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The Quiller Memorandum

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bonnet of the car so it will slowly slide and fall off due to vibration from the running engine. He manages to get over the wall of his garage stall as well as the adjoining one and then outside to the side of the building before detonation. He is shielded behind the building when the bomb explodes. The thugs believe him dead when they see the burning wreckage.
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Quiller goes back to the school and confronts Inge in her classroom. She states that she "was lucky, they let me go" and claims she then called the phone number but it did not work. Quiller tells Inge that they got most, but clearly not all, of the neo-Nazis. Quiller continues his subtle accusations,
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Quiller confronts a man who seems to be following him, revealing that he (Quiller) speaks German fluently. When Quiller returns to his hotel, a porter bumps Quiller's leg with a suitcase on the steps. Quiller drives off, managing to shake Hengel, then notices men in another car following him. Quiller
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wrote: "Clearly, 'The Quiller Memorandum' is claptrap done up in a style and with a musical score by John Barry that might lead you to think it is Art. But don't let it fool you for one minute–nor Mr. Segal, nor Senta Berger as the girl. The whole thing, including these two actors, is as hollow as a
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base by dawn or Inge will be killed. Quiller is released. He walks down the same street where Jones was shot, but finds he is followed by Oktober's men. After being prevented from using a phone, Quiller makes a run for an elevated train, and thinking he has managed to shake off Oktober's men, exits
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Quiller admits to Inge that he is an "investigator" on the trail of neo-Nazis. After they have sex, she unexpectedly reveals that a friend was formerly involved with neo-Nazis and might know the location of Phoenix's HQ. The friend proves to be Hassler, who is now much more friendly. Hassler drives
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Quiller then returns to his hotel, followed by the men who remain outside. He notices the concierge is seated where he can see anyone leaving. Quiller slips out though a side door to the small garage yard where his car is kept. He finds that a bomb has been strapped underneath and sets it on the
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Quiller awakes in a dilapidated mansion, surrounded by many of the previous incidental characters. They are all members of Phoenix, led by the German aristocrat code-named Oktober. Quiller avoids answering Oktober's questions about Quiller's agency, until a doctor injects him with a
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When Quiller decides to investigate the building, Inge says she will wait for him, while Hassler and the headmistress leave one of their cars for them. Inge tells him she loves him, and he tells her a phone number to call if he is not back in 20 minutes.
482:, the tallest building in the city, and gives them the location of the building where he met Oktober. Pol dispatches a team to Phoenix's HQ, which successfully captures all of Phoenix's members. Quiller is surprised to learn that no women were found. 434:
Pretending to be a reporter, Quiller visits the school featured in the article. The headmistress introduces him to a teacher who speaks English, Inge Lindt. After the interview, he gives her a ride to her flat and stops in for a drink.
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River. He steals a taxi, evades a pursuing vehicle and books himself into a squalid hotel. He calls Inge and arranges to meet. He first meets with Pol, who explains that each side is trying to discover and annihilate the other's base.
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According to Fox records, the film needed to earn $ 2,600,000 in rentals to break even and made $ 2,575,000, meaning it initially showed a marginal loss, but subsequent television and home video sales moved it into the black.
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them to meet an old contact he says knows a lot more, who turns out to be Inge's headmistress. She claims she turned in the teacher from the article, and points out the dilapidated Phoenix mansion.
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Quiller enters the mansion and is confronted by Phoenix thugs. Oktober reveals they are moving base the next day and that they have captured Inge. Oktober demands Quiller reveal the
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becomes drowsy from a drug that was injected by the porter at the entrance to the hotel. When Quiller passes out at a traffic stop, the other car pulls alongside and abducts him.
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At lunch in an exclusive club in London, close to Buckingham Palace, the directors of an unnamed agency, Gibbs and Rushington, decide to send American agent
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the film had nominations in the best Art Direction, Film Editing and Screenplay categories, but did not win. Harold Pinter was nominated for an
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street at night and enters an internally lit phone box. He is shot dead by an unseen gunman. He is British secret agent Kenneth Lindsay Jones.
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wrote that "it relies on a straight narrative storyline, simple but holding, literate dialog and well-drawn characters". Ian Nathan of
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Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945–1985. Edinburgh University Press p 360
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described the film as "daft, dated and outright confusing most of the time, but undeniably fun" and rated it with 3/5 stars.
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to continue the assignment, which has now killed two agents. Quiller meets his controller for this mission, Pol, at Berlin's
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reports that 67% of critics have given the film a positive rating, based on 12 reviews, with an average score of 7.4/10.
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The film is a spy-thriller set in 1960s West Berlin, where agent Quiller is sent to investigate a neo-Nazi organisation.
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and Inge continues her denial of ever meeting Jones. Quiller leaves, startling the headmistress on the way out.
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Quiller reaches Pol's secret office in Berlin, one of the top floors in the newly built
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The Fox That Got Away: The Last Days of the Zanuck Dynasty at Twentieth Century-Fox
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and confronts a man who has been following him, learning that it is his
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the other side of the elevated station only to run into them again.
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Crowther, Bosley (16 December 1966). "Screen: Ersatz Menace".
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by removing unnecessary details and making it more concise.
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The film had its world premiere on 10 November 1966 at the
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in the Best Motion Picture category, but also didn't win.
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The mainly orchestral atmospheric soundtrack composed by
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The film was shot on location in 13: 2067:Films directed by Michael Anderson 14: 2123: 1397: 930: 468:Secret Intelligence Service (SIS) 450:Quiller wakes up beside Berlin's 727:"The Love Scene" – The Old House 364:too long or excessively detailed 351: 1355:The New Adventures of Pinocchio 852:"The Quiller Memorandum (1966)" 715:"Oktober" – Walk from the River 546:Edith Schneider as Headmistress 901: 886: 871: 844: 829: 804: 779: 762: 592:The review aggregator website 1: 2077:Films based on British novels 1872:The French Lieutenant's Woman 1200:Doc Savage: The Man of Bronze 878:Silverman, Stephen M (1988). 746: 611: 578:In a contemporary review for 563:Awards and critical reception 401:A man walks along a deserted 2107:1960s English-language films 1347:20,000 Leagues Under the Sea 1136:All the Fine Young Cannibals 768:"Big Rental Films of 1967", 709:"Quiller Caught" – The Fight 360:This article's plot summary 7: 2092:Films about the Berlin Wall 1128:The Wreck of the Mary Deare 1096:Around the World in 80 Days 10: 2128: 2014:Harold Pinter and politics 2004:Relationship with academia 1646:Remembrance of Things Past 1184:The Shoes of the Fisherman 1120:Shake Hands with the Devil 186:10 November 1966 2082:Films set in West Germany 1976: 1777: 1656: 1405: 1290: 1023: 909:"Quiller Memorandum, The" 882:. 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Index


Film poster
Tom Beauvais
Michael Anderson
Harold Pinter
Elleston Trevor
Ivan Foxwell
George Segal
Alec Guinness
Max von Sydow
Senta Berger
George Sanders
Robert Helpmann
Erwin Hillier
Frederick Wilson
John Barry
Rank Film Distributors
neo noir
eurospy film
Deluxe Color
Panavision
spy novel
The Berlin Memorandum
Elleston Trevor
Harold Pinter
Michael Anderson
George Segal
Alec Guinness
Max von Sydow
Senta Berger

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