392:. The consequence of this transformation of design criteria, for both architectural spaces, urban planning and physical objects, is that design is based on renewed attention to interactive relationships between space and surrounding context. This recognition of the interactive dynamics between nature and culture, between social and economical components of context, has been accompanied by digital integration of projects into tridimensional spaces in place of linear, flat and two-dimensional projections typical of Modernist methods.
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447:, a multidisciplinary cultural Association, he is particularly involved with Association's sectors such as cinema, music visual arts and photography beside architecture and urban regeneration. These involvements happen also for designing workshops and events for these disciplines or for being invited as jury in the film festivals such as San Giò Film Festival and for being active in workshops such as that extraordinary one with Iranian Director
31:
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264:. As of 2015, Gharib still works at the firm, reinventing the built environment, under the guidance of sustainable and innovative architectural spatiality. The design method in his studio turned out to be fluid and meta-metric, opposed to abstract methods and metric process of Modernism. In fact, the multiple sequences of spatial sections and the successions of constructive models have replaced the flat and static drawings.
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372:. These, in his view, have a closer relationship with the shifting apparatus of context, aware that these components, interacting with politics, economies, science, technology and social movements, generate sophisticated results that require complex solutions. The Studio transitioned from the traditional notions of modern
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Association proposes through the development of an integrated set of creative disciplines, an education that transforms the urban regeneration in an added value through the interaction of creative disciplines. An added value that allows the users of the projects to meet their operational needs in an
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For the renovated approach of his Studio in Italy, the method of creativity stands in the promotion of design solutions able to feed the urban regeneration as cultural, inventive, educational, and functional diversities for the fertile new languages and lifestyles, without following the repetition
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The Studio, in collaboration with professional individuals, ventured into a wide range of disciplines, striving to break the boundaries imposed by traditional professional constraints. This unconventional approach to design produced a spirit of independence, reflected in the research and carried out
247:
In the
Eighties, he shifted from two-dimensional evaluation of projects to three-dimensional evaluation of complex perspectives. This is the most influential topic in his post graduate self-formation, liberating him from the Modernist crisscross grid towards unconfined volumes characterized by
188:
In May 1958, at the end of an extensive travel through the main
European Capitals and cities, Gharib, then aged sixteen, made his first stay to Italy, as well as to Rome, where he was deeply impressed by the beauty of this city and the richness of its art and architecture heritage. In 1960,
1004:. "For a methodology of project. A tool toward the future – An interview with Abbas Gharib, Iranian Architect", Tehran – Iran, Architecture, Construction and E-Sciences Magazine 1, Contemporary challenges, architecture and thought issue, Tehran, Zolal Editors, November 2004, cover, 24–29.
144:
and raised in an
Iranian lay family. The house where the family used to live was situated in the old center of the traditional part of Tehran. He completed his primary education in Tehran, Bersabé primary school, Saint Luis elementary and Ferdowsi
861:"Abbas Gharib e Sandra Villa – sistemazione di un padiglione Ghadjar presso Tehran", Architettura nei paesi islamici, Second International Architecture Exhibition, la Biennale, Volume, Venice – Italy: La Biennale di Venezia Editions, 1982, 278.
818:"The prize winners of the national competition to design the new headquarters of "Bimeh", the National Insurance Company of Iran", "Art & Architecture Magazine 31/32, Tehran: Art & Architecture Editions, December 1975, 39 – 47.
961:
Gharib, Abbas. interviewed by Grego, Susanna. "Ozio
Creativo sarà il lavoro del futuro?" in the Magazine of the Architectural Association of the province of Verona, No. 62, Verona – Italy: Studio 12, April 2002, 34 – 35.
882:
Gharib,Abbas. Verticelli, Danilo. Villa, Sandra. "The neo-eclectic house – projects for the cultural design exhibitions for the
Italian furniture fair", Abitare il tempo, volume, Venice – Italy: Arsenale, 1992, 93, 112.
1035:
Gharib, Abbas. interviewed by
Castelluci, Alessandra. "Equilibrio di architettura (tra due mondi)", Studio Gharib – Verona, In Cariera & Professioni Magazine 2, Bologna – Italy: Golfarelli Editore, June 2008, 36–39
973:
Arnaboldi, Mario Antoni. "Abbas Gharib, due mondi due lingue", L'Arca, the international magazine of architecture, design and visual communication No. 181, Milan – Italy, l'Arca S.p.A. Editori, May 2003, cover, 68–71.
