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11′09″01 September 11

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674:. Soldiers, policemen and doctors for various, long minutes try to coordinate the operations of security and rescue. A journalist and her crew arrive at the scene and try in every way to obtain information from the police forces present, obtaining only peremptory invitations to clear the area. At one point, the director tells the journalist that she won't go on the air and she reacts first by protesting, then starting to rattle off various historical events that took place all on September 11. While the journalist insists on carrying out her service, the voice of the director is heard in the background telling her that something very serious happened in New York, to the point of explicitly saying "remember this date, September 11th, because it is a date that nobody more will forget ". Faced with the further (but now unintelligible) protests of the journalist, the director replies "I'm not talking to you about September 11th of '44 or '97, I'm talking about September 11th today". 509:. The soldier reveals to Shahin that he is the only one who can see him, because he is the only one who can hear and understand what is going on around. The two face a "journey" that leads them to analyze the roots of the clash between the United States and the Arab world, starting from the house of the young Arab who was the executor material of the attack. After observing his preparation, Shahin discusses with his parents, who say they are proud of what he has done and go on to complain of the constant violence suffered by the Palestinians by Israel. 621:. Pablo narrates in his letter of US involvement in financing of right-wing and subversive groups, up to the coup, and of the violence and torture suffered by him and his countrymen. Forced to first five years in prison and then into exile, he declares that he can no longer return to Chile because his family and children are now born and raised in the United Kingdom. Pablo concludes his letter with the hope that, as he will unite in the memory of the victims of September 11, 2001, so they will join him in memory of the victims of September 11, 1973. 1189: 521:, where Shahin finds his girlfriend and the young soldier's father, who turns out to be the policeman who drove him away from the Twin Towers and with whom he reconciles. Shortly thereafter, the phantom of the attacker appears, who resolutely reproaches the director for appearing too good with that soldier. Shahin replies that both are victims of human stupidity, but the attacker responds by reiterating his position once again and showing he does not want to understand, leaving the director stunned by his uncompromising words. 79: 38: 457:, where bricks are produced to build new shelters, in view of the attacks promised by the United States. Here a young teacher tries to explain to her young students what happened and to make them respect a minute of silence in honor of the victims. Attempts, however, fail one after another. Finally, the teacher finds herself having to impose the minute of silence on the children near a chimney (the most similar to a 181: 735:
An old man spends his life alone in an apartment overshadowed by the Twin Towers. The widowed man vents his loneliness by talking to his late wife as if she were still alive and cultivating her flower pot, withered by the lack of light. The collapse of the Towers finally allows the light to flood the
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is a guest of her fiancé, a tourist guide for disabled people who is about to bring a group to visit the Twin Towers. After she tried to explain to him that a story "at a distance" like theirs has no chance of succeeding, he tries to leave a message to the computer before leaving explaining that only
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repeatedly question her, since they believe the young man, of Muslim faith, could be linked to the attacks. In particular, they ask many questions about why he did not show up for work that day and why, despite having decided to pursue a medical career and leave the police academy, he still held the
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and decides to capture him with the help of his friends, in order to claim the size of 25 million pending on his boss. The boys decide to use that money to treat Adamà's mother and, potentially, many other sick people in the country, as well as not to say anything to the adults, to prevent them from
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under the horrified eyes of his mother, who decides to chase him away. In the following days, the villagers suffer the loss of various animals and everyone blames the mad soldier. It is thus decided to organize a search operation to find it, but without success. Meanwhile, a flashback clarifies the
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While the woman does not resign herself to the disappearance of her son, the media begin to report the news of her involvement in the attack, which does nothing but exacerbate the isolation in which the woman and the family have fallen. Only after six months, the boy's remains are identified among
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of the World Trade Center. While the black screen is occasionally interrupted by the repertoire images of the attacks, the voices of the announcements on television, the screams of the victims, the explosions of the planes, the calls made by the victims and their relatives overlap. The sound stops
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The boys steal the camera of one of their parents and start to follow "Osama bin Laden" to a clearing where, every day, he goes to pray. The five therefore devise a plan to capture him in that clearing, but "bin Laden" does not show up that day. The boys try to capture him at the hotel, but they
502:, but is sent away with his crew in a decisive manner by a policeman because he has no authorization to stay there. Two days later, Shahin presented himself at a press conference, but said he was upset by the attacks and asked to be able to postpone it, triggering the reaction of a journalist. 243: 760:, to the dismay of his parents and his wife. His family tries to convince him to return to the "human" state, but without success. The other villagers begin to look at them with suspicion and fear, but this does not prevent Yoichi's wife from having an extra-marital relationship. 736:
apartment and suddenly revitalizes the flowers. The elder, happy for what happened, tries to show the vase to his wife, but the light "reveals" the illusion in which he lived until then. Between tears, he regrets that his wife is not there to finally see the vase bloom again.
