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protagonist is unsympathetic because he is incapable of love. Broken, Guido calls off the film, but the producer and the film's staff announce a press conference. Guido attempts to escape from the journalists and eventually imagines shooting himself in the head. Guido realizes he was attempting to solve his personal confusion by creating a film to help others, when instead he needs to accept his life for what it is. He asks Luisa for her assistance in doing so. Carla tells him that she figured out what he was trying to say: that Guido cannot do without the people in his life. The men and women hold hands and walk briskly around the circle with Guido and Luisa joining them last.
2196:? We all wondered. How would he top himself? Would he even want to top himself? Would he shift gears? Finally, he did something that no one could have anticipated at the time. He took his own artistic and life situation—that of a filmmaker who had eight and a half films to his name (episodes for two omnibus films and a shared credit with Alberto Lattuada on Variety Lights counted for him as one and a half films, plus seven), achieved international renown with his last feature and felt enormous pressure when the time came for a follow-up—and he built a movie around it.
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for being sent to live upstairs in the house when they turn 30, and "Jacquilene Bonbon" does her last dance. The Guido's Harem scene is immediately followed by the "Screen Test" depicting the same actors in a theater, each taking the stage for a screen test, being chosen to act for the very scene the audience just watched. This mirror of mirrors is further emphasized at the end where the director Guido sits at the table of the press conference, where the entire table is a mirror reflecting the director in it.
850:, Fellini put aside the letter and went on the set. Raising a toast to the crew, he "felt overwhelmed by shame... I was in a no exit situation. I was a director who wanted to make a film he no longer remembers. And lo and behold, at that very moment everything fell into place. I got straight to the heart of the film. I would narrate everything that had been happening to me. I would make a film telling the story of a director who no longer knows what film he wanted to make".
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pure and honest, but he is struggling with something honest to say. Carla surprises Guido, Luisa, and
Rosella outside the hotel, and Guido claims that he and Carla ended their affair years earlier. Luisa and Rosella call him on the lie, and Guido slips into a fantasy world where he lords over a harem of women from his life, but a rejected showgirl starts a rebellion. The fantasy women attack Guido with harsh truths about himself and his sex life.
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1206:, and we have the impression that Fellini has read and contemplated this book. The film is introverted, a sort of private monologue interspersed with glimpses of reality .... Fellini's dreams are always surprising and, in a figurative sense, original, but his memories are pervaded by a deeper, more delicate sentiment. This is why the two episodes concerning the hero's childhood at the old country house in
1223:, Giovanni Grazzini underlined that "the beauty of the film lies in its 'confusion'... a mixture of error and truth, reality and dream, stylistic and human values, and in the complete harmony between Fellini's cinematographic language and Guido's rambling imagination. It is impossible to distinguish Fellini from his fictional director and so Fellini's faults coincide with Guido's spiritual doubts. The
846:, among key personnel. But apart from naming his hero Guido Anselmi, he still could not decide what his character did for a living. The crisis came to a head in April when, sitting in his Cinecittà office, he began a letter to Rizzoli confessing he had "lost his film" and had to abandon the project. Interrupted by the chief machinist requesting he celebrate the launch of
877:("Remember that this is a comic film"). Perplexed by the seemingly chaotic, incessant improvisation on the set, Deena Boyer, the director's American press officer at the time, asked for a rationale. Fellini told her that he hoped to convey the three levels "on which our minds live: the past, the present, and the conditional - the realm of fantasy".
907:. Lost in thought, Guido looks up to see all the characters of his film smiling ambiguously at him as the train enters a tunnel. Fellini then shot an alternative ending set around the spaceship on the beach at dusk but with the intention of using the scenes as a trailer for promotional purposes only. In the 2002 documentary
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together in happiness, and the imposition of each upon the other, they will not be as pleased as if they had attended the exposition of an international scandal". Audiences, however, loved it to such an extent that a company attempted to obtain the rights to mass-produce Guido
Anselmi's black director's hat.
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has always been a touchstone for me, in so many ways—the freedom, the sense of invention, the underlying rigor and the deep core of longing, the bewitching, physical pull of the camera movements and the compositions...But it also offers an uncanny portrait of being the artist of the moment, trying to
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Guido admits to a cardinal that he is not happy. The cardinal offers little insight. Guido invites his estranged wife Luisa and her friends to join him. They dance, but Guido abandons her for his production crew. Guido confesses to his wife's best friend
Rosella that he wanted to make a film that was
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insisted the film was "like a brilliant improvisation ... The film became the most difficult feat the director ever tried to pull off. It is like a series of acrobats that a tightrope walker tries to execute high above the crowd, ... always on the verge of falling and being smashed on the
791:
The film is unusual in that it is a film about making a film, and the film that is being made is the film that the audience is viewing. An example is the dream sequence of "Guido's Harem" where Guido is bathed and carried in white linen by all the women from the film, only to have the women protest
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over and over again, and my appreciation only deepens. It does what is almost impossible: Fellini is a magician who discusses, reveals, explains and deconstructs his tricks, while still fooling us with them. He claims he doesn't know what he wants or how to achieve it, and the film proves he knows
460:
references, he has lost interest amidst artistic and marital difficulties. While attempting to recover from his anxieties at a luxurious spa, Guido hires a well-known critic to review his ideas for his film, but the critic blasts them. Guido has recurring visions of an Ideal Woman, whom he sees as
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In an
October 1960 letter to his colleague Brunello Rondi, Fellini first outlined his film ideas about a man suffering from a creative block: "Well then—a guy (a writer? any kind of professional man? a theatrical producer?) has to interrupt the usual rhythm of his life for two weeks because of a
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When Luisa sees how bitterly Guido represents her in the film, she declares that their marriage is over. Guido's Ideal Woman arrives in the form of an actress named
Claudia. Guido explains that his film is about a burned-out man who finds salvation in this Ideal Woman. Claudia concludes that the
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had three years earlier: "This is a subtler, more imaginative, less sensational piece of work. There will be more people here who consider it confused and confusing. And when they do understand what it is about – the simultaneous creation of a work of art, a philosophy of living
1292:, leaving aside for the moment all prejudice and reserve, is prodigious. Fantastic liberality, a total absence of precaution and hypocrisy, absolute dispassionate sincerity, artistic and financial courage these are the characteristics of this incredible undertaking". The film ranked 10th on
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is about the struggles involved in the creative process, both technical and personal, and the problems artists face when expected to deliver something personal and profound with intense public scrutiny, on a constricted schedule, while simultaneously having to deal with their own personal
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as "a piece of entertainment that will really make you sit up straight and think, a movie endowed with the challenge of a fascinating intellectual game ... If Mr. Fellini has not produced another masterpiece – another all-powerful exposure of Italy's ironic sweet
812:
not-too-serious disease. It's a warning bell: something is blocking up his system." Unclear about the script, its title, and his protagonist's profession, he scouted locations throughout Italy "looking for the film" in the hope of resolving his confusion. Flaiano suggested
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between art and life is amazing. It will be difficult to repeat this achievement. Fellini's genius shines in everything here, as it has rarely shone in the movies. There isn't a set, a character or a situation that doesn't have a precise meaning on the great stage that is
2638: – critical reflections on questions of the novel are always interlaced in both an implicit and explicit way with reflections on cinema. In particular, it seems to me that your affinity with Fellini is especially significant: for example, your review of
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described the film's protagonist, Guido
Anselmi, as "obsessed by eroticism, a sadist, a masochist, a self-mythologizer, an adulterer, a clown, a liar and a cheat. He's afraid of life and wants to return to his mother's womb ... In some respects, he resembles
887:
of 1.85:1. As with most
Italian films of this period, the sound was entirely dubbed in afterwards; following a technique dear to Fellini, many lines of the dialogue were written only during post production, while the actors on the set mouthed random lines.
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has an approval rating of 97% based on 61 reviews, with an average score of 8.5/10. The site's critical consensus reads: "Inventive, thought-provoking, and funny, 8 1/2 represents the arguable peak of
Federico Fellini's many towering feats of cinema." On
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tune out all the pressure and the criticism and the adulation and the requests and the advice, and find the space and the calm to simply listen to oneself. The picture has inspired many movies over the years (including
2646:. A: Reading Musil, we discovered parallels and similar procedures. But without being able to establish, either then or today, how much there was of Flaiano and how much, on the other hand, was of own intuition.
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key to his story. His mistress Carla comes to visit him, but Guido puts her in a separate hotel. The film production crew relocates to Guido's hotel in an unsuccessful attempt to get him to work on the film.
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relationships. It is, in a larger sense, about the search for meaning within a difficult, fragmented life. Like several
Italian films of the period (most evident in the films of Fellini's contemporary,
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critics' and directors' polls of the top 10 films ever made. The film ranked 4th and 5th on critics' poll in 1972 and 1982 respectively. It ranked 2nd on the magazine's 1992 and 2002
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critics' poll and 4th by directors. It is listed on the
Vatican's compilation of the 45 best films made before 1995, the 100th anniversary of cinema. The film ranked 7th in
1327:. Crist "didn't think the film touched the heart or moved the spirit". Kael derided the film as a "structural disaster" while Simon considered it "a disheartening fiasco".
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1269:. It has aged twenty years of the avant-garde in one fell swoop because it both integrates and surpasses all the discoveries of experimental cinema". Pierre Kast of
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to "almost universal acclaim but no prize was awarded because it was shown outside the competition. Cannes rules demanded exclusivity in competition entries, and
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wrote that "despite the efforts of several other filmmakers to make their own versions of the same story, it remains the definitive film about director's block".
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was voted the best foreign (i.e. non-Swedish) sound film with 21 votes in a 1964 poll of 50 Swedish film professionals organized by Swedish film magazine
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interpreted the film as "a kind of review and summary of Fellini's picture-making" but doubted that it would appeal as directly to the American public as
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Giving the order to start production in spring 1962, Fellini signed deals with his producer Rizzoli, fixed dates, had sets constructed, cast Mastroianni,
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received widespread acclaim, with reviewers hailing Fellini as "a genius possessed of a magic touch, a prodigious style". Italian novelist and critic
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ground. But at just the right moment, the acrobat knows how to perform the right somersault: with a push he straightens up, saves himself and wins".
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In September 1962, Fellini shot the end of the film as initially written: Guido and his wife sit together in the restaurant car of a train bound for
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John Simon considered the film's originality was compromised "because the 'dance of life' at the end was suggested by Bergman's dance of death in
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2256:) is based on the film, underscoring Guido's obsession with women by making him the only male character. The original production, directed by
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life – he has made a stimulating contemplation of what might be called, with equal irony, a sweet guy". Archer Winsten of the
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747:(1962). The title is in keeping with Fellini's self-reflexive theme: by his count it was his eighth-and-a-half film. The working title for
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2213:), and we’ve seen the dilemma of Guido, the hero played by Marcello Mastroianni, repeated many times over in reality—look at the life of
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was already earmarked as Italy's official entry in the later Moscow festival". Presented on 18 July 1963 to an audience of 8,000 in the
436:, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978". It is considered to be one of the
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for an upbeat ending. Fellini accepted the advice, using the alternative beach sequence as a more harmonious and exuberant finale.
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347:), a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film.
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1502:, the film has a weighted average score of 93 out of 100 based on 23 critic's reviews, indicating "universal acclaim".
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1450:. It was slightly lower in the 2012 directors' poll, 4th and 10th on the 2012 critics' poll. The film was included in
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critics André Bouissy and Raymond Borde argued that the film "has the importance, magnitude, and technical mastery of
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ranked the film at number 112 in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics.
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list in 2005. The film was voted at No. 46 on the list of "100 Greatest Films" by the prominent French magazine
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3666:. Ed. Giovanni Grazzini. Trans. Joseph Henry. Fresno: The Press of California State University at Fresno, 1988.
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asked 279 Polish film professionals (filmmakers, critics, and professors) to vote for the best films in 2015.
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composed various circus marches and fanfares that would later become signature tunes of the maestro's cinema.
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was allowed to dub her own dialogue; previously her voice was thought to be too throaty and, coupled with her
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2634:, Volume 1, 2003. Q: In some of your texts written during the 60 – I'm thinking above all of
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title referring principally (but not exclusively) to the number of films he had directed up to that time.
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2759:"The suicide theme is so overwhelming," Pinelli told Fellini, "that you'll crush your film." Cited in
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was filmed in the spherical cinematographic process, using 35-millimeter film, and exhibited with an
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wrote: "Fellini's film is complete, simple, beautiful, honest, like the one Guido wants to make in
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portray the various women in Guido's life. The film was shot in black and white by cinematographer
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proliferated as the film "became an intellectual cud to chew on". Philosopher and social critic
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explained that "my admiration for Fellini is not without limits. For instance, I did not enjoy
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explains how he warned Fellini to abandon the train sequence with its implicit theme of
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Cesarino Miceli Picardi as a fictionalized version of himself, the production supervisor
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Later in the year of the film's 1963 release, a group of young Italian writers founded
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magazine's "The 100 Best Films of World Cinema". It was also ranked number 1 when the
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recalled Fellini taking "a little piece of brown paper tape" and sticking it near the
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820:) as the film's title. Under pressure from his producers, Fellini finally settled on
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in April to "almost universal acclaim" and was Italy's official entry in the later
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festival authorities: the applause was "a cry for freedom". Jury members included
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accent, was considered undesirable. This is Fellini's last black-and-white film.
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List of Italian submissions for the Academy Award for Best Foreign Language Film
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are the best of the film, and among the best of all Fellini's works to date".
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List of submissions to the 36th Academy Awards for Best Foreign Language Film
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in lead roles, and did screen tests at the Scalera Studios in Rome. He hired
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Bruno Agostini as a fictionalized version of himself, the production director
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4017:
3089:
2745:
2388:
2325:
2297:
2289:
2265:
2253:
2249:
1786:
1654:
1630:
1618:
1424:
1333:
defended the film as "beyond doubt, a work of art of the first magnitude".
