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cinema-historian and Le Prince specialist, confirms that these images were shot in Paris, at the corner of Rue
Bochart-de-Saron (where Le Prince was living) and Avenue Trudaine. Le Prince sent 8 images of his mechanic running (which may be from this sequence) to his wife in New York City in a letter dated 18 August 1887, which suggests it represented a significant camera test. Exposure is very irregular from lens to lens with some of the images almost completely bleached out, which Le Prince later on fixed.
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539:"). That same day he took out a near-identical provisional patent for the same devices in Great Britain, proposing "a system of preferably 3, 4, 8, 9, 16 or more lenses". Shortly before the final version was submitted he added a sentence which described a single-lens system, but this was neither fully explained nor illustrated, unlike the several pages of description of the multi-lens system, meaning the single-lens camera was not legally covered by patent.
514:, that Le Prince was killed. Mitry notes that if Le Prince truly wanted to disappear, he could have done so at any time prior to that. Thus, he most likely never boarded the train in Dijon. He also wonders why, if his brother, who was confirmed as the last person to have seen Le Prince alive, knew Le Prince was suicidal, he didn't try to stop Le Prince, and why he didn't report Le Prince's mental state to the police before it was too late.
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2203:"Pierre Gras, conservateur en chef de la Bibliothèque publique de Dijon, en 1977, montra à Léo Sauvage une note (il la cite dans son ouvrage), prise lors de la visite d'un historien connu (il a tu son nom) qui avait déclaré : – Le Prince est mort à Chicago en 1898, disparition volontaire exigée par la famille. Homosexualité. Disons clairement qu'il n'y a pas l'ombre d'une preuve à l'appui d'une telle assertion."
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2182:– "After his disappearance, the Le Prince family led by his wife and son went to court against Edison in what became known as Equity 6928. The famous Patent Wars ensued and by 1908 Thomas Edison was regarded as sole inventor of motion pictures, in the US at least. However, in 1902, two years after Le Prince's son Adolphe had testified in the suit, he was found shot dead on Fire Island, New York."
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The only existing images from Le Prince's 16-lens camera are a sequence of 16 frames of a man walking around a corner. This appears to have been shot onto a single glass plate (which has since broken), rather than the twin strips of
Eastman paper film envisaged in his patent. Jacques Pfend, a French
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Le Prince's great-great-granddaughter Laurie Snyder also makes an appearance. It had its world première in June 2015 at the
Edinburgh Film Festival and opened in UK cinemas on 3 July 2015. The film also played in festivals in the US, Canada, Russia, Ireland and Belgium. On 8 September 2016 it played
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During this time he began experiments relating to the production of 'moving' photographs, designing a camera that utilised sixteen lenses, which was the first invention he patented. Although the camera was capable of 'capturing' motion, it wasn't a complete success because each lens photographed the
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In conclusion, I would say that Mr. Le Prince was in many ways a very extraordinary man, apart from his inventive genius, which was undoubtedly great. He stood 6ft. 3in. or 4in. (190cm) in his stockings, well built in proportion, and he was most gentle and considerate and, though an inventor, of an
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A photograph of a drowned man pulled from the Seine in 1890, strongly resembling Le Prince, was discovered in 2003 during research in the Paris police archives. This led to the theory that he had failed to get his moving picture to work, had heavy debts, and thus chose to take his own life. It has
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features 20 frames. The frames appear to have been printed in reverse from the negative, but this is corrected in the video. The film's damaged edge results in distortion and deformation on the right side of the stabilised digital movie. The scene was shot in Le Prince's father-in-law's garden at
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with Edison . By citing Le Prince's achievements, Mutoscope hoped to annul Edison's subsequent claims to have invented the moving-picture camera. Le Prince's widow Lizzie and
Adolphe hoped that this would gain recognition for Le Prince's achievement, but when the case went against Mutoscope their
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The earliest copy belongs to the 1923 NMPFT inventory (frames 118–120 and 122–124), though this longer sequence comes from the 1931 inventory (frames 110–129). According to
Adolphe Le Prince who assisted his father when this film was shot in late October 1888, it was taken at 20fps. However, the
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achieving anything comparable in the period 1888–1890, his work was largely forgotten until the 1920s, as he disappeared before the first public demonstration of the result of his work, having never shown his invention to any photographic society or scientific institution or the general public.
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The single lens projector used individual pictures mounted in wooden frames. His assistant, James
Longley, claimed the three-lens version was the most successful. Those close to Le Prince have testified to him projecting his first films in his workshop as tests, but they were never presented to
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features several film historians to tell the story, including
Michael Harvey, Irfan Shah, Stephen Herbert, Mark Rance, Daniel Martin, Jacques Pfend, Adrian Wootton, Tony North, Mick McCann, Tony Earnshaw, Carol S Ward, Liz Rymer, and twice Oscar-nominated cinematographer Tony Pierce-Roberts.
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Le Prince developed a single-lens camera in his workshop at 160 Woodhouse Lane, Leeds, which was used to shoot his motion-picture films. Remaining surviving production consists of two scenes in the garden at
Oakwood Grange (his wife's family home, in Roundhay) and another of Leeds Bridge.