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those found among the rubble and the truth is re-established: it turns out that the young man died while he was helping at the site of the attacks. During the funeral, the mother denounces the climate of suspicion that has been created against her family and against the
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During the hunt, Yoichi's wife accidentally finds her husband drinking water from a river and asks him "do you dislike being a man so much?" Yoichi, in response, crawls away ignoring his wife. Finally, a snake is shown above a river stone, while the inscription in
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discover that the man is now going to the airport, where they are stopped by the policeman before they could enter. In the end, the boys decide to sell the camera and give Adamà the money, so he can look after his mother and go back to school.
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The soldier reacts by saying that, although he understands the attacks against the soldiers, it is still not right to shoot in the pile. The director counters by showing the list of victims of US military interventions and wars after the
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The film consists of eleven short segments directed by eleven filmmakers from eleven countries, each expressing a unique perspective on the tragedy of September 11, 2001, and each lasting 11 minutes, 9 seconds, and 1 frame (11′09″01).
517:, not justifying the violence but complaining about the United States' inability to understand that the legitimate defense of their principles often goes through the destruction of other countries. Their path ends at 568:, September 2001: Adamà is a boy who is forced to leave school and work as a newsboy in order to be able to pay for medicines to his sick mother. Two weeks after the attacks, Adamà sees a man very similar to 1264: 646:
and you can see the two towers collapse without sound. The background voices start again on a background of violins, while the screen gradually changes from black to white. Two writings appear (one in
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reason for the soldier's behavior: hiding behind a boulder after a violent battle, Yoichi is beaten by a fellow soldier who asks him why he does not take part in this "holy war".
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Black screen. Background noises and rumors of everyday life, suddenly interrupted by the screams of the witnesses of the crash of
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composed of 11 contributions from 11 filmmakers, each from a different country. Each gave their own vision of the events in
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While he is on the cliff in front of the house, the ghost of a young American soldier appears to him, who died in the
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a miracle can keep them together. At that moment he returns home covered in dust, miraculously escaping the attack.
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While the wife and her lover talk about the traumatic experiences that the soldier must have suffered, of the
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New York, September 10, 2001: director Yusuf Shahin is finalizing the filming of a film at the
