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Afrika Bambaataa

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618:. According to Bambaata, this was an unauthorized release. Winley recorded two versions of Soulsonic Force's landmark single, "Zulu Nation Throwdown", with authorization from the musicians. Disappointed with the results of the single, Bambaataa left the company. The arranger credit on these recordings is correctly attributed to Harlem Underground Band leader, Kevin Donovan. This led to the false assumption that Bambaataa's real name was Kevin Donovan, which was widely accepted by the hip hop community until recently, following sexual abuse allegations, when Bronx River residents spoke out and revealed in oral testimonies that Bambaataa's real name was in fact Lance Taylor. 415:, Bambaataa began to realize the potential for technological advancement in music making, deciding to stop performing with a live band and instead only relying on technology on stage. That same year, Bambaataa released his breakthrough electro-funk track in the form of “Planet Rock”, which featured Bambaataa, producer Arthur Baker and the Soulsonic Force. This groundbreaking single, featuring the iconic line “party people, can you feel it?,” seamlessly blended electronic sounds, drum machines, and futuristic synthesizers with traditional funk and hip-hop elements. Featuring a synth hook from Kraftwerk’s “ 631: 44: 448:– went outside the United States on the first hip-hop tour. He saw that the hip hop tours would be the key to help expand hip hop and his Universal Zulu Nation. In addition it would help promote the values of hip hop that he believed are based on peace, unity, love, and having fun. He brought peace to the gangs; many artists and gang members say that "hip hop saved a lot of lives". His influence inspired many overseas artists like the 567:' Community Center, with Mr. Biggs, Queen Kenya, and Cowboy, who accompanied him in performances in the community. Because of his prior status in the Black Spades, he already had an established Army party crowd drawn from former members of the gang. Hip hop culture was spreading through the streets via house parties, block parties, gym dances and mix tapes. 365:. He quickly rose to the position of "warlord" in one of the divisions. As warlord, it was his job to build ranks and expand the turf of the young Spades. He was not afraid to cross turfs to forge relationships with other gangs, and their members. As a result, the Spades became the biggest gang in the city in terms of both membership and turf. 1035:'s Hip Hop Collection, the largest collection of historical hip hop music in North America, and the university's department of Music. His archives, including his vinyl collection, original audio and video recordings, manuscripts, books, and papers arrived at the Cornell University Hip Hop Collection in December 2013. 1061:
On May 6 that year, Bambaataa left his position as head of The Zulu Nation. Then, a month later, The Universal Zulu Nation issued an open letter apologizing to the people alleging Bambaataa had sexually abused them while expressing responsibility for the organization's "poor response". The letter was
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denying the allegations. In early May 2016, the Universal Zulu Nation disassociated themselves from Bambaataa as part of an organizational restructuring that saw the group removing "all accused parties and those accused of covering up the current allegations of child molestation" from their current
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The group was Harmony and LG. The first single, 1987's "Dance To The Drums/No Joke", was produced by Bambaataa and Baker with musicians Keith LeBlanc and Doug Wimbish. Bambaataa was involved in the Stop the Violence Movement, and with other hip hop artists recorded "Self Destruction", a 12" single
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Inspired by hip-hop icons like DJ Kool Herc, Bambaataa began hosting block parties throughout the South Bronx, including at the Bronx River Organization. Bambaataa engaged primarily as a hip-hop artist. Due to his ties to organized crime, much of his early fan base was centered around the hip-hop
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The Zulu Nation was the first hip-hop organization, with an official birth date of November 12, 1977. Bambaataa's plan with the Universal Zulu Nation was to build a movement out of the creativity of a new generation of outcast youths with an authentic, liberating worldview.
