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dallying with a feature program. Some of these wise ones will tell you that business has picked up since they went into features, — BUT — ask them whether they are talking NET or GROSS. They will find they have an immediate appointment and terminate your queries unceremoniously. Funny how we like to kid ourselves, isn't it? The man who is packing 'em in and losing money on features is envied by his competitor, who is laying by a bit every day, and has a good steady, dependable patronage but admits to a few vacant seats at some performances. When this chap wakes up, he will realize that he has a gold mine and that good advertising will make it produce to capacity. The moral is that if you can tie up to the
Universal Program, DO IT. If you can't NOW, watch your first chance. Let the people know what you have, and let the feature man go on to ruin if he wants to. You should worry!
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646:(1866-1947) was 50 years old when he was selected to play Luis Lopez. Allen was highly educated, had a commanding presence and stood six feet, and weighed two hundred pounds. He got his start in the film industry at Universal city in 1913. He landed his first role in 1915. His roles were character parts, and he played mostly fathers, villains, or ranch owners. Alfred Allen appeared in 69 features from 1916 through 1929. After acting in
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had planned to keep all the gold for himself. Jose promises himself; he will not be complicit in robbing those who had befriended him. Before Luis retires for the evening, he stashed the gold he stole from
Mendoza under his pillow. Luis falls to sleep. Later in the evening, Jose sneaks into Lopez's room, takes the gold, and escapes into the darkness. Jose then secures a horse and heads for Don Ortega's home in Santa Barbara.
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1705:" film studios owned their own movie houses, enabling them to have guaranteed outlets for their entertainment products. Unlike the majors, Universal did not own any theaters or theater chains. Branding all Universal-produced feature films would give theater owners another tool to judge the films they were about to lease and help fans decide which movies they wanted to see.
270:. The gullible Jose falls under the spell of Luis's fiery rhetoric. Jose also becomes determined to find a way to help the less fortunate. Luis is sensing Jose's frustration, enlists Jose to assist him in pursuing his evil designs. Since they now share common goals, the two become fast friends. Luis and Jose start developing a plan to achieve their aims.
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knows Don
Mendoza has hidden bags of gold in a large chest. While stealing the gold, Mendoza's wife catches him in the act. Lopez attacks the woman, but the ensuing struggle wakes-up Don Mendoza. He rushes to his wife's aid and forces Lopez to flee. Lopez takes his gold and heads back to San Gabriel to meet up with Jose.
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The moving picture business is here to stay. That you must admit, despite carping critics and blundering sore-heads, true, some exhibitors have found business so good lately — but if you get down to facts when you look for a reason why, it's a 100 to 1 shot that they are, and for some time have been,
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plays a vital role in ensuring a movie's success by bringing paying customers to the theater. By providing details about plotlines, actors, release dates, and other key information, a successful marketing campaign boosts excitement among potential stakeholders. This knowledge empowered theater owners
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The movie gets its name from how the two main villains redeem themselves and leave their criminal past behind. As stated in the bible verse, their faith and deeds would be the basis for their judgment after they had moved on from their past crimes. The expectation was that the completed project would
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estimated the budget of this film at no more than US$ 3,000 (equivalent to $ 84,000 in 2023). They used this figure to explain the poor quality of the feature film. They also pointed out "...the big feature companies are to-day spending from US$ 5,000 (equivalent to $ 140,000 in 2023) to US$
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in
November 1916. After completing the last movie, Laemmle thought Johnson did not have the screen presence he wanted. He decided not to renew his contract. Johnson would make 17 movies in 1916, including eight shorts and 11 feature-length Dramas. 1916 would become the second-highest movie output of
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Jose arrives in San
Gabriel. Luis Lopez confronts him. Luis learns Jose had failed in his attempt to rob Ortega. Luis is beside himself with rage. Luis vows to steal Ortega's gold himself. In another starling turn, Jose learns, Lopez never intended to give the gold to the poor. From the start, Lopez
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As luck would have it, another party was traveling behind Jose and headed in the same direction. Castro
Arrellanes and his beautiful daughter – Carmen, are traveling to visit Castro's cousin. In a bit of irony, Castro's cousin is none other than Don Ortega. They come across the crucifix half-buried
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In 1917, the
Butterfly line, a grade between Red Feather and Bluebird, was introduced. During the following two years, half of Universal's feature film output was in the Red Feather and Butterfly categories. However, this was during a time when stars increasingly took the spotlight in advertising.
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Carmen enters the picture. She believes a caring heart is beneath Luis Lopez's wicked veneer. Carmen thinks Luis can be redeemed. She pleads with Luis to turn his life around. At Carmen's bidding, padre Amador has returned to Santa
Barbara. He joins Carmen in trying to convince Luis to forsake his
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Now we turn our focus to Luis Lopez. Luis arrived at the home of Don
Mendoza in the valley of the seven moons. He convinces Don Mendoza he has lost his way and requests lodging. The Mendozas take him in. After waiting for Mendoza and his wife to fall asleep, Lopez sneaks into the living room. He
631:. A major part of his plan was to create a movie couple that would sizzle on the silver screen. Laemmle thought Dorothy Davenport and Emory Johnson could create the chemistry he sought. Johnson and Davenport would complete 13 films together. They started with the successful feature production of
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Jose has a significant obstacle. Before he can rob Don Ortega, he must first cross a burning desert to reach Santa
Barbara. Jose starts a journey under the blistering sun. Soon, overcome with thirst, Jose stops for a drink of water. He discovers he has lost his canteen. Jose starts to search his
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times or from 342 films to 835. There was a recurring claim that Carl Laemmle was the longest-running studio chief resisting the production of feature films. Universal was not ready to downsize its short film business because short films were cheaper, faster, and more profitable to produce than
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Jose continues to recuperate in Don Ortega's home under Carmen's tender care. But during Jose's healing process, Jose falls in love with Carmen. Now a man in love, Jose renounces his plans to rob the rich and give to the poor. Recovered, Jose heads back home to confront Luis and tell him of his
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Melodrama films have plots appealing to the raised passions of the audience. They concentrate on family issues, direct their attention to a victim character, and develop the themes of duty and love. The melodramatic format shows the characters working through their struggles with persistence,
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The years between 1908 and 1917 witnessed what may have been the most significant transformation in American film history. During this "transitional era", widespread changes affected film form and film genres, filmmaking practices and industry structure, exhibition sites, and audience
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when the 21 year-old actress played Carmen. She had acted in hundreds of movies by the time she starred in this film. The majority of these films were 2-reel shorts, as was the norm in Hollywood's teen years. She had been making movies since 1910. She started dating
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in the sand. Later they discover the half-dead Jose. Jose is on the edge of death. Castro and Carmen decide to finish their journey and take Jose to Don Ortega's home to recover. After they arrive at Don Ortega's home, Carmen starts nursing Jose back to good health.