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Please expand the article to include this information. Further details may exist on the
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considers it appropriate to celebrate the monthly demonstration anyway, in memory of
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and the forthcoming end of the war, the situation worsens: Yoichi swallows a
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Spanish, English, French, Arabic, Hebrew, Persian, French Sign Language
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Japan, August 1945. Yoichi, a soldier returned from the front with
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United Kingdom, France, Egypt, Japan, Mexico, United States, Iran
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New York, September 11, 2001: a young French photographer
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Films about the atomic bombings of Hiroshima and Nagasaki
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The news of the September 11, 2001 attacks reaches an
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Films with screenplays by Alejandro González Iñárritu
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Jon C. Scheide (segment "United States of America")
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1627: 1619: 1611: 1603: 1595: 1591:La bonne année 1587: 1579: 1575:Smic Smac Smoc 1571: 1563: 1555: 1547: 1539: 1531: 1523: 1515: 1507: 1499: 1491: 1483: 1475: 1466: 1463: 1462: 1459:Claude Lelouch 1454: 1453: 1446: 1439: 1431: 1422: 1421: 1419: 1418: 1410: 1408: 1404: 1403: 1401: 1400: 1395:Flesh and Sand 1390: 1380: 1370: 1359: 1357: 1353: 1352: 1350: 1349: 1339: 1329: 1319: 1309: 1299: 1289: 1278: 1276: 1272: 1271: 1269: 1268: 1260: 1257: 1256: 1249: 1248: 1241: 1234: 1226: 1220: 1217: 1216: 1204: 1203: 1192: 1176: 1165: 1154: 1141: 1140:External links 1138: 1136: 1133: 1132: 1131: 1128: 1125: 1122: 1119: 1116: 1110: 1107: 1104: 1101: 1098: 1092: 1089: 1084: 1081: 1080: 1079: 1076: 1073: 1070: 1064: 1061: 1058: 1055: 1052: 1049: 1046: 1043: 1040: 1032: 1031:Cinematography 1029: 1028: 1027: 1021: 1015: 1012:Heitor Pereira 1009: 1003: 997: 991: 985: 979: 973: 965: 962: 961: 960: 957: 951: 948: 942: 939: 933: 927: 921: 915: 912:Claude Lelouch 909: 903: 897: 894: 891:Sabrina Dhawan 888: 880: 877: 876: 875: 872: 869: 866: 863: 860: 854: 851: 845: 839: 833: 830: 827: 824: 821: 818: 815: 813:Jacques Perrin 810: 805: 802: 798:FIPRESCI Prize 789: 786: 750: 749: 747:Shōhei Imamura 741: 738: 733: 732: 724: 721: 688: 687: 679: 676: 668: 667: 659: 656: 635: 634: 626: 623: 609:implemented a 591: 590: 582: 579: 563: 562: 554: 553:"Burkina Faso" 551: 535: 534: 526: 523: 496: 495: 487: 484: 475: 474: 472:Claude Lelouch 466: 463: 451: 450: 442: 439: 433: 430: 392:anthology film 381: 380: 377: 373: 372: 369: 365: 364: 361: 358: 355: 354: 352: 351: 340: 329: 318: 307: 295: 293: 290: 287: 286: 281: 280:Distributed by 277: 276: 271: 267: 266: 261: 257: 256: 251: 250:Cinematography 247: 246: 238: 237: 229: 228: 211: 210: 187: 185: 178: 171: 170: 85: 83: 76: 71: 45: 44: 42: 35: 26: 9: 6: 4: 3: 2: 3523: 3512: 3509: 3507: 3504: 3502: 3499: 3497: 3494: 3492: 3489: 3487: 3484: 3482: 3479: 3477: 3474: 3472: 3469: 3467: 3464: 3462: 3459: 3457: 3454: 3452: 3449: 3447: 3444: 3442: 3439: 3437: 