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A Yoke of Gold

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dallying with a feature program. Some of these wise ones will tell you that business has picked up since they went into features, — BUT — ask them whether they are talking NET or GROSS. They will find they have an immediate appointment and terminate your queries unceremoniously. Funny how we like to kid ourselves, isn't it? The man who is packing 'em in and losing money on features is envied by his competitor, who is laying by a bit every day, and has a good steady, dependable patronage but admits to a few vacant seats at some performances. When this chap wakes up, he will realize that he has a gold mine and that good advertising will make it produce to capacity. The moral is that if you can tie up to the Universal Program, DO IT. If you can't NOW, watch your first chance. Let the people know what you have, and let the feature man go on to ruin if he wants to. You should worry!
1422: 1408: 1849: 772: 1897: 464: 452: 2002: 4420: 1934: 1881: 1988: 1960: 1974: 430: 423: 1343: 1833: 1948: 646:(1866-1947) was 50 years old when he was selected to play Luis Lopez. Allen was highly educated, had a commanding presence and stood six feet, and weighed two hundred pounds. He got his start in the film industry at Universal city in 1913. He landed his first role in 1915. His roles were character parts, and he played mostly fathers, villains, or ranch owners. Alfred Allen appeared in 69 features from 1916 through 1929. After acting in 31: 3756: 304:
had planned to keep all the gold for himself. Jose promises himself; he will not be complicit in robbing those who had befriended him. Before Luis retires for the evening, he stashed the gold he stole from Mendoza under his pillow. Luis falls to sleep. Later in the evening, Jose sneaks into Lopez's room, takes the gold, and escapes into the darkness. Jose then secures a horse and heads for Don Ortega's home in Santa Barbara.
4408: 1681: 701: 3739: 1865: 1705:" film studios owned their own movie houses, enabling them to have guaranteed outlets for their entertainment products. Unlike the majors, Universal did not own any theaters or theater chains. Branding all Universal-produced feature films would give theater owners another tool to judge the films they were about to lease and help fans decide which movies they wanted to see. 270:. The gullible Jose falls under the spell of Luis's fiery rhetoric. Jose also becomes determined to find a way to help the less fortunate. Luis is sensing Jose's frustration, enlists Jose to assist him in pursuing his evil designs. Since they now share common goals, the two become fast friends. Luis and Jose start developing a plan to achieve their aims. 1920: 296:
knows Don Mendoza has hidden bags of gold in a large chest. While stealing the gold, Mendoza's wife catches him in the act. Lopez attacks the woman, but the ensuing struggle wakes-up Don Mendoza. He rushes to his wife's aid and forces Lopez to flee. Lopez takes his gold and heads back to San Gabriel to meet up with Jose.
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The moving picture business is here to stay. That you must admit, despite carping critics and blundering sore-heads, true, some exhibitors have found business so good lately — but if you get down to facts when you look for a reason why, it's a 100 to 1 shot that they are, and for some time have been,
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plays a vital role in ensuring a movie's success by bringing paying customers to the theater. By providing details about plotlines, actors, release dates, and other key information, a successful marketing campaign boosts excitement among potential stakeholders. This knowledge empowered theater owners
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The movie gets its name from how the two main villains redeem themselves and leave their criminal past behind. As stated in the bible verse, their faith and deeds would be the basis for their judgment after they had moved on from their past crimes. The expectation was that the completed project would
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estimated the budget of this film at no more than US$ 3,000 (equivalent to $ 84,000 in 2023). They used this figure to explain the poor quality of the feature film. They also pointed out "...the big feature companies are to-day spending from US$ 5,000 (equivalent to $ 140,000 in 2023) to US$
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in November 1916. After completing the last movie, Laemmle thought Johnson did not have the screen presence he wanted. He decided not to renew his contract. Johnson would make 17 movies in 1916, including eight shorts and 11 feature-length Dramas. 1916 would become the second-highest movie output of
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Jose arrives in San Gabriel. Luis Lopez confronts him. Luis learns Jose had failed in his attempt to rob Ortega. Luis is beside himself with rage. Luis vows to steal Ortega's gold himself. In another starling turn, Jose learns, Lopez never intended to give the gold to the poor. From the start, Lopez
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As luck would have it, another party was traveling behind Jose and headed in the same direction. Castro Arrellanes and his beautiful daughter – Carmen, are traveling to visit Castro's cousin. In a bit of irony, Castro's cousin is none other than Don Ortega. They come across the crucifix half-buried
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In 1917, the Butterfly line, a grade between Red Feather and Bluebird, was introduced. During the following two years, half of Universal's feature film output was in the Red Feather and Butterfly categories. However, this was during a time when stars increasingly took the spotlight in advertising.
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Carmen enters the picture. She believes a caring heart is beneath Luis Lopez's wicked veneer. Carmen thinks Luis can be redeemed. She pleads with Luis to turn his life around. At Carmen's bidding, padre Amador has returned to Santa Barbara. He joins Carmen in trying to convince Luis to forsake his
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Now we turn our focus to Luis Lopez. Luis arrived at the home of Don Mendoza in the valley of the seven moons. He convinces Don Mendoza he has lost his way and requests lodging. The Mendozas take him in. After waiting for Mendoza and his wife to fall asleep, Lopez sneaks into the living room. He
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Jose has a significant obstacle. Before he can rob Don Ortega, he must first cross a burning desert to reach Santa Barbara. Jose starts a journey under the blistering sun. Soon, overcome with thirst, Jose stops for a drink of water. He discovers he has lost his canteen. Jose starts to search his
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times or from 342 films to 835. There was a recurring claim that Carl Laemmle was the longest-running studio chief resisting the production of feature films. Universal was not ready to downsize its short film business because short films were cheaper, faster, and more profitable to produce than
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Jose continues to recuperate in Don Ortega's home under Carmen's tender care. But during Jose's healing process, Jose falls in love with Carmen. Now a man in love, Jose renounces his plans to rob the rich and give to the poor. Recovered, Jose heads back home to confront Luis and tell him of his
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Melodrama films have plots appealing to the raised passions of the audience. They concentrate on family issues, direct their attention to a victim character, and develop the themes of duty and love. The melodramatic format shows the characters working through their struggles with persistence,
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The years between 1908 and 1917 witnessed what may have been the most significant transformation in American film history. During this "transitional era", widespread changes affected film form and film genres, filmmaking practices and industry structure, exhibition sites, and audience
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when the 21 year-old actress played Carmen. She had acted in hundreds of movies by the time she starred in this film. The majority of these films were 2-reel shorts, as was the norm in Hollywood's teen years. She had been making movies since 1910. She started dating
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in the sand. Later they discover the half-dead Jose. Jose is on the edge of death. Castro and Carmen decide to finish their journey and take Jose to Don Ortega's home to recover. After they arrive at Don Ortega's home, Carmen starts nursing Jose back to good health.
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when she was barely 16, and he was 20. They married in 1913. After her husband died in 1923, she used the name "Mrs. Wallace Reid" in the credits for any project she took part in. Besides being an actress, she would eventually become a film director, producer, and
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Both Jose and Luis ride hard and fast across the desert to Santa Barbara - the home of Don Ortega. Jose wins the race and arrives before Luis. He warns Ortega of the impending robbery, and then both men lay a trap for Lopez. They catch him in the act.
