with Skerrit. Patrick shoots the bounty hunter dead and finds that Skerrit is fatally wounded. Ruth and

1320:, add up to more than the sum of their lyrical parts. They have big ideas, bigger emotions, and a sense of dramatic urgency—all qualities fatally absent from this well-shot but bloodless crime fable. Lowery, it can't be denied, has Malick's moves down pat. It's the Malick touch that eludes him." 935:

I never looked at the script but found that It was pretty much exactly what he had written. It was the same with this movie. In the editing process we started with the script, went way off course and ended back at the script. We ended up with a movie that was not very much by the numbers ... but

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Lowery and Young encountered problems in acquiring their desired look due to an agreement with their bond company, who wouldn't allow extensive decay on the negative. They circumvented the problem by underexposing the film at unconventional levels, and by sliding an ND9 in front of the camera.

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handling the financing of the film. Sailor Bear, Parts & Labor, Paradox Entertainment, Lagniappe Films, and Evolution Independent assumed primary production duties for the film. In July, 2012 it was confirmed that the financing structure had been finalized with Evolution Independent, Paradox

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was particularly critical of the narrative, stating that " though Lowery is skillful with dialogue, there are ways he ties the events together that are knotty. The first is the most problematic. Though a natural fall guy is right at their feet, felled by the cops and long past complaining about

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However, Lowery did not follow the same approach in terms of the camera angles and the shooting frames and positions he would use. Every camera angle and position was chosen and prepared beforehand. Although Lowery has professed his admiration for films that captured random shots and moments of

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Lowery revisited the concept in 2011, where he added more ideas to his original concept. His initial draft took 6 months to write, and he had planned to shoot the film immediately after writing. However, production was delayed since Lowery and his production partners submitted the script to the

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The film's UK opening recorded a $ 82,190 return, and over the two and half weeks of its theatrical run in the UK it recorded a $ 192,834 return in total. The film's second largest international returns came in France with $ 112,671, with the third best performing international territory being

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writing that "there is a completely numbing sense that this really is a lost Terrence Malick - that this was done a long time ago, and that cinema's cupboards are empty and there is no new stuff to make in a new way." A. A. Dowd maintained that "Even Malick's lesser works, like this spring's

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The tone what I wanted was there, the feeling was there, I wanted the story to be as simple as possible, as traditional, I didn't want a plot where you have to keep up with it or where you have to predict what would happen next ... I wanted the urgency to come from the tone and the feelings.

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On the day of Sylvie's birthday party, Patrick gives Sylvie a guitar. While talking with Sylvie at the party, Patrick learns that Ruth has been planning a trip with Sylvie. Bob arrives at the house but notices Patrick and subsequently leaves. Bob returns to the original shootout location and

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announced on his Facebook page that he would appear in the film as 'Will'. Malek had auditioned for the role of Sweetie, but the role went to Nate Parker, however, Lowery was so impressed with his audition tape he asked him to play a small role at the end of the film. In early December 2012

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gave the film a C+, criticizing Lowery for being too eager to emulate Malick, maintaining that "upstart David Lowery mimics the mythic methodology of his revered elder, drowning the sparse tale of an on-the-run convict and his lonely baby's mama in lots of dreamy, magic-hour atmosphere."

1141:, opining that "there are real virtues to this movie; it's remarkably well crafted and beautifully shot ... if it drifts a little too much toward romanticizing its tender outlaws, it's just following in the footsteps of the masters." In a positive review of the film, Todd Jorgenson of 1219:

commenting, "It's a poignant story of sundered love, earnest and intense, without being exactly tragic, and although writer-director David Lowery interestingly refuses certain romantic cliches, you wonder if he knows exactly where he's going with the narrative." The review in the

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Bob and Ruth surrender their weapons. They are apprehended and Bob jailed. Ruth tells Skerrit, Freddy's father, that she is going to wait for Bob. Bob writes several letters from jail, promising Ruth to be back with her and their child. Ruth gives birth to their daughter, Sylvie.

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The film had its domestic limited release in the United States on August 16, 2013, opening in three theatres. At its peak it was showing at 44 theatres in the US. It had its international theatre premiere on September 5, 2013, in Israel, where the name had to be changed to

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archetype, and commending its style and western iconography influences. It garnered numerous critical awards and nominations and was listed in the top ten films of 2013 by many domestic and international film publications, but ultimately under-performed at the box office.

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Ruth gives birth to their baby. That piece laid the foundation for the score which resulted in the use of strings, brass, mandolin, cimbalom, droning banjo, and percussion. Curtis Heath wrote some the original songs for the score. The score album was released through

1166:, also noted the visual style as the main strength of the film commenting, "Lowery takes his time and lets us linger over everything in the meticulously crafted frame: the thoughtful camerawork, the impeccable costume and production design," giving the film 3.5/4. 836:

The whole film was shot in F2 in order to accommodate Rooney Mara. Bradford Young later said "I hadn't shot actresses of her caliber before. But she was down. And I felt lucky that I could expose somebody like that. It's like what Harris did with Nicole Kidman on

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is a visually poetic film that pays homage to the New Hollywood directors of the 1970s and promises big things from director David Lowery." Metacritic gave the film a weighted average of 74 out of 100 based on 35 reviews, indicating "generally favorable reviews".

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accused the film of being self-indulgent, commenting "the tone never changes. Scenes aren't inflected, and when the end comes, it registers, but without much impact. Despite actors like these, who could have taken us anywhere and made us accept almost anything,

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make it look a certain way in post-production, and felt 35mm allowed him to add the energy of the film into the negative directly. The film does not give a time period for its setting, but reviewers have described it as seemingly dating to the 1960s or 70s.

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It's funny when you go and meet a director and its like a blind date ... It really comes down to this kind of sixth sense that you have about the person, and i immediately felt like i trusted him ... he exudes a very generous spirit, a very intelligent guy

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beauty suffocates rather than elevates the story's emotional underpinnings." He also questioned the portrayal of motherhood in the film, accusing Mara's character of being "uninterestingly flattened into a waiting damsel in distress." In a negative review,

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Lowery and Young abided by a strict rule that they would only use we available light from the period of the film, and whatever sources there were, they could not vibrate; they had to burn, which narrowed them down to tungsten/incandescent lights.

