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Anaṅgavarma, son of the lord king Ādityavarman, pays homage to the inscription in stone (placed) before the entryway of the place (palace) of the
Eminent Crown Prince who is accomplished in all virtues, has crossed to the other shore of greatness in courage and strength, who is a "lion-elephant", and
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The inscription is carved into a brown quartz sandstone and slightly yellowish color on both sides. The inscription shape is rectangular, measuring 110 cm high, 75 cm wide, and 17 cm thick. There is writing on both sides (side A and side B), which are basically the same content but in
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slightly different sentence structures. Some of the scripts have worn out but can be estimated by comparing the two sides. A special feature of this inscription is its unique ornaments; on the front side there are a snake ornament and ornament of a giant (
58:. The inscription was previously displayed across in front of the Indo Jalito Building, which was the residence of the Regent of Tanah Datar during the Dutch colonial period (researcher L.C. Westenenk once lived there). The inscription is written in
74:) head with large fangs and wearing a small crown, while on the back side there is also an ornament of a giant head but in a shape like an inverted urn, has large protruding eyes and short fangs.
91:, son of Adityawarman, as a person who is devoted to his father, mother, and teacher. Ananggawarman is also mentioned in connection with the phrase
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through his truth and compassion towards his preceptors, his mother and father, ever practices the vow of the
Hevajra(-tantra).
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The inscription begins with a salvation prayer as is customary in ancient inscriptions. The next line is a chronogram (
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area, in the courtyard of the old office of the
Monuments Preservation Department (BPCB, the old Balai Adat hall), in
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81:), but it has not yet been deciphered. The following lines contain praises to the crown prince (
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255:. Volume 16 of Nalanda-Sriwijaya Series. Institute of Southeast Asian Studies. p. 39.
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Tentative translation of the inscription according to de
Casparis, as follows:
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From
Distant Tales: Archaeology and Ethnohistory in the Highlands of Sumatra
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39:
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Leaves of the Same Tree: Trade and
Ethnicity in the Straits of Melaka
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368:. illustrated ed. University of Hawaii Press. pp. 87–88.
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Violence and
Serenity: Late Buddhist Sculpture from Indonesia
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333:. illustrated ed. University of Hawaii Press. p. 139.
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Saruaso II inscription, photo taken between 1910 and 1930.
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A 14th
Century Malay Code of Laws: The Nitisarasamuccaya
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dvārāgre śilalekha yat kṛta(2)guṇā Śrīyauvarājya=padam
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era (14th century CE). It is currently located at the
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nāmnaś=cāpi A(3)naṅgavamrma taṇaya Ādityavarmmaprabho
146:sattyam=mātapītagurau karuṇayā Hevajra-nityāsmṛtiḥ
207:; Neidel, J. David; Tjoa-Bonatz, Mai Lin (2009).
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138:tiratvāmahimapratāpabalavān vairigaja(5)kesari
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439:14th-century Sanskrit literature
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362:Andaya, Leonard Y. (2008).
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30:, also previously known as
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424:14th-century inscriptions
419:Inscriptions in Indonesia
327:Reichle, Natasha (2007).
303:. Minangkabau Arkeologia
16:Inscription in Indonesia
429:History of West Sumatra
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32:Batusangkar inscription
28:Saruaso II inscription
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301:"Prasasti Saruaso II"
44:Fort van der Capellen
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249:Kozok, Uli (2015).
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36:inscriptions
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152:Translation
111:de Casparis
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413:Categories
384:0824831896
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190:References
402:. p. 325.
56:Indonesia
168:See also
84:yuwaraja
307:17 July
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50:city,
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