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In 1982, Bambaataa began playing "authentically" electronic music in the form of EBN-OZN’s “AEIOU Sometimes Y”, which was the first ever commercially released American single made on a computer, namely the Fairlight CMI. Inspired by techno groups such as
653:. It was the first time Bambaataa had performed before a predominantly white crowd. Attendance for his parties downtown became so large that he had to move to larger venues, first to the Ritz, in a show organized by hip hop pioneer, Michael Holman, with 433:-inspired style of rhyming. The term was first used in print to refer to the music by reporter Robert Flipping, Jr. in a February 1979 article in the New Pittsburgh Courier, and to refer to the culture in a January 1982 interview of Afrika Bambaataa by 387:, who led an armed rebellion against unfair economic practices in early 20th-century South Africa. He told people that his name was Zulu for "affectionate leader". Bambaataa formed The "Bronx River Organization" as an alternative to the Black Spades. 419:”, as well as electronic drum patterns from their track “Numbers,” Bambaataa’s “Planet Rock” not only became a massive commercial hit in clubs and dance floors everywhere, but also set the stage for the emergence of electro-funk as a distinct genre. 1075:
article titled "Afrika Bambaataa Allegedly Molested Young Men For Decades" and reported stories from the alleged victims and witnesses. The article stated the accusers "claim that these accounts of alleged abuse have been common knowledge in the
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the Double Dutch crew who traveled with Fab 5 Freddy, Rammellzee, Afrika Bambaataa, Rock Steady Crew, Phase 2, Futura and Dondi to Europe for 1982 The Roxy Tour (also known as The New York City Rap tour) in the first ever international hip hop
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No charges have been brought against Afrika Bambaataa to date. In October 2021 Bambaataa was sued by an anonymous man who alleged that between 1991 and 1995 Bambaataa repeatedly sexually abused him when he was a minor and also
485:, ushering in the era of music computer sampling. In that same year, Bambaataa and Soulsonic Force stopped performing with a live band, and began to use only technology. Bambaataa credited the pioneering Japanese 1008:
Bambaataa was a judge for the 6th annual Independent Music Awards to support independent artists' careers. On September 27, 2007, it was announced that Afrika Bambaataa was one of the nine nominees for the 2008
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in that film. During his trip to Africa, the communities he visited inspired him to create one in his own neighborhood. He changed his name to Afrika Bambaataa Aasim, adopting the name of the Zulu chief
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Due to the oft nebulous timeline of hip-hop origins, there are conflicting accounts of when Bambaataa began hosting parties. Some suggest he began as early as 1970, predating noted "father of hip hop"
863:. He had recorded a few other works with Family three years earlier, one titled "Funk You" in 1985, and the other titled "Beware (The Funk Is Everywhere)" in 1986. In 1986 he discovered an artist in 696:, funk, and rock. Different elements and musical styles were used together. The song became an immediate hit and stormed the music charts worldwide. The song melded the main melody from Kraftwerk's " 871:
which hit number one on the Hot Rap Singles Chart in March 1989. The single went gold and raised $ 400,000 for the National Urban League to be used for community anti-violence education programs.
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movement , as Bambaataa established numerous rap groups including the “Jazzy 5” and the “Soulsonic Force”, which featured many artists that had overlapped with the Universal Zulu Nation.
399:, while others contend he began after Herc in 1976, in fact, attending and drawing inspiration from Kool Herc parties. He vowed to use hip-hop to draw angry kids out of gangs and form the 595:, which originally consisted of approximately 20 Zulu Nation members: Mr. Biggs, Queen Kenya, DJ Cowboy Soulsonic Force (#2), Pow Wow, G.L.0.B.E. (creator of the "MC popping" rap style), 570:
About a year later Bambaataa reformed the group, calling it the Zulu Nation (inspired by his wide studies on African history at the time). Specifically, Bambaataa watched the 1964 film
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and witnessed debates between his mother and uncle regarding the conflicting ideologies in the movement. He was exposed to his mother's extensive and eclectic record collection.
867:. (Through MC SHY D) by the name of Kenya Miler a.k.a. MC Harmony (Known producer now as Kenya Fame Flames Miller), that was later signed to Criminal Records and Arthur Baker. 458:
He was a popular DJ in the South Bronx rap scene and became known not only as Afrika Bambaataa but also as the "Master of Records". He established two rap crews: the
2302: 580:) joined him, whom he called the Zulu Kings, and later formed the Zulu Queens, and the Shaka Zulu Kings and Queens. As he continued deejaying, more DJs, rappers, 3337: 903:
and the ANC to hip hop audiences. In relation to the event, the recording Ndodemnyama (Free South Africa) helped raise approximately $ 30,000 for the ANC.
3166: 603:-DJ Jazzy Jay, Mr. Freeze, Master D.E.E., Kool DJ Red Alert, Sundance, Ice Ice (#2), Charlie Choo, Master Bee, Busy Bee Starski, Akbar (Lil Starski), and 481:'s ground breaking, 12-inch white rap/spoken word "AEIOU Sometimes Y". It was the first commercially released American single ever made on a computer, a 3309: 3225: 3421: 1051:
him in 1980, when Savage was 15. Following Savage's allegations, three more men accused Bambaataa of sexual abuse. Bambaataa issued a statement to
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Afrika Bambaataa was booked on the first ever European hip hop tour presented by Europe One and Fnac France. Along with himself were rapper and
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community and beyond since the early 1980s, including among many of Bambaataa's closest friends and Zulu soldiers." In a March 2021 interview,
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In 1982, their manager Ruza "Kool Lady" Blue organized The Roxy Tour, which featured Grandmixer D.S.T now Rock Steady Crew, Afrika Bambaataa,
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said "everyone knew" about the accusations, calling it "hip hop's best kept secret" but would not respond when asked if he knew specifically.
