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Semi-operas were performed with singing, speaking and dancing roles. When music was written, it was usually for moments in the play immediately following either love scenes or those concerning the supernatural.
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518:(1712) libretto adapted by Thomas Shadwell from the Dryden-Davenant version of Shakespeare's play; music possibly by
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454:, adapted from plays by John Fletcher and Nahum Tate; music by Daniel Purcell, Richard Leveridge and Jeremiah Clarke
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498:(1706) libretto by George Granville, Lord Lansdowne; music by John Eccles, Bartholomew Issack and William Corbett
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470:(1700) libretto by Peter Motteux after the play by John Fletcher; music by John Eccles and Daniel Purcell
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138:-like episodes employing singing and dancing characters. They usually included
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154:. After Locke's death, a second flowering produced the semi-operas of
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146:. The first examples were the Shakespeare adaptations produced by
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ed. Susan J. Owen (Blackwell, 2008): chapter by Todd S. Gilman
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432:; music by Daniel Purcell, Jeremiah Clarke and Henry Purcell
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and John Dryden; music by Henry
Purcell, Act V completed by
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separately licensed plays without music and the new
Italian
350:(1692) libretto by an anonymous author after Shakespeare's
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The
Lancashire Witches and Tegue O'Divelly the Irish Priest
492:(1701) libretto by Elkanah Settle; music by Godfrey Finger
278:(1675) libretto by Thomas Shadwell; music by Matthew Locke
504:(1706) libretto by Thomas Durfey; music by John Smith,
342:(1691) libretto by John Dryden; music by Henry Purcell
422:, Jeremiah Clarke, Henry Purcell and David Underwood
244:and William Davenant's adaptation of Shakespeare's
46:. Unsourced material may be challenged and removed.
538:Curtis Price and Louise K. Stein: "Semi-opera" in
408:(1696) anonymous libretto; music by Daniel Purcell
412:Cinthia and Endimion, or The Loves of the Deities
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502:Wonders in the Sun, or The Kingdom of the Birds
393:(1695) libretto adapted version of the play by
284:(1677) libretto by Charles Davenant; music by
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197:are closer to semi-opera than to the pastoral
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496:The British Enchanters, or No Magic Like Love
293:(1681) libretto by Thomas Shadwell; music by
484:; music by Godfrey Finger and Daniel Purcell
170:. Semi-opera received a deathblow when the
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489:The Virgin Prophetess, or The Fate of Troy
508:, John Eccles, Giovanni Battista Draghi,
304:(1685) libretto by John Dryden; music by
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553:Warrack, John and West, Ewan (1992),
185:It has been observed that several of
234:The Tempest, or The Enchanted Island
44:adding citations to reliable sources
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522:(long attributed to Henry Purcell)
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568:A Companion to Restoration Drama
476:(1701) anonymous libretto after
134:that combined spoken plays with
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31:needs additional citations for
555:The Oxford Dictionary of Opera
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362:(1694), music by Henry Purcell
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540:New Grove Dictionary of Opera
458:The Grove, or Love's Paradise
261:Calisto, or The Chaste Nymph
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418:; music by Daniel Purcell,
382:; music by John Eccles and
205:List of English semi-operas
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250:; music by Matthew Locke,
132:Restoration entertainments
1106:Italian opera terminology
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464:; music by Daniel Purcell
353:A Midsummer Night's Dream
697:ComĂ©die mĂȘlĂ©e d'ariettes
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356:; music by Henry Purcell
252:Giovanni Battista Draghi
195:Juan Hidalgo de Polanco
144:restoration spectacular
683:Comédie en vaudevilles
444:; music by John Eccles
130:" were all applied to
989:Science fiction opera
976:Schauspiel mit Gesang
426:The World in the Moon
142:in the manner of the
40:improve this article
1049:Tragédie en musique
743:Fairy-tale opera /
664:BĂŒhnenweihfestspiel
474:Alexander the Great
460:(1700) libretto by
450:(1699) libretto by
448:The Island Princess
440:(1698) libretto by
428:(1697) libretto by
414:(1696) libretto by
368:(1695) libretto by
315:(1690) libretto by
301:Albion and Albanius
263:(1675) libretto by
236:(1674) libretto by
213:(1673) libretto by
940:Pastorale héroïque
437:Rinaldo and Armida
269:Nathaniel Staggins
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711:Dramma eroicomico
420:Richard Leveridge
395:Sir Robert Howard
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478:The Rival Queens
390:The Indian Queen
370:William Davenant
329:Philip Massinger
317:Thomas Betterton
215:William Davenant
193:s with music by
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148:Thomas Betterton
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657:BĂŒhnenfestspiel
650:Ballet héroïque
636:Azione teatrale
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360:Timon of Athens
347:The Fairy Queen
319:after the play
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321:The Prophetess
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704:Drame lyrique
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482:Nathaniel Lee
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468:The Mad Lover
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462:John Oldmixon
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452:Peter Motteux
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156:Henry Purcell
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152:Matthew Locke
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51:Find sources:
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29:This article
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1111:Opera genres
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858:Opéra-ballet
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643:Ballad opera
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605:Opera genres
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55:"Semi-opera"
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38:Please help
33:verification
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1116:Semi-operas
970:Savoy opera
953:Radio opera
914:Opera seria
865:Opera buffa
851:Opera ballo
813:Liederspiel
787:Grand opera
745:MĂ€rchenoper
520:John Weldon
516:The Tempest
442:John Dennis
374:Shakespeare
339:King Arthur
331:; music by
306:Louis Grabu
295:John Eccles
267:; music by
265:John Crowne
247:The Tempest
242:John Dryden
227:; music by
219:Shakespeare
161:King Arthur
118:The terms "
1100:Categories
1070:Zauberoper
994:Semi-opera
837:Musikdrama
826:Melodramma
807:Intermezzo
623:Afterpiece
548:References
512:and Durfey
312:Dioclesian
158:, notably
120:semi-opera
66:newspapers
1042:Tonadilla
1035:Syngespil
1028:Spieloper
1021:Songspiel
1014:Singspiel
983:Schuloper
933:Pasticcio
831:Monodrama
801:IntermĂšde
96:July 2019
1077:Zeitoper
1063:Zarzuela
1007:Serenata
1000:Sepolcro
926:Opérette
920:Operetta
794:Handlung
738:Duodrama
671:Burletta
199:Zarzuela
187:CalderĂłn
140:machines
1056:Verismo
379:Macbeth
366:Macbeth
224:Macbeth
211:Macbeth
191:comedia
126:" and "
80:scholar
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372:after
275:Psyche
240:after
217:after
136:masque
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844:Opéra
759:Farsa
527:Notes
510:Lully
323:, by
282:Circe
176:opera
122:", "
87:JSTOR
73:books
559:ISBN
327:and
254:and
164:and
59:news
480:by
376:'s
221:'s
189:'s
42:by
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