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marriage pending between the daughter of a rich citizen
Alderman and young Lord Viscount Squanderfield, the dissipated son of a gouty old Earl ... The dismal end is known. My lord draws upon the counsellor, who kills him, and is apprehended while endeavouring to escape. My lady goes back perforce to the Alderman of the City, and faints upon reading Counsellor Silvertongue's dying speech at Tyburn (place of execution in old London), where the counsellor has been 'executed for sending his lordship out of the world. Moral: don't listen to evil silver-tongued counsellors; don't marry a man for his rank, or a woman for her money; don't frequent foolish auctions and masquerade balls unknown to your husband; don't have wicked companions abroad and neglect your wife, otherwise you will be run through the body, and ruin will ensue, and disgrace, and Tyburn.
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that by definition has a moral point to convey – of a conventional marriage within the
English upper class. All the paintings were engraved and the series achieved wide circulation in print form. The series, which is set in a Classical interior, shows the story of the fashionable marriage of Viscount Squanderfield, the son of bankrupt Earl Squander, to the daughter of a wealthy but miserly city merchant, starting with the signing of a marriage contract at the Earl's grand house and ending with the murder of the son by his wife's lover and the suicide of the daughter after her lover is hanged at
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1269:, the three essays written by Reynolds for the months of September through November 1759 are directed at Hogarth. In them, Reynolds argues that this "connoisseur" has a "servile attention to minute exactness" and questions their idea of the imitation of nature as "the obvious sense, that objects are represented naturally when they have such relief that they seem real." Reynolds rejected "this kind of imitation", favouring the "grand style of painting" which avoids "minute attention" to the visible world. In Reynolds'
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1112:(published 21 February 1751), in which Hogarth depicts the cruel treatment of animals which he saw around him and suggests what will happen to people who carry on in this manner. In the first print, there are scenes of boys torturing dogs, cats and other animals. It centers around a poorly dressed boy committing a violent act of torture upon a dog, while being pleaded with to stop, and offered food, by another well-dressed boy. A boy behind them has graffitied a
1881:, who was known as the "Lancashire Hogarth". The spread of Hogarth's prints throughout Europe, together with the depiction of popular scenes from his prints in faked Hogarth prints, influenced Continental book illustration through the 18th and early 19th centuries, especially in Germany and France. He also influenced many caricaturists of the 18th, 19th and 20th centuries. Hogarth's influence lives on today as artists continue to draw inspiration from his work.
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378:. However, the academy seems to have stopped operating in 1724, at around the same time that Vanderbank fled to France in order to avoid creditors. Hogarth recalled of the first incarnation of the academy: "this lasted a few years but the treasurer sinking the subscription money the lamp stove etc were seized for rent and the whole affair put a stop to." Hogarth then enrolled in another drawing school, in
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1723:, some of the initial paintings were placed either in Sir James' drawing room or dining room, through the conspiring of Jane and her mother, in the hopes of reconciling him with the couple. When he saw them, he inquired as to the artist's name and, upon hearing it, replied: "Very well; the man who can produce such representations as these, can also maintain a wife without a
900:), a pointed skewering of upper-class 18th-century society. An engraved version of the same series, produced by French engravers, appeared in 1745. This moralistic warning shows the miserable tragedy of an ill-considered marriage for money. This is regarded by many as his finest project and may be among his best-planned story serials.
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In the third print, Tom is shown to be a murderer, surrounded by a mob of accusers. The woman he has apparently killed is lying on the ground, brutally slain, with a trunk and sack of stolen goods near by. One of the accusers holds a letter from the woman to Tom, speaking of how wronging her mistress
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driver. His coach has overturned with a heavy load and his horse is lying on the ground, having broken its leg. He is beating it with the handle of his whip; its eye severely wounded. Other people around him are seen abusing their work animals and livestock, and a child is being run over by the wheel
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Marital ethics were the topic of much debate in 18th-century
Britain. The many marriages of convenience and their attendant unhappiness came in for particular criticism, with a variety of authors taking the view that love was a much sounder basis for marriage. Hogarth here painted a satire – a genre
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before 1728 in the Lodge at the Hand and Apple Tree Tavern, Little Queen Street, and later belonged to the
Carrier Stone Lodge and the Grand Stewards' Lodge; the latter still possesses the 'Hogarth Jewel' which Hogarth designed for the Lodge's Master to wear. Today the original is in storage and a
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Before going to bed that evening, he had boasted about eating a pound of beefsteaks for dinner, and reportedly looked more robust than he had in a while at this time. However, when he went to bed, he suddenly began vomiting; something that caused him to ring his bell so forcefully that it broke.
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Back home, he immediately executed a painting of the subject in which he unkindly represented his enemies, the
Frenchmen, as cringing, emaciated and superstitious people, while an enormous sirloin of beef arrives, destined for the English inn as a symbol of British prosperity and superiority. He
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Influenced by French and
Italian painting and engraving, Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual, mostly of the first rank of realistic portraiture. They became widely popular and mass-produced via prints in his lifetime, and he was by far the most significant
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This famous set of pictures contains the most important and highly wrought of the
Hogarth comedies. The care and method with which the moral grounds of these pictures are laid is as remarkable as the wit and skill of the observing and dexterous artist. He has to describe the negotiations for a
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According to
Elizabeth Einberg, "by the time he died in October 1764 he had left so indelible a mark on the history of British painting that the term 'Hogarthian' remains instantly comprehensible even today as a valid description of a wry, satirical perception of the human condition."
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On 25 October 1764, Hogarth was conveyed from his villa in
Chiswick to his home in Leicester Fields, in weak condition. He had been in a weakened state for a while by this time, but was said to be in a cheerful mood and was even still working—with some help; doing more retouches on
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1178:, for which he was paid £200, "which was more", he wrote, "than any English artist ever received for a single portrait." With this picture Hogarth established the genre of theatrical portraiture as a distinctively British kind of history painting. In 1746, a sketch of
1661:, a believer in a God who created the universe but takes no direct hand in the lives of his creations. Thus, as a "comic history painter", he often poked fun at the old-fashioned, "beaten" subjects of religious art in his paintings and prints. Hogarth also rejected
827:. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling – the character's life ultimately ends in
288:, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of payment of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge.
394:. On Thornhill, Hogarth later claimed that, even as an apprentice, "the painting of St Pauls and greewich hospital ... were during this time runing in my head", referring to the massive schemes of decoration painted by Thornhill for the dome of
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had great success. Therefore, by that time, Hogarth hit on a new idea: "painting and engraving modern moral subjects ... to treat my subjects as a dramatic writer; my picture was my stage", as he himself remarked in his manuscript notes.
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Young
Hogarth also took a lively interest in the street life of the metropolis and the London fairs, and amused himself by sketching the characters he saw. Around the same time, his father, who had opened an unsuccessful Latin-speaking
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1543:). By some of Hogarth's adherents, the book was praised as a fine deliverance upon aesthetics; by his enemies and rivals, its obscurities and minor errors were made the subject of endless ridicule and caricature. For instance,
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figures gambling, while in the middle there is a huge machine, like a merry-go-round, which people are boarding. At the top is a goat, written below which is "Who'l Ride". The people are scattered around the picture with a
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Mrs Lewis, who stayed on with Jane Hogarth in Leicester Fields, was the only non-familial person acknowledged financially in Hogarth's will and was left £100 (approximately £15,236.79 in 2024) for her "faithful services."
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replica is worn by the Master of the Lodge. Freemasonry was a theme in some of Hogarth's work, most notably 'Night', the fourth in the quartet of paintings (later released as engravings) collectively entitled the
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and other types of popular print. In England the fine arts had little comedy in them before Hogarth. His prints were expensive, and remained so until early 19th-century reprints brought them to a wider audience.
2026:, the protagonists visit Hogarth's tomb during their first outing together. They read aloud the poem inscribed there, and their shared admiration of Hogarth helps to affirm their connection with one another.
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1032:, in which the effects of drinking gin are shown – as a more potent liquor, gin caused more problems for society. There had been a sharp increase in the popularity of gin at this time, which was called the '
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resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the
863:(known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognise the authorial rights of an individual artist.
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Hogarth Restored. The Whole Works of the Celebrated William Hogarth, as Originally Published: with a Supplement, Consisting of Such of His Prints as Were Not Published in a Collected Form
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and preserved as a museum, and spent time there for the rest of his life. The Hogarths had no children, although they fostered foundling children. He was a founding Governor of the
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of London in the last plate in the series. The idle apprentice, who begins "at play in the church yard" (plate 3), holes up "in a Garrett with a Common Prostitute" after turning
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1143:, shows Tom's withering corpse being publicly dissected by scientists after his execution by hanging; a noose still around his neck. The dissection reflects the
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446:. Morris heard that he was "an engraver, and no painter", and consequently declined the work when completed. Hogarth accordingly sued him for the money in the
1044:, whose members had previously been the only legal manufacturers of alcohol, leading to an increase in the production and then consumption of domestic gin.
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In 1731, Hogarth completed the earliest of his series of moral works, a body of work that led to wide recognition. The collection of six scenes was entitled
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1941:' short story "Indisposed" is a fictional account of Hogarth's infidelity as told from the viewpoint of his wife, Jane. Hogarth was the lead character in
1273:, he grants Hogarth has "extraordinary talents", but reproaches him for "very imprudently, or rather presumptuously, attempt the great historical style."
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deemed Hogarth's images to be books, filled with "the teeming, fruitful, suggestive meaning of words. Other pictures we look at; his pictures we read."
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Hudibras Triumphant, one of the twelve engravings illustrating the adventures of Hudibras, a bumbling adventurer from Samuel Butler's mock-heroic poem.
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Sir James saw the match as unequal, as Hogarth was a rather obscure artist at the time. However, when Hogarth started on his series of moral prints,
631:" (i.e., groups in oil of full-length portraits from 12 to 15 inches (300 to 380 mm) high. Among his efforts in oil between 1728 and 1732 were
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Benjamin N. Ungar, "Take Me to the Southwark Fair: William Hogarth's Snapshot of the Life and Times of England's Migrating Early 18th Century Poor"
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claimed to have painted himself into the picture in the left corner sketching the gate, with a "soldier's hand upon my shoulder", running him in.
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273:. Familiarity with his work is so widespread that satirical political illustrations in this style are often referred to as "Hogarthian".
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The Works of William Hogarth, Elucidated by Descriptions, Critical, Moral and Historical; To Which is Prefixed Some Account of His Life
1993:, held an exhibition which assembled all Hogarth's series of paintings, and his series of engravings, in one place for the first time.
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1979:. In 2014 both Hogarth's House and the Foundling Museum held special exhibitions to mark the 250th anniversary of his death. In 2019,
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by the industrious apprentice himself. For each plate, there is at least one passage from the Bible at the bottom, mostly from the
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depicts the fate of a country girl who begins prostituting – the six scenes are chronological, starting with a meeting with a
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Anecdote Lives of William Hogarth, Sir Joshua Reynolds, Thomas Gainsborough, Henry Fuseli, Sir Thomas Lawrence, and J.M.W. Turner
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Anecdote Lives of William Hogarth, Sir Joshua Reynolds, Thomas Gainsborough, Henry Fuseli, Sir Thomas Lawrence, and J.M.W. Turner
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Hogarth's Hidden Parts: Satiric Allusion, Erotic Wit, Blasphemous Bawdiness and Dark Humour in Eighteenth-Century English Art
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Hogarth's Hidden Parts: Satiric Allusion, Erotic Wit, Blasphemous Bawdiness and Dark Humour in Eighteenth-Century English Art
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Charles Lamb, "On the genius and character of Hogarth; with some remarks on a passage in the writings of the late Mr. Barry"
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Geoff Quilley, "The Analysis of Deceit: Sandby's Satires against Hogarth", in John Bonehill and Stephen Daniels (eds.),
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upsets her conscience, but that she is resolved to do as he would have her, closing with: "I remain yours till death."
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school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in
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1692:, London. William Hogarth and Jane Thornhill eloped here, in 1729, in a previous incarnation of the church building.
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1821:, which he said took place in the "chest." Horace Walpole claimed that he died of "a dropsy of his breast."
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His main home was in Leicester Square (then known as Leicester Fields), but he bought a country retreat in
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Art in Reproduction: Nineteenth-century Prints After Lawrence Alma-tadema, Jozef Israels and Ary Scheffer
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The Analysis of Beauty, With the Rejected Passages from the Manuscript Drafts and Autobiographical Notes
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stickman figure upon a wall, with the name "Tom Nero" underneath, and is pointing to this dog torturer.
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in his own right, at first engraving coats of arms and shop bills and designing plates for booksellers.
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1673:, will say that he has not seen faces and necks, hands and arms in living women, that even the Grecian
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Hogarth lived in an age when artwork became increasingly commercialized, being viewed in shop windows,
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One of Hogarth's masterpieces of this period is the depiction of an amateur performance by children of
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Hogarth's paintings and prints have provided the subject matter for several other works. For example,
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4759:(New Haven and London, Yale University Press for Paul Mellon Centre for Studies in British Art, 2016)
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1219:. There are also portraits of his wife, his two sisters, and of many other people; among them Bishop
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255:-like series of pictures called "modern moral subjects", and he is perhaps best known for his series
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Among his friends and acquaintances were many English artists and satirists of the period, such as
1535:(1753). In it, he professes to define the principles of beauty and grace which he, a real child of
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England, where those who worked hard were rewarded, such as the industrious apprentice who becomes
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983:"Industry and Idleness, shown here, 'Proverbs Ch:10 Ver:4 The hand of the diligent maketh rich.'"