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in the East Village Eye. The term gained further currency in September of that year in another Bambaataa interview in The Village Voice, by
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In the late 1970s, Bambaataa formed what became known as the Universal Zulu Nation, a group of socially and politically aware rappers,
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all around The South Bronx. He even faced his long-time friend, Disco King Mario in a DJ battle. He then began performing at
588:, graffiti writers, and artists followed him, and he took them under his wing and made them all members of his Zulu Nation. 3951: 2500: 3936: 2878: 2681: 2809: 3956: 3757: 2753:"Back to the future: Yellow Magic Orchestra helped usher in electronica – and they may just have invented hip-hop, too" 2061: 1199: 1044: 2957: 2980:, Double-Dutch Girls, and Fab 5 Freddy. This tour traveled to Europe, which spread hip-hop culture to many countries. 2423: 314:, he has helped spread hip hop culture throughout the world. In May 2016, Bambaataa left his position as head of the 3961: 3837: 2259: 1732: 770:, where he developed and placed two groups on the label: Time Zone and Shango. Bambaataa recorded "Wildstyle" with 358:
of drug dealers, assisting with community health programs and both fighting and partying to keep members and turf.
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including MCs Master Ice, Mr. Freeze, Master Bee, Master D.E.E, and AJ Les, and the second crew referred to as
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signed by nearly three dozen members of the Zulu Nation, including leaders from as far as New Zealand.
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Fink, Robert (October 2005). "The Story of ORCH5, or, the Classical Ghost in the Hip-Hop Machine".
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Pabon, Jorge (2007). "Physical Graffiti: the History of Hip Hop Dance". In Chang, Jeff (ed.).
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From the mid-1990s, Bambaataa returned to his electro roots. In 1998, he produced a remix of "
3029:(CD booklet). James Brown, Afrika Bambaataa. New York City: PolyGram Records. pp. 46–53. 2854: 2848: 2581: 2267: 2182: 2176: 400: 315: 311: 2547: 429:, is credited with naming hip-hop. The term became a common phrase used by MCs as part of a 3901: 3286: 2620:
Holman, Michael (January 1982). "An interview with DJ Africa Bambaata of the Zulu Nation".
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In Search of the Black Fantastic: Politics and Popular Culture in the Post-Civil Rights Era
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On August 14, 2012, Bambaataa was given a three-year appointment as a visiting scholar at
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Inductions. On December 22, 2007, he made a surprise appearance performing at the
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Jacobs, Shayna; Kochman, Ben; Schapiro, Rich; O'Keeffe, Michael (April 9, 2016).
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elements, called "Planet Rock '98", which is regarded as an early example of the
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and formed the Bronx River Organization, then later simply "The Organization".
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Flipping, Robert Jr. (February 24, 1979). "If You Funk Us, We'll Funk You".
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All Music Guide to Electronica: The Definitive Guide to Electronic Music
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Around October 1985, Bambaataa and other music stars worked on the anti-
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In 1982, Bambaataa and his followers – a group of dancers, artists, and
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In 1984, Bambaataa and other hip hop celebrities appeared in the movie
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First Annual Tribute Fit For the King of King Records, Mr. Dynamite
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Gee Street Records, Bambaataa and John Baker organized a concert at
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and Time Zone in 1984, titled "World Destruction". Shango's album,
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Hager, Steven (September 21, 1982). "Afrika Bambaataa's Hip Hop".
2418:. Frank Broughton (1st American ed.). New York: Grove Press. 642:
was putting together music packages in the largely white downtown
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magazine's "Most Important Americans of the 20th Century" issue.
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The Hood Comes First: Race, Space, and Place in Rap and Hip Hop
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After Bambaataa won an essay contest that earned him a trip to
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Last Night a DJ Saved My Life: The History of the Disc Jockey
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Opening the Afrika Bambaataa Master of Records Vinyl Archive
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clubs, and invited Bambaataa to perform at one of them, the
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Can't Stop, Won't Stop: A History of the Hip-Hop Generation
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Can't Stop, Won't Stop: A History of the Hip-Hop Generation
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loaned him his first equipment, Bambaataa began organizing
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Chang, Jeff (October 12, 2009). "It's a Hip-Hop World".