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After his return to Leeds in May 1887, Le Prince built a single-lens camera in mid-late 1888. An experimental model was developed in a workshop at 160 Woodhouse Lane, Leeds and used to shoot his motion-picture films. It was first used on 14 October 1888 to shoot what would become known as
497:(The Comparative History of Cinema), claiming that Le Prince voluntarily disappeared due to financial reasons and "familial conveniences". Journalist Léo Sauvage quotes a note shown to him by Pierre Gras, director of the Dijon municipal library, in 1977, that claimed Le Prince died in
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548:. During the period 1889–1890 he worked with the mechanic James Longley on various "deliverers" (projectors) with one, two, three and sixteen lenses. The images were to be separated, printed and mounted individually, sometimes on a flexible band, moved by metal eyelets.
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447:. Then, on 16 September, he took a train to Paris but, having taken a later train than planned, his friends missed him in Paris. He was never seen again by his family or friends. The last person to see Le Prince at the Dijon station was his brother. The French police,
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was produced, with new research material and documentation on the life of Le Prince and his patents. Produced and directed by Leeds-born David
Nicholas Wilkinson with research by Irfan Shah, it was filmed in England, France and the United States by Guerilla Films.
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Three-lens "deliverer" (projector), used frames mounted individually in three flexible strips of
Willesden paper with brass eyelets to move them. Projection presumably alternated 1-2-3 between the three strips/lenses and each strip moved when the light was cut
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have emerged about the reason for his disappearance, including: a murder set up by Edison, secret homosexuality, disappearance in order to start a new life, suicide because of heavy debts and failing experiments, and a murder by his brother over their mother's
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he developed a single-lens camera which he used to make moving picture sequences at the Whitley family home in Roundhay and of Leeds Bridge in October 1888. ... it has been claimed that a photograph of a drowned man in the Paris police archives is that of Le
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Single-lens "deliverer" (projector). Each frame was printed on glass and mounted in a mahogany frame. These were moved before the lens in a continuous spiral. The heat of the lamp and the movement of the frames often caused the glass to break. Top framerate:
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Oakwood Grange, Roundhay on 14 October 1888. The NMPFT animation lasts two seconds at 24fps (frames per second), meaning the original footage is playing at 10fps. In this version, the action is speeded up – the original footage was probably shot at 7fps.
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Le Prince and his wife started a school of applied art, the Leeds Technical School of Art, and became well renowned for their work in fixing coloured photographs on to metal and pottery, leading to them being commissioned for portraits of
2627:, edited by Joseph Henry Jackson (New York: The Book Society, 1951), pp. 437–464, "The Red and White Girdle" by Christopher Morley. This deals with the murder of Gouffe, and shows the intense study of that trunk murder in 1889–90.
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The birth certificate mentions "born August on the 28th, 1841 at 5am. The common mistake of making him born in 1842 comes from an article of Ernest Kilburn Scott, mistake made since then in numerous articles, including the one by Simon
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History of the Lodge of Fidelity, No. 289, Leeds from 1792 to 1893: Including a Short Account of Freemasonry in Leeds During the Eighteenth Century, and of the Provincial Grand Lodges of the County of York and of the West Riding of
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In 1881, Le Prince went to the United States as an agent for Lincrusta Walton, staying in the country along with his family once his contract had ended. He became the manager for a small group of French artists who produced large
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In September 1890, Le Prince was preparing for a trip to the United States, supposedly to publicly premiere his work and join his wife and children. Before this journey, he decided to return to France to visit his brother in
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in 1898, having moved there at the family's request because he was homosexual; but he rejects that assertion. It is extremely likely that this wasn't at all true, as there is no evidence to suggest that Le Prince was gay.
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In 1889, he took French-American dual citizenship in order to establish himself with his family in New York City and to follow up his research. However, he was never able to perform his planned public exhibition at the
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Léo Sauvage, "Un épisode mystérieux de l'histoire du cinéma : La disparition de Le Prince", Historia, n° 430 bis, Sept. 1982, pp. 45–51: "une telle affirmation (...) est totalement dépourvue de vraisemblance".
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his 1889 projector in the UK and then leave Europe for his scheduled New York official exhibition. His widow assumed foul play though no concrete evidence has ever emerged and Rawlence prefers the suicide theory.
253:. No conclusive evidence exists for any of these theories. In 2004, a police archive in Paris was found to contain a photograph of a drowned man bearing a strong resemblance to Le Prince who was discovered in the
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sequence, its appearance is sped up, suggesting the original footage was probably shot at 7fps. This would fit with what we know of the projection experiments, where James Longley reported a top speed of 7fps.
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were presented. Eventually the court ruled in favour of Edison. A year later that ruling was overturned, but Edison then reissued his patents and succeeded in controlling the US film industry for many years.
316:, from whom Le Prince may have received some lessons on photography and chemistry before he was 10 years old. His education went on to include the study of painting in Paris and post-graduate chemistry at
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However, in Leeds, Le Prince is celebrated as a local hero. On 12 December 1930, the Lord Mayor of Leeds unveiled a bronze memorial tablet at 160 Woodhouse Lane, Le Prince's former workshop. In 2003, the
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Christopher Rawlence pursues the assassination theory, along with other theories, and discusses the Le Prince family's suspicions of Edison over patents (the Equity 6928) in his 1990 book and documentary
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film to capture moving images. The first public results of these experiments were shown in May 1891. However, Le Prince's widow and son Adolphe were keen to advance Louis's cause as the inventor of
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Le Prince was never able to perform a planned public demonstration of his camera in the US because he mysteriously vanished; he was last known to be boarding a train on 16 September 1890. Multiple
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for the use of the process. Adolphe was involved in the case but was not allowed to present his father's two cameras as evidence, although films shot with cameras built according to his father's
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2734:. Leeds Library & Information Service. Allows search for key terms such as Louis Le Prince or Leeds Bridge or Bridge End or Hick Brothers or Auto Express (workshop site), etc.