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The Indian Emperour, or The Conquest of Mexico by Spaniards, being the Sequel of The Indian Queen
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2984:"Lust in Hogarth's 'Sleeping Congregation' : or, how to waste time in post-Puritan England"
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produced several caricatures against Hogarth's treatise. Hogarth wrote also a manuscript called
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Later prints of significance include his pictorial warning of the consequences of alcoholism in
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In 1740, he created a truthful, vivid full-length portrait of his friend, the philanthropic
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London's Sinful Secret: The Bawdy History and Very Public Passions of London's Georgian Age
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The Works of William Hogarth, Including the Analysis of Beauty and Five Days' Peregination
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The Works of William Hogarth, Including the Analysis of Beauty and Five Days' Peregination
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The Works of William Hogarth, Including the Analysis of Beauty and Five Days' Peregination
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1040:, which barred popular French brandy imports, and the forced disbandment, in 1690, of the
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The inaugural series was an immediate success and was followed in 1733–1735 by the sequel
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1915:, was less literally inspired by the same series. Hogarth's engravings also inspired the
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For a long period, during the mid-18th century, Hogarth tried to achieve the status of a
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2655:, E.V. Lucas Publishing, 1811, Vol. 1, p. 82, "On the genius and character of Hogarth".
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male in favour of the living, breathing female. He said, "Who but a bigot, even to the
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In 1727, he was hired by Joshua Morris, a tapestry worker, to prepare a design for the
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Hogarth, France and British Art: The rise of the arts in eighteenth-century Britain
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2995:
2792:
2733:
2626:
Hogarth, France and British Art: The rise of the arts in eighteenth-century Britain
2456:
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1383:
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1202:
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976:
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502:
387:
324:
319:
William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor
240:
205:
5693:
2821:
2762:
971:(plate 7) and "executed at Tyburn" (plate 11). The idle apprentice is sent to the
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6040:
5920:
5879:
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1996:
1899:
1813:
Hogarth died around two hours later, in the arms of his servant, Mrs Mary Lewis.
1779:
1674:
1248:
1240:
1220:
1207:
1144:
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and appeared first as paintings (now lost) before being published as engravings.
555:
510:
501:, published 1724), about the disastrous stock market crash of 1720, known as the
410:
367:
363:
4810:
3870:
1084:
An Enquiry into the Causes of the Late Increase of Robbers, and Related Writings
796:, Plate 8, 1735, and retouched by Hogarth in 1763 by adding the Britannia emblem
366:. He attended alongside other future leading figures in art and design, such as
359:
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1775:
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1277:
1224:
1205:. This portrait, and his unfinished oil sketch of a young fishwoman, entitled
1071:
948:
905:
836:
765:
757:
281:
3852:(1753), ed. Ronald Paulson, New Haven and London: Yale University Press, 1997
1744:
1251:, was highly critical of Hogarth's style and work. According to art historian
7140:
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6990:
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5997:
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5896:
5891:
5811:
5441:
4901:
4892:
4663:
4595:
4493:"Hogarth: Place and Progress review – a heartbreaking epic of London squalor"
3796:
2999:
2273:
2231:
2009:
1972:
1938:
1928:
1844:
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In the following years, he turned his attention to the production of small "
7116:
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6588:
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4911:
4888:
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2983:
2896:(New Haven and London: Yale University Press 2016), nos. 11, 20, 14, 13A–D.
2523:
2252:(1750), a satirical depiction of troops mustered to defend London from the
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2001:
1828:
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and ending with a funeral ceremony that follows the character's death from
579:
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348:
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66:
4370:"Hogarth: Place and Progress review – Sordid, subversive and richly comic"
2866:(3rd edition, London 1989), no. 43. For more details, see David Dabydeen,
2664:
1434:. In 1749, he represented the somewhat disorderly English troops on their
787:
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6795:
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1932:
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674:
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62:
3403:"William Hogarth, Beer Street and Gin Lane, two prints", British Museum.
7040:
6715:
6630:
3781:"We see a ghost : Hogarth's satire on Methodists and connoisseurs"
2437:
2227:
1952:
1607:
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968:
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328:
6594:
6478:
4709:
Handel, Hogarth, Goupy: Artistic intersections in Handelian biography
3670:
2019:
1942:
1916:
1898:, was based directly on Hogarth's series of paintings of that title.
1731:
1529:
Hogarth wrote and published his ideas of artistic design in his book
1479:
1074:, may have enlisted Hogarth to help with propaganda for the Gin Act;
1033:
312:
232:
24:
4806:, 1822 Heath edition (engravings, with commentaries by John Nichols)
4419:
Enduring Presence: William Hogarth's British and European Afterlives
554:(1724). The latter is a satire on contemporary follies, such as the
6584:
5611:
4881:, 8 October 2007 (available for download as MP3, MP4 or text files)
1968:
1833:
1818:
1756:
1749:
1670:
1574:. Old hierarchies broke down, and new forms began to flourish: the
1405:(1745; executed by French artists under Hogarth's inspection), and
960:
657:
620:
436:
285:
132:
128:
117:
4917:
4417:," in Caroline Patey, Cynthia E. Roman, Georges Letissier (eds.),
2834:
Coombs, Katherine, 'Lens family (per. c. 1650–1779), artists' in
471:
351:
for five years. Hogarth never spoke of his father's imprisonment.
4768:
Shakespeare, Hogarth and Garrick: Plays, Painting and Performance
4467:"Progress 06 Jun 2014 – 07 Sep 2014 | Exhibitions & Displays"
3439:
Shakespeare, Hogarth and Garrick: Plays, Painting and Performance
2544:"William Hogarth – Miss Mary Edwards : The Frick Collection"
1654:
1583:
1329:
1182:, afterwards beheaded on Tower Hill, had an exceptional success.
1129:
1055:, they are scrawny, lazy and careless. The woman at the front of
972:
4830:
1561:
4785:
4000:. London, England: John Stockdale and G. Robinson. p. 223.
3635:(New Haven and London: Yale University Press 2016), nos. 90–91.
2421:
1567:
1536:
1422:), which shows him as a learned artist supported by volumes of
1113:
614:
In 1726, Hogarth prepared twelve large engravings illustrating
514:
277:
236:
136:
3675:(Bristol Historical Association pamphlet, no. 46, 1980) 24 pp.
1355:
wrote that Hogarth had run a great risk to go there since the
1051:, people are shown as healthy, happy and prosperous, while in
231:; 10 November 1697 – 26 October 1764) was an English painter,
2853:(New Brunswick: Rutgers University Press, 1991), pp. 155-157.
1903:
1790:
1658:
1587:
1351:) was produced soon after his return from a visit to France.
563:
382:, shortly after it opened in November 1724, which was run by
320:
1606:, and the very vigorous satirical traditions of the English
223:
220:
5580:
4811:
William Hogarth's biography, style, artworks and influences
4522:(J. B. Nichols and Son, 25 Parliament Street, London, 1833)
4413:
Mariacristina Cavecchi, "Hogarth's Progress in Nick Dear's
2277:
1805:
on this same day. On 26 October, he received a letter from
1414:
In 1745, Hogarth painted a self-portrait with his pug dog,
450:, where the case was decided in his favour on 28 May 1728.
280:
to a lower-middle-class family. In his youth he took up an
214:
3102:, 3rd edition (London: The Print Room 1989), nos. 121–126.
3025:
Christina H. Kiaer, "Professional Femininity in Hogarth's
1059:, who lets her baby fall to its death, echoes the tale of
947:(1747), Hogarth shows the progression in the lives of two
526:, which spent more time issuing stock than anything else.
4180:
Nichols, John; Steevens, George; Ireland, Samuel (1900).
4154:
Nichols, John; Steevens, George; Ireland, Samuel (1900).
4128:
Nichols, John; Steevens, George; Ireland, Samuel (1900).
3528:
Hogarth & John Wilkes - UK Parliament Living Heritage
3197:. Amsterdam: Amsterdam University Press. pp. 15–16.
1650:
217:
5316:
4393:. Littleborough: George Kelsall Publishing. p. 39.
3913:, exh. cat., London: Royal Academy of Arts, 2009, 38-47.
3226:
Marriage A-la-Mode: a re-view of Hogarth's narrative art
1999:
based the cinematography of his 1975 period drama film,
1847:, composed the following inscription for his tombstone:
776:
539:
The Mystery of Masonry brought to Light by the Gormagons
4757:
William Hogarth: A Complete Catalogue of the Paintings
4179:
4153:
4127:
3767:
William Hogarth: A Complete Catalogue of the Paintings
3741:
William Hogarth: A Complete Catalogue of the Paintings
3728:
William Hogarth: A Complete Catalogue of the Paintings
3687:
William Hogarth: A Complete Catalogue of the Paintings
3659:
William Hogarth: A Complete Catalogue of the Paintings
3646:
William Hogarth: A Complete Catalogue of the Paintings
3633:
William Hogarth: A Complete Catalogue of the Paintings
3503:
William Hogarth: A Complete Catalogue of the Paintings
3490:
William Hogarth: A Complete Catalogue of the Paintings
3422:
William Hogarth: A Complete Catalogue of the Paintings
3134:
William Hogarth: A Complete Catalogue of the Paintings
3087:
William Hogarth: A Complete Catalogue of the Paintings
2945:
William Hogarth: A Complete Catalogue of the Paintings
2907:
William Hogarth: A Complete Catalogue of the Paintings
2894:
William Hogarth: A Complete Catalogue of the Paintings
2601:
Hogarth, vol. 1: The 'Modern Moral Subject', 1697–1732
1614:
4575:
Ausführliche Erklärung der Hogarthischen Kupferstiche
3314:(New Haven: Yale University Press, 1999), pp.198–222.
2921:, The Hogarth Room, The Tate, retrieved 7 August 2014
548:(1724); some book illustrations; and the small print
3939:, edited by Joseph Burke (Oxford, 1955), pp. 201-31.
3922:
Michael Kitson, "Hogarth's 'Apology for Painters'",
2723:"Hogarth, William (1697–1764), painter and engraver"
6175:
Brentford and Chiswick (UK Parliament constituency)
4752:(New Haven and London: Yale University Press, 2016)
3228:(Manchester University Press, 1983); Judy Egerton,
2642:(Hildesheim, Zurich and New York: Georg Olms 2010).
1653:who intervenes in the lives of people and produces
1119:The second shows Tom Nero has grown up to become a
1106:Other prints were his outcry against inhumanity in
1024:to show a happy city drinking the 'good' beverage,
247:and occasional writer on art. His work ranges from
211:
208:
6231:
3952:William Hogarth: Painter, Engraver and Philosopher
2780:
2721:
1619:When analysing the work of the artist as a whole,
1495:(1762); and his pessimistic view of all things in
890:In 1743–1745, Hogarth painted the six pictures of
670:, whom he sketched two days before her execution.
4722:(Hildesheim, Zurich, New York: Olms-Verlag, 2010
4660:(Saarbrücken, 1998; revised edition, Trier 2013).
7247:Freemasons of the Premier Grand Lodge of England
7138:
4651:William Hogarth: Theater and the Theater of Life
4520:Anecdotes of William Hogarth, Written by Himself
3270:The English Humourists of the Eighteenth Century
1393:Notable Hogarth engravings in the 1740s include
23:. For the scuba diver William Hogarth Main, see
5306:Sigismunda mourning over the Heart of Guiscardo
3136:, nos. 74–81. For the engravings, see Paulson,
2562:"The Rococo Influence in British Art – dummies"
2126:, 1731, Tate Britain's version (22.5 x 30 ins.)
1843:, now in the west of London. His friend, actor
1704:, against the wishes of her father, the artist
843:(1733–34) are displayed in the gallery room at
7104:
4826:William Hogarth and 18th-Century Print Culture
4791:
2690:The Journal of the Ex Libris Society, Volume 3
2526:, Hogarth curator, cataloguer, and commentator
2106:The Wedding of Stephen Beckingham and Mary Cox
1715:Hogarth's portrait of his wife, Jane Thornhill
656:, and several pictures of the chief actors in
6217:
5596:
5478:
4933:
4688:Christine Riding and Mark Hallet, "Hogarth" (
4543:Peter Quennell. "Hogarth's Election Series."
3387:"Hogarth, the father of the modern cartoon",
3280:
3278:
2272:. A self-portrait depicting Hogarth painting
1562:Painter and engraver of modern moral subjects
1089:
937:Plate 1, The Fellow 'Prentices at their Looms
687:, master of the mint, in St George's Street,
3327:Gin: The Much-lamented Death of Madam Geneva
2851:Hogarth, vol. 1: The 'Modern Moral Subject'
2791:(online ed.). Oxford University Press.
2732:(online ed.). Oxford University Press.
1558:) and unpublished "autobiographical notes".
582:. He continued that theme in 1727, with the
16:English artist and social critic (1697–1764)
6167:Municipal Borough of Brentford and Chiswick
4737:, ed. Till Kinzel (Hanover: Wehrhahn, 2013
4683:The Other Hogarth: Aesthetics of Difference
4186:. Vol. 4. Philadelphia, Pennsylvania:
4160:. Vol. 4. Philadelphia, Pennsylvania:
4134:. Vol. 4. Philadelphia, Pennsylvania:
4101:
3839:, vol. 3 (New Brunswick 1993), pp. 213–216.
2782:"St Martin's Lane Academy (act. 1735–1767)"
1877:Hogarth's works were a direct influence on
1872:
1467:); his ridicule of the English passion for
987:
694:Hogarth's other works in the 1730s include
6224:
6210:
5603:
5589:
5485:
5471:
4969:Emblematical Print on the South Sea Scheme
4940:
4926:
4837:Hogarth exhibition at Tate Britain, London
4607:Hogarth and the Times-of-the-Day Tradition
4357:Location of Hogarth's grave on Google Maps
4325:
3778:
3704:"in one corner introduced my own portrait"
3275:
3014:Hogarth and the Times-of-the-Day Tradition
2981:
2481:the 1736 print, based on the earlier "oyl"
1971:, west London, is now a museum; the major
491:Emblematical Print on the South Sea Scheme
464:Emblematical Print on the South Sea Scheme
354:In 1720, Hogarth enrolled at the original
49:
4391:Milnrow & Newhey: A Lancashire Legacy
2705:, vol. 1 (New Brunswick 1991), pp. 26–37.
