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232:, based on designs by Sacchi, gained him attention as an artist but his first prominent independent work was the 'Adoration of the Shepherds' (1650) for San Giuseppe di Falegnami. Another major work from this period was 'The Mystery of the Trinity Revealed to St. Augustine' (c. 1655) painted for the church of
185:, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the development of sub themes. Maratta's painting at this time was closely allied with the classicism of
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in 1680, he became the leading artist in Rome. In 1664, Maratta became the director of the
Accademia di San Luca and, concerned with elevating the status of artists, promoted the study and drawing of the art of Classical Antiquity. During the 1670s he was commissioned by Pope
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With a general decline in patronage around the beginning of the eighteenth century and largely due to the economic downturn, Maratta turned his hand to painting restoration, including works by
Raphael and Carracci. His sculptural designs included figures of the Apostles for
381:, was born to Maratta by his mistress, Francesca Gommi (or Gomma). He legally recognized her as his daughter in 1698 and upon becoming a widower in 1700, Maratta married the girl's mother. His daughter's features were incorporated into a number of Maratta's late paintings.
141:(15 May 1625 – 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from
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in the gallery of the
Quirinal Palace where he worked under the direction of Cortona who selected him for this task. His pictures of the late 1650s exhibit light and movement derived from Roman Baroque painting, combined with classical idealism.
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From 1660, he built up a private client base amongst wealthy patrons of Europe, establishing the most prominent art studio in Rome of his time and, after the death of
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which was being painted at the same time, Maratta did not employ illusionism; his scene remained within its frame and used few figures.
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St John the
Baptist Explaining the Doctrine of the Immaculate Conception to Sts Gregory, Augustine, and John Chrysostom
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or ‘Little Carlo of the
Madonnas', but his gifted interpretation of this theme. Other works included an altarpiece,
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Maratti intended further decorations to this room which were not executed due to the death of the pope.
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He developed a close relationship with Sacchi till the death of his master in 1661. His fresco of '
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Maratta was a well-known portrait painter. He painted Sacchi (c. 1655, Prado), Cardinal
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painting and particularly in his use of colour. His contemporary and friend,
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ordering the
Destruction of Pagan Idols' (1648) for the Baptistery of the
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243:(reigned 1655–1667) commissioned many paintings from him including
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The Virgin with Saints Carlo
Borromeo and Ignatius of Loyola, and Angels
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and was far more restrained and composed than the
Baroque exuberance of
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Juno
Beseeching Aeolus to Release the Winds Against the Trojan Fleet
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700:. 1980. Pelican History of Art, Penguin Books. pp. 337–339.
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The Lives of the Modern
Painters, Sculptors, and Architects
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714:(UK) web site entry for Carlo Maratta (accessed May 2013)
177:. It was at this time that the debate between Sacchi and
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The Assumption of the Virgin with Doctors of the Church
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Church Fathers discuss the Assumption of the Virgin
681:Picture collector's manual; Dictionary of Painters
486:, 1669, Pinacoteca Gallery, Vatican Museums, Rome.
440:, 1643–1645, Church of Saint Clare, Nocera Umbra.
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593:"Portrait of Pope Clement IX by MARATTI, Carlo"
310:The Appearance of the Virgin to St. Philip Neri
450:, University of North Carolina at Chapel Hill.
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684:. London: T. & W. Boone. pp.
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612:(New Haven and London, 2003), passim.
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552:for further discussion of the debate.
698:Art and Architecture Italy 1600-1750
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504:Santa Maria in Vepretis, San Ginesio
648:The Evolution of English Collecting
610:The Evolution of English Collecting
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798:People from the Province of Ancona
490:Saint Joseph and the Infant Christ
484:Portrait of Clement IX Rospigliosi
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803:17th-century Italian painters
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524:Vita di Carlo Maratta pittore
464:The Virgin and Child in Glory
377:In 1679 or 1680, a daughter,
478:Santa Maria del Popolo, Rome
320:(c. 1685) for the church of
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16:Italian painter (1625–1713)
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494:Dunedin Public Art Gallery
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470:, National Museum, Madrid
322:Santa Maria in Vallicella
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394:San Giovanni in Laterano
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226:Constantine
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782:Categories
637:References
496:, Dunedin.
466:, c.1680,
386:Clement XI
361:Grand Tour
211:Guido Reni
47:1625-05-13
665:cite book
373:(c. 1690)
355:(c. 1660
287:Clement X
157:Biography
119:Signature
696:(1993).
646:(2003).
430:Arethusa
404:See also
379:Faustina
253:Nativity
251:and the
207:Guercino
163:Camerano
161:Born in
108:Movement
102:Painting
55:Camerano
771:. 1905.
756:. 1879.
741:. 1913.
460:, Rome.
426:Alpheus
282:Bernini
230:Lateran
199:Bologna
147:Baroque
143:Raphael
139:Maratti
113:Baroque
92:Italian
659:. n.k.
276:(1686)
217:, and
187:Sacchi
688:–151.
510:Notes
239:Pope
195:Parma
111:Late
671:link
428:and
303:Gesu
197:and
77:Rome
66:Died
41:Born
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