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on a 16-lens device that he claimed could serve as both motion picture camera (which he termed "the receiver or photo-camera") and a projector (which he called "the deliverer or
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at 20 frame/s, although this is not borne out by the NMPFT versions (see below) or motion analysis, with both films being estimated at a consistent seven frames a second.
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Letter from James Longley to Louis le Prince 8 August 1889. "The best result that I got was 426 per minute" – From Le Prince Collection in Leeds University Library.
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In 1898, Le Prince's elder son Adolphe, who had assisted his father in many of his experiments, was called as a witness for the American Mutoscope Company in their
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He was possibly the first person to shoot a moving picture sequence using a single lens camera and a strip of (paper) film. He has been credited as the "Father of
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as the camera is in a similar position and Adolphe is dressed the same. The NMPFT has not remastered this film. An amateur animation of the first 17 frames is
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430:. The film was shot from Hicks the Ironmongers, now the British Waterways building on the south east side of the bridge and marked with a commemorative
304:. His family referred to him as "Augustin" and English-speaking friends would later call him "Gus". Le Prince's father was a major of artillery in the
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704:'s Centre for Cinema, Photography and Television was named in his honour. Le Prince's workshop in Woodhouse Lane was until recently the site of the
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2217:"S'il en était ainsi, pourquoi n'a-t-il rien fait pour l'empêcher de réaliser son funeste projet, pourquoi n'a-t-il pas averti la police à temps?"
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In France, an appreciation society was created as L'Association des Amis de Le Prince (Association of Le Prince's Friends), which still exists in
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Patent: Mentioned but not described or illustrated in "Improvements in the Method of and Apparatus for Producing Animated Photographic Pictures"
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subject from a slightly different viewpoint and thus the image would have jumped about, if he had been able to project it (which is unknown).
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Aulas & Pfend, Jean-Jacques & Jacques (1 December 2000). "Louis Aimé Augustin Leprince, inventeur et artiste, précurseur du cinéma".
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221:. This work may have been slightly in advance of the inventions of contemporaneous moving-picture pioneers, such as the British inventors
1075:). In May 1931, photographic plates were produced by workers of the Science Museum from paper print copies provided by Marie Le Prince.
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A Frenchman who also worked in the United Kingdom and the United States, Le Prince's motion-picture experiments culminated in 1888 in
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Patent: "Method of and apparatus for producing animated pictures of natural scenery and life" (USA) and in all later foreign patents.
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digitally stabilised sequence produced by the NMPFT lasts two seconds, meaning the footage is playing here at 10fps. As with the
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and a sequence of his son Adolphe playing the accordion. Le Prince later used it to film road traffic and pedestrians crossing
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Declaration of Frederic Mason (wood-worker and assistant of Le Prince, April 21, 1931, American consulate of Bradford, England)
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2019:, Dr Russell Naughton (using source: Michael Harvey, NMPFT Pioneers of Early Cinema: 1. Louis Aimé Augustin Le Prince)
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The facts concerning the life and death of LOUIS AIME AUGUSTIN LEPRINCE, pioneer of the moving pîcture and his family
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All available versions of these sequences are derived from materials held by the National Science and Media Museum.
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Copy of original 19 frames (numbered 41–59) by National Science Museum, London 1931 (Courtesy of NMPFT, Bradford).
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The last remaining film of Le Prince's single-lens camera is a sequence of frames of Adolphe Le Prince playing a
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This addendum was submitted on 10 October 1888 and, on 14 October, Le Prince used his single-lens camera to film
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just after the time of his disappearance, but it has been claimed that the body was too short to be Le Prince.
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anyone outside his immediate circle of family and associates and the nature of the projector is unknown.
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In 2023, the Roundhay Garden Scene was shown and recreated for the grand finale of the 10th Annual Live
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2576:"Le Prince, inventeur et artiste, précurseur du cinema" by Jean-Jacques Aulas and Jacques Pfend (in
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6-frame sequence (118-120 & 122–124) of Leeds Bridge (National Science Museum, London 1923)
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parlor, Thomas Edison is credited in the US as the inventor of cinema, while in France, the
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and the family undertook exhaustive searches, but never found him. Le Prince was officially
292:, initiated into the Lodge of Fidelity No. 289 in Leeds in 1876, he later demitted in 1880.
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feature film paying tribute to the cinematography history's tragic ending figures such as
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device and for the first commercial exhibition of motion-picture films, in Paris in 1895.