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3001: 2997: 2994: 2993: 2989: 2986: 2985: 2981: 2978: 2977: 2973: 2970: 2969: 2965: 2962: 2961: 2957: 2956: 2953: 2949: 2941: 2936: 2934: 2929: 2927: 2922: 2921: 2918: 2904: 2903: 2898: 2894: 2893: 2888: 2884: 2883: 2878: 2874: 2873: 2868: 2864: 2863: 2858: 2854: 2853: 2848: 2844: 2843: 2838: 2834: 2833: 2828: 2824: 2823: 2818: 2814: 2813: 2812:No Man's Land 2808: 2804: 2803: 2798: 2797: 2794: 2790: 2789:Danis Tanović 2782: 2777: 2775: 2770: 2768: 2763: 2762: 2759: 2746: 2745: 2741: 2738: 2737: 2733: 2730: 2729: 2725: 2722: 2721: 2717: 2714: 2713: 2709: 2708: 2705: 2701: 2693: 2688: 2686: 2681: 2679: 2674: 2673: 2670: 2657: 2656: 2652: 2649: 2648: 2644: 2641: 2640: 2636: 2633: 2632: 2628: 2625: 2624: 2620: 2617: 2616: 2612: 2609: 2608: 2604: 2601: 2600: 2596: 2593: 2592: 2588: 2585: 2584: 2580: 2577: 2576: 2572: 2569: 2568: 2564: 2561: 2560: 2556: 2553: 2552: 2548: 2545: 2544: 2540: 2537: 2536: 2532: 2529: 2528: 2524: 2521: 2520: 2516: 2513: 2512: 2508: 2505: 2504: 2503:Forever Yours 2500: 2497: 2496: 2492: 2489: 2488: 2487:Cairo Station 2484: 2481: 2480: 2476: 2473: 2472: 2468: 2465: 2464: 2460: 2459: 2456: 2452: 2444: 2439: 2437: 2432: 2430: 2425: 2424: 2421: 2407: 2406: 2401: 2397: 2396: 2391: 2387: 2386: 2381: 2377: 2376: 2371: 2367: 2366: 2361: 2357: 2356: 2351: 2347: 2346: 2341: 2337: 2336: 2331: 2327: 2326: 2321: 2317: 2316: 2311: 2307: 2306: 2301: 2297: 2296: 2291: 2287: 2286: 2281: 2277: 2276: 2271: 2267: 2266: 2265:Unholy Desire 2261: 2257: 2256: 2251: 2247: 2246: 2241: 2237: 2236: 2231: 2227: 2226: 2221: 2217: 2216: 2211: 2207: 2206: 2205:Stolen Desire 2201: 2200: 2197: 2193: 2185: 2180: 2178: 2173: 2171: 2166: 2165: 2162: 2149: 2148: 2144: 2141: 2140: 2136: 2133: 2132: 2128: 2125: 2124: 2120: 2117: 2113: 2112: 2108: 2105: 2104: 2100: 2097: 2096: 2092: 2089: 2088: 2084: 2081: 2080: 2076: 2073: 2072: 2068: 2065: 2064: 2060: 2057: 2056: 2052: 2049: 2048: 2044: 2041: 2040: 2036: 2035: 2032: 2028: 2020: 2015: 2013: 2008: 2006: 2001: 2000: 1997: 1984: 1981: 1978: 1977: 1973: 1970: 1969: 1965: 1962: 1961: 1957: 1954: 1953: 1949: 1946: 1945: 1941: 1938: 1937: 1933: 1930: 1929: 1925: 1922: 1921: 1917: 1916: 1913: 1909: 1901: 1896: 1894: 1889: 1887: 1882: 1881: 1878: 1865: 1864: 1860: 1857: 1856: 1852: 1849: 1848: 1844: 1841: 1840: 1836: 1833: 1832: 1828: 1825: 1824: 1820: 1817: 1816: 1812: 1809: 1808: 1804: 1801: 1800: 1796: 1793: 1792: 1791:Les parisiens 1788: 1785: 1784: 1780: 1777: 1776: 1772: 1769: 1768: 1764: 1761: 1760: 1756: 1753: 1752: 1748: 1745: 1744: 1740: 1737: 1736: 1732: 1729: 1728: 1724: 1721: 1720: 1716: 1713: 1712: 1708: 1705: 1704: 1700: 1697: 1696: 1692: 1689: 1688: 1684: 1681: 1680: 1676: 1673: 1672: 1668: 1665: 1664: 1660: 1657: 1656: 1652: 1649: 1648: 1644: 1641: 1640: 1639:Second Chance 1636: 1633: 1632: 1628: 1625: 1624: 1620: 1617: 1616: 1615:Cat and Mouse 1612: 1609: 1608: 1604: 1601: 1600: 1596: 1593: 1592: 1588: 1585: 1584: 1580: 1577: 1576: 1572: 1569: 1568: 1564: 1561: 1560: 1556: 1553: 1552: 1548: 1545: 1544: 1540: 1537: 1536: 1535:Live for Life 1532: 1529: 1528: 1524: 1521: 1520: 1516: 1513: 1512: 1508: 1505: 1504: 1500: 1497: 1496: 1492: 1489: 1488: 1484: 1481: 1480: 1476: 1473: 1472: 1468: 1467: 1464: 1460: 1452: 1447: 1445: 1440: 1438: 1433: 1432: 1429: 1416: 1412: 1411: 1409: 1405: 1397: 1396: 1391: 1387: 1386: 1381: 1377: 1376: 1371: 1367: 1366: 1361: 1360: 