1320:
1316:
1265:
870:
779:
332:
1376:". In 1987, a group of thirty European intellectuals and filmmakers voted
8178:
7915:
7207:
7077:
6438:
6354:
6042:
5756:
5675:
4836:
4410:
4293:
3765:
3443:
2317:
2273:
2151:
2113:
2063:
2034:
1768:
1626:
1569:
1387:
1284:
1197:
836:
674:
497:
356:
158:
135:
3719:
3686:
3423:
2156:
8338:
8005:
7804:
7704:
7483:
6890:
6282:
6236:
6122:
6066:
5575:
4822:
4701:
4189:
4119:
3448:
2313:
2257:
2058:
1499:
1364:
noted that in the months following its release, critical commentary on
866:
595:
571:
527:
368:
3703:
2632:
CONTEMPORANEA Rivista di studi sulla letteratura e sulla comunicazione
8508:
8202:
8194:
8085:
7513:
7493:
7147:
5685:
5050:
4012:
3984:
3836:
3085:
2214:
2103:
2056:. The following is Kezich's short-list of the films it has inspired:
1937:
1278:
958:
925:
853:
686:
680:
586:
376:
191:
168:
2166:
1579:
At the Saint Vincent Film Festival, it was awarded Grand Prize over
8290:
8274:
6769:
6539:
5444:
5231:
5111:
4240:
3912:
3709:
3255:"The Sight & Sound Top Ten Poll 2002 The Rest of Critic's List"
2470:"Directors' 10 Greatest Films of All Time | Sight & Sound"
2052:
pile up by directors all over the world", wrote Fellini biographer
1329:
549:
as a fictionalized version of himself, Guido's production assistant
5912:
448:
Guido Anselmi, a famous Italian film director, is suffering from "
8065:
7824:
7333:
New York Film Critics Circle Award for Best Foreign Language Film
5800:
4620:
3225:"Sight & Sound Top Ten Poll 2002 The Rest of Director's List"
3117:"8 1/2 movie review & film summary (1963) | Roger Ebert"
2628:"Interviste –Sull'albero di ciliegie" ("On the Cherry Tree")
2464:
2462:
2029:
composed of novelists, reviewers, critics, and poets inspired by
1224:
1207:
918:
897:
405:
film and a highly influential classic. It was ranked 10th on the
186:
3790:
3391:
3367:
3343:
1870:
Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi
8381:
7834:
7664:
7413:
7267:
7117:
6018:
4696:
1211:
2805:(Rome) on 17 February 1963. Quoted in Fava and Vigano, 115–116
2459:
1525:(black-and-white) while garnering three other nominations for
425:
voted by 209 film critics from 43 countries around the world.
7854:
6599:
6423:
National Board of Review Award for Best Foreign Language Film
3056:"Take One: The First Annual Village Voice Film Critics' Poll"
2445:"The 100 Greatest Films of All Time | Sight & Sound"
1758:
1659:
National Board of Review Award for Best Foreign Language Film
1315:. The acclaim was unanimous with the exception of reviews by
577:
Yvonne Casadei as Jacqueline Bonbon, a former cabaret dancer
2827:
This translation of Grazzini's review quoted in Affron, 255
2818:(Milan) on 16 February 1963. Quoted in Fava and Vigano, 116
2741:"Fellini's 8½ – a masterpiece by cinema's ultimate dreamer"
2552:"Ecco i cento film italiani da salvare Corriere della Sera"
1705:
Best Story and Screenplay – Written Directly for the Screen
904:
3392:"POLSKA – NAJLEPSZE FILMY według wszystkich ankietowanych"
3044:. Swedish Film Institute. November 1964. pp. 333–334.
3368:"ŚWIAT – NAJLEPSZE FILMY według wszystkich ankietowanych"
418:
37:
3086:"Entertainment Weekly's 100 Greatest Movies of All Time"
666:
At this point, Fellini had directed six feature films:
506:
as Rossella, Luisa's best friend and Guido's confidante
2729:, Criterion Collection DVD, featured commentary track.
2492:
488:
as Claudia, a film star Guido casts as his Ideal Woman
3464:"The 36th Academy Awards (1964) Nominees and Winners"
1380:
the most important European film ever made. In 1993,
8639:
Films that won the Best Costume Design Academy Award
2949:(which Fellini had not seen)". Quoted in Alpert, 181
778:
used techniques similar to, and has parallels with,
3481:
1576:, Best Costume Design, and Best Production Design.
1251:where it won the Grand Prize. French film director
2776:Alpert, 174-175, and Kezich, 245. The documentary
512:as Gloria Morin, Mezzabotta's new young girlfriend
3838:Academy Award for Best International Feature Film
1613:to acclaim that, according to Fellini biographer
1303:Released in the United States on 25 June 1963 by
8589:Best Foreign Language Film Academy Award winners
8550:
8145:
3628:. New Brunswick: Rutgers University Press, 1989.
19:For window system developed for the Plan 9, see
3528:"3rd Moscow International Film Festival (1963)"
1210:and his meeting with the woman on the beach in
438:greatest and most influential films of all time
3652:. Cambridge: Cambridge University Press, 2002.
3645:. Princeton: Princeton University Press, 1992.
2983:
2981:
2930:
2928:
2926:
2846:
2844:
2842:
2788:
2786:
1550:Italian National Syndicate of Film Journalists
8131:
7317:
6407:
5786:
4981:
3822:
3344:"Wyniki ankiety: 12 filmów na 120-lecie kina"
1469:in 2008. In 2010, the film was ranked #62 in
1436:is a fixture on the British Film Institute's
1183:First released in Italy on 14 February 1963,
326:
6189:Life as a Fatal Sexually Transmitted Disease
2901:"Cahiers du Cinema: Top Ten Lists 1951–2009"
401:(black-and-white). It is acknowledged as an
2978:
2923:
2839:
2783:
8644:Films with screenplays by Federico Fellini
8138:
8124:
7324:
7310:
6414:
6400:
6154:Spotted Dog Running at the Edge of the Sea
5793:
5779:
5202:Investigation of a Citizen Above Suspicion
4988:
4974:
4185:Investigation of a Citizen Above Suspicion
3829:
3815:
3744:
3728:
3712:
3696:
3520:
3456:
3165:"The Sight & Sound Top Ten Poll: 1982"
3135:"The Sight & Sound Top Ten Poll: 1972"
2276:as Luisa. A 2003 Broadway revival starred
36:
7735:Women on the Verge of a Nervous Breakdown
6927:Women on the Verge of a Nervous Breakdown
6851:A Few Days from the Life of I. I. Oblomov
3030:(7 May 1993). Retrieved 21 December 2008.
2526:"The 100 Greatest Foreign Language Films"
2439:
2437:
2272:as Liliane LaFleur, Guido's producer and
1505:
1432:exactly, and rejoices in his knowledge."
8604:Films about film directors and producers
3308:"Cahiers du cinéma's 100 Greatest Films"
3283:
2889:(Paris), July 1963. Fava and Vigano, 116
2780:(2003) also discusses the lost sequence.
1135:La Ballerina Pensionata (Ça C'Est Paris)
852:
799:
716:, and had directed two short segments,
659:also is about the alienating effects of
494:as Luisa Anselmi, Guido's estranged wife
3033:
1609:won the prestigious Grand Prize at the
1055:Nell'Ufficio Produzione di Otto e Mezzo
423:The 100 Greatest Foreign Language Films
8551:
2876:(Paris), 30 November 1963. Affron, 257
2738:
2704:Eugene Walter, "Dinner with Fellini",
2583:from the original on 15 September 2007
2434:
2223:, to take just one example. Like with
1611:3rd Moscow International Film Festival
1552:awarded the film all seven prizes for
1249:3rd Moscow International Film Festival
924:After shooting wrapped on 14 October,
607:Mary Indovino as Maya, the clairvoyant
8119:
7305:
6395:
5774:
4969:
4213:The Discreet Charm of the Bourgeoisie
3810:
3794:
3781:8½: A Film with Itself as Its Subject
3284:Schickel, Richard (13 January 2010).
2975:, 26 June 1963. Fava and Vigano, 118.
2859:Truffaut's review first published in
2814:Grazzini's review first published in
2233:
1965:
1849:
1744:Best Costume Design – Black-and-White
1683:
1593:). The film screened in April at the
1288:. But I think we must all admit that
1068:Ricordi d'Infanza - Discesa al Fanghi
430:Italian Ministry of Cultural Heritage
389:was critically acclaimed and won the
3784:– an essay by Alexander Sesonske at
3335:
3322:"The 100 Best Films of World Cinema"
3195:"Sight & Sound top 10 poll 1992"
2962:, 26 June 1963. Fava and Vigano, 118
2801:Moravia's review first published in
2708:, Autumn 1964. Quoted in Affron, 267
1828:Outstanding Directing – Feature Film
1729:Best Art Direction – Black-and-White
1572:). It also garnered nominations for
1419:voted it at No. 36 on their list of
1178:
343:narrative centers on Guido Anselmi (
8470:Cameriera bella presenza offresi...
6059:The Abandoned Field: Free Fire Zone
4364:Volver a Empezar ('To Begin Again')
3674:Federico Fellini: His Life and Work
3402:from the original on 8 October 2017
3378:from the original on 7 October 2017
2898:
2188:, he named it one of his favorites:
2170:(Grigori Konstantinopolsky, 1999).
861:When shooting began on 9 May 1962,
574:as Mario Mezzabotta, Guido's friend
13:
8614:Films directed by Federico Fellini
7715:The Decline of the American Empire
5802:Moscow International Film Festival
3676:. New York: Faber and Faber, 2006.
3096:from the original on 31 March 2014
2381:BFI Film & Television Database
1998:New York Film Critics Circle Award
1838:Moscow International Film Festival
1423:. In 2000, Ebert added it to his "
892:marks the first time that actress
379:, with costume and set designs by
14:
8695:
7128:The Diving Bell and the Butterfly
3795:
3680:
3354:from the original on 20 July 2016
3114:
2863:(Paris), 1 July 1963. Affron, 257
2357:List of films considered the best
1489:On the review aggregator website
524:as a mysterious lady in the hotel
482:as Guido Anselmi, a film director
8619:Films produced by Angelo Rizzoli
8536:How Strange to Be Named Federico
5954:The White Bird Marked with Black
5212:The Garden of the Finzi-Continis
4716:Florian Henckel von Donnersmarck
4336:Moscow Does Not Believe in Tears
4199:The Garden of the Finzi-Continis
3659:. New York: Citadel Press, 1990.
3638:. New York: Paragon House, 1988.
2217:during the period we covered in
2006:
1988:
1975:
1881:Federico Fellini, Ennio Flaiano
1823:Directors Guild of America Award
1795:
1777:
1477:Museum of Cinematography in Łódź
1150:La Conferenza Stampa del Regista
1081:Guido e Luiza - Nostalgico Swing
739:Le Tentazioni del Dottor Antonio
568:as Carini Daumier, a film critic
335:film co-written and directed by
5995:We All Loved Each Other So Much
5937:Confessions of a Police Captain
5323:The Night of the Shooting Stars
5005:Best International Feature Film
3655:Fava, Claudio and Aldo Vigano.
3618:
3605:
3591:
3577:
3568:
3559:
3550:
3511:
3436:
3416:
3314:
3300:
3277:
3247:
3217:
3187:
3157:
3127:
3108:
3078:
3048:
3003:
2990:
2965:
2952:
2937:
2892:
2879:
2866:
2853:
2830:
2821:
2808:
2795:
2770:
2753:
2739:Newton, Michael (15 May 2015).
2732:
2720:
2711:
2698:
2685:
2676:
2667:
2658:
2649:
2617:
2608:
2595:
2184:poll. In conversation with the
2025:, a literary collective of the
1985:Top Five Foreign Language Films
1665:List of awards and nominations
1637:. The film was nominated for a
1421:100 Greatest Movies of All Time
1311:in the presence of Fellini and
759:) proposed by co-screenwriter,
415:Greatest Films of All Time 2012
8259:Fellini: A Director's Notebook
7047:Crouching Tiger, Hidden Dragon
5385:The Legend of the Holy Drinker
4935:All Quiet on the Western Front
4616:Crouching Tiger, Hidden Dragon
3960:Samurai, The Legend of Musashi
3643:The Cinema of Federico Fellini
3626:8½: Federico Fellini, Director
2603:The Cinema of Federico Fellini
2569:
2544:
2518:
2418:
2403:
2369:
2292:. The play was adapted into a
1560:, original story, screenplay,
875:Ricordati che è un film comico
518:as Madeleine, a French actress
458:thinly veiled autobiographical
1:
8669:Italian-language French films
8659:Italian black-and-white films
8409:("The Miracle" segment, 1948)
8076:The Worst Person in the World
6811:That Obscure Object of Desire
5142:Yesterday, Today and Tomorrow
4097:Yesterday, Today and Tomorrow
3657:The Films of Federico Fellini
3650:The Films of Federico Fellini
3396:Muzeum Kinematografii w Łodzi
3372:Muzeum Kinematografii w Łodzi
3348:Muzeum Kinematografii w Łodzi
2998:The Films of Federico Fellini
2362:
1298:Top 10 Films of the Year List
954:La Passerella di Otto e Mezzo
931:
795:
530:as La Saraghina, a prostitute
434:100 Italian films to be saved
16:1963 film by Federico Fellini
8649:French black-and-white films
8584:1960s Italian-language films
8478:The Bandit of Tacca Del Lupo
7946:4 Months, 3 Weeks and 2 Days
2409:"Top Rental Films of 1963",
2192:What would Fellini do after
2016:
1539:New York Film Critics Circle
1173:
857:Anouk Aimée as Luisa Anselmi
770:According to Italian writer
637:as a prostitute (uncredited)
583:as Maurice, Maya's assistant
7:
8684:Semi-autobiographical films
8574:1960s French-language films
3601:. The Criterion Collection.
2673:Kezich, 234 and Affron, 3-4
2335:
1657:in 1964. The film also won
1564:, cinematography, and best
997:Cadillac / Carlotta's Galop
702:(1960). He had co-directed
589:as Alberto, Claudia's agent
10:
8700:
8664:Italian comedy-drama films
8446:The Flowers of St. Francis
7996:Blue Is the Warmest Colour
5071:Big Deal on Madonna Street
4308:Get Out Your Handkerchiefs
3599:"Martin Scorsese's Top 10"
3585:"Martin Scorsese's Top 10"
2294:2009 film of the same name
2003:Best Foreign Language Film
1972:Best Foreign Language Film
1754:Best Foreign Language Film
1546:best foreign language film
1519:Best Foreign Language Film
500:as Carla, Guido's mistress
395:Best Foreign Language Film
245:13 February 1963
18:
8654:French comedy-drama films
8624:Films scored by Nino Rota
8515:E il Casanova di Fellini?