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when she was barely 16, and he was 20. They married in 1913. After her husband died in 1923, she used the name "Mrs. Wallace Reid" in the credits for any project she took part in. Besides being an actress, she would eventually become a film director, producer, and
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Both Jose and Luis ride hard and fast across the desert to Santa Barbara - the home of Don Ortega. Jose wins the race and arrives before Luis. He warns Ortega of the impending robbery, and then both men lay a trap for Lopez. They catch him in the act.
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Aided by some beautiful scenes and good photography, the picture leaves little to be desired from an artistic standpoint . . . With Emory Johnson and Dorothy Davenport in the roles of lovers and Alfred Allen as the bandit, the picture has been
277:. Luis will rob the wealthy Don Mendoza, who resides in "the valley of the seven moons". After the men have completed both break-ins, they will travel back to San Gabriel. They both swear to distribute all their ill-gotten gains to the poor.
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75 percent of all American silent films are gone, and 50 percent of all films made before 1950 are lost; such figures, as archivists admit in private, were thought up on the spur of the moment, without statistical information to back them
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The screenplay was created by Calder Johnstone (1880-1958), who began writing scenarios in 1914. This film was released when Johnstone was 36 years old and a member of the Universal writing staff. He had previously written scenarios for
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a section was devoted to proposing musical selections for specific Universal movies. The musical selections were "Specially Selected and Compiled by M. Winkler." Each reel of the movie had recommendations, as shown below:
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Universal formed a three-tier branding system for their feature films based on the size of their budget and status. In the book "The Universal Story," the author Clive Hirschhorn describes the feature movie branding as:
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to make smarter booking decisions in a competitive market. In addition to an advertising campaign for a movie, Carl Laemmle added another wrinkle to assist potential stakeholders in deciding to view or book a new film.
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Apart from altering the title and length, the movie transitioned from a moral story to a historical depiction, ultimately focusing on the clash between the wealthy California elite and those aiming to rob their wealth.
1373:. This story was based on one of those articles. During his career, Wagner would demonstrate his talents as an artist, magazine writer, screenwriter, and director. He was 44 years old when this film was released.
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is another term for a Working Title. Frequently, the working title turns into the release title. There were several titles for this film, but none were officially recognized as a working title.
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backpack and finds the crucifix that Padre Amador had concealed. He grabs the cross and throws it into the sand. Jose realizes his fate is sealed and lays down in the sand, waiting for death.
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In 1916, Laemmle ran an advertisement extolling Bluebird films while adding the following vocabulary on the top of the ad. Carl Laemmle released 91 feature-length films in 1916, as stated in
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were slowly becoming the standard fare for Hollywood producers. Before 1913, you could count the yearly features on two hands. Between 1915 and 1916, the number of feature movies rose
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There is a great deal of quiet beauty in these offerings and a strong moral purpose in the story. But these things do not compensate for the slow action and lack of dramatic strength
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Luis discovers what has happened. He vows to pursue the traitorous Jose and kill him. Even though Jose has a head start, Luis believes he can beat Luis to Don Ortega's home.
252:'s history, a vast economic gap existed. The elite kept accumulating more wealth, and those with little money declined further in position. The disadvantaged were under the
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2092:"Several of the old missions of California are used as settings for scenes in this, the story dealing with the effect of the mission fathers on desperate marauders."
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In 1916, Carleton directed 13 films pairing Dorothy Davenport and Emory Johnson. This film would be the eighth in the 13-film series. Carleton was given the task by
1385:, both released earlier in the year. After completing this film's scenario, he would write the story and adaptation for the October 1916 Universal production of
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284:. Since he happens to be San Gabriel visiting friends, the padre gives Jose his blessing. The priest also slips a crucifix into Jose's backpack for good luck.
1527:"The scenario entitled 'Not by Faith Alone' adopted from the Bob Wagner story of the same name is to be made into five reels instead of two as first planned."
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The story is weak, the direction fair at best, the acting "most ordinary", and the general characteristics, designate "The Yoke of Gold" as a puerile affair.
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In 1916, Universal became the first Hollywood studio to classify feature films based on production cost. One of the reasons behind this move was that the "
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film if it equals or exceeds a specified minimum running time and satisfies other defined criteria. The minimum time depends on the governing agency. The
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with a running time long enough to be considered the principal or sole presentation in a commercial entertainment program. A film can be distributed as a
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mentioned two missions. Director Lloyd B. Carleton chose these two missions for his picture. Several motion picture magazines sources verify the area of
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The branding tags seemly ignored that the ticket-buying audience attended movies to see their favorite stars, not the vehicle allowing them to perform.
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is home to both missions. In addition, the San Gabriel Mountains and the Mojave Desert served as the settings for other essential scenes in the movie.