1358: 1354: 1346: 1345: 1340: 1336: 1335: 1330: 1326: 1325: 1320: 1316: 1315: 1310: 1306: 1305: 1300: 1296: 1295: 1290: 1286: 1285: 1284:Amores perros 1280: 1279: 1277: 1275:Feature films 1273: 1266: 1262: 1261: 1258: 1254: 1247: 1242: 1240: 1235: 1233: 1228: 1227: 1224: 1218: 1214: 1208: 1202: 1198: 1197: 1193: 1190: 1186: 1182: 1181: 1177: 1175: 1171: 1170: 1166: 1164: 1160: 1159: 1155: 1153: 1149: 1148: 1144: 1143: 1129: 1126: 1123: 1120: 1117: 1114: 1111: 1108: 1105: 1102: 1099: 1096: 1093: 1090: 1087: 1086: 1077: 1074: 1071: 1068: 1065: 1062: 1059: 1056: 1053: 1050: 1047: 1044: 1041: 1038: 1035: 1034: 1025: 1024:Vladimir Vega 1022: 1019: 1016: 1013: 1010: 1007: 1004: 1001: 1000:Tarō Iwashiro 998: 995: 992: 989: 986: 984:(title music) 983: 980: 977: 974: 971: 970:Michael Brook 968: 967: 958: 955: 952: 949: 946: 945:Danis Tanović 943: 940: 937: 934: 931: 928: 925: 922: 919: 916: 913: 910: 907: 904: 901: 898: 895: 892: 889: 886: 883: 882: 873: 870: 867: 864: 861: 858: 855: 852: 849: 846: 843: 840: 837: 834: 831: 828: 825: 822: 819: 816: 814: 811: 808: 807: 801: 799: 795: 785: 783: 777: 774: 770: 766: 761: 759: 755: 748: 744: 743: 737: 731: 727: 726: 720: 718: 712: 709: 705: 701: 697: 693: 686: 682: 681: 675: 673: 666: 662: 661: 655: 653: 649: 644: 640: 633: 629: 628: 622: 620: 616: 612: 608: 604: 600: 596: 589: 585: 584: 578: 574: 571: 567: 561: 557: 556: 550: 548: 544: 540: 533: 532:Danis Tanović 529: 528: 522: 520: 516: 510: 508: 503: 501: 494: 490: 489: 483: 480: 473: 469: 468: 462: 460: 456: 449: 445: 444: 438: 429: 427: 426: 425:11-e-Septambr 421: 420: 415: 414: 409: 405: 401: 397: 396:New York City 393: 389: 388: 378: 374: 370: 366: 362: 356: 341: 330: 328: (France) 319: 317: (Canada) 308: 297: 296: 294: 291:Release dates 288: 285: 282: 278: 275: 272: 268: 265: 262: 258: 255: 252: 248: 244: 239: 234: 225: 222: 207: 204:November 2013 197: 191: 188:This article 186: 182: 177: 176: 167: 164: 156: 145: 142: 138: 135: 131: 128: 124: 121: 117: 114: –  113: 109: 108:Find sources: 102: 98: 92: 91: 86:This article 84: 80: 75: 74: 69: 67: 60: 59: 54: 53: 48: 43: 34: 33: 30: 19: 3215: 3207: 3199: 3191: 3183: 3175: 3167: 3110: 3102: 3094: 3086: 3078: 3070: 3062: 3054: 3046: 3038: 3030: 3022: 3015: 3014: 3006: 2998: 2990: 2982: 2974: 2966: 2958: 2900: 2890: 2880: 2870: 2860: 2850: 2840: 2830: 2821: 2820: 2810: 2800: 2742: 2734: 2727: 2726: 2718: 2710: 2653: 2645: 2637: 2630: 2629: 2621: 2613: 2605: 2599:The Emigrant 2597: 2589: 2581: 2573: 2565: 2557: 2549: 2541: 2533: 2525: 2517: 2509: 2501: 2493: 2485: 2477: 2469: 2461: 2404: 2403: 2393: 2383: 2373: 2363: 2353: 2343: 2333: 2323: 2313: 2303: 2293: 2283: 2273: 2263: 2253: 2243: 2233: 2223: 2213: 2203: 2145: 2137: 2129: 2121: 2115: 2109: 2101: 2095:The Namesake 2093: 2085: 2077: 2069: 2061: 2053: 2045: 2037: 1982: 1975: 1974: 1966: 1958: 1950: 1944:Samba Traoré 1942: 1934: 1926: 1918: 1861: 1853: 1845: 1837: 1829: 1821: 1813: 1805: 1797: 1789: 1781: 1773: 1765: 1757: 1749: 1741: 1733: 1725: 1717: 1709: 1701: 1693: 1685: 1677: 1669: 1661: 1653: 1645: 1637: 1629: 1621: 1613: 1605: 1597: 1589: 1581: 1573: 1565: 1557: 1549: 1541: 1533: 1525: 1517: 1509: 1501: 1493: 1485: 1477: 1469: 1393: 1383: 1374: 1373: 1363: 1342: 1334:The Revenant 1332: 1322: 1312: 1302: 1292: 1282: 1212: 1195: 1178: 1168: 1156: 1146: 1067:Declan Quinn 1037:Samuel Bayer 988:Manu Dibango 906:Paul Laverty 791: 778: 767:used