1350:"Gruppo Ferro", Il Sole e l'Habitat, acts of the national competition: the sun and the habitat for the use of alternative energy in residential and educational buildings, Rome, Italy: Kappa, November 1981, 296 – 299;
267:
in the works created by the Studio. The forms of spaces and objects are reflected in numerous designs for architectural competitions, professional projects and buildings, evidencing true multi-disciplinary approach.
226:
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Dell'Osso, Guido R. "Edilpro, Architettura bioclimatica e sostenibilitĂ nella casa per i paesi del
Mediterraneo", Casarano (Le) Italy: Il tacco d’Italia Editore, November 2009, Cover, 73–79; Volume, (
1046:
Dell'Osso, Guido R. "Edilpro, Architettura bioclimatica e sostenibilitĂ nella casa per i paesi del
Mediterraneo", Casarano (Le) Italy: Il tacco d'Italia Editore, November 2009, Volume, Cover, 73–79
838:"Gruppo Ferro", acts of the national competition: the sun and the habitat for the use of alternative energy in residential and educational buildings, Rome – Italy: Kappa, November 1981, 296 – 299.
244:, where in 1969 he became qualified in the urban planning sector in 1969 he never abandoned his interest in architectural projects and design. This dual interest is always evident in his practice.
1014:
Candani, Elena. "Meeting between two worlds", L'Arca, the international magazine of architecture, design and visual communication 220, Milan – Italy: l'Arca S.p.A. Editori, December 2006, 48–53
903:
Gharib, Abbas. Verticelli, Danilo. Villa, Sandra. Abitare il tempo, Volume, "Ten years of research, experimentation and new perspectives", Bologna – Italy: Grafiche Zanini, 1995, 221.
990:
Arnaboldi, Mario
Antonio. “Architecture: Dialogues and Letters – 12, Ad Abbas Gharib per l'Headquarters dell' Iran Oil Industry a Tehran", Milan – Italy: Mimesis, 2004, 185, 203–204.
1025:"Progetti per il mobile 2008", Dossier Compo Mobili, Furniture Design Magazine, European furniture components 53, Snatarcangelo Romagna (RN): Magioli SpA.Editore, January 2009, 68
428:
area renovated with sustainable long-term economy based on the use of knowledge (knowledge-based production) rather than on the dispersion of energy (energy-based production).
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high school. In 1958 he made his first visit to Europe, where he decided to leave his native country definitively. He started living in Italy in 1962, where he enrolled to
420:
mannerist projects and what they produce, believing that creative solutions fed from the talent of the environmental components rather than from that of the designers.
931:"Abbas Gharib – Italy, International Architectural Competition for the new National Museum of Korea" Volume, Seoul: Hae-jak Kang / Ki Moon Dang Editors, 1995, 362
329:
Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
1251:", L'Arca, the international magazine of architecture, design and visual communication 220, Milan – Italy: l’Arca S.p.A. Editori, December 2006, 48–53, Issue
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in the
Sixties and Seventies, influenced him to such an extent that he decided to settle there, moving away from his original area of intellectual life in
515:"Post-modernism, deconstruction and folding in architecture", at the cycle of conferences organized by the Ministry of Housing and Construction,
160:. He stayed in Venice until 1973, taking part in the educational and artistic city life. As a child and later as a student, he was talented in
828:"The International Architectural competition", Art & Architecture Magazine 45/46, Tehran: Art & Architecture Editions April 1978, 119.
782:
Competition for Center for the Study, Development, Exhibition and Promotion of Carpets and Rugs, (With Studio M. Eccheli & R. Campagnola),
107:, (born 16 June 1942), is an Italian-based architect of Iranian origin. His approach to planning and design, which goes beyond the traditional
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therefore, he returned to Europe, principally to Italy, moving through the peninsula from north to south and finally to Venice. The beauty of
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Competition "The Sun and the Habitat" for the use of alternative energy in residential and educational buildings, Valpantena, Gruppo Ferro",
412:
and to share the new trends in architectural planning. This was an alarm bell for superstars of architecture to think about the lifestyle of
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until 1973. In 1981, from 1974 to 1980, after experiences outside of Italy, in 1981 he opened his office in Verona, Italy, under the name of
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Maffioltti, Serena. "ricerca", Costruire Magazine 33, Biennale di Venezia issue, Milan – Italy: Abitare Segesta, October 1985, p. 235.
