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Semi-opera

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Semi-operas were performed with singing, speaking and dancing roles. When music was written, it was usually for moments in the play immediately following either love scenes or those concerning the supernatural.
268: 488: 595: 251: 86: 696: 1105: 58: 562: 518:(1712) libretto adapted by Thomas Shadwell from the Dryden-Davenant version of Shakespeare's play; music possibly by 105: 454:, adapted from plays by John Fletcher and Nahum Tate; music by Daniel Purcell, Richard Leveridge and Jeremiah Clarke 65: 498:(1706) libretto by George Granville, Lord Lansdowne; music by John Eccles, Bartholomew Issack and William Corbett 43: 186: 72: 352: 470:(1700) libretto by Peter Motteux after the play by John Fletcher; music by John Eccles and Daniel Purcell 39: 588: 394: 324: 131: 54: 436: 1006: 682: 389: 285: 228: 151: 939: 441: 194: 143: 32: 519: 404: 294: 1048: 663: 1110: 988: 975: 581: 1115: 649: 604: 8: 509: 338: 300: 160: 806: 79: 689: 656: 892: 731: 710: 558: 419: 963: 946: 742: 724: 369: 328: 316: 214: 171: 147: 899: 885: 878: 779: 906: 751: 635: 505: 346: 237: 166: 139: 871: 857: 772: 765: 717: 616: 429: 398: 383: 274: 255: 138:-like episodes employing singing and dancing characters. They usually included 1099: 1083: 819: 703: 676: 481: 461: 451: 415: 332: 155: 957: 642: 628: 800: 969: 952: 913: 864: 850: 812: 786: 373: 305: 264: 246: 241: 218: 925: 1069: 836: 825: 622: 311: 154:. After Locke's death, a second flowering produced the semi-operas of 1041: 1034: 1027: 1020: 1013: 982: 932: 830: 146:. The first examples were the Shakespeare adaptations produced by 21: 1076: 1062: 999: 919: 793: 737: 670: 198: 843: 1055: 378: 223: 573: 135: 570:
ed. Susan J. Owen (Blackwell, 2008): chapter by Todd S. Gilman
758: 175: 432:; music by Daniel Purcell, Jeremiah Clarke and Henry Purcell 397:
and John Dryden; music by Henry Purcell, Act V completed by
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separately licensed plays without music and the new Italian
350:(1692) libretto by an anonymous author after Shakespeare's 291:
The Lancashire Witches and Tegue O'Divelly the Irish Priest
492:(1701) libretto by Elkanah Settle; music by Godfrey Finger 278:(1675) libretto by Thomas Shadwell; music by Matthew Locke 504:(1706) libretto by Thomas Durfey; music by John Smith, 342:(1691) libretto by John Dryden; music by Henry Purcell 422:, Jeremiah Clarke, Henry Purcell and David Underwood 244:and William Davenant's adaptation of Shakespeare's 46:. Unsourced material may be challenged and removed. 538:Curtis Price and Louise K. Stein: "Semi-opera" in 408:(1696) anonymous libretto; music by Daniel Purcell 412:Cinthia and Endimion, or The Loves of the Deities 1097: 502:Wonders in the Sun, or The Kingdom of the Birds 393:(1695) libretto adapted version of the play by 284:(1677) libretto by Charles Davenant; music by 204: 197:are closer to semi-opera than to the pastoral 589: 496:The British Enchanters, or No Magic Like Love 293:(1681) libretto by Thomas Shadwell; music by 484:; music by Godfrey Finger and Daniel Purcell 170:. Semi-opera received a deathblow when the 596: 582: 489:The Virgin