1629:, every single plate but one is based on
1488:(1762); his political anti-war satire in
358:in Peter Court, London, which was run by
315:, 1741, National Portrait Gallery, London
4831:The Site for Research on William Hogarth
4782:141 artworks by or after William Hogarth
4367:
3826:, 3rd edition, nos. 206, 210a, 211, 216.
3190:
2280:of comedy and pastoral poetry, 1757–1758
1827:
1789:
1743:
1710:
1684:
1539:, saw realized in serpentine lines (the
1515:
1457:(1754); his satire on canvassing in his
1370:
1184:
1154:
1095:
997:
929:
923:
872:
786:
653:The House of Commons examining Bambridge
605:
590:
470:
457:
303:
5668:British Queen Anne Revival architecture
5218:Captain Lord George Graham in his Cabin
5085:Credulity, Superstition, and Fanaticism
4816:William Hogarth at The National Gallery
4735:Über William Hogarth und seine Erklärer
4672:Hogarth: Representing Nature's Machines
4388:
4310:
3600:
3569:
3538:
2934:, vol. 2 (New Brunswick 1992), pp. 1–4.
2868:Hogarth, Walpole and Commercial Britain
2837:Oxford Dictionary of National Biography
2788:Oxford Dictionary of National Biography
2729:Oxford Dictionary of National Biography
2719:
2520:, the world's leading expert on Hogarth
1867:For Hogarth's honour'd dust lies here.
1485:Credulity, Superstition, and Fanaticism
1408:The Stage Coach or The Country Inn Yard
1302:Moses brought before Pharaoh's Daughter
7139:
5515:A Rake's Progress, 3: The Tavern Scene
5013:Strolling Actresses Dressing in a Barn
4031:
3717:, 3rd edition, nos. 152, 158–163, 167.
3354:
3323:
3027:Strolling Actresses Dressing in a Barn
2778:
1858:And through the Eye correct the Heart.
1809:and wrote up a rough draft in reply.
1696:On 23 March 1729, Hogarth eloped with
1276:Writer, art historian and politician,
1234:
749:Strolling Actresses Dressing in a Barn
578:'s protégé, the architect and painter
421:, and other artists and connoisseurs.
6205:
5584:
5466:
4921:
4609:(Ithaca, New York: Cornell UP, 1983).
4555:Hogarth and His Place in European Art
4490:
4421:, vol. 1 (Peter Lang, 2021), 183-204.
4368:McDonagh, Melanie (10 October 2019).
4258:
4237:
4233:
4231:
4203:
4199:
4197:
4175:
4173:
4171:
4149:
4147:
4145:
4010:
3969:
3673:William Hogarth's Bristol Altar-Piece
3604:Hogarth and His Times: Serious Comedy
3573:Hogarth and His Times: Serious Comedy
3542:Hogarth and His Times: Serious Comedy
3016:(Ithaca, New York: Cornell UP, 1983).
2774:
2772:
2715:
2713:
2711:
2617:Hogarth and His Place in European Art
1335:
866:
7257:Fellows of the Royal Society of Arts
6523:The Constitutions of the Free-Masons
5162:Scene from Shakespeare's The Tempest
4658:William Hogarth: Das graphische Werk
4567:(London: Thames & Hudson, 1968).
3990:
3948:
3235:, London: The National Gallery 1997.
3033:, 16, No. 2 (June 1993), pp. 239-65.
2720:Bindman, David (23 September 2004).
2590:, London: Tate Gallery, 1997, p. 17.
1856:Whose pictur'd Morals charm the Mind
1854:Who reach'd the noblest point of Art
1832:Tomb of William and Jane Hogarth in
1570:, and public buildings, and sold in
1451:Others works included his ingenious
1442:Thomas Coram Foundation for Children
1366:
1310:Thomas Coram Foundation for Children
1199:Thomas Coram Foundation for Children
666:. One of his real-life subjects was
574:, and the exaggerated popularity of
61:, 1745. Self-portrait with his pug,
6666:Sir Thomas Prendergast, 2nd Baronet
5258:The March of the Guards to Finchley
4947:
4577:(Munich: Carl Hanser Verlag, 1972,
4532:(London, New York, Ayer Co., 1955,
4262:The Four Londons of William Hogarth
2436:William Hogarth's engraving of the
2351:William Hogarth's Election series,
1615:Parodic borrowings from Old Masters
1598:He drew from the highly moralizing
1288:Hogarth's history pictures include
1082:were issued shortly after his work
768:no longer attribute it to Hogarth.
19:For the Roman Catholic bishop, see
13:
6555:Worshipful Society of Apothecaries
6241:Active 1717–1813, united with the
4626:, 3 vols. (New Brunswick 1991–93).
4491:Jones, Jonathan (9 October 2019).
4228:
4194:
4168:
4142:
3984:
3829:
2769:
2708:
2692:(A & C. Black, Plymouth, 1894)
2653:The Works of Charles and Mary Lamb
1863:If Nature touch thee, drop a Tear:
1861:If Genius fire thee, Reader, stay,
1690:St Mary on Paddington Green Church
1283:
488:Early satirical works included an
292:English artist of his generation.
14:
7268:
7172:18th-century English male artists
7167:18th-century English male writers
5909:John I. Thornycroft & Company
5773:Our Lady of Grace & St Edward
4857:Works by or about William Hogarth
4775:
4771:(Paul Holberton Publishing, 2023)
4704:(Paul Holberton Publishing, 2007)
4079:. 23 January 2018. Archived from
4077:"Hogarth's House | Hounslow.info"
3468:. 5th edn. New Haven and London:
2677:Ellis Gamble Biographical Details
2029:
1852:Farewell great Painter of Mankind
1794:The Bathos, 1764 - His final work
1259:'s serial of essays for London's
1215:), may be called masterpieces of
1086:, and addressed the same issues.
1070:Hogarth's friend, the magistrate
771:
752:(1738). He may also have printed
6545:Society of Antiquaries of London
6353:Earl of Strathmore and Kinghorne
6135:
6124:
6113:
6108:
6097:
6086:
6075:
5692:
5194:Portrait of Captain Thomas Coram
4985:A Just View of the British Stage
4821:William Hogarth: Critical Essays
4565:Hogarth: The Complete Engravings
4484:
4459:
4437:
4424:
4407:
4382:
4317:. Vol. 1. London, England:
4246:Walter Scott Publishing Co. Ltd.
4210:. Vol. 1. London, England:
4017:. Vol. 1. London, England:
3868:
3132:For the paintings, see Einberg,
3061:"PLATE VIII. ... Britannia 1763"
2603:(New Brunswick 1991), pp. 26–37.
2513:List of works by William Hogarth
2486:
2468:
2448:
2429:
2406:
2399:A Just View of the British Stage
2389:
2362:
2344:
2319:
2302:
2285:
2260:
2240:
2212:
2195:
2180:
2164:
2146:
2131:
2113:
2098:
2080:
2063:
2046:
2005:, on several Hogarth paintings.
1865:If neither move thee, turn away,
1759:in 1749, the house now known as
1680:
1582:, and especially, a new form of
545:A Just View of the British Stage
431:List of works by William Hogarth
204:
180:
6951:Sir Arthur Acheson, 5th Baronet
5282:Hogarth Painting the Comic Muse
4833:(annotated online bibliography)
4798:. London: T.C. & E.C. Jack.
4795:Hogarth. Masterpieces in Colour
4685:(Princeton: Princeton UP, 2001)
4361:
4350:
4304:
4273:
4252:
4121:
4095:
4069:
4056:
4025:
4004:
3963:
3942:
3929:
3916:
3903:
3888:
3862:
3842:
3816:
3803:
3772:
3759:
3746:
3733:
3720:
3707:
3692:
3679:
3664:
3651:
3638:
3625:
3594:
3563:
3532:
3521:
3508:
3495:
3482:
3458:
3445:
3427:
3414:
3395:
3379:
3348:
3317:
3304:
3291:
3262:
3251:
3238:
3218:
3184:
3158:
3143:
3126:
3105:
3092:
3079:
3076:"Retouched by the Author, 1763"
3064:
3049:
3036:
3019:
3006:
2975:
2963:
2950:
2937:
2924:
2912:
2899:
2886:
2883:, vol. 1, pp. 172–185, 206–215.
2873:
2856:
2843:
2840:(Oxford University Press, 2004)
2828:
2695:
2682:
2420:The Idle 'Prentice executed at
2269:Hogarth Painting the Comic Muse
2249:March of the Guards to Finchley
1923:by Jonathan Hall, based on the
1641:." In other works, he parodies
1504:In 1757, Hogarth was appointed
1437:March of the Guards to Finchley
979:, such as for the first plate:
405:Hogarth became a member of the
6956:Sir Robert Lawley, 4th Baronet
6509:Antient Grand Lodge of England
6243:Ancient Grand Lodge of England
6233:Premier Grand Lodge of England
5874:Architecture of Chiswick House
5120:The Assembly at Wanstead House
4843:William Hogarth at Wikigallery
4715:37/4 (November 2009), 577–596.
4285:Office for National Statistics
4238:Brown, Gerard Baldwin (1905).
3949:Sala, George Augustus (1866).
3911:Paul Sandby: Picturing Britain
3609:University of California Press
3578:University of California Press
3547:University of California Press
3268:Thackeray, William Makepeace,
2779:Myrone, Martin (24 May 2008).
2670:
2658:
2645:
2632:
2606:
2593:
2579:
2554:
2536:
2171:Hogarth's Portrait of Captain
1633:'s images of the story of the
839:in 1755; the oil paintings of
835:were destroyed in the fire at
697:A Midnight Modern Conversation
647:The Assembly at Wanstead House
477:The Assembly at Wanstead House
453:
435:By April 1720, Hogarth was an
327:, where he learned to engrave
1:
7177:18th-century English painters
6514:United Grand Lodge of England
6247:United Grand Lodge of England
4649:and Hans-Peter Wagner, eds.,
4633:(London: Tate Gallery, 1997).
4508:
4102:Joel Taylor (11 March 2005).
3926:, 41 (1966-1968), pp. 46-111.
3466:Painting in Britain 1530–1790
3332:Justin, Charles & Company
3230:Hogarth's 'Marriage A-la-Mode
3151:Hogarth's The Rake's Progress
1841:St. Nicholas Church, Chiswick
1665:'s then-current ideal of the
1552:
1180:Simon Fraser, 11th Lord Lovat
638:
495:
299:
7162:18th-century English writers
6851:Sir Robert Rich, 4th Baronet
6560:Spalding Gentlemen's Society
5802:Chiswick Park Cricket Ground
5663:Architecture of Bedford Park
5610:
5226:David Garrick as Richard III
4877:, lecture by Robin Simon at
4839:(7 February – 29 April 2007)
4804:The Works of William Hogarth
4337:St Nicholas Church, Chiswick
4207:The Works of William Hogarth
3698:
3301:, 3rd edition, nos. 185–186.
3288:, 3rd edition, nos. 168–179.
3248:, 3rd edition, nos. 158-163.
3140:, 3rd edition, nos. 132–139.
3070:
3055:
2822:UK public library membership
2763:UK public library membership
2374:Minneapolis Institute of Art
1955:in the 2006 television film
1677:doth but coarsely imitate."
1296:, executed in 1736–1737 for
1170:. In 1745, he painted actor
1150:
963:(plate 10), and finally the
883:After the old Earl's funeral
831:. The original paintings of
7:
6610:Unlawful Societies Act 1799
6550:Royal College of Physicians
6278:John Theophilus Desaguliers
5077:Satire on False Perspective
4733:Johann Joachim Eschenburg,
4641:Hogarth: A Life and a World
4571:Georg Christoph Lichtenberg
3355:Picard, Liza (2013). "14".
3312:The Spectacle of Difference
2501:
2042:William Hogarth's paintings
1817:claimed that he died of an
1748:William Hogarth's house in
1730:Hogarth was initiated as a
1590:with which authors such as
1454:Satire on False Perspective
1227:. The engraved portrait of
1166:Hogarth was also a popular
912:William Makepeace Thackeray
908:for murdering her husband.
683:(1732–1735) at the home of
600:Yale Center for British Art
10:
7273:
6981:Frederick, Prince of Wales
6245:(1751–1813) to create the
5936:Fuller, Smith & Turner
5817:King's House Sports Ground
5061:The Four Stages of Cruelty
5037:Characters and Caricaturas
5005:The Company of Undertakers
4748:Cynthia Ellen Roman, ed.,
4212:James Ballantyne & Co.
4019:James Ballantyne & Co.
3978:Richard Bentley & Sons
3957:Smith, Elder & Company
3871:"Rococo – Art Term | Tate"
3779:Krysmanski, Bernd (2022).
3464:Waterhouse, Ellis. (1994)
2982:Krysmanski, Bernd (2022).
2459:of the radical politician
1990:The Humours of an Election
1511:
1463:series (1755–1758; now in
1399:(1741), the six prints of
1109:The Four Stages of Cruelty
1091:The Four Stages of Cruelty
1042:London Guild of Distillers
731:The Company of Undertakers
529:Other early works include
428:
18:
6976:Walter Calverley-Blackett
6618:
6494:
6254:
6239:
6150:
6028:
5996:
5973:
5859:
5836:
5796:Chiswick Lifeboat Station
5786:
5747:
5734:St Michael and All Angels
5710:
5701:
5690:
5651:
5627:
5618:
5551:
5524:
5506:
5429:
5413:
5397:
5378:
5111:
5069:Columbus Breaking the Egg
4977:The Bad Taste of the Town
4955:
4547:(Apr 1953) 3#4 pp 221–232
4321:. pp. 107, 108, 109.
3191:Verhoogt, Robert (2007).
3111:Cruickshank, Dan (2010).
