155:
29:
246:
241:
Bellini's work marks a noticeable shift from the even illumination and equality in the intensity of the forms, seen in
Mantegna's painting, commonplace in fifteenth-century Italian art. While Mantegna's painting is lit by even illumination and clarity of atmosphere, Bellini's painting introduces a
295:
Bellini blends the natural with the human world, which is highlighted by the figure of Christ: his hands up in prayer over a natural rock formation that takes the form of an altar. Bellini even evokes the details of sound in this silent medium of painting through his depiction of the apostles
292:. The painting cannot visually represent Jesus's words "Let this cup pass from me", nor his insistence to his disciples to stay awake with him, nor his final acceptance of his fate. Yet Bellini captures the great gravity of the situation.
1016:
822:
195:, where the three hill settlements in the background are evocative of Italian towns of the time, transporting this biblical event tangibly to the contemporary Italian viewers of his work.
579:
401:
1134:
1002:
238:
was long-believed to be painted by
Mantegna. These two works were inspired by an earlier drawing by Giovanni's father and Mantegna's father-in-law, Jacopo Bellini.
1410:
974:
805:
706:
1191:
1081:
958:
1147:
865:
1405:
1287:
1207:
813:
748:
1259:
1155:
651:
1089:
405:
1214:
1104:
929:
735:
308:
Until the mid-19th century Early
Renaissance paintings were regarded as curiosities by most collectors. This one had probably belonged to
1312:
619:
880:
871:
799:
210:(aka Frieda Graham) in 1914. She was sentenced to six months but she was released the next month, weak from a hunger strike protest.
1243:
1022:
285:
applied with a liquid medium, which provide the painting with a great complexity in texture especially seen in the tunic of Jesus.
180:. Bellini's art often focused on landscapes with devotional subject matter, where his bold usage of color unites subject and form.
490:
146:. In Bellini's version, the treatment of dawn light has a more important role in giving the scene a quasi-unearthly atmosphere.
1425:
1400:
1280:
227:
1227:
713:
1052:
938:
914:
856:
1221:
659:
1420:
1331:
1235:
1127:
667:
637:
367:
345:
1200:
1098:
1074:
901:
887:
234:. Mantegna was Bellini's brother-in-law, and his influence on Bellini is apparent; in fact, Bellini's rendering of
159:
1065:
771:
719:
242:
sense of time and ambiance, as seen in the sky's radiant ilumination of light emanating from the praying Christ.
592:
1178:
1009:
612:
584:
309:
177:
154:
1252:
1171:
1113:
1038:
952:
836:
764:
675:
981:
742:
605:
690:
1395:
850:
843:
142:, also in the National Gallery. It is likely that both derived from a drawing by Bellini's father,
105:
76:
1164:
792:
785:
317:
191:
in the mid-1470s. This deep appreciation for the
Northern Italian countryside finds its way into
128:
1415:
1059:
908:
1266:
967:
684:
124:
1338:
1294:
1120:
1045:
988:
778:
28:
8:
1273:
112:
87:
1141:
1185:
300:
is portrayed reclined with his mouth agape in deep rest, adding realism to the scene.
894:
376:
363:
728:
628:
333:
277:, as is common of Bellini's wood panel works. Bellini coated the wood panel with a
231:
97:
39:
1366:
1360:
329:
321:
223:
172:
Giovanni
Bellini is widely recognized as not only one of the foremost artists of
139:
116:
138:
The picture is closely related to the similar work by
Bellini's brother-in-law,
1354:
995:
945:
923:
829:
325:
270:
143:
132:
472:
1389:
1031:
757:
381:
The
Economics of Taste, Vol I: The Rise and Fall of Picture Prices 1760–1960
288:
Bellini's painting situates the viewer at a great crossroads in the life of
282:
207:
188:
173:
297:
203:
187:, seeming to have only ventured out once to sketch the landscape off the
120:
93:
183:
Bellini almost exclusively spent the majority of his life in his native
68:
81 cm × 127 cm (32 in × 50 in)
823:
The Dead Christ
Supported by the Virgin Mary and St John the Evangelist
245:
328:
and repurchased by
Beckford at the Fonthill Sale the next year (as a
597:
473:"Giovanni Bellini: A pioneering Venetian artist | National Gallery"
274:
266:
101:
57:
313:
184:
1135:
Madonna and Child with St. John the
Baptist and a Female Saint
521:
Painting the Word : Christian Pictures and Their Meanings
289:
278:
1003:
Madonna and Child with Saint Mary Magdalene and Saint Ursula
198:
The painting was amongst five paintings including Bellini's
491:"Celebrating Suffragette courage on London History Day"
1017:
Madonna and Child with the Infant St. John the Baptist
975:
Madonna and Child with Saint Peter and Saint Sebastian
866:
Enthroned Madonna Adoring the Sleeping Christ Child
1288:Portrait of Fra Teodoro of Urbino as Saint Dominic
336:for £630 in 1863, still a low price for the day.
