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They're also handed out at funerals to help honor deceased family members, used to commemorate special events, or even just exchanged between friends and family as kindly gestures. When I was a child the saints depicted on the holy cards were presented to me as role models. They are figures from church history that are revered, one is meant to look to them for guidance or to help find peace. For me, this format is a perfect (subversive) way to present the lives of people who were long forgotten and abused during their lifetime, especially because so many of them were accused of "mocking God and His order" or deceiving their fellow
Christians.
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project stemmed from their "strong interest in animal rights and conservation" and by July 2016, the series contained over 200 pieces. Brodell also mentioned that this project allowed them to continually practice drawing and to focus mentally. Some of the many species that
Brodell drew include a variety of different insects, reptiles, birds, sea creatures, and mammals. The works in this project are completed on small pieces of paper using colored pencils or gouache for the main subject and watercolor to create vibrant colored backgrounds. In a 2018 interview with Ellen Caldwell, Brodell was asked if there were any connections between
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240:...the act of making those portraits got me thinking about history. Specifically, how did we survive? How did queer people in the past live their lives? I knew that Catholicism suggested "homosexuals" enter a life of service or at the very least live a life of chastity (I looked that up in the catechism book when I was in high school), so thinking of my options in the past, I made, Self Portrait as a Nun or Monk, circa 1250. After that self-portrait, I decided to dive into history and try to find the stories of real people.
400:) was a basic interest of "animals and conservation". Brodell states they are the only explorer of these boundless locations; therefore, their artwork is their execution of their experiences from observing the creatures that solely inhabit the uncolonized lands. The collection of creatures includes Wormbunnies (social communal animals), the Whale and his friend submarine (go on adventures), the birdmen (manipulative), the Sodmonsters and the Clumps (unappeasable and temperamental).
350:. He was born in Rome, and later began dressing in masculine clothing, and changed his name to Giovanni Bordoni. Giovanni attempted running away with the local minister's niece, whom he had a romantic connection with, but was captured and shot in the left thigh. The injury caused a fatal infection, causing his death which led to his organs being dissected to understand his sexuality.
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their lives, while others embodied both simultaneously." Original and secondary sources, including newspaper articles, and personal journal entries are used to verify the information. Summarized narratives and research sources are included with each portrait so that others can do further research. The paintings are created in the style of
Catholic holy cards as an homage to Brodell's
244:"Self-Portrait as a Nun or a Monk, ca. 1250" is a self-reflection and an inquiry into the history of queer bodies and their treatment. This painting is a statement on the criminalization and condemnation of queer people and a look into lives of the past. It is a bridge between these two series and between the inner reflection and external realities of the past and present world.
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Since its release the book has been described as "an ambitious and wonderfully celebratory ode to the lives of 28 people over many centuries 'assigned female at birth' who 'had documented relationships with women, and whose gender presentation was more masculine than feminine... This is a serious—and
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Brodell views the project as an ongoing effort to reclaim and document the history of LGBTQIA community. The Butch Heroes paintings were first exhibited in March–April 2017 at
Gallery Kayafas in Boston. Images of the paintings, accompanying narratives and source material were published by the artist
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Matthew Reimer it says, "The strong sister told the strong brother that there were two important things to remember about coming revolutions… The first is that we will get our asses kicked and the second is that we will win." It is here that Ria
Brodell is winning and giving others hope and a chance
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is a series of sculptures, paintings and drawings made by artist Ria
Brodell from 2004-2008. Brodell was able to create unique works of art with eccentric creatures in peculiar settings. Through the act of observation, they created their drawings to depict the characteristics of the creatures
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Project is a series of artwork made by artist Ria
Brodell from December 15, 2015 through March 1, 2017. By drawing a different animal every day, Brodell was able to gain insight into "the magnitude of animal species around the world." In a 2016 interview with Jess Dugan, Brodell explained that this
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was the first time I tried to tackle the subject of my gender identity, sexuality and
Catholic upbringing through painting. In that series I was reaching back to my childhood. As a kid, part of me knew that something was "queer" about who I was attracted to, and who I wanted to be (Cary Grant, Ken,
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The paintings depict, "people who were assigned female at birth, had documented relationships with women, and whose gender presentation was more masculine than feminine." Brodell explains,"Some of the subjects identified as women, others as men; some shifted between gender presentations throughout
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was an important, "comforting" part of their childhood, as they grew older, Brodell states that "I don't consider myself
Catholic anymore," further continuing with "When I got older and I realized how the church felt about me and how they wanted me to live my life, "I don't know if I was angry or
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Using the format of the
Catholic holy card was a personal and logical stylistic choice for me. I still have a collection of holy cards that belonged to my late aunt. I loved going through the collection with her and hearing her tell the stories of the saints. They are beautiful, intimate objects.