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Aided by some beautiful scenes and good photography, the picture leaves little to be desired from an artistic standpoint . . . With Emory Johnson and Dorothy Davenport in the roles of lovers and Alfred Allen as the bandit, the picture has been
277:. Luis will rob the wealthy Don Mendoza, who resides in "the valley of the seven moons". After the men have completed both break-ins, they will travel back to San Gabriel. They both swear to distribute all their ill-gotten gains to the poor. 3444:
75 percent of all American silent films are gone, and 50 percent of all films made before 1950 are lost; such figures, as archivists admit in private, were thought up on the spur of the moment, without statistical information to back them
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The screenplay was created by Calder Johnstone (1880-1958), who began writing scenarios in 1914. This film was released when Johnstone was 36 years old and a member of the Universal writing staff. He had previously written scenarios for
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a section was devoted to proposing musical selections for specific Universal movies. The musical selections were "Specially Selected and Compiled by M. Winkler." Each reel of the movie had recommendations, as shown below:
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Universal formed a three-tier branding system for their feature films based on the size of their budget and status. In the book "The Universal Story," the author Clive Hirschhorn describes the feature movie branding as:
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to make smarter booking decisions in a competitive market. In addition to an advertising campaign for a movie, Carl Laemmle added another wrinkle to assist potential stakeholders in deciding to view or book a new film.
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Apart from altering the title and length, the movie transitioned from a moral story to a historical depiction, ultimately focusing on the clash between the wealthy California elite and those aiming to rob their wealth.
1373:. This story was based on one of those articles. During his career, Wagner would demonstrate his talents as an artist, magazine writer, screenwriter, and director. He was 44 years old when this film was released. 1557:
is another term for a Working Title. Frequently, the working title turns into the release title. There were several titles for this film, but none were officially recognized as a working title.
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backpack and finds the crucifix that Padre Amador had concealed. He grabs the cross and throws it into the sand. Jose realizes his fate is sealed and lays down in the sand, waiting for death.
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In 1916, Laemmle ran an advertisement extolling Bluebird films while adding the following vocabulary on the top of the ad. Carl Laemmle released 91 feature-length films in 1916, as stated in
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were slowly becoming the standard fare for Hollywood producers. Before 1913, you could count the yearly features on two hands. Between 1915 and 1916, the number of feature movies rose
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There is a great deal of quiet beauty in these offerings and a strong moral purpose in the story. But these things do not compensate for the slow action and lack of dramatic strength
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Luis discovers what has happened. He vows to pursue the traitorous Jose and kill him. Even though Jose has a head start, Luis believes he can beat Luis to Don Ortega's home.
252:'s history, a vast economic gap existed. The elite kept accumulating more wealth, and those with little money declined further in position. The disadvantaged were under the 2364: 2092:"Several of the old missions of California are used as settings for scenes in this, the story dealing with the effect of the mission fathers on desperate marauders." 760:
In 1916, Carleton directed 13 films pairing Dorothy Davenport and Emory Johnson. This film would be the eighth in the 13-film series. Carleton was given the task by
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The story is weak, the direction fair at best, the acting "most ordinary", and the general characteristics, designate "The Yoke of Gold" as a puerile affair.
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In 1916, Universal became the first Hollywood studio to classify feature films based on production cost. One of the reasons behind this move was that the "
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film if it equals or exceeds a specified minimum running time and satisfies other defined criteria. The minimum time depends on the governing agency. The
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with a running time long enough to be considered the principal or sole presentation in a commercial entertainment program. A film can be distributed as a
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mentioned two missions. Director Lloyd B. Carleton chose these two missions for his picture. Several motion picture magazines sources verify the area of
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The branding tags seemly ignored that the ticket-buying audience attended movies to see their favorite stars, not the vehicle allowing them to perform.
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is home to both missions. In addition, the San Gabriel Mountains and the Mojave Desert served as the settings for other essential scenes in the movie.
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on August 2, 1872. In 1914, Wagner married a newspaperwoman who believed he could earn more money writing about the film industry than as a working
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A weak story is its main drawback, and this is the more noticeable because so many strong tales have been woven about the early days of California
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thought he saw great potential in Johnson, so he chooses him to be Universal's new leading man. Laemmle's hope was Johnson would become another
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sinful life and repent. Suddenly, Luis sees the light, heeds the call, and reforms his evil ways. Luis decides to become a monk. He enters the
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Luis Lopez is smarting under this aristocratic yoke. The fiery Luis wants to become the champion of the poor. Luis fancies himself as a local
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Laemmle would continue to buck this trend while slowly increasing his output of features. In 1914, Laemmle published an essay titled -
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was a fortuitous choice because it was only twenty miles from Hollywood. The mission was founded in 1771 and named in honor of the
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Film is history. With every foot of film lost, we lose a link to our culture, the world around us, each other, and ourselves.
575:. Universal planned to showcase a love story set in the early days of Spanish-controlled California. The Spanish missions of 471: 671:(1862-1924) was a 54 year-old actor when he played Padre Amador. He was a character actor and former opera singer known for 4470: 757:
acted in all 16 of these films. Of Carleton's total 1916 output, 11 were feature films, and the rest were two-reel shorts.
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his entire acting career. Emory acted in 25 films for Universal, mostly dramas with a sprinkling of comedies and westerns.
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This movie was initially planned as a two-reel morality play revolving around a central love theme. The film would feature
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defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits".
1933: 3727: 615:(1894-1960) was 22 years old when he starred in this movie as Jose Garcia. In January 1916, Emory signed a contract with 2656:
Thanhouser Company, Thanhouser Films: An Encyclopedia and History Version 2.1 by Q. David Bowers,Volume III: Biographies
2097:"This is a story of old California days, located in San Gabriel and Santa Barbara missions and the surrounding country." 4465: 3430: 676: 4475: 3574: 3551: 1553:
During the production of films, a project must have a way to be referenced. The project is given a working title. An
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The plan comes together. Jose will rob wealthy landowner Don Ortega portrayed by Frank Whitting. Don Ortega lives in
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only 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats;
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in the Fall of 1915. Carleton arrived with impeccable credentials, having directed some 60 films for the likes of
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Between March and December 1916, 44-year-old Lloyd Carleton directed 16 movies for Universal, starting with
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The copyright was filed with U.S. Copyright Office on June 17, 1916. and entered into the record as shown:
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Before Jose departs, he informs his devoted mother and Padre Amador of his plans. Padre Amador and leads
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movies were always released on Mondays. This film was officially released on Monday, August 14, 1916.
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The Universal Silents: A Filmography of the Universal Motion Picture Manufacturing Company, 1912-1929
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require films to have a minimum running time of forty minutes or longer. Other film agencies, e.g.,
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under Padre Amador's guidance. He will spend the rest of his days as a priest at the mission.
4345: 4211: 3847: 3585: 2365:"Only Whoop Dee Do Songs. Bluebird Photoplays Light(en) Up the Cinema Ritrovato — Photogénie" 1832: 1685: 1475: 1441: 1427: 1370: 572: 316: 281: 245: 3420: 560:. This film would become the eighth in the planned thirteen-film series featuring the pair. 4424: 4275: 4219: 3695: 1870: 1805: 1751: 1065: 643: 361: 3457: 3347: 2180:
A report by Library of Congress film historian and archivist David Pierce estimates that:
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On March 15, 1915, Laemmle opened the world's largest motion picture production facility,
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11% survive only in full-length foreign versions or film formats of lesser image quality.
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The copyright was filed with U.S. Copyright Office and entered into the record as shown.
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The following snippets are trade journal entries suggesting the locations for filming:
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productions. The branding system had a brief existence and, by 1920, had faded away.
1507: 1503: 1445: 1362: 712: 596: 545: 341: 210: 94: 47: 2107:"Jose Gracia satisfied to live out his life in the drowsy peace of old San Gabriel." 1369:. Between 1915 and 1918, he wrote a series of articles on the film industry for the 4307: 4291: 3171: 1886: 1791: 1733: 1386: 1209: 1135: 658: 654: 511: 397: 222: 2221: 4227: 3649: 3621: 3518: 3490: 2607: 2562: 2175: 1804:
Many silent-era films did not survive for reasons as explained on this Knowledge
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Bibliographic Record Description: Performing Arts Databases, Library of Congress
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Bluebird Photoplays – mainstream feature release and more ambitious productions
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for this film started in April 1916. An item in the May 27, 1916 issue in the
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to determine if the Davenport-Johnson duo had the desired on-screen chemistry.