2370:The Sleeping Congregation
2328:An Election Entertainment
1951:, whilst he is played by
1931:" and first broadcast on
1324:; and his altarpiece for
1298:St Bartholomew's Hospital
1020:(1751). Hogarth engraved
743:The Four Times of the Day
709:The Sleeping Congregation
424:
188:
179:
174:
170:
166:
156:
152:
142:
124:
114:St. Nicholas's Churchyard
109:
93:
74:
48:
34:
6535:Freemasons' Hall, London
6283:George Payne (1720–1721)
6061:Dukes Meadows Footbridge
6051:Chiswick Park Footbridge
5729:H. J. Mulliner & Co.
5718:Arts Educational Schools
5053:Beer Street and Gin Lane
4848:Works by William Hogarth
4267:David McKay Publications
3900:. R. Bentley. pp. 57–58.
3797:10.11588/artdok.00008018
3324:Dillon, Patrick (2004).
3115:. Macmillan. pp. 19–20.
3000:10.11588/artdok.00008020
2530:
2396:An early print of 1724,
1975:next to it is named the
1873:Influence and reputation
1785:
1657:. Indeed, Hogarth was a
1498:Tailpiece, or The Bathos
1357:peace of Aix-la-Chapelle
1213:National Gallery, London
941:In the twelve prints of
898:National Gallery, London
861:Engravers' Copyright Act
558:of the Swiss impresario
484:and family in foreground
356:St Martin's Lane Academy
162:Mary Edwards (1705–1743)
21:William Hogarth (bishop)
7096:Nathan Mayer Rothschild
7021:Robert Boyle-Walsingham
6479:George, Prince of Wales
6161:Chiswick Urban District
6006:Battle of Turnham Green
5330:The Marriage Settlement
5093:Five Orders of Periwigs
4898:William Hogarth's Works
4871:(abridged 1909 edition)
4792:Hind, C. Lewis (1910).
4707:Ilias Chrissochoidis, "
4670:and Peter Wagner, eds.
4619:(3rd edn, London 1989).
4617:Hogarth's Graphic Works
4592:(New York: Dover 1973).
4188:George Barrie & Son
4162:George Barrie & Son
4136:George Barrie & Son
4032:Dobson, Austin (1907).
3824:Hogarth's Graphic Works
3813:, 3rd edition, no. 211.
3811:Hogarth's Graphic Works
3756:, 3rd edition, no. 232.
3754:Hogarth's Graphic Works
3715:Hogarth's Graphic Works
3601:Bindman, David (1997).
3570:Bindman, David (1997).
3539:Bindman, David (1997).
3518:, 3rd edition, no. 214.
3516:Hogarth's Graphic Works
3455:, 3rd edition, no. 166.
3453:Hogarth's Graphic Works
3408:31 October 2015 at the
3299:Hogarth's Graphic Works
3286:Hogarth's Graphic Works
3246:Hogarth's Graphic Works
3170:Sir John Soane's Museum
3138:Hogarth's Graphic Works
3100:Hogarth's Graphic Works
3044:Hogarth's Graphic Works
2960:, 3rd edition, no. 128.
2958:Hogarth's Graphic Works
2864:Hogarth's Graphic Works
2337:Give us our Eleven Days
2254:1745 Jacobite rebellion
1981:Sir John Soane's Museum
1465:Sir John Soane's Museum
1308:(1747, formerly at the
1189:Portrait of a Man, 1741
845:Sir John Soane's Museum
585:Large Masquerade Ticket
58:The Painter and his Pug
7182:18th-century engravers
7026:Sir Robert de Cornwall
6504:History of Freemasonry
5885:Chiswick House Gardens
5846:Chiswick Business Park
5680:London Buddhist Vihara
5387:The Analysis of Beauty
5266:Humours of an Election
4885:Hogarth's London video
4867:The Analysis of Beauty
4563:& Colin Caldwell,
4311:Ireland, John (1791).
4281:"Inflation calculator"
4204:Clerk, Thomas (1812).
4108:camdennewjournal.co.uk
4038:. New York, New York:
4011:Clerk, Thomas (1812).
3850:The Analysis of Beauty
3363:Orion Publishing Group
3258:Print series in detail
3153:and other of his works
2797:10.1093/ref:odnb/96317
2738:10.1093/ref:odnb/13464
2443:prior to his execution
2354:Humours of an Election
1870:
1839:Hogarth was buried at
1836:
1795:
1752:
1716:
1693:
1532:The Analysis of Beauty
1526:
1522:The Analysis of Beauty
1390:
1190:
1163:
1132:dozes off on the job.
1103:
1101:First Stage of Cruelty
1007:
938:
921:
887:
829:Bethlem Royal Hospital
797:
611:
603:
598:by Hogarth, ca. 1735,
562:, the popular Italian
551:Masquerades and Operas
485:
468:
331:and similar products.
316:
7227:English male painters
7197:English caricaturists
6570:English Enlightenment
6036:Barnes Railway Bridge
5943:George and Devonshire
5452:Mary Edwards (Patron)
5298:The Lady's Last Stake
5170:Four Times of the Day
5045:Industry and Idleness
4718:Bernd W. Krysmanski,
4677:Bernadette Fort, and
4389:Hignett, Tim (1991).
4259:Berry, Erick (1964).
3470:Yale University Press
3224:Robert L. S. Cowley,
3046:, 3rd edition, p. 35.
2679:. The British Museum.
2638:Bernd W. Krysmanski,
2548:collections.frick.org
2415:Industry and Idleness
1894:, to choreography by
1849:
1831:
1793:
1747:
1738:Four Times of the Day
1714:
1688:
1637:and the story of the
1519:
1440:(formerly located in
1382:, c. 1757–1764,
1374:
1245:Royal Academy of Arts
1188:
1158:
1141:The Reward of Cruelty
1099:
1001:
944:Industry and Idleness
935:Industry and Idleness
933:
925:Industry and Idleness
916:
876:
790:
725:Scholars at a Lecture
609:
594:
474:
461:
307:
7252:Deaths from aneurysm
7212:English illustrators
7187:Painters from London
7011:Marquess of Hastings
6776:Lord James Cavendish
6726:Earl of Macclesfield
6646:Earl of Chesterfield
6431:Marquis of Carnarvon
6383:Marquis of Carnarvon
6185:Chiswick (1799 ship)
5851:Gunnersbury Triangle
5029:The Enraged Musician
4653:(Los Angeles, 1997).
4104:"Camden New Journal"
3970:Timbs, John (1887).
3894:Timbs, John (1881).
2862:See Ronald Paulson,
2455:Hogarth's satirical
1549:Apology for Painters
1396:The Enraged Musician
1290:The Pool of Bethesda
1162:as Richard III, 1745
850:When the success of
634:The Fountaine Family
572:Lincoln's Inn Fields
560:John James Heidegger
276:Hogarth was born in
245:editorial cartoonist
7222:English printmakers
7202:English cartoonists
7192:Writers from London
7066:Meyer Löw Schomberg
6936:Marquess of Lothian
6921:Duke of Marlborough
6906:Duke of Queensberry
6056:Chiswick Roundabout
5975:Strand-on-the-Green
5828:St Michael's Church
5711:Bedford Park (part)
5568:The Rake's Progress
5560:The Rake's Progress
5533:The Rake's Progress
5234:Painter and his Pug
5210:The Graham Children
5140:A Harlot's Progress
4755:Elizabeth Einberg,
4656:Hans-Peter Wagner,
4631:Hogarth the Painter
4629:Elizabeth Einberg,
4516:John Bowyer Nichols
4319:J. & J. Boydell
4244:. London, England:
4042:. pp. 36, 37.
4040:The McClure Company
3976:. London, England:
3955:. London, England:
3699:J. B. Nichols, 1833
3631:Elizabeth Einberg,
3549:. pp. 15, 17.
3358:Dr Johnson's London
3334:. pp. 14, 15.
3166:"A Rake's Progress"
3071:J. B. Nichols, 1833
3056:J. B. Nichols, 1833
2892:Elizabeth Einberg,
2588:Hogarth the Painter
2331:featuring the anti-
2157:, the Mathematician
2092:, English Architect
1985:The Rake's Progress
1958:A Harlot's Progress
1911:, with libretto by
1908:The Rake's Progress
1891:The Rake's Progress
1721:A Harlot's Progress
1706:Sir James Thornhill
1626:A Harlot's Progress
1602:tradition of Dutch
1261:Universal Chronicle
1235:Historical subjects
1139:The fourth, titled
1038:Prohibition of 1678
886:(scene four of six)
852:A Harlot's Progress
833:A Harlot's Progress
808:A Harlot's Progress
803:A Harlot's Progress
629:conversation pieces
407:Rose and Crown Club
396:St Paul's Cathedral
384:Sir James Thornhill
345:imprisoned for debt
258:A Harlot's Progress
7016:James Moore Smythe
6946:Earl of Winchilsea
6896:Earl of Burlington
6876:Viscount Townshend
6831:John Baptist Grano
6786:William Richardson
6756:Richard Manningham
6605:Foundling Hospital
6580:Walpole ministries
6530:Freemasons' Tavern
6473:Duke of Cumberland
6467:Duke of Manchester
6071:Kew Railway Bridge
6066:Hogarth Roundabout
5965:St Nicholas Church
5926:Embassy of Moldova
5749:Chiswick High Road
5723:Chiswick Playhouse
5319:Marriage A-la-Mode
5250:Hogarth's Servants
5242:The Gate of Calais
5202:Taste in High Life
4875:'Hogarth's London'
4674:(Manchester, 2001)
4590:Hogarth 101 Prints
4530:Hogarth's Progress
4415:The Art of Success
4083:on 23 January 2018
4062:See references in
3671:M. J. Liversidge,
3310:See Mark Hallett,
2333:Gregorian calendar
2311:Hogarth's Servants
2221:The Gate of Calais
2122:The Beggar's Opera
1983:, which owns both
1977:Hogarth Roundabout
1948:The Art of Success
1921:The Midnight House
1837:
1796:
1765:Foundling Hospital
1753:
1717:
1694:
1527:
1402:Marriage à-la-mode
1391:
1344:The Gate of Calais
1337:The Gate of Calais
1326:St. Mary Redcliffe
1306:Foundling Hospital
1304:, painted for the
1294:The Good Samaritan
1231:was a bestseller.
1191:
1164:
1104:
1008:
939:
893:Marriage A-la-Mode
888:
878:Marriage à-la-mode
868:Marriage A-la-Mode
798:
756:(1731), evoked by
663:The Beggar's Opera
612:
604:
486:
469:
400:Greenwich Hospital
317:
270:Marriage A-la-Mode
7242:Political artists
7217:English satirists
7207:English engravers
7134:
7133:
7130:
7129:
7122:Duke of Newcastle
7061:Hipólito da Costa
7001:Thomas Dunckerley
6941:Earl of Balcarres
6911:Earl of Deloraine
6861:Francis Columbine
6766:Richard Rawlinson
6696:Richard Cantillon
6575:Order of the Bath
6317:Earl of Inchiquin
6199:
6198:
6024:
6023:
5688:
5687:
5638:St Alban's Church
5578:
5577:
5499:A Rake's Progress
5460:
5459:
5374:
5373:
5178:The Distrest Poet
5148:A Rake's Progress
5021:The Distrest Poet
4852:Project Gutenberg
4743:978-3-8652-5347-7
4514:William Hogarth,
4445:"Hogarth's House"
4214:pp. 24, 25.
3935:William Hogarth,
3858:978-0-300-07346-1
3848:William Hogarth,
2820:(Subscription or
2806:978-0-19-861412-8
2761:(Subscription or
2747:978-0-19-861412-8
2688:W. H. K. Wright.
2188:Miss Mary Edwards
1896:Ninette de Valois
1807:Benjamin Franklin
1702:Paddington Church
1643:Leonardo da Vinci
1580:bourgeois tragedy
1367:Other later works
1318:Paul before Felix
1028:, in contrast to
856:A Rake's Progress
841:A Rake's Progress
824:A Rake's Progress
793:A Rake's Progress
778:Harlot's Progress
737:The Distrest Poet
570:'s pantomimes at
524:South Sea Company
520:sense of disorder
448:Westminster Court
264:A Rake's Progress
192:
191:
116:, Church Street,
55:William Hogarth,
7264:
7102:
7101:
7091:Moses Montefiore
6961:Alexander Brodie
6916:Earl of Portmore
6891:Duke of Kingston
6871:Earl of Pembroke
6846:Adolphus Oughton
6816:George Shelvocke
6801:Duke of Ancaster
6781:Earl of Hopetoun
6771:Charles Stanhope
6751:Ephraim Chambers
6746:Alexander Stuart
6651:Charles Delafaye
6636:William Stukeley
6519:James Anderson's
6455:Duke of Beaufort
6359:Earl of Crawford
6347:Viscount Montagu
6305:Duke of Richmond
6299:Earl of Dalkeith
6226:
6219:
6212:
6203:
6202:
6191:Chiswick Records
6139:
6128:
6117:
6112:
6101:
6090:
6079:
6046:Chiswick flyover
5931:Fuller's Brewery
5763:Old Fire Station
5708:
5707:
5696:
5625:
5624:
5605:
5598:
5591:
5582:
5581:
5487:
5480:
5473:
5464:
5463:
5365:The Lady's Death
5314:
5313:
5274:Sealing the Tomb
5154:The Tavern Scene
5101:John Wilkes Esq.
4942:
4935:
4928:
4919:
4918:
4861:Internet Archive
4799:
4750:Hogarth's Legacy
4692:, London, 2006).