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Lowery did not want to "spoon feed" the audience who would watch the film, as he noted he despises being "spoon fed" himself. Lowery aimed to subtly let the audience know what to pay attention to using visual cues and carefully placed objects.

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also praised the film's visual style, maintaining that "the feel of the movie is intimate and handmade, as if Lowery were renewing, lovingly and poignantly, the landscape's ruined landmarks and infusing them with his own memories and dreams."

716:. Lowery familiarized himself with Young's work, describing it as "beautiful and incredibly rich and varied", and immediately set up a meeting, and proceeded to hire Young as the cinematographer for the project as a result of that meeting. 1227:

issues like loyalty and betrayal, Bob grabs the gun that shot the sheriff. Lowery is intent that the couple will grapple with the idea of responsibility, whatever frustrations with logic that might pose for the rest of us." A.A. Dowd of

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to escape the authorities. He makes it to Texas and obtains help from his friend Sweetie. Meanwhile, three bounty hunters, led by an individual called Bear, visit Skerrit's hardware store and make general inquiries about the town.

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wrote that, "the is not just in the incredible cinematography ... but in the way the film holds back information, blindsiding you with tiny revelations." Trunick gave the film a score of 9 out of 10, as did Philip Martin of the

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beauty in addition to telling a narrative, he wanted this film to be one that conveyed a message with every shot and where every scene had a significant meaning. The number of takes was limited to four or five per scene.

993:, where it competed for the US Prizes in the Grand Jury, Audience, Screenwriting, Directing, Cinematography and Editing awards for the dramatic sections of each category. The film went on to be screened at the 2013 546:

Sundance Institute Producing Lab, in early summer 2011. The institute encouraged Lowery to submit the script to their screenwriters lab. In December 2011, It was revealed that Sundance had selected a screenplay by

1089:) and the Singapore premieres following on October 24. The Belgium premiere happened on November 6, with the Swedish and Turkish premieres taking place on November 6, where again the names were changed to 520:. At the time he was only able to think of a concept of a man breaking out of prison. What attracted him to the story was the thought of writing an action movie after having done a very quiet movie like 385:

Bob needs to stay away from Ruth and Sylvie. Patrick visits Sweetie's establishment, asking if he has seen Bob. As they go upstairs, Bob narrowly escapes but leaves behind a photo of Ruth and Sylvie.

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to have the quality of an old folk song, something Bob Dylan might once have covered. He's succeeded – and made something affecting and stylish out of a tale with mythic aspirations." Cath Clarke of

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gorgeous sun-bleached cinematography, which coupled with Daniel Hart's ubiquitous score of nervy, tiptoeing strings and soft handclaps gives the film a dream-like quality." Peter Debruge of

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landed with the excitement of a bold new voice, and yet, there's also something undeniably old-fashioned in his approach, suggesting a lost artifact freshly unearthed from the 1970s."

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outlaws, developing into an outlaw who broke out of prison, then set in place the reason for the breakout being his wife and living in Texas he decided the setting would be Texas.

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Joined the crew of the film as the composer in December 2012. This was Hart's first foray into scoring a feature film. Hart had recently worked with Lowery on his 2011 short film

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as one of 12 projects for its annual January Screenwriters Lab. Lowery worked with the Sundance Lab Artistic Director Scott Frank and his associates to develop the script.

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you know you can do that, but why don't you just spend a little bit of time formulating a new plan A and see if you can make it for just a little bit bigger".

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because of translation issues, shortly followed by the UK and Ireland releases on September 6. The film was released in France on September 28 with the title

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describing it as 'raw and emotional', but furthermore went on to state that the opportunity to work with the D.P Bradford Young was also a motivating factor.

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selection, as well as having a special screening. On May 31, 2013, the film screened at the 2013 Seattle Film Festival. On June 15, 2013, it screened at the

633:. Speaking on the casting of Mara and Affleck, Lowery cited their quality of being 'timeless in their own way' as the main reason he cast them. Lowery cast 4130: 722:

of trying to make a movie that looked old, that felt old, that felt like an old-fashioned film but also wasn't relying entirely on the tricks of the past.

4399: 739:, and was given the script for Aint Them Bodies Saints in December 2012. Hart cited his previous experience in providing sound for Lowery's 2009 short 3028: 2909: 3209: 807:. The main reason for basing the primary filming in Louisiana was 'huge tax incentives' on offer. The rest of the scenes were filmed on location in 336:, where it won the Cinematography Award in the U.S. Dramatic Category and got nominated for the Grand Jury Prize. It was selected to compete in the 2939: 4429: 1032:

on 6 September 2013. and the Athens Film Festival on 28 September 2013. The film screened at the Amsterdam Film Week on 29 October 2013, and the

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gets under your skin and stays there. And the gospel handclapping soundtrack feels like it's drawing you into a dream." Adam Woodward of

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and native specialist Texas casting director Vicky Boone handled the casting of the non-main characters in the film. Production designer

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agreed, stating that " well-acted film is rich in visual texture and subtle details, and its deliberate pace rewards viewer patience."

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ended its theatrical run having accumulated $ 1,031,243 in box office receipts. With a budget of close to $ 4 million, the film was a

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joined the crew of the film after being recommended by one of Lowery's producers who had worked with Young on a film called

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and then the Jerusalem Film Festival on July 5, where it was screened as a must-see presentation. It then screened at the

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in this movie to feel modern, I wanted it to feel old, and all three of those actors feel like they could belong there.

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had joined the cast of the film, with no specific details given as to his role. On 24 July 2012 it was announced that

4424: 4292: 2247:"Schedule for AIN'T THEM BODIES SAINTS at Sundance! http://filmguide.sundance.org/film/13119/aint_them_bodies_saints" 1597: 1592: 1014: 3488: 3158: 2049: 769:, joined the crew as an editor, along with Jane Rizzo, who had previously edited the critically acclaimed 2012 film 637:

after having met him, and noted that he felt that Ben's natural qualities were 'exactly what his character needed'.