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Jewel – prestige motion pictures featuring high budgets using prominent actors
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The Universal Story - The Complete History of the Studio and its 2,641 films
3143:"Catalog of Copyright Entries Cumulative Series Motion Pictures 1912 - 1939" 2927:. New York, Chalmers Publishing Company. August 19, 1916. p. 1264:430. 1537:(Title is not a misprint) The exact date of the film's final name change to 1641:
3. "Jovitta" Mexican Serenade until "When the sun rose, they started," etc.
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In the book, "American Cinema's Transitional Era," the authors point out,
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The Moving Picture Boy: An International Encyclopaedia from 1895 to 1995
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Here we have the "Red Feather" stuff at what seems to be its lowest ebb
2987:. New York, Chalmers Publishing Company. August 5, 1916. p. 1043. 2055: 1708:
In 1916, Universal produced 91 branded feature films, consisting of 44
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combine a moral message with an entertaining love story for moviegoers
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Jose Garcia is content to live out his life in the sleepy outskirts of
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American Cinema's Transitional Era: Audiences, Institutions, Practices
1494:. It is unclear if this movie filmed any interiors at Universal city. 700: 675:
He would eventually participate in many Johnson projects, including |
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A Biographical Dictionary of Silent Film Western Actors and Actresses
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Nitrate Won't Wait: History of Film Preservation in the United States
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A Biographical Dictionary of Silent Film Western Actors and Actresses
2426:. New York, Chalmers Publishing Company. July 11, 1914. p. 185. 2042: 1813: 1638:
2. "Lola" is a Mexican love song by Tobani until "The following day."
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except for one immutable rule -the film's maximum running time. The
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The complete music recommendations for this film are located in the
30: 3689: 2957:. New York, The Moving Picture Weekly. July 26, 1919. p. 456. 2267:. New York, The Moving Picture Weekly. August 5, 1916. p. 457. 2112:"Jose is induced to travel from San Gabriel to Santa Barbara . . ." 1635:
1. "Maximilian Overture" by Ascher until "After the simple repast."
735: 3083:. New York, Motion Picture News, Inc. June 3, 1916. p. 3391. 2865:. New York, Motion Picture News, Inc. June 3, 1916. p. 3391. 2504:. New York, Motion Picture News, Inc. May 27, 1916. p. 3243. 2290: 1328: 1680: 1456: 552:. Previously, the Davenport-Johnson pairing had appeared in five 484:
One aspect of this transition was the longer duration of films.
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20,000 (equivalent to $ 560,000 in 2023) on a five-reeler.
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Movies have documented America for more than one hundred years
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Later, Jose and Carmen get married and live in wedded bliss.
3458:"A Yoke Of Gold / Lloyd B Carleton [motion picture]" 789:           777:           3317: 3149:. Copyright Office * Library of Congress. 1951. p. 197 2471: 2356: 1478:
was established in 1786 and is 120 miles from San Gabriel.
3590:. ACLS Humanities E-Book. University of California Press. 3116:. Electricity Magazine Corp. June 17, 1916. p. 1405. 1516:" 'Not by Faith Alone,' or 'In the Days of the Missions,' 1440:
located in California. Rob Wagner's original story in the
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Universal Studios set this melodrama between the years of
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Peter Milne was more upbeat in his review. He observed:
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he would appear in four more Davenport-Johnson projects:
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Every Monday there is released a Red Feather Photo Play
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Robert Leicester Wagner (1872 - 1942), better known as
3251:. New York, Motion Picture News, Inc. October 14, 1916 3222: 3117: 3084: 2988: 2958: 2928: 2866: 2505: 2427: 2341: 2054:" Short Film" - There are no defined parameters for a 4396: 3199:. Electricity Magazine Corp. August 5, 1916. p.  3057:. Los Angeles, California. April 30, 1916. p. 48 2612:. McFarland, Incorporated, Publishers. pp. 4–5. 2459:. Motion Picture News, inc. May 6, 1916. p. 2704 2271: 783:
The Davenport–Johnson searching for chemistry in 1916
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Wallace Reid: The Life and Death of a Hollywood Idol
3215:"Music for the week of August 14 - "A Yoke of Gold"" 3172:"The Yoke of Gold" - reviewed by Robert C. McElravy" 2801: 2751: 2720: 2708: 2696: 2684: 2672: 2564:
Wallace Reid: The Life and Death of a Hollywood Idol