4679:Angela Rosenthal
4622:Ronald Paulson,
4605:Sean Shesgreen,
4588:Sean Shesgreen,
4503:
4502:
4488:
4482:
4481:
4479:
4477:
4471:Foundling Museum
4463:
4457:
4456:
4454:
4452:
4447:. Museums London
4441:
4435:
4428:
4422:
4411:
4405:
4404:
4386:
4380:
4379:
4375:Evening Standard
4365:
4359:
4354:
4348:
4347:
4345:
4343:
4333:"The Churchyard"
4329:
4323:
4322:
4308:
4302:
4301:
4299:
4297:
4277:
4271:
4270:
4256:
4250:
4249:
4235:
4226:
4225:
4201:
4192:
4191:
4177:
4166:
4165:
4151:
4140:
4139:
4125:
4119:
4118:
4116:
4114:
4099:
4093:
4092:
4090:
4088:
4073:
4067:
4060:
4054:
4053:
4029:
4023:
4022:
4008:
4002:
4001:
3988:
3982:
3981:
3967:
3961:
3960:
3946:
3940:
3933:
3927:
3920:
3914:
3907:
3901:
3892:
3886:
3885:
3883:
3881:
3866:
3860:
3846:
3840:
3835:Ronald Paulson,
3833:
3827:
3820:
3814:
3807:
3801:
3800:
3785:The Art Bulletin
3776:
3770:
3763:
3757:
3750:
3744:
3737:
3731:
3724:
3718:
3711:
3705:
3696:
3690:
3683:
3677:
3668:
3662:
3655:
3649:
3642:
3636:
3629:
3623:
3622:
3598:
3592:
3591:
3567:
3561:
3560:
3536:
3530:
3525:
3519:
3512:
3506:
3499:
3493:
3486:
3480:
3462:
3456:
3449:
3443:
3431:
3425:
3418:
3412:
3399:
3393:
3383:
3377:
3376:
3352:
3346:
3345:
3321:
3315:
3308:
3302:
3295:
3289:
3282:
3273:
3266:
3260:
3255:
3249:
3242:
3236:
3233:
3222:
3216:
3215:
3213:
3211:
3188:
3182:
3181:
3179:
3177:
3162:
3156:
3147:
3141:
3130:
3124:
3109:
3103:
3098:Ronald Paulson,
3096:
3090:
3083:
3077:
3068:
3062:
3053:
3047:
3040:
3034:
3023:
3017:
3012:Sean Shesgreen,
3010:
3004:
3003:
2979:
2973:
2967:
2961:
2954:
2948:
2941:
2935:
2930:Ronald Paulson,
2928:
2922:
2916:
2910:
2903:
2897:
2890:
2884:
2877:
2871:
2860:
2854:
2849:Ronald Paulson,
2847:
2841:
2832:
2826:
2825:
2817:
2815:
2813:
2784:
2776:
2767:
2766:
2758:
2756:
2754:
2725:
2717:
2706:
2701:Ronald Paulson,
2699:
2693:
2686:
2680:
2674:
2668:
2662:
2656:
2649:
2643:
2636:
2630:
2610:
2604:
2599:Ronald Paulson,
2597:
2591:
2583:
2577:
2576:
2574:
2572:
2558:
2552:
2551:
2540:
2490:
2472:
2452:
2433:
2410:
2393:
2366:
2348:
2323:
2306:
2289:
2264:
2244:
2224:(also known as,
2216:
2199:
2184:
2168:
2150:
2135:
2117:
2102:
2084:
2067:
2050:
1663:Lord Shaftesbury
1557:
1554:
1506:Serjeant Painter
1478:; his attack on
1446:Foundling Museum
1384:Royal Collection
1380:Eva Marie Veigel
1314:Foundling Museum
1217:British painting
1203:Foundling Museum
1168:portrait painter
977:Book of Proverbs
816:venereal disease
643:
640:
503:South Sea Bubble
500:
497:
444:Element of Earth
388:serjeant painter
325:Leicester Fields
230:
229:
226:
225:
222:
219:
216:
213:
210:
201:
184:
159:
100:
85:10 November 1697
84:
82:
53:
43:
32:
31:
7272:
7271:
7267:
7266:
7265:
7263:
7262:
7261:
7147:William Hogarth
7137:
7136:
7135:
7126:
7105:Prime ministers
7100:
7076:Sampson Eardley
7071:Joseph Salvador
7006:William Preston
6971:Charles Labelye
6966:William Hogarth
6926:Baron Baltimore
6886:Earl Waldegrave
6856:Viscount Cobham
6811:Edmund Prideaux
6721:James Thornhill
6691:Earl Cornwallis
6661:William Billers
6656:Baron Carpenter
6614:
6496:
6490:
6425:Baron Carysfort
6395:Earl of Kintore
6377:Earl of Darnley
6371:Earl of Loudoun
6335:Duke of Norfolk
6293:Duke of Wharton
6287:Duke of Montagu
6257:
6250:
6235:
6230:
6200:
6195:
6157:Administration
6146:
6041:Chiswick Bridge
6020:
5992:
5988:Oliver's Island
5969:
5953:William Hogarth
5948:Hogarth's House
5921:Chiswick School
5880:Chiswick Asylum
5855:
5832:
5782:
5758:Chiswick Empire
5743:
5697:
5684:
5647:
5614:
5609:
5579:
5574:
5547:
5520:
5502:
5494:William Hogarth
5491:
5461:
5456:
5425:
5421:Hogarth's House
5409:
5393:
5370:
5337:The Tête à Tête
5312:
5186:The Shrimp Girl
5107:
4951:
4949:William Hogarth
4946:
4907:William Hogarth
4879:Gresham College
4778:
4690:Tate Publishing
4551:Frederick Antal
4511:
4506:
4489:
4485:
4475:
4473:
4465:
4464:
4460:
4450:
4448:
4443:
4442:
4438:
4434:(London, 2012).
4432:Hogarth's House
4429:
4425:
4412:
4408:
4401:
4387:
4383:
4366:
4362:
4355:
4351:
4341:
4339:
4331:
4330:
4326:
4314:William Hogarth
4309:
4305:
4295:
4293:
4290:Bank of England
4279:
4278:
4274:
4257:
4253:
4241:William Hogarth
4236:
4229:
4222:
4202:
4195:
4178:
4169:
4152:
4143:
4126:
4122:
4112:
4110:
4100:
4096:
4086:
4084:
4075:
4074:
4070:
4061:
4057:
4050:
4035:William Hogarth
4030:
4026:
4009:
4005:
3989:
3985:
3968:
3964:
3947:
3943:
3934:
3930:
3924:Walpole Society
3921:
3917:
3908:
3904:
3893:
3889:
3879:
3877:
3867:
3863:
3847:
3843:
3834:
3830:
3821:
3817:
3808:
3804:
3777:
3773:
3769:, nos. 214–217.
3764:
3760:
3751:
3747:
3738:
3734:
3725:
3721:
3712:
3708:
3697:
3693:
3684:
3680:
3669:
3665:
3656:
3652:
3643:
3639:
3630:
3626:
3619:
3599:
3595:
3588:
3568:
3564:
3557:
3537:
3533:
3526:
3522:
3513:
3509:
3500:
3496:
3487:
3483:
3463:
3459:
3450:
3446:
3432:
3428:
3419:
3415:
3410:Wayback Machine
3400:
3396:
3384:
3380:
3373:
3353:
3349:
3342:
3322:
3318:
3309:
3305:
3296:
3292:
3283:
3276:
3267:
3263:
3256:
3252:
3243:
3239:
3231:
3223:
3219:
3209:
3207:
3205:
3189:
3185:
3175:
3173:
3164:
3163:
3159:
3148:
3144:
3131:
3127:
3110:
3106:
3097:
3093:
3084:
3080:
3069:
3065:
3054:
3050:
3041:
3037:
3024:
3020:
3011:
3007:
2980:
2976:
2968:
2964:
2955:
2951:
2942:
2938:
2929:
2925:
2917:
2913:
2904:
2900:
2891:
2887:
2878:
2874:
2861:
2857:
2848:
2844:
2833:
2829:
2819:
2811:
2809:
2807:
2777:
2770:
2760:
2752:
2750:
2748:
2718:
2709:
2700:
2696:
2687:
2683:
2675:
2671:
2663:
2659:
2651:Lamb, Charles,
2650:
2646:
2637:
2633:
2619:(London 1962);
2613:Frederick Antal
2611:
2607:
2598:
2594:
2584:
2580:
2570:
2568:
2560:
2559:
2555:
2542:
2541:
2537:
2533:
2504:
2497:
2491:
2482:
2473:
2464:
2453:
2444:
2434:
2425:
2411:
2402:
2394:
2376:
2367:
2358:
2349:
2340:
2324:
2315:
2307:
2298:
2290:
2281:
2265:
2256:
2245:
2236:
2217:
2208:
2204:The Shrimp Girl
2200:
2191:
2185:
2176:
2169:
2160:
2151:
2142:
2136:
2127:
2118:
2109:
2103:
2094:
2085:
2076:
2068:
2059:
2051:
2032:
1997:Stanley Kubrick
1965:Hogarth's House
1900:Igor Stravinsky
1888:'s 1935 ballet
1875:
1869:
1866:
1864:
1862:
1860:
1859:
1857:
1855:
1853:
1788:
1780:Laurence Sterne
1761:Hogarth's House
1683:
1667:classical Greek
1617:
1564:
1555:
1514:
1369:
1340:
1286:
1284:Biblical scenes
1249:Joshua Reynolds
1241:history painter
1237:
1208:The Shrimp Girl
1153:
1145:Murder Act 1751
1094:
996:
928:
871:
785:
782:Rake's Progress
774:
762:Lord Burlington
754:Burlington Gate
641:
576:Lord Burlington
498:
456:
433:
427:
411:Peter Tillemans
368:Joseph Highmore
364:John Vanderbank
309:William Hogarth
302:
251:portraiture to
207:
203:
197:
195:William Hogarth
157:
105:
104:London, England
102:
98:
97:26 October 1764
89:
88:London, England
86:
80:
78:
70:
44:
39:
37:
36:William Hogarth
28:
17:
12:
11:
5:
7270:
7260:
7259:
7254:
7249:
7244:
7239:
7237:Artist authors
7234:
7232:Court painters
7229:
7224:
7219:
7214:
7209:
7204:
7199:
7194:
7189:
7184:
7179:
7174:
7169:
7164:
7159:
7154:
7149:
7132:
7131:
7128:
7127:
7125:
7124:
7119:
7114:
7112:Robert Walpole
7108:
7106:
7099:
7098:
7093:
7088:
7083:
7078:
7073:
7068:
7063:
7058:
7053:
7048:
7043:
7038:
7033:
7028:
7023:
7018:
7013:
7008:
7003:
6998:
6993:
6988:
6983:
6978:
6973:
6968:
6963:
6958:
6953:
6948:
6943:
6938:
6933:
6931:Duke of Atholl
6928:
6923:
6918:
6913:
6908:
6903:
6898:
6893:
6888:
6883:
6878:
6873:
6868:
6866:Hugh Warburton
6863:
6858:
6853:
6848:
6843:
6841:Jacques Leblon
6838:
6833:
6828:
6823:
6818:
6813:
6808:
6803:
6798:
6793:
6791:William Becket
6788:
6783:
6778:
6773:
6768:
6763:
6761:Frank Nicholls
6758:
6753:
6748:
6743:
6738:
6733:
6728:
6723:
6718:
6713:
6708:
6703:
6698:
6693:
6688:
6683:
6681:John Arbuthnot
6678:
6673:
6668:
6663:
6658:
6653:
6648:
6643:
6638:
6633:
6628:
6626:James Anderson
6622:
6620:
6616:
6615:
6613:
6612:
6607:
6602:
6597:
6592:
6582:
6577:
6572:
6567:
6562:
6557:
6552:
6547:
6542:
6537:
6532:
6527:
6516:
6511:
6506:
6500:
6498:
6492:
6491:
6489:
6488:
6485:Duke of Sussex
6482:
6476:
6470:
6464:
6458:
6452:
6446:
6440:
6434:
6428:
6422:
6416:
6413:Lord Cranstoun
6410:
6404:
6401:Earl of Morton
6398:
6392:
6386:
6380:
6374:
6368:
6362:
6356:
6350:
6344:
6338:
6332:
6329:Baron Kingston
6326:
6323:Baron Colerane
6320:
6314:
6308:
6302:
6296:
6290:
6284:
6281:
6275:
6269:
6262:
6260:
6252:
6251:
6249:(1813–present)
6240:
6237:
6236:
6229:
6228:
6221:
6214:
6206:
6197:
6196:
6194:
6193:
6187:
6182:
6177:
6172:
6171:
6170:
6164:
6154:
6152:
6148:
6147:
6145:
6144:
6133:
6131:Stamford Brook
6122:
6106:
6095:
6084:
6073:
6068:
6063:
6058:
6053:
6048:
6043:
6038:
6032:
6030:
6026:
6025:
6022:
6021:
6019:
6018:
6013:
6008:
6002:
6000:
5994:
5993:
5991:
5990:
5985:
5979:
5977:
5971:
5970:
5968:
5967:
5962:
5957:
5956:
5955:
5945:
5940:
5939:
5938:
5928:
5923:
5918:
5917:
5916:
5911:
5905:
5903:Chiswick Press
5899:
5889:
5888:
5887:
5882:
5876:
5869:Chiswick House
5865:
5863:
5857:
5856:
5854:
5853:
5848:
5842:
5840:
5834:
5833:
5831:
5830:
5825:
5819:
5814:
5809:
5804:
5798:
5792:
5790:
5784:
5783:
5781:
5780:
5775:
5770:
5768:Old Pack Horse
5765:
5760:
5753:
5751:
5745:
5744:
5742:
5741:
5736:
5731:
5725:
5720:
5714:
5712:
5705:
5699:
5698:
5691:
5689:
5686:
5685:
5683:
5682:
5677:
5672:
5671:
5670:
5659:
5657:
5649:
5648:
5646:
5645:
5643:Duke of Sussex
5640:
5634:
5632:
5622:
5616:
5615:
5608:
5607:
5600:
5593:
5585:
5576:
5575:
5573:
5572:
5564:
5555:
5553:
5549:
5548:
5546:
5545:
5537:
5528:
5526:
5522:
5521:
5519:
5518:
5510:
5508:
5504:
5503:
5490:
5489:
5482:
5475:
5467:
5458:
5457:
5455:
5454:
5449:
5444:
5439:
5433:
5431:
5427:
5426:
5424:
5423:
5417:
5415:
5411:
5410:
5408:
5407:
5405:Line of beauty
5401:
5399:
5395:
5394:
5392:
5391:
5382:
5380:
5376:
5375:
5372:
5371:
5369:
5368:
5361:
5354:
5347:
5344:The Inspection
5340:
5333:
5325:
5323:
5311:
5310:
5302:
5294:
5286:
5278:
5270:
5262:
5254:
5246:
5238:
5230:
5222:
5214:
5206:
5198:
5190:
5182:
5174:
5166:
5158:
5144:
5136:
5124:
5123:(c. 1728–1732)
5115:
5113:
5109:
5108:
5106:
5105:
5097:
5089:
5081:
5073:
5065:
5057:
5049:
5041:
5033:
5025:
5017:
5009:
5001:
4989:
4981:
4973:
4965:
4959:
4957:
4953:
4952:
4945:
4944:
4937:
4930:
4922:
4916:
4915:
4904:
4900:hosted at The
4895:
4891:'s website by
4882:
4872:
4863:
4854:
4845:
4840:
4834:
4828:
4823:
4818:
4813:
4808:
4800:
4789:
4777:
4776:External links
4774:
4773:
4772:
4760:
4753:
4746:
4731:
4728:978-3487144719
4716:
4705:
4693:
4686:
4675:
4661:
4654:
4644:
4643:(London 1997).
