Rashomon - Knowledge

971: 522: 992:." McDonald says the film conventionally uses light to symbolize "good" or "reason" and darkness to symbolize "bad" or "impulse". She interprets the scene mentioned by Sato differently, pointing out that the wife gives herself to the bandit when the sun slowly fades out. McDonald also reveals that Kurosawa was waiting for a big cloud to appear over Rashomon gate to shoot the final scene in which the woodcutter takes the abandoned baby home; Kurosawa wanted to show that there might be another dark rain any time soon, even though the sky is clear at this moment. McDonald regards it as unfortunate that the final scene appears optimistic because it was too sunny and clear to produce the effects of an overcast sky. 6121: 6105: 6089: 6073: 6057: 5133: 609: 501:. In his version of events, Tajōmaru asks the wife to marry him after the assault. To the samurai's shame, she accepts, asking Tajōmaru to kill the samurai first. This disgusts Tajōmaru, who gives the samurai the choice to let her go or have her killed. The wife then breaks free and flees. Tajōmaru unsuccessfully gives chase. After being set free by an apologetic Tajōmaru, the samurai kills himself with the dagger. Later, he feels someone remove the dagger from his chest, but cannot tell who. 477:, recount a story of a recent assault and murder. Baffled at conflicting accounts of the same event, the woodcutter and the priest are joined by a commoner. The woodcutter claims he had found the body of a murdered samurai three days earlier, alongside the samurai's cap, his wife's hat, cut pieces of rope, and an amulet. The priest claims he had seen the samurai travel with his wife on the day of the murder. Both testify in court before a policeman presents the main suspect, a captured 1372:, calling it "an exciting evening, because the direction, the photography and the performances will jar open your eyes." He praised Akutagawa's original plot, Kurosawa's impactful direction and screenplay, Mifune's "magnificent" villainous performance, and Miyagawa's "spellbinding" cinematography that achieves "visual dimensions that I've never seen in Hollywood photography" such as being "shot through a relentless rainstorm that heightens the mood of the somber drama." Meanwhile, 1112: 1818: 505:

begs the wife to marry him. She instead frees her husband, expecting him to kill Tajōmaru. The samurai refuses to fight, unwilling to risk his life for a ruined woman. Tajōmaru rescinds his promise to marry the wife; the wife rebukes them both for failing to keep their promises. The two men unwillingly enter into a duel; the samurai is disarmed and begs for his life, and Tajōmaru kills him. The wife flees, and Tajōmaru steals the samurai's sword and limps away.

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judges sat down yawning. They got up dazed. Rashomon was a cinematic thunderbolt that violently ripped open the dark heart of man to prove that the truth was not in it. In technique the picture was traumatically original; in spirit it was big, strong, male. It was obviously the work of a genius, and that genius was Akira Kurosawa, the easliest herald of the new era in cinema.

1459:'s cinematographic feats in an interview included for the film's first television broadcast without mentioning the names of its director or cinematographer. He reflected being disgusted by the company's president taking credit for the film's achievements: "Watching that television interview, I had the feeling that I was back in the world of 944:, contributed numerous ideas, technical skill and expertise in support for what would be an experimental and influential approach to cinematography. For example, in one sequence, there is a series of single close-ups of the bandit, then the wife and then the husband, which then repeats to emphasize the triangular relationship between them. 1343:"Japanese are terribly critical of Japanese films, so it is not too surprising that a foreigner should have been responsible for my being sent to Venice. It was the same way with Japanese woodcuts; it was the foreigners who first appreciated them. We Japanese think too little of our own things. Actually, 1347:

wasn't all that good, I don't think. Yet when people have said to me that its reception was just a stroke of luck, a fluke, I have answered by saying that they only say these things because the film is, after all, Japanese, and then I wonder: Why do we all think so little of our own things? Why don’t

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all over again. It was as if the pathetic self-delusions of the ego, those failings I had attempted to portray in the film, were being exhibited in real life. People do indeed have immense difficulty talking about themselves as they really are. I was reminded once again that the human animal suffers

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later cited how he and his contemporaries were "impressed by the boldness and excellence of director Akira Kurosawa's experimental approach within this movie, but couldn't help but notice that there was some confusion in its expression" adding that "I found it difficult to resonate with the agnostic

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that Kurosawa often shot a scene with several cameras at the same time, so that he could "cut the film freely and splice together the pieces which have caught the action forcefully as if flying from one piece to another." Despite this, he also used short shots edited together that trick the audience

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The woodcutter, the priest, and the commoner are interrupted by the sound of a crying baby. They find a child abandoned in a basket along with a kimono and an amulet; the commoner steals the items, for which the woodcutter rebukes him. The commoner deduces that the woodcutter had lied not because he

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The wife, having been found by the police, delivers a different testimony; in her version of events, Tajōmaru leaves immediately after assaulting her. She frees her husband from his bonds, but he stares at her with contempt and loathing. The wife tries to threaten him with her dagger but then faints

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is probably familiar even to those who haven't seen it, since in movie jargon, the film's title has become synonymous with its chief narrative conceit: a story told multiple times from various points of view. There's much more than that to the film, of course. For example, the way Kurosawa uses his

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had camera shots that were directly into the sun. Kurosawa wanted to use natural light, but it was too weak; they solved the problem by using a mirror to reflect the natural light. The result makes the strong sunlight look as though it has traveled through the branches, hitting the actors. The rain

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upon it receiving numerous awards and international success. He kept the original Golden Lion that the film received in his office, and had replicas handed to Kurosawa and others who worked on the film. His constant reference to its accomplishments as if he was responsible for the film himself was

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and even the final version may be seen as motivated by factors of ego and saving face. The actors kept approaching Kurosawa wanting to know the truth, and he claimed the point of the film was to be an exploration of multiple realities rather than an exposition of a particular truth. Later film and

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on August 25, 1950, and was distributed throughout Japan the following day, to moderate commercial success, becoming Daiei's fourth highest-grossing film of 1950. Japanese critics praised the experimental direction and cinematography but criticized its adapting of Akutagawa's story and complexity.