1756:Robert C. McElravy reviewed this movie and stated: 1514:referred to the film as a two-reel photoplay named 3391:"The Survival of American Silent Films: 1912-1929" 2888: 2646:. Thanhouser Company Film Preservation. March 1994 225:set in the early days of the California missions. 2152:Red Feather Photoplays – low-budget feature films 1911: 527:"You see that a person is justified by works and 4432: 2599: 1587:Movie critics start referring to the film as - 1582:A YOKE OF GOLD; or, IN THE DAYS OF THE MISSIONS. 567:The film's story was adapted from an article by 2025:A "feature film" or "feature-length film" is a 2897:. Portsmouth, Ohio. October 6, 1916. p. 6 2556: 2554: 3787: 3296: 3193:"The Yoke of Gold" - reviewed by Peter Milne" 1612:As part of Universal's in-house publication, 228:The movie was released on August 14, 1916 by 2560: 2131:Credits: Director, Lloyd B. Carleton; story, 3023:"Universal Studios Lot | Universal Studios" 2551: 2492: 2490: 2488: 2486: 2187:of original silent-era films have perished; 2060:Academy of Motion Picture Arts and Sciences 1574:Next, we notice that the "In" is omitted - 209:directed by Lloyd B. Carleton and starring 3794: 3780: 3537: 3334: 3332: 3323: 3284: 3272: 3009: 2890:"A Yoke of Gold at Arcana Theater Tonight" 2477: 2027:narrative film (motion picture or "movie") 1502:According to a news item published in the 462: 428: 29: 3647: 3583: 3166: 3164: 3137: 3135: 3045: 3043: 2350: 2277: 2135:© Universal Film Mfg. Co., Inc.; 17Jul16; 1728:The critics generally panned this movie. 3619: 3297:Stanca Mustea, Cristina (June 8, 2011). 3187: 3185: 3104: 3102: 2605: 2483: 2445: 2362: 2237: 2235: 2216: 2214: 2212: 2133:Bob Wagner; scenario, Calder Johnstone. 1679: 1655: 1461:"Godmother of the Pueblo of Los Angeles" 699: 691:(1923) until his untimely death in 1924. 599:(1895-1977) was an established star for 3626:. McFarland, Incorporated, Publishers. 3516: 3329: 2508:from the original on September 16, 2013 1731:In the September 16, 1916 issue of the 4433: 3161: 3132: 3040: 2991:from the original on September 3, 2014 2127:A YOKE OF GOLD; or, IN THE DAYS OF THE 1799: 563:Universal initially named this film – 3775: 3560: 3488: 3418: 3182: 3099: 2807: 2757: 2726: 2714: 2702: 2690: 2678: 2232: 2209: 1644:4. "Habanera" from "Carmen" by Bizet. 256:, i.e., the yoke of the aristocracy. 3728: 2931:from the original on August 19, 1916 2395:"Rule Nineteen: Short Film's Awards" 2129:MISSIONS. Red Feather. 1916. 5 reels 1812:, all known copies of this film are 625:Universal Film Manufacturing Company 617:Universal Film Manufacturing Company 16:1916 film directed by Lloyd Carleton 4481:Films directed by Lloyd B. Carleton 2430:from the original on August 9, 2011 1660: 1565:this film began as a two-reel film. 13: 3612: 3388: 3225:from the original on June 29, 2015 3120:from the original on June 17, 1916 3087:from the original on June 29, 2015 3077:"In and Out of West Coast Studios" 2961:from the original on June 29, 2015 2869:from the original on June 29, 2015 2859:"In and Out of West Coast Studios" 2498:"In and Out of West Coast Studios" 1602: 1459:. The mission earned the nickname 14: 4507: 3677: 2420:"Doom of long Features Predicted" 2074:Motion Picture News - May 6, 1916 1521:On June 3, 1916, a notice in the 413: 4418: 4406: 3754: 3737: 2178:, filmmaker, director NFPF Board 2000: 1986: 1972: 1958: 1946: 1932: 1918: 1895: 1879: 1863: 1847: 1831: 1725:sacrificial deeds, and courage. 1629:by Charles Roberts is the theme. 1548: 1420: 1406: 1341: 1327: 770: 508:Doom of long Features Predicted. 450: 421: 217:. Based on an original story by 3450: 3412: 3382: 3354: 3290: 3237: 3207: 3069: 3015: 2973: 2943: 2913: 2881: 2851: 2832: 2813: 2782: 2763: 2732: 2661: 2633: 2581: 2520: 2412: 2387: 2363:Brouwers, Anke (July 4, 2015). 2165: 2142: 2118: 2077: 2065: 2048: 4456:American black-and-white films 3567:University of California Press 3346:. September 16, 1916. p.  2561:E.J. Fleming (July 27, 2010). 2312: 2283: 2253: 2019: 1953:Carmen rests at Santa Barbara. 1912:Stills from the motion picture 1824: 1768:In the September issue of the 1749:In the September issue of the 1675: 1580:The Copyright application for 1570:"In the Days of the Missions." 1529:In the June 17, 1916 issue of 1438:religious outposts or missions 520: 1: 4461:American silent feature films 4367:Nine and Three-Fifths Seconds 4169:The Girl with the Red Feather 4145:In the Midst of African Wilds 3305:. German Historical Institute 2668:Knowledge Lloyd Carleton page 2202: 1784: 1318: 716: 408: 4496:English-language drama films 4486:1910s English-language films 4199:The White Light of Publicity 3957:The Surprise Party Surprised 3945:The Reformation of Kid Hogan 3584:Keil, C.; Stamp, S. (2004). 3462:www.loc.gov/film-and-videos/ 3299:"Carl Laemmle (1867 - 1939)" 2846:AFI Catalog of Feature Films 2827:AFI Catalog of Feature Films 2796:AFI Catalog of Feature Films 2777:AFI Catalog of Feature Films 2746:AFI Catalog of Feature Films 2533:AFI Catalog of Feature Films 1649: 1485: 1397: 7: 4471:Silent American drama films 1789:The September issue of the 1576:"The Days of the Missions." 1535:"The Days of the Missions." 1497: 722:–1933) started working for 695: 635:in May 1916 and ended with 583:would serve as a backdrop. 10: 4512: 3856:She Wanted to Marry a Hero 3538:Hirschhorn, Clive (1983). 3482: 3303:Immigrant Entreprenuership 1819: 1719: 1614:The Moving Picture Weekly, 1466:The second choice was the 1392: 769: 590: 539:, English Standard Version 4466:Lost American drama films 4163:The Girl I Left Behind Me 4017:The Fiancee and the Fairy 3939:The Price of a Silver Fox 3810: 3245:"Red Feather Photo Plays" 3219:The Moving Picture Weekly 2955:The Moving Picture Weekly 2265:The Moving Picture Weekly 1941:receive Padre's blessing. 1568:The title was changed to 1472:Santa Barbara, California 1463:due to its significance. 282:the Santa Barbara Mission 275:Santa Barbara, California 183: 175: 161: 146:August 14, 1916 137: 129: 113: 103: 82: 71: 61: 53: 43: 28: 23: 4476:Universal Pictures films 4193:The Sacred Tiger of Agra 3888:Her Battle for Existence 3561:Kawin, Bruce F. (1987). 3425:. McFarland. p. 5. 3110:"The Photoplay Scenario" 3055:Los Angeles Sunday Times 2012: 1607: 1584:is submitted on July 17. 1504:Los Angeles Sunday Times 1476:mission at Santa Barbara 317:Mission at Santa Barbara 4133:Through Fire to Fortune 4089:Strength of Family Ties 3620:Katchmer, G.A. (2015). 3419:Slide, Anthony (2000). 3249:The Motion Picture News 2606:Katchmer, G.A. (2015). 