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Warlocks and Witches, Computer Chips, Microchips and You
731:(formerly Grand Mixer D.St), B-boy and B-girl crews the 3015: 2140: 2138: 832: 378:
and was impressed with the solidarity exhibited by the
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culture. Afrika Bambaataa is one of the originators of
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tracks in the 1980s that influenced the development of
277: 3503:"Afrika Bambaataa sued for alleged child sexual abuse" 3185:"Afrika Bambaataa Named Visiting Professor at Cornell" 963:, a group that was named after him, on the 2004 album 576:, which sparked the name for the group. Five b-boys ( 239: 230: 224: 2913:(September 21, 1982). "Afrika Bambaataa's Hip-Hop". 2357:"Afrika Bambaataa: Crate-digger, collector, creator" 2135: 1031:. The appointment was made in collaboration between 563:
Bambaataa had deejayed with his own sound system at
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mother and uncle. As a child, he was exposed to the
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Groove Music: The Art and Culture of the Hip-Hop DJ
500:pioneers Kraftwerk and was provided the electronic 256: 253: 3193:. New York City: Wenner Media Ltd. August 14, 2012 2648: 2646: 2573: 466:including Mr. Biggs, Pow Wow and Emcee G.L.O.B.E. 3214:at Cornell University. Retrieved August 10, 2013. 2146:"Afrika Bambaataa [Aasim, Kevin Donovan]" 1038: 973:. In 2006, he was featured on the British singer 712:, thus creating a new style of music altogether, 3893: 3595:"AFRIKA BAMBAATAA - full Official Chart History" 3301: 2092:. New York: Caipirinha Productions Inc. p.  3500: 2643: 692:. The song borrowed musical motifs from German 520:" as its own subgenre and the ratification of " 372:, his worldview shifted. He had seen the movie 3479: 3137:"The 2008 Rock and Roll Hall of Fame Nominees" 2576:Total Chaos: The Art and Aesthetics of Hip Hop 700:" with electronic beats based on their track " 3711: 3119:"Past Judges of the Independent Music Awards" 2990: 2988: 2168: 2081: 2079: 496:He also borrowed a keyboard hook from German 306:Through his co-opting of the street gang the 3024: 2744: 754:Bambaataa's second release around 1983 was " 493:, whose work he sampled, as an inspiration. 3501:Beaumont-Thomas, Ben (September 10, 2021). 2871: 2565: 527: 473:'s futuristic electronic music, debuted at 354:in the area became the law, clearing their 3718: 3704: 3529:Howard, Brooke Leigh (September 9, 2021). 2985: 2089:Modulations: A History of Electronic Music 2076: 995:. As an actor, he has played a variety of 42: 3557: 3555: 3553: 2994: 2773: 2451: 2449: 2447: 2445: 2443: 2391:. New York, NY: Oxford University Press. 2049:"—" denotes releases that did not chart. 1851:"What's the Name of this Nation?...Zulu" 794:. He also made a landmark recording with 3772:Dark Matter Moving at the Speed of Light 2604: 2580:. New York City: Civitas Books. p.  2411: 2174: 1370:Dark Matter Moving at the Speed of Light 1327:Theme of the United Nations w/ DJ Yutaka 1231:Don't Stop... Planet Rock (The Remix EP) 1043:In April 2016, Bronx political activist 966:Dark Matter Moving at the Speed of Light 629: 544:. By 1977, inspired by DJ Kool Herc and 469:In 1982, Bambaataa, who was inspired by 214:(born on April 17, 1957), also known as 3792:Looking for the Perfect Beat: 1980–1985 3480:Caplan-Bricker, Nora (April 19, 2016). 