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was met with mixed reviews from Japanese critics upon its release. When it received positive responses in the West, Japanese critics were baffled: some decided that it was only admired there because it was "exotic"; others thought that it succeeded because it was more "Western" than most Japanese

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Meanwhile, the priest attempts to soothe the baby. The woodcutter attempts to take the child after the commoner's departure; the priest, having lost his faith in humanity after the events of the trial and the commoner's actions, recoils. The woodcutter explains that he intends to raise the child.

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The woodcutter proclaims that all three stories are falsehoods and admits that he saw the samurai killed by a sword instead of a dagger. The commoner pressures the woodcutter to admit that he had seen the murder but lied to avoid getting in trouble. In the woodcutter's version of events, Tajōmaru

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his wife, who tries to defend herself with a dagger. Tajōmaru then seduces the wife, who, ashamed of the dishonor of having been with two men, asks Tajōmaru to duel her husband so she may go with the man who wins. Tajōmaru agrees; the duel ends with Tajōmaru killing the samurai. He then finds the

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The historians of the new cinema, searching out its origins, go back to another festival, the one at Venice in 1951. That year the least promising item on the cinemenu was a Japanese picture called Rashomon. Japanese pictures, as all film experts knew, were just a bunch of chrysanthemums. So the

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on December 26, 1951, in both subtitled and dubbed versions. In Europe, the film sold 365,293 tickets in France and Spain, and 8,292 tickets in other European countries between 1996 and 2020, for a combined total of at least 373,585 tickets sold in Europe. By June 1952, the film had grossed

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and Japanese defeat. It also briefly mentions James Goodwin's view on the influence of post-war events on the film. However, the film's source material, "In a Grove", was published in 1922, so any postwar allegory would have resulted from Kurosawa's additions rather than the story about the

1082:, is an early analysis of the World War II defeat elements. Another allegorical interpretation of the film is mentioned briefly in a 1995 article, "Japan: An Ambivalent Nation, an Ambivalent Cinema" by David M. Desser. Here, the film is seen as an allegory of the 3180:

One typical example from the movie which shows the ambiguity of the characters is when the bandit and the wife talk to each other in the woods, the light falls on the person who is not talking and shows the amused expressions, this represents the ambiguity

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on August 25, 1950, in Tokyo, and was distributed nationwide by Daiei the next day. It was an instant box office success, leading several theaters to continue to play it for two or three weeks rather than a Japanese film's regular one-week theatrical run.

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In Tajōmaru's version of events, he follows the couple after spotting them traveling in the woods. He tricks the samurai into leaving the trail by lying about finding a burial pit filled with ancient artifacts. He subdues the samurai and attempts to

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is a very distinctive film, and because it is so Japanese, I thought it was entirely appropriate. I also thought that the way it handled the theme, the way it was portrayed, and the spirit and humanity that flowed through the film were all

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Japanese film companies had no interest in international festivals and were reluctant to submit the movie because paying for printing and creating subtitles was considered a waste of money. The film was subsequently screened at the 1951

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Due to its small budget the film had only three sets: the gate; the forest scene; and the police courtyard. Filming began on 7 July 1950 and ended 17 August. After a week's work on post-production, it was released in Tokyo on 25 August.

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award—introducing Western audiences, including Western directors, more noticeably to both Kurosawa's films and techniques, such as shooting directly into the sun and using mirrors to reflect sunlight onto the actor's faces.

649:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 6721: 1516: 741:

I like silent pictures and I always have... I wanted to restore some of this beauty. I thought of it, I remember in this way: one of the techniques of modern art is simplification, and that I must therefore simplify this

864:(1951). The pair regularly commenced writing their respective films at 9:00 a.m. and would give feedback on each other's work after each completed roughly twenty pages. According to Honda, Kurosawa soon refused to read 2303:, in the 2006, Season 6, Episode 21 "Rashomama". Nick's car containing all the evidence for a murder is stolen and the team attempts to continue the investigation based on their conflicting memories of the crime scene. 1921:

with the intent of obtaining a second Golden Lion. Based on another story by Akutagawa, composed by Hayasaka, and starring Kyō, Mori, Shimura, Katō, and Honma, the film has been described as an inferior imitator of

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authorities had recently stopped censoring Japanese media and belated accounts of rapes by occupation troops began to appear in Japanese newspapers. Moreover, Kurosawa and other filmmakers were not allowed to make

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Having seen the woodcutter's well-meaning intentions, the priest announces that his faith in men has been restored. As the woodcutter prepares to leave, the rain stops and the clouds part, revealing the sun.

1638: 9627: 4639: 1221:, who had recommended it to the Italian film promotion agency Unitalia Film seeking a Japanese film to screen at the festival. In 1953, Stramigioli explained her reasoning behind submitting the film: 1012:

says in his essay that "there are 407 separate shots in the body of the film ... This is more than twice the number in the usual film, and yet these shots never call attention to themselves."

