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have both accused Sugar Hill of retaliating through scare tactics, including hiring someone to scare 99's customers with a machete. Tolkin stated that
Bahlman refused to visit the store for a year and a half and alleged that Bahlman had received threats regularly. Franklyn has dismissed these
252:
accounts as "complete exaggeration". Sugar Hill was ordered to pay $ 660,000 but instead declared bankruptcy shortly after. Bahlman shut down 99, in part because of the case's legal costs. In early 1986, Bahlman sold off 99's inventory and went into seclusion.
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approached
Bahlman to see if he would be interested in starting a label and releasing a record by Branca. Bahlman knew little about recording, pressing, and distributing records, but Branca had some experience with Theoretical Records. Bahlman agreed and made
226:, and 99's roster was reduced to ESG and Liquid Liquid. Bahlman stated that over a hundred acts had asked about releasing music through 99 but that growing too fast would damage the label's "sense of identity." 99 had only one release the following year.
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described the store as "a milieu... a very creative atmosphere." Ed recruited his brother Bill
Bahlman to work at 99. Bill was a in-house DJ in many NYC clubs, including Hurrah, Danceteria, The Anvil.
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Since its demise, the reputation of the label and that of its groups has steadily grown. Branca rose to prominence as a composer during the 1980s, and with new popularity in
207:, Important, and Sky Disk. In 1980 and 1981 the label released several records for local bands, some of which had crossover success in dance clubs. Bush Tetras and
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156:, who sold independent singles out of the store. During trips to England, he and Franklyn brought back suitcases of music, particularly from
268:, labelmates ESG and Liquid Liquid re-formed and have been featured guests at international music festivals. Bahlman has declined to give
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In 1981 the relationship between
Bahlman and Branca became strained, especially after Bahlman's refusal to sign a fledgling
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the first release by 99 Records. The label distributed primarily through its own store but also through
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named 99 as one of his favorite labels, and it has been a major influence on his bass technique with
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to 99's artists. As a result, some bands have gone through
British labels to reissue their work.
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for the similarities between the two tracks. 99 employee Terry Tolkin and Liquid Liquid member
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British designer Gina
Franklyn sold British fashions out of her shop 99, located at 99
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appeared on the disco charts, and 99 had its most successful releases with ESG and
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Kozak, Roman (January 23, 1982). "New Music Labels
Adjusting to Marketing".
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120:, active from 1980 to 1984. The label was home to musicians in the
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527:"Something Like A Phenomenon: The complete 99 Records story"
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Creative
License: The Law and Culture of Digital Sampling
237:", which used elements of "Cavern" from Liquid Liquid's
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Spear, Justin (September 2006). "Punk-Funk-Adelic".
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99-11EP7 7" (1981) Liquid Liquid – "Bellhead"/"Push"
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Extensive history of 99 Records available for order
295:. The label has been cited as a major influence of
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184:member Dee Pop called "real Bob Dylan territory".
503:
874:
275:During the 2000s, 99's arrangements guided the
868:Audio of almost the entire 99 Records catalog
816:Punk 45: Original Punk Rock Singles Cover Art
556:"Music to Go: A Guide to Disk and Tape Shops"
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893:Record labels based in New York (state)
698:"Liquid Liquid Haven't Lost Their Edge"
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222:. Branca went to start his own label
903:Record labels disestablished in 1984
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279:community in New York, particularly
433:ESG Says Dance to the Beat of Moody
13:
883:American independent record labels
677:McLeod and DiCola 2011, pp. 111–3.
410:99-001LP LP (1981) Glenn Branca –
160:. They focused on independent and
14:
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898:Record labels established in 1980
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453:99-13 12" (1985) Liquid Liquid –
437:99-11 12" (1983) Liquid Liquid –
404:99-09 12" (1981) Liquid Liquid –
164:, becoming a successful rival to
16:American independent record label
844:99 Records Facebook tribute page
814:; Baker, Stuart (October 2013).