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is a fascinating, intersectional, feminist art-text project, and overall a rather wonderful reclamatory book of LGBT history that subvert and resonates in the human psyche." "The portraits give homage to contemporary ideas of queer ancestry, and in doing so give strength to trans and non-binary
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is a series of self-portraits and vignettes by Ria Brodell made from 2008-2010. The works in this series were painted with gouache on paper. In this series the artist attempted to bring together seemingly contradictory aspects of their childhood- queer sexuality, struggles with gender identity,
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series seeks to depict role models and possible heroes throughout history that were gender nonconforming and tell their stories. Brodell does this through the style of Catholic holy cards - intricate depictions of saints or martyrs that tell a visual story and are meant for "private, portable
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by centering "the featured individual or couple" and including "details of symbolic significance, such as a location" or a meaningful object. The works in this series all follow a similar style with the use of "bright and contrasting colors" alongside "bold designs" to capture the audience's
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the Prince in all the Disney movies), but I didn't have the language or the knowledge to understand what that meant. The way I wanted to express my gender (in the most masculine ways possible) did not mesh well with having to wear a little plaid skirt to school."
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was significantly different both artistically and stylistically. Brodell mentioned that despite the differences the overarching connection between those works was their "desire to make work that addresses subjects that feel strongly about."
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in New York City; the Davis Museum at Wellesley College; the Bernard A. Zuckerman Museum of Art, Kennesaw, Georgia; and the Mary Alice Cooley Print Collection at Cornish College of the Arts, Seattle. Brodell's work has appeared in
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they discovered, in addition to the perceived creatures' behaviors. Brodell was interviewed by Ellen Caldwell in 2018, where Brodell shared that their interest for this series (along with their other series
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devotions." Both of these series deal with Brodell's Catholic upbringing "'in relationship to gender and sexuality and coming out and coming to terms with all that,' said Brodell…" in their book,
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disappointed. Putting these people on holy cards that I identify with, it's a subversive way to replace those role models that that Catholic Church gave me with people I actually identify with."
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among others. Their work can be found in the collections of the Cornell Fine Arts Museum in Winter Park, Florida; the Minnesota Museum of American Art in St. Paul, Minnesota; the
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attention. All of the paintings also include a gold banner with the "name(s) and date(s) associated with the subject(s)". Some of the many people included in this series include
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helping me to find GI Joe's lost gun, etc", in order to allow them to express their "queer desire" and as an avenue to "embody masculine figures" that they enjoyed.
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McQuaid, Cate (26 July 2007). "EXPLORING MORE THAN LANDSCAPES; Exhibits reveal artists' views of history, war, politics, and nature".
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series. Brodell discusses their shift from self-portraits to historical storytelling in an interview in 2016:
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Brodell says they would choose comforting figures such as a guardian angel, or even "the story of
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1102:"Nonfiction Book Review: Butch Heroes by Ria Brodell. MIT, $ 24.95 (96p) ISBN 978-0-262-03897-3"
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was painted in 2010. It contains two self-representative images: one of a nun, and one of a monk
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842:"Artist Ria Brodell Offers an Enlightened View on Holy Cards (and History) with 'Butch Heroes'"
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1607:"Artist Ria Brodell Offers an Enlightened View on Holy Cards (and History) with 'Butch Heroes.
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Brodell has had solo and group exhibitions throughout the United States, including the
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Brodell was born in Buffalo, New York and raised in Boise, Idaho. Brodell attended the
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We are everywhere : protest, power, and pride in the history of Queer Liberation
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Trans artist Ria Brodell transports themself into multiple genders and histories."
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458:"The transgender body in art: finding visibility 'in difficult times like these'"
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1657:"Boston Artist Ria Brodell Finds 'Butch Heroes' Buried in the History Books."
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926:"Boston Artist Ria Brodell Finds 'Butch Heroes' Buried In The History Books"
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1151:"Lost Stories, Portraits, and His/Herstory On Display in 'Butch Heroes'"
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This piece was exhibited in Brodell's first solo museum exhibition,
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Ryan, Antonia (7 December 2004). "Statues, icons and holy cards".
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1627:"A Conversation with Artist and Esteemed Butch Hero Ria Brodell."
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515:"Davis Museum acquires paintings from Ria Brodell's Butch Heroes"
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1408:"A Conversation With Artist And Esteemed Butch Hero Ria Brodell"
1311:"A Conversation With Artist And Esteemed Butch Hero Ria Brodell"
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is a finalist in LGBTQ Non-Fiction for a Lambda Literary Award.
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upbringing. Brodell explains the use of the holy card format:
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is an American artist, educator and author based in Boston.