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1696:, Paul Fischer investigates the life – and mysterious disappearance – of Louis Le Prince"
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Sequence of 12 complete frames + 4 partial frames, from National Science Museum, London
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The Man who Invented Motion Pictures: A True Tale of Obsession, Murder, and the Movies
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Letter dated 18 August 1887 in Louis Le Prince Collection at Leeds University Library
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2262:"Method of and apparatus for producing animated pictures of natural scenery and life"
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The man who invented motion pictures: a true tale of obsession, murder and the movies
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20-frame sequence of Leeds Bridge (National Science Museum)(Courtesy NMPFT, Bradford)
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Forty years later, Le Prince's daughter, Marie, gave the remaining apparatus to the
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Broadcasting Place complex, where a blue plaque commemorates his work. (coordinates:
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La naissance du cinéma : cent sept ans et un crime..." by Irénée Dembowski (in
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produced in this way; these were included alongside other mementos of the time in a
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1305:"Accordion Player" redirects here. For people who play the instrument itself, see
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L'affaire Lumière. Du mythe à l'histoire, enquête sur les origines du cinéma
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1895. Revue de l'association française de recherche sur l'histoire du cinéma
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The 1931 National Science Museum copy of what remains of a sequence shot in
468:. Rawlence claims that at the time that he vanished, Le Prince was about to
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with multiple reflections of mirrors focused on one point or a variation of
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In early 1890, Edison workers had begun experimenting with using a strip of
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2533:"The Pioneer Work of Le Prince in Kinematography", by E. Kilburn Scott (in
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1932:
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1933:"Louis Aimé Augustin Leprince, inventeur et artiste, précurseur du cinéma"
1894:"Louis Aimé Augustin Leprince, inventeur et artiste, précurseur du cinéma"
1648:"The 'Father' Of Kinematography: Leeds Memorial Pioneer Work In England".
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James William Longley (design and working parts) || BR patent no. 423
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in New York, where 126 years earlier Le Prince planned to show his films.
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The Missing Reel, The Untold Story of the Lost inventor of Moving Pictures
1740:"Pioneers of Early Cinema: 1, Louis Aimé Augustin Le Prince (1841–1890?)"
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Howells, Richard (Summer 2006). "Louis Le Prince: the body of evidence".
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in 1897. A number of mostly unsubstantiated theories have been proposed.
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Le Prince single-lens camera 1888, Science & Society Picture Library
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Louis Aimé Augustin Leprince, inventeur et artiste, précurseur du cinéma
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was alleged by the Le Prince family to have been shot at 12 frame/s and
765:(1989) for Channel Four, a dramatised feature on the life of Le Prince.
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598: in this section. Unsourced material may be challenged and removed.
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2030:"Pioneers of Early Cinema: Louis Aimé Augustin Le Prince (1841–1890?)"
1692:"He Created the First Known Movie. Then He Vanished. In his new book,
2526:"Career of Louis Aimée Augustin Le Prince", by E. Kilburn Scott, (in
2419:. National Museum of Photography, Film and Television. Archived from
1945:
1906:
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743:). Reconstructions of his film strips are shown in the cinema of the
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16 September 1897) was a French artist and the inventor of an early
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Film: sensitised paper film & gelatin stripping film (60mm)
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Louis Le Prince Centre for Cinema, Photography, and Television
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extremely placid disposition which nothing appeared to ruffle.
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In 1999, these were re-animated to produce digital versions.
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and Louis Le Prince who is credited as "the true inventor of
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Even though Le Prince's achievement is remarkable, with only
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1723:"Louis Le Prince, who shot the world's first film in Leeds"
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For the April 1894 commercial exploitation of his personal
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in Manhattan, in September 1890, due to his disappearance.
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2 frames per second amateur remastering of all 19 frames;
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Designation: Le Prince single-lens "receiver" (camera) Mk2
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been claimed that the body was too short to be Le Prince.
356:, a friend introduced by a former university lecturer, in
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2540:"Louis Aimée Augustin Le Prince" by Merritt Crawford (in
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from Hicks the Ironmongers at the following coordinates:
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2017:
Adventures in CyberSound: Le Prince, Louis Aimé Augustin
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27:
French inventor and Father of Cinematography (1841-1897)
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Aulas, Jean-Jacques; Pfend, Jacques (1 December 2000).
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Aulas, Jean-Jacques; Pfend, Jacques (1 December 2000).
2512:"Le Prince's Early Film Cameras", by Simon Popple (in
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On 10 January 1888, Le Prince was granted an American
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2633:, by Jacques Pfend (Sarreguemines/57200/France) 2014.
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List of people who disappeared mysteriously: pre-1910
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Framerate: 16 frames per second (according to patent)
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National Museum of Photography, Film and Television
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Lenses: Viewfinder (upper) & Photograph (lower)
2618:Traffic Crossing Leeds Bridge (1888), Culture Wars
2528:Journal of the Society of Motion Picture Engineers
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1581:"BBC Education – Local Heroes Le Prince Biography"
2328:"100 Years Ago, the Father of Movies Disappeared"
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268:. In 1898, Adolphe appeared as a witness for the
175:(28 August 1841 – disappeared 16 September 1890,
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2519:"Le Prince and the Lumières", by Rod Varley (in
2230:"The mystery of Leeds's long-lost movie pioneer"
2178:"The History of the Discovery of Cinematography"
1601:: CS1 maint: bot: original URL status unknown (
1583:. Archived from the original on 28 November 1999
493:In 1966, Jacques Deslandes proposed a theory in
2452:"Google Earth Community: First Moving Pictures"
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869:Designation: LePrince 16-lens camera/projector
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2140:Encyclopedia of nineteenth-century photography
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272:in a court case brought by Edison against the
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1805:. United Kingdom: John Libbey Publishing Ltd.