9620: 2252:: in the tenth episode of the third season, "A Fire Fighting We Will Go". The gang each recalls the burning down of a firehouse from their perspective, each portraying themselves as the hero. 11230: 1058:, including the bandit-rapist, the wife, the dead man (speaking through a medium), and lastly the woodcutter, the one witness who seems the most objective and least biased. The stories are 6712: 908:, believing she would make the film easier to market. Kurosawa agreed to cast her upon seeing her show enthusiasm for the project by shaving her eyebrows before going for a make-up test. 494:

from panic. She awakens to find her husband dead, with the dagger in his chest. In shock, she wanders through the forest until coming upon a pond and attempts to drown herself but fails.

1067:" focuses on revealing "the truth" in a now conventional technique that presents the final version of a story as the truth, an approach that only matches Kurosawa's film on the surface. 7386: 1767: 1339:

writes that "the confines of 'Japanese' thought could not contain the director, who thereby joined the world at large". Regarding the film's Japanese reception, Kurosawa remarked:

2472:, 98% of 63 critics' reviews are positive, with an average rating of 9.2/10. The website's consensus reads: "One of legendary director Akira Kurosawa's most acclaimed films, 9643: 4561: 830:

at the time of the film's production. He added that it "seems highly unlikely given that the 125 million yen, approximately $ 350,000, that Kurosawa subsequently spent on

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experimented with various methods such as pointing the camera at the sun, which was considered taboo. Post-production took only one week and was decelerated by two fires.

2184:, in 1973, season 3, episode 21, "Everybody Tells the Truth". Mike, Archie, and Edith recount competing tales of the evening's interactions with a refrigerator repairman. 1238:

However, Daiei and other Japanese corporations disagreed with the choice of Kurosawa's work because it was "not of the Japanese movie industry" and felt that a work of

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movement, which gained popularity during the late 1950s to early 1960s. It has since been cited as an inspiration for numerous films from around the world, including

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suggests that the film (unusually) uses sunlight to symbolize evil and sin in the film, arguing that the wife gives in to the bandit's desires when she sees the sun.

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has been read by some as an allegory of the defeat of Japan at the end of World War II. James F. Davidson's article, "Memory of Defeat in Japan: A Reappraisal of

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Due to setbacks and some lost audio, the crew took the urgent step of bringing Mifune back to the studio after filming to record another line. Recording engineer

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when the camera was aimed upward at the cloudy sky over the gate, the sprinkle of the rain couldn't be seen against it, so we made rainfall with black ink in it.

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and its financing company, Toyoko Company, refused to produce the film, with the latter fearing it would be a precarious production. Following the completion of

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to the bandit in the forest, the monk, the assault of the wife, and the dishonest retelling of the events in which everyone shows their ideal self by lying.

5468: 11345: 3593: 2604: 2591: 2199:, in 1987, season 1, episode 4, "Couples". Each of the 4 main characters remember differently their evening at a restaurant and a marital fight afterwards. 4794: 3882: 6698: 2175:, in 1972, season 2, episode 21, "A Night To Dismember". Oscar, Blanche and Felix all remember the New Year's Eve when the Madisons split up differently. 2096:

camera...takes this fascinating meditation on human nature closer to the style of silent film than almost anything made after the introduction of sound.

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compliments Kurosawa's use of "dappled" light throughout the film, which gives the characters and settings further ambiguity. In his essay "Rashomon",

955:, the length of time of the shots of the wife and of the bandit is the same when the bandit is acting barbarically and the wife is hysterically crazy. 11340: 7395: 7372: 6729: 5361: 1507: 454:, a plot device that involves various characters providing subjective, alternative, and contradictory versions of the same incident. In 1998, critic 425: 1171:

more than what all of the previous Japanese movies released overseas had collectively grossed outside of Japan within the past four years. In 1954,

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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.

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and has no explicit English translation. However, Jan Walls claimed that it means "web life gate" or "net life gate", with "web life" referring to

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drew an overwhelmingly positive response from festival audiences, praising its originality and techniques while making many question the nature of

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would have been more illustrative of excellence in Japanese cinema. Despite these reservations, the film was screened at the festival.

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in the scenes at the gate had to be tinted with black ink because camera lenses could not capture the water pumped through the hoses.

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from 2003, depicts the mystery of who attempted the murder of Lionel Luthor with contradictory flashbacks from multiple perspectives.

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Before it was screened at the Venice festival, the film initially drew little attention and had low expectations at the festival, as

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conflicting accounts. Historian and critic David Conrad has noted that the use of rape as a plot point came at a time when American

10348: 8744: 6238: 6161: 2150:, in 1962, season 2, episode 9, "The Night the Roof Fell In". Rob and Laura's perspectives of their day is countered by a goldfish. 1762: 1534: 1135:

reported that the film was Daiei's third highest-grossing film released between September 1949 and August 1950, having earned over

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during the early part of the occupation, so setting a film in the distant past was a way to reassert domestic control over cinema.

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later issued a Blu-ray and DVD edition of the film based on the 2008 restoration, accompanied by a number of additional features.

1229:. Regardless of whether it would win an award, the first condition is that it would generate a great deal of buzz. In that sense, 11265: 11245: 8620: 7756: 5076: 2559: 2459: 1787: 1464:

from the trait of instinctive self-aggrandizement." Some modern sources have erroneously credited Nagata as the film's producer.