Prophetess, or The Fate of Troy 508:, John Eccles, Giovanni Battista Draghi, 304:(1685) libretto by John Dryden; music by 106:Learn how and when to remove this message 1098: 577: 553:Warrack, John and West, Ewan (1992), 185:It has been observed that several of 234:The Tempest, or The Enchanted Island 44:adding citations to reliable sources 15: 13: 522:(long attributed to Henry Purcell) 14: 1127: 603: 568:A Companion to Restoration Drama 476:(1701) anonymous libretto after 134:that combined spoken plays with 20: 31:needs additional citations for 555:The Oxford Dictionary of Opera 532: 362:(1694), music by Henry Purcell 1: 547: 540:New Grove Dictionary of Opera 458:The Grove, or Love's Paradise 261:Calisto, or The Chaste Nymph 7: 418:; music by Daniel Purcell, 382:; music by John Eccles and 205:List of English semi-operas 10: 1132: 250:; music by Matthew Locke, 132:Restoration entertainments 1106:Italian opera terminology 611: 464:; music by Daniel Purcell 353:A Midsummer Night's Dream 697:ComĂ©die mĂȘlĂ©e d'ariettes 526: 356:; music by Henry Purcell 252:Giovanni Battista Draghi 195:Juan Hidalgo de Polanco 144:restoration spectacular 683:ComĂ©die en vaudevilles 444:; music by John Eccles 130:" were all applied to 989:Science fiction opera 976:Schauspiel mit Gesang 426:The World in the Moon 142:in the manner of the 40:improve this article 1049:TragĂ©die en musique 743:Fairy-tale opera / 664:BĂŒhnenweihfestspiel 474:Alexander the Great 460:(1700) libretto by 450:(1699) libretto by 448:The Island Princess 440:(1698) libretto by 428:(1697) libretto by 414:(1696) libretto by 368:(1695) libretto by 315:(1690) libretto by 301:Albion and Albanius 263:(1675) libretto by 236:(1674) libretto by 213:(1673) libretto by 940:Pastorale hĂ©roĂŻque 437:Rinaldo and Armida 269:Nathaniel Staggins 1093: 1092: 732:Dramma per musica 711:Dramma eroicomico 420:Richard Leveridge 395:Sir Robert Howard 116: 115: 108: 90: 1123: 964:Romantische Oper 947:Posse mit Gesang 725:Dramma pastorale 598: 591: 584: 575: 574: 542: 536: 478:The Rival Queens 390:The Indian Queen 370:William Davenant 329:Philip Massinger 317:Thomas Betterton 215:William Davenant 193:s with music by 172:Lord Chamberlain 148:Thomas Betterton 111: 104: 100: 97: 91: 89: 48: 24: 16: 1131: 1130: 1126: 1125: 1124: 1122: 1121: 1120: 1096: 1095: 1094: 1089: 907:Opera semiseria 752:Fait historique 690:ComĂ©die lyrique 657:BĂŒhnenfestspiel 650:Ballet hĂ©roĂŻque 636:Azione teatrale 607: 602: 550: 545: 537: 533: 529: 506:Samuel Akeroyde 360:Timon of Athens 347:The Fairy Queen 319:after the play 238:Thomas Shadwell 207: 167:The Fairy-Queen 112: 101: 95: 92: 49: 47: 37: 25: 12: 11: 5: 1129: 1119: 1118: 1113: 1108: 1091: 1090: 1088: 1087: 1080: 1073: 1066: 1059: 1052: 1045: 1038: 1031: 1024: 1017: 1010: 1003: 996: 991: 986: 979: 972: 967: 960: 955: 950: 943: 936: 929: 922: 917: 910: 903: 896: 889: 882: 875: 868: 861: 854: 847: 840: 833: 828: 823: 816: 809: 804: 797: 790: 783: 776: 769: 766:Festa teatrale 762: 755: 748: 740: 735: 728: 721: 718:Dramma giocoso 714: 707: 700: 693: 686: 679: 674: 667: 660: 653: 646: 639: 632: 625: 620: 617:Acte de ballet 612: 609: 608: 601: 600: 593: 586: 578: 572: 571: 565: 557:, 782 pages, 549: 546: 544: 543: 530: 528: 525: 524: 