485:was found dead on Fire Island near New York.
2491:The Career of Louis Aimée Augustin Le Prince
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2081:Peripatetic Frame: Images of Walking in Film
1872:"Archives Municipales de Metz – Visualiseur"
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2738:National Science and Media Museum, Bradford
2721:. University of Leeds. Retrieved 2008-09-26
2012:
2010:
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2006:
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1745:. www.nationalmediamuseum.org.uk. p. 2
1652:, Manchester, England 13 December 1930: 19.
1630:(2). Oxford, UK: Oxford Journals: 179–200.
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2591:New research centre honours father of film
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1369:. The running speed appears to be 5-6fps.
1010:
926:June 1890 (and BR patent 423 – see below)
49:
2573:vol.47 #2, Oxford University Press, 2006)
1944:
1937:1895. Mille Huit Cent Quatre-vingt-quinze
1905:
1898:1895. Mille Huit Cent Quatre-vingt-quinze
658:Learn how and when to remove this message
2812:French expatriates in the United Kingdom
2732:Leodis – a photographic archive of Leeds
2503:Cahiers de l'AFIS, numéro 182, nov.–déc.
2053:"Louis Le Prince – New Thinking: Part 1"
2003:
1311:
1224:Louis Le Prince filmed traffic crossing
1210:
1127:
1042:
459:Patent Wars assassination, "Equity 6928"
410:
327:
300:Le Prince was born on 28 August 1841 in
2817:French expatriates in the United States
2567:"Louis Le Prince: the body of evidence"
2485:Insight Collections and Research Centre
2143:. Vol. 1. CRC Press. p. 837.
1961:
1841:Scarth, Alfred; Braim, Charles (1894).
1815:
1803:The Man Who Made Movies: W.K.L. Dickson
1664:
1621:
14:
2774:
2715:a rough video from the first 17 frames
2325:
2071:
1526:Mikhail Bondarev: Heck of a Great Man
1071:, which opened in 1983 and is now the
1051:opened (Science Museum, London, 1930).
1049:single-lens Cine Camera-Projector MkII
953:Frederic Mason (body and wooden parts)
806:, Japanese for "motion picture film".
526:
229:, and was years in advance of that of
2797:Discovery and invention controversies
2671:Jean-Jacques Aulas et Jacques Pfend,
2391:"10th Annual On Cinema Oscar Special"
2302:
2300:
2298:
2107:
2105:
1800:
840:Le Prince Cine Camera-Projector types
517:
1796:
1794:
1792:
1694:The Man Who Invented Motion Pictures
1660:
1658:
1123:. Filmed in Paris before 18.08.1887.
757:In 1990, Christopher Rawlence wrote
596:adding citations to reliable sources
567:
563:
481:hopes were dashed. Two years later,
380:and the long-serving Prime Minister
2763:(BBC Bradford & West Yorkshire)
2326:Myrent, Glenn (16 September 1990).
1978:
1650:The Manchester Guardian (1901–1959)
1607:, BBC, archived on 28 November 1999
1063:, London (later transferred to the
489:Disappearance ordered by the family
237:(who did the moving image work for
213:, using his single-lens camera and
110:on 16 September 1897 (aged 56)
24:
2756:Chronomedia year 1888 (Terramedia)
2295:
2102:
1690:Greenblatt, Leah (14 April 2022).
1529:Special thanks (as Lui Le Prince)
882:US Patent No. 376,247/217,809
25:
2863:
2645:
2175:
1789:
1655:
1119:1931. (Courtesy NMPFT, Bradford)
1073:National Science and Media Museum
1039:Remaining material and production
708:in Leeds, and is now part of the
510:In 1967, Jean Mitry proposed, in
138:Sarah Elizabeth Le Prince-Whitley
2537:, August 1923, pp. 373–378)
1772:"The tragedy of Louis Le Prince"
1517:
1339:
1330:
1276:
1264:
1171:
1156:
1108:
963:
938:Framerate: 5–7 frames per second
912:
889:
809:In 2013, a feature documentary,
768:In 1992, the Japanese filmmaker
572:
437:
2578:Revue d'Histoire du Cinéma N°32
2494:by E. Kilburn Scott (July 1931)
2465:
2444:
2435:
2409:
2383:
2353:
2276:
2254:
2222:
2208:
2194:
2185:
2169:
2157:
2130:
2045:
2022:
1981:"Louis Aimé Augustin Le Prince"
1924:
1885:
1864:
1834:
1809:
944:Focus: lever (backward/forward)
690:are hailed as inventors of the
583:needs additional citations for
148:
2842:Missing person cases in France
2544:December 1930, pp. 28–31)
2285:British Journal of Photography
2238:. 23 June 2015. Archived from
1900:(in French) (32): Footnote 4.
1715:
1642:
1372:
761:and produced the TV programme
745:Armley Mills Industrial Museum
209:and his son Louis playing the
13:
1:
2726:The Legend of Louis Le Prince
2662:Traffic Crossing Leeds Bridge
2625:The Indispensable Murder Book
1985:Who's Who of Victorian Cinema
1856:: CS1 maint: date and year (
1553:
1450:Traffic Crossing Leeds Bridge
1205:Traffic Crossing Leeds Bridge
173:Louis Aimé Augustin Le Prince
69:Louis Aimé Augustin Le Prince
56:
2852:French silent film directors
2761:Local films for local people
2580:, December 2000, p. 9)
2535:The Photographic Journal #63
2078:Thomas Deane Tucker (2020).