409: 11310: 6187: 4640:"Influential Malayalam filmmaker K G George, who expertly bridged the gap between art house and mainstream cinema, dies at 77" 4413: 3047: 11280: 11270: 10835: 10544: 7770: 6880: 5875: 5849: 5429: 5272: 5089: 4942: 4595: 3976: 3406: 2215:, this time told from the view of Commander Riker, the assistant of a murdered respected scientist and the scientist's widow. 1633: 1584: 6690: 10744: 8538: 6560: 5502: 4447: 2640: 1728: 1706: 3264: 3251: 2476:

features an innovative narrative structure, brilliant acting, and a thoughtful exploration of reality versus perception."

2244:, in 1997, season 5, episode 9, "Perspectives on Christmas". The family each recall their day from different perspectives. 1439:

said that Nagata broke the abrupt few minutes of silence following its preview screening at the company's headquarters in

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Naas, Michael B. (1997) "Rashomon and the Sharing of Voices Between East and West." in Sheppard, Darren, et al., (eds.)

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has been cited as "one of the most influential films of the 20th century". In the early 1960s, film historians credited

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The Academy merely referred to Matsuyama by his last name and erroneously spelled Matsumoto's last name as "Motsumoto".

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Kurosawa had initially wanted the cast of eight to consist entirely of previous collaborators, specifically counseling

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Content in this edit is translated from the existing Japanese Knowledge article at ]; see its history for attribution.

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In 2002, the film grossed $ 46,808 in the US, with an additional earned $ 96,568 during 2009 to 2010, for a combined

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The film later became Kurosawa's first major international hit. It was released theatrically in the United States by

970: 447: 5229: 2894: 2712:. Upon its initial American release, some Western sources erroneously cited the translation of the film's title as " 2355:, a 2014 series portraying an extramarital relationship where the leads recount different versions of their liaison. 11134: 9739: 8273: 7893: 6896: 5524: 4834: 4732: 4275: 2526: 2371:, where a journalist narrates the story of a murder in 7 different viewpoints by giving special reference to local 2261:

second season's 17th episode, "The Ugly Truth", which aired in 2000, follows this format, challenging the crew of

9237: 8790: 8531: 6182: 5779:. A top director like Kurosawa receives $ 35,00 a picture, but for such a price he must furnish his own scenario. 4160: 3271:

in 1987. Davidson's article is referred to in other sources, in support of various ideas. These sources include:

3218:"Hayasaka, Fumio – Dictionary definition of Hayasaka, Fumio | Encyclopedia.com: FREE online dictionary" 2786:

Daiei referred to the Golden Lion as the "Grand Prix", which is what the award was known as in Japan at the time.

2311:, a 2008 film with multiple viewpoints focusing on an assassination attempt on the President of the United States 2171: 1608: 1569: 521: 437: 9612: 988:

Professor Keiko I. McDonald opposes Sato's idea in her essay "The Dialectic of Light and Darkness in Kurosawa's

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every minute of the day and night. At times like this, you can talk everything over and get very close indeed.

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Top 10 Lists from Quentin Tarantino, Edgar Wright, Martin Scorsese, Guillermo del Toro, Woody Allen and More"

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was critical of the film, finding it "draggy" and noted that its score "borrows freely" from Maurice Ravel's

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Movie Awards: The Ultimate, Unofficial Guide to the Oscars, Golden Globes, Critics, Guild & Indie Honors

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criticized "its insufficient plan for visualizing the style of the original stories". Tatsuhiko Shigeno of

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by saying "I don't really get it, but it's a noble photograph". According to Kurosawa, Nagata had called

5718: 3145: 11171: 10787: 10672: 9920: 9714: 9518: 8968: 8831: 7865: 4668: 4708:"Ryan Reynolds Says Kevin Feige Rejected His 'Rashomon'-Inspired Pitch for 'Deadpool & Wolverine'" 2643:, and Kadokawa Pictures, Inc., with funding provided by the Kadokawa Culture Promotion Foundation and 11330: 11250: 10763: 10664: 10537: 10051: 8630: 6928: 5206: 5037: 2900: 2433: 1613: 1420: 433: 20: 7364: 345: 11315: 11022: 10438: 10021: 9910: 9840: 9800: 8408: 8310: 7921: 7837: 7268: 7166: 6553: 6390: 6254: 5748: 3997: 3668: 3175: 2484:, assigned the film a score of 98 out of 100, based on 18 critics, indicating "universal acclaim". 2481: 2085: 1723: 1286: 1186: 1127: 890: 763: 668: 455: 400: 207: 1782: 10803: 10308: 10101: 9970: 9536: 8688: 8226: 7977: 7812: 7668: 7212: 6995: 6816: 6800: 6605: 6414: 6246: 6230: 6147: 6126: 5934: 5647: 4795:"Hirokazu Kore-eda on Why Monster is Not Like Rashomon, Queer Storytelling, and Ryuichi Sakamoto" 4471: 3814: 3598: 3299: 2936: 2327: 2208: 2063: 2043: 1862: 836:

four years later made this film by far the most expensive domestic production up to this point".