3391: 3251: 2842: 2840: 2838: 2836: 2679: 2472: 2354: 2220: 2218: 2216: 2214: 2212: 2210: 2208: 2206: 2204: 2202: 2085: 1354:Looking for the Perfect Beat: 1980–1985 983:on a song called "Do Me Right", and on 774:, and he recorded a collaboration with 14: 3894: 3550: 3528: 3461:from the original on November 17, 2021 3335: 3279: 3095: 3093: 3042:"On The Line With....Africa Bambaataa" 2955: 2846: 2652: 2619: 2440: 2292: 932:. The same year, he collaborated with 704:" as well as portions from records by 427:Grandmaster Flash and the Furious Five 3699: 3419: 3307: 2997:"Ready your ropes: Pick up your feet" 2909: 2807: 2750: 2634: 2571: 2545: 2455: 2236:63, 89, 91, 94–101, 141, 170, 182–183 2224: 1433: 1430: 1427: 1424: 950:" also appeared on the soundtrack to 940:", the first single from Leftfield's 785:, was released by the label in 1984. 540:artists and other people involved in 338:immigrants, Bambaataa grew up in the 3997:21st-century American male musicians 3912:American rappers of Jamaican descent 3907:American people of Barbadian descent 3725: 3363: 3252:Golding, Sheniqua (April 17, 2016). 3143:. September 27, 2007. Archived from 3039: 3025:Leeds, Alan; Weinger, Harry (1991). 2995:Dracoulis, Nicola (March 29, 2010). 2833: 2711: 2498: 2386: 2323: 2199: 310:into the music and culture-oriented 3987:American electronic dance music DJs 3090: 2680:Gardner, Eriq (February 12, 2016). 2473:Gardner, Eriq (February 12, 2016). 2252: 24: 3040:Cook, Davey 'D.' (December 1991). 1939:"Agharta – The City of Shamballa" 25: 4013: 3618: 2546:Chang, Jeff (December 18, 2023). 1966:"Got to Get Up" (vs. Carpe Diem) 1360:Tommy Boy/Rhino/Atlantic Records 610:In 1980, Bambaataa's groups made 322:dating as far back as the 1970s. 27:American DJ, rapper, and producer 3420:Wedge, Dave (October 16, 2016). 3336:Willis, Kiersten (May 9, 2016). 3280:Platon, Adele (April 13, 2016). 2293:Willis, Kiersten (May 9, 2016). 680:", a popular single produced by 280:, rapper, and producer from the 220: 3751:Beware (The Funk Is Everywhere) 3587: 3522: 3494: 3473: 3441: 3413: 3392:Josephs, Brian (June 1, 2016). 3385: 3357: 3329: 3273: 3245: 3217: 3177: 3159: 3129: 3111: 3033: 2949: 2923: 2903: 2801: 2705: 2673: 2628: 2613: 2598: 2539: 2492: 2466: 2405: 2380: 1723:Tommy Boy/Warner Bros. Records 1648:Tommy Boy/Warner Bros. Records 1592:Tommy Boy/Warner Bros. Records 1565:Tommy Boy/Warner Bros. Records 1541:Tommy Boy/Warner Bros. Records 1235:Tommy Boy/Warner Bros. Records 1177:Tommy Boy/Warner Bros. Records 1172:Beware (The Funk Is Everywhere) 1165:Tommy Boy/Warner Bros. Records 634:Afrika Bambaataa (left) in 2004 591:He was also the founder of the 318:due to multiple allegations of 3308:Kreps, Daniel (June 1, 2016). 2956:Orange, Karim (July 8, 2013). 2355:Knopper, Steve (May 5, 2011). 2348: 2317: 2286: 2110: 1792:"Is There Anybody Out There?" 1095: 1039:Child sexual abuse allegations 959:In 2004, he collaborated with 839:, titled The Light, featuring 625: 558:Adlai E. Stevenson High School 361:Bambaataa was a member of the 48:Afrika Bambaataa in April 2009 13: 1: 3992:21st-century American rappers 3967:Sony Music Publishing artists 3922:African-American male rappers 3658:DJ Afrika Bambaataa Interview 3364:Ivey, Justin (May 31, 2016). 2810:"Afrika Bambaataa is hip-hop" 2808:Hyman, Eve (April 29, 2013). 2499:fink, robert (October 2005). 2069: 614:, their first recording with 325: 4002:People from Soundview, Bronx 3942:East Coast hip hop musicians 3817:Looking for the Perfect Beat 3662:NAMM Oral History Collection 2751:Lewis, John (July 4, 2008). 2086:Shapiro, Peter, ed. (2000). 2043: 2040: 2037: 2034: 2010: 2007: 2004: 2001: 1977: 1974: 1971: 1968: 1957: 1954: 1951: 1948: 1928: 1925: 1922: 1919: 1905: 1902: 1899: 1896: 1882: 1879: 1876: 1873: 1862: 1859: 1856: 1853: 1832: 1829: 1826: 1823: 1810: 1807: 1804: 1801: 1778: 1775: 1772: 1769: 1753: 1750: 1747: 1744: 1719: 1716: 1713: 1710: 1696: 1693: 1690: 1687: 1667: 1664: 1661: 1658: 1644: 1641: 1638: 1635: 1608: 1605: 1602: 1599: 1588: 1585: 1582: 1579: 1561: 1558: 1555: 1552: 1548:Looking for the Perfect Beat 1537: 1534: 1531: 1528: 1504: 1501: 1498: 1495: 1479: 1476: 1473: 1470: 756:Looking for the Perfect Beat 7: 3952:Entertainers from the Bronx 3563:"Afrika Bambaataa - Awards" 2781:"The Wire, Volumes 143-148" 2690:. Los Angeles, California: 2175:Bogdanov, Vladimir (2001). 