104:, Mitzi and her husband Darryl are preparing for the imminent arrival of old friends Gail and Ron. The nature of the evening is revealed when highly-strung Mitzi bemoans the fact her bra and panties don't match. The two couples are slowly easing themselves into the intended purpose of the evening when the phone rings and Mitzi refers to "the private line". Her friends' indignation at not being given the number, and Mitzi's increasingly complicated reasons why they weren't given said number, disrupt the evening's plans in May's typically comic fashion.
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former dance instructor connect. The grim woman attempts to deflect any advances by the man, telling him that when dancing she can only lead. In response, he teaches her how to improve her technique as she leads.
132:. Being hampered by mostly lukewarm reviews, with the Hollywood Reporter saying that the play "too often smacks of warmed-over humor". The play ran for only 38 performances. The cast included
87:-ridden but brightly optimistic mother Kathleen. One further introduction includes the guitar-strumming Mel, whose policy is to dump a woman before she becomes emotionally demanding.
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introduces us to Joanne, a lonely, middle-aged woman waiting to hear from Mel, her date for that evening. We are also introduced to Joanne's best friend
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The four characters discuss hopes and dreams, reminiscing about happier days in monologues that each character delivers from a separate area of the stage.
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man waiting to hear from potential new boyfriend Gavin and
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38:. It opened in 2005. May derived the name of the play from the
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Scheck, Brian (June 9, 2005). "'After the Night Music'".
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112:After 39 previews, the
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211:"Musical Squares"
77:Giving Up Smoking
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249:2015-09-08
160:References
138:Jere Burns
108:Production
102:Swing Time
95:Swing Time
63:overweight
36:Elaine May
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215:New York
217:. 2005.
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