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in, and would subsequently bring in lamps and lamp shades, warmer or lighter, based on Lowery and Young's tastes.

589:. James Johnston, Toby Halbrooks, Amy Kaufman, Lars Knudsen and Jay Van Hoy were announced as the producers, with 4349: 4344: 1301:"the comparisons to Terrence Malick are obvious and many—and a well-deserved compliment—for David Lowery's drama 759: 1574: 1569: 3922: 2947: 4439: 4434: 4047:"A Ballad for Those Lost in Love and in Pride : 'Ain't Them Bodies Saints' Examines Honor and Sacrifice" 3893: 1336:

Belgium with a return of $ 33,391. In total the film made $ 634,724, almost twice its domestic performance.

1122:, based on 132 reviews, attaining a score of 7.11/10. The general consensus is "While conventional in plot, 4389: 4268: 3870: 1191: 1097:). The film had its final European premieres on 20 March 2014 and 9 May 2014 in the Netherlands and Spain ( 1020:

The film then started gaining traction on the international film festival stage, having a screening at the

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Director David Lowery took inspiration for his script from the lives of Bonnie & Clyde (pictured above)

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David Lowery (director), Toby Halbrooks (producer), James M. Johnston (producer), Jay Van Hoy (producer),

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on June 20. The final stateside film festival screenings of the film took place on June 30, 2013, at the

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wanted to make a film look really handmade in the 21st Century, which goes back to that film question.

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on the 2 November 2013. The final festival showing for the film happened on November 12, 2013, at the

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My goal when I'm editing movies I never look at the script, I just look at the footage. When I edited

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be a negative one and stated 'If I could go back again, would I edit the movie myself? Yes I would'.

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Lukewarm reviews praised the ambition but questioned the execution and integrity of the film, with

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In April 2012, Lowery officially announced that he had written a contemporary story in the vein of

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Positive reviews of the movie commented in particular on its visual qualities. Austin Trunick of

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the child is nearly four, Bob escapes from jail and goes looking to reconnect with his family.

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The script's title, which Lowery also chose to evoke the feeling of a folk song, is based on

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Negative reviews focused on the film's ostensible preference of style over substance, with

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After the Sundance Film festival screening, the film was further edited upon suggestion by

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The film received positive reviews overall, with critics praising its original take on the

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While working on the visual style with Young, Lowery took inspiration from movies such as

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of a country song a friend played for him, and is unrelated to the plot or characters.

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were announced as the principal cast for the film. In July, 2012 it was reported that

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hearing him talk about the film and what he wanted to do, it just felt really right.

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25 that they had acquired the North American domestic rights. It was announced that

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The film has received mostly positive reviews, and holds a 77% "fresh" rating on

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and WME Global handling representation for the film, and Evolution Independent's

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ready and in sequence but had to reconcile the other 20% that he was unsure of.

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began writing the film in 2009 while on the festival circuit promoting his film

3757: 1439: 1306: 1239: 1210: 1162: 1157: 1101:), respectively. The film had its Japan premiere on March 29 and in Brazil (as 931: 903: 707: 139: 3068: 2827: 2687: 2654: 2628: 2601: 2564: 2271: 2219: 2084: 1895:"David Lowery On Going From a $ 12k First Feature to Ain't Them Bodies Saints" 1796: 1764: 4333: 4276: 3990: 3766: 3748: 2543: 1626: 1399: 1288: 1229: 1146: 1005:, followed by successive showings at the BAMCinemaFest on June 19 and at the 893: 812: 662: 630: 594: 457: 409: 317: 96: 3927: 2111:"Rooney Mara, Ben Foster, Casey Affleck Circling 'Aint Them Bodies Saints'" 1929:"Rooney Mara, Ben Foster, Casey Affleck Circling 'Aint Them Bodies Saints'" 1415: 1259: 1215: 673:

had joined the cast just as principal photography began. In November, 2012

475: 303: 3063: 1582: 1484: 1248: 779: 666: 654: 626: 430: 403: 321: 126: 101: 4167: 3210:"Deauville Film Fest a Key Stop for U.S. Fare Set for Euro Distribution" 2828:"Ain't Them Bodies Saints Interview - with Writer/Director David Lowery" 2424: 2272:"Rooney Mara, Casey Affleck on the Making of 'Ain't Them Bodies Saints'" 1765:"Ain't Them Bodies Saints Interview - with Writer/Director David Lowery" 4206: 2801: 783: 674: 566: 466: 309: 306: 111: 1827:"Sundance Institute Selects 12 Projects for January Screenwriters Lab" 3121:"Karlovy Vary International Film Festival - Ain't Them Bodies Saints" 1855:"'Ain't Them Bodies Saints' offers new take on American outlaw films" 1831: 1085:, with the Greece (where again due to title issues it was changed to 1049: 989:

had its premiere on the festival circuit on January 20, 2013, at the

751:, as he felt the film was "the right fit for another collaboration". 345: 208: 2629:"Interview: Ain't Them Bodies Saints' David Lowery & Ben Foster" 1043: 892:, utilizing the effects used to make the images "dirty", as well as 775:. Lowery noted that this was the first time he had hired an editor. 372:

Years pass. Ruth and Sylvie live a normal life in the small town of

2220:"David Lowery Interview - Ain't Them Bodies Saints - The MacGuffin" 2194: 1672: 377: 2139:"'Red Tails' Nate Parker Cast In Indie 'Ain't Them Bodies Saints'" 3440: 2254: 1859: 1646:

Best Artistic/Creative Film (for excellence in art-house cinema)

553: 2502:"'Ain't Them Bodies Saints' casts Keith Carradine, Nate Parker" 2165:"'Ain't Them Bodies Saints' casts Keith Carradine, Nate Parker" 3436:"IFC Films Acquires David Lowery's 'Ain't Them Bodies Saints'" 3257:"Amsterdam Film Week 2013, a list of films by Hein van Joolen" 2855:"Has Harvey Weinstein helped improve Aint Them Bodies Saints?" 2789: 2594:"Ain't Them Body Saints at The Variety Studio: Cannes Edition" 1202:

gave the film a positive review, stating that "David Lowery's

1185:

gave the film a 4/5, commending Maras performance and saying "

1073:

acquired the international distribution rights shortly after.