2538:American Film Institute 2453:"The Universal Program" 2440:written by Carl Laemmle 2299:American Film Institute 2035:American Film Institute 1468:"Queen of the Missions" 325: 235: 4379:The Man Who Rode Alone 4205:Their Sinful Influence 4011:The Angel of the Slums 3963:Tricked Into Happiness 3648:Holmstrom, J. (1996). 3544:Crown Publishing Group 3517:Fleming, E.J. (2010). 2895:Portsmouth Daily Times 2328:British Film Institute 2039:British Film Institute 1925:The Mission background 1782: 1766: 1747: 1737:, the reviewer writes 1691: 1652:section of this page. 1593:Finally, we arrive at 1492:Universal City Studios 1453:mission of San Gabriel 1436:There are twenty-one 709: 685:The West~Bound Limited 677:In the Name of the Law 533: 248:. During this time in 4346:Beyond the Crossroads 4324:The Devil's Bondwoman 3362:"Preservation Basics" 3287:, pp. 13, 20–27. 3027:Universal Studios Lot 2351:Keil & Stamp 2004 2278:Keil & Stamp 2004 1777: 1758: 1739: 1686:Moving Picture Weekly 1683: 1656:Release and reception 1563:"Not by Faith Alone," 1442:Saturday Evening Post 1428:Mission Santa Barbara 1371:Saturday Evening Post 1282:The Devil's Bondwoman 703: 637:The Devil's Bondwoman 573:Saturday Evening Post 565:"Not by Faith Alone." 525: 154: (Universal City) 36:Moving Picture Weekly 4491:1910s American films 4276:No. 16 Martin Street 4268:The Way of the World 4220:Two Men of Sandy Bar 4187:The Love of Loti San 4126:The Walls of Jericho 4059:A Leaf from the Past 3993:Longing for a Mother 3981:For His Child's Sake 3951:The Social Secretary 3933:The Good for Nothing 3921:Love Versus Strategy 3489:Braff, R.E. (1999). 3366:filmpreservation.org 3344:The New York Clipper 3176:Moving Picture World 2985:Moving Picture World 2925:Moving Picture World 2840:The Devilsbond Woman 2740:The Way of the World 2641:"CARLETON, Lloyd B." 2424:Moving Picture World 1752:Moving Picture World 1066:No. 16 Martin Street 1029:The Way of The World 516:The Universal Story. 441:Carl Laemmle in 1918 4354:The Flying Dutchman 4332:The Morals of Hilda 4316:Barriers of Society 4236:Her Husband's Faith 4077:His Brother's Blood 4035:The Special Officer 3999:Margaret's Painting 3987:Literature and Love 3975:Diamond Cut Diamond 3872:Cupid at the Circus 3816:She's Done it Again 3654:. Michael Russell. 3398:Library Of Congress 3197:Motion Picture News 3081:Motion Picture News 2863:Motion Picture News 2821:Barriers of Society 2589:"Plays and Players" 2528:"Dorothy Davenport" 2502:Motion Picture News 2457:Motion Picture News 2043:Screen Actors Guild 1810:Library of Congress 1808:. According to the 1800:Preservation status 1771:Motion Picture News 1589:"The Yoke of Gold." 1523:Motion Picture News 1512:Motion Picture News 1414:Mission San Gabriel 1245:Barriers of Society 889:Her Husband's Faith 751:The Morals of Hilda 663:Barriers of Society 474:Universal Logo 1915 268:San Gabriel Mission 199:is a 1916 American 4053:The Wiles of Cupid 3802:Films directed by 3546:. pp. 22–23. 3051:"Dorothy to Shine" 2644:www.thanhouser.org 1692: 1561:Originally titled 1448:for this project. 785:    781:    710: 529:not by faith alone 458:{{{annotations}}} 167:50–75 minutes (5 4394: 4393: 4385:The Young Sheriff 4181:The Jungle Lovers 4139:A Studio Escapade 4047:The Veil of Sleep 3927:Satin and Gingham 3896:The Winter's Tale 3880:The Best Man Wins 3840:A 29-Cent Robbery 3804:Lloyd B. Carleton 3661:978-0-85955-178-6 3633:978-1-4766-0905-8 3597:978-0-520-24027-8 3530:978-0-7864-8266-5 3502:978-0-7864-0287-8 3326:, pp. 20–23. 2619:978-1-4766-0905-8 2593:Exhibitors Herald 2574:978-0-7864-8266-5 2480:, pp. 22–23. 2375:on April 11, 2022 2007:Music Suggestions 1993:Dorothy Davenport 1855:Dorothy Davenport 1508:location shooting 1457:Archangel Gabriel 1446:location shooting 1363:Detroit, Michigan 1316: 1315: 1296:Mason Van Horton 1184:Elionor Rossitor 1080:Jacques Fournier 713:Lloyd B. Carleton 707:Lloyd B. Carleton 653:A Yoke of Gold," 597:Dorothy Davenport 546:Dorothy Davenport 406: 405: 384:Castro Arellanes 346:Carmen Arellanes 342:Dorothy Davenport 300:change of heart. 211:Dorothy Davenport 194: 193: 95:Dorothy Davenport 48:Lloyd B. Carleton 4503: 4451:1916 drama films 4423: 4422: 4421: 4411: 4410: 4409: 4402: 4339:Mountain Madness 4308:The Human Gamble 4292:The Unattainable 4175:The Golden Spurs 4083:Michael Strogoff 3796: 3789: 3782: 3773: 3772: 3767: 3759: 3758: 3757: 3750: 3742: 3741: 3740: 3730: 3707: 3672: 3670: 3668: 3644: 3642: 3640: 3608: 3606: 3604: 3580: 3557: 3534: 3513: 3511: 3509: 3476: 3475: 3470: 3468: 3454: 3448: 3447: 3441: 3439: 3416: 3410: 3409: 3407: 3405: 3395: 3386: 3380: 3379: 3374: 3372: 3358: 3352: 3351: 3340:"A YOKE OF GOLD" 3336: 3327: 3321: 3315: 3314: 3312: 3310: 3294: 3288: 3282: 3276: 3270: 3264: 3263: 3258: 3256: 3241: 3235: 3234: 3232: 3230: 3211: 3205: 3204: 3189: 3180: 3179: 3168: 3159: 3158: 3156: 3154: 3147:Internet Archive 3139: 3130: 3129: 3127: 3125: 3106: 3097: 3096: 3094: 3092: 3073: 3067: 3066: 3064: 3062: 3047: 3038: 3037: 3035: 3033: 3019: 3013: 3007: 3001: 3000: 2998: 2996: 2977: 2971: 2970: 2968: 2966: 2951:"A Yoke of Gold" 2947: 2941: 2940: 2938: 2936: 2917: 2911: 2910: 2904: 2902: 2892: 2885: 2879: 2878: 2876: 2874: 2855: 2849: 2836: 2830: 2817: 2811: 2805: 2799: 2786: 2780: 2771:The Unattainable 2767: 2761: 2755: 2749: 2736: 2730: 2724: 2718: 2712: 2706: 2700: 2694: 2688: 2682: 2676: 2670: 2665: 2659: 2658: 2653: 2651: 2637: 2631: 2630: 2628: 2626: 2603: 2597: 2596: 2585: 2579: 2578: 2558: 2549: 2548: 2546: 2544: 2524: 2518: 2517: 2515: 2513: 2494: 2481: 2475: 2469: 2468: 2466: 2464: 2449: 2443: 2442: 2437: 2435: 2416: 2410: 2409: 2407: 2405: 2391: 2385: 2384: 2382: 2380: 2371:. Archived from 2360: 2354: 2348: 2339: 2338: 2336: 2334: 2316: 2310: 2309: 2307: 2305: 2287: 2281: 2275: 2269: 2268: 2261:"A Yoke of Gold" 2257: 2251: 2250: 2243:"A Yoke of Gold" 2239: 2230: 2229: 2222:"A Yoke of Gold" 2218: 2196: 2169: 2163: 2146: 2140: 