1387:
1260:Saints Christopher, Jerome and Louis of Toulouse
1411:Paintings of Christ in the Garden of Gethsemane
613:
1215:Madonna and Child with Four Saints and Donor
324:sale in 1795 for £5, then sold in 1823 with
135:leads the Roman soldiers to capture Christ.
1313:Martyrdom of Saint Maurice and his Comrades
554:The Cambridge Companion to Giovanni Bellini
453:The Cambridge Companion to Giovanni Bellini
257:
620:
606:
27:
1406:Paintings in the National Gallery, London
881:Madonna Adoring the Sleeping Christ Child
149:
131:sleeping near to him. In the background,
538:. Westview Press. pp. 10–12, 16–17.
470:
435:. United Kingdom: Yale University Press.
357:
244:
153:
1208:The Assassination of Saint Peter Martyr
551:
536:Titian and Venetian Painting, 1450-1590
471:Campbell, Caroline (12 February 2016).
450:
100:, who created it ca.1459–1465. It is a
1388:
1281:Naked Young Woman in Front of a Mirror
430:
601:
518:
332:) for £52.10s. It was bought by the
296:sleeping below Christ. The figure of
1316:(illuminated manuscript; attributed)
627:
547:
545:
533:
514:
512:
510:
466:
464:
462:
446:
444:
442:
426:
424:
422:
383:, Barrie and Rockliffe, London, 1961
104:painting on panel and is now in the
92:is an early painting by the Italian
939:Saint Jerome Reading in a Landscape
807:Dead Christ Supported by Two Angels
707:Dead Christ Supported by Two Angels
13:
360:Diccionario Larousse de la pintura
176:Venice but of the entirety of the
14:
1437:
1128:Portrait of Doge Leonardo Loredan
573:
542:
507:
459:
439:
419:
346:List of works by Giovanni Bellini
1201:St. Mark Preaching in Alexandria
1083:Lamentation over the Dead Christ
358:Ballarin, A. (1987). "Bellini".
815:Dead Christ Supported by Angels
800:The Head of St John the Baptist
772:Saint Vincent Ferrer Altarpiece
222:is displayed side-by-side with
1179:Portrait of the Loredan Family
1010:Portrait of a Young Man in Red
560:
527:
483:
394:
119:in prayer, with his disciples
1:
1426:Paintings of John the Apostle
1401:Paintings by Giovanni Bellini
556:. Cambridge University Press.
455:. Cambridge University Press.
351:
213:
552:Humfrey, Peter, ed. (2004).
451:Humfrey, Peter, ed. (2004).
387:
303:
115:with Christ kneeling on the
16:Painting by Giovanni Bellini
7:
1253:Virgin in Glory with Saints
1039:Portrait of a Young Senator
953:Madonna of the Red Cherubim
339:
200:Portrait of a Mathematician
10:
1442:
982:Madonna of the Small Trees
736:Madonna and Child Blessing
714:Presentation at the Temple
402:"National Gallery website"
281:and provided an intricate
1376:
1347:
1323:
1304:
1053:Portrait of a Condottiero
916:Transfiguration of Christ
743:The Blood of the Redeemer
644:
635:
316:(d. 1770), was bought by
273:, most likely painted on
72:
64:
53:
45:
35:
26:
21:
1421:Paintings of Saint Peter
1222:The Continence of Scipio
1157:St. Jerome in the Desert
931:St. Jerome in the Desert
844:Portrait of Georg Fugger
653:St. Jerome in the Desert
523:. Yale University Press.