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on August 2, 1872. In 1914, Wagner married a newspaperwoman who believed he could earn more money writing about the film industry than as a working
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A weak story is its main drawback, and this is the more noticeable because so many strong tales have been woven about the early days of California
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thought he saw great potential in Johnson, so he chooses him to be Universal's new leading man. Laemmle's hope was Johnson would become another
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sinful life and repent. Suddenly, Luis sees the light, heeds the call, and reforms his evil ways. Luis decides to become a monk. He enters the
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Luis Lopez is smarting under this aristocratic yoke. The fiery Luis wants to become the champion of the poor. Luis fancies himself as a local
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2087:"It is a story of the early mission days in southern California, and the scenes will be made on the exact locations described in the story."
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Laemmle would continue to buck this trend while slowly increasing his output of features. In 1914, Laemmle published an essay titled -
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was a fortuitous choice because it was only twenty miles from Hollywood. The mission was founded in 1771 and named in honor of the
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Film is history. With every foot of film lost, we lose a link to our culture, the world around us, each other, and ourselves.
575:. Universal planned to showcase a love story set in the early days of Spanish-controlled California. The Spanish missions of
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671:(1862-1924) was a 54 year-old actor when he played Padre Amador. He was a character actor and former opera singer known for
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acted in all 16 of these films. Of Carleton's total 1916 output, 11 were feature films, and the rest were two-reel shorts.
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his entire acting career. Emory acted in 25 films for Universal, mostly dramas with a sprinkling of comedies and westerns.
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This movie was initially planned as a two-reel morality play revolving around a central love theme. The film would feature
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defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits".
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615:(1894-1960) was 22 years old when he starred in this movie as Jose Garcia. In January 1916, Emory signed a contract with
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Thanhouser Company, Thanhouser Films: An Encyclopedia and History Version 2.1 by Q. David Bowers,Volume III: Biographies
2097:"This is a story of old California days, located in San Gabriel and Santa Barbara missions and the surrounding country."
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During the production of films, a project must have a way to be referenced. The project is given a working title. An
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The plan comes together. Jose will rob wealthy landowner Don Ortega portrayed by Frank Whitting. Don Ortega lives in
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only 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats;
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in the Fall of 1915. Carleton arrived with impeccable credentials, having directed some 60 films for the likes of
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Between March and December 1916, 44-year-old Lloyd Carleton directed 16 movies for Universal, starting with
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The copyright was filed with U.S. Copyright Office on June 17, 1916. and entered into the record as shown:
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Before Jose departs, he informs his devoted mother and Padre Amador of his plans. Padre Amador and leads
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2102:"Of old California days, located in San Gabriel and Santa Barbara missions and the surrounding country."
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movies were always released on Mondays. This film was officially released on Monday, August 14, 1916.
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The Universal Silents: A Filmography of the Universal Motion Picture Manufacturing Company, 1912-1929
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require films to have a minimum running time of forty minutes or longer. Other film agencies, e.g.,
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under Padre Amador's guidance. He will spend the rest of his days as a priest at the mission.
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2365:"Only Whoop Dee Do Songs. Bluebird Photoplays Light(en) Up the Cinema Ritrovato — Photogénie"
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560:. This film would become the eighth in the planned thirteen-film series featuring the pair.
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A report by Library of Congress film historian and archivist David Pierce estimates that:
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On March 15, 1915, Laemmle opened the world's largest motion picture production facility,
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11% survive only in full-length foreign versions or film formats of lesser image quality.
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The copyright was filed with U.S. Copyright Office and entered into the record as shown.
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The following snippets are trade journal entries suggesting the locations for filming:
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productions. The branding system had a brief existence and, by 1920, had faded away.
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2107:"Jose Gracia satisfied to live out his life in the drowsy peace of old San Gabriel."
1369:. Between 1915 and 1918, he wrote a series of articles on the film industry for the
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Many silent-era films did not survive for reasons as explained on this Knowledge
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Bibliographic Record Description: Performing Arts Databases, Library of Congress
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Bluebird Photoplays – mainstream feature release and more ambitious productions
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for this film started in April 1916. An item in the May 27, 1916 issue in the
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to determine if the Davenport-Johnson duo had the desired on-screen chemistry.
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263:. Luis claims he wants to rob the rich and redistribute wealth among the poor.
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Jewel – prestige motion pictures featuring high budgets using prominent actors
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The Universal Story - The Complete History of the Studio and its 2,641 films
3143:"Catalog of Copyright Entries Cumulative Series Motion Pictures 1912 - 1939"
2927:. New York, Chalmers Publishing Company. August 19, 1916. p. 1264:430.
1537:(Title is not a misprint) The exact date of the film's final name change to
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3. "Jovitta" Mexican Serenade until "When the sun rose, they started," etc.
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3400:. Council on Library and Information Resources and the Library of Congress
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In the book, "American Cinema's Transitional Era," the authors point out,
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The Moving Picture Boy: An International Encyclopaedia from 1895 to 1995
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Here we have the "Red Feather" stuff at what seems to be its lowest ebb
2987:. New York, Chalmers Publishing Company. August 5, 1916. p. 1043.
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In 1916, Universal produced 91 branded feature films, consisting of 44
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combine a moral message with an entertaining love story for moviegoers
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Jose Garcia is content to live out his life in the sleepy outskirts of
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American Cinema's Transitional Era: Audiences, Institutions, Practices
1494:. It is unclear if this movie filmed any interiors at Universal city.
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He would eventually participate in many Johnson projects, including |
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A Biographical Dictionary of Silent Film Western Actors and Actresses
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Nitrate Won't Wait: History of Film Preservation in the United States
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A Biographical Dictionary of Silent Film Western Actors and Actresses
2426:. New York, Chalmers Publishing Company. July 11, 1914. p. 185.
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2. "Lola" is a Mexican love song by Tobani until "The following day."
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3221:. New York, The Moving Picture Weekly. August 5, 1916. p. 480.