9476: 8315: 5159: 1026:, who is among the most respected of Japanese composers. At the director's request, he included 11006: 10982: 10947: 10915: 10680: 10576: 10478: 10378: 10247: 9303: 9020: 8554: 8296: 7700: 7198: 7190: 6987: 6659: 5180: 4771: 4530: 4023: 2730: 2582: 2351: 2146: 1971: 1829: 1368: 8075: 6569: 3455: 1903:(1954), all of which received screenings overseas. In 1952, Daiei produced a Western-targeted 420:

to attain significant international reception, garnering critical acclaim and earning roughly

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McDonald, Keiko I. (1987) "The Dialectic of Light and Darkness in Kurosawa's Rashomon" in

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Due to its emphasis on the subjectivity of truth and the uncertainty of factual accuracy,

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feared getting in trouble, but because he had stolen the wife's dagger to sell for food.

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asserted that "the film's title has become synonymous with its chief narrative conceit".

429: 373: 6568: 6120: 6110: 6104: 6088: 6072: 4500: 4329: 3966: 11150: 11142: 11094: 11086: 10998: 10931: 10795: 10771: 10720: 10584: 10121: 9980: 9870: 9780: 9694: 9456: 9135: 8835: 8301: 8024: 7991: 7963: 7508: 7276: 7051: 7043: 6971: 6856: 6832: 6613: 6507: 6446: 6438: 6366: 6222: 6056: 6032: 6017: 5999: 5978: 5963: 5896: 5839: 5731: 5343: 5132: 4999: 4644: 4153: 3561: 2937:"The Rashomon effect: a new look at Akira Kurosawa's cinematic milestone of post-truth" 2417: 2391: 2332: 2228: 2219: 2124:

as a play, various versions of which have been performed since the 1950s, including on

2004: 1998: 1872: 1561: 1147: 806: 727: 360: 9558: 8427: 8164: 7926: 3217: 2441:'s 2021 epic historical drama of a rape and duel told through multiple points of view. 1440: 1143:

claimed that it was also one of the top ten highest-earning films in Japan that year.

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The Fifty-Year War: Rashomon, After Life, and Japanese Film Narratives of Remembering

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film narrates the story of a double murder through multiple contradictory viewpoints.

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provoked wide controversy, especially in Western countries. Some accused Hayasaka of

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Davidson, James F. (1987) "Memory of Defeat in Japan: A Reappraisal of Rashomon" in

2294:,depicts an incident in view of two prisoners, Virumaandi thevar and Kothala thevar. 1249:

was not yet taken seriously in the West at the time. But once it had been screened,

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began developing the film circa 1948, and both Kurosawa's regular production studio

348:". Every element is largely identical, from the murdered samurai speaking through a 11126: 11102: 11078: 11038: 10522: 10187: 10131: 9960: 9850: 9810: 9684: 9448: 9438: 9374: 9291: 9215: 9188: 9090: 9024: 8974: 8960: 8932: 8881: 8858: 8846: 8805: 8795: 8616: 8602: 8436: 8371: 8366: 8131: 8094: 8089: 8061: 7898: 7803: 7761: 7705: 7659: 7645: 7561: 7547: 7447: 7428: 7419: 7414: 7107: 6678: 6286: 6139: 5943: 4425: 4304: 3489: 3039: 2609: 2596: 2493: 2400: 2396: 2248: 2188: 2137:, in 1960, season 2, episode 12, "Rashomon". Based on Kurosawa's film. Directed by 2016: 2010: 1898: 1398: 895: 8203: 7856: 5947: 5932:

Heider, Karl G. (March 1988). "The Rashomon Effect: When Ethnographers Disagree".

5866:

The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune

4584: 4184: 4065: 2656: 1447:"incomprehensible" and louthed it so much that he ended up demoting its producer. 1436: 894:(1946)—portray the wife, but she was not cast since her brother-in-law, filmmaker 758:, and suggested that advertising and other expenses brought the overall budget to 10966: 10899: 10616: 10600: 10227: 9830: 9704: 9642: 9600: 9504: 9462: 9428: 9404: 9398: 9128: 8949: 8886: 8722: 8670: 8654: 8646: 8572: 8511: 8150: 8122: 8080: 8033: 8019: 7982: 7949: 7522: 7484: 7442: 7174: 7150: 6888: 6632: 6526: 6406: 6342: 6214: 6116: 6100: 5789: 5752: 5630: 5114: 4461: 4361: 4089: 3912: 3857: 3695: 3690: 3672: 3644: 3614: 3583: 3422: 3354: 3327: 3286: 3268: 3255: 2846: 2812: 2469: 2195: 2159: 2119: 1954: 1926:

and has since faded into obscurity. Mifune was also initially going to appear in

1888: 1432: 1374: 1246: 1064: 1045: 937: 881: 555: 451: 417: 329: 123: 11054: 6520: 5864: 4439: 4247: 4216: 1405:'s publisher, who sent him a letter of protest after the film's French release. 1239: 855: 591: 530: 11030: 10318: 10217: 10157: 9950: 9592: 9508: 9480: 9424: 9368: 9364: 9269: 9178: 9141: 9068: 8990: 8893: 8809: 8801: 8732: 8666: 8662: 8590: 8584: 8413: 8357: 8343: 8240: 8108: 7940: 7870: 7817: 7691: 7673: 7617: 7603: 7475: 7433: 7142: 6920: 6840: 6725: 6334: 6278: 6171: 6130: 5635: 5119: 4927: 4252: 4221: 4120: 4036: 3828: 3782: 3502: 3262: 3249: 2368: 2287: 2266: 1986: 1965: 1931: 1589: 1497: 1314: 1083: 1023: 947:

