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264:, an author of theological pamphlets. He details arguments for the non-Shakespearean nature of the poem and lists numerous verbal parallels between the "Complaint" and the known works of Davies: – such as 'What brest so cold that is not warmed heare' and 'What heart's so cold that is not set on fire'. On this evidence it was omitted from the 2007
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Had
Vickers keyed in "spongy", "outwardly", and "physic"—trying the various possible original spellings and selecting instances of "physic" as a verb—he would have found that in the whole of LION , covering more than six centuries of English poetry, drama, and prose, four separate works contain all
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The poem begins with a description of a young woman weeping at the edge of a river, into which she throws torn-up letters, rings, and other tokens of love. An old man nearby approaches the woman and asks the reason for her sorrow. She responds by telling him of a former lover who pursued, seduced,
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Vickers was led to Davies by the number of words from the "Complaint" he found during a computer search of the invaluable LION archive; but any such investigation is bound to favour such a voluminous author against the less prolific or minimally preserved. In similar work on
Restoration poets, I
164:. This idea was not widely accepted, and attributions based on general aesthetic impressions of a poem have since become less common among literary scholars. "A Lover's Complaint" contains words and forms not found elsewhere in Shakespeare, including archaisms and Latinisms.
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for works that it was chronologically impossible for him to have written. The reasons were that, like Davies, he wrote a vast amount of verse and that his style had a chameleonlike quality that brought it close to the poetic mean of the
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It was not unusual for sonnets to be followed by longer poems. Late sixteenth-century readers developed a taste for them and would not have been surprised to find complaints at the end of sonnet collections. Samuel Daniel's
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and finally abandoned her. She recounts in detail the speech her lover gave to her which seduced her. She concludes her story by conceding that she would fall for the young man's false charms again:
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to the sonnets, with its narrative triangle of young woman, elderly man, and seductive suitor paralleling a similar triangle in the sonnets themselves.
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55:"A Lover’s Complaint" is an example of the female-voiced complaint, which is frequently appended to sonnet sequences. Other examples include
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Sharon-Zisser, Shirley & Whitworth, Stephen. "Generating
Dialogue on Shakespeare’s Lover’s Complaint". Sharon-Zisser, Shirley, editor.
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Few have questioned the authorship of the poem. Shakespeare's authorship was not questioned until the early 19th century, when
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Shirley Sharon-Zisser & Whitworth, Stephen. "Generating
Dialogue in Shakespeare's A Lover's Complaint",
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called the poem "beautiful", and suggested that
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One writer suggests that the author was an anonymous early
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written by
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Critical Essays on
Shakespeare's 'A Lover's Complaint': Suffering Ecstasy
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Critical Essays on
Shakespeare’s A Lover’s Complaint: Suffering Ecstasy
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John
Kerrigan, Motives of Woe: Shakespeare and Female Complaint (1991)
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Shakespeare, 'A Lover's Complaint', and John Davies of Hereford
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Marina Tarlinskajam "Who Did NOT Write A Lover's Complaint",
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review, has similar questions regarding Vickers' suggestion:
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suggested that the poem, and several plays, were written by
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The first known illustration to "A Lover's Complaint", from
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120:O, that false fire which in his cheek so glowed,
59:"Complaint to Rosamund", which follows Daniel's
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941:Performances
885:Second Folio
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235:Kenneth Muir
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79:(1594), and
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1625:WikiProject
1312:The Theatre
1298:Handwriting
1124:The Puritan
915:Characters
880:First Folio
848:Richard III
628:The Tempest
382:. pp. 1–4.
101:rhyme royal
1651:Love poems
1640:Categories
1549:Mary Arden
1533:(daughter)
1521:(daughter)
1397:Bardolatry
1307:King's Men
1249:Birthplace
936:Chronology
855:Henry VIII
782:Richard II
774:Edward III
684:Coriolanus
477:Full text.
319:References
136:Authorship
1579:John Hall
1569:(brother)
1557:(brother)
1489:(replica)
1429:Star Trek
1417:Memorials
1412:Influence
1402:Festivals
1344:Sexuality
1334:Portraits
1329:New Place
1181:Ur-Hamlet
1117:Mucedorus
1027:Apocrypha
767:King John
758:Histories
705:King Lear
668:Tragedies
564:Cymbeline
435:15, 2005.
292:Cymbeline
225:succeeds
223:Cassandra
158:Robertson
146:John Bell
1615:Category
1563:(sister)
1551:(mother)
1545:(father)
1057:Cardenio
946:Settings
894:See also
817:Henry VI
788:Henry IV
534:Comedies
343:. p. 343
311:Ned Ward
256:In 2007
71:(1593),
63:(1592),
1407:Gardens
1283:Editors
1086:Locrine
1079:Fair Em
911:Henriad
810:Henry V
719:Othello
712:Macbeth
288:Macbeth
229:(1595).
215:Phillis
162:Chapman
154:Hazlitt
97:stanzas
69:Phillis
1604:† Lost
1515:(wife)
1506:Family
1379:Legacy
951:Scenes
691:Hamlet
378:
339:
31:, 1609
1527:(son)
1369:Grave
1359:Style
1324:Music
1241:works
1206:Poems
1035:Plays
973:Poems
525:Plays
355:ed.,
314:time.
207:Delia
61:Delia
38:is a
1364:Will
1239:and
1236:Life
376:ISBN
337:ISBN
241:and
194:coda
178:and
924:L–Z
919:A–K
467:at
266:RSC
188:in
1642::
1598:✻
1060:✻†
387:^
290:,
286:,
245:.
237:,
109:.
87:.
52:.
1305:/
1184:†
1155:✻
1104:†
858:✻
839:3
832:2
827:✻
824:1
801:2
794:1
777:✻
652:✻
616:✻
509:e
502:t
495:v
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