3178:. New York, Chalmers Publishing Company. August 5, 1916. p. 87.
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except for one immutable rule -the film's maximum running time. The
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The complete music recommendations for this film are located in the
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2957:. New York, The Moving Picture Weekly. July 26, 1919. p. 456.
2267:. New York, The Moving Picture Weekly. August 5, 1916. p. 457.
2112:"Jose is induced to travel from San Gabriel to Santa Barbara . . ."
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1. "Maximilian Overture" by Ascher until "After the simple repast."
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3083:. New York, Motion Picture News, Inc. June 3, 1916. p. 3391.
2865:. New York, Motion Picture News, Inc. June 3, 1916. p. 3391.
2504:. New York, Motion Picture News, Inc. May 27, 1916. p. 3243.
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552:. Previously, the Davenport-Johnson pairing had appeared in five
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One aspect of this transition was the longer duration of films.
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20,000 (equivalent to $ 560,000 in 2023) on a five-reeler.
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Movies have documented America for more than one hundred years
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Later, Jose and Carmen get married and live in wedded bliss.
3458:"A Yoke Of Gold / Lloyd B Carleton [motion picture]"
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3149:. Copyright Office * Library of Congress. 1951. p. 197
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was established in 1786 and is 120 miles from San Gabriel.
3590:. ACLS Humanities E-Book. University of California Press.
3116:. Electricity Magazine Corp. June 17, 1916. p. 1405.
1516:" 'Not by Faith Alone,' or 'In the Days of the Missions,'
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located in California. Rob Wagner's original story in the
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Universal Studios set this melodrama between the years of
2595:. Chicago, Exhibitors Herald. June 1, 1918. p. 1050.
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Peter Milne was more upbeat in his review. He observed:
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he would appear in four more Davenport-Johnson projects:
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Every Monday there is released a Red Feather Photo Play
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Robert Leicester Wagner (1872 - 1942), better known as
3251:. New York, Motion Picture News, Inc. October 14, 1916
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2054:" Short Film" - There are no defined parameters for a
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3199:. Electricity Magazine Corp. August 5, 1916. p.
3057:. Los Angeles, California. April 30, 1916. p. 48
2612:. McFarland, Incorporated, Publishers. pp. 4–5.
2459:. Motion Picture News, inc. May 6, 1916. p. 2704
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The Davenport–Johnson searching for chemistry in 1916
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Wallace Reid: The Life and Death of a Hollywood Idol
3215:"Music for the week of August 14 - "A Yoke of Gold""
3172:"The Yoke of Gold" - reviewed by Robert C. McElravy"
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Wallace Reid: The Life and Death of a Hollywood Idol
1756:Robert C. McElravy reviewed this movie and stated:
1514:referred to the film as a two-reel photoplay named
3391:"The Survival of American Silent Films: 1912-1929"
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2646:. Thanhouser Company Film Preservation. March 1994
225:set in the early days of the California missions.
2152:Red Feather Photoplays – low-budget feature films
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527:"You see that a person is justified by works and
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1587:Movie critics start referring to the film as -
1582:A YOKE OF GOLD; or, IN THE DAYS OF THE MISSIONS.
567:The film's story was adapted from an article by
2025:A "feature film" or "feature-length film" is a
2897:. Portsmouth, Ohio. October 6, 1916. p. 6
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3193:"The Yoke of Gold" - reviewed by Peter Milne"
1612:As part of Universal's in-house publication,
228:The movie was released on August 14, 1916 by
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2131:Credits: Director, Lloyd B. Carleton; story,
3023:"Universal Studios Lot | Universal Studios"
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2187:of original silent-era films have perished;
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209:directed by Lloyd B. Carleton and starring
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2890:"A Yoke of Gold at Arcana Theater Tonight"
2477:
2027:narrative film (motion picture or "movie")
1502:According to a news item published in the
462:
428:
29:
3647:
3583:
3166:
3164:
3137:
3135:
3045:
3043:
2350:
2277:
2135:© Universal Film Mfg. Co., Inc.; 17Jul16;
1728:The critics generally panned this movie.
3619:
3297:Stanca Mustea, Cristina (June 8, 2011).
3187:
3185:
3104:
3102:
2605:
2483:
2445:
2362:
2237:
2235:
2216:
2214:
2212:
2133:Bob Wagner; scenario, Calder Johnstone.
1679:
1655:
1461:"Godmother of the Pueblo of Los Angeles"
699:
691:(1923) until his untimely death in 1924.
599:(1895-1977) was an established star for
3626:. McFarland, Incorporated, Publishers.
3516:
3329:
2508:from the original on September 16, 2013
1731:In the September 16, 1916 issue of the
4433:
3161:
3132:
3040:
2991:from the original on September 3, 2014
2127:A YOKE OF GOLD; or, IN THE DAYS OF THE
1799:
563:Universal initially named this film –
3775:
3560:
3488:
3418:
3182:
3099:
2807:
2757:
2726:
2714:
2702:
2690:
2678:
2232:
2209:
1644:4. "Habanera" from "Carmen" by Bizet.
256:, i.e., the yoke of the aristocracy.
3728:
2931:from the original on August 19, 1916
2395:"Rule Nineteen: Short Film's Awards"
2129:MISSIONS. Red Feather. 1916. 5 reels
1812:, all known copies of this film are
625:Universal Film Manufacturing Company
617:Universal Film Manufacturing Company
16:1916 film directed by Lloyd Carleton
4481:Films directed by Lloyd B. Carleton
2430:from the original on August 9, 2011
1660:
1565:this film began as a two-reel film.