8496:
8357:
8154:
7866:
7625:
7339:
7058:
6791:
6530:
6429:
6261:Pete on the Way to Heaven
6133:
5962:That Sweet Word: Liberty!
5945:Live Today, Die Tomorrow!
5900:
5809:
5727:
5616:The First Beautiful Thing
5516:
5303:
5102:
5011:
4630:
4269:
3974:
3844:
3804:
3587:. British Film Institute.
3020:16 September 2012 at the
2500:"Vatican Best Films List"
2001:
1996:
1983:
1970:
1957:
1949:
1946:
1931:
1918:
1903:
1888:
1877:
1864:
1854:
1841:
1836:
1826:
1821:
1813:
1808:
1803:
1790:
1785:
1774:Best Film from any Source
1772:
1767:
1752:
1742:
1732:
1727:
1703:
1688:
1678:
1675:
1672:
1643:Best Film from any Source
1595:1963 Cannes Film Festival
1245:1963 Cannes Film Festival
785:The Man Without Qualities
642:
631:as the clown (uncredited)
604:as an American journalist
310:$ 3.5 million (US/Canada
306:
298:
281:
271:
221:
201:
174:
164:
154:
144:
113:
103:
86:
57:
47:
42:Theatrical release poster
35:
30:
8609:Films adapted into plays
8523:Fellini: I'm a Born Liar
7645:The Tree of Wooden Clogs
6690:The Sleeping Car Murders
5182:The Girl with the Pistol
4753:The Secret in Their Eyes
4280:Black and White in Color
3786:The Criterion Collection
3760:16 February 2013 at the
3489:"Festival de Cannes: 8½"
2761:Fellini: I'm a Born Liar
2706:The Transatlantic Review
2427:(1963), review of 8½ in
2084:Rainer Werner Fassbinder
1967:National Board of Review
1531:Best Original Screenplay
1461:All-Time 100 best movies
910:Fellini: I'm a Born Liar
635:Maria Antonietta Beluzzi
536:as Pace, a film producer
375:and features a score by
230:2 January 1963
8564:1963 comedy-drama films
8504:Giulietta Masina (wife)
7695:A Sunday in the Country
7589:The Shop on Main Street
7088:The Barbarian Invasions
6881:A Sunday in the Country
6750:The Sorrow and the Pity
6115:The Descent of the Nine
6027:Christ Stopped at Eboli
5122:The Four Days of Naples
4669:The Barbarian Invasions
4111:The Shop on Main Street
2971:First published in the
2958:First published in the
2502:. USCCB. Archived from
1947:Best Production Design
1537:(black-and-white). The
1444:Directors' Top Ten Poll
818:The Beautiful Confusion
757:The Beautiful Confusion
718:Un'Agenzia Matrimoniale
625:as Olimpia (uncredited)
592:Nadia Sanders as Nadine
472:
443:
428:It was included on the
8422:In the Name of the Law
8036:BPM (Beats per Minute)
6339:The Secret of A Leader
6051:O Homem que Virou Suco
5929:We'll Live Till Monday
5152:Marriage Italian Style
4143:Closely Watched Trains
4055:Through a Glass Darkly
3062:. 1999. Archived from
2474:British Film Institute
2449:British Film Institute
2385:British Film Institute
2238:The Tony-winning 1982
2231:
2180:on his ballot for the
2079:Beware of a Holy Whore
1506:Awards and nominations
1163:La Passerella di Addio
858:
808:
741:from the omnibus film
653:Michelangelo Antonioni
452:". Stalled on his new
407:British Film Institute
327:
8347:The Voice of the Moon
8323:And the Ship Sails On
8243:Juliet of the Spirits
7785:Farewell My Concubine
7775:Raise the Red Lantern
7579:Juliet of the Spirits
6977:Farewell My Concubine
6780:The Story of Adele H.
6680:Juliet of the Spirits
6083:Alsino and the Condor
5556:The Keys to the House
5333:And the Ship Sails On
5162:The Battle of Algiers
5041:The Walls of Malapaga
3899:The Walls of Malapaga
3040:"De bästa filmerna".
2887:Les Cahiers du Cinéma
2614:Quoted in Kezich, 234
2415:, 8 January 1964 p 37
2286:Mary Stuart Masterson
2190:
1448:Critics' Top Ten Poll
1036:Concertino Alle Terme
856:
803:
256:29 May 1963
8674:Self-reflexive films
8390:Flesh Will Surrender
7876:In the Mood for Love
7617:No Award (1969–1977)
7387:No Award (1941–1945)
6512:No Award (1942–1949)
6454:Carnival in Flanders
6363:No Prior Appointment
6245:Travelling with Pets
6213:The End of a Mystery
6162:Me Ivan, You Abraham
4949:The Zone of Interest
4758:Juan José Campanella
2763:(2002), directed by
2577:"Screening the Past"
2455:on 2 September 2012.
2186:Criterion Collection
2137:A King and His Movie
1958:Best Costume Design
1919:Best Cinematography
1910:Marcello Mastroianni
1605:'s conference hall,
1446:and 8th on the 2002
1416:Entertainment Weekly
1313:Marcello Mastroianni
1232:". Mario Verdone of
1140:José Padilla Sánchez
1045:Piotr I. Tchaikovsky
873:. Written on it was
805:Marcello Mastroianni
480:Marcello Mastroianni
454:science fiction film
345:Marcello Mastroianni
121:Marcello Mastroianni
8579:1960s Italian films
8307:Orchestra Rehearsal
8251:Spirits of the Dead
7936:The Lives of Others
7886:And Your Mother Too
7845:All About My Mother
7685:Fanny and Alexander
7635:Bread and Chocolate
7037:All About My Mother
6987:Eat Drink Man Woman
6871:Fanny and Alexander
6035:Siete días de enero
5425:The Stolen Children
4997:Italian submissions
4711:The Lives of Others
4602:All About My Mother
4495:Gabriele Salvatores
4448:Pelle the Conqueror
4378:Fanny and Alexander
4285:Jean-Jacques Annaud
3662:Fellini, Federico.
3648:Bondanella, Peter.
3641:Bondanella, Peter.
3493:festival-cannes.com
3310:. 23 November 2008.
2905:alumnus.caltech.edu
2885:First published in
2872:First published in
2816:Corriere della Sera
2304:as Guido alongside
2270:Liliane Montevecchi
1810:Annual Top 10 Lists
1666:
1633:, and screenwriter
1523:Best Costume Design
1360:Fellini biographer
1220:Corriere della Sera
814:La bella confusione
753:La bella confusione
693:Le notti di Cabiria
629:Ferdinand Guillaume
399:Best Costume Design
212:Columbia Films S.A.
8634:Films shot in Rome
8599:Films about dreams
8569:1960s French films
8538:(2013 documentary)
8517:(1975 documentary)
8438:The Mill on the Po
8398:Bullet for Stefano
7795:Three Colours: Red
6947:Cyrano de Bergerac
6831:La Cage aux Folles
6760:Cries and Whispers
6650:Sundays and Cybele
6560:A Queen Is Crowned
6474:La Grande Illusion
6168:(No award in 1995)
5292:A Leap in the Dark
4725:The Counterfeiters
4688:Alejandro Amenábar
4467:Giuseppe Tornatore
4406:The Official Story
4327:Volker Schlöndorff
4069:Sundays and Cybèle
3951:Teinosuke Kinugasa
3771:Guardian.uk review
3742:TCM Movie Database
3538:on 16 January 2013
3499:on 19 January 2012
3235:on 1 February 2017
2623:Gabriele Pedullà,
2234:Musical adaptation
2203:Alex in Wonderland
2147:Living in Oblivion
2069:Alex in Wonderland
2037:'s seminal essay,
1792:Best European Film
1709:Federico Fellini,
1664:
1651:Best European Film
1566:supporting actress
1535:Best Art Direction
1340:The New York Times
1120:Rivolta nell'Harem
913:, co-scriptwriter
859:
809:
8629:Films set in Rome
8546:
8545:
8525:(2002 documentary
8267:Fellini Satyricon
8211:Nights of Cabiria
8113:
8112:
8107:
8106:
8096:Anatomy of a Fall
7815:The White Balloon
7675:Time Stands Still
7655:My American Uncle
7569:That Man from Rio
7534:Hiroshima My Love
7299:
7298:
7288:Anatomy of a Fall
6917:Manon des Sources
6801:The Marquise of O
6670:World Without Sun
6620:Wild Strawberries
6550:The Sound Barrier
6389:
6388:
6253:As Simple as That
6229:Dreaming of Space
6137:Golden St. George
6107:A Soldier's Story
5978:The Promised Land
5830:The Naked Island
5768:
5767:
5586:The Unknown Woman
5505:One Hundred Steps
5495:Not of this World
5485:Life Is Beautiful
5435:The Great Pumpkin
5192:Fellini Satyricon
5061:Nights of Cabiria
4963:
4962:
4926:Ryusuke Hamaguchi
4912:Thomas Vinterberg
4865:A Fantastic Woman
4828:Paweł Pawlikowski
4767:In a Better World
4730:Stefan Ruzowitzky
4655:Nowhere in Africa
4588:Life Is Beautiful
4232:François Truffaut
4162:Sergei Bondarchuk
4129:A Man and a Woman
4074:Serge Bourguignon
4041:The Virgin Spring
3999:Nights of Cabiria
3753:Chicago Sun-Times
3624:Affron, Charles.
3265:on 13 August 2016
3175:on 8 October 2014
3145:on 8 October 2014
3066:on 26 August 2007
3060:The Village Voice
3027:Chicago Sun-Times
2899:Johnson, Eric C.