258:Composition and analysis
106:National Gallery, London
77:National Gallery, London
1165:San Zaccaria Altarpiece
1149:Portrait of a Young Man
1106:Portrait of a Young Man
1091:Portrait of a Young Man
1024:Portrait of a Young Man
793:Triptych of the Madonna
786:San Sebastiano Triptych
362:. Planeta-De Agostini.
111:This work portrays the
1075:Circumcision of Christ
962:(New York, late 1480s)
909:Portrait of a Humanist
902:Resurrection of Christ
888:St. Francis in Ecstasy
254:
202:that was damaged in a
169:
150:Background and history
1267:The Feast of the Gods
968:San Giobbe Altarpiece
580:Official website page
431:Goffen, Rona (1999).
248:
157:
1339:Venetian Renaissance
1332:San Zaccaria, Venice
1121:Head of the Redeemer
989:Barbarigo Altarpiece
779:San Lorenzo Triptych
534:Cole, Bruce (1999).
519:Drury, John (1999).
477:The National Gallery
1274:Drunkenness of Noah
1193:Sacred Conversation
700:Agony in the Garden
586:Agony in the Garden
263:Agony in the Garden
251:Agony in the Garden
236:Agony in the Garden
220:Agony in the Garden
193:Agony in the Garden
178:Italian Renaissance
113:Agony in the Garden
88:Agony in the Garden
22:Agony in the Garden
1186:The Infant Bacchus
1151:(Royal Collection)
752:(Milan, 1460–1465)
593:Web Gallery of Art
566:Reitlinger, I, 122
377:Reitlinger, Gerald
255:
170:
158:Giovanni Bellini:
1383:
1382:
1335:(1995 photograph)
1245:Madonna and Child
1237:Madonna and Child
1229:Madonna and Child
1172:Madonna del Prato
1114:Baptism of Christ
960:Madonna and Child
895:Contarini Madonna
873:Madonna and Child
858:Madonna and Child
837:Pesaro Altarpiece
765:Nativity Triptych
750:Madonna and Child
661:Madonna and Child
249:Andrea Mantegna:
224:Andrea Mantegna's
82:
81:
1433:
1369:(brother-in-law)
1142:Martinengo Pietà
729:Frizzoni Madonna
629:Giovanni Bellini
622:
615:
608:
599:
598:
567:
564:
558:
557:
549:
540:
539:
531:
525:
524:
516:
505:
504:
502:
501:
495:Museum of London
487:
481:
480:
468:
457:
456:
448:
437:
436:
433:Giovanni Bellini
428:
417:
416:
414:
413:
404:. Archived from
398:
373:
334:National Gallery
318:William Beckford
232:National Gallery
167:
98:Giovanni Bellini
40:Giovanni Bellini
31:
19:
18:
1441:
1440:
1436:
1435:
1434:
1432:
1431:
1430:
1396:1450s paintings
1386:
1385:
1384:
1379:
1372:
1367:Andrea Mantegna
1361:Gentile Bellini
1343:
1319:
1300:
1067:Christ Blessing
721:Christ Blessing
669:Transfiguration
640:
631:
626:
576:
571:
570:
565:
561:
550:
543:
532:
528:
517:
508:
499:
497:
489:
488:
484:
469:
460:
449:
440:
429:
420:
411:
409:
400:
399:
395:
390:
370:
354:
342:
322:Joshua Reynolds
306:
260:
216:
165:
152:
140:Andrea Mantegna
117:Mount of Olives
17:
12:
11:
5:
1439:
1429:
1428:
1423:
1418:
1413:
1408:
1403:
1398:
1381:
1380:
1378:* Workshop
1377:
1374:
1373:
1371:
1370:
1364:
1358:
1355:Jacopo Bellini
1351:
1349:
1345:
1344:
1342:
1341:
1336:
1327:
1325:
1321:
1320:
1318:
1317:
1308:
1306:
1302:
1301:
1299:
1298:
1291:
1284:
1277:
1270:
1263:
1256:
1249:
1241:
1233:
1225:
1218:
1211:
1204:
1197:
1189:
1182:
1175:
1168:
1161:
1153:
1145:
1138:
1131:
1124:
1117:
1110:
1102:
1095:
1087:
1079:
1071:
1063:
1056:
1049:
1042:
1035:
1028:
1020:
1013:
1006:
999:
996:Frari Triptych
992:
985:
978:
971:
964:
956:
949:
946:Alzano Madonna
942:
935:
927:
924:Willys Madonna
920:
912:
905:
898:
891:
884:
877:
875:(Venice, 1475)
869:
862:
854:
851:Lochis Madonna
847:
840:
833:
830:Lehman Madonna
826:
819:
811:
803:
796:
789:
782:
775:
768:
761:
754:
746:
739:
732:
725:
717:
710:
703:
696:
688:
681:
673:
665:
657:
648:
646:
642:
641:
636:
633:
632:
625:
624:
617:
610:
602:
596:
595:
590:
582:
575:
574:External links
572:
569:
568:
559:
541:
526:
506:
482:
458:
438:
418:
392:
391:
389:
386:
385:
384:
374:
368:
353:
350:
349:
348:
341:
338:
326:Fonthill Abbey
305:
302:
259:
256:
215:
212:
189:Adriatic coast
151:
148:
80:
79:
74:
70:
69:
66:
62:
61:
55:
51:
50:
47:
43:
42:
37:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
1438:
1427:
1424:
1422:
1419:
1417:
1416:Angels in art
1414:
1412:
1409:
1407:
1404:
1402:
1399:
1397:
1394:
1393:
1391:
1375:
1368:
1365:
1362:
1359:
1356:
1353:
1352:
1350:
1346:
1340:
1337:
1334:
1333:
1329:
1328:
1326:
1322:
1315:
1314:
1310:
1309:
1307:
1303:
1297:
1296:
1292:
1290:
1289:
1285:
1283:
1282:
1278:
1276:
1275:
1271:
1269:
1268:
1264:
1262:
1261:
1257:
1255:
1254:
1250:
1248:
1247:(Milan, 1510)
1246:
1242:
1240:
1238:
1234:
1232:
1230:
1226:
1224:
1223:
1219:
1217:
1216:
1212:
1210:
1209:
1205:
1203:
1202:
1198:
1196:
1194:
1190:
1188:
1187:
1183:
1181:
1180:
1176:
1174:
1173:
1169:
1167:
1166:
1162:
1160:
1158:
1154:
1152:
1150:
1146:
1144:
1143:
1139:
1137:
1136:
1132:
1130:
1129:
1125:
1123:
1122:
1118:
1116:
1115:
1111:
1109:
1107:
1103:
1101:
1100:
1099:Self-Portrait
1096:
1094:
1092:
1088:
1086:
1084:
1080:
1077:
1076:
1072:
1070:
1068:
1064:
1062:
1061:
1057:
1055:
1054:
1050:
1048:
1047:
1043:
1041:
1040:
1036:
1034:
1033:
1032:Holy Allegory
1029:
1027:
1025:
1021:
1019:
1018:
1014:
1012:
1011:
1007:
1005:
1004:
1000:
998:
997:
993:
991:
990:
986:
984:
983:
979:
977:
976:
972:
970:
969:
965:
963:
961:
957:
955:
954:
950:
948:
947:
943:
941:
940:
936:
934:
932:
928:
926:
925:
921:
919:
917:
913:
911:
910:
906:
904:
903:
899:
897:
896:
892:
890:
889:
885:
883:
882:
878:
876:
874:
870:
868:
867:
863:
861:
859:
855:
853:
852:
848:
846:
845:
841:
839:
838:
834:
832:
831:
827:
825:
824:
820:
818:
816:
812:
810:
808:
804:
802:
801:
797:
795:
794:
790:
788:
787:
783:
781:
780:
776:
774:
773:
769:
767:
766:
762:
760:
759:
758:Greek Madonna
755:
753:
751:
747:
745:
744:
740:
738:
737:
733:
731:
730:
726:
724:
722:
718:
716:
715:
711:
709:
708:
704:
702:
701:
697:
695:
693:
689:
687:
686:
682:
680:
678:
674:
672:
670:
666:
664:
662:
658:
656:
654:
650:
649:
647:
643:
639:
638:List of works
634:
630:
623:
618:
616:
611:
609:
604:
603:
600:
594:
591:
589:
587:
583:
581:
578:
577:
563:
555:
548:
546:
537:
530:
522:
515:
513:
511:
496:
492:
486:
478:
474:
467:
465:
463:
454:
447:
445:
443:
434:
427:
425:
423:
408:on 2007-06-29
407:
403:
397:
393:
382:
378:
375:
371:
369:84-395-0649-X
365:
361:
356:
355:
347:
344:
343:
337:
335:
331:
327:
323:
319:
315:
311:
301:
299:
293:
291:
286:
284:
280:
276:
272:
268:
264:
252:
247:
243:
239:
237:
233:
229:
225:
221:
211:
209:
205:
201:
196:
194:
190:
186:
181:
179:
175:
163:
162:
161:Self-Portrait
156:
147:
145:
141:
136:
134:
130:
126:
122:
118:
114:
109:
107:
103:
99:
95:
91:
90:
89:
78:
75:
71:
67:
63:
59:
56:
52:
48:
44:
41:
38:
34:
30:
25:
20:
1330:
1311:
1293:
1286:
1279:
1272:
1265:
1258:
1251:
1244:
1236:
1228:
1220:
1213:
1206:
1199:
1192:
1184:
1177:
1170:
1163:
1159:(Washington)
1156:
1148:
1140:
1133:
1126:
1119:
1112:
1105:
1097:
1093:(Washington)
1090:
1082:
1073:
1069:(Fort Worth)
1066:
1060:Annunciation
1058:
1051:
1044:
1037:
1030:
1023:
1015:
1008:
1001:
994:
987:
980:
973:
966:
959:
951:
944:
937:
930:
922:
915:
907:
900:
893:
886:
879:
872:
864:
857:
849:
842:
835:
828:
821:
814:
806:
798:
791:
784:
777:
770:
763:
756:
749:
741:
734:
727:
720:
712:
705:
699:
698:
691:
683:
676:
668:
660:
655:(Birmingham)
652:
585:
562:
553:
535:
529:
520:
498:. Retrieved
494:
485:
476:
452:
432:
410:. Retrieved
406:the original
396:
380:
359:
310:Consul Smith
307:
294:
287:
283:underdrawing
279:gesso ground
269:painting on
262:
261:
250:
240:
235:
226:work of the
219:
217:
208:Grace Marcon
199:
197:
192:
182:
174:Quattrocento
171:
160:
137:
110:
86:
85:
83:
49:c. 1459–1465
1108:(Liverpool)
685:Crucifixion
267:egg tempera
206:protest by
204:suffragette
94:Renaissance
1390:Categories
1295:Deposition
1085:(Florence)
1046:Allegories
933:(Florence)
588:– Analysis
500:2020-02-10
412:2007-06-25
352:References
271:wood panel
218:Bellini's
214:Influences
65:Dimensions
1363:(brother)
1231:(Detroit)
679:(Bergamo)
645:Paintings
388:Footnotes
304:Ownership
298:St. Peter
253:, 1455-56
228:same name
1357:(father)
1195:(Madrid)
918:(Naples)
860:(Verona)
817:(Rimini)
809:(Berlin)
671:(Venice)
340:See also
330:Mantegna
73:Location
60:on panel
1324:Related
1026:(Paris)
723:(Paris)
694:(Milan)
663:(Pavia)
320:at the
230:in the
102:tempera
96:master
58:Tempera
1348:Family
1239:(Rome)
366:
314:Venice
275:poplar
265:is an
185:Venice
144:Jacopo
54:Medium
36:Artist
1305:Other
1078:*
692:Pietà
677:Pietà
290:Jesus
133:Judas
125:James
121:Peter
364:ISBN
168:1500
129:John
127:and
84:The
46:Year
312:in
1392::
544:^
509:^
493:.
475:.
461:^
441:^
421:^
379:;
166:c.
164:,
123:,
108:.
621:e
614:t
607:v
503:.
479:.
415:.
372:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.