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2BR02B: To Be or Naught to Be

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38: 383:(Los Angeles), describing the film as a "terrifying view of our future" and that the adaptation "adheres almost completely to the short story, and I must warn you – there's no happy ending here. It's bleak but thought-provoking." Lund International Film Festival's Jimmy Seiersen described the film as "suspenseful and thoughtful." 366:
critic Chris Mahon described it as "well-executed and beautifully shot." WILDsound Fest's official full-length review of the film by Kierston Drier described it as "one of those rare gems of short cinema that will set your philosophical mind in motion... There is a level of polish and richness that
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In 2204, the Earth has become a dystopian wasteland. To maintain strict population levels, no newborn is permitted to live unless another person's life is traded in, and a receipt issued. Edward K. Wehling, Jr. sits in Chicago's Lying-In Hospital waiting for the birth of his triplets, but he has no
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The film screened, accompanied by a talk "Vonnegut's 2BR02B on screen: the art and music of the 2016 adaptation (dir. Marco Checa Garcia)", at the joint NZMS (New Zealand Musicological Society) & MSA (Musicological Society of Australia) conference in Auckland, December 2017.
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The film's visual design was prepared by artists working from Vancouver, Sydney, and the Netherlands. Filming took place over three days at the Waterfall Building in Canada. Visual effects were mostly done by Facet School of VFX, Mexico. The film was edited in Vancouver, but its
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received positive reviews from critics, festival organizers and festival audiences. Daniel Abella, director of the New York Science Fiction Festival, called it one of the six must-see films of the festival and
229:. The film was an international collaboration over nearly three years, with additional crew in Sydney, London, Mexico, and the Netherlands. The film features a cameo voice role by veteran actor and 2100: 371:
contributor Michael L. Piel praised how the adaptation "unfolds like a finely-tuned play, revealing world and character details at a steady, controlled pace." John Vaughan, director of
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was undone and post-production was moved to Sydney for editing, additional visual effects and music. Sound designer Martin Cantwell joined the project, working from London.
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Both the film's art direction and soundtrack have also received critical praise. CEO of WILDsound Fest, Matthew Toffolo and the festival's audience praised
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mural into a complex, story-rich work of art, concluding that "from a cinematic point of view... they did nail it." In an essay/interview published in
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described the film as "An unconventional short film... it captures the sense of unease that would come if you glimpsed this particular future."
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This article is about the 2016 live-action short film. For the short story from which it was adapted, and other adaptations, see
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as "a lasting and haunting shred of beauty and humanity in a future where it has otherwise been abandoned."
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campaign was announced in a press release on 20 November 2013. Shortly after, it was announced that actor
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The Golden Blasters Science Fiction Short Film Awards (The National Irish Science Fiction Film Festival)
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in a version recorded especially for the film by Australian soprano and conductor Dr. Imogen Coward.
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2BRØ2B: TO BE OR NAUGHT TO BE - Audience Feedback from the Fan Fiction January 2017 Festival
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any lover of science fiction and literature will appreciate and admire." Screenwriter and
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Sci-Fi-London (International Festival of Science Fiction and Fantastic Film)
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festival on 29 April 2016, and later in Los Angeles at the Oscar-qualifying
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took the role of Dr. Hitz after Giamatti left due to scheduling conflicts.
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The Golden Blasters (The National Irish Science Fiction Film Festival)
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The Golden Blasters (The National Irish Science Fiction Film Festival)
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critic Rachel Bohlen rated the film as her third favourite from the
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directed by Marco Checa Garcia and based on the 1962 short story "
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Fantastic Planet (Horror, Sci-Fi & Fantasy Film Festival)
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LA Shorts Fest (Los Angeles International Short Film Festival)
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Online Film Festival (February), Los Angeles, California USA
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Online Film Festival (February), Los Angeles, California USA
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was attached to the project as the character Dr. Hitz. Actor
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The film screened at VonnegutFest in November 2017 at the
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The film's soundtrack makes extensive use of Schubert's
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The Montreal International Wreath Awards Film Festival
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We Are What We Pretend to Be: The First and Last Works
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Index

2 B R 0 2 B

2 B R 0 2 B
Kurt Vonnegut
Leon Coward
Sci-Fi-London
short
science fiction film
2 B R 0 2 B
Kurt Vonnegut
The X-Files
William B. Davis
Mackenzie Gray
Tyler Johnston
Melissa Roxburgh
William B. Davis
IndieGoGo
crowdfunding
Paul Giamatti
Mackenzie Gray
picture lock
Ave Maria
Sci-Fi-London
HollyShorts Film Festival
LA Shorts Fest
Motherboard
The Golden Blasters (The National Irish Science Fiction Film Festival)
HollyShorts Film Festival
Leon Coward
Ave Maria

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