1494:
1383:
1323:10 frames per second version
864:16-lens camera and projector
506:Fratricide, murder for money
7:
2523:, Science Museum, UK, 1992)
2505:by Michel Rouzé, quoted by
2137:Hannavy, John, ed. (2000).
1541:
1409:Man Walking Around a Corner
1102:Man Walking Around A Corner
1094:Man Walking Around a Corner
495:Histoire comparée du cinéma
10:
2868:
2792:19th-century French people
2787:1890s missing person cases
2521:Making of the Modern World
2478:
2086:Edinburgh University Press
1304:
1147:
1099:
1024:Made in Leeds 1889 or 1890
905:FR Patent No. 188,089
274:American Mutoscope Company
32:Louis Le Prince (composer)
29:
2832:Leipzig University alumni
2746:- Leeds Industrial Museum
2599:, chapter 2, Culture Wars
1509:
1490:
1426:
1379:
1353:diatonic button accordion
1301:(Single-Lens Camera MkII)
1207:(Single-Lens Camera MkII)
1144:(Single-Lens Camera MkII)
1047:Back view of Le Prince's
1033:
392:on the embankment of the
323:
231:Auguste and Louis Lumière
158:
132:
114:
103:
90:
64:
48:
41:
2563:Le Prince 16-lens camera
1939:(in French) (32): 9–74.
1669:. Simon & Schuster.
1247:53.7938056°N 1.5414389°W
1132:The entire film animated
731:53.8057167°N 1.5490944°W
710:Leeds Beckett University
296:Early life and education
183:camera, and director of
162:Gabriella Marie (1870),
2802:French cinematographers
2569:by Richard Howells (in
235:William Kennedy Dickson
2807:French cinema pioneers
2216:
2202:
1816:Fischer, Paul (2022).
1725:. BBC. 24 August 2016.
1665:Fischer, Paul (2022).
1325:
1252:53.7938056; -1.5414389
1221:
1133:
1052:
990:
984:Single-lens projector
736:53.8057167; -1.5490944
676:Wordsworth Donisthorpe
416:
415:Plaque on Leeds Bridge
346:
333:
332:Le Prince in the 1880s
308:and an officer of the
227:Wordsworth Donisthorpe
30:For the composer, see
2822:French film directors
2680:Roundhay Garden Scene
2606:Roundhay Garden Scene
2550:by Léo Sauvage, 1985
2283:"Patents Completed".
2038:National Media Museum
1636:10.1093/screen/hjl015
1535:, Posthumous release
1431:Roundhay Garden Scene
1320:
1220:Video clip, 2 seconds
1219:
1150:Roundhay Garden Scene
1142:Roundhay Garden Scene
1131:
1046:
1009:Three-lens projector
989:
672:William Friese-Greene
545:Roundhay Garden Scene
423:Roundhay Garden Scene
414:
366:Théâtre Robert-Houdin
335:
331:
223:William Friese-Greene
186:Roundhay Garden Scene
1846:. Beck and Inchbold.
1801:Spehr, Paul (2008).
950:Made in Leeds, 1888
827:Morris-Jumel Mansion
592:improve this article
558:Morris–Jumel Mansion
164:Louis Adolphe (1872)
2514:Photographica World
2235:The Daily Telegraph
1521:Posthumous release
1243: /
1021:Leeds, 1889 or 1890
1001:Made in Leeds, 1889
879:Made in Paris, 1887
727: /
702:University of Leeds
527:Patents and cameras
348:Le Prince moved to
246:conspiracy theories
2827:Leeds Blue Plaques
2708:by Louis Le Prince
2332:The New York Times
2214:Dembowski (1995):
2200:Dembowski (1995):
2113:"The Shadow Traps"
2059:. 21 November 2022
1979:Herbert, Stephen.
1701:The New York Times
1326:
1222:
1134:
1053:
991:
931:Single-lens camera
775:Ghost in the Shell
518:Suspected drowning
512:Histoire du cinéma
417:
390:Cleopatra's Needle
334:
318:Leipzig University
2767:louisleprince.net
2516:, September 1993)
2507:Alliage numéro 22
2264:. 10 January 1888
2150:978-0-415-97235-2
1827:978-0-571-34864-0
1820:. London: faber.