2122: 2116: 2081: 2075: 2069: 2063: 2052: 2046: 2023: 2004: 1990: 1979:Gretchen Lederer 1976: 1965:Mendoza and wife 1962: 1950: 1936: 1922: 1899: 1887:Gretchen Lederer 1883: 1867: 1851: 1835: 1792:New York Clipper 1763: 1744: 1734:New York Clipper 1661:Official release 1539:"A Yoke of Gold" 1424: 1410: 1387:The Human Gamble 1359:Rob (Bob) Wagner 1345: 1331: 1310: 1273: 1259:Westie Phillips 1210:The Human Gamble 1201: 1164: 1136:The Unattainable 1127: 1057: 1040:Beatrice Farley 970:Violetta Andree 880: 866:Hamilton Powers 791: 790: 786: 782: 778: 774: 767: 766: 749:and ending with 721: 718: 659:The Human Gamble 655:The Unattainable 540: 512:Clive Hirschhorn 501: 500: 496: 493: 466: 454: 432: 425: 398:Gretchen Lederer 330: 329: 153: 151: 57:Calder Johnstone 33: 21: 20: 4511: 4510: 4506: 4505: 4504: 4502: 4501: 4500: 4446:1916 lost films 4431: 4430: 4429: 4419: 4417: 4407: 4405: 4397: 4395: 4390: 4260:Her Soul's Song 4228:Doctor Neighbor 4119:The Ragged Earl 4041:The Two Cowards 3969:When Love Leads 3903:A New Beginning 3806: 3800: 3770: 3760: 3755: 3753: 3743: 3738: 3736: 3733: 3729:sister projects 3726:at Knowledge's 3694: 3680: 3675: 3666: 3664: 3662: 3638: 3636: 3634: 3615: 3613:Further reading 3602: 3600: 3598: 3577: 3563:How Movies Work 3554: 3531: 3507: 3505: 3503: 3485: 3480: 3479: 3466: 3464: 3456: 3455: 3451: 3437: 3435: 3433: 3417: 3413: 3403: 3401: 3393: 3389:Pierce, David. 3387: 3383: 3370: 3368: 3360: 3359: 3355: 3338: 3337: 3330: 3324:Hirschhorn 1983 3322: 3318: 3308: 3306: 3295: 3291: 3285:Hirschhorn 1983 3283: 3279: 3273:Hirschhorn 1983 3271: 3267: 3254: 3252: 3243: 3242: 3238: 3228: 3226: 3213: 3212: 3208: 3191: 3190: 3183: 3170: 3169: 3162: 3152: 3150: 3141: 3140: 3133: 3123: 3121: 3108: 3107: 3100: 3090: 3088: 3075: 3074: 3070: 3060: 3058: 3049: 3048: 3041: 3031: 3029: 3021: 3020: 3016: 3010:Hirschhorn 1983 3008: 3004: 2994: 2992: 2979: 2978: 2974: 2964: 2962: 2949: 2948: 2944: 2934: 2932: 2919: 2918: 2914: 2900: 2898: 2887: 2886: 2882: 2872: 2870: 2857: 2856: 2852: 2837: 2833: 2818: 2814: 2806: 2802: 2787: 2783: 2768: 2764: 2756: 2752: 2737: 2733: 2725: 2721: 2713: 2709: 2701: 2697: 2689: 2685: 2677: 2673: 2666: 2662: 2649: 2647: 2639: 2638: 2634: 2624: 2622: 2620: 2604: 2600: 2587: 2586: 2582: 2575: 2559: 2552: 2542: 2540: 2526: 2525: 2521: 2511: 2509: 2496: 2495: 2484: 2478:Hirschhorn 1983 2476: 2472: 2462: 2460: 2451: 2450: 2446: 2433: 2431: 2418: 2417: 2413: 2403: 2401: 2393: 2392: 2388: 2378: 2376: 2361: 2357: 2349: 2342: 2332: 2330: 2318: 2317: 2313: 2303: 2301: 2289: 2288: 2284: 2276: 2272: 2259: 2258: 2254: 2241: 2240: 2233: 2226:catalog.afi.com 2220: 2219: 2210: 2205: 2200: 2199: 2179: 2176:Martin Scorsese 2170: 2166: 2147: 2143: 2136: 2134: 2132: 2130: 2128: 2123: 2119: 2082: 2078: 2073: 2070: 2066: 2053: 2049: 2024: 2020: 2015: 2008: 2005: 1996: 1994: 1991: 1982: 1980: 1977: 1968: 1966: 1963: 1954: 1951: 1942: 1940: 1939:Jose and Carmen 1937: 1928: 1926: 1923: 1914: 1907: 1905: 1900: 1891: 1889: 1884: 1875: 1873: 1868: 1859: 1857: 1852: 1843: 1841: 1836: 1827: 1822: 1802: 1787: 1761: 1742: 1722: 1690: 1688: 1678: 1663: 1658: 1627:Mexican Kisses 1610: 1605: 1603:Post production 1596:A Yoke of Gold. 1555:Alternate title 1551: 1500: 1488: 1434: 1433: 1432: 1431: 1430: 1425: 1417: 1416: 1411: 1400: 1395: 1383:Her Soul's Song 1355: 1354: 1353: 1352: 1351: 1349: 1348:CalderJohnstone 1346: 1338: 1337: 1335: 1332: 1321: 1308: 1290:L. B. Carleton 1271: 1253:L. B. Carleton 1218:L. B. Carleton 1199: 1187:Charles Dalton 1181:L. B. Carleton 1162: 1150:Robert Goodman 1144:L. B. Carleton 1125: 1107:L. B. Carleton 1074:L. B. Carleton 1055: 1043:Walter Croyden 1037:L. B. Carleton 1002:L. B. Carleton 994:Her Soul's Song 967:L. B. Carleton 938:S Jackson Hunt 935:Virginia Payne 932:L. B. Carleton 897:L. B. Carleton 878: 860:L. B. Carleton 852:Doctor Neighbor 845: 840: 835: 828: 823: 818: 813: 808: 803: 798: 788: 784: 780: 776: 775: 719: 708: 706: 698: 681:The Third Alarm 633:Doctor Neighbor 593: 542: 535: 523: 503:feature films. 498: 494: 491: 489: 477: 476: 475: 473: 468: 467: 460: 455: 445: 444: 443: 442: 439: 434: 433: 426: 416: 411: 328: 238: 204:black and white 164: 157: 149: 147: 140: 125: 118: 116: 99: 39: 17: 12: 11: 5: 4509: 4499: 4498: 4493: 4488: 4483: 4478: 4473: 4468: 4463: 4458: 4453: 4448: 4443: 4428: 4427: 4415: 4392: 4391: 4389: 4388: 4382: 4376: 4370: 4364: 4361:Flash of a .45 4358: 4350: 4342: 4336: 4328: 4320: 4312: 4304: 4296: 4288: 4284:A Yoke of Gold 4280: 4272: 4264: 4256: 4248: 4240: 4232: 4224: 4216: 4208: 4202: 4196: 4190: 4184: 4178: 4172: 4166: 4160: 4157:The Flashlight 4154: 4148: 4142: 4136: 4130: 4122: 4116: 4110: 4107:The Investment 4104: 4098: 4092: 4086: 4080: 4074: 4071:Codes of Honor 4068: 4065:At His Expense 4062: 4056: 4050: 4044: 4038: 4032: 4026: 4020: 4014: 4008: 4002: 3996: 3990: 3984: 3978: 3972: 3966: 3960: 3954: 3948: 3942: 3936: 3930: 3924: 3918: 3915:Love and Tears 3912: 3906: 3900: 3892: 3884: 3876: 3868: 3860: 3852: 3844: 3836: 3832:Daddy's Double 3828: 3820: 3811: 3808: 3807: 3799: 3798: 3791: 3784: 3776: 3769: 3768: 3751: 3724:A Yoke of Gold 3722: 3720: 3719: 3712:A Yoke of Gold 3708: 3698:A Yoke of Gold 3692: 3685:A Yoke of Gold 3679: 3678:External links 3676: 3674: 3673: 3660: 3645: 3632: 3616: 3614: 3611: 3610: 3609: 3596: 3581: 3575: 3569:. p. 46. 3558: 3552: 3535: 3529: 3514: 3501: 3484: 3481: 3478: 3477: 3449: 3432:978-0786408368 3431: 3411: 3381: 3353: 3328: 3316: 3289: 3277: 3265: 3236: 3206: 3181: 3160: 3131: 3098: 3068: 3039: 3014: 3002: 2972: 2942: 2912: 2907:Newspapers.com 2880: 2850: 2848: 2831: 2829: 2812: 2810:, p. 238. 2800: 2798: 2781: 2779: 2762: 2760:, p. 349. 2750: 2748: 2731: 2729:, p. 215. 2719: 2717:, p. 518. 2707: 2705:, p. 206. 2695: 2693:, p. 213. 2683: 2681:, p. 120. 