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co-founded the business, accused him of criminal wrongdoing. Anna agrees not to go to the police, but asks him to explain more details about what she accused him of doing. She suggests he gets off on violence and power, so he chokes her in response. Anna knocks him unconscious with a fire poker. Armed with Tom's rifle, Anna takes Ray hostage, threatening to shoot him unless he submits to riding in her car's trunk.
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At the end of the ride back to the city, Anna happily thanks him for the experience and offers to invest in his business, revealing to the audience and Ray that she was indeed a willing participant the whole time. Stunned, he can only mumble a response before he stumbles back home to see Stuart in a
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The police show up at Ray's house. Panicking, he binds Anna in the basement as he deflects the police officers' questions. After bandaging himself, he attempts to clear up everything with Anna, who claims to have no knowledge of his business. Ray shows her the contract she digitally signed and plays
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Ray simulates a carjacking, taking her hostage that weekend, never breaking character. He forces himself to take a break to reassure himself that he has the confidence and skill to pull off the scenario. Ray then aggressively interrogates Anna about a made-up client, demanding access to non-existent
286:
Stuart, an overeater, has contracted Ray to stage an aggressive intervention over eight hours. Ray tells Stuart he cheats on his diet, and then forces him to consume a dozen of his favorite hamburgers. After the eight-hour session ends, Stuart thanks Ray and asserts that he has lost his appetite for
282:
Entrepreneur Ray Moody runs a business in which clients pay him to experience a simulated kidnapping. An interview for a loan goes poorly when he attempts to explain his business model to an incredulous banker. Although Ray has a strained relationship with his sister
Natalie, he turns to her husband
302:
After hitting her, Ray leaves to pay Tom back. Natalie discovers the envelope filled with money and surmises its purpose, angry that her husband would finance Ray's bizarre business. She confronts Ray and realizes he is using their parents' house for his scenarios; he becomes frustrated when she
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Confused and fearing he has wrongly kidnapped someone, Ray agrees to let her go. However, at the last moment, he swallows her car keys, saying that he can not release her until they create an alibi that allows him – and
Natalie – to escape jail time. After Anna shoots him several times with his
290:
Ray is elated when a new client, Anna, contacts him, seeking an extended session that will last the entire weekend. His joy turns to scepticism when Anna requests that he hit her. Although initially refusing the job, Ray calls her back and accepts. Ray then performs surveillance on her, and she
314:
When Anna wakes, she is in her car being driven by Ray and he asks her to cooperate. She punches him instead then Ray put her in the trunk for the rest of the journey to his remote vacation home. There, they discuss their pasts, both revealing that they are divorced. Ray says his ex-wife, who
29:
468:
highlighted Healy's direction in particular, citing it as "exactly the mix of comical bumbling and psychological tension he wants here, executing the premise in a way sure to please fans of his distinctive body of work... and impress a few new ones along the way."
298:
Although initially scared and obedient, Anna soon adopts a mocking tone, accusing him of being a pervert who has abducted her under flimsy premises. Enraged, he almost strikes her, and she again mocks him for his reluctance.
303:
interrupts his session. After she leaves, Ray hears on the news the police are investigating Anna's disappearance. Rattled, he attempts to talk to Anna, who stabs him in the back with an improvised weapon.
574:
478:
was more tepid, claiming that "parts of it work, but the overall package is never really suspenseful enough to have you on edge or overtly funny enough to be a lark."
462:
also gave the film a positive review, determining its ability to "exploit its screwy premise for both unnerving laughs and volatile thrills." John DeFore of
494:
Although
Netflix co-produced and released the film outside the United States as part of a deal between the service and Duplass Brothers Productions,
456:
rated the film 3 1/2 out of 4 stars, praising the actors' on-screen chemistry and "an extremely funny script by Mike
Makowsky." Nick Schager of
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575:"'Risk' Faces Julian Assange; Naomi Watts, Elle Fanning, Susan Sarandon Are '3 Generations' – Specialty B.O. Preview"
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125:
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449:, the film holds a rating of 56 out of 100 based on 10 critics, indicating "mixed or average reviews".
319:
restaurant. As he waves at him, Ray cries, then laughs when he sees Stuart is really eating a salad.
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pellet gun, Ray attempts to regurgitate the keys, only for her to slip and fall unconscious.
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656:"The Orchard Nabs Taylor Schilling Dark Comedy 'Take Me' Ahead Of Tribeca Debut"
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acquired distribution rights to the film and set it for a May 5, 2017 release.
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back her earlier phone message, both of which she dismisses as fabrications.
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684:"Taylor Schilling, Pat Healy's Comedy 'Take Me' Bought by The Orchard"
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603:"Tribeca Film Festival Unveils 2017 Feature Film Slate (FULL LIST)"
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is not claimed to be a
Netflix Original by the streaming service.
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28:
766:"Take Me Movie Review & Film Summary (2017) | Roger Ebert"
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holds a 70% approval rating on review aggregator website
847:"Review: In 'Take Me,' a Kidnapping Turns Cat-and-Mouse"
291:
leaves him a message telling him to be more discreet.