643:"The Year of the Rolling Stones"
30:
717:
689:
686:McLeod and DiCola 2011, p. 113.
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235:White Lines (Don't Don't Do It)
172:. They also had a selection of
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604:Savage and Baker 2013, p. 213.
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1:
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696:Gale, Ezra (March 23, 2011).
525:Ross, Tim (March 13, 2015).
484:Rubin, Mike (May 20, 2013).
7:
10:
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789:Rip It Up and Start Again
445:99-003LP LP (1983) ESG –
136:scenes in New York City.
100:
92:
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63:
53:
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29:
24:
766:; DiCola, Peter (2011).
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397:(licensed from UK label
118:independent record label
431:99-10 12" (1982) ESG –
668:Reynolds 2006, p. 271.
554:(September 21, 1984).
490:Red Bull Music Academy
486:"The 99 Records Story"
776:Duke University Press
641:(December 27, 1981).
420:Singers & Players
231:Grandmaster Melle Mel
256:Aftermath and legacy
418:99-002LP LP (1981)
406:Successive Reflexes
328:– "Too Many Creeps"
152:. She began dating
858:99 Records history
725:Frere-Jones, Sasha
648:The New York Times
561:The New York Times
448:Come Away with ESG
245:Sugar Hill Records
829:978-0-9572600-0-9
820:Soul Jazz Records
703:The Village Voice
531:The Vinyl Factory
389:99-08 12" (1981)
377:99-07 12" (1981)
363:99-06 12" (1981)
353:99-05 12" (1981)
341:99-04 12" (1981)
312:99-01 12" (1980)
270:master recordings
150:Greenwich Village
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105:Greenwich Village
93:Country of origin
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727:(May 10, 2010).
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148:in New York's
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729:"Let's Dance"
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566:. Retrieved
564:. p. C1
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552:Pareles, Jon
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534:. Retrieved
493:. Retrieved
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424:War of Words
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373:At the Feast
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346:
337:Off the Hook
336:
319:Lesson No. 1
317:
314:Glenn Branca
289:James Murphy
274:
259:
243:EP. 99 sued
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228:
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200:Lesson No. 1
198:
194:Glenn Branca
191:
170:West Village
143:
113:
112:
19:Record label
812:Savage, Jon
455:Dig We Must
391:Maximum Joy
326:Bush Tetras
307:Discography
301:Futureheads
287:. Musician
285:DFA Records
277:dance music
220:Sonic Youth
182:Bush Tetras
158:Rough Trade
134:avant-garde
877:Categories
849:99 Records
757:References
365:The Congos
281:dance-punk
266:post-disco
233:released "
162:punk music
154:Ed Bahlman
130:post-disco
114:99 Records
107:, New York
58:Ed Bahlman
25:99 Records
617:Billboard
399:Y Records
262:post-punk
192:Musician
126:post-punk
83:Post-punk
786:(2006).
745:June 16,
709:June 14,
654:June 14,
624:(3): 91.
568:June 14,
536:June 14,
495:June 14,
229:In 1983
101:Location
853:Discogs
395:Stretch
333:Y Pants
168:in the
140:History
122:no wave
87:no wave
69: (
64:Defunct
54:Founder
44: (
39:Founded
826:
800:
594:(154).
440:Optimo
283:label
240:Optimo
178:reggae
132:, and
461:Notes
79:Genre
824:ISBN
798:ISBN
747:2015
741:(12)
711:2015
656:2015
591:Mojo
570:2015
538:2015
497:2015
371:) –
299:and
264:and
176:and
174:funk
96:U.S.
71:1986
67:1986
46:1980
42:1980
348:ESG
343:ESG
209:ESG
205:Jem
879::
818:.
796:.
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739:86
737:.
731:.
700:.
645:.
630:^
622:94
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578:^
558:.
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468:^
422:–
393:–
381:–
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367:(
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48:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