2671: 2660: 2632: 2618: 2598: 2580: 2573: 2550: 2519: 2482: 2470: 2444: 2411: 2386: 2355: 2340: 2311: 2282: 2270: 2252: 2231: 2207: 2206: 2204: 2201: 2198: 2197: 2195: 2194: 2191: 2188: 2173: 2164: 2160: 2159: 2156: 2153: 2141: 2139: 2138: 2117: 2115: 2114: 2113: 2109: 2108: 2104: 2103: 2099: 2098: 2094: 2093: 2089: 2088: 2076: 2064: 2047: 2017: 2016: 2014: 2011: 2010: 2009: 2006: 1999: 1997: 1992: 1985: 1983: 1978: 1971: 1969: 1967:confront Lopez 1964: 1957: 1955: 1952: 1945: 1943: 1938: 1931: 1929: 1924: 1917: 1913: 1910: 1909: 1908: 1903:Richard Morris 1901: 1894: 1892: 1885: 1878: 1876: 1869: 1862: 1860: 1853: 1846: 1844: 1837: 1830: 1826: 1823: 1821: 1818: 1801: 1798: 1786: 1783: 1721: 1718: 1715: 1711: 1684: 1677: 1674: 1671: 1662: 1659: 1657: 1654: 1646: 1645: 1642: 1639: 1636: 1633: 1630: 1628: 1624: 1622:A Yoke of Gold 1609: 1606: 1604: 1601: 1600: 1599: 1598: 1591: 1590: 1585: 1583: 1578: 1577: 1572: 1571: 1566: 1564: 1556: 1550: 1547: 1540: 1536: 1528: 1517: 1499: 1496: 1487: 1484: 1480:The Royal Road 1469: 1462: 1426: 1419: 1418: 1412: 1405: 1404: 1403: 1402: 1401: 1399: 1396: 1394: 1391: 1361:, was born In 1347: 1340: 1339: 1333: 1326: 1325: 1324: 1323: 1322: 1320: 1317: 1314: 1313: 1311: 1306: 1303: 1300: 1297: 1294: 1291: 1288: 1285: 1277: 1276: 1274: 1269: 1266: 1263: 1260: 1257: 1256:Martha Gorham 1254: 1251: 1248: 1240: 1239: 1237: 1234: 1231: 1228: 1225: 1222: 1219: 1216: 1213: 1205: 1204: 1202: 1197: 1194: 1191: 1188: 1185: 1182: 1179: 1176: 1168: 1167: 1165: 1160: 1157: 1154: 1151: 1148: 1145: 1142: 1139: 1131: 1130: 1128: 1123: 1120: 1117: 1114: 1111: 1108: 1105: 1102: 1100:A Yoke Of Gold 1096: 1095: 1093: 1090: 1087: 1084: 1081: 1078: 1075: 1072: 1069: 1061: 1060: 1058: 1053: 1050: 1047: 1044: 1041: 1038: 1035: 1032: 1024: 1023: 1021: 1018: 1015: 1012: 1009: 1006: 1005:Mary Salsbury 1003: 1000: 997: 989: 988: 986: 983: 980: 977: 974: 971: 968: 965: 962: 954: 953: 951: 948: 945: 942: 939: 936: 933: 930: 927: 919: 918: 916: 913: 910: 907: 904: 901: 898: 895: 892: 884: 883: 881: 876: 873: 870: 867: 864: 861: 858: 855: 847: 846: 843: 841: 838: 836: 831: 829: 826: 824: 821: 819: 816: 814: 812:Davenport role 811: 809: 806: 804: 801: 799: 796: 793: 792: 704: 697: 694: 693: 692: 673:Granny (1913). 669:Richard Morris 666: 641: 610: 592: 589: 566: 524: 522: 519: 517: 509: 483: 470: 469: 461: 456: 449: 448: 447: 446: 440: 436: 435: 427: 420: 419: 418: 417: 415: 414:Pre-production 412: 410: 407: 404: 403: 400: 394: 393: 390: 389:Frank Whitting 386: 385: 382: 381:Harold Skinner 378: 377: 374: 372:Richard Morris 368: 367: 364: 358: 357: 354: 348: 347: 344: 338: 337: 334: 327: 324: 255: 254:A Yoke of Gold 237: 234: 197:A Yoke of Gold 192: 191: 185: 181: 180: 177: 173: 172: 165: 162: 159: 158: 156: 155: 150:1916-August-14 143: 141: 138: 135: 134: 131: 130:Distributed by 127: 126: 121: 119: 114: 111: 110: 108:Roy H. Klaffki 105: 104:Cinematography 101: 100: 98: 97: 92: 86: 84: 80: 79: 73: 69: 68: 63: 59: 58: 55: 51: 50: 45: 41: 40: 34: 26: 25: 24:A Yoke of Gold 15: 9: 6: 4: 3: 2: 4508: 4497: 4494: 4492: 4489: 4487: 4484: 4482: 4479: 4477: 4474: 4472: 4469: 4467: 4464: 4462: 4459: 4457: 4454: 4452: 4449: 4447: 4444: 4442: 4439: 4438: 4436: 4426: 4425:United States 4416: 4414: 4404: 4403: 4400: 4386: 4383: 4380: 4377: 4374: 4373:The Mad Miner 4371: 4368: 4365: 4362: 4359: 4356: 4355: 4351: 4348: 4347: 4343: 4340: 4337: 4334: 4333: 4329: 4326: 4325: 4321: 4318: 4317: 4313: 4310: 4309: 4305: 4302: 4301: 4297: 4294: 4293: 4289: 4286: 4285: 4281: 4278: 4277: 4273: 4270: 4269: 4265: 4262: 4261: 4257: 4254: 4253: 4249: 4246: 4245: 4241: 4238: 4237: 4233: 4230: 4229: 4225: 4222: 4221: 4217: 4214: 4213: 4209: 4206: 4203: 4200: 4197: 4194: 4191: 4188: 4185: 4182: 4179: 4176: 4173: 4170: 4167: 4164: 4161: 4158: 4155: 4152: 4149: 4146: 4143: 4140: 4137: 4134: 4131: 4128: 4127: 4123: 4120: 4117: 4114: 4111: 4108: 4105: 4102: 4099: 4096: 4093: 4090: 4087: 4084: 4081: 4078: 4075: 4072: 4069: 4066: 4063: 4060: 4057: 4054: 4051: 4048: 4045: 4042: 4039: 4036: 4033: 4030: 4029:The Lost Note 4027: 4024: 4021: 4018: 4015: 4012: 4009: 4006: 4003: 4000: 3997: 3994: 3991: 3988: 3985: 3982: 3979: 3976: 3973: 3970: 3967: 3964: 3961: 3958: 3955: 3952: 3949: 3946: 3943: 3940: 3937: 3934: 3931: 3928: 3925: 3922: 3919: 3916: 3913: 3910: 3907: 3904: 3901: 3898: 3897: 3893: 3890: 3889: 3885: 3882: 3881: 3877: 3874: 3873: 3869: 3866: 3865: 3864:The Two Roses 3861: 3858: 3857: 3853: 3850: 3849: 3845: 3842: 3841: 3837: 3834: 3833: 3829: 3826: 3825: 3821: 3818: 3817: 3813: 3812: 3809: 3805: 3797: 3792: 3790: 3785: 3783: 3778: 3777: 3774: 3766:from Wikidata 3765: 3764: 3752: 3748: 3747: 3735: 3734: 3731: 3725: 3718: 3714: 3713: 3709: 3705: 3704:silentera.com 3701: 3699: 3693: 3691: 3687: 3686: 3682: 3681: 3663: 3657: 3653: 3652: 3646: 3635: 3629: 3625: 3624: 3618: 3617: 3599: 3593: 3589: 3588: 3582: 3578: 3576:9780520076969 3572: 3568: 3564: 3559: 3555: 3553:0-517-55001-6 3549: 3545: 3541: 3536: 3532: 3526: 3523:. McFarland. 3522: 3521: 3515: 3504: 3498: 3495:. McFarland. 3494: 3493: 3487: 3486: 3474: 3463: 3459: 3453: 3446: 3434: 3428: 3424: 3423: 3415: 3399: 3392: 3385: 3378: 3367: 3363: 3357: 3349: 3345: 3341: 3335: 3333: 3325: 3320: 3304: 3300: 3293: 3286: 3281: 3275:, p. 13. 3274: 3269: 3262: 3250: 3246: 3240: 3224: 3220: 3216: 3210: 3202: 3198: 3194: 3188: 3186: 3177: 3173: 3167: 3165: 3148: 3144: 3138: 3136: 3119: 3115: 3111: 3105: 3103: 3086: 3082: 3078: 3072: 3056: 3052: 3046: 3044: 3028: 3024: 3018: 3011: 3006: 2990: 2986: 2982: 2981:"Lubin Films" 2976: 2960: 2956: 2952: 2946: 2930: 2926: 2922: 2921:"Lubin Films" 2916: 2908: 2896: 2891: 2884: 2868: 2864: 2860: 2854: 2847: 2844: 2842: 2841: 2835: 2828: 2825: 2823: 2822: 2816: 2809: 2804: 2797: 2794: 2792: 2791: 2785: 2778: 2775: 2773: 2772: 2766: 2759: 2754: 2747: 2744: 2742: 2741: 2735: 2728: 2723: 2716: 2711: 2704: 2699: 2692: 2687: 2680: 2675: 2669: 2664: 2657: 2645: 2642: 2636: 2621: 2615: 2611: 2610: 2602: 2594: 2590: 2584: 2576: 2570: 2567:. McFarland. 