13:
3612:
3388:
3225:from the original on June 29, 2015
3120:from the original on June 17, 1916
3087:from the original on June 29, 2015
3077:"In and Out of West Coast Studios"
2961:from the original on June 29, 2015
2869:from the original on June 29, 2015
2859:"In and Out of West Coast Studios"
2498:"In and Out of West Coast Studios"
1602:
1459:. The mission earned the nickname
14:
4507:
3677:
2420:"Doom of long Features Predicted"
2074:Motion Picture News - May 6, 1916
1521:On June 3, 1916, a notice in the
413:
4418:
4406:
3754:
3737:
2178:, filmmaker, director NFPF Board
2000:
1986:
1972:
1958:
1946:
1932:
1918:
1895:
1879:
1863:
1847:
1831:
1725:sacrificial deeds, and courage.
1629:by Charles Roberts is the theme.
1548:
1420:
1406:
1341:
1327:
770:
508:Doom of long Features Predicted.
450:
421:
217:. Based on an original story by
3450:
3412:
3382:
3354:
3290:
3237:
3207:
3069:
3015:
2973:
2943:
2913:
2881:
2851:
2832:
2813:
2782:
2763:
2732:
2661:
2633:
2581:
2520:
2412:
2387:
2363:Brouwers, Anke (July 4, 2015).
2165:
2142:
2118:
2077:
2065:
2048:
4456:American black-and-white films
3567:University of California Press
3346:. September 16, 1916. p.
2561:E.J. Fleming (July 27, 2010).
2312:
2283:
2253:
2019:
1953:Carmen rests at Santa Barbara.
1912:Stills from the motion picture
1824:
1768:In the September issue of the
1749:In the September issue of the
1675:
1580:The Copyright application for
1570:"In the Days of the Missions."
1529:In the June 17, 1916 issue of
1438:religious outposts or missions
520:
1:
4461:American silent feature films
4367:Nine and Three-Fifths Seconds
4169:The Girl with the Red Feather
4145:In the Midst of African Wilds
3305:. German Historical Institute
2668:Knowledge Lloyd Carleton page
2202:
1784:
1318:
716:
408:
4496:English-language drama films
4486:1910s English-language films
4199:The White Light of Publicity
3957:The Surprise Party Surprised
3945:The Reformation of Kid Hogan
3584:Keil, C.; Stamp, S. (2004).
3462:www.loc.gov/film-and-videos/
3299:"Carl Laemmle (1867 - 1939)"
2846:AFI Catalog of Feature Films
2827:AFI Catalog of Feature Films
2796:AFI Catalog of Feature Films
2777:AFI Catalog of Feature Films
2746:AFI Catalog of Feature Films
2533:AFI Catalog of Feature Films
1649:
1485:
1397:
7:
4471:Silent American drama films
1789:The September issue of the
1576:"The Days of the Missions."
1535:"The Days of the Missions."
1497:
722:–1933) started working for
695:
635:in May 1916 and ended with
583:would serve as a backdrop.
10:
4512:
3856:She Wanted to Marry a Hero
3538:Hirschhorn, Clive (1983).
3482:
3303:Immigrant Entreprenuership
1819:
1719:
1614:The Moving Picture Weekly,
1466:The second choice was the
1392:
769:
590:
539:, English Standard Version
4466:Lost American drama films
4163:The Girl I Left Behind Me
4017:The Fiancee and the Fairy
3939:The Price of a Silver Fox
3810:
3245:"Red Feather Photo Plays"
3219:The Moving Picture Weekly
2955:The Moving Picture Weekly
2265:The Moving Picture Weekly
1941:receive Padre's blessing.
1568:The title was changed to
1472:Santa Barbara, California
1463:due to its significance.
282:the Santa Barbara Mission
275:Santa Barbara, California
183:
175:
161:
146:August 14, 1916
137:
129:
113:
103:
82:
71:
61:
53:
43:
28:
23:
4476:Universal Pictures films
4193:The Sacred Tiger of Agra
3888:Her Battle for Existence
3561:Kawin, Bruce F. (1987).
3425:. McFarland. p. 5.
3110:"The Photoplay Scenario"
3055:Los Angeles Sunday Times
2012:
1607:
1584:is submitted on July 17.
1504:Los Angeles Sunday Times
1476:mission at Santa Barbara
317:Mission at Santa Barbara
4133:Through Fire to Fortune
4089:Strength of Family Ties
3620:Katchmer, G.A. (2015).
3419:Slide, Anthony (2000).
3249:The Motion Picture News
2606:Katchmer, G.A. (2015).
2538:American Film Institute
2453:"The Universal Program"
2440:written by Carl Laemmle
2299:American Film Institute
2035:American Film Institute
1468:"Queen of the Missions"
325:
235:
4379:The Man Who Rode Alone
4205:Their Sinful Influence
4011:The Angel of the Slums
3963:Tricked Into Happiness
3648:Holmstrom, J. (1996).
3544:Crown Publishing Group
3517:Fleming, E.J. (2010).
2895:Portsmouth Daily Times
2328:British Film Institute
2039:British Film Institute
1925:The Mission background
1782:
1766:
1747:
1737:, the reviewer writes
1691:
1652:section of this page.
1593:Finally, we arrive at
1492:Universal City Studios
1453:mission of San Gabriel
1436:There are twenty-one
709:
685:The West~Bound Limited
677:In the Name of the Law
533:
248:. During this time in
4346:Beyond the Crossroads
4324:The Devil's Bondwoman
3362:"Preservation Basics"
3287:, pp. 13, 20–27.
3027:Universal Studios Lot
2351:Keil & Stamp 2004
2278:Keil & Stamp 2004
1777:
1758:
1739:
1686:Moving Picture Weekly
1683:
1656:Release and reception
1563:"Not by Faith Alone,"
1442:Saturday Evening Post
1428:Mission Santa Barbara
1371:Saturday Evening Post
1282:The Devil's Bondwoman
703:
637:The Devil's Bondwoman
573:Saturday Evening Post
565:"Not by Faith Alone."