2055: 1866:Profile/Arista/BMG Records 1271:Profile/Arista/BMG Records 1058:roles in the organization. 1045:Ronald "Bee-Stinger" Savage 10: 4018: 3937:American electro musicians 3868:Silver Screen Shower Scene 3668:Afrika Bambaataa Interview 3625:Afrika Bambaataa biography 3074:. Polystar. Archived from 2722:Cambridge University Press 1417: 1033:Cornell University Library 1011:Rock and Roll Hall of Fame 3957:Tommy Boy Records artists 3854: 3801: 3781: 3733: 3691:Afrika Bambaataa Official 2999:. Holy Roller Productions 2931:"The Beat Box Bites Back" 2730:10.1017/S0261143005000553 2720:(3). Cambridge, England: 2517:10.1017/S0261143005000553 2048: 1935: 1890: 1817: 1618: 1569: 1518: 1379: 1337: 1312: 1289: 1239: 1154: 1100: 893:African National Congress 665:, The Jefferson, Negril, 390: 348:black liberation movement 169: 159: 137: 101: 86: 68: 58: 53: 41: 34: 1767:"Just Get up and Dance" 1468:"Zulu Nation Throwdown" 1398:Tommy Boy Entertainment 1388:Tommy Boy Entertainment 1375:Tommy Boy Entertainment 1092:him to other adult men. 920:Rage Against the Machine 910:" combining electro and 874:In 1990, Bambaataa made 638:In 1981, hip hop artist 528:Birth of the Zulu Nation 3962:Capitol Records artists 3600:Official Charts Company 3027:Star Time: Song by Song 2937:. Global Darkness. 1984 2847:Forman, Murray (2002). 2661:. pp. 16, 18, 57. 2653:George, Nelson (2005). 2412:Brewster, Bill (2000). 2332:Oxford University Press 817:Little Steven Van Zandt 508:and synthesizer player 504:"beat-box" by producer 3947:Rappers from the Bronx 3932:DJs from New York City 3765:The Decade of Darkness 3744:Planet Rock: The Album 2687:The Hollywood Reporter 2607:New Pittsburgh Courier 2548:"It's a Hip-Hop World" 2479:The Hollywood Reporter 2324:Iton, Richard (2006). 1961:Low Spirit Recordings 1342:Electro Funk Breakdown 1294:Electro Funk Breakdown 1217:The Decade of Darkness 1160:Planet Rock: The Album 635: 565:The Bronx River Houses 491:Yellow Magic Orchestra 54:Background information 3927:American male rappers 2365:. Chicago, Illinois: 2268:Universal Zulu Nation 1431:Peak chart positions 1304:Return to Planet Rock 1047:accused Bambaataa of 633: 425:, a.k.a. "Cowboy" of 401:Universal Zulu Nation 330:Born Lance Taylor to 316:Universal Zulu Nation 312:Universal Zulu Nation 3982:American hip hop DJs 3917:African-American DJs 3575:on November 22, 2012 3173:. December 26, 2007. 3147:on December 13, 2007 1708:"Bambaataa's Theme" 1678:"World Destruction" 1653:"Frantic Situation" 1513:Warner Bros. Records 1411:Paul Winley Records 969:which also featured 783:Shango Funk Theology 698:Trans-Europe Express 684:and the keyboardist 512:. That resulted in " 423:Robert Keith Wiggins 417:Trans-Europe Express 340:Bronx River Projects 3664:(November 12, 2012) 3231:New York Daily News 3078:on December 6, 1998 2978:Cold Crush Brothers 2818:. London, England: 2692:Eldridge Industries 2387:Katz, Mark (2012). 2330:. Oxford, England: 2150:Oxford Music Online 1206:EMI America Records 1186:Death Mix Throwdown 1128:Paul Winley Records 1022:Covington, Kentucky 999:character roles on 926:" for their album, 895:(ANC), in honor of 616:Paul Winley Records 477:a test cassette of 3783:Compilation albums 3343:Atlanta Black Star 3105:Officialcharts.com 3048:. KMEL Beat Report 2789:. 