1539:
1538:
1486:
1485:
1318:
1217:
1181:
1031:
1030:
977:16 November 1888
975:
960:
924:
909:
901:
886:
668:
667:
660:
642:
607:"Louis Le Prince"
564:Later recognition
483:Adolphe Le Prince
382:William Gladstone
170:
169:
94:16 September 1890
16:(Redirected from
2859:
2847:People from Metz
2709:
2706:Accordion Player
2695:
2682:
2530:, US, July 1931)
2472:
2469:
2463:
2462:
2460:
2458:
2448:
2442:
2439:
2433:
2432:
2430:
2428:
2417:"Cinematography"
2413:
2407:
2406:
2404:
2402:
2387:
2381:
2380:
2378:
2376:
2367:. Archived from
2361:"The First Film"
2357:
2351:
2350:
2348:
2346:
2323:
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2293:
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2247:
2242:on 11 March 2021
2226:
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2173:
2167:
2164:The Missing Reel
2161:
2155:
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2134:
2128:
2127:
2125:
2123:
2117:www.stitcher.com
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2001:
2000:
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1996:
1987:. Archived from
1976:
1959:
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1946:10.4000/1895.110
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1907:10.4000/1895.110
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1491:Archive footage
1488:
1487:
1469:Accordion Player
1400:Cinematographer
1377:
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1299:Accordion Player
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1096:(16-Lens Camera)
1014:
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763:The Missing Reel
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688:Lumière Brothers
663:
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649:
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466:The Missing Reel
358:Whitley Partners
344:
310:Légion d'honneur
288:Le Prince was a
152:
150:
78:
76:
58:
53:
39:
38:
21:
18:Accordion Player
2867:
2866:
2862:
2861:
2860:
2858:
2857:
2856:
2837:Louis Le Prince
2772:
2771:
2704:
2691:
2678:
2652:Louis Le Prince
2648:
2597:Essential Films
2481:
2476:
2475:
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2466:
2456:
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2424:
2423:on 11 July 2006
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2371:on 16 June 2018
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1991:on 21 July 2006
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1776:www.acmi.net.au
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1291:Roundhay Garden
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1080:Roundhay Garden
1041:
1036:
1027:Never patented
1004:Never patented
976:
972:
971:10 January 1888
970:
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920:11 January 1888
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903:10 January 1888
902:
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897:2 November 1886
896:
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836:Oscar Special.
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206:Roundhay Garden
154:
151: 1869)
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43:Louis Le Prince
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2088:. p. 18.
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812:The First Film
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792:George Eastman
693:Cinématographe
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181:motion-picture
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2176:Burns, Paul.
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2097:
2095:9781474409308
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2082:
2074:
2058:
2057:The Optilogue
2054:
2048:
2040:
2039:
2031:
2025:
2018:
2013:
2011:
2009:
2007:
1990:
1986:
1982:
1975:
1973:
1971:
1969:
1967:
1965:
1956:
1952:
1947:
1942:
1938:
1934:
1927:
1917:
1913:
1908:
1903:
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1873:
1867:
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1773:
1767:
1765:
1757:
1741:
1735:
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1678:
1676:9781982114824
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1410:
1407:
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1308:
1300:
1295:
1292:
1279:
1274:
1267:
1262:
1261:
1260:
1256:
1235:53°47′37.70″N
1227:
1206:
1201:
1198:
1190:frames, 7fps.
1189:
1186:Animation of
1169:
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782:
777:
776:
771:
766:
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748:
746:
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719:53°48′20.58″N
711:
707:
703:
697:
695:
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689:
685:
680:
677:
673:
662:
659:
651:
640:
637:
633:
630:
626:
623:
619:
616:
612:
609: –
608:
604:
603:Find sources:
597:
593:
587:
586:
581:This section
579:
575:
570:
569:
561:
559:
553:
549:
547:
546:
540:
538:
534:
524:
515:
513:
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500:
496:
486:
484:
479:
474:
471:
467:
456:
454:
453:declared dead
450:
449:Scotland Yard
446:
438:Disappearance
435:
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429:
425:
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413:
409:
405:
403:
397:
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239:Thomas Edison
236:
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177:declared dead
174:
165:
161:
157:
135:
131:
128:
124:
120:
117:
115:Occupation(s)
113:
109:
108:Declared dead
106:
102:
98:
93:
89:
84:
67:
63:
52:
47:
40:
37:
33:
19:
2744:Armley Mills
2743:
2725:
2705:
2693:Leeds Bridge
2692:
2679:
2661:
2630:
2624:
2616:
2610:Culture Wars
2609:
2605:
2596:
2577:
2570:
2547:
2541:
2534:
2527:
2520:
2513:
2506:
2502:
2498:
2489:
2467:
2455:. Retrieved
2446:
2437:
2425:. Retrieved
2421:the original
2411:
2399:. Retrieved
2394:
2385:
2373:. Retrieved
2369:the original
2364:
2355:
2343:. Retrieved
2331:
2321:
2312:
2308:
2288:
2284:
2278:
2266:. Retrieved
2256:
2244:. Retrieved
2240:the original
2233:
2224:
2210:
2196:
2187:
2171:
2163:
2159:
2139:
2132:
2120:. Retrieved
2116:
2080:
2073:
2061:. Retrieved
2056:
2047:
2041:. June 2011.