525:
154: (Universal City)
36:Moving Picture Weekly
4491:1910s American films
4276:No. 16 Martin Street
4268:The Way of the World
4220:Two Men of Sandy Bar
4187:The Love of Loti San
4126:The Walls of Jericho
4059:A Leaf from the Past
3993:Longing for a Mother
3981:For His Child's Sake
3951:The Social Secretary
3933:The Good for Nothing
3921:Love Versus Strategy
3489:Braff, R.E. (1999).
3366:filmpreservation.org
3344:The New York Clipper
3176:Moving Picture World
2985:Moving Picture World
2925:Moving Picture World
2840:The Devilsbond Woman
2740:The Way of the World
2641:"CARLETON, Lloyd B."
2424:Moving Picture World
1752:Moving Picture World
1066:No. 16 Martin Street
1029:The Way of The World
516:The Universal Story.
441:Carl Laemmle in 1918
4354:The Flying Dutchman
4332:The Morals of Hilda
4316:Barriers of Society
4236:Her Husband's Faith
4077:His Brother's Blood
4035:The Special Officer
3999:Margaret's Painting
3987:Literature and Love
3975:Diamond Cut Diamond
3872:Cupid at the Circus
3816:She's Done it Again
3654:. Michael Russell.
3398:Library Of Congress
3197:Motion Picture News
3081:Motion Picture News
2863:Motion Picture News
2821:Barriers of Society
2589:"Plays and Players"
2528:"Dorothy Davenport"
2502:Motion Picture News
2457:Motion Picture News
2043:Screen Actors Guild
1810:Library of Congress
1808:. According to the
1800:Preservation status
1771:Motion Picture News
1589:"The Yoke of Gold."
1523:Motion Picture News
1512:Motion Picture News
1414:Mission San Gabriel
1245:Barriers of Society
889:Her Husband's Faith
751:The Morals of Hilda
663:Barriers of Society
474:Universal Logo 1915
268:San Gabriel Mission
199:is a 1916 American
4053:The Wiles of Cupid
3802:Films directed by
3546:. pp. 22–23.
3051:"Dorothy to Shine"
2644:www.thanhouser.org
1692:
1561:Originally titled
1448:for this project.
785:
781:
710:
529:not by faith alone
458:{{{annotations}}}
167:50–75 minutes (5
4394:
4393:
4385:The Young Sheriff
4181:The Jungle Lovers
4139:A Studio Escapade
4047:The Veil of Sleep
3927:Satin and Gingham
3896:The Winter's Tale
3880:The Best Man Wins
3840:A 29-Cent Robbery
3804:Lloyd B. Carleton
3661:978-0-85955-178-6
3633:978-1-4766-0905-8
3597:978-0-520-24027-8
3530:978-0-7864-8266-5
3502:978-0-7864-0287-8
3326:, pp. 20–23.
2619:978-1-4766-0905-8
2593:Exhibitors Herald
2574:978-0-7864-8266-5
2480:, pp. 22–23.
2375:on April 11, 2022
2007:Music Suggestions
1993:Dorothy Davenport
1855:Dorothy Davenport
1508:location shooting
1457:Archangel Gabriel
1446:location shooting
1363:Detroit, Michigan
1316:
1315:
1296:Mason Van Horton
1184:Elionor Rossitor
1080:Jacques Fournier
713:Lloyd B. Carleton
707:Lloyd B. Carleton
653:A Yoke of Gold,"
597:Dorothy Davenport
546:Dorothy Davenport
406:
405:
384:Castro Arellanes
346:Carmen Arellanes
342:Dorothy Davenport
300:change of heart.
211:Dorothy Davenport
194:
193:
95:Dorothy Davenport
48:Lloyd B. Carleton
4503:
4451:1916 drama films
4423:
4422:
4421:
4411:
4410:
4409:
4402:
4339:Mountain Madness
4308:The Human Gamble
4292:The Unattainable
4175:The Golden Spurs
4083:Michael Strogoff
3796:
3789:
3782:
3773:
3772:
3767:
3759:
3758:
3757:
3750:
3742:
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3409:
3407:
3405:
3395:
3386:
3380:
3379:
3374:
3372:
3358:
3352:
3351:
3340:"A YOKE OF GOLD"
3336:
3327:
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3211:
3205:
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3189:
3180:
3179:
3168:
3159:
3158:
3156:
3154:
3147:Internet Archive
3139:
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3013:
3007:
3001:
3000:
2998:
2996:
2977:
2971:
2970:
2968:
2966:
2951:"A Yoke of Gold"
2947:
2941:
2940:
2938:
2936:
2917:
2911:
2910:
2904:
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2892:
2885:
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2876:
2874:
2855:
2849:
2836:
2830:
2817:
2811:
2805:
2799:
2786:
2780:
2771:The Unattainable
2767:
2761:
2755:
2749:
2736:
2730:
2724:
2718:
2712:
2706:
2700:
2694:
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2435:
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2391:
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2384:
2382:
2380:
2371:. Archived from
2360:
2354:
2348:
2339:
2338:
2336:
2334:
2316:
2310:
2309:
2307:
2305:
2287:
2281:
2275:
2269:
2268:
2261:"A Yoke of Gold"
2257:
2251:
2250:
2243:"A Yoke of Gold"
2239:
2230:
2229:
2222:"A Yoke of Gold"
2218:
2196:
2169:
2163:
2146:
2140:
2122:
2116:
2081:
2075:
2069:
2063:
2052:
2046:
2023:
2004:
1990:
1979:Gretchen Lederer
1976:
1965:Mendoza and wife
1962:
1950:
1936:
1922:
1899:
1887:Gretchen Lederer
1883:
1867:
1851:
1835:
1792:New York Clipper
1763:
1744:
1734:New York Clipper
1661:Official release
1539:"A Yoke of Gold"
1424:
1410:
1387:The Human Gamble
1359:Rob (Bob) Wagner
1345:
1331:
1310:
1273:
1259:Westie Phillips
1210:The Human Gamble
1201:
1164:
1136:The Unattainable
1127:
1057:
1040:Beatrice Farley
970:Violetta Andree
880:
866:Hamilton Powers
791:
790:
786:
782:
778:
774:
767:
766:
749:and ending with
721:
718:
659:The Human Gamble
655:The Unattainable
540:
512:Clive Hirschhorn
501:
500:
496:
493:
466:
454:
432:
425:
398:Gretchen Lederer
330:
329:
153:
151:
57:Calder Johnstone
33:
21:
20:
4511:
4510:
4506:
4505:
4504:
4502:
4501:
4500:
4446:1916 lost films
4431:
4430:
4429:
4419:
4417:
4407:
4405:
4397:
4395:
4390:
4260:Her Soul's Song
4228:Doctor Neighbor
4119:The Ragged Earl
4041:The Two Cowards
3969:When Love Leads
3903:A New Beginning
3806:
3800:
3770:
3760:
3755:
3753:
3743:
3738:
3736:
3733:
3729:sister projects
3726:at Knowledge's
3694:
3680:
3675:
3666:
3664:
3662:
3638:
3636:
3634:
3615:
3613:Further reading
3602:
3600:
3598:
3577:
3563:How Movies Work
3554:
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3401:
3393:
3389:Pierce, David.