2655:"Rooney Mara Full 'Ain't Them Bodies Saints' Audio Interview" 2191:"Rami Said Malek - Rami Malek cast in "Ain't them bodies ..." 3059:"2013 Nantucket Film Festival Announces Full Feature Lineup" 4131:"David Lowery's rapid rise with 'Ain't Them Bodies Saints'" 682:

announced on his Twitter that he would appear in the film

3951:"Review: 'Ain't Them Bodies Saints' is a romantic sinner" 3359:"Sundance: IFC Near Deal For 'Ain't Them Bodies Saints'" 1797:"Summer Talks: David Lowery, "Ain't Them Bodies Saints"" 790:

handled the sound recording and management of the film.

1637:

St. Louis Gateway Film Critics Association Awards 2013

1175:

gave the film a 4/5 saying "Lowery has said he wanted

2759: 1758: 1756: 1754: 1752: 1750: 1748: 1746: 829: 3385:"Sundance 2013: IFC Nabs 'Ain't Them Bodies Saints'" 2757: 2755: 2753: 2751: 2749: 2747: 2745: 2743: 2741: 2739: 3410:"IFC Films in talks for 'Ain't Them Bodies Saints'" 1718: 1716: 1714: 1712: 1710: 1708: 1706: 1704: 1702: 1700: 798: 572: 427:

Kennadie Smith and Jacklynn Smith as Sylvie Guthrie

4246: 4075:"'Ain't Them Bodies Saints' review: Talent wasted" 3916: 3914: 3807: 3805: 2532:"When Hill Country Feels Too Much Like Shreveport" 1743: 1276:Critics drew extensive comparisons to the work of 3778: 3776: 2736: 2314:"Daniel Hart On Scoring Ain't Them Bodies Saints" 2018: 2016: 2014: 1044:Distribution rights, marketing and theatrical run 4331: 3489:"Ain't them bodies saints / Les amants du Texas" 1889: 1887: 1885: 1883: 1881: 1879: 1877: 1697: 1273:just drifts off into its own melancholic haze." 3911: 3802: 3352: 3350: 2688:"David Lowery Talks 'Ain't Them Bodies Saints'" 2025:"Production Begins on Ain't Them Bodies Saints" 1452:James M. Johnston, Toby Halbrooks, Sailor Bear 1024:on July 3, 2013. The film then screened at the 3773: 2307: 2305: 2303: 2301: 2299: 2297: 2295: 2293: 2266: 2264: 2011: 4232: 3975: 3973: 2623: 2621: 2619: 2588: 2586: 2214: 2212: 1874: 1481:Outstanding Supporting Actor, Motion Picture 936:ended up feeling pretty close to the script. 3347: 2312:Tiedemann, Garrett D. (September 24, 2013). 981: 3753:"David Lowery's "Ain't Them Bodies Saints"" 2910:"Ain't Them Bodies Saints: Texas at Cannes" 2290: 2261: 2079: 2077: 2075: 2073: 2071: 1048:On January 24, 2013, it was announced that 976: 4400:Sundance Film Festival award-winning films 4239: 4225: 4209: 3970: 3356: 2763: 2682: 2680: 2678: 2676: 2616: 2583: 2209: 1922: 1920: 1791: 1789: 1787: 1785: 1762: 29: 3721: 3506: 3235:"2013 Athens International Film Festival" 2311: 585:and that he would direct the film, named 344:. It was released on August 16, 2013, by 4014: 4010: 4008: 3920: 3863: 3207: 3125:Karlovy Vary International Film Festival 2822: 2820: 2525: 2523: 2068: 1534:Palm Springs International Film Festival 552: 4072: 3948: 3891: 3811: 3669: 2673: 2022: 1926: 1917: 1820: 1818: 1782: 1323: 826:Filming wrapped up on August 15, 2012. 4430:Films scored by Daniel Hart (musician) 4332: 4100: 3837: 3782: 3695: 3561: 3559: 3514:"Ain't Them Bodies Saints (Singapore)" 3382: 2712: 2706: 2530:Kelly, Christopher (August 25, 2013). 2363: 2050:"Film trio to finance 'Bodies Saints'" 1852: 4220: 4128: 4101:Quirke, Antonia (September 5, 2013). 4044: 4005: 3921:Bradshaw, Peter (September 5, 2013). 3747: 3696:Martin, Philip (September 13, 2013). 3357:Fleming Jr, Mike (January 25, 2013). 2852: 2817: 2529: 2520: 2245:Baker, Charles (December 15, 2012). 2244: 1824: 1113: 1038:Stockholm International Film Festival 964:Ain't Them Bodies Saints (soundtrack) 3979: 3864:Woodward, Adam (September 5, 2013). 3812:Gritten, David (September 5, 2013). 3539:"Ain't Them Bodies Saints (Belgium)" 3383:Siegel, Tatiana (January 25, 2013). 3288:(in Dutch). No. 363. March 2014 2764:Schoenbrun, Dan (January 20, 2013). 1927:Fleming, Mike Jr. (April 27, 2012). 1853:Reaney, Patricia (August 15, 2013). 1815: 1763:Ciafardini, Marc (August 18, 2013). 1682:British Board of Film Classification 3892:Debruge, Peter (January 21, 2013). 3783:Lemire, Christy (August 16, 2013). 3722:Jorgenson, Todd (August 16, 2013). 3670:Trunick, Austin (August 15, 2013). 3594:"Ain't Them Bodies Saints (Brazil)" 3556: 2944:Seattle International Film Festival 2393:. Shooting-stars.eu. Archived from 2364:McGill, Hannah (October 31, 2016). 1614:Seattle International Film Festival 1449:Indian Paintbrush Producer's Award 1436:Special Jury Prize: Cinematography 1418:(producer), Amy Kaufman (producer) 13: 4450:English-language crime drama films 4445:English-language independent films 4375:Drama films based on actual events 4015:McCarthy, Nick (August 12, 2013). 3949:Sharkey, Betsy (August 15, 2013). 3838:Clarke, Cath (September 4, 2013). 3814:"Ain't Them Bodies Saints, review" 3698:"REVIEW: Ain't Them Bodies Saints" 3208:Keslassy, Elsa (August 29, 2013). 1825:Smith, Nigel (December 16, 2011). 1034:Leiden International Film Festival 1026:Munich International Film Festival 957: 913: 830:Visual style and production design 803:Filming began on July 9, 2012, in 14: 4461: 4293:The Year of the Everlasting Storm 4152: 4073:LaSalle, Mick (August 22, 2013). 2713:Barker, David (August 13, 2013). 2477:"Skywalker Sound - Kent Sparling" 2339:"Craig McKay - Indies Unchained!" 1901:. October 2, 2013. Archived from 1724:"Ain't Them Bodies Saints (2013)" 1593:Ghent International Film Festival 1015:Maine International Film Festival 601: 365:is pregnant, and they reconcile. 4045:Scott, A. O. (August 15, 2013). 2023:Lesnick, Silas (July 23, 2012). 1460:Grand Jury Prize: U.S. Dramatic 1030:Deauville American Film Festival 799:Shooting and production schedule 573:Financing and initial production 4129:Olsen, Mark (August 17, 2013). 4122: 4094: 4066: 4038: 3942: 3885: 3857: 3831: 3741: 3715: 3689: 3663: 3638: 3611: 3586: 3531: 3481: 3464:"Ain't Them Bodies Saints (UK)" 3456: 3428: 3402: 3376: 3321: 3275: 3249: 3227: 3201: 3173: 3143: 3113: 3097:. July 17, 2013. Archived from 3083: 3051: 3021: 2992: 2962: 2932: 2902: 2872: 2846: 2647: 2557: 2494: 2469: 2439: 2409: 2383: 2357: 2331: 2238: 2183: 2157: 2131: 2103: 2042: 1981: 786:joined the crew in April 2012. 747:as the reasons for him scoring 436:Robert Longstreet as Cowboy Hat 4420:Films directed by David Lowery 3980:Dowd, A.A. (August 15, 2013). 