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seriously successful—queer history recovery project." "
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boxed card set. In October 2018 the MIT Press version,
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1507:"Mass Cultural Council | Gallery@MCC | Artist Detail"
1201:"queerplaces - Caterina Vizzani aka Giovanni Bordoni"
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School of the Museum of Fine Arts at Tufts University
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126:. Brodell's book documenting their painting series
1775:School of the Museum of Fine Arts at Tufts faculty
270:series, Brodell paints images that remain true to
1715:School of the Museum of Fine Arts at Tufts alumni
27:box sets at Stoltze Design in Boston, MA for the
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1457:"Boston, MA fine artist Ria Brodell #artistaday"
1383:"Boston, MA fine artist Ria Brodell #artistaday"
1126:"7 LGBT Books to Devour on the Beach or the Bus"
329:communities currently under attack. That makes
1639:Boston Spirit Magazine, July/August Issue 2017
1226:"Butch Heroes: Portraits From Queer History"
1177:"Butch Heroes: Portraits From Queer History"
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1009:The Davis: Davis Museum at Wellesley College
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1483:"Artadia Names 2014 Boston Artist Grantees"
736:) CS1 maint: multiple names: authors list (
91:Leslie-Lohman Museum of Gay and Lesbian Art
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1618:"Butch Heroes: Q&A with Ria Brodell."
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434:. They use they/them pronouns. While
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1175:Reader, The MIT Press (2022-06-02).
1005:"Ria Brodell Butch Heroes Boxed Set"
938:from the original on 6 February 2023
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704:. Brown, Leighton, 1978-. New York.
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16:American artist, educator and author
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254:Ria Brodell's most popular series,
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53:in Seattle, WA and an MFA from the
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540:"Painting Lost Transgender Heroes"
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630:from the original on 4 April 2023
616:Sandler, Leah (7 February 2018).
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71:Davis Museum at Wellesley College
29:Davis Museum at Wellesley College
1637:"Gender Nonconforming Pioneers."
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260:Self Portrait as a Nun or a Monk
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490:"#61 RIA BRODELL: Butch Heroes"
456:Heinlein, Sabine (2016-11-18).
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1531:"31st Lambda Literary Awards"
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959:Butch heroes : paintings
681:McNeil, Taylor (2018-11-29).
563:Dugan, Jess (July 21, 2016).
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408:Brodell is a recipient of an
214:The Handsome and the Holy and
153:family and Catholicism. In a
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1058:. Cambridge, Massachusetts.
924:Cook, Greg (21 March 2017).
89:in Seattle, Washington; the
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1755:American non-binary artists
1673:The Strange Fire Collective
1511:www.massculturalcouncil.org
1054:Brodell, Ria (2018-10-30).
957:Brodell, Ria (March 2017).
538:Els, Rozanne (2017-10-30).
308:as a limited edition book,
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83:Museum of Fine Arts, Boston
51:Cornish College of the Arts
23:Artist Ria Brodell signing
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1735:American portrait painters
651:National Catholic Reporter
175:The Handsome and the Holy,
683:"Painting Untold Stories"
226:The Handsome and the Holy
186:The Handsome and the Holy
167:The Handsome and the Holy
150:The Handsome and The Holy
144:The Handsome and the Holy
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369:and other works such as
130:was released in 2018 by
67:Cornell Fine Arts Museum
49:and received a BFA from
41:Early life and education
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756:"Ria Brodell: Devotion"
202:to win as well.
1670:Q&A: Ria Brodell."
1579:"Q&A: Ria Brodell"
1284:"Q&A: Ria Brodell"
792:"Q&A: Ria Brodell"
590:"Q&A: Ria Brodell"
565:"Q&A: ria brodell"
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280:Katherina Hetzeldorfer
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120:New American Paintings
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761:Rollins Museum of Art
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197:. In the book titled
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1770:Transgender painters
1700:MIT contributor page
1230:The MIT Press Reader
1181:The MIT Press Reader
1106:PublishersWeekly.com
898:"About Butch Heroes"
813:"About Butch Heroes"
494:Leslie-Lohman Museum
333:worth celebrating."
199:We Are Everywhere by
1765:Non-binary painters
1625:Caldwell, Ellen C.
1555:"Bio & Contact"
1433:"The Distant Lands"
1336:"The Distant Lands"
377:, considering that
173:In the creation of
165:, Brodell states, "
157:article written by
1257:"Kingdom Animalia"
1205:www.elisarolle.com
284:Lisbetha Olsdotter
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1605:Boslaugh, Sarah.
1157:. 30 October 2018
404:Honors and awards
393:The Distant Lands
387:The Distant Lands
344:Catterina Vizzani
338:Catterina Vizzani
87:Henry Art Gallery
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1688:Official website
1668:Dugan, Jess T. "
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1652:February 7, 2018
1642:Sandler, Leah. "
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1648:Orlando Weekly
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1622:, Oct 31, 2018
1620:MIT Press Blog
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1615:, Nov 29, 2018
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1461:ArtistADay.com
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