2566: 2565: 2557: 2555: 2539: 2535: 2534: 2529: 2523: 2507: 2503: 2499: 2493: 2491: 2489: 2487: 2479: 2474: 2458: 2454: 2448: 2441: 2429: 2425: 2421: 2415: 2400: 2396: 2390: 2374: 2370: 2366: 2359: 2353:, p. 80. 2352: 2347: 2345: 2329: 2325: 2321: 2315: 2300: 2296: 2292: 2286: 2279: 2274: 2266: 2262: 2256: 2248: 2244: 2238: 2236: 2227: 2223: 2217: 2215: 2213: 2208: 2192: 2189: 2186: 2182: 2181: 2177: 2171: 2168: 2157: 2154: 2151: 2150: 2145: 2126: 2125: 2121: 2111: 2110: 2106: 2105: 2101: 2100: 2096: 2095: 2091: 2090: 2086: 2085: 2084: 2080: 2068: 2061: 2057: 2051: 2044: 2040: 2036: 2032: 2028: 2022: 2018: 2003: 1998: 1995:Emory Johnson 1989: 1984: 1975: 1970: 1961: 1956: 1949: 1944: 1935: 1930: 1921: 1916: 1915: 1904: 1898: 1893: 1888: 1882: 1877: 1872: 1866: 1861: 1856: 1850: 1845: 1840: 1839:Emory Johnson 1834: 1829: 1828: 1817: 1815: 1811: 1807: 1797: 1794: 1793: 1781: 1776: 1774: 1772: 1765: 1757: 1755: 1753: 1746: 1738: 1736: 1735: 1729: 1726: 1717: 1713: 1709: 1706: 1704: 1699: 1696: 1687: 1682: 1673: 1670:"Red Feather" 1669: 1666: 1653: 1651: 1643: 1640: 1637: 1634: 1631: 1626: 1625: 1623: 1620: 1619: 1618: 1615: 1597: 1594: 1592: 1588: 1586: 1581: 1579: 1575: 1573: 1569: 1567: 1562: 1560: 1559: 1558: 1554: 1549:Working title 1546: 1542: 1538: 1534: 1532: 1526: 1524: 1519: 1515: 1513: 1509: 1505: 1495: 1493: 1483: 1481: 1477: 1473: 1467: 1464: 1460: 1458: 1454: 1449: 1447: 1443: 1439: 1429: 1423: 1415: 1409: 1390: 1388: 1384: 1380: 1374: 1372: 1368: 1364: 1360: 1344: 1330: 1312: 1307: 1304: 1301: 1298: 1295: 1293:Beverly Hope 1292: 1289: 1286: 1284: 1283: 1279: 1278: 1275: 1270: 1268:1 of 5 reels 1267: 1264: 1261: 1258: 1255: 1252: 1249: 1247: 1246: 1242: 1241: 1238: 1235: 1232: 1229: 1226: 1224:Charles Hill 1223: 1220: 1217: 1214: 1212: 1211: 1207: 1206: 1203: 1198: 1195: 1192: 1189: 1186: 1183: 1180: 1177: 1175: 1174: 1170: 1169: 1166: 1161: 1159:1 of 5 reels 1158: 1155: 1152: 1149: 1146: 1143: 1140: 1138: 1137: 1133: 1132: 1129: 1124: 1121: 1118: 1115: 1112: 1109: 1106: 1103: 1101: 1098: 1097: 1094: 1091: 1088: 1085: 1082: 1079: 1076: 1073: 1070: 1068: 1067: 1063: 1062: 1059: 1054: 1051: 1048: 1045: 1042: 1039: 1036: 1033: 1031: 1030: 1026: 1025: 1022: 1019: 1016: 1013: 1010: 1008:Paul Chandos 1007: 1004: 1001: 998: 996: 995: 991: 990: 987: 984: 981: 978: 975: 972: 969: 966: 963: 961: 960: 956: 955: 952: 949: 946: 943: 940: 937: 934: 931: 928: 926: 925: 921: 920: 917: 914: 911: 908: 905: 903:Richard Otto 902: 899: 896: 893: 891: 890: 886: 885: 882: 877: 874: 871: 868: 865: 863:Hazel Rogers 862: 859: 856: 854: 853: 849: 848: 842: 837: 834: 830: 825: 820: 815: 810: 805: 800: 795: 794: 773: 768: 765: 763: 758: 756: 755:Emory Johnson 752: 748: 743: 741: 737: 733: 729: 725: 714: 702: 690: 686: 682: 678: 674: 670: 667: 664: 660: 656: 652: 649: 645: 642: 638: 634: 630: 626: 622: 618: 614: 613:Emory Johnson 611: 607: 602: 598: 595: 594: 588: 584: 582: 581:Santa Barbara 578: 574: 570: 564: 561: 559: 558:feature films 555: 551: 550:Emory Johnson 547: 541: 538: 532: 530: 518: 515: 513: 507: 504: 487: 486:Feature films 482:demographics. 480: 472: 465: 459: 453: 438: 431: 424: 402:Mrs. Mendoza 401: 399: 396: 395: 391: 388: 387: 383: 380: 379: 376:Padre Amador 375: 373: 370: 369: 365: 363: 360: 359: 355: 353: 352:Emory Johnson 350: 349: 345: 343: 340: 339: 335: 332: 331: 323: 320: 318: 312: 308: 305: 301: 297: 293: 289: 285: 283: 278: 276: 271: 269: 264: 262: 257: 253: 251: 247: 243: 233: 231: 226: 224: 220: 216: 215:Emory Johnson 212: 208: 205: 202: 198: 190: 186: 182: 179:United States 178: 174: 170: 166: 160: 145: 144: 142: 136: 132: 128: 124: 120: 112: 109: 106: 102: 96: 93: 91: 90:Emory Johnson 88: 87: 85: 81: 77: 74: 70: 67: 64: 60: 56: 54:Screenplay by 52: 49: 46: 42: 37: 32: 27: 22: 19: 4384: 4378: 4372: 4366: 4360: 4352: 4344: 4338: 4330: 4322: 4314: 4306: 4300:Black Friday 4298: 4290: 4283: 4282: 4274: 4266: 4258: 4250: 4242: 4234: 4226: 4218: 4210: 4204: 4198: 4192: 4186: 4180: 4174: 4168: 4162: 4156: 4150: 4144: 4138: 4132: 4124: 4118: 4112: 4106: 4101:The Impostor 4100: 4094: 4088: 4082: 4076: 4070: 4064: 4058: 4052: 4046: 4040: 4034: 4028: 4023:The Governor 4022: 4016: 4010: 4004: 3998: 3992: 3986: 3980: 3974: 3968: 3962: 3956: 3950: 3944: 3938: 3932: 3926: 3920: 3914: 3908: 3902: 3894: 3886: 3878: 3870: 3862: 3854: 3846: 3838: 3830: 3822: 3814: 3761: 3749:from Commons 3744: 3723: 3711: 3703: 3697: 3684: 3665:. Retrieved 3650: 3637:. Retrieved 3622: 3603:February 24, 3601:. Retrieved 3586: 3562: 3542:. New York: 3539: 3519: 3506:. Retrieved 3491: 3472: 3465:. Retrieved 3461: 3452: 3443: 3438:November 20, 3436:. Retrieved 3421: 3414: 3404:November 18, 3402:. Retrieved 3397: 3384: 3376: 3371:December 16, 3369:. Retrieved 3365: 3356: 3343: 3319: 3309:November 10, 3307:. Retrieved 3302: 3292: 3280: 3268: 3260: 3253:. Retrieved 3248: 3239: 3227:. Retrieved 3218: 3209: 3196: 3175: 3151:. Retrieved 3146: 3122:. Retrieved 3113: 3089:. Retrieved 3080: 3071: 3059:. Retrieved 3054: 3030:. Retrieved 3026: 3017: 3012:, p. 8. 3005: 2993:. Retrieved 2984: 2975: 2963:. Retrieved 2954: 2945: 2933:. Retrieved 2924: 2915: 2905:– via 2899:. Retrieved 2894: 2883: 2871:. Retrieved 2862: 2853: 2839: 2834: 2820: 2815: 2803: 2790:Black Friday 2789: 2784: 2770: 2765: 2753: 2739: 2734: 2722: 2710: 2698: 2686: 2674: 2663: 2655: 2650:February 19, 2648:. Retrieved 2643: 2635: 2625:February 28, 2623:. 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Index


Lloyd B. Carleton
Rob Wagner
Universal
Emory Johnson
Dorothy Davenport
Roy H. Klaffki
Universal
reels
intertitles
silent
black and white
melodrama
Dorothy Davenport
Emory Johnson
Rob Wagner
period piece
Universal
1834
1850
California
Robin Hood
San Gabriel Mission
Santa Barbara, California
the Santa Barbara Mission
Mission at Santa Barbara
Dorothy Davenport
Emory Johnson
Alfred Allen
Richard Morris

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