2600:. May 22, 2013. Archived from 2391:"Shooting Stars - Avy Kaufman" 2366:"Film of the week: Compliance" 1951: 1846: 1665: 1385:Top Ten Independent Films 2013 503: 1: 4365:American romantic drama films 3572:Turner Classic Movie Database 2343:Indiesunchained.wordpress.com 1658: 598:Entertainment and Lagniappe. 498: 4370:2010s English-language films 2853:Lodge, Guy (June 25, 2013). 1108: 472:Will Beinbrink as Lt. Townes 7: 4405:The Weinstein Company films 3493:www.semainedelacritique.com 1570:Dublin Film Critics' Circle 334:2013 Sundance Film Festival 10: 4466: 4415:Contemporary Western films 4395:American independent films 4360:American crime drama films 3923:"Ain't Them Bodies Saints" 3894:"Ain't Them Bodies Saints" 3866:"Ain't Them Bodies Saints" 3840:"Ain't Them Bodies Saints" 3785:"Ain't Them Bodies Saints" 3724:"Ain't Them Bodies Saints" 3672:"Ain't Them Bodies Saints" 3646:"Ain't Them Bodies Saints" 3619:"Ain't Them Bodies Saints" 3567:"Ain't Them Bodies Saints" 3029:"Ain't Them Bodies Saints" 2940:"Ain't Them Bodies Saints" 2880:"Ain't Them Bodies Saints" 1959:"Ain't Them Bodies Saints" 1022:Karlovy Vary Film Festival 1007:Provincetown Film Festival 961: 918: 793: 606: 508: 223:January 19, 2013 4355:2013 romantic drama films 4285:The Old Man & the Gun 4255: 3151:"The Stars and Hits 2013" 2715:"David Lowery on Editing 1506: 1430: 1425: 1349: 1344:box office disappointment 1138:Arkansas Democrat Gazette 1079:Ne'ehavim mi'houtz la'hok 1003:Los Angeles Film Festival 982:Film festival circuit run 778:Veteran casting director 567:his mishearing the lyrics 527: 493:Artist Thornton as Altman 481:Steve Corner as Lt. Brule 342:2013 Cannes Film Festival 287: 279: 271: 263: 253: 238:August 16, 2013 214: 204: 174: 164: 145: 135: 89: 58: 50: 40: 35:Theatrical release poster 28: 23: 4425:Films about bank robbery 4261:Ain't Them Bodies Saints 4202:Ain't Them Bodies Saints 4191:Ain't Them Bodies Saints 4180:Ain't Them Bodies Saints 4169:Ain't Them Bodies Saints 4019:Ain't Them Bodies Saints 3984:Ain't Them Bodies Saints 3181:"Film: Some good advice" 3002:Ain't Them Bodies Saints 2797:"A Return to 'Badlands'" 2768:Ain't Them Bodies Saints 2717:Ain't Them Bodies Saints 1675:Ain't Them Bodies Saints 1525:Best International Film 1375:National Board of Review 1366:Recipients and nominees 1340:Ain't Them Bodies Saints 1329:Ain't Them Bodies Saints 1303:Ain't Them Bodies Saints 1298:Ain't Them Bodies Saints 1271:Ain't Them Bodies Saints 1204:Ain't Them Bodies Saints 1177:Ain't Them Bodies Saints 1124:Ain't Them Bodies Saints 987:Ain't Them Bodies Saints 977:Distribution and release 883:McCabe & Mrs. Miller 760:The Silence of the Lambs 757:, who previously edited 749:Ain't Them Bodies Saints 587:Ain't Them Bodies Saints 332:The film debuted at the 312:written and directed by 299:Ain't Them Bodies Saints 24:Ain't Them Bodies Saints 4385:Films shot in Louisiana 4080:San Francisco Chronicle 3309:Cite magazine requires 1552:Deauville Film Festival 1495:Deauville Film Festival 1265:San Francisco Chronicle 1060:, Bob Berney's revived 1011:Nantucket Film Festival 702: 490:Gwen Waymon as Margaret 396: 359: 4350:2013 independent films 4345:2013 crime drama films 3389:The Hollywood Reporter 2914:Lone Star Film Society 2770:Director David Lowery" 2370:British Film Institute 1427:Sundance Film Festival 1054:Sony Pictures Classics 991:Sundance Film Festival 938: 868: 843: 724: 690: 645: 616: 558: 537: 4309:Peter Pan & Wendy 2766:"Five Questions with 2421:Vickyboonecasting.com 2417:"Vicky Boone Casting" 1939:on September 21, 2015 1071:The Weinstein Company 927: 863: 834: 805:Shreveport, Louisiana 719: 685: 640: 611: 556: 532: 324:as Ruth Guthrie, and 195:The Weinstein Company 187:Paradox Entertainment 4440:2010s American films 4435:Romantic crime films 3237:. September 17, 2013 3131:on December 21, 2014 3101:on December 21, 2014 3071:on December 21, 2014 3039:on December 21, 2014 2980:on December 21, 2014 2950:on December 21, 2014 2920:on December 24, 2014 2890:on December 19, 2012 2457:on December 20, 2014 2427:on December 20, 2014 2397:on December 15, 2011 1969:on December 27, 2014 1778:– via YouTube. 1561:Grand Special Prize 1516:Munich Film Festival 1504:Grand Special Prize 1324:Box office reception 1105:) on July 10, 2014. 1058:Roadside Attractions 995:Cannes Film Festival 973:on August 13, 2013. 246: (United States) 4390:Films shot in Texas 3751:(August 15, 2013). 3263:. November 23, 2013 2970:"LA Film Fest 2014" 2345:. December 18, 2012 1543:Directors To Watch 1172:The Daily Telegraph 1099:En un lugar sin ley 1083:Les amants du Texas 899:There Will Be Blood 463:Turner Ross as T.C. 302:is a 2013 American 4380:Films set in Texas 4247:Films directed by 4052:The New York Times 3444:. January 25, 2013 3416:. January 25, 2013 3245:– via Issuu. 3186:The Jerusalem Post 2536:The New York Times 2278:. January 30, 2013 2116:Deadline Hollywood 1905:on October 2, 2013 1254:The New York Times 1114:Critical reception 1091:A Texas Love Story 1017:on July 14, 2013. 