The use of contrasting shots is another example of the film techniques used in

941: 877: 713: 537: 526: 390: 317: 309: 159: 141: 108: 51: 9530: 8754: 7775: 6078: 5624: 4908: 4017: 3483: 1711: 905: 549: 450:

and among the most influential movies from the 20th century. It pioneered the

321: 118: 11219: 11014: 10859: 10358: 10288: 10177: 10041: 9540: 9494: 9418: 9410: 9392: 9380: 9347: 9337: 9325: 9253: 9233: 9221: 9203: 9161: 9086: 9044: 9040: 8897: 8873: 8853: 8827: 8819: 8785: 8750: 8696: 8642: 8638: 8606: 8497: 8464: 8217: 8136: 8038: 7954: 7728: 7584: 7027: 6808: 6326: 6270: 6024: 6009: 5991: 5970: 5955: 5892: 5692: 4336: 3908: 3763: 3192: 3040:"The Truth About Hara Setsuko: Behind the Legend of the Golden Age Film Star" 2379: 2335:

film by M.L. Pundhevanop Devakula, adapting Kurosawa's screenplay to ancient

2163: 2125: 2059: 1548: 1336: 1324: 1140: 1027: 1009: 978: 952: 832: 709: 682: 561: 128: 6094: 5145: 5105: 4767:

Creator Leslye Headland Talks the Unique Perspective of Her Upcoming Series"

3332:

Rashomon vs. Optimistic Rationalism Concerning the Existence of "True Facts"

2166:

from the 1959 Broadway version he co-wrote with his wife, Fay Kanin (above).

1016: 818:

figure, and a handful of other sources have claimed that it cost as high as

389:

budget. When creating the film's visual style, Kurosawa and cinematographer

11209: 11185: 10939: 10907: 10688: 10648: 10592: 10388: 10328: 9582: 9578: 9544: 9522: 9466: 9414: 9386: 9343: 9319: 9309: 9297: 9285: 9275: 9184: 9151: 9145: 9122: 9118: 9096: 9058: 9028: 9010: 8986: 8964: 8940: 8877: 8867: 8840: 8823: 8708: 8700: 8684: 8674: 8658: 8624: 8612: 8568: 8455: 8338: 8329: 8231: 8117: 8047: 8010: 7996: 7733: 7589: 7575: 7335: 7327: 7292: 7252: 7228: 7035: 5805: 5766: 4486: 4299: 4098:] (in Japanese). Vol. 53. Music Friends Company. 1995. p. 49. 3926: 3867: 3744: 3654: 3630: 3440: 3321: 2837: 2752: 2703: 2568: 2438: 2291: 2138: 1992: 1679: 1544: 1539: 1323:

opposed Mifune's extensive dialogue as unfitting for the role of a bandit.

1319: 1173: 885: 580: 467: 3556: 2323:(2008–2012) telling the story of a heist from five points of view (S03E11) 898:, was against it; Hara would subsequently appear in Kurosawa's next film, 470: 11197: 10553: 10428: 10298: 9659: 9572: 9550: 9500: 9452: 9432: 9313: 9243: 9209: 9155: 9054: 9050: 8982: 8863: 8728: 8704: 8634: 8578: 8523: 8394: 7968: 7851: 7003: 6597: 6493: 5233: 4012: 3922: 2616: 2488: 2372: 2154: 1792: 1363: 1258: 1139:. In general, the film was Daiei's fourth-highest-grossing film of 1950. 1019:

added it to the film along with the music, using a different microphone.

405: 6062: 6045: 1817: 746:

As with most films produced in post-war Japan, reports on the budget of

359:

but was canceled as it was viewed as a financial risk. Two years later,

10990: 10875: 10111: 9596: 9586: 9568: 9470: 9331: 9247: 9192: 9112: 9106: 8978: 8920: 8764: 8650: 8380: 8259: 7747: 7677: 7182: 7011: 6573: 6430: 6005: 5154: 4677: 4586:

The Chronicle of the Movies: A Year-by-year History of Talking Pictures

3428: 3082: 2968: 2477: 2409: 2282: 2274: 2115:

and adaptations across film, television and theatre. Examples include:

1958: 1132: 1111: 982: 860: 671:

to the source of your translation. A model attribution edit summary is

498: 368: 341: 174: 81: 7348: 5295: 2695: 474: 473:, a woodcutter and a priest, taking shelter from a downpour under the 11118: 11062: 10640: 10368: 9554: 9490: 9279: 9227: 7570: 7542: 7394: 6952: 6422: 6398: 5605: 5259:

The A List: The National Society of Film Critics' 100 Essential Films

4556: 3533: 3528: 1904: 1094: 304: 4446:] (in Japanese). Motion Picture Producers Association of Japan. 2956: 2755:, at the time and accepted the award on behalf of the Japanese crew. 2450:

In the years following its release, several publications have named

1032: 9990: 9080: 8936: 8770: 8718: 7798: 7091: 7075: 7067: 6454: 6068: 4981:"Star Trek: The Next Generation Rewatch: "A Matter of Perspective"" 3114:) director unknown. NHK, year unknown. Television/Criterion blu-ray 2751:

Mochrie was the vice president of the film's American distributor,

2256: 2232: 2224: 1977: 868:

after a couple of days but "of course, he still made me read his".