1996. p. 21 2367:Tribune Publishing 2299:Atlanta Black Star 2260:"Afrika Bambaataa" 2118:"Afrika Bambaataa" 1700:Celluloid Records 1493:"Jazzy Sensation" 1029:Cornell University 989:Some Thing Came Up 943:Rhythm and Stealth 922:covered his song " 766:at Jean Karakos's 636: 320:child sexual abuse 276:), is an American 3972:Hip hop activists 3889: 3888: 3824:Renegades of Funk 3125:on July 13, 2011. 3072:EurodanceHits.com 2916:The Village Voice 2891:on April 22, 2018 2864:978-0-8195-6397-2 2761:. London, England 2657:. New York City: 2637:The Village Voice 2591:978-0-465-00909-1 2462:. pp. 58–65. 2398:978-0-19-533112-7 2341:978-0-19-972083-5 2245:978-0-312-42579-1 2192:978-0-87930-628-1 2103:978-1-891024-06-1 2053: 2052: 2032: 1999: 1946: 1917: 1821:"Zulu War Chant" 1799: 1742: 1685: 1656: 1633: 1613:Celluloid Records 1575:Renegades of Funk 1415: 1414: 1065:In October 2016, 924:Renegades of Funk 768:Celluloid Records 760:Renegades of Funk 727:, Zulu Nation DJ 663:Peppermint Lounge 206: 205: 16:(Redirected from 4009: 3727:Afrika Bambaataa 3720: 3713: 3706: 3697: 3696: 3677:Afrika Bambaataa 3649:Afrika Bambaataa 3640:Afrika Bambaataa 3631:Afrika Bambaataa 3612: 3611: 3609: 3607: 3591: 3585: 3584: 3582: 3580: 3571:. Archived from 3559: 3548: 3547: 3545: 3543: 3526: 3520: 3519: 3517: 3515: 3498: 3492: 3491: 3477: 3471: 3470: 3468: 3466: 3445: 3439: 3438: 3436: 3434: 3417: 3411: 3410: 3408: 3406: 3389: 3383: 3382: 3380: 3378: 3361: 3355: 3354: 3352: 3350: 3333: 3327: 3326: 3324: 3322: 3305: 3299: 3298: 3296: 3294: 3277: 3271: 3270: 3268: 3266: 3249: 3243: 3242: 3240: 3238: 3221: 3215: 3209: 3203: 3202: 3200: 3198: 3181: 3175: 3174: 3163: 3157: 3156: 3154: 3152: 3141:Future Rock Hall 3133: 3127: 3126: 3121:. Archived from 3115: 3109: 3108: 3097: 3088: 3087: 3085: 3083: 3064: 3058: 3057: 3055: 3053: 3037: 3031: 3030: 3022: 3013: 3012: 3006: 3004: 2992: 2983: 2982: 2973: 2971: 2953: 2947: 2946: 2944: 2942: 2927: 2921: 2920: 2919:. New York City. 2907: 2901: 2900: 2898: 2896: 2887:. 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In 2000, 891:in 1990 for the 758:", then later, " 733:Rock Steady Crew 694:electronic music 550:Disco King Mario 275: 274: 271: 270: 267: 264: 261: 258: 255: 252: 249: 245: 244: 241: 238: 235: 232: 229: 226: 216:Afrika Bambaataa 162: 82: 78: 76: 61: 46: 36:Afrika Bambaataa 32: 31: 21: 4017: 4016: 4012: 4011: 4010: 4008: 4007: 4006: 3892: 3891: 3890: 3885: 3874:Soulsonic Force 3850: 3797: 3777: 3729: 3724: 3633:discography at 3621: 3616: 3615: 3605: 3603: 3593: 3592: 3588: 3578: 3576: 3561: 3560: 3551: 3541: 3539: 3536:The Daily Beast 3527: 3523: 3513: 3511: 3499: 3495: 3478: 3474: 3464: 3462: 3447: 3446: 3442: 3432: 3430: 3418: 3414: 3404: 3402: 3390: 3386: 3376: 3374: 3362: 3358: 3348: 3346: 3334: 3330: 3320: 3318: 3306: 3302: 3292: 3290: 3278: 3274: 3264: 3262: 3250: 3246: 3236: 3234: 3222: 3218: 3210: 3206: 3196: 3194: 3183: 3182: 3178: 3165: 3164: 3160: 3150: 3148: 3135: 3134: 3130: 3117: 3116: 3112: 3099: 3098: 3091: 3081: 3079: 3068:"Electro House" 3066: 3065: 3061: 3051: 3049: 3038: 3034: 3023: 3016: 3002: 3000: 2993: 2986: 2969: 2967: 2966:. New York City 2963:Huffington Post 2954: 2950: 2940: 2938: 2929: 2928: 2924: 2908: 2904: 2894: 2892: 2877: 2876: 2872: 2865: 2845: 2834: 2824: 2822: 2806: 2802: 2792: 2790: 2779: 2778: 2774: 2764: 2762: 2749: 2745: 2710: 2706: 2696: 2694: 2678: 2674: 2655:Hip Hop America 2651: 2644: 2633: 2629: 2618: 2614: 2603: 2599: 2592: 2570: 2566: 2556: 2554: 2544: 2540: 2497: 2493: 2483: 2481: 2471: 2467: 2454: 2441: 2426: 2410: 2406: 2399: 2385: 2381: 2371: 2369: 2362:Chicago Tribune 2353: 2349: 2342: 2334:. p. 250. 