4634:
4627:
4620:
4613:Ronald Paulson
4610:
4603:
4602:(London 1981).
4593:
4586:
4568:
4558:
4557:(London 1962).
4548:
4541:
4538:978-0836981452
4526:Peter Quennell
4523:
4510:
4507:
4505:
4504:
4483:
4458:
4436:
4423:
4406:
4399:
4381:
4360:
4349:
4324:
4303:
4272:
4269:. p. 219.
4251:
4227:
4220:
4193:
4167:
4141:
4120:
4094:
4068:
4064:this biography
4055:
4048:
4024:
4003:
3983:
3962:
3959:. p. 141.
3941:
3928:
3915:
3902:
3887:
3861:
3841:
3828:
3815:
3802:
3791:(2): 292–310.
3771:
3758:
3745:
3732:
3719:
3706:
3691:
3678:
3663:
3650:
3637:
3624:
3617:
3611:. p. 17.
3593:
3586:
3580:. p. 18.
3562:
3555:
3531:
3520:
3507:
3494:
3481:
3457:
3444:
3442:(London 2023).
3426:
3413:
3394:
3391:, 13 May 2015.
3378:
3371:
3361:. London, UK:
3347:
3340:
3316:
3303:
3290:
3274:
3261:
3250:
3237:
3217:
3204:978-9053569139
3203:
3183:
3157:
3142:
3125:
3104:
3091:
3078:
3063:
3048:
3035:
3018:
3005:
2994:(3): 393–408.
2974:
2962:
2949:
2936:
2923:
2911:
2898:
2885:
2872:
2870:(London 1987).
2855:
2842:
2827:
2805:
2768:
2746:
2707:
2694:
2681:
2669:
2657:
2644:
2631:
2629:(London 2007).
2605:
2592:
2578:
2553:
2534:
2532:
2529:
2528:
2527:
2521:
2518:Ronald Paulson
2515:
2510:
2503:
2500:
2499:
2498:
2492:
2485:
2483:
2474:
2467:
2465:
2454:
2447:
2445:
2435:
2428:
2426:
2412:
2405:
2403:
2395:
2388:
2385:
2384:
2378:
2377:
2368:
2361:
2359:
2350:
2343:
2341:
2325:
2318:
2316:
2308:
2301:
2299:
2291:
2284:
2282:
2266:
2259:
2257:
2246:
2239:
2237:
2218:
2211:
2209:
2201:
2194:
2192:
2186:
2179:
2177:
2170:
2163:
2161:
2152:
2145:
2143:
2139:Southwark Fair
2137:
2130:
2128:
2119:
2112:
2110:
2104:
2097:
2095:
2086:
2079:
2077:
2069:
2062:
2060:
2052:
2045:
2043:
2039:
2038:
2031:
2030:Selected works
2028:
1874:
1871:
1850:
1787:
1784:
1776:Henry Fielding
1772:Francis Hayman
1698:Jane Thornhill
1682:
1679:
1621:Ronald Paulson
1616:
1613:
1604:genre painting
1592:Henry Fielding
1563:
1560:
1541:Line of Beauty
1525:plate 1 (1753)
1513:
1510:
1388:Windsor Castle
1368:
1365:
1353:Horace Walpole
1347:(1748; now in
1339:
1334:
1285:
1282:
1278:Horace Walpole
1236:
1233:
1152:
1149:
1093:
1088:
1072:Henry Fielding
995:
986:
985:
984:
927:
922:
870:
865:
847:, London, UK.
837:Fonthill House
784:
775:
773:
772:Moralizing art
770:
766:Ronald Paulson
760:'s Epistle to
758:Alexander Pope
703:Southwark Fair
689:Hanover Square
511:Roman Catholic
455:
452:
426:
423:
341:St John's Gate
301:
298:
282:apprenticeship
190:
189:
186:
185:
177:
176:
172:
171:
168:
167:
164:
163:
160:
154:
153:
150:
149:
147:Jane Thornhill
144:
140:
139:
126:
125:Known for
122:
121:
111:
107:
106:
103:
101:(aged 66)
95:
91:
90:
87:
76:
72:
71:
54:
46:
45:
38:
35:
15:
9:
6:
4:
3:
2:
7269:
7258:
7255:
7253:
7250:
7248:
7245:
7243:
7240:
7238:
7235:
7233:
7230:
7228:
7225:
7223:
7220:
7218:
7215:
7213:
7210:
7208:
7205:
7203:
7200:
7198:
7195:
7193:
7190:
7188:
7185:
7183:
7180:
7178:
7175:
7173:
7170:
7168:
7165:
7163:
7160:
7158:
7155:
7153:
7150:
7148:
7145:
7144:
7142:
7123:
7120:
7118:
7115:
7113:
7110:
7109:
7107:
7103:
7097:
7094:
7092:
7089:
7087:
7086:Meyer Solomon
7084:
7082:
7079:
7077:
7074:
7072:
7069:
7067:
7064:
7062:
7059:
7057:
7054:
7052:
7051:Johan Zoffany
7049:
7047:
7044:
7042:
7039:
7037:
7034:
7032:
7031:Batty Langley
7029:
7027:
7024:
7022:
7019:
7017:
7014:
7012:
7009:
7007:
7004:
7002:
6999:
6997:
6994:
6992:
6991:Edward Gibbon
6989:
6987:
6986:Thomas Wright
6984:
6982:
6979:
6977:
6974:
6972:
6969:
6967:
6964:
6962:
6959:
6957:
6954:
6952:
6949:
6947:
6944:
6942:
6939:
6937:
6934:
6932:
6929:
6927:
6924:
6922:
6919:
6917:
6914:
6912:
6909:
6907:
6904:
6902:
6901:Earl of Essex
6899:
6897:
6894:
6892:
6889:
6887:
6884:
6882:
6881:Martin Bladen
6879:
6877:
6874:
6872:
6869:
6867:
6864:
6862:
6859:
6857:
6854:
6852:
6849:
6847:
6844:
6842:
6839:
6837:
6834:
6832:
6829:
6827:
6824:
6822:
6821:John Woodward
6819:
6817:
6814:
6812:
6809:
6807:
6806:Charles Hayes
6804:
6802:
6799:
6797:
6794:
6792:
6789:
6787:
6784:
6782:
6779:
6777:
6774:
6772:
6769:
6767:
6764:
6762:
6759:
6757:
6754:
6752:
6749:
6747:
6744:
6742:
6741:James Douglas
6739:
6737:
6734:
6732:
6729:
6727:
6724:
6722:
6719:
6717:
6714:
6712:
6709:
6707:
6706:William Rutty
6704:
6702:
6699:
6697:
6694:
6692:
6689:
6687:
6684:
6682:
6679:
6677:
6676:Martin Folkes
6674:
6672:
6669:
6667:
6664:
6662:
6659:
6657:
6654:
6652:
6649:
6647:
6644:
6642:
6641:William Jones
6639:
6637:
6634:
6632:
6629:
6627:
6624:
6623:
6621:
6617:
6611:
6608:
6606:
6603:
6601:
6600:Hellfire Club
6598:
6596:
6593:
6590:
6586:
6583:
6581:
6578:
6576:
6573:
6571:
6568:
6566:
6563:
6561:
6558:
6556:
6553:
6551:
6548:
6546:
6543:
6541:
6540:Royal Society
6538:
6536:
6533:
6531:
6528:
6525:
6524:
6520:
6517:
6515:
6512:
6510:
6507:
6505:
6502:
6501:
6499:
6493:
6486:
6483:
6480:
6477:
6474:
6471:
6468:
6465:
6462:
6459:
6456:
6453:
6450:
6449:Baron Blayney
6447:
6444:
6441:
6438:
6437:Lord Aberdour
6435:
6432:
6429:
6426:
6423:
6420:
6417:
6414:
6411:
6408:
6405:
6402:
6399:
6396:
6393:
6390:
6389:Baron Raymond
6387:
6384:
6381:
6378:
6375:
6372:
6369:
6366:
6365:Lord Weymouth
6363:
6360:
6357:
6354:
6351:
6348:
6345:
6342:
6339:
6336:
6333:
6330:
6327:
6324:
6321:
6318:
6315:
6312:
6309:
6306:
6303:
6300:
6297:
6294:
6291:
6288:
6285:
6282:
6279:
6276:
6273:
6270:
6267:
6266:Anthony Sayer
6264:
6263:
6261:
6259:
6253:
6248:
6244:
6238:
6234:
6227:
6222:
6220:
6215:
6213:
6208:
6207:
6204:
6192:
6188:
6186:
6183:
6181:
6178:
6176:
6173:
6168:
6165:
6162:
6159:
6158:
6156:
6155:
6153:
6149:
6143:
6142:Turnham Green
6138:
6134:
6132:
6127:
6123:
6121:
6116:
6111:
6107:
6105:
6104:Chiswick Park
6100:
6096:
6094:
6089:
6085:
6083:
6078:
6074:
6072:
6069:
6067:
6064:
6062:
6059:
6057:
6054:
6052:
6049:
6047:
6044:
6042:
6039:
6037:
6034:
6033:
6031:
6027:
6017:
6014:
6012:
6011:Christ Church
6009:
6007:
6004:
6003:
6001:
5999:
5998:Turnham Green
5995:
5989:
5986:
5984:
5981:
5980:
5978:
5976:
5972:
5966:
5963:
5961:
5958:
5954:
5951:
5950:
5949:
5946:
5944:
5941:
5937:
5934:
5933:
5932:
5929:
5927:
5924:
5922:
5919:
5915:
5914:Walpole House
5912:
5910:
5906:
5904:
5900:
5898:
5897:Chiswick Eyot
5895:
5894:
5893:
5892:Chiswick Mall
5890:
5886:
5883:
5881:
5877:
5875:
5872:
5871:
5870:
5867:
5866:
5864:
5862:
5858:
5852:
5849:
5847:
5844:
5843:
5841:
5839:
5835:
5829:
5826:
5824:
5823:Little Sutton
5820:
5818:
5815:
5813:
5812:Dukes Meadows
5810:
5808:
5807:Duke's Hollow
5805:
5803:
5799:
5797:
5794:
5793:
5791:
5789:
5785:
5779:
5776:
5774:
5771:
5769:
5766:
5764:
5761:
5759:
5755:
5754:
5752:
5750:
5746:
5740:
5737:
5735:
5732:
5730:
5726:
5724:
5721:
5719:
5716:
5715:
5713:
5709:
5706:
5704:
5700:
5695:
5681:
5678:
5676:
5675:Jonathan Carr
5673:
5669:
5666:
5665:
5664:
5661:
5660:
5658:
5655:
5652:
5650:
5644:
5641:
5639:
5636:
5635:
5633:
5631:
5628:
5626:
5623:
5621:
5617:
5613:
5606:
5601:
5599:
5594:
5592:
5587:
5586:
5583:
5570:
5569:
5565:
5562:
5561:
5557:
5556:
5554:
5550:
5543:
5542:
5538:
5535:
5534:
5530:
5529:
5527:
5523:
5517:
5516:
5512:
5511:
5509:
5505:
5501:
5500:
5495:
5488:
5483:
5481:
5476:
5474:
5469:
5468:
5465:
5453:
5450:
5448:
5445:
5443:
5442:Sarah Malcolm
5440:
5438:
5435:
5434:
5432:
5428:
5422:
5419:
5418:
5416:
5412:
5406:
5403:
5402:
5400:
5396:
5389:
5388:
5384:
5383:
5381:
5377:
5367:
5366:
5362:
5360:
5359:
5355:
5353:
5352:
5348:
5346:
5345:
5341:
5339:
5338:
5334:
5332:
5331:
5327:
5326:
5324:
5321:
5320:
5315:
5308:
5307:
5303:
5300:
5299:
5295:
5292:
5291:
5287:
5284:
5283:
5279:
5276:
5275:
5271:
5268:
5267:
5263:
5260:
5259:
5255:
5252:
5251:
5247:
5244:
5243:
5239:
5236:
5235:
5231:
5228:
5227:
5223:
5220:
5219:
5215:
5212:
5211:
5207:
5204:
5203:
5199:
5196:
5195:
5191:
5188:
5187:
5183:
5180:
5179:
5175:
5172:
5171:
5167:
5164:
5163:
5159:
5156:
5155:
5150:
5149:
5145:
5142:
5141:
5137:
5134:
5133:
5129:
5125:
5122:
5121:
5117:
5116:
5114:
5110:
5103:
5102:
5098:
5095:
5094:
5090:
5087:
5086:
5082:
5079:
5078:
5074:
5071:
5070:
5066:
5063:
5062:
5058:
5055:
5054:
5050:
5047:
5046:
5042:
5039:
5038:
5034:
5031:
5030:
5026:
5023:
5022:
5018:
5015:
5014:
5010:
5007:
5006:
5002:
4999:
4998:
4994:
4990:
4987:
4986:
4982:
4979:
4978:
4974:
4971:
4970:
4966:
4964:
4963:List of works
4961:
4960:
4958:
4954:
4950:
4943:
4938:
4936:
4931:
4929:
4924:
4923:
4920:
4914:
4913:
4909:on Lambiek's
4908:
4905:
4903:
4902:Victorian Web
4899:
4896:
4894:
4893:Martin Rowson
4890:
4886:
4883:
4880:
4876:
4873:
4870:
4868:
4864:
4862:
4858:
4855:
4853:
4849:
4846:
4844:
4841:
4838:
4835:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4807:
4805:
4801:
4797:
4796:
4790:
4787:
4783:
4780:
4779:
4770:
4769:
4764:
4761:
4758:
4754:
4751:
4747:
4744:
4740:
4736:
4732:
4729:
4725:
4721:
4717:
4714:
4710:
4706:
4703:
4702:
4697:
4694:
4691:
4687:
4684:
4680:
4676:
4673:
4669:
4668:Frédéric Ogée
4665:
4664:David Bindman
4662:
4659:
4655:
4652:
4648:
4647:Frédéric Ogée
4645:
4642:
4638:
4635:
4632:
4628:
4625:
4621:
4618:
4614:
4611:
4608:
4604:
4601:
4597:
4596:David Bindman
4594:
4591:
4587:
4584:
4583:3-86150-042-6
4580:
4576:
4572:
4569:
4566:
4562:
4559:
4556:
4552:
4549:
4546:
4545:History Today
4542:
4539:
4535:
4531:
4527:
4524:
4521:
4517:
4513:
4512:
4500:
4499:
4494:
4487:
4472:
4468:
4462:
4446:
4440:
4433:
4427:
4420:
4416:
4410:
4402:
4400:0-946571-19-8
4396:
4392:
4385:
4377:
4376:
4371:
4364:
4358:
4353:
4338:
4334:
4328:
4320:
4316:
4315:
4307:
4292:
4291:
4286:
4282:
4276:
4268:
4264:
4263:
4255:
4247:
4243:
4242:
4234:
4232:
4223:
4221:9785875310782
4217:
4213:
4209:
4208:
4200:
4198:
4190:. p. 99.