523: 513: 499: 493: 485: 471: 465: 455: 445: 433: 430:Elkanah Settle 423: 409: 405:Brutus of Alba 401: 399:Daniel Purcell 386: 384:Godfrey Finger 363: 357: 343: 335: 321:The Prophetess 308: 297: 288: 279: 271: 258: 256:Pelham Humfrey 231: 206: 203: 150:with music by 124:dramatic opera 114: 113: 28: 26: 19: 9: 6: 4: 3: 2: 1128: 1117: 1114: 1112: 1109: 1107: 1104: 1103: 1101: 1086: 1085: 1084:Zwischenspiel 1081: 1079: 1078: 1074: 1072: 1071: 1067: 1065: 1064: 1060: 1058: 1057: 1053: 1051: 1050: 1046: 1044: 1043: 1039: 1037: 1036: 1032: 1030: 1029: 1025: 1023: 1022: 1018: 1016: 1015: 1011: 1009: 1008: 1004: 1002: 1001: 997: 995: 992: 990: 987: 985: 984: 980: 978: 977: 973: 971: 968: 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531: 521: 517: 514: 511: 507: 503: 500: 497: 494: 491: 490: 486: 483: 482:Nathaniel Lee 479: 475: 472: 469: 468:The Mad Lover 466: 463: 462:John Oldmixon 459: 456: 453: 452:Peter Motteux 449: 446: 443: 439: 438: 434: 431: 427: 424: 421: 417: 416:Thomas Durfey 413: 410: 407: 406: 402: 400: 396: 392: 391: 387: 385: 381: 380: 375: 371: 367: 364: 361: 358: 355: 354: 349: 348: 344: 341: 340: 336: 334: 333:Henry Purcell 330: 326: 325:John Fletcher 322: 318: 314: 313: 309: 307: 303: 302: 298: 296: 292: 289: 287: 286:John Banister 283: 280: 277: 276: 272: 270: 266: 262: 259: 257: 253: 249: 248: 243: 239: 235: 232: 230: 229:Matthew Locke 226: 225: 220: 216: 212: 209: 208: 202: 200: 196: 192: 188: 183: 179: 177: 173: 169: 168: 163: 162: 157: 156:Henry Purcell 153: 152:Matthew Locke 149: 145: 141: 137: 133: 129: 128:English opera 125: 121: 110: 107: 99: 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: â€“  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 1111:Opera genres 1082: 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Grabu 295:John Eccles 267:; music by 265:John Crowne 247:The Tempest 242:John Dryden 227:; music by 219:Shakespeare 161:King Arthur 118:The terms " 1100:Categories 1070:Zauberoper 994:Semi-opera 837:Musikdrama 826:Melodramma 807:Intermezzo 623:Afterpiece 548:References 512:and Durfey 312:Dioclesian 158:, notably 120:semi-opera 66:newspapers 1042:Tonadilla 1035:Syngespil 1028:Spieloper 1021:Songspiel 1014:Singspiel 983:Schuloper 933:Pasticcio 831:Monodrama 801:IntermĂšde 96:July 2019 1077:Zeitoper 1063:Zarzuela 1007:Serenata 1000:Sepolcro 926:OpĂ©rette 920:Operetta 794:Handlung 738:Duodrama 671:Burletta 199:Zarzuela 187:CalderĂłn 140:machines 1056:Verismo 379:Macbeth 366:Macbeth 224:Macbeth 211:Macbeth 191:comedia 126:" and " 80:scholar 561:  372:after 275:Psyche 240:after 217:after 136:masque 82:  75:  68:  61:  53:  844:OpĂ©ra 759:Farsa 527:Notes 510:Lully 323:, by 282:Circe 176:opera 122:", " 87:JSTOR 73:books 559:ISBN 327:and 254:and 164:and 59:news 480:by 376:'s 221:'s 189:'s 42:by 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"Semi-opera"
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Restoration entertainments
masque
machines
restoration spectacular
Thomas Betterton
Matthew Locke
Henry Purcell
King Arthur
The Fairy-Queen
Lord Chamberlain
opera
CalderĂłn
Juan Hidalgo de Polanco
Zarzuela
William Davenant
Shakespeare
Macbeth
Matthew Locke
Thomas Shadwell

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