2778:L'Ultima sequenza
2532:. 29 October 2018
2220:No Direction Home
2207:Stardust Memories
2182:Sight & Sound
2132:Vadim Abdrashitov
2109:Stardust Memories
2094:François Truffaut
2014:
2013:
1923:Gianni Di Venanzo
1814:Federico Fellini
1805:Cahiers du Cinéma
1466:Cahiers du cinéma
1439:Sight & Sound
1410:The Village Voice
1383:Chicago Sun-Times
1294:Cahiers du Cinéma
1273:Cahiers du cinéma
1253:François Truffaut
1179:Critical response
1171:
1170:
1041:Gioachino Rossini
894:Claudia Cardinale
844:Gianni Di Venanzo
722:A Marriage Agency
669:Lo sceicco bianco
619:as Guido's father
613:as Guido's mother
486:Claudia Cardinale
413:Sight & Sound
373:Gianni Di Venanzo
349:Claudia Cardinale
318:
317:
149:Gianni Di Venanzo
126:Claudia Cardinale
8691:
8679:Surrealist films
8187:Love in the City
8147:Federico Fellini
8140:
8133:
8126:
8117:
8116:
8100:
8090:
8080:
8070:
8060:
8050:
8040:
8030:
8020:
8010:
8000:
7990:
7980:
7970:
7960:
7950:
7940:
7930:
7920:
7910:
7900:
7890:
7880:
7859:
7849:
7839:
7829:
7819:
7809:
7799:
7789:
7779:
7769:
7759:
7749:
7739:
7729:
7725:My Life as a Dog
7719:
7709:
7699:
7689:
7679:
7669:
7659:
7649:
7639:
7618:
7613:
7603:
7593:
7583:
7573:
7563:
7553:
7548:
7538:
7528:
7518:
7508:
7498:
7488:
7478:
7468:
7458:
7448:
7444:Miracle in Milan
7438:
7428:
7418:
7408:
7404:To Live in Peace
7398:
7388:
7383:
7379:The Baker's Wife
7373:
7363:
7353:
7326:
7319:
7312:
7303:
7302:
7292:
7282:
7272:
7262:
7252:
7242:
7232:
7222:
7212:
7202:
7192:
7182:
7172:
7162:
7152:
7142:
7132:
7122:
7112:
7102:
7092:
7082:
7072:
7051:
7041:
7031:
7021:
7011:
7001:
6991:
6981:
6971:
6961:
6951:
6941:
6931:
6921:
6911:Jean de Florette
6905:
6895:
6885:
6875:
6865:
6855:
6845:
6835:
6825:
6815:
6805:
6784:
6774:
6764:
6754:
6744:
6734:
6724:
6714:
6704:
6694:
6684:
6674:
6664:
6654:
6644:
6634:
6630:The World of Apu
6624:
6614:
6604:
6594:
6590:The Silent World
6584:
6574:
6570:Romeo and Juliet
6564:
6554:
6544:
6523:
6513:
6508:
6498:
6494:The Baker's Wife
6488:
6478:
6468:
6464:The Eternal Mask
6458:
6448:
6443:
6416:
6409:
6402:
6393:
6392:
6146:The Icicle Thief
6138:
5905:
5858:
5857:
5853:
5850:
5814:
5795:
5788:
5781:
5772:
5771:
5761:
5751:
5741:
5720:
5710:
5700:
5690:
5680:
5670:
5660:
5650:
5646:The Great Beauty
5640:
5630:
5620:
5610:
5600:
5590:
5580:
5570:
5560:
5550:
5540:
5530:
5509:
5499:
5489:
5479:
5469:
5459:
5449:
5439:
5429:
5419:
5409:
5399:
5389:
5379:
5369:
5357:
5347:
5337:
5327:
5317:
5296:
5286:
5282:To Forget Venice
5276:
5266:
5256:
5246:
5242:Scent of a Woman
5236:
5226:
5216:
5206:
5196:
5186:
5176:
5166:
5156:
5146:
5136:
5126:
5116:
5095:
5085:
5075:
5065:
5055:
5045:
5035:
5025:
4990:
4983:
4976:
4967:
4966:
4956:
4942:
4928:
4914:
4900:
4886:
4872:
4858:
4844:
4830:
4816:
4814:Paolo Sorrentino
4809:The Great Beauty
4802:
4788:
4774:
4760:
4746:
4732:
4718:
4704:
4690:
4676:
4662:
4648:
4623:
4609:
4595:
4581:
4567:
4553:
4539:
4537:Nikita Mikhalkov
4532:Burnt by the Sun
4525:
4511:
4497:
4483:
4469:
4455:
4441:
4427:
4413:
4399:
4385:
4371:
4357:
4343:
4341:Vladimir Menshov
4329:
4315:
4301:
4287:
4262:
4248:
4246:Federico Fellini
4234:
4220:
4206:
4204:Vittorio De Sica
4192:
4178:
4164:
4150:
4136:
4122:
4104:
4102:Vittorio De Sica
4090:
4088:Federico Fellini
4076:
4062:
4048:
4034:
4020:
4006:
4004:Federico Fellini
3992:
3990:Federico Fellini
3967:
3953:
3939:
3934:
3920:
3906:
3892:
3890:Vittorio De Sica
3878:
3871:Monsieur Vincent
3864:
3862:Vittorio De Sica
3831:
3824:
3817:
3808:
3807:
3792:
3791:
3748:
3732:
3716:
3700:
3664:Comments on Film
3612:
3609:
3603:
3602:
3595:
3589:
3588:
3581:
3575:
3572:
3566:
3563:
3557:
3554:
3548:
3547:
3545:
3543:
3534:. Archived from
3524:
3518:
3515:
3509:
3508:
3506:
3504:
3495:. Archived from
3485:
3479:
3478:
3476:
3474:
3460:
3454:
3453:
3440:
3434:
3433:
3420:
3414:
3411:
3409:
3407:
3387:
3385:
3383:
3363:
3361:
3359:
3339:
3333:
3332:
3318:
3312:
3311:
3304:
3298:
3297:
3281:
3275:
3274:
3272:
3270:
3261:. Archived from
3251:
3245:
3244:
3242:
3240:
3231:. Archived from
3221:
3215:
3214:
3212:
3210:
3201:. Archived from
3191:
3185:
3184:
3182:
3180:
3171:. Archived from
3161:
3155:
3154:
3152:
3150:
3141:. Archived from
3131:
3125:
3124:
3112:
3106:
3105:
3103:
3101:
3082:
3076:
3075:
3073:
3071:
3052:
3046:
3045:
3037:
3031:
3007:
3001:
2994:
2988:
2985:
2976:
2969:
2963:
2956:
2950:
2946:The Seventh Seal
2941:
2935:
2932:
2921:
2920:
2918:
2916:
2911:on 27 March 2012
2907:. Archived from
2896:
2890:
2883:
2877:
2870:
2864:
2857:
2851:
2848:
2837:
2834:
2828:
2825:
2819:
2812:
2806:
2799:
2793:
2790:
2781:
2774:
2768:
2765:Damian Pettigrew
2757:
2751:
2750:
2736:
2730:
2724:
2718:
2715:
2709:
2702:
2696:
2693:Comments on Film
2689:
2683:
2680:
2674:
2671:
2665:
2662:
2656:
2653:
2647:
2625:Alberto Arbasino
2621:
2615:
2612:
2606:
2599:
2593:
2592:
2590:
2588:
2573:
2567:
2566:
2564:
2562:
2548:
2542:
2541:
2539:
2537:
2522:
2516:
2515:
2513:
2511:
2496:
2490:
2489:
2487:
2485:
2476:. Archived from
2466:
2457:
2456:
2451:. Archived from
2441:
2432:
2425:Alberto Arbasino
2422:
2416:
2407:
2401:
2400:
2398:
2396:
2391:on 6 August 2011
2387:. Archived from
2373:
2310:Marion Cotillard
2302:Daniel Day-Lewis
2278:Antonio Banderas
2144:, 1986), 1993),
1851:Nastro d'Argento
1695:Federico Fellini
1667:
1663:
1581:Luchino Visconti
1485:
1458:
1405:
1370:Dwight Macdonald
1305:Joseph E. Levine
1243:screened at the
1094:Carlotta's Galop
936:
935:
826:self-referential
807:as Guido Anselmi
772:Alberto Arbasino
735:Love in the City
730:L'amore in città
714:Alberto Lattuada
705:Luci del varietà
611:Giuditta Rissone
567:
548:
522:Caterina Boratto
516:Madeleine Lebeau
450:director's block
421:'s 2018 list of
337:Federico Fellini
330:
263:
261:
252:
250:
237:
235:
93:Federico Fellini
64:Federico Fellini
52:Federico Fellini
40:
28:
27:
8699:
8698:
8694:
8693:
8692:
8690:
8689:
8688:
8549:
8548:
8547:
8542:
8492:
8374:Rome, Open City
8353:
8331:Ginger and Fred
8171:The White Sheik
8150:
8144:
8114:
8109:
8108:
8103:
8093:
8083:
8073:
8063:
8053:
8043:
8033:
8023:
8013:
8003:
7993:
7983:
7973:
7963:
7953:
7943:
7933:
7926:Army of Shadows
7923:
7913:
7903:
7893:
7883:
7873:
7862:
7852:
7842:
7835:The Celebration
7832:
7822:
7812:
7802:
7792:
7782:
7772:
7762:
7752:
7742:
7732:
7722:
7712:
7702:
7692:
7682:
7672:
7662:
7652:
7642:
7632:
7621:
7616:
7606:
7599:The War Is Over
7596:
7586:
7576:
7566:
7556:
7552:No Award (1962)
7551:
7541:
7531:
7521:
7511:
7501:
7491:
7481:
7471:
7464:Justice Is Done
7461:
7454:Forbidden Games
7451:
7441:
7431:
7424:Bicycle Thieves
7421:
7411:
7401:
7394:Rome, Open City
7391:
7386:
7376:
7366:
7356:
7346:
7335:
7330:
7300:
7295:
7285:
7275:
7265:
7255:
7245:
7235:
7225:
7215:
7205:
7195:
7185:
7175:
7165:
7158:Of Gods and Men
7155:
7145:
7135:
7125:
7115:
7105:
7095:
7085:
7075:
7065:
7054:
7044:
7034:
7027:Central Station
7024:
7017:Shall We Dance?
7014:
7004:
6994:
6984:
6974:
6964:
6954:
6944:
6934:
6924:
6908:
6898:
6888:
6878:
6868:
6858:
6848:
6838:
6828:
6818:
6808:
6798:
6787:
6777:
6767:
6757:
6747:
6737:
6727:
6717:
6707:
6697:
6687:
6677:
6667:
6657:
6647:
6637:
6627:
6617:
6610:Pather Panchali
6607:
6597:
6587:
6577:
6567:
6557:
6547:
6537:
6526:
6516:
6511:
6501:
6491:
6484:Port of Shadows
6481:
6471:
6461:
6451:
6447:No Award (1935)
6446:
6436:
6425:
6420:
6390:
6385:
6136:
6135:
6129:
5992:
5951:
5903:
5902:
5896:
5855:
5851:
5848:
5846:
5812:
5811:
5805:
5799:
5769:
5764:
5754:
5744:
5737:The Hand of God
5734:
5723:
5713:
5703:
5693:
5683:
5673:
5663:
5653:
5643:
5636:Caesar Must Die
5633:
5623:
5613:
5603:
5593:
5583:
5573:
5563:
5553:
5543:
5533:
5523:
5512:
5502:
5492:
5482:
5472:
5462:
5452:
5442:
5432:
5422:
5412:
5402:
5395:Cinema Paradiso
5392:
5382:
5372:
5362:
5350:
5343:Where's Picone?
5340:
5330:
5320:
5310:
5299:
5289:
5279:
5269:
5259:
5249:
5239:
5229:
5219:
5209:
5199:
5189:
5179:
5169:
5159:
5149:
5139:
5129:
5119:
5109:
5098:
5088:
5078:
5068:
5058:
5048:
5038:
5031:Bicycle Thieves
5028:
5018:
5007:
4994:
4964:
4959:
4954:Jonathan Glazer
4945:
4931:
4917:
4903:
4889:
4875:
4870:Sebastián Lelio
4861:
4847:
4833:
4819:
4805:
4791:
4777:
4763:
4749:
4735:
4721:
4707:
4693:
4679:
4665:
4651:
4637:
4626:
4612:
4607:Pedro Almodóvar
4598:
4593:Roberto Benigni
4584:
4570:
4556:
4542:
4528:
4523:Fernando Trueba
4514:
4500:
4486:
4476:Journey of Hope
4472:
4462:Cinema Paradiso
4458:
4444:
4434:Babette's Feast
4430:
4425:Fons Rademakers
4416:
4402:
4392:Dangerous Moves
4388:
4374:
4369:José Luis Garci
4360:
4346:
4332:
4318:
4304:
4290:
4276:
4265:
4251:
4237:
4223:
4209:
4195:
4181:
4167:
4153:
4139:
4125:
4107:
4093:
4079:
4065:
4051:
4037:
4023:
4009:
3995:
3981:
3970:
3965:Hiroshi Inagaki
3956:
3942:
3937:
3927:Forbidden Games
3923:
3909:
3895:
3885:Bicycle Thieves
3881:
3867:
3853:
3846:
3840:
3835:
3800:
3762:Wayback Machine
3726:Rotten Tomatoes
3683:
3636:Fellini: A Life
3621:
3616:
3615:
3611:Kezich, 249-250
3610:
3606:
3597:
3596:
3592:
3583:
3582:
3578:
3573:
3569:
3564:
3560:
3555:
3551:
3541:
3539:
3526:
3525:
3521:
3516:
3512:
3502:
3500:
3487:
3486:
3482:
3472:
3470:
3462:
3461:
3457:
3442:
3441:
3437:
3429:Rotten Tomatoes
3422:
3421:
3417:
3405:
3403:
3390:
3381:
3379:
3366:
3357:
3355:
3342:
3340:
3336:
3320:
3319:
3315:
3306:
3305:
3301:
3282:
3278:
3268:
3266:
3253:
3252:
3248:
3238:
3236:
3223:
3222:
3218:
3208:
3206:
3205:on 18 June 2012
3193:
3192:
3188:
3178:
3176:
3163:
3162:
3158:
3148:
3146:
3133:
3132:
3128:
3121:rogerebert.com/
3113:
3109:
3099:
3097:
3084:
3083:
3079:
3069:
3067:
3054:
3053:
3049:
3039:
3038:
3034:
3022:Wayback Machine
3008:
3004:
2995:
2991:
2986:
2979:
2970:
2966:
2957:
2953:
2942:
2938:
2933:
2924:
2914:
2912:
2897:
2893:
2884:
2880:
2871:
2867:
2858:
2854:
2849:
2840:
2835:
2831:
2826:
2822:
2813:
2809:
2800:
2796:
2791:
2784:
2775:
2771:
2758:
2754:
2737:
2733:
2725:
2721:
2716:
2712:
2703:
2699:
2690:
2686:
2681:
2677:
2672:
2668:
2663:
2659:
2654:
2650:
2622:
2618:
2613:
2609:
2600:
2596:
2586:
2584:
2575:
2574:
2570:
2560:
2558:
2556:www.corriere.it
2550:
2549:
2545:
2535:
2533:
2524:
2523:
2519:
2509:
2507:
2506:on 23 July 2010
2498:
2497:
2493:
2483:
2481:
2480:on 9 March 2021
2468:
2467:
2460:
2443:
2442:
2435:
2423:
2419:
2408:
2404:
2394:
2392:
2375:
2374:
2370:
2365:
2338:
2236:
2174:Martin Scorsese
2162:Peter Greenaway
2048:"Imitations of
2019:
1950:Piero Gherardi
1866:Best Screenplay
1670:Award/Festival
1508:
1491:Rotten Tomatoes
1479:
1456:
1399:
1335:Bosley Crowther
1189:Alberto Moravia
1181:
1176:
934:
841:cinematographer
798:
645:
640:
623:Olimpia Cavalli
617:Annibale Ninchi
561:
542:
540:Mario Conocchia
475:
446:
294:
274:
267:
259:
257:
248:
246:
233:
231:
224:
217:
208:Cineriz (Italy)
197:
196:
179:
177:
140:
99:
82:
43:
24:
17:
12:
11:
5:
8697:
8687:
8686:
8681:
8676:
8671:
8666:
8661:
8656:
8651:
8646:
8641:
8636:
8631:
8626:
8621:
8616:
8611:
8606:
8601:
8596:
8591:
8586:
8581:
8576:
8571:
8566:
8561:
8544:
8543:
8541:
8540:
8532:
8527:
8519:
8511:
8506:
8500:
8498:
8494:
8493:
8491:
8490:
8482:
8474:
8466:
8458:
8450:
8442:
8434:
8426:
8418:
8410:
8402:
8394:
8386:
8378:
8370:
8366:The Last Wagon
8361:
8359:
8358:As writer only
8355:
8354:
8352:
8351:
8343:
8335:
8327:
8319:
8311:
8303:
8295:
8287:
8279:
8271:
8263:
8255:
8247:
8239:
8231:
8223:
8215:
8207:
8199:
8191:
8183:
8175:
8167:
8163:Variety Lights
8158:
8156:
8152:
8151:
8143:
8142:
8135:
8128:
8120:
8111:
8110:
8105:
8104:
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8101:
8091:
8081:
8071:
8061:
8051:
8041:
8031:
8021:
8011:
8001:
7991:
7981:
7971:
7961:
7951:
7941:
7931:
7921:
7911:
7901:
7891:
7881:
7870:
7868:
7864:
7863:
7861:
7860:
7850:
7840:
7830:
7820:
7810:
7800:
7790:
7780:
7770:
7760:
7755:The Nasty Girl
7750:
7745:Story of Women
7740:
7730:
7720:
7710:
7700:
7690:
7680:
7670:
7660:
7650:
7640:
7629:
7627:
7623:
7622:
7620:
7619:
7614:
7604:
7594:
7584:
7574:
7564:
7554:
7549:
7544:The Sweet Life
7539:
7529:
7519:
7509:
7499:
7489:
7479:
7469:
7459:
7449:
7439:
7429:
7419:
7409:
7399:
7389:
7384:
7374:
7364:
7359:Grand Illusion
7354:
7343:
7341:
7337:
7336:
7329:
7328:
7321:
7314:
7306:
7297:
7296:
7294:
7293:
7283:
7273:
7263:
7253:
7243:
7233:
7223:
7213:
7203:
7193:
7183:
7173:
7163:
7153:
7143:
7133:
7123:
7113:
7103:
7098:The Sea Inside
7093:
7083:
7073:
7062:
7060:
7056:
7055:
7053:
7052:
7042:
7032:
7022:
7012:
7002:
6997:Shanghai Triad
6992:
6982:
6972:
6962:
6952:
6942:
6937:Story of Women
6932:
6922:
6906:
6896:
6886:
6876:
6866:
6856:
6846:
6836:
6826:
6816:
6806:
6795:
6793:
6789:
6788:
6786:
6785:
6775:
6765:
6755:
6745:
6735:
6730:The Wild Child
6725:
6715:
6705:
6700:Elvira Madigan
6695:
6685:
6675:
6665:
6655:
6645:
6635:
6625:
6615:
6605:
6595:
6585:
6575:
6565:
6555:
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6509:
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6427:
6426:
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6411:
6404:
6396:
6387:
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6384:
6383:
6375:
6367:
6359:
6351:
6343:
6335:
6331:The Lord Eagle
6327:
6319:
6311:
6303:
6295:
6287:
6279:
6273:
6265:
6257:
6249:
6241:
6233:
6225:
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6201:
6193:
6185:
6177:
6169:
6166:
6158:
6150:
6141:
6139:
6131:
6130:
6128:
6127:
6119:
6095:
6071:
6047:
6023:
6003:The Fifth Seal
5999:
5974:
5958:
5933:
5908:
5906:
5898:
5897:
5895:
5894:
5882:The Journalist
5878:
5862:
5842:
5826:
5817:
5815:
5807:
5806:
5798:
5797:
5790:
5783:
5775:
5766:
5765:
5763:
5762:
5752:
5742:
5731:
5729:
5725:
5724:
5722:
5721:
5711:
5701:
5691:
5681:
5671:
5661:
5651:
5641:
5631:
5621:
5611:
5601:
5591:
5581:
5571:
5561:
5551:
5546:I'm Not Scared
5541:
5531:
5526:The Son's Room
5520:
5518:
5514:
5513:
5511:
5510:
5500:
5490:
5480:
5470:
5460:
5455:The Star Maker
5450:
5440:
5430:
5420:
5410:
5400:
5390:
5380:
5370:
5359:
5358:
5348:
5338:
5328:
5318:
5313:Three Brothers
5307:
5305:
5301:
5300:
5298:
5297:
5287:
5277:
5272:I nuovi mostri
5267:
5257:
5252:Seven Beauties
5247:
5237:
5227:
5217:
5207:
5197:
5187:
5177:
5167:
5157:
5147:
5137:
5127:
5117:
5106:
5104:
5100:
5099:
5097:
5096:
5086:
5076:
5066:
5056:
5046:
5036:
5026:
5015:
5013:
5009:
5008:
4993:
4992:
4985:
4978:
4970:
4961:
4960:
4958:
4957:
4943:
4929:
4915:
4901:
4887:
4884:Alfonso Cuarón
4873:
4859:
4856:Asghar Farhadi
4845:
4831:
4817:
4803:
4800:Michael Haneke
4789:
4786:Asghar Farhadi
4775:
4761:
4747:
4733:
4719:
4705:
4691:
4683:The Sea Inside
4677:
4663:
4649:
4634:
4632:
4628:
4627:
4625:
4624:
4610:
4596:
4582:
4568:
4554:
4551:Marleen Gorris
4546:Antonia's Line
4540:
4526:
4512:
4509:Régis Wargnier
4498:
4484:
4470:
4456:
4442:
4428:
4414:
4400:
4386:
4383:Ingmar Bergman
4372:
4358:
4344:
4330:
4316:
4313:Bertrand Blier
4302:
4288:
4273:
4271:
4267:
4266:
4264:
4263:
4260:Akira Kurosawa
4249:
4235:
4221:
4207:
4193:
4179:
4165:
4151:
4137:
4134:Claude Lelouch
4123:
4105:
4091:
4077:
4063:
4060:Ingmar Bergman
4049:
4046:Ingmar Bergman
4035:
4021:
4007:
3993:
3978:
3976:
3972:
3971:
3969:
3968:
3954:
3940:
3938:1953: No Award
3935:
3921:
3918:Akira Kurosawa
3907:
3893:
3879:
3876:Maurice Cloche
3865:
3850:
3848:
3842:
3841:
3834:
3833:
3826:
3819:
3811:
3805:
3802:
3801:
3789:
3788:
3777:
3768:
3749:
3733:
3717:
3701:
3682:
3681:External links
3679:
3678:
3677:
3670:Kezich, Tullio
3667:
3660:
3653:
3646:
3639:
3632:Alpert, Hollis
3629:
3620:
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3614:
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3549:
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3510:
3480:
3455:
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3415:
3413:
3412:
3388:
3334:
3313:
3299:
3276:
3259:old.bfi.org.uk
3246:
3229:old.bfi.org.uk
3216:
3186:
3156:
3126:
3115:Ebert, Roger.
3107:
3077:
3047:
3032:
3002:
2989:
2977:
2964:
2951:
2936:
2922:
2891:
2878:
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2769:
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2657:
2648:
2616:
2607:
2594:
2568:
2543:
2517:
2491:
2458:
2433:
2431:, 6 March 1963
2417:
2402:
2367:
2366:
2364:
2361:
2360:
2359:
2354:
2349:
2344:
2337:
2334:
2296:, directed by
2282:Jane Krakowski
2235:
2232:
2027:neoavanguardia
2018:
2015:
2012:
2011:
2008:
2005:
2000:
1994:
1993:
1990:
1987:
1981:
1980:
1977:
1974:
1969:
1963:
1962:
1959:
1955:
1954:
1951:
1948:
1944:
1943:
1940:
1935:
1929:
1928:
1925:
1920:
1916:
1915:
1912:
1907:
1901:
1900:
1897:
1895:Angelo Rizzoli
1892:
1886:
1885:
1882:
1879:
1875:
1874:
1871:
1868:
1862:
1861:
1858:
1853:
1847:
1846:
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1840:
1834:
1833:
1830:
1825:
1819:
1818:
1815:
1812:
1807:
1801:
1800:
1797:
1794:
1789:
1783:
1782:
1779:
1776:
1771:
1765:
1764:
1761:
1756:
1750:
1749:
1746:
1740:
1739:
1736:
1734:Piero Gherardi
1731:
1725:
1724:
1721:
1719:Brunello Rondi
1715:Tullio Pinelli
1707:
1701:
1700:
1697:
1692:
1687:
1681:
1680:
1677:
1674:
1671:
1623:Stanley Kramer
1617:, worried the
1515:Academy Awards
1507:
1504:
1386:film reviewer
1337:praised it in
1217:Reviewing for
1196:, the hero of
1180:
1177:
1175:
1172:
1169:
1168:
1165:
1160:
1156:
1155:
1152:
1147:
1143:
1142:
1137:
1132:
1128:
1127:
1125:Richard Wagner
1122:
1117:
1113:
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1109:
1104:
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1057:
1052:
1048:
1047:
1038:
1033:
1029:
1028:
1025:
1023:L'Illusionista
1020:
1016:
1015:
1012:
1010:E Poi (Walzer)
1007:
1003:
1002:
999:
994:
990:
989:
984:
979:
975:
974:
971:
966:
962:
961:
956:
951:
947:
946:
943:
940:
933:
930:
915:Tullio Pinelli
797:
794:
712:) (1950) with
710:Variety Lights
644:
641:
639:
638:
632:
626:
620:
614:
608:
605:
599:
598:as a mannequin
593:
590:
584:
578:
575:
569:
556:
553:
550:
537:
531:
525:
519:
513:
510:Barbara Steele
507:
501:
495:
489:
483:
476:
474:
471:
456:that includes
445:
442:
381:Piero Gherardi
365:Barbara Steele
316:
315:
308:
304:
303:
300:
296:
295:
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266:
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227:
225:
222:
219:
218:
216:
215:
209:
205:
203:
202:Distributed by
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189:
183:
182:
180:
175:
172:
171:
166:
162:
161:
156:
152:
151:
146:
145:Cinematography
142:
141:
139:
138:
133:
128:
123:
117:
115:
111:
110:
108:Angelo Rizzoli
105:
101:
100:
98:
97:
94:
90:
88:
84:
83:
81:
80:
78:Brunello Rondi
75:
70:
68:Tullio Pinelli
65:
61:
59:
55:
54:
49:
45:
44:
41:
33:
32:
15:
9:
6:
4:
3:
2:
8696:
8685:
8682:
8680:
8677:
8675:
8672:
8670:
8667:
8665:
8662:
8660:
8657:
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8650:
8647:
8645:
8642:
8640:
8637:
8635:
8632:
8630:
8627:
8625:
8622:
8620:
8617:
8615:
8612:
8610:
8607:
8605:
8602:
8600:
8597:
8595:
8592:
8590:
8587:
8585:
8582:
8580:
8577:
8575:
8572:
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8539:
8537:
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8510:
8507:
8505:
8502:
8501:
8499:
8495:
8488:
8487:
8483:
8480:
8479:
8475:
8472:
8471:
8467:
8464:
8463:
8462:Four Ways Out
8459:
8456:
8455:
8451:
8448:
8447:
8443:
8440:
8439:
8435:
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8431:
8427:
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8411:
8408:
8407:
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8400:
8399:
8395:
8392:
8391:
8387:
8384:
8383:
8379:
8376:
8375:
8371:
8368:
8367:
8363:
8362:
8360:
8356:
8349:
8348:
8344:
8341:
8340:
8336:
8333:
8332:
8328:
8325:
8324:
8320:
8317:
8316:
8315:City of Women
8312:
8309:
8308:
8304:
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8296:
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8268:
8264:
8261:
8260:
8256:
8253:
8252:
8248:
8245:
8244:
8240:
8237:
8236:
8232:
8229:
8228:
8227:Boccaccio '70
8224:
8221:
8220:
8219:La dolce vita
8216:
8213:
8212:
8208:
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7988:
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7912:
7908:
7907:
7906:Bad Education
7902:
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7897:
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7878:
7877:
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7807:
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7801:
7797:
7796:
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7787:
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7781:
7777:
7776:
7771:
7767:
7766:
7765:Europa Europa
7761:
7757:
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7667:
7666:
7661:
7657:
7656:
7651:
7647:
7646:
7641:
7637:
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7631:
7630:
7628:
7624:
7615:
7611:
7610:
7609:War and Peace
7605:
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7595:
7591:
7590:
7585:
7581:
7580:
7575:
7571:
7570:
7565:
7561:
7560:
7555:
7550:
7546:
7545:
7540:
7536:
7535:
7530:
7526:
7525:
7524:The 400 Blows
7520:
7516:
7515:
7510:
7506:
7505:
7500:
7496:
7495:
7490:
7486:
7485:
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7476:
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7466:
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7460:
7456:
7455:
7450:
7446:
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7440:
7436:
7435:
7430:
7426:
7425:
7420:
7416:
7415:
7410:
7406:
7405:
7400:
7396:
7395:
7390:
7385:
7381:
7380:
7375:
7371:
7370:
7365:
7361:
7360:
7355:
7351:
7350:
7345:
7344:
7342:
7338:
7334:
7327:
7322:
7320:
7315:
7313:
7308:
7307:
7304:
7290:
7289:
7284:
7280:
7279:
7274:
7270:
7269:
7264:
7260:
7259:
7254:
7250:
7249:
7244:
7240:
7239:
7234:
7230:
7229:
7224:
7220:
7219:
7214:
7210:
7209:
7204:
7200:
7199:
7194:
7190:
7189:
7184:
7180:
7179:
7174:
7170:
7169:
7164:
7160:
7159:
7154:
7150:
7149:
7144:
7140:
7139:
7134:
7130:
7129:
7124:
7120:
7119:
7114:
7110:
7109:
7104:
7100:
7099:
7094:
7090:
7089:
7084:
7080:
7079:
7074:
7070:
7069:
7068:Amores perros
7064:
7063:
7061:
7057:
7049:
7048:
7043:
7039:
7038:
7033:
7029:
7028:
7023:
7019:
7018:
7013:
7009:
7008:
7003:
6999:
6998:
6993:
6989:
6988:
6983:
6979:
6978:
6973:
6969:
6968:
6963:
6959:
6958:
6957:Europa Europa
6953:
6949:
6948:
6943:
6939:
6938:
6933:
6929:
6928:
6923:
6919:
6918:
6913:
6912:
6907:
6903:
6902:
6897:
6893:
6892:
6887:
6883:
6882:
6877:
6873:
6872:
6867:
6863:
6862:
6857:
6853:
6852:
6847:
6843:
6842:
6837:
6833:
6832:
6827:
6823:
6822:
6821:Autumn Sonata
6817:
6813:
6812:
6807:
6803:
6802:
6797:
6796:
6794:
6790:
6782:
6781:
6776:
6772:
6771:
6766:
6762:
6761:
6756:
6752:
6751:
6746:
6742:
6741:
6740:Claire's Knee
6736:
6732:
6731:
6726:
6722:
6721:
6716:
6712:
6711:
6710:War and Peace
6706:
6702:
6701:
6696:
6692:
6691:
6686:
6682:
6681:
6676:
6672:
6671:
6666:
6662:
6661:
6656:
6652:
6651:
6646:
6642:
6641:
6636:
6632:
6631:
6626:
6622:
6621:
6616:
6612:
6611:
6606:
6602:
6601:
6596:
6592:
6591:
6586:
6582:
6581:
6576:
6572:
6571:
6566:
6562:
6561:
6556:
6552:
6551:
6546:
6542:
6541:
6536:
6535:
6533:
6529:
6521:
6520:
6515:
6510:
6506:
6505:
6500:
6496:
6495:
6490:
6486:
6485:
6480:
6476:
6475:
6470:
6466:
6465:
6460:
6456:
6455:
6450:
6445:
6441:
6440:
6435:
6434:
6432:
6428:
6424:
6417:
6412:
6410:
6405:
6403:
6398:
6397:
6394:
6381:
6380:
6376:
6373:
6372:
6371:Tres Hermanos
6368:
6365:
6364:
6360:
6357:
6356:
6352:
6349:
6348:
6347:A Siege Diary
6344:
6341:
6340:
6336:
6333:
6332:
6328:
6325:
6324:
6320:
6317:
6316:
6312:
6309:
6308:
6304:
6301:
6300:
6296:
6293:
6292:
6288:
6285:
6284:
6280:
6277:
6274:
6271:
6270:
6266:
6263:
6262:
6258:
6255:
6254:
6250:
6247:
6246:
6242:
6239:
6238:
6234:
6231:
6230:
6226:
6223:
6222:
6218:
6215:
6214:
6210:
6207:
6206:
6202:
6199:
6198:
6194:
6191:
6190:
6186:
6183:
6182:
6178:
6175:
6174:
6173:Marvin's Room
6170:
6167:
6164:
6163:
6159:
6156:
6155:
6151:
6148:
6147:
6143:
6142:
6140:
6134:1989–present
6132:
6125:
6124:
6120:
6117:
6116:
6112:
6109:
6108:
6104:
6101:
6100:
6096:
6093:
6092:
6088:
6085:
6084:
6080:
6077:
6076:
6072:
6069:
6068:
6064:
6061:
6060:
6056:
6053:
6052:
6048:
6045:
6044:
6040:
6037:
6036:
6032:
6029:
6028:
6024:
6021:
6020:
6016:
6013:
6012:
6008:
6005:
6004:
6000:
5997:
5996:
5991:
5988:
5987:
5983:
5980:
5979:
5975:
5972:
5971:
5967:
5964:
5963:
5959:
5956:
5955:
5950:
5947:
5946:
5942:
5939:
5938:
5934:
5931:
5930:
5926:
5923:
5922:
5918:
5915:
5914:
5910:
5909:
5907:
5899:
5892:
5891:
5887:
5884:
5883:
5879:
5876:
5875:
5871:
5868:
5867:
5866:War and Peace
5863:
5860:
5859:
5843:
5840:
5839:
5835:
5832:
5831:
5827:
5824:
5823:
5822:Fate of a Man
5819:
5818:
5816:
5808:
5803:
5796:
5791:
5789:
5784:
5782:
5777:
5776:
5773:
5759:
5758:
5753:
5749:
5748:
5743:
5739:
5738:
5733:
5732:
5730:
5726:
5718:
5717:
5712:
5708:
5707:
5702:
5698:
5697:
5692:
5688:
5687:
5682:
5678:
5677:
5672:
5668:
5667:
5662:
5658:
5657:
5656:Human Capital
5652:
5648:
5647:
5642:
5638:
5637:
5632:
5628:
5627:
5622:
5618:
5617:
5612:
5608:
5607:
5602:
5598:
5597:
5592:
5588:
5587:
5582:
5578:
5577:
5572:
5568:
5567:
5562:
5558:
5557:
5552:
5548:
5547:
5542:
5538:
5537:
5532:
5528:
5527:
5522:
5521:
5519:
5515:
5507:
5506:
5501:
5497:
5496:
5491:
5487:
5486:
5481:
5477:
5476:
5471:
5467:
5466:
5465:My Generation
5461:
5457:
5456:
5451:
5447:
5446:
5441:
5437:
5436:
5431:
5427:
5426:
5421:
5417:
5416:
5411:
5407:
5406:
5401:
5397:
5396:
5391:
5387:
5386:
5381:
5377:
5376:
5371:
5367:
5366:
5361:
5360:
5355:
5354:
5349:
5345:
5344:
5339:
5335:
5334:
5329:
5325:
5324:
5319:
5315:
5314:
5309:
5308:
5306:
5302:
5294:
5293:
5288:
5284:
5283:
5278:
5274:
5273:
5268:
5264:
5263:
5262:A Special Day
5258:
5254:
5253:
5248:
5244:
5243:
5238:
5234:
5233:
5228:
5224:
5223:
5218:
5214:
5213:
5208:
5204:
5203:
5198:
5194:
5193:
5188:
5184:
5183:
5178:
5174:
5173:
5172:China Is Near
5168:
5164:
5163:
5158:
5154:
5153:
5148:
5144:
5143:
5138:
5134:
5133:
5128:
5124:
5123:
5118:
5114:
5113:
5108:
5107:
5105:
5101:
5093:
5092:
5087:
5083:
5082:
5081:The Great War
5077:
5073:
5072:
5067:
5063:
5062:
5057:
5053:
5052:
5047:
5043:
5042:
5037:
5033:
5032:
5027:
5023:
5022:
5017:
5016:
5014:
5010:
5006:
5002:
5001:Academy Award
4998:
4991:
4986:
4984:
4979:
4977:
4972:
4971:
4968:
4955:
4951:
4950:
4944:
4941:
4940:Edward Berger
4937:
4936:
4930:
4927:
4923:
4922:
4916:
4913:
4909:
4908:
4907:Another Round
4902:
4899:
4895:
4894:
4888:
4885:
4881:
4880:
4874:
4871:
4867:
4866:
4860:
4857:
4853:
4852:
4846:
4843:
4839:
4838:
4832:
4829:
4825:
4824:
4818:
4815:
4811:
4810:
4804:
4801:
4797:
4796:
4790:
4787:
4783:
4782:
4776:
4773:
4769:
4768:
4762:
4759:
4755:
4754:
4748:
4745:
4744:Yōjirō Takita
4741:
4740:
4734:
4731:
4727:
4726:
4720:
4717:
4713:
4712:
4706:
4703:
4699:
4698:
4692:
4689:
4685:
4684:
4678:
4675:
4671:
4670:
4664:
4661:
4660:Caroline Link
4657:
4656:
4650:
4647:
4646:Danis Tanović
4643:
4642:
4641:No Man's Land
4636:
4635:
4633:
4629:
4622:
4618:
4617:
4611:
4608:
4604:
4603:
4597:
4594:
4590:
4589:
4583:
4580:
4579:Mike van Diem
4576:
4575:
4569:
4566:
4562:
4561:
4555:
4552:
4548:
4547:
4541:
4538:
4534:
4533:
4527:
4524:
4520:
4519:
4513:
4510:
4506:
4505:
4499:
4496:
4492:
4491:
4485:
4482:
4481:Xavier Koller
4478:
4477:
4471:
4468:
4464:
4463:
4457:
4454:
4450:
4449:
4443:
4440:
4436:
4435:
4429:
4426:
4422:
4421:
4415:
4412:
4408:
4407:
4401:
4398:
4397:Richard Dembo
4394:
4393:
4387:
4384:
4380:
4379:
4373:
4370:
4366:
4365:
4359:
4356:
4352:
4351:
4345:
4342:
4338:
4337:
4331:
4328:
4324:
4323:
4317:
4314:
4310:
4309:
4303:
4300:
4299:Moshé Mizrahi
4296:
4295:
4289:
4286:
4282:
4281:
4275:
4274:
4272:
4268:
4261:
4257:
4256:
4250:
4247:
4243:
4242:
4236:
4233:
4229:
4228:
4227:Day for Night
4222:
4219:
4215:
4214:
4208:
4205:
4201:
4200:
4194:
4191:
4187:
4186:
4180:
4177:
4173:
4172:
4166:
4163:
4159:
4158:
4157:War and Peace
4152:
4149:
4145:
4144:
4138:
4135:
4131:
4130:
4124:
4121:
4117:
4113:
4112:
4106:
4103:
4099:
4098:
4092:
4089:
4085:
4084:
4078:
4075:
4071:
4070:
4064:
4061:
4057:
4056:
4050:
4047:
4043:
4042:
4036:
4033:
4029:
4028:
4027:Black Orpheus
4022:
4019:
4015:
4014:
4008:
4005:
4001:
4000:
3994:
3991:
3987:
3986:
3980:
3979:
3977:
3973:
3966:
3962:
3961:
3955:
3952:
3948:
3947:
3941:
3936:
3933:
3929:
3928:
3922:
3919:
3915:
3914:
3908:
3905:
3901:
3900:
3894:
3891:
3887:
3886:
3880:
3877:
3873:
3872:
3866:
3863:
3859:
3858:
3852:
3851:
3849:
3843:
3839:
3832:
3827:
3825:
3820:
3818:
3813:
3812:
3809:
3803:
3799:
3793:
3787:
3783:
3782:
3778:
3776:
3775:Derek Malcolm
3772:
3769:
3767:
3763:
3759:
3756:
3754:
3750:
3747:
3743:
3739:
3738:
3734:
3731:
3727:
3723:
3722:
3718:
3715:
3711:
3707:
3706:
3702:
3699:
3694:
3690:
3689:
3685:
3684:
3675:
3671:
3668:
3665:
3661:
3658:
3654:
3651:
3647:
3644:
3640:
3637:
3633:
3630:
3627:
3623:
3622:
3608:
3600:
3594:
3586:
3580:
3571:
3562:
3553:
3537:
3533:
3529:
3523:
3514:
3498:
3494:
3490:
3484:
3469:
3465:
3459:
3451:
3450:
3445:
3439:
3431:
3430:
3425:
3419:
3401:
3397:
3393:
3389:
3377:
3373:
3369:
3365:
3364:
3353:
3349:
3345:
3338:
3331:
3327:
3323:
3317:
3309:
3303:
3295:
3291:
3289:
3280:
3264:
3260:
3256:
3250:
3234:
3230:
3226:
3220:
3204:
3200:
3196:
3190:
3174:
3170:
3166:
3160:
3144:
3140:
3136:
3130:
3122:
3118:
3111:
3095:
3091:
3087:
3081:
3065:
3061:
3057:
3051:
3043:
3036:
3029:
3028:
3023:
3019:
3016:
3014:
3006:
2999:
2993:
2984:
2982:
2974:
2973:New York Post
2968:
2961:
2955:
2948:
2947:
2940:
2931:
2929:
2927:
2910:
2906:
2902:
2895:
2888:
2882:
2875:
2869:
2862:
2856:
2847:
2845:
2843:
2833:
2824:
2817:
2811:
2804:
2798:
2789:
2787:
2779:
2773:
2766:
2762:
2756:
2748:
2747:
2742:
2735:
2728:
2723:
2714:
2707:
2701:
2694:
2688:
2679:
2670:
2661:
2652:
2645:
2641:
2637:
2636:Certi romanzi
2633:
2629:
2626:
2620:
2611:
2604:
2598:
2582:
2578:
2572:
2557:
2553:
2547:
2531:
2527:
2521:
2505:
2501:
2495:
2479:
2475:
2471:
2465:
2463:
2454:
2450:
2446:
2440:
2438:
2430:
2426:
2421:
2414:
2413:
2406:
2390:
2386:
2382:
2378:
2372:
2368:
2358:
2355:
2353:
2350:
2348:
2345:
2343:
2342:Asa Nisi Masa
2340:
2339:
2333:
2331:
2327:
2323:
2322:Penélope Cruz
2319:
2315:
2311:
2307:
2306:Nicole Kidman
2303:
2300:and starring
2299:
2295:
2291:
2287:
2283:
2279:
2275:
2271:
2267:
2263:
2259:
2255:
2251:
2247:
2246:
2241:
2230:
2228:
2227:
2226:The Red Shoes
2222:
2221:
2216:
2212:
2211:All That Jazz
2208:
2204:
2199:
2195:
2194:La dolce vita
2189:
2187:
2183:
2179:
2175:
2171:
2169:
2168:
2164:, 1999), and
2163:
2159:
2158:
2153:
2149:
2148:
2143:
2139:
2138:
2133:
2129:
2128:
2127:Planet Parade
2123:
2122:Nanni Moretti
2119:
2115:
2111:
2110:
2105:
2101:
2100:
2099:All That Jazz
2095:
2091:
2090:
2089:Day for Night
2085:
2081:
2080:
2075:
2074:Paul Mazursky
2071:
2070:
2065:
2061:
2060:
2055:
2054:Tullio Kezich
2051:
2046:
2044:
2040:
2036:
2032:
2028:
2024:
2009:
2004:
1999:
1995:
1991:
1986:
1982:
1978:
1973:
1968:
1964:
1960:
1956:
1952:
1945:
1941:
1939:
1936:
1934:
1930:
1926:
1924:
1921:
1917:
1913:
1911:
1908:
1906:
1902:
1898:
1896:
1893:
1891:
1890:Best Producer
1887:
1883:
1880:
1876:
1872:
1869:
1867:
1863:
1859:
1857:
1856:Best Director
1852:
1848:
1844:
1839:
1835:
1831:
1829:
1824:
1820:
1816:
1811:
1806:
1802:
1798:
1793:
1788:
1784:
1780:
1775:
1770:
1766:
1762:
1760:
1757:
1755:
1751:
1747:
1745:
1741:
1737:
1735:
1730:
1726:
1722:
1720:
1716:
1712:
1711:Ennio Flaiano
1708:
1706:
1702:
1698:
1696:
1693:
1691:
1690:Best Director
1686:
1685:Academy Award
1682:
1676:Recipient(s)
1669:
1668:
1662:
1660:
1656:
1652:
1649:. It won the
1648:
1644:
1640:
1636:
1635:Sergio Amidei
1632:
1628:
1624:
1620:
1616:
1615:Tullio Kezich
1612:
1608:
1604:
1600:
1596:
1592:
1588:
1587:
1586:Il gattopardo
1582:
1577:
1575:
1571:
1567:
1563:
1559:
1555:
1551:
1548:in 1964. The
1547:
1544:
1540:
1536:
1532:
1528:
1527:Best Director
1524:
1520:
1516:
1512:
1503:
1501:
1496:
1492:
1487:
1483:
1478:
1474:
1473:
1468:
1467:
1462:
1455:
1454:
1449:
1445:
1441:
1440:
1435:
1430:
1426:
1422:
1418:
1417:
1412:
1411:
1406:
1403:
1398:
1393:
1389:
1385:
1384:
1379:
1375:
1371:
1367:
1363:
1362:Hollis Alpert
1358:
1355:
1354:
1353:La Dolce Vita
1349:
1348:
1347:New York Post
1342:
1341:
1336:
1332:
1331:
1326:
1322:
1318:
1314:
1310:
1309:New York City
1306:
1301:
1299:
1295:
1291:
1287:
1286:
1281:
1280:
1275:
1274:
1268:
1267:
1262:
1258:
1254:
1250:
1246:
1242:
1238:
1235:
1234:Bianco e Nero
1231:
1226:
1222:
1221:
1215:
1213:
1209:
1205:
1204:
1199:
1195:
1194:Leopold Bloom
1190:
1186:
1166:
1164:
1161:
1158:
1157:
1153:
1151:
1148:
1145:
1144:
1141:
1138:
1136:
1133:
1130:
1129:
1126:
1123:
1121:
1118:
1115:
1114:
1110:
1108:
1105:
1102:
1101:
1097:
1095:
1092:
1089:
1088:
1084:
1082:
1079:
1076:
1075:
1071:
1069:
1066:
1063:
1062:
1058:
1056:
1053:
1050:
1049:
1046:
1042:
1039:
1037:
1034:
1031:
1030:
1026:
1024:
1021:
1018:
1017:
1013:
1011:
1008:
1005:
1004:
1000:
998:
995:
992:
991:
988:
985:
983:
980:
977:
976:
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863:Eugene Walter
855:
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768:
766:
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761:Ennio Flaiano
758:
754:
750:
746:
745:
744:Boccaccio '70
740:
737:) (1953) and
736:
732:
731:
727:
723:
719:
715:
711:
707:
706:
701:
700:
699:La Dolce Vita
695:
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664:
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661:modernization
658:
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602:Eugene Walter
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391:Academy Award
388:
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378:
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370:
366:
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361:Rossella Falk
358:
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341:metafictional
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73:Ennio Flaiano
71:
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63:
62:
60:
58:Screenplay by
56:
53:
50:
46:
39:
34:
29:
26:
22:
8594:Films à clef
8535:
8522:
8514:
8484:
8476:
8468:
8460:
8454:Path of Hope
8452:
8444:
8436:
8430:City of Pain
8428:
8420:
8414:Without Pity
8412:
8404:
8396:
8388:
8380:
8372:
8364:
8345:
8337:
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8313:
8305:
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8209:
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8193:
8185:
8177:
8169:
8161:
8094:
8084:
8074:
8064:
8054:
8044:
8034:
8026:Toni Erdmann
8024:
8014:
8004:
7994:
7984:
7976:A Separation
7974:
7964:
7956:Summer Hours
7954:
7944:
7934:
7924:
7914:
7904:
7894:
7884:
7874:
7867:2001–present
7853:
7843:
7833:
7823:
7813:
7803:
7793:
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7753:
7743:
7733:
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7703:
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7643:
7633:
7607:
7597:
7587:
7577:
7567:
7558:
7557:
7542:
7532:
7522:
7512:
7502:
7492:
7482:
7474:Gate of Hell
7472:
7462:
7452:
7442:
7432:
7422:
7412:
7402:
7392:
7377:
7367:
7357:
7347:
7286:
7276:
7266:
7256:
7246:
7236:
7226:
7218:The Salesman
7216:
7206:
7196:
7186:
7176:
7168:A Separation
7166:
7156:
7146:
7136:
7126:
7116:
7108:Paradise Now
7106:
7096:
7086:
7076:
7066:
7059:2001–present
7045:
7035:
7025:
7015:
7005:
6995:
6985:
6975:
6965:
6955:
6945:
6935:
6925:
6915:
6909:
6899:
6889:
6879:
6869:
6859:
6849:
6841:The Tin Drum
6839:
6829:
6819:
6809:
6799:
6778:
6768:
6758:
6748:
6738:
6728:
6718:
6708:
6698:
6688:
6678:
6668:
6659:
6658:
6648:
6638:
6628:
6618:
6608:
6598:
6588:
6580:The Prisoner
6578:
6568:
6558:
6548:
6538:
6517:
6504:Pépé le Moko
6502:
6492:
6482:
6472:
6462:
6452:
6437:
6377:
6369:
6361:
6353:
6345:
6337:
6329:
6321:
6313:
6305:
6297:
6289:
6281:
6275:
6267:
6259:
6251:
6243:
6235:
6227:
6219:
6211:
6205:Resurrection
6203:
6197:The Believer
6195:
6187:
6181:Will to Live
6179:
6171:
6160:
6152:
6144:
6121:
6113:
6110:
6105:
6102:
6099:Come and See
6097:
6089:
6086:
6081:
6078:
6073:
6065:
6062:
6057:
6054:
6049:
6041:
6038:
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6017:
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5976:
5968:
5965:
5960:
5952:
5948:
5943:
5940:
5935:
5927:
5924:
5919:
5916:
5911:
5904:Golden Prize
5888:
5885:
5880:
5874:Twenty Hours
5872:
5869:
5864:
5845:
5844:
5836:
5833:
5828:
5820:
5755:
5745:
5735:
5728:2021–present
5714:
5704:
5694:
5684:
5674:
5666:Don't Be Bad
5664:
5654:
5644:
5634:
5624:
5614:
5604:
5594:
5584:
5574:
5564:
5554:
5544:
5534:
5524:
5503:
5493:
5483:
5475:The Best Man
5473:
5463:
5453:
5443:
5433:
5423:
5415:Mediterraneo
5413:
5403:
5393:
5383:
5373:
5365:Summer Night
5363:
5351:
5341:
5331:
5321:
5311:
5290:
5280:
5270:
5260:
5250:
5240:
5230:
5220:
5210:
5200:
5190:
5180:
5170:
5160:
5150:
5140:
5131:
5130:
5120:
5110:
5089:
5079:
5069:
5059:
5049:
5039:
5029:
5019:
4947:
4933:
4921:Drive My Car
4919:
4905:
4898:Bong Joon-ho
4891:
4877:
4863:
4851:The Salesman
4849:
4842:László Nemes
4835:
4821:
4807:
4793:
4781:A Separation
4779:
4772:Susanne Bier
4765:
4751:
4737:
4723:
4709:
4695:
4681:
4674:Denys Arcand
4667:
4653:
4639:
4631:2001–present
4614:
4600:
4586:
4572:
4558:
4544:
4530:
4518:Belle Époque
4516:
4502:
4490:Mediterraneo
4488:
4474:
4460:
4453:Bille August
4446:
4439:Gabriel Axel
4432:
4418:
4404:
4390:
4376:
4362:
4355:István Szabó
4348:
4334:
4322:The Tin Drum
4320:
4306:
4292:
4278:
4253:
4239:
4225:
4211:
4197:
4183:
4176:Costa-Gavras
4169:
4155:
4141:
4127:
4109:
4095:
4082:
4081:
4067:
4053:
4039:
4032:Marcel Camus
4025:
4018:Jacques Tati
4011:
3997:
3983:
3958:
3946:Gate of Hell
3944:
3932:René Clément
3925:
3911:
3904:René Clément
3897:
3883:
3869:
3855:
3797:
3780:
3752:
3736:
3720:
3704:
3687:
3673:
3663:
3656:
3649:
3642:
3635:
3625:
3619:Bibliography
3607:
3593:
3579:
3570:
3561:
3552:
3540:. Retrieved
3536:the original
3531:
3522:
3517:Alpert, 180.
3513:
3501:. Retrieved
3497:the original
3492:
3483:
3471:. Retrieved
3467:
3458:
3447:
3438:
3427:
3418:
3404:. Retrieved
3395:
3380:. Retrieved
3371:
3356:. Retrieved
3347:
3337:
3329:
3325:
3316:
3302:
3293:
3287:
3279:
3267:. Retrieved
3263:the original
3258:
3249:
3237:. Retrieved
3233:the original
3228:
3219:
3207:. Retrieved
3203:the original
3198:
3189:
3177:. Retrieved
3173:the original
3168:
3159:
3147:. Retrieved
3143:the original
3138:
3129:
3120:
3110:
3098:. Retrieved
3090:Filmsite.org
3080:
3068:. Retrieved
3064:the original
3059:
3050:
3041:
3035:
3025:
3012:
3005:
2997:
2996:Bondanella,
2992:
2972:
2967:
2959:
2954:
2944:
2939:
2913:. Retrieved
2909:the original
2904:
2894:
2886:
2881:
2874:Premier Plan
2873:
2868:
2860:
2855:
2832:
2823:
2815:
2810:
2802:
2797:
2777:
2772:
2760:
2755:
2746:The Guardian
2744:
2734:
2726:
2722:
2713:
2705:
2700:
2692:
2687:
2678:
2669:
2660:
2651:
2643:
2640:Otto e mezzo
2639:
2635:
2631:
2619:
2610:
2602:
2601:Bondanella,
2597:
2585:. Retrieved
2571:
2559:. Retrieved
2555:
2546:
2534:. Retrieved
2529:
2520:
2508:. Retrieved
2504:the original
2494:
2484:13 September
2482:. Retrieved
2478:the original
2473:
2453:the original
2448:
2428:
2420:
2410:
2405:
2393:. Retrieved
2389:the original
2380:
2371:
2326:Sophia Loren
2298:Rob Marshall
2290:Chita Rivera
2266:Anita Morris
2254:Arthur Kopit
2250:Maury Yeston
2243:
2237:
2225:
2218:
2210:
2206:
2202:
2197:
2193:
2191:
2181:
2177:
2172:
2165:
2155:
2145:
2142:Carlos Sorín
2135:
2125:
2117:
2107:
2097:
2087:
2077:
2067:
2057:
2049:
2047:
2042:
2039:Opera aperta
2038:
2030:
2020:
1655:Bodil Awards
1645:category in
1631:Satyajit Ray
1606:
1598:
1590:
1584:
1578:
1542:
1510:
1509:
1494:
1488:
1470:
1464:
1451:
1447:
1443:
1437:
1433:
1428:
1425:Great Movies
1420:
1414:
1408:
1395:
1391:
1381:
1378:Otto e mezzo
1377:
1374:Citizen Kane
1373:
1365:
1359:
1351:
1345:
1338:
1328:
1321:Pauline Kael
1317:Judith Crist
1302:
1289:
1283:
1277:
1270:
1266:Citizen Kane
1264:
1261:Premier Plan
1260:
1256:
1240:
1239:
1233:
1229:
1218:
1216:
1201:
1184:
1182:
1162:
1149:
1134:
1119:
1106:
1093:
1080:
1067:
1054:
1035:
1022:
1009:
996:
981:
968:
953:
923:
908:
902:
889:
885:aspect ratio
880:
879:
874:
860:
847:
830:
821:
817:
813:
810:
790:
783:
780:Robert Musil
775:
769:
764:
756:
752:
748:
742:
738:
734:
728:
726:omnibus film
721:
717:
709:
703:
697:
696:(1957), and
691:
685:
679:
673:
667:
665:
656:
647:
646:
559:Jean Rougeul
467:
463:
447:
427:
422:
412:
386:
385:
333:comedy drama
331:) is a 1963
328:Otto e mezzo
321:
320:
319:
273:Running time
253: (Italy)
25:
8179:I Vitelloni
8155:As director
8149:filmography
7896:City of God
7208:Son of Saul
7078:Talk to Her
6439:Man of Aran
6355:Dogpoopgirl
6043:Camera Buff
5986:Dersu Uzala
5838:Clear Skies
5757:Io capitano
5706:The Traitor
5676:Fire at Sea
5576:Golden Door
4837:Son of Saul
4420:The Assault
4411:Luis Puenzo
4294:Madame Rosa
4255:Dersu Uzala
4218:Luis Buñuel
4148:Jiří Menzel
3796:Awards for
3766:Roger Ebert
3574:Kezich, 249
3565:Kezich, 246
3556:Kezich, 248
3542:26 November
3503:27 February
3209:17 February
3011:"Fellini's
2987:Alpert, 181
2934:Kezich, 247
2915:17 December
2850:Alpert, 180
2836:Affron, 255
2792:Kezich, 245
2717:Alpert, 170
2682:Alpert, 160
2664:Alpert, 159
2655:Affron, 227
2587:9 September
2395:27 December
2318:Kate Hudson
2274:Karen Akers
2152:Tom DiCillo
2118:Sogni d'oro
2114:Woody Allen
2064:Arthur Penn
2035:Umberto Eco
1878:Best Story
1842:Grand Prix
1817:10th place
1787:Bodil Award
1769:BAFTA Award
1639:BAFTA Award
1627:Jean Marais
1591:The Leopard
1570:Sandra Milo
1541:also named
1480: [
1400: [
1388:Roger Ebert
1285:I Vitelloni
1198:James Joyce
987:Franz Lehár
837:Sandra Milo
833:Anouk Aimée
816:(literally
675:I Vitelloni
562: [
543: [
498:Sandra Milo
492:Anouk Aimée
403:avant-garde
357:Sandra Milo
353:Anouk Aimée
277:138 minutes
159:Leo Catozzo
136:Sandra Milo
131:Anouk Aimée
104:Produced by
48:Directed by
21:8½ (Plan 9)
8559:1963 films
8553:Categories
8530:2003 book)
8486:Fortunella
8339:Intervista
8275:The Clowns
7805:Wild Reeds
7484:Umberto D.