559: 446:Augustine Frizzell 418:as Patrick Wheeler 18:2013 American film 4327: 4326: 4135:Los Angeles Times 3956:Los Angeles Times 3871:Little White Lies 3335:. August 17, 2013 3033:Ptownfilmfest.org 2834:. August 18, 2013 2805:. August 16, 2013 2661:. August 16, 2013 2635:. August 15, 2013 2571:. January 7, 2013 2226:. August 21, 2013 1989:"Parts and Labor" 1803:. August 19, 2013 1685:. August 27, 2013 1656: 1655: 1575:December 18, 2013 1557:September 6, 2013 1472:Black Reel Awards 1360:Date of ceremony 1223:Los Angeles Times 1192:Little White Lies 1169:David Gritten of 1066:Magnolia Pictures 971:Lakeshore Records 878:Vilmos Zsigmond's 485:Annalee Jefferies 316:. The film stars 295: 294: 71:James M. Johnston 4457: 4301:The Green Knight 4241: 4234: 4227: 4218: 4217: 4213: 4164: 4163: 4161:Official website 4146: 4145: 4143: 4141: 4126: 4120: 4119: 4117: 4115: 4098: 4092: 4091: 4089: 4087: 4070: 4064: 4063: 4061: 4059: 4042: 4036: 4035: 4033: 4031: 4012: 4003: 4002: 4000: 3998: 3977: 3968: 3967: 3965: 3963: 3946: 3940: 3939: 3937: 3935: 3918: 3909: 3908: 3906: 3904: 3889: 3883: 3882: 3880: 3878: 3861: 3855: 3854: 3852: 3850: 3835: 3829: 3828: 3826: 3824: 3809: 3800: 3799: 3797: 3795: 3780: 3771: 3770: 3745: 3739: 3738: 3736: 3734: 3719: 3713: 3712: 3710: 3708: 3693: 3687: 3686: 3684: 3682: 3667: 3661: 3660: 3658: 3656: 3642: 3636: 3635: 3633: 3631: 3615: 3609: 3608: 3606: 3604: 3590: 3584: 3583: 3581: 3579: 3563: 3554: 3553: 3551: 3549: 3535: 3529: 3528: 3526: 3524: 3510: 3504: 3503: 3501: 3499: 3485: 3479: 3478: 3476: 3474: 3460: 3454: 3453: 3451: 3449: 3432: 3426: 3425: 3423: 3421: 3406: 3400: 3399: 3397: 3395: 3380: 3374: 3373: 3371: 3369: 3354: 3345: 3344: 3342: 3340: 3325: 3319: 3318: 3312: 3307: 3305: 3297: 3295: 3293: 3287: 3279: 3273: 3272: 3270: 3268: 3253: 3247: 3246: 3244: 3242: 3231: 3225: 3224: 3222: 3220: 3205: 3199: 3198: 3196: 3194: 3177: 3171: 3170: 3168: 3166: 3161:on June 29, 2013 3157:. 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July 4, 2013 3172: 3142: 3112: 3082: 3050: 3020: 2991: 2974:LAfilmfest.com 2961: 2931: 2901: 2871: 2845: 2816: 2788: 2735: 2705: 2694:. May 17, 2013 2672: 2646: 2615: 2582: 2556: 2519: 2493: 2468: 2438: 2408: 2382: 2356: 2330: 2289: 2260: 2253:) – via 2237: 2208: 2182: 2156: 2130: 2102: 2091:. May 28, 2013 2067: 2041: 2029:ComingSoon.net 2010: 1980: 1950: 1916: 1873: 1845: 1814: 1781: 1742: 1696: 1663: 1662: 1660: 1657: 1654: 1653: 1650: 1647: 1644: 1639: 1633: 1632: 1629: 1624: 1621: 1616: 1610: 1609: 1606: 1603: 1600: 1595: 1589: 1588: 1585: 1580: 1577: 1572: 1566: 1565: 1562: 1559: 1554: 1548: 1547: 1544: 1541: 1536: 1530: 1529: 1526: 1523: 1518: 1512: 1511: 1508: 1505: 1502: 1497: 1491: 1490: 1487: 1482: 1479: 1474: 1468: 1467: 1464: 1461: 1457: 1456: 1453: 1450: 1446: 1445: 1442: 1440:Bradford Young 1437: 1434: 1429: 1423: 1422: 1419: 1412: 1407: 1402: 1396: 1395: 1392: 1387: 1382: 1377: 1371: 1370: 1367: 1364: 1361: 1358: 1351: 1348: 1325: 1322: 1307:Antonia Quirke 1240:Slant Magazine 1211:Peter Bradshaw 1163:RogerEbert.com 1160:, writing for 1158:Christy Lemire 1152:The New Yorker 1115: 1112: 1110: 1107: 1045: 1042: 983: 980: 978: 975: 959: 956: 932:Upstream Color 926: 920: 917: 915: 912: 904:Harris Savides 862: 833: 831: 828: 800: 797: 795: 792: 718: 708:Bradford Young 704: 701: 693:—Casey Affleck 684: 639: 610: 608: 605: 603: 602:Pre-production 600: 574: 571: 531: 529: 526: 510: 507: 505: 502: 500: 497: 495: 494: 491: 488: 482: 479: 473: 470: 464: 461: 455: 449: 443: 437: 434: 428: 425: 419: 413: 412:as Bob Muldoon 407: 400: 398: 395: 361: 358: 293: 292: 289: 285: 284: 281: 277: 276: 273: 269: 268: 265: 261: 260: 257: 254: 251: 250: 248: 247: 236: 220: 218: 215: 212: 211: 206: 205:Distributed by 202: 201: 198: 197: 192: 189: 183: 182: 180: 175: 172: 171: 166: 162: 161: 159: 158: 155: 149: 147: 143: 142: 140:Bradford Young 137: 136:Cinematography 133: 132: 130: 129: 124: 119: 114: 109: 104: 99: 93: 91: 87: 86: 84: 83: 80: 75: 72: 69: 68:Toby Halbrooks 66: 62: 60: 56: 55: 52: 48: 47: 42: 38: 37: 34: 26: 25: 17: 9: 6: 4: 3: 2: 4462: 4451: 4448: 4446: 4443: 4441: 4438: 4436: 4433: 4431: 4428: 4426: 4423: 4421: 4418: 4416: 4413: 4411: 4408: 4406: 4403: 4401: 4398: 4396: 4393: 4391: 4388: 4386: 4383: 4381: 4378: 4376: 4373: 4371: 4368: 4366: 4363: 4361: 4358: 4356: 4353: 4351: 4348: 4346: 4343: 4341: 4338: 4337: 4335: 4319: 4318: 4314: 4311: 4310: 4306: 4303: 4302: 4298: 4295: 4294: 4290: 4287: 4286: 4282: 4279: 4278: 4277:A Ghost Story 4274: 4271: 4270: 4269:Pete's Dragon 4266: 4263: 4262: 4258: 4257: 4254: 4250: 4242: 4237: 4235: 4230: 4228: 4223: 4222: 4219: 4212: 4208: 4204: 4203: 4199: 4197: 4193: 4192: 4188: 4186: 4182: 4181: 4177: 4175: 4171: 4170: 4166: 4162: 4157: 4156: 4136: 4132: 4125: 4110: 4109: 4104: 4097: 4082: 4081: 4076: 4069: 4054: 4053: 4048: 4041: 4026: 4022: 4020: 4011: 4009: 3993: 3992: 3991:The A.V. Club 3987: 3985: 3976: 3974: 3958: 3957: 3952: 3945: 3930: 3929: 3924: 3917: 3915: 3899: 3895: 3888: 3873: 3872: 3867: 3860: 3845: 3841: 3834: 3819: 3815: 3808: 3806: 3790: 3786: 3779: 3777: 3768: 3764: 3760: 3759: 3754: 3750: 3744: 3729: 3725: 3718: 3703: 3699: 3692: 3677: 3673: 3666: 3651: 3647: 3641: 3626: 3625: 3620: 3614: 3603:September 15, 3599: 3595: 3589: 