2322: 2318: 2308: 2306: 2291: 2287: 2277: 2275: 2274:on July 7, 2013 2258: 2257: 2253: 2246: 2223: 2200: 2193: 2173: 2169: 2159: 2157: 2144: 2143: 2136: 2126: 2124: 2122:rockarchive.com 2116: 2115: 2111: 2104: 2084: 2077: 2072: 2058: 1871:"Feeling Irie" 1460: 1454: 1448: 1442: 1420: 1257:Lost Generation 1246:(Khayan album) 1103: 1098: 1041: 885:Wembley Stadium 837:Capitol Records 729:Grand Mixer DXT 690:Soulsonic Force 655:Malcolm McLaren 640:Fab Five Freddy 628: 593:Soulsonic Force 542:hip hop culture 530: 464:Soulsonic Force 393: 328: 246: 223: 219: 209: 202: 160: 155: 133: 80: 74: 72: 59: 49: 37: 28: 23: 22: 18:Afrika Bambaata 15: 12: 11: 5: 4015: 4005: 4004: 3999: 3994: 3989: 3984: 3979: 3974: 3969: 3964: 3959: 3954: 3949: 3944: 3939: 3934: 3929: 3924: 3919: 3914: 3909: 3904: 3887: 3886: 3884: 3883: 3876: 3871: 3864: 3858: 3856: 3852: 3851: 3849: 3848: 3841: 3834: 3827: 3820: 3813: 3805: 3803: 3799: 3798: 3796: 3795: 3787: 3785: 3779: 3778: 3776: 3775: 3768: 3761: 3754: 3747: 3739: 3737: 3731: 3730: 3723: 3722: 3715: 3708: 3700: 3694: 3693: 3688: 3683: 3674: 3665: 3655: 3646: 3637: 3628: 3620: 3619:External links 3617: 3614: 3613: 3586: 3549: 3521: 3493: 3472: 3440: 3412: 3384: 3356: 3328: 3300: 3272: 3244: 3216: 3204: 3176: 3158: 3128: 3110: 3089: 3059: 3032: 3014: 2984: 2948: 2922: 2902: 2870: 2863: 2832: 2800: 2772: 2743: 2704: 2672: 2642: 2627: 2612: 2597: 2590: 2564: 2552:Foreign Policy 2538: 2511:(3): 339–356. 2491: 2465: 2459:Foreign Policy 2439: 2424: 2404: 2397: 2379: 2347: 2340: 2316: 2305:on May 4, 2019 2285: 2264:zulunation.com 2251: 2244: 2198: 2191: 2167: 2134: 2109: 2102: 2074: 2073: 2071: 2068: 2067: 2066: 2057: 2054: 2051: 2050: 2046: 2045: 2042: 2039: 2036: 2033: 2029:Paul Oakenfold 2019: 2015: 2014: 2012: 2009: 2006: 2003: 2000: 1986: 1982: 1981: 1979: 1976: 1973: 1970: 1967: 1963: 1962: 1959: 1956: 1953: 1950: 1947: 1937: 1933: 1932: 1930: 1927: 1924: 1921: 1918: 1911: 1910: 1907: 1904: 1901: 1898: 1895: 1892: 1888: 1887: 1884: 1881: 1878: 1875: 1872: 1868: 1867: 1864: 1861: 1858: 1855: 1852: 1848: 1847: 1834: 1831: 1828: 1825: 1822: 1819: 1815: 1814: 1812: 1809: 1806: 1803: 1800: 1790: 1786: 1785: 1780: 1777: 1774: 1771: 1768: 1765: 1761: 1760: 1755: 1752: 1749: 1746: 1743: 1729: 1725: 1724: 1721: 1718: 1715: 1712: 1709: 1706: 1702: 1701: 1698: 1695: 1692: 1689: 1686: 1675: 1674: 1669: 1666: 1663: 1660: 1657: 1650: 1649: 1646: 1643: 1640: 1637: 1634: 1620: 1616: 1615: 1610: 1607: 1604: 1601: 1598: 1594: 1593: 1590: 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Mandela 857:Bootsy Collins 853:George Clinton 661:, then to the 627: 624: 529: 526: 435:Michael Holman 392: 389: 327: 324: 208:Musical artist 207: 204: 203: 201: 200: 197: 194: 189: 184: 179: 173: 171: 167: 166: 163: 157: 156: 154: 153: 150: 147: 141: 139: 135: 134: 132: 131: 126: 121: 116: 111: 105: 103: 99: 98: 88: 84: 83: 79:April 17, 1957 70: 66: 65: 62: 56: 55: 51: 50: 47: 39: 38: 35: 26: 9: 6: 4: 3: 2: 4014: 4003: 4000: 3998: 3995: 3993: 3990: 3988: 3985: 3983: 3980: 3978: 3977:Living people 3975: 3973: 3970: 3968: 3965: 3963: 3960: 3958: 3955: 3953: 3950: 3948: 3945: 3943: 3940: 3938: 3935: 3933: 3930: 3928: 3925: 3923: 3920: 3918: 3915: 3913: 3910: 3908: 3905: 3903: 3900: 3899: 3897: 3882: 3881: 3877: 3875: 3872: 3869: 3865: 3863: 3860: 3859: 3857: 3853: 3846: 3842: 3839: 3835: 3832: 3828: 3825: 3821: 3818: 3814: 3811: 3807: 3806: 3804: 3800: 3794: 3793: 3789: 3788: 3786: 3784: 3780: 3774: 3773: 3769: 3767: 3766: 3762: 3760: 3759: 3755: 3753: 3752: 3748: 3746: 3745: 3741: 3740: 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Index

Afrika Bambaata
Afrika Bambaataa in April 2009
The Bronx
New York City
Hip hop
electro house
electronic
breakbeat
electro-funk
DJ
Tommy Boy
EMI
Winley
Capitol
/ˌæfrɪkəbæmˈbɑːtə/
DJ
South Bronx
New York
electro
hip hop
breakbeat
DJing
Black Spades
Universal Zulu Nation
Universal Zulu Nation
child sexual abuse
Jamaican
Barbadian
Bronx River Projects
activist

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