7258:La Llorona
7198:Wild Tales
6640:Die Brücke
6323:Yuan Shang
6283:Junkhearts
6237:About Sara
6123:Intervista
6067:Teheran 43
5813:Grand Prix
5804:Main Award
5626:Terraferma
5566:Don't Tell
5405:Open Doors
5375:The Family
4739:Departures
4702:Gavin Hood
4565:Jan Svěrák
4190:Elio Petri
4120:Elmar Klos
3847:(Honorary)
3473:3 November
3468:oscars.org
3449:Metacritic
3406:18 January
3382:14 January
3358:14 January
3100:19 January
2803:L'Espresso
2536:10 January
2363:References
2314:Judi Dench
2268:as Carla,
2264:as Guido,
2262:Raúl Juliá
2260:, starred
2258:Tommy Tune
2252:, book by
2248:(score by
2059:Mickey One
2023:Gruppo '63
1961:Nominated
1953:Nominated
1933:Best Score
1914:Nominated
1905:Best Actor
1832:Nominated
1799:Nominated
1781:Nominated
1738:Nominated
1723:Nominated
1699:Nominated
1574:Best Actor
1500:Metacritic
1325:John Simon
1282:but I did
1167:Nino Rota
1154:Nino Rota
1111:Nino Rota
1098:Nino Rota
1085:Nino Rota
1072:Nino Rota
1059:Nino Rota
1027:Nino Rota
1014:Nino Rota
1001:Nino Rota
973:Nino Rota
932:Soundtrack
867:viewfinder
796:Production
596:Edy Vessel
581:Ian Dallas
572:Mario Pisu
528:Eddra Gale
369:Eddra Gale
325:(Italian:
307:Box office
260:1963-05-29
249:1963-02-13
234:1963-01-02
176:Production
8509:Paparazzi
8203:Il bidone
8195:La Strada
7626:1978–2000
7349:Mayerling
7340:1937–1977
7148:A Prophet
6967:Indochine
6792:1976–2000
6531:1951–1975
6519:The Titan
6430:1934–1950
6011:El puente
5970:Affection
5901:1969–1987
5810:1959–1967
5747:Nostalgia
5686:A Ciambra
5536:Pinocchio
5517:2001–2020
5304:1981–2000
5103:1961–1980
5051:La Strada
5021:Shoeshine
5012:1947–1960
4574:Character
4504:Indochine
4270:1976–2000
4116:Ján Kadár
3985:La Strada
3975:1956–1975
3857:Shoeshine
3845:1947–1955
2691:Fellini,
2644:Il Giorno
2429:Il Giorno
2215:Bob Dylan
2176:included
2154:, 1995),
2134:, 1984),
2124:, 1981),
2116:, 1980),
2106:, 1979),
2104:Bob Fosse
2096:, 1974),
2086:, 1971),
2076:, 1970),
2066:, 1965),
2043:Open Work
2017:Influence
1938:Nino Rota
1673:Category
1653:Award at
1300:in 1963.
1279:La Strada
1174:Reception
982:Gigolette
959:Nino Rota
945:Composer
926:Nino Rota
782:'s novel
724:) in the
687:Il bidone
681:La Strada
587:Mino Doro
377:Nino Rota
282:Countries
192:Francinex
178:companies
169:Nino Rota
155:Edited by
8299:Casanova
8291:Amarcord
8056:Parasite
8046:Cold War
8016:Timbuktu
7514:My Uncle
7504:Gervaise
7494:The Road
7248:Parasite
7238:Cold War
7188:The Past
7007:Ridicule
6861:Mephisto
6770:Amarcord
6540:Rashomon
6315:Daughter
6291:Particle
6276:Las olas
5921:Serafino
5716:Notturno
5596:Gomorrah
5445:Lamerica
5353:Macaroni
5232:Amarcord
5112:La Notte
4893:Parasite
4350:Mephisto
4241:Amarcord
4013:My Uncle
3913:Rashomon
3758:Archived
3710:AllMovie
3400:Archived
3376:Archived
3352:Archived
3094:Archived
3018:Archived
2695:, 161-62
2581:Archived
2561:11 March
2336:See also
2242:musical
2240:Broadway
2157:8½ Women
1558:producer
1554:director
1513:won two
1330:Newsweek
969:Cimitero
898:Tunisian
788:(1930).
690:(1955),
684:(1954),
678:(1953),
672:(1952),
299:Language
240:Acapulco
214:(France)
165:Music by
114:Starring
87:Story by
8497:Related
8406:L'Amore
8066:Bacurau
7825:Ponette
7434:L'Amore
7369:Harvest
7228:Foxtrot
6269:Hermano
6221:Our Own
6111:–
6103:–
6087:–
6079:–
6063:–
6055:–
6039:–
6031:–
6015:–
6007:–
5990:–
5982:–
5966:–
5949:–
5941:–
5925:–
5917:–
5886:–
5870:–
5854:⁄
5834:–
5064:(1957)
5034:(1949)
5024:(1947)
4621:Ang Lee
3740:at the
3424:"8 1/2"
3169:bfi.org
3139:bfi.org
3070:27 July
3042:Chaplin
2510:25 July
2412:Variety
1679:Result
1603:Kremlin
1397:Chaplin
1225:osmosis
1208:Romagna
1203:Ulysses
1107:L'Harem
919:suicide
869:of the
312:rentals
302:Italian
258: (
247: (
232: (
187:Cineriz
8489:(1958)
8481:(1952)
8473:(1951)
8465:(1951)
8457:(1950)
8449:(1950)
8441:(1949)
8433:(1949)
8425:(1949)
8417:(1948)
8401:(1947)
8393:(1947)
8385:(1946)
8382:Paisan
8377:(1945)
8369:(1943)
8350:(1990)
8342:(1987)
8334:(1986)
8326:(1983)
8318:(1980)
8310:(1979)
8302:(1976)
8294:(1973)
8286:(1972)
8278:(1970)
8270:(1969)
8262:(1969)
8254:(1968)
8246:(1965)
8238:(1963)
8230:(1962)
8222:(1960)
8214:(1957)
8206:(1955)
8198:(1954)
8190:(1953)
8182:(1953)
8174:(1952)
8166:(1950)
8099:(2023)
8089:(2022)
8079:(2021)
8069:(2020)
8059:(2019)
8049:(2018)
8039:(2017)
8029:(2016)
8019:(2015)
8009:(2014)
7999:(2013)
7989:(2012)
7979:(2011)
7969:(2010)
7966:Carlos
7959:(2009)
7949:(2008)
7939:(2007)
7929:(2006)
7919:(2005)
7909:(2004)
7899:(2003)
7889:(2002)
7879:(2001)
7858:(2000)
7848:(1999)
7838:(1998)
7828:(1997)
7818:(1996)
7808:(1995)
7798:(1994)
7788:(1993)
7778:(1992)
7768:(1991)
7758:(1990)
7748:(1989)
7738:(1988)
7728:(1987)
7718:(1986)
7708:(1985)
7698:(1984)
7688:(1983)
7678:(1982)
7668:(1981)
7665:Pixote
7658:(1980)
7648:(1979)
7638:(1978)
7612:(1968)
7602:(1967)
7592:(1966)
7582:(1965)
7572:(1964)
7562:(1963)
7547:(1961)
7537:(1960)
7527:(1959)
7517:(1958)
7507:(1957)
7497:(1956)
7487:(1955)
7477:(1954)
7467:(1953)
7457:(1952)
7447:(1951)
7437:(1950)
7427:(1949)
7417:(1948)
7414:Paisan
7407:(1947)
7397:(1946)
7382:(1940)
7372:(1939)
7362:(1938)
7352:(1937)
7291:(2023)
7281:(2022)
7271:(2021)
7268:A Hero
7261:(2020)
7251:(2019)
7241:(2018)
7231:(2017)
7221:(2016)
7211:(2015)
7201:(2014)
7191:(2013)
7181:(2012)
7171:(2011)
7161:(2010)
7151:(2009)
7141:(2008)
7138:Mongol
7131:(2007)
7121:(2006)
7118:Volver
7111:(2005)
7101:(2004)
7091:(2003)
7081:(2002)
7071:(2001)
7050:(2000)
7040:(1999)
7030:(1998)
7020:(1997)
7010:(1996)
7000:(1995)
6990:(1994)
6980:(1993)
6970:(1992)
6960:(1991)
6950:(1990)
6940:(1989)
6930:(1988)
6920:(1987)
6904:(1986)
6901:Otello
6894:(1985)
6884:(1984)
6874:(1983)
6864:(1982)
6854:(1981)
6844:(1980)
6834:(1979)
6824:(1978)
6814:(1977)
6804:(1976)
6783:(1975)
6773:(1974)
6763:(1973)
6753:(1972)
6743:(1971)
6733:(1970)
6723:(1969)
6713:(1968)
6703:(1967)
6693:(1966)
6683:(1965)
6673:(1964)
6663:(1963)
6653:(1962)
6643:(1961)
6633:(1960)
6623:(1959)
6613:(1958)
6603:(1957)
6593:(1956)
6583:(1955)
6573:(1954)
6563:(1953)
6553:(1952)
6543:(1951)
6522:(1950)
6507:(1941)
6497:(1940)
6487:(1939)
6477:(1938)
6467:(1937)
6457:(1936)
6442:(1934)
6382:(2024)
6374:(2023)
6366:(2022)
6358:(2021)
6350:(2020)
6342:(2019)
6334:(2018)
6326:(2017)
6318:(2016)
6310:(2015)
6307:Losers
6302:(2014)
6299:My Man
6294:(2013)
6286:(2012)
6278:(2011)
6272:(2010)
6264:(2009)
6256:(2008)
6248:(2007)
6240:(2006)
6232:(2005)
6224:(2004)
6216:(2003)
6208:(2002)
6200:(2001)
6192:(2000)
6184:(1999)
6176:(1997)
6165:(1993)
6157:(1991)
6149:(1989)
6126:(1987)
6118:(1985)
6094:(1983)
6070:(1981)
6046:(1979)
6022:(1977)
6019:Mimino
5998:(1975)
5973:(1973)
5957:(1971)
5932:(1969)
5893:(1967)
5890:Father
5877:(1965)
5861:(1963)
5841:(1961)
5825:(1959)
5760:(2023)
5750:(2022)
5740:(2021)
5719:(2020)
5709:(2019)
5699:(2018)
5696:Dogman
5689:(2017)
5679:(2016)
5669:(2015)
5659:(2014)
5649:(2013)
5639:(2012)
5629:(2011)
5619:(2010)
5609:(2009)
5606:Baarìa
5599:(2008)
5589:(2007)
5579:(2006)
5569:(2005)
5559:(2004)
5549:(2003)
5539:(2002)
5529:(2001)
5508:(2000)
5498:(1999)
5488:(1998)
5478:(1997)
5468:(1996)
5458:(1995)
5448:(1994)
5438:(1993)
5428:(1992)
5418:(1991)
5408:(1990)
5398:(1989)
5388:(1988)
5378:(1987)
5368:(1986)
5356:(1985)
5346:(1984)
5336:(1983)
5326:(1982)
5316:(1981)
5295:(1980)
5285:(1979)
5275:(1978)
5265:(1977)
5255:(1976)
5245:(1975)
5235:(1974)
5225:(1972)
5215:(1971)
5205:(1970)
5195:(1969)
5185:(1968)
5175:(1967)
5165:(1966)
5155:(1965)
5145:(1964)
5135:(1963)
5125:(1962)
5115:(1961)
5094:(1960)
5084:(1959)
5074:(1958)
5054:(1956)
5044:(1950)
4946:2023:
4932:2022:
4918:2021:
4904:2020:
4890:2019:
4876:2018:
4862:2017:
4848:2016:
4834:2015:
4820:2014:
4806:2013:
4792:2012:
4778:2011:
4764:2010:
4750:2009:
4736:2008:
4722:2007:
4708:2006:
4697:Tsotsi
4694:2005:
4680:2004:
4666:2003:
4652:2002:
4638:2001:
4613:2000:
4599:1999:
4585:1998:
4571:1997:
4557:1996:
4543:1995:
4529:1994:
4515:1993:
4501:1992:
4487:1991:
4473:1990:
4459:1989:
4445:1988:
4431:1987:
4417:1986:
4403:1985:
4389:1984:
4375:1983:
4361:1982:
4347:1981:
4333:1980:
4319:1979:
4305:1978:
4291:1977:
4277:1976:
4252:1975:
4238:1974:
4224:1973:
4210:1972:
4196:1971:
4182:1970:
4168:1969:
4154:1968:
4140:1967:
4126:1966:
4118:&
4108:1965:
4094:1964:
4080:1963:
4066:1962:
4052:1961:
4038:1960:
4024:1959:
4010:1958:
3996:1957:
3982:1956:
3957:1955:
3943:1954:
3924:1952:
3910:1951:
3896:1950:
3882:1949:
3868:1948:
3854:1947:
3755:review
3695:
3330:62. 8½
3326:Empire
3269:12 May
3239:12 May
3179:13 May
3149:13 May
3009:Ebert,
2330:Fergie
2328:, and
2209:, and
1619:Soviet
1533:, and
1472:Empire
1323:, and
1212:Rimini
871:camera
835:, and
765:Comedy
643:Themes
367:, and
339:. The
291:France
238: (
7986:Amour
7855:Yi Yi
7278:Close
7178:Amour
6720:Shame
6600:Ordet
6379:Shame
6091:Vassa
5913:Lucía
4795:Amour
4560:Kolya
3000:, 93.
2605:, 175
2167:8½ $
1759:Italy
1562:music
1484:]
1457:'
1404:]
942:Title
566:]
547:]
288:Italy
8283:Roma
7916:2046
6075:Amok
5222:Roma
5091:Kapo
5003:for
4999:for
4879:Roma
3693:IMDb
3544:2012
3532:MIFF
3505:2009
3475:2011
3444:"8½"
3408:2017
3384:2017
3360:2017
3294:Time
3271:2021
3241:2021
3211:2015
3181:2021
3151:2021
3102:2009
3072:2006
2917:2017
2589:2007
2563:2021
2538:2021
2512:2010
2486:2020
2397:2012
2377:"8½"
2288:and
2245:Nine
2033:and
2010:Won
1992:Won
1979:Won
1942:Won
1927:Won
1899:Won
1884:Won
1873:Won
1860:Won
1845:Won
1763:Won
1748:Won
1717:and
1647:1964
1521:and
1517:for
1453:Time
1271:Les
1146:11c.
1131:11b.
1116:11a.
1043:and
905:Rome
824:, a
751:was
473:Cast
444:Plot
411:The
397:and
393:for
8006:Ida
7705:Ran
6891:Ran
4823:Ida
3773:by
3764:by
3724:at
3708:at
3691:at
3199:BFI
2960:NYT
2861:Lui
2642:in
2630:in
2530:bbc
2045:).
1641:in
1583:'s
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1259:".
1200:'s
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1103:10.
993:2c.
978:2b.
965:2a.
939:No.
767:".
655:),
432:'s
419:BBC
409:'s
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8086:EO
7559:8½
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5132:8½
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4882:–
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