3578:September 15, 3574: 3573: 3568: 3562: 3560: 3548:September 15, 3544: 3540: 3534: 3523:September 15, 3519: 3515: 3509: 3498:September 15, 3494: 3490: 3484: 3473:September 15, 3469: 3465: 3459: 3443: 3442: 3437: 3431: 3415: 3411: 3405: 3390: 3386: 3379: 3364: 3360: 3353: 3351: 3334: 3330: 3324: 3316: 3303: 3302:cite magazine 3284: 3278: 3262: 3258: 3252: 3236: 3230: 3215: 3211: 3204: 3193:September 15, 3188: 3187: 3182: 3176: 3160: 3156: 3152: 3146: 3130: 3126: 3122: 3116: 3100: 3096: 3095:The Main Edge 3092: 3086: 3070: 3066: 3065: 3060: 3054: 3038: 3034: 3030: 3024: 3009: 3005: 3003: 2995: 2979: 2975: 2971: 2965: 2949: 2945: 2941: 2935: 2919: 2915: 2911: 2905: 2889: 2885: 2881: 2875: 2860: 2856: 2849: 2833: 2829: 2823: 2821: 2804: 2803: 2798: 2792: 2777: 2776: 2771: 2769: 2760: 2758: 2756: 2754: 2752: 2750: 2748: 2746: 2744: 2742: 2740: 2728:September 15, 2724: 2720: 2718: 2709: 2693: 2689: 2683: 2681: 2679: 2677: 2660: 2656: 2650: 2634: 2630: 2624: 2622: 2620: 2603: 2599: 2595: 2589: 2587: 2570: 2566: 2560: 2549:September 15, 2545: 2541: 2537: 2533: 2526: 2524: 2507: 2503: 2497: 2482: 2478: 2472: 2456: 2452: 2451:Jadehealy.com 2448: 2442: 2426: 2422: 2418: 2412: 2396: 2392: 2386: 2371: 2367: 2360: 2344: 2340: 2334: 2319: 2315: 2308: 2306: 2304: 2302: 2300: 2298: 2296: 2294: 2277: 2273: 2267: 2265: 2256: 2252: 2248: 2241: 2225: 2221: 2215: 2213: 2197: 2196: 2192: 2186: 2170: 2166: 2160: 2144: 2140: 2134: 2118: 2117: 2112: 2106: 2090: 2086: 2080: 2078: 2076: 2074: 2072: 2055: 2051: 2045: 2030: 2026: 2019: 2017: 2015: 1998: 1994: 1990: 1984: 1968: 1964: 1960: 1954: 1938: 1934: 1930: 1923: 1921: 1904: 1900: 1896: 1890: 1888: 1886: 1884: 1882: 1880: 1878: 1862: 1861: 1856: 1849: 1834: 1833: 1828: 1821: 1819: 1802: 1798: 1792: 1790: 1788: 1786: 1770: 1766: 1759: 1757: 1755: 1753: 1751: 1749: 1747: 1735:September 15, 1731: 1730: 1725: 1719: 1717: 1715: 1713: 1711: 1709: 1707: 1705: 1703: 1701: 1684: 1683: 1678: 1676: 1668: 1664: 1651: 1649:David Lowery 1648: 1645: 1643: 1640: 1638: 1635: 1634: 1630: 1628: 1627:Casey Affleck 1625: 1622: 1620: 1617: 1615: 1612: 1611: 1607: 1605:David Lowery 1604: 1601: 1599: 1596: 1594: 1591: 1590: 1586: 1584: 1581: 1579:Best Actress 1578: 1576: 1573: 1571: 1568: 1567: 1563: 1560: 1558: 1555: 1553: 1550: 1549: 1545: 1542: 1540: 1537: 1535: 1532: 1531: 1527: 1524: 1522: 1519: 1517: 1514: 1513: 1509: 1507:David Lowery 1503: 1501: 1500:6 August 2013 1498: 1496: 1493: 1492: 1488: 1486: 1483: 1480: 1478: 1475: 1473: 1470: 1469: 1465: 1463:David Lowery 1462: 1459: 1458: 1454: 1451: 1448: 1447: 1443: 1441: 1438: 1435: 1433: 1428: 1424: 1420: 1417: 1413: 1411: 1408: 1406: 1403: 1401: 1400:Gotham Awards 1398: 1397: 1393: 1391: 1388: 1386: 1383: 1381: 1378: 1376: 1373: 1372: 1368: 1365: 1362: 1359: 1356: 1355: 1347: 1345: 1341: 1337: 1333: 1330: 1321: 1319: 1318:To The Wonder 1314: 1313: 1308: 1304: 1299: 1295: 1291: 1290: 1289:To the Wonder 1285: 1284: 1279: 1274: 1272: 1267: 1266: 1261: 1256: 1255: 1250: 1242: 1241: 1235: 1232: 1231: 1230:The A.V. Club 1225: 1224: 1218: 1217: 1212: 1207: 1205: 1201: 1200: 1194: 1193: 1188: 1184: 1183: 1178: 1174: 1173: 1167: 1165: 1164: 1159: 1154: 1153: 1148: 1147:Richard Brody 1144: 1140: 1139: 1133: 1128: 1125: 1121: 1106: 1104: 1100: 1096: 1093:(in Turkish: 1092: 1088: 1084: 1080: 1074: 1072: 1067: 1063: 1059: 1055: 1051: 1041: 1039: 1035: 1031: 1027: 1023: 1018: 1016: 1012: 1008: 1004: 1000: 999:Critics' Week 996: 992: 988: 974: 972: 965: 955: 953: 948: 943: 937: 934: 933: 925: 911: 907: 905: 901: 900: 895: 891: 890: 889:Heaven's Gate 885: 884: 879: 873: 867: 861: 857: 853: 848: 842: 840: 827: 824: 820: 816: 814: 813:Austin, Texas 810: 806: 791: 789: 785: 781: 776: 774: 773: 768: 767: 762: 761: 756: 752: 750: 746: 742: 738: 734: 729: 727:—David Lowery 723: 717: 715: 714: 709: 700: 695: 689: 683: 681: 680:Charles Baker 676: 672: 668: 664: 663:Casey Affleck 660: 656: 650: 648:—David Lowery 644: 638: 636: 632: 631:Casey Affleck 628: 621: 615: 599: 596: 595:Cassian Elwes 592: 588: 584: 579: 570: 568: 563: 555: 551: 549: 542: 540:—David Lowery 536: 525: 523: 519: 515: 492: 489: 486: 483: 480: 478:as Lt. Carson 477: 474: 471: 468: 465: 462: 459: 458:David Zellner 456: 453: 450: 447: 444: 441: 440:Charles Baker 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 410:Casey Affleck 408: 405: 402: 401: 394: 390: 386: 382: 379: 375: 370: 366: 357: 354: 349: 347: 343: 339: 338:Critics' Week 335: 330: 327: 323: 319: 318:Casey Affleck 315: 311: 308: 305: 301: 300: 290: 286: 282: 278: 274: 270: 267:United States 266: 262: 258: 252: 237: 234: 222: 221: 219: 216:Release dates 213: 210: 207: 203: 196: 193: 190: 188: 185: 184: 181: 173: 170: 167: 163: 156: 154: 151: 150: 148: 144: 141: 138: 134: 128: 125: 123: 122:Charles Baker 120: 118: 115: 113: 110: 108: 105: 103: 100: 98: 97:Casey Affleck 95: 94: 92: 88: 81: 79: 76: 73: 70: 67: 65:Cassian Elwes 64: 63: 61: 57: 53: 49: 46: 43: 39: 32: 27: 22: 16: 4315: 4307: 4299: 4291: 4283: 4275: 4267: 4260: 4259: 4249:David Lowery 4200: 4190: 4179: 4168: 4140:November 21, 4138:. Retrieved 4134: 4124: 4114:December 28, 4112:. 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