4189:
4185:
4184:
4176:
4174:
4172:
4164:. p. 98.
4163:
4159:
4158:
4150:
4148:
4146:
4138:. p. 97.
4137:
4133:
4132:
4124:
4109:
4105:
4098:
4082:
4078:
4072:
4065:
4059:
4051:
4049:9780827425231
4045:
4041:
4037:
4036:
4028:
4020:
4016:
4015:
4007:
3999:
3998:
3993:
3987:
3980:. p. 14.
3979:
3975:
3974:
3966:
3958:
3954:
3953:
3945:
3938:
3932:
3925:
3919:
3912:
3906:
3899:
3898:
3891:
3876:
3872:
3865:
3859:
3855:
3851:
3845:
3838:
3832:
3825:
3819:
3812:
3806:
3798:
3794:
3790:
3786:
3782:
3775:
3768:
3762:
3755:
3749:
3742:
3736:
3729:
3723:
3716:
3710:
3703:
3700:
3695:
3688:
3682:
3676:
3674:
3667:
3660:
3654:
3647:
3641:
3634:
3628:
3620:
3618:9780520213005
3614:
3610:
3606:
3605:
3597:
3589:
3587:9780520213005
3583:
3579:
3575:
3574:
3566:
3558:
3556:9780520213005
3552:
3548:
3544:
3543:
3535:
3529:
3524:
3517:
3511:
3504:
3498:
3491:
3485:
3479:
3475:
3471:
3467:
3461:
3454:
3448:
3441:
3440:
3435:
3430:
3423:
3417:
3411:
3407:
3404:
3398:
3392:
3390:
3389:The Telegraph
3382:
3374:
3372:9781780226491
3368:
3364:
3360:
3359:
3351:
3343:
3341:9781932112252
3337:
3333:
3329:
3328:
3320:
3313:
3307:
3300:
3294:
3287:
3281:
3279:
3271:
3265:
3259:
3254:
3247:
3241:
3234:
3227:
3221:
3206:
3200:
3196:
3195:
3187:
3171:
3167:
3161:
3154:
3152:
3146:
3139:
3135:
3129:
3122:
3118:
3114:
3108:
3101:
3095:
3089:, nos. 21–26.
3088:
3082:
3075:
3072:
3067:
3060:
3057:
3052:
3045:
3042:See Paulson,
3039:
3032:
3028:
3022:
3015:
3009:
3001:
2997:
2993:
2989:
2985:
2978:
2971:
2966:
2959:
2953:
2946:
2940:
2933:
2927:
2920:
2919:Sarah Malcolm
2915:
2908:
2902:
2895:
2889:
2882:
2876:
2869:
2865:
2859:
2852:
2846:
2839:
2838:
2831:
2823:
2808:
2802:
2798:
2794:
2790:
2789:
2783:
2775:
2773:
2764:
2749:
2743:
2739:
2735:
2731:
2730:
2724:
2716:
2714:
2712:
2704:
2698:
2691:
2685:
2678:
2673:
2666:
2661:
2654:
2648:
2641:
2635:
2628:
2627:
2622:
2618:
2614:
2609:
2602:
2596:
2589:
2582:
2567:
2563:
2557:
2549:
2545:
2539:
2535:
2525:
2522:
2519:
2516:
2514:
2511:
2509:
2506:
2505:
2496:
2489:
2484:
2480:
2479:
2471:
2466:
2462:
2458:
2451:
2446:
2442:
2439:
2432:
2427:
2424:
2423:
2417:
2416:
2409:
2404:
2401:
2400:
2392:
2387:
2386:
2383:
2380:
2379:
2375:
2371:
2365:
2360:
2356:
2355:
2347:
2342:
2338:
2334:
2330:
2329:
2322:
2317:
2313:
2312:
2305:
2300:
2296:
2295:
2288:
2283:
2279:
2275:
2271:
2270:
2263:
2258:
2255:
2251:
2250:
2243:
2238:
2234:
2233:
2229:
2223:
2222:
2215:
2210:
2206:
2205:
2198:
2193:
2189:
2183:
2178:
2174:
2167:
2162:
2158:
2156:
2155:William Jones
2149:
2144:
2140:
2134:
2129:
2125:
2123:
2116:
2111:
2107:
2101:
2096:
2093:
2091:
2083:
2078:
2074:
2073:
2066:
2061:
2057:
2056:
2049:
2044:
2041:
2040:
2037:
2034:
2033:
2027:
2025:
2021:
2017:
2016:
2012:'s 2003 film
2011:
2010:Roger Michell
2006:
2004:
2003:
1998:
1994:
1992:
1991:
1986:
1982:
1978:
1974:
1973:road junction
1970:
1966:
1962:
1960:
1959:
1954:
1950:
1949:
1944:
1940:
1939:Russell Banks
1936:
1934:
1930:
1929:The Mezzotint
1927:ghost story "
1926:
1922:
1918:
1914:
1910:
1909:
1905:
1901:
1897:
1893:
1892:
1887:
1882:
1880:
1868:
1848:
1846:
1845:David Garrick
1842:
1835:
1830:
1826:
1822:
1820:
1816:
1810:
1808:
1804:
1803:
1792:
1783:
1781:
1777:
1773:
1768:
1766:
1762:
1758:
1751:
1746:
1742:
1740:
1739:
1733:
1728:
1726:
1722:
1713:
1709:
1707:
1703:
1699:
1691:
1687:
1681:Personal life
1678:
1676:
1672:
1668:
1664:
1660:
1656:
1652:
1648:
1644:
1640:
1636:
1632:
1628:
1627:
1622:
1612:
1609:
1605:
1601:
1596:
1593:
1589:
1585:
1581:
1577:
1573:
1569:
1559:
1550:
1546:
1542:
1538:
1534:
1533:
1524:
1523:
1518:
1509:
1508:to the King.
1507:
1502:
1500:
1499:
1494:
1492:
1487:
1486:
1481:
1477:
1475:
1470:
1466:
1462:
1461:
1456:
1455:
1449:
1447:
1443:
1439:
1438:
1433:
1429:
1425:
1421:
1418:(now also in
1417:
1412:
1410:
1409:
1404:
1403:
1398:
1397:
1389:
1385:
1381:
1378:and his wife
1377:
1376:David Garrick
1373:
1364:
1360:
1358:
1354:
1350:
1346:
1345:
1338:
1333:
1331:
1327:
1323:
1322:Lincoln's Inn
1319:
1315:
1312:, now in the
1311:
1307:
1303:
1299:
1295:
1291:
1281:
1279:
1274:
1272:
1271:Discourse XIV
1268:
1267:
1262:
1258:
1254:
1253:David Bindman
1250:
1246:
1242:
1232:
1230:
1226:
1222:
1218:
1214:
1210:
1209:
1204:
1201:, now in the
1200:
1196:
1195:Captain Coram
1187:
1183:
1181:
1177:
1173:
1172:David Garrick
1169:
1161:
1160:David Garrick
1157:
1148:
1146:
1142:
1137:
1133:
1131:
1127:
1122:
1121:Hackney coach
1117:
1115:
1111:
1110:
1102:
1098:
1092:
1087:
1085:
1081:
1077:
1073:
1068:
1066:
1062:
1061:Judith Dufour
1058:
1054:
1050:
1045:
1043:
1039:
1035:
1031:
1027:
1023:
1019:
1018:
1014:
1006:
1005:
1000:
994:
990:
982:
981:
980:
978:
974:
970:
966:
962:
958:
954:
950:
946:
945:
936:
932:
926:
920:
915:
913:
909:
907:
901:
899:
895:
894:
885:
884:
879:
875:
869:
864:
862:
857:
853:
848:
846:
842:
838:
834:
830:
826:
825:
819:
817:
813:
809:
805:
804:
795:
794:
789:
783:
779:
769:
767:
763:
759:
755:
751:
750:
745:
744:
739:
738:
733:
732:
727:
726:
721:
720:
716:
711:
710:
705:
704:
699:
698:
692:
690:
686:
685:John Conduitt
682:
681:
676:
671:
669:
668:Sarah Malcolm
665:
664:
659:
655:
654:
649:
648:
636:
635:
630:
625:
623:
622:
617:
616:Samuel Butler
608:
601:
597:
596:Self-Portrait
593:
589:
587:
586:
581:
577:
573:
569:
565:
564:opera singers
561:
557:
553:
552:
547:
546:
541:
540:
535:
533:
527:
525:
521:
516:
512:
508:
504:
493:
492:
483:
479:
478:
473:
466:
465:
460:
451:
449:
445:
440:
438:
432:
422:
420:
416:
415:George Vertue
412:
408:
403:
401:
397:
393:
389:
385:
381:
380:Covent Garden
377:
373:
369:
365:
361:
357:
352:
350:
346:
342:
338:
332:
330:
326:
322:
314:
310:
306:
297:
295:
289:
287:
283:
279:
274:
272:
271:
266:
265:
260:
259:
254:
250:
246:
242:
241:social critic
238:
234:
228:
200:
196:
187:
183:
178:
173:
169:
165:
161:
155:
151:
148:
145:
141:
138:
134:
130:
127:
123:
119:
115:
112:
110:Resting place
108:
96:
92:
77:
73:
68:
64:
60:
59:
52:
47:
42:
33:
30:
26:
22:
7117:Henry Pelham
7081:Moses Mendez
7056:John Coustos
7046:Joseph Banks
6996:Baron Hervey
6965:
6711:James Vernon
6671:Brook Taylor
6589:Kit-Cat Club
6565:Newtonianism
6521:
6443:Earl Ferrers
6341:Baron Lovell
6311:Lord Paisley
6272:George Payne
5952:
5861:Old Chiswick
5654:Bedford Park
5566:
5558:
5539:
5531:
5513:
5497:
5493:
5447:Hogarth Club
5385:
5363:
5356:
5351:The Toilette
5349:
5342:
5335:
5328:
5318:
5304:
5296:
5288:
5280:
5272:
5264:
5256:
5248:
5240:
5232:
5224:
5216:
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5200:
5192:
5184:
5176:
5168:
5160:
5152:
5146:
5138:
5131:
5127:
5118:
5099:
5091:
5083:
5075:
5067:
5059:
5051:
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5035:
5027:
5019:
5011:
5004:
4996:
4992:
4983:
4975:
4967:
4948:
4912:Comiclopedia
4910:
4889:Tate Britain
4866:
4803:
4794:
4784: at the
4767:
4756:
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4734:
4719:
4712:
4699:
4682:
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4650:
4640:
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4623:
4616:
4606:
4599:
4589:
4574:
4564:
4561:Joseph Burke
4554:
4544:
4529:
4519:
4498:The Guardian
4496:
4486:
4474:. Retrieved
4461:
4449:. Retrieved
4439:
4431:
4426:
4418:
4414:
4409:
4390:
4384:
4373:
4363:
4352:
4340:. Retrieved
4327:
4313:
4306:
4294:. Retrieved
4288:
4275:
4261:
4254:
4248:p. 107.