270:
on April 25, 2017. It was released on May 5, 2017, by
943:
394:, who agreed to finance and co-produce alongside
1153:
520:"Duplass brothers in four-picture Netflix deal"
386:in mind. Healy brought the script to producers
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418:The film had its world premiere at the
266:The film had its world premiere at the
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422:on April 25, 2017. Prior to Tribeca,
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518:Hazelton, John (11 February 2018).
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1212:English-language independent films
1187:Duplass Brothers Productions films
410:over the course of eighteen days.
14:
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382:wrote the role of Ray Moody with
845:Genzlinger, Neil (May 3, 2017).
790:"Tribeca Film Review: 'Take Me'"
654:N'Duka, Amanda (March 6, 2017).
1182:American screwball comedy films
838:
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730:
703:
682:McNary, Dave (March 6, 2017).
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647:
622:
594:
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539:
511:
488:
441:, based on 23 reviews, with a
1:
601:Cox, Gordon (March 2, 2017).
573:Brooks, Brian (May 5, 2017).
505:
374:
1202:2010s English-language films
1172:2010s screwball comedy films
1141:Volcano, I'm Still Excited!!
1136:Duplass Brothers Productions
817:DeFore, John (May 5, 2017).
472:Neil Genzlinger's review in
126:Duplass Brothers Productions
7:
1192:The Orchard (company) films
402:. Production took place in
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1177:American independent films
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251:. It stars Healy opposite
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164:April 25, 2017
996:Jeff, Who Lives at Home
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1167:2017 independent films
1004:The Do-Deca-Pentathlon
824:The Hollywood Reporter
465:The Hollywood Reporter
634:Tribeca Film Festival
420:Tribeca Film Festival
408:Crestline, California
268:Tribeca Film Festival
179:May 5, 2017
1207:2010s American films
525:Screen International
404:Glendale, California
235:is a 2017 American "
187: (United States)
452:Sheila O'Malley of
283:Tom for the money.
852:The New York Times
819:"'Take Me' Review"
770:www.rogerebert.com
764:O'Malley, Sheila.
661:Deadline Hollywood
580:Deadline Hollywood
475:The New York Times
430:Critical reception
367:as Officer Ramirez
361:as Officer Judkins
16:2017 American film
1197:2017 comedy films
1149:
1148:
1102:TV series created
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1096:
1090:(2022, Mark only)
1082:(2021, Mark only)
1074:(2019, Mark only)
1066:(2017, Mark only)
1042:(2016, Mark only)
1034:(2014, Mark only)
1026:(2012, Mark only)
370:Mark Kelly as Tom
337:as Anna St. Blair
243:film directed by
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112:F. Brian Scofield
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1079:Language Lessons
1058:(2017, Jay only)
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798:. April 28, 2017
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87:Taylor Schilling
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950:Mark Duplass
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392:Mark Duplass
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331:as Ray Moody
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287:hamburgers.
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196:Running time
1121:(2017–2020)
1113:(2015–2016)
531:27 November
424:The Orchard
396:The Orchard
388:Jay Duplass
272:The Orchard
140:The Orchard
71:Sev Ohanian
59:Produced by
39:Directed by
1162:2017 films
1156:Categories
1055:Outside In
1023:Black Rock
904:Metacritic
775:2017-05-12
743:Metacritic
506:References
447:Metacritic
375:Production
347:Jim O'Heir
343:as Natalie
261:Jim O'Heir
221:Box office
200:83 minutes
183:2017-05-05
168:2017-04-25
118:Production
49:Written by
1087:Biosphere
1071:Paddleton
944:Works by
738:"Take Me"
630:"Take Me"
547:"Take Me"
384:Pat Healy
359:Toby Huss
349:as Stuart
329:Pat Healy
245:Pat Healy
237:screwball
109:Edited by
92:Pat Healy
66:Mel Eslyn
43:Pat Healy
1118:Room 104
1047:Table 19
1039:Blue Jay
964:Directed
695:March 6,
667:March 6,
639:April 7,
614:March 2,
355:as Cathy
213:Language
80:Starring
1129:Related
1063:Creep 2
1015:Written
980:Baghead
899:Take Me
888:Take Me
877:Take Me
795:Variety
689:Variety
608:Variety
496:Take Me
459:Variety
435:Take Me
414:Release
400:Netflix
295:files.
232:Take Me
224:$ 2,583
216:English
205:Country
181: (
174:Tribeca
166: (
146:Netflix
120:company
22:Take Me
1050:(2017)
1007:(2012)
999:(2011)
991:(2010)
983:(2008)
975:(2005)
858:May 8,
830:May 8,
802:May 8,
749:May 8,
722:May 8,
586:May 8,
558:May 9,
241:comedy
172: (
1031:Creep
988:Cyrus
482:Notes
948:and
882:IMDb
860:2017
832:2017
804:2017
751:2017
724:2017
697:2017
669:2017
641:2017
616:2017
588:2017
560:2017
533:2021
406:and
398:and
390:and
323:Cast
278:Plot
259:and
946:Jay
902:at
891:at
880:at
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