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Gharib,Abbas. Verticelli, Danilo. Villa, Sandra. "Room with a View, Abitare il tempo, volume", Bologna: Grafiche Zanini, 1993, 37–42, 108.
322:
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In 1952, his family moved to a new house in the northern part of the city where he resided until 1960, when he received his diploma from
851:"Consultation international pour l'amènagement du quartier des Halles de Paris" Volume, Volume, Paris: Editions du Moniteur, 1981, 377.
1376:"Competition for the Center of Study, Development, Exhibition and Promotion of Carpets and Rugs", Architecture & Construction 11,
770:
Competition for the headquarters of the Center for the Development of High Technology in Iran: "Fadak", (Senior Design Consultant to
951:" in the Magazine of the Architectural Association of the province of Verona 57, Verona – Italy: Studio 12, June 2002, cover, 31–33
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938:, Ricognizioni Design 360° Magazine, Oggetto locale Issue, No. 14, cover & page 27, Grafiche Aurora Publisher, Verona 2001.
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and drawing subjects, therefore in adulthood he took up an interest for architecture. In 1972 he married an Italian architect,
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1333:"The prize winners of the national competition to design the new headquarters of "Bimeh", the National Insurance Company of
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Dorfles, Gillo. "Events", Ottagono Magazine 110, Review of Abitare il tempo, Milan – Italy: CO.P.IN.A., March 1994, 83 – 84
540:"Lines, thoughts and design assumptions", lecture at the "International Day of Furniture', organized by 'Abitare il Tempo',
695:
Competition for the new headquarters of the Iranian National Insurance Company "Bimeh", with Shahab Katouzian, first prize.
1359:"High technology cooperation office building competition", MĂ©13 Mar, Quarterly on Architecture and Urban Design Magazine,
1468:
762:, Italy with the construction of the new administrative, production, and exhibition center of ceramic arts, third prize.
562:"Space: continuous, cohesive, and heterogeneous", lectures at the Institute for Urban Studies in Architecture New York,
583:"Paradigms of complexity in architecture new trends", lecture at "AGAV" Conference, the Young Architects Association,
1101:
648:
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Competition for the Center of Social and multipurpose recreational performances of Scaligero Castle of Villafranca,
569:"Space: continuous, cohesive, and heterogeneous" lectures at Teague University, Department of Architecture, Teague,
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Arnaboldi, Mario Antonio"Architecture: Dialogues and Letters (Architettura: Dialoghi e Lettere) "Ad Abbas Gharib",
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921:“Ricognizioni Design 360° Magazine 14", Oggetto locale Issue, Verona – Italy Grafiche Aurora, 2001, cover, 27
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590:"Design, Design system, and Design of professionalism", lectures at Verona Fine Arts Academy Cignaroli,
981:, Memar Quarterly Magazine of Architecture and Urban Design 13, Tehran – Iran:Kia Naghsh, 2003, 74 – 80
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design methods, considering them to be abstract and self-referential, and oriented himself towards the
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Regional competition for the furniture design organized by the association of industrialists of
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115:, has made him well-known as an influential figure in the research, practice, and teaching of
486:"Tribal memory in the architectural thought", at the International Congress of Architecture,
576:"Space of the urban-place", at the international design seminar for the new building of the
225:
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1142:"the third spatiality in the third Millenium", Architecture & Urbanism Magazine 52–53,
684:
Competition for the urban and architectural planning of the seaside city of Rudsar, Rudsar
505:
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551:: danger and opportunity": lectures at the Institute for Urban Studies in Architecture
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Susanna Grego, "Conversazione con Abbas Gharib", Architetti Verona 62 p. 34–35
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Competition of "Housing Development for the Mediterranean Countries" in Leverano of
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and its cultural and artistic lifestyle, in the presence of creative figures like
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transparency, fluidity, flexibility and smooth dynamics curving surfaces.
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1130:: Sharestan / Naghshiran, Spring – summer 2007, 11–16, (7–12 in Persian);
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First European competition for the use of solar passive energy, Giudeca,
685:
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Competition for the sculptural work in the psychiatric hospital, Marzana
405:
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Gharib, Abbas. "Oggetto auto-espressivo", Pensiero, Progetto, Oggetto,
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633: in this section. Unsourced material may be challenged and removed.