4240:
4206:
4182:
4156:
4130:
4123:
4111:. Retrieved
4107:
4097:
4085:. Retrieved
4081:the original
4071:
4058:
4034:
4027:
4013:
4006:
3996:
3992:Cook, Thomas
3986:
3972:
3965:
3951:
3944:
3936:
3931:
3923:
3918:
3910:
3905:
3896:
3890:
3878:. Retrieved
3874:
3864:
3849:
3844:
3836:
3831:
3823:
3818:
3810:
3805:
3788:
3784:
3774:
3766:
3761:
3753:
3748:
3740:
3735:
3727:
3722:
3714:
3709:
3694:
3686:
3681:
3672:
3666:
3658:
3653:
3645:
3640:
3632:
3627:
3603:
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3572:
3565:
3541:
3534:
3523:
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3502:
3497:
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3465:
3460:
3452:
3447:
3438:
3429:
3421:
3416:
3397:
3388:
3381:
3357:
3350:
3326:
3319:
3311:
3306:
3298:
3293:
3285:
3269:
3264:
3253:
3245:
3240:
3229:
3225:
3220:
3208:. Retrieved
3193:
3186:
3174:. Retrieved
3169:
3160:
3150:
3145:
3137:
3133:
3128:
3112:
3107:
3099:
3094:
3086:
3081:
3066:
3051:
3043:
3038:
3030:
3026:
3021:
3013:
3008:
2991:
2987:
2977:
2965:
2957:
2952:
2944:
2939:
2931:
2926:
2914:
2906:
2901:
2893:
2888:
2880:
2875:
2867:
2863:
2858:
2850:
2845:
2835:
2830:
2810:. Retrieved
2786:
2751:. Retrieved
2727:
2702:
2697:
2684:
2672:
2660:
2652:
2647:
2639:
2634:
2625:
2616:
2608:
2600:
2595:
2587:
2581:
2569:. Retrieved
2565:
2556:
2547:
2538:
2524:Judy Egerton
2494:
2477:
2419:
2418:, plate 11,
2413:
2397:
2381:
2369:
2352:
2326:
2314:, mid-1750s.
2309:
2292:
2267:
2247:
2225:
2219:
2202:
2187:
2173:Thomas Coram
2153:
2138:
2120:
2105:
2088:Portrait of
2087:
2071:
2054:
2035:
2024:Daniel Craig
2013:
2007:
2002:Barry Lyndon
2000:
1995:
1988:
1984:
1963:
1956:
1946:
1937:
1920:
1906:
1889:
1886:Gavin Gordon
1883:
1879:John Collier
1876:
1851:
1838:
1823:
1815:John Nichols
1811:
1800:
1797:
1769:
1754:
1736:
1729:
1720:
1718:
1695:
1624:
1618:
1597:
1576:ballad opera
1565:
1548:
1530:
1528:
1520:
1503:
1496:
1490:
1483:
1473:
1469:cockfighting
1458:
1452:
1450:
1435:
1420:Tate Britain
1413:
1406:
1400:
1394:
1392:
1361:
1349:Tate Britain
1342:
1341:
1336:
1317:
1301:
1293:
1289:
1287:
1275:
1270:
1264:
1260:
1238:
1206:
1192:
1165:
1140:
1138:
1134:
1118:
1107:
1105:
1100:
1090:
1083:
1079:
1075:
1069:
1065:Gin Act 1751
1056:
1052:
1048:
1046:
1029:
1026:English beer
1021:
1016:
1012:
1009:
1002:
992:
988:
942:
940:
934:
924:
917:
910:
902:
891:
889:
881:
877:
867:
855:
851:
849:
840:
832:
822:
820:
807:
801:
799:
791:
781:
777:
753:
747:
746:(1738), and
741:
735:
729:
723:
718:
714:
707:
701:
695:
693:
678:
672:
661:
651:
645:
632:
626:
619:
613:
595:
583:
580:William Kent
549:
543:
537:
531:
528:
489:
487:
475:
462:
443:
441:
434:
419:Michael Dahl
404:
372:William Kent
360:Louis Chéron
353:
349:Fleet Prison
337:coffee house
333:
318:
308:
294:Charles Lamb
290:
275:
268:
262:
256:
235:, pictorial
194:
193:
99:(1764-10-26)
67:Tate Britain
56:
29:
7157:1764 deaths
7152:1697 births
7036:Thomas Arne
6796:John Anstis
6736:James Jurin
6731:John Browne
6701:John Machin
6686:Charles Cox
6481:(1792–1813)
6475:(1782–1790)
6469:(1777–1782)
6463:(1772–1777)
6461:Baron Petre
6457:(1767–1772)
6451:(1764–1767)
6445:(1762–1764)
6439:(1757–1762)
6433:(1754–1757)
6427:(1752–1753)
6421:(1747–1752)
6419:Baron Byron
6415:(1744–1747)
6409:(1742–1744)
6403:(1741–1742)
6397:(1740–1741)
6391:(1739–1740)
6385:(1738–1739)
6379:(1737–1738)
6373:(1736–1737)
6367:(1735–1736)
6361:(1734–1735)
6355:(1733–1734)
6349:(1732–1733)
6343:(1731–1732)
6337:(1730–1731)
6331:(1728–1730)
6325:(1727–1728)
6319:(1726–1727)
6313:(1724–1725)
6301:(1723–1724)
6289:(1721–1723)
6280:(1719–1720)
6274:(1718–1719)
6268:(1717–1718)
6180:Bollo Brook
6169:(1927–1965)
6163:(1858–1927)
6120:Gunnersbury
6093:South Acton
5983:Bull's Head
5960:Mawson Arms
5838:Gunnersbury
5778:Power House
5630:Acton Green
4763:Robin Simon
4713:Early Music
4696:Robin Simon
4637:Jenny Uglow
3434:Robin Simon
3210:13 December
3176:13 December
3031:Art History
2988:Art History
2621:Robin Simon
2508:English art
2493:Engraving,
2475:Engraving,
2461:John Wilkes
2232:Old England
2090:Inigo Jones
2018:, starring
1933:BBC Radio 4
1925:M. R. James
1913:W. H. Auden
1647:Last Supper
1586:called the
1556: 1761
1545:Paul Sandby
1474:The Cockpit
1424:Shakespeare
1332:(1755–56).
1229:John Wilkes
1223:and Bishop
1176:Richard III
1076:Beer Street
1049:Beer Street
1022:Beer Street
1013:Beer Street
1004:Beer Street
989:Beer Street
959:(plate 8),
949:apprentices
675:John Dryden
660:'s popular
642: 1730
556:masquerades
532:The Lottery
499: 1721
482:Earl Tylney
454:Early works
376:Arthur Pond
329:trade cards
253:comic strip
7141:Categories
7041:John Soane
6836:Baron King
6716:John Senex
6631:John Byrom
6407:Baron Ward
5788:Grove Park
5739:The Tabard
5358:The Bagnio
5151:(1732–33,
4887:hosted at
4509:References
4476:8 November
4451:8 November
4430:Val Bott,
4342:8 November
4021:p. 8.
3743:, no. 207.
3730:, no. 194.
3689:, no. 201.
3661:, no. 204.
3648:, no. 198.
3505:, no. 148.
3492:, no. 128.
3478:0300058330
3472:, p. 175.
3424:, no. 185.
3121:1429919566
2824:required.)
2765:required.)
2441:Lord Lovat
2382:Engravings
2228:Roast Beef
2015:The Mother
1953:Toby Jones
1623:says, "In
1608:broadsheet
1600:Protestant
1572:printshops
1320:(1748) at
1257:Dr Johnson
1197:, for the
969:highwayman
965:Lord Mayor
953:Protestant
507:Protestant
429:See also:
300:Early life
81:1697-11-10
6826:John Ward
6595:Gormogons
6029:Transport
6016:Town Hall
5290:The Bench
5135:(1730–31)
5112:Paintings
3822:Paulson,
3809:Paulson,
3765:Einberg,
3752:Paulson,
3739:Einberg,
3726:Einberg,
3713:Paulson,
3685:Einberg,
3657:Einberg,
3644:Einberg,
3514:Paulson,
3501:Einberg,
3488:Einberg,
3451:Paulson,
3420:Einberg,
3297:Paulson,
3284:Paulson,
3244:Paulson,
3085:Einberg,
2956:Paulson,
2947:, no. 63.
2943:Einberg,
2909:, no. 68.
2905:Einberg,
2879:Paulson,
2812:16 August
2753:16 August
2457:engraving
2357:, plate 2
2294:The Bench
2207:1740–1745
2036:Paintings
2020:Anne Reid
1943:Nick Dear
1935:in 2006.
1917:BBC radio
1802:The Bench
1732:Freemason
1493:, plate I
1491:The Times
1480:Methodism
1266:The Idler
1151:Portraits
1128:, as the
1034:Gin Craze
568:John Rich
542:(1724);
313:Roubiliac
249:realistic
175:Signature
158:Patron(s)
69:, London.
25:Bill Main
6585:Whiggism
6497:articles
6082:Chiswick
5703:Hounslow
5612:Chiswick
5571:(ballet)
5507:Portions
5398:Theories
5253:(c.1750)
5189:(c.1740)
5165:(c.1735)
4681:, eds.,
4087:3 August
3994:(1808).
3406:Archived
2502:See also
2438:Jacobite
2372:, 1728,
2339:", 1755.
2335:banner "
1969:Chiswick
1945:'s play
1902:'s 1951
1834:Chiswick
1819:aneurysm
1757:Chiswick
1750:Chiswick
1671:antiques
1655:miracles
1501:(1764).
1460:Election
1411:(1747).
1080:Gin Lane
1057:Gin Lane
1053:Gin Lane
1030:Gin Lane
1017:Gin Lane
993:Gin Lane
961:Alderman
740:(1736),
734:(1736),
728:(1736),
722:(1736),
712:(1736),
706:(1733),
700:(1733),
658:John Gay
621:Hudibras
437:engraver
392:the king
286:engraver
284:with an
237:satirist
233:engraver
137:satirist
133:engraver
120:, London
118:Chiswick
6619:Members
6495:Related
6258:Masters
6189:†
5907:†
5901:†
5878:†
5563:(opera)
5430:Related
5414:Museums
4859:at the
4624:Hogarth
4600:Hogarth
4518:, ed.
4296:19 June
3880:23 June
3837:Hogarth
2932:Hogarth
2881:Hogarth
2703:Hogarth
2571:23 June
2566:dummies
2235:), 1749
1725:portion
1639:Passion
1584:fiction
1568:taverns
1512:Writing
1330:Bristol
1225:Herring
1130:drayman
973:gallows
957:Sheriff
914:wrote:
409:, with
347:in the
129:Painter
6526:(1723)
6487:(1813)
6307:(1724)
6295:(1723)
6140:
6129:
6118:
6102:
6091:
6080:
5656:(part)
5620:Ealing
5544:(1945)
5541:Bedlam
5536:(1945)
5390:(1753)
5322:(1745)
5309:(1759)
5301:(1759)
5293:(1758)
5285:(1757)
5277:(1755)
5269:(1755)
5261:(1750)
5245:(1748)
5237:(1745)
5229:(1745)
5221:(1745)
5213:(1742)
5205:(1742)
5197:(1740)
5181:(1736)
5173:(1736)
5143:(1731)
5128:Before
5104:(1763)
5096:(1761)
5088:(1761)
5080:(1754)
5072:(1752)
5064:(1751)
5056:(1751)
5048:(1747)
5040:(1743)
5032:(1741)
5024:(1741)
5016:(1738)
5008:(1736)
5000:(1736)
4993:Before
4988:(1724)
4980:(1724)
4972:(1721)
4956:Prints
4869:, 1753
4786:Art UK
4741:
4726:
4581:
4536:
4397:
4218:
4113:21 May
4046:
3869:Tate.
3856:
3615:
3584:
3553:
3476:
3369:
3338:
3201:
3172:. 2012
3119:
2818:
2803:
2759:
2744:
2478:Before
2422:Tyburn
2297:, 1758
2276:, the
2274:Thalia
2226:O the
2175:, 1740
2159:, 1740
2141:, 1733
2108:, 1729
2075:, 1731
2058:, 1731
2055:Before
1778:, and
1635:Virgin
1578:, the
1537:Rococo
1476:(1759)
1444:, now
1428:Milton
1221:Hoadly
1114:hanged
906:Tyburn
715:Before
534:(1724)
515:Jewish
513:, and
467:, 1721
425:Career
398:, and
374:, and
343:, was
278:London
143:Spouse
6256:Grand
6151:Other
5552:Stage
5437:Trump
5379:Books
5132:After
4997:After
3232:'
3074:p.193
3059:p.192
2531:Notes
2495:After
2072:After
1919:play
1904:opera
1786:Death
1675:Venus
1659:Deist
1631:Dürer
1588:novel
1432:Swift
1416:Trump
1255:, in
1124:of a
719:After
321:Latin
65:, in
63:Trump
5525:Film
5130:and
4995:and
4788:site
4739:ISBN
4724:ISBN
4579:ISBN
4534:ISBN
4478:2019
4453:2019
4395:ISBN
4344:2019
4298:2024
4216:ISBN
4115:2013
4089:2018
4044:ISBN
3882:2017
3875:Tate
3854:ISBN
3702:p.63
3613:ISBN
3582:ISBN
3551:ISBN
3474:ISBN
3401:See
3385:See
3367:ISBN
3336:ISBN
3212:2014
3199:ISBN
3178:2013
3117:ISBN
2814:2021
2801:ISBN
2755:2021
2742:ISBN
2573:2017
2278:muse
2190:1742
2022:and
1987:and
1430:and
1292:and
1126:dray
1078:and
1015:and
991:and
854:and
812:bawd
780:and
717:and
362:and
267:and
199:FRSA
94:Died
75:Born
41:FRSA
5496:'s
4850:at
4711:",
3793:doi
3029:,"
2996:doi
2793:doi
2734:doi
2230:of
2008:In
1967:in
1700:at
1651:God
1645:'s
1482:in
1471:in
1448:).
1386:at
1316:);
1174:as
1047:In
677:'s
644:),
618:'s
390:to
339:at
311:by
221:ɑːr
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5821:†
5800:†
5756:†
5727:†
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