3387:
3383:
3370:
3368:
3360:
3359:
3355:
3338:
3337:
3330:
3324:Hirschhorn 1983
3322:
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3285:Hirschhorn 1983
3283:
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3273:Hirschhorn 1983
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3016:
3010:Hirschhorn 1983
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2484:
2478:Hirschhorn 1983
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2240:
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2226:catalog.afi.com
2220:
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2199:
2179:
2176:Martin Scorsese
2170:
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2015:
2008:
2005:
1996:
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1968:
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1939:Jose and Carmen
1937:
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1663:
1658:
1627:Mexican Kisses
1610:
1605:
1603:Post production
1596:A Yoke of Gold.
1555:Alternate title
1551:
1500:
1488:
1434:
1433:
1432:
1431:
1430:
1425:
1417:
1416:
1411:
1400:
1395:
1383:Her Soul's Song
1355:
1354:
1353:
1352:
1351:
1349:
1348:CalderJohnstone
1346:
1338:
1337:
1335:
1332:
1321:
1308:
1290:L. B. Carleton
1271:
1253:L. B. Carleton
1218:L. B. Carleton
1199:
1187:Charles Dalton
1181:L. B. Carleton
1162:
1150:Robert Goodman
1144:L. B. Carleton
1125:
1107:L. B. Carleton
1074:L. B. Carleton
1055:
1043:Walter Croyden
1037:L. B. Carleton
1002:L. B. Carleton
994:Her Soul's Song
967:L. B. Carleton
938:S Jackson Hunt
935:Virginia Payne
932:L. B. Carleton
897:L. B. Carleton
878:
860:L. B. Carleton
852:Doctor Neighbor
845:
840:
835:
828:
823:
818:
813:
808:
803:
798:
788:
784:
780:
776:
775:
719:
708:
706:
698:
681:The Third Alarm
633:Doctor Neighbor
593:
542:
535:
523:
503:feature films.
498:
494:
491:
489:
477:
476:
475:
473:
468:
467:
460:
455:
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238:
204:black and white
164:
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118:
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99:
39:
17:
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4361:Flash of a .45
4358:
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4284:A Yoke of Gold
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4224:
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4208:
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4157:The Flashlight
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4130:
4122:
4116:
4110:
4107:The Investment
4104:
4098:
4092:
4086:
4080:
4074:
4071:Codes of Honor
4068:
4065:At His Expense
4062:
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3724:A Yoke of Gold
3722:
3720:
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3712:A Yoke of Gold
3708:
3698:A Yoke of Gold
3692:
3685:A Yoke of Gold
3679:
3678:External links
3676:
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4029:The Lost Note
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3864:The Two Roses
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3766:from Wikidata
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3704:silentera.com
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3549:
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3523:. McFarland.
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3495:. McFarland.
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3018:
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3006:
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2982:
2981:"Lubin Films"
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2921:"Lubin Films"
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2567:. McFarland.
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2018:
2003:
1998:
1995:Emory Johnson
1989:
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1839:Emory Johnson
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1293:Beverly Hope
1292:
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1270:
1268:1 of 5 reels
1267:
1264:
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1224:Charles Hill
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1189:
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1177:
1175:
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1159:1 of 5 reels
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1008:Paul Chandos
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903:Richard Otto
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863:Hazel Rogers
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555:
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550:Emory Johnson
547:
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486:Feature films
482:demographics.
480:
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402:Mrs. Mendoza
401:
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376:Padre Amador
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3749:from Commons
3744:
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3697:
3684:
3665:. Retrieved
3650:
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3622:
3603:February 24,
3601:. Retrieved
3586:
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3542:. New York:
3539:
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3461:
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3438:November 20,
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3421:
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3404:November 18,
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3397:
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3371:December 16,
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3365:
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3309:November 10,
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3026:
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3012:, p. 8.
3005:
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2924:
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2905:– via
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2894:
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2862:
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2790:Black Friday
2789:
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2710:
2698:
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2650:February 19,
2648:. Retrieved
2643:
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2608:
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2531:
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2501:
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2439:
2434:February 25,
2432:. Retrieved
2423:
2414:
2404:November 25,
2402:. Retrieved
2389:
2379:November 19,
2377:. Retrieved
2373:the original
2368:
2358:
2333:November 24,
2331:. Retrieved
2323:
2314:
2304:November 23,
2302:. Retrieved
2294:
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2280:, p. 1.
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1981:Mrs. Mendoza
1871:Alfred Allen
1803:
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1541:is unknown.