2036:
2024:
1993:. Retrieved
1989:the original
1984:
1936:
1926:
1897:
1887:
1875:. Retrieved
1866:
1842:
1836:
1817:
1811:
1802:
1779:. Retrieved
1775:
1754:
1747:. Retrieved
1717:
1705:. Retrieved
1699:
1693:
1685:
1666:
1649:
1644:
1627:
1623:
1585:. Retrieved
1356:
1350:
1298:
1290:
1287:
1238:1°32′29.18″W
1226:Leeds Bridge
1223:
1204:
1196:
1194:
1187:
1163:
1141:
1135:
1116:
1093:
1088:
1084:Leeds Bridge
1083:
1079:
1077:
1058:
1054:
831:
823:
817:
810:
808:
799:
785:
781:Talking Head
779:
773:
770:Mamoru Oshii
767:
762:
758:
756:
749:
722:1°32′56.74″W
698:
691:
681:
669:
654:
648:October 2017
645:
635:
628:
621:
614:
602:
590:Please help
585:verification
582:
554:
550:
543:
541:
537:stereopticon
530:
521:
511:
509:
494:
492:
475:
465:
462:
441:
428:Leeds Bridge
421:
418:
406:
398:
394:River Thames
386:time capsule
374:
357:
354:John Whitley
347:
336:
299:
287:
259:
243:
219:Leeds Bridge
204:
198:
191:
184:
172:
171:
36:
2782:1841 births
2397:. On Cinema
2268:29 December
2063:23 November
1749:25 November
1373:Filmography
1250: /
998:Leeds, 1889
947:Leeds, 1888
856:Manufacture
787:avant-garde
778:) directed
734: /
684:kinetoscope
432:Blue plaque
306:French Army
123:art teacher
91:Disappeared
59:early 1860s
2776:Categories
2345:4 November
2122:4 November
1554:References
895:Washington
618:newspapers
478:litigation
75:1841-08-28
55:Le Prince
2586:0769-0959
2561:Ingenious
2542:Cinema, 1
2340:0362-4331
1995:26 August
1955:0769-0959
1916:0769-0959
1852:cite book
1844:Yorkshire
1397:Producer
1391:Director
1307:Accordion
1067:(NMPFT),
834:On Cinema
747:, Leeds.
402:panoramas
290:Freemason
278:royalties
262:celluloid
211:accordion
2608:(1888),
2427:16 April
2401:14 March
1707:17 April
1597:cite web
1542:See also
1188:Roundhay
1164:Roundhay
1069:Bradford
974:Accepted
923:Accepted
900:Accepted
859:Patents
341:—
159:Children
127:inventor
99:, France
85:, France
2713:YouTube
2699:YouTube
2686:YouTube
2479:Sources
2375:16 June
1781:20 June
1756:Prince.
1394:Editor
1367:YouTube
825:at the
632:scholar
499:Chicago
362:Hunslet
270:defence
215:Eastman
153:
145:
141:
2637:
2584:
2571:Screen
2554:
2338:
2291:: 793.
2147:
2092:
1953:
1921:Popple
1914:
1824:
1673:
1624:Screen
1587:27 May
1505:Notes
1499:Title
1388:Title
1034:Legacy
969:London
959:Issued
908:Issued
885:Issued
853:Design
634:
627:
620:
613:
605:
533:patent
470:patent
324:Career
282:patent
133:Spouse
119:Artist
104:Status
2509:1995)
2457:9 May
2246:9 May
2033:(PDF)
1877:9 May
1743:(PDF)
1533:Short
1510:2015
1502:Role
1496:Year
1427:1888
1405:1887
1385:Year
1380:Film
1121:NMPFT
1117:circa
995:7fps.
918:Paris
850:Specs
847:Model
784:, an
639:JSTOR
625:books
445:Dijon
350:Leeds
255:Seine
201:Leeds
147:(
143:
97:Dijon
2667:IMDb
2656:IMDb
2635:ISBN
2582:ISSN
2552:ISBN
2499:Kino
2459:2020
2429:2009
2403:2023
2377:2018
2347:2023
2336:ISSN
2270:2017
2248:2020
2145:ISBN
2124:2019
2090:ISBN
2065:2022
1997:2006
1951:ISSN
1912:ISSN
1879:2020
1858:link
1822:ISBN
1783:2022
1751:2012
1709:2022
1671:ISBN
1603:link
1589:2008
1482:Yes
1473:Yes
1463:Yes
1454:Yes
1444:Yes
1441:Yes
1438:Yes
1435:Yes
1422:Yes
1419:Yes
1413:Yes
1362:here
1018:off.
800:eiga
752:Lyon
674:and
611:news
302:Metz
251:will
233:and
225:and
83:Metz
65:Born
2711:on
2697:on
2684:on
2665:at
2654:at
1941:doi
1902:doi
1632:doi
1479:No
1476:No
1460:No
1457:No
1416:No
1365:on
802:",
706:BBC
594:by
360:of
241:).
189:.
2778::
2393:.
2363:.
2334:.
2330:.
2313:32
2311:.
2297:^
2289:35
2287:.
2232:.
2115:.
2104:^
2084:.
2055:.
2035:.
2005:^
1983:.
1963:^
1949:.
1935:.
1910:.
1896:.
1854:}}
1850:{{
1791:^
1774:.
1763:^
1753:.
1731:^
1698:.
1657:^
1628:47
1626:.
1612:^
1599:}}
1595:{{
1562:^
1518:—
1259:.
804:映画
794:,
754:.
434:.
396:.
372:.
149:m.
125:,
121:,
57:c.
2641:.
2461:.
2431:.
2405:.
2379:.
2349:.
2315:.
2272:.
2250:.
2180:.
2153:.
2126:.
2098:.
2067:.
1999:.
1957:.
1943::
1918:.
1904::
1881:.
1860:)
1830:.
1785:.
1711:.
1679:.
1638:.
1634::
1605:)
1591:.
1309:.
772:(
661:)
655:(
650:)
646:(
636:·
629:·
622:·
615:·
588:.
77:)
73:(
34:.
20:)
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