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to the concept of anthropo-geo-morpho-genesis, i.e., from concepts of
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Gharib, Abbas. interviewed by Grego, Susanna. "cronache di design a
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Competition for the Center of Cooperation in High Technology, Iran
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Abbas Gharib, Digital Scapes: Global Remix, 38° Maromomacc Italy
1122:"A discussion between two architects", Sharestan Magazine 15–16,
758:
Competition for the transformation of the monumental furnaces of
752:
526:"The Toppled Garden", lecture given to the "SocietĂ Letteraria",
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1161:"Bersabé primary school Founded by Bersabé Hovsepian(1906–1999)"
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His role in evolving the method of creative development in the
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533:"The Mirror Garden", lectures at the "Course of garden arts",
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Candani, Elena. "Encounter between two worlds, Abbas Gharib,
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Gharib became a licensed architect in 1969 and practiced in
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Competition for a new student hostel building, Piovego
475:"Topics of the New Architectural Trends", lecture at
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takes him to be among the firsts to move towards the
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727:Competition for the new headquarters of "AGEC",
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1096:, Italy: Mimesis, 2004, 185, 203–204. Volume,
813:National Iranian Insurance Company Competition
168:and from that marriage they had two children,
1051:Carso 2014+, International design competition
504:" Self-expressive buildings", lecture at the
497:"Monuments of underdevelopment", lectures at
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1195:and Saint Louis College Alumni. Tehran-Iran
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1009:Abbas Gharib "Pol" Art & Cultural Center
1337:", "Art & Architecture Magazine 31–32,
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985:Headquarters of Iran Oil Industry in Tehran
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323:promotes the subject in a subjective manner
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649:Learn how and when to remove this message
345:Learn how and when to remove this message
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455:Cinematography Prize 2015: "Why Cinema"
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262:Studio Gharib, Architecture & Design
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404:of 2014 awarded to Japanese architect
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360:has gradually distanced himself from
299:"Continues, Smooth and Heterogeneous"
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1276:from the original on 6 November 2015
1167:from the original on 2 February 2017
631:adding citations to reliable sources
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1302:from the original on 11 August 2015
917:"Accademia G.B. Cignaroli – Verona"
877:The tower where the desire can live
468:: Reading of the Ring", lecture at
320:This article contains wording that
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1150:: Faroos / Epthoform, 2000, 44–47;
802:, Leverano Italy selected project.
774:and Partners Office), first prize.
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180:(28 February 1983), now musician.
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926:New National Museum of Korea
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136:Abbas Gharib's home in 1951.
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402:Pritzker Architecture Prize
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283:POL Culture and Art Centre:
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1214:Hadaf Educational Group
843:600 Contreprojets pour
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625:Please help
620:verification
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231:Le Corbusier
211:Carlo Scarpa
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166:Sandra Villa
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105:Abbas Gharib
104:
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94:studiogharib
84:1980–present
55:16 June 1942
23:Abbas Gharib
1454:1942 births
1280:30 November
686:Caspian Sea
406:Shigeru Ban
374:Rationalism
174:sociologist
1448:Categories
1171:18 January
1077:References
956:Last Works
845:les Halles
382:Topography
378:Morphology
207:Ezra Pound
51:1942-06-16
35:June 2008
1306:19 August
1257:0394-2147
639:July 2024
335:June 2022
221:Education
162:geometric
109:modernism
1300:Archived
1274:Archived
1228:Archived
1199:Archived
1189:Archived
1165:Archived
1060:See also
390:Topology
386:Morphing
287:Dynamic"
236:, Italy.
753:Treviso
573:, 1995.
523:, 1985;
494:, 1975.
483:, 1973.
89:Website
39:, Italy
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949:Verona
784:Tabriz
741:Verona
729:Verona
717:Venice
705:Verona
674:Verona
599:Awards
592:Verona
585:Verona
557:Verona
542:Verona
528:Verona
517:Tehran
488:Shiraz
466:Vienna
358:Gharib
258:Venice
215:Tehran
191:Venice
176:, and
142:Tehran
62:Tehran
37:Verona
1094:Milan
800:Lecce
794:2009
778:2006
766:2001
760:Asolo
747:1992
735:1983
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711:1980
699:1979
680:1975
667:Padua
661:1971
571:Korea
566:, US.
512:1978.
178:Leila
154:Hadaf
1395:ISBN
1382:Iran
1365:Iran
1335:Iran
1308:2015
1282:2015
1253:ISSN
1173:2017
1148:Iran
1128:Iran
1098:ISBN
788:Iran
690:Iran
564:N.Y.
521:Iran
510:Iran
492:Iran
481:Iran
400:The
388:and
380:and
170:Samì
96:.net
66:Iran
45:Born
629:by
111:or
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