in the 762: 751: 745:Directed by 734: 728:Directed by 713: 689: 683:Directed by 669: 663:Directed by 641:against the 636: 630:Directed by 592: 586:Directed by 575: 564: 558:Directed by 536: 530:Directed by 511: 504: 497: 491:Directed by 476: 470:Directed by 452: 446:Directed by 435: 424: 423: 418: 417: 412: 411: 386: 385: 384: 359:Running time 306: (Italy) 217: 201: 189: 159: 150: 140: 133: 126: 119: 107: 95:Please help 90:verification 87: 63: 56: 50: 49:Please help 46: 29: 2720:Blackboards 2087:Vanity Fair 1839:Un plus une 1356:Short films 1095:Jay Cassidy 1006:Salif Keita 700:Twin Towers 650:and one in 643:North Tower 639:flight AA11 611:coup d'état 597:refugee in 566:Ouagadougou 398:during the 363:135 minutes 264:See editing 3246:2002 films 3240:Categories 3217:Superpower 3185:The Pledge 3080:Ana Arabia 2948:Amos Gitai 2543:The Choice 2365:Black Rain 1863:Finalement 1365:Powder Keg 1185:Metacritic 1135:References 665:Amos Gitai 539:Srebrenica 459:skyscraper 346:2003-07-18 335:2002-12-27 324:2002-09-11 313:2002-09-11 302:2002-09-05 123:newspapers 52:improve it 3157:Sean Penn 3040:Free Zone 2712:The Apple 2623:The Other 2385:Dr. Akagi 2335:Eijanaika 2027:Mira Nair 1920:Yam Daabo 1775:One 4 All 936:Sean Penn 918:Ken Loach 804:Producers 730:Sean Penn 685:Mira Nair 593:Pablo, a 588:Ken Loach 479:deaf-mute 376:Languages 368:Countries 274:See music 260:Edited by 196:talk page 153:June 2012 58:talk page 3209:Flag Day 2535:The Land 1607:Marriage 1567:Le voyou 1314:Biutiful 1294:21 Grams 1163:Allmovie 782:Japanese 672:Tel Aviv 658:"Israel" 625:"Mexico" 465:"France" 432:Segments 270:Music by 2615:Destiny 2375:The Eel 1407:Related 1083:Editing 879:Writers 792:At the 740:"Japan" 678:"India" 595:Chilean 486:"Egypt" 344: ( 333: ( 322: ( 311: ( 300: ( 137:scholar 3220:(2023) 3212:(2021) 3204:(2016) 3196:(2007) 3188:(2001) 3180:(1995) 3172:(1991) 3115:(2020) 3107:(2015) 3099:(2014) 3083:(2013) 3075:(2012) 3067:(2010) 3051:(2007) 3043:(2005) 3035:(2004) 3027:(2003) 3011:(2002) 3003:(2000) 3000:Kippur 2995:(1999) 2992:Kadosh 2987:(1996) 2979:(1992) 2971:(1989) 2963:(1986) 2960:Esther 2905:(2021) 2895:(2020) 2885:(2016) 2875:(2014) 2872:Tigers 2865:(2013) 2855:(2010) 2845:(2009) 2842:Triage 2835:(2005) 2825:(2002) 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704:CIA 545:by 461:). 410:as 99:by 3242:: 719:. 702:. 690:A 428:. 61:. 3148:e 3141:t 3134:v 2939:e 2932:t 2925:v 2780:e 2773:t 2766:v 2691:e 2684:t 2677:v 2442:e 2435:t 2428:v 2183:e 2176:t 2169:v 2118:) 2111:8 2018:e 2011:t 2004:v 1899:e 1892:t 1885:v 1450:e 1443:t 1436:v 1245:e 1238:t 1231:v 348:) 337:) 326:) 315:) 304:) 224:) 218:( 206:) 202:( 198:. 166:) 160:( 155:) 151:( 141:· 134:· 127:· 120:· 93:. 68:) 64:( 20:)

Index

11 de Septembre
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verification
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adding citations to reliable sources
"11′09″01 September 11"
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books
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JSTOR
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See cinematography
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See music
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anthology film
New York City
September 11 attacks
frame
Internet Movie Database
Samira Makhmalbaf
Afghan refugee camp

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