1520:
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1450:
1435:
1375:
1356:
1280:
1243:
1221:Flavia Hill
1208:
1173:Black Friday
1171:
1147:Bessie Gale
1134:
1113:Jose Garcia
1099:
1064:
1027:
992:
973:2nd Husband
957:
922:
887:
850:
817:Johnson role
762:Carl Laemmle
759:
744:
724:Carl Laemmle
711:
672:
650:
644:Alfred Allen
629:Wallace Reed
621:Carl Laemmle
585:
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526:
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478:
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362:Alfred Allen
356:Jose Garcia
321:
313:
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294:
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286:
279:
272:
265:
258:
239:
227:
223:period piece
196:
195:
163:Running time
139:Release date
35:
18:
4252:Two Mothers
3909:His Mistake
3508:January 24,
2543:January 20,
2463:February 7,
2247:www.tcm.com
1927:of the film
1825:The Players
1780:well-acted.
1714:Red Feather
1695:Advertising
1676:Advertising
1379:Two Mothers
1309:Red Feather
1272:Red Feather
1200:Red Feather
1126:Red Feather
1056:Red Feather
959:Two Mothers
900:Mabel Otto
879:Red Feather
720: 1872
689:The Mailman
577:San Gabriel
554:short films
521:Development
366:Luis Lopez
189:intertitles
78:Red Feather
72:Produced by
44:Directed by
4441:1916 films
4435:Categories
4244:Heartaches
4151:Motherhood
3114:Motography
2808:Braff 1999
2758:Braff 1999
2727:Braff 1999
2715:Braff 1999
2703:Braff 1999
2691:Braff 1999
2679:Braff 1999
2324:bfi.org.uk
2203:References
2056:Short film
1785:Box office
1531:Motography
1334:Rob Wagner
1319:Screenplay
924:Heartaches
728:Thanhouser
648:Heartaches
606:Wally Reid
569:Rob Wagner
537:James 2:24
409:Production
261:Robin Hood
250:California
221:, it is a
219:Rob Wagner
115:Production
66:Rob Wagner
4212:The Yaqui
4113:The Price
4095:The Idler
3848:Jane Eyre
3467:April 14,
3229:April 14,
3153:April 14,
3124:April 15,
3091:April 15,
3061:April 15,
3032:March 28,
2995:April 18,
2965:April 18,
2935:April 18,
2901:April 18,
2873:April 15,
2512:April 15,
2291:"AFI-FAQ"
1710:Bluebirds
1668:In 1916,
1486:Interiors
1398:Exteriors
747:The Yaqui
683:(1922),
679:(1922),
601:Universal
514:'s book,
230:Universal
207:melodrama
133:Universal
123:Universal
76:Universal
3824:St. Elmo
3690:AllMovie
3667:April 4,
3639:April 4,
3255:March 4,
3223:Archived
3118:Archived
3085:Archived
2989:Archived
2959:Archived
2929:Archived
2867:Archived
2506:Archived
2428:Archived
2037:and the
1703:Big Five
1689:Movie Ad
1525:stated:
1498:Schedule
1302:Feature
1265:Feature
1236:Laemmle
1193:Feature
1163:Bluebird
1156:Feature
1119:Feature
1092:Laemmle
1049:Feature
1020:Laemmle
985:Laemmle
950:Laemmle
915:Laemmle
872:Feature
807:Director
802:Released
705:Director
696:Director
687:(1923),
556:and two
187:English
184:Language
83:Starring
62:Story by
4399:Portals
4005:Shadows
3483:Sources
2843:at the
2824:at the
2793:at the
2774:at the
2743:at the
2295:afi.com
2183:around
2031:feature
1820:Gallery
1762:. . . .
1720:Reviews
1712:and 47
1650:Gallery
1632:REEL I.
1474:. The
1393:Filming
1287:Nov-11
1250:Oct-10
1215:Oct-08
1178:Sep-18
1141:Sep-04
1110:Carmen
1104:Aug-14
1071:Jul-13
1034:Jul-03
999:Jun-15
964:Jun-01
929:May-18
894:May-11
609:writer.
591:Casting
571:in the
497:⁄
176:Country
148: (
117:company
4387:(1925)
4381:(1925)
4375:(1925)
4369:(1925)
4363:(1925)
4357:(1923)
4349:(1922)
4341:(1920)
4335:(1916)
4327:(1916)
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4135:(1914)
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3527:
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3429:
2616:
2571:
2137:LP8723
1367:artist
1299:Drama
1262:Drama
1230:Short
1227:Drama
1190:Drama
1153:Drama
1116:Drama
1086:Short
1083:Drama
1046:Drama
1014:Short
1011:Drama
979:Short
976:Drama
944:Short
941:Drama
909:Short
906:Drama
869:Drama
857:May-1
738:, and
392:Otega
333:Actor
201:silent
3746:Media
3394:(PDF)
2399:AMPAS
2369:Cinea
2320:"FAQ"
2013:Notes
1743:. . .
1608:Music
1451:The
1305:Lost
1233:Lost
1196:Lost
1122:Lost
1089:Lost
1077:Cleo
1052:Lost
1017:Lost
982:Lost
947:Lost
912:Lost
875:Lost
844:Notes
839:Brand
797:Title
740:Selig
732:Lubin
336:Role
169:reels
4413:Film
3763:Data
3717:IMDb
3669:2024
3656:ISBN
3641:2024
3628:ISBN
3605:2023
3592:ISBN
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3440:2021
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3257:2021
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2514:2024
2465:2021
2436:2023
2406:2022
2381:2022
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2306:2022
1906:1916
1890:1916
1874:1919
1858:1914
1842:1916
1814:lost
1806:page
1381:and
1350:1912
1336:1921
827:Time
822:Type
661:and
579:and
548:and
326:Cast
246:1850
244:and
242:1834
236:Plot
213:and
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