5399: 37: 10923: 8712: 8178: 7319: 7115: 6979: 6382: 6374: 5469:"Greatest Japanese films by magazine Kinema Junpo (2009 version)" 5314:"Sight & Sound Top Ten Poll 2002 The Rest of Director's List" 5057:"The Last Duel Is Ridley Scott's Take On a Classic Japanese Film" 3653:] (in Japanese). Vol. 895. 1954. p. 78 – via 2364: 2240: 2112: 2038: 1455:

stated by many. In 1992, Kurosawa remarked that Nagata had cited

1423:

over concerns about facing copyright issues for the composition.

1282: 1055: 1051: 381:

lasted from July 7 to August 17, 1950, taking place primarily in

336:

was murdered in a forest. The plot and characters are based upon

333: 2505:

The film appeared on many critics' top lists of the best films.

919:

We were a very small group and it was as though I was directing

822:. Jasper Sharp disputed the latter number in an article for the 646: 10488: 10338: 8254: 6944: 5823: 2800: 2708: 2022: 1893: 846: 781: 355:

Production began in 1948 at Kurosawa's regular production firm

5446: 4943:"Review: The Dick Van Dyke Show, "The Night the Roof Fell In"" 4618:] (in Japanese). Vol. 1. キネマ旬報社. 1994. p. 1530. 1934:

during production in 1951 when the film was allegedly titled "

10632: 9820: 9644:

National Board of Review Award for Best Foreign Language Film

9259: 7019: 6318: 5495:"The 100 Best Films Of World Cinema – 22. Rashomon" 5296:"100 Essential Films by The National Society of Film Critics" 2699: 2691: 2384: 1254: 851: 772: 478: 382: 11231:

Culture articles needing translation from Japanese Knowledge

9880: 7640: 5600:

Davis, Blair; Anderson, Robert; Walls, Jan (November 2015).

2491:

gave the film four stars out of four and included it in his

2235:

are recounted in flashbacks by three different crew members.

730:

offered the script to Daiei who also initially rejected it.

344:", with the title and framing story taken from Akutagawa's " 6514: 3509: 3021: 3019: 1649: 1050:

The film depicts the rape of a woman and the murder of her

974:

The bandit and the wife, in the dappled light of the forest

717: 585: 486: 356: 349: 2544:

290th – The 500 Greatest Movies of All Time in 2008,

2048:(2024) were also inspired by the film. Some have compared 8736: 3866:] (in Japanese). Jiji Press. p. 125 – via 3338:

Persistent Ambiguity and Moral Responsibility in Rashomon

3197:

Waiting on the Weather: Making Movies with Akira Kurosawa

2941: 2626:'s list of "100 greatest foreign language films" in 2018. 2623: 2525:

76th - "Top 100 Essential Films of All Time" by the

1435:, was initially critical of the film. Assistant director 1278: 823: 5747: 4062:

Akira Kurosawa and Fumio Hayasaka: Samurai Like the Wind

3667: 3016: 2974: 5602:

Rashomon Effects: Kurosawa, Rashomon and Their Legacies

3949: 3947: 3945: 2992: 2896:

Ishiro Honda: A Life in Film, from Godzilla to Kurosawa

2871: 2347:, a 2013 film partially inspired by some plot elements. 5038:"Ridley Scott's The Last Duel and Kurosawa's Rashomon" 2980: 2861: 2859: 2857: 1393:

The usage of a musical composition similar to Ravel's

1257:. The film won both the Italian Critics Award and the 1054:

husband through the widely differing accounts of four

11169: 5954:

Kauffman, Stanley (1987) "The Impact of Rashomon" in

5784: 5775:, was $ 85,000, which is more than twice the cost of 5445:. 1001beforeyoudie.com. July 22, 2002. Archived from 5344:"Sight & Sound 2002 Critics' Greatest Films poll" 3199:, Stone Bridge Press, Inc., 1 September 2006, p. 90, 2962: 2227:, in which events surrounding the rescue of a downed 2211:" was produced and aired with a similar plot line to 1348:

we stand up for our films? What are we so afraid of?"

10552: 6169: 5398:. Empireonline.com. December 5, 2006. Archived from 5232:. New York: Village Voice Media, Inc. Archived from 3942: 3112:

The Camera Also Acts: Movie Cameraman Miyagawa Kazuo

642: 5904:

Akira Kurosawa: a guide to references and resources

3968:

Akira Kurosawa: a guide to references and resources

3457:

A Hundred Years of Japanese Film. A Concise History

3345:

Judgment by Film: Socio-Legal Functions of Rashomon

2854: 1328:philosophy that the film contains wholeheartedly". 1039: 9017:Society of Motion Picture and Television Engineers 6023:Tyler, Parker. "Rashomon as Modern Art" (1987) in 5915:Japanese Science Fiction, Fantasy and Horror Films 5863: 5717: 5623: 5599: 5256: 4907: 4815:Johnston, Andrew (February 26, 1998). "Rashomon". 4545: 4016: 3762: 3482: 3241:The article has since appeared in some subsequent 3004: 2850:. No. 1. January 7, 1952. pp. 82, 84–85. 2806: 2265:as liars, as the interrogators are a species with 2058:claimed its similarities are merely coincidental. 1861:films featuring Kyō as the lead. Among these were 796:. Reports on the budget in Western currency vary: 7396:Academy Award for Best International Feature Film 2892: 1207: 11241:Best Foreign Language Film Academy Award winners 11217: 11071:A Pigeon Sat on a Branch Reflecting on Existence 8653:, Devereaux Jennings, Irmin Roberts, Art Smith, 5888:. Jefferson, North Carolina: McFarland & Co. 1648:Foreign Language Press Film Critics Circle (via 844:Kurosawa wrote the screenplay while stayed at a 5622: 5098: 4835:"10 Great Movies That Used The Rashomon Effect" 2818: 2764:Also received the award for her performance in 2587:s "The 100 Best Films Of World Cinema" in 2010. 2162:directed by Martin Ritt. Screenplay adapted by 332:, it follows various people who describe how a 295: 6483:Akira Kurosawa Memorial Short Film Competition 4543: 3460:. Tokyo: Kodansha International. p. 139. 1360:received mostly acclaim from Western critics. 667:accompanying your translation by providing an 633:Click for important translation instructions. 620:expand this section with text translated from 10538: 9628: 8784:, and the Republic Studio Sound Department / 8539: 7380: 6706: 6554: 6155: 3742:"ストラミジョリさんは語る" [Stramigioli Speaks]. 2509:10th – Directors' Top Ten Poll in 1992, 2445: 1930:as suggested by a photograph of him taken by 1426: 1410:Motion Picture Producers Association of Japan 5909: 5634:. January 20, 1952. p. 169 – via 4394:. Vol. 189. October 4, 1952. p. 39 4277:The Exhibitor (Feb-Apr 1952) General Edition 3515: 2532:9th – Directors' Top Ten Poll in 2002, 2517:10th - 100 Greatest Films list in 2000 2128:in 1959 as written by Michael and Fay Kanin. 2068:(2024) was for it to have a plot similar to 1204:in the United States between 2002 and 2010. 1036:as the soundtrack during the woman's story. 11346:Films with screenplays by Shinobu Hashimoto 11336:Films based on works by Ryūnosuke Akutagawa 5986:On Jean-Luc Nancy: The Sense of Philosophy. 5642: 4979:DeCandido, Keith R.A. (December 30, 2011). 4302:[5th Mainichi Film Awards (1950)]. 3619:Scene: The International East-West Magazine 3135: 3133: 2727:Academy of Motion Picture Arts and Sciences 2269:who can't comprehend subjective viewpoints. 497:The samurai's testimony is heard through a 10545: 10531: 9635: 9621: 8553: 8546: 8532: 7743:Investigation of a Citizen Above Suspicion 7387: 7373: 6713: 6699: 6561: 6547: 6162: 6148: 6119: 6103: 6087: 6071: 6055: 5994:(1987) "Rashomon" in Richie, Donald (ed.) 5841:The Guinness Book of Movie Facts and Feats 5138: 5131: 4527:The Movie Book: Big Ideas Simply Explained 4326: 3757: 3755: 3314:Critical Reception of Rashomon in the West 3139: 2421:, a 2017 film that tells the story of the 2100: 904:(1951). Daiei executives then recommended 798:The Guinness Book of Movie Facts and Feats 36: 10148:Women on the Verge of a Nervous Breakdown 10072:A Few Days from the Life of I. I. Oblomov 5858: 5837: 5073: 5019:"Review: At the Gate of the Ghost (2011)" 4978: 4858: 4854: 4852: 4850: 4848: 4832: 4052: 3025: 2998: 2877: 754:said that the film's production cost was 11341:Films with screenplays by Akira Kurosawa 5227: 4909:"'Rashomon' Classic to Be on 'Cinema 9'" 4828: 4826: 4814: 4666: 4544:Venkataramanan, Geetha (April 7, 2016). 4502:Film Stars: Photographs of Magnum Photos 4150: 4011: 3130: 1857:led Daiei to produce several subsequent 1352: 1110: 969: 520: 11276:Films awarded an Academy Honorary Award 10852:Rosencrantz & Guildenstern Are Dead 9197:Museum of Modern Art Department of Film 7353: 5812: 5771:The outlay for Kurosawa's latest film, 5668: 5248: 5077:1001 Movies You Must See Before You Die 5054: 5016: 4997: 4959: 4900: 4876: 4874: 4859:Harrisson, Juliette (October 3, 2014). 4737:director breaks down the first trailer" 4705: 4242: 4240: 3907: 3752: 3480: 2986: 2893:Ryfle, Steve; Godziszewski, Ed (2017). 2575:The Greatest Japanese Films of All Time 2560:1001 Movies You Must See Before You Die 2461:1001 Movies You Must See Before You Die 2290:film written, directed and produced by 1408:In late 1950, the film was vetoed from 410:12th Venice International Film Festival 11218: 5931: 5691: 5035: 4845: 4760: 4450:from the original on January 27, 2023. 4195:] (in Japanese). JDC. p. 37. 4183: 3953: 3880: 3852: 3453: 3447: 3401:. McFarland & Co. pp. 81–84. 3396: 2865: 2832: 2830: 2635:In 2008, the film was restored by the 2054:(2023) to the film, however, director 1331:In a collection of interpretations of 10526: 9616: 8527: 7771:The Discreet Charm of the Bourgeoisie 7368: 7352: 6881:The Scandalous Adventures of Buraikan 6694: 6542: 6239:The Men Who Tread on the Tiger's Tail 6143: 5547:"100 greatest foreign language films" 5055:Zachary, Brandon (October 16, 2021). 4962:"Film Club: The Outrage (Ritt, 1964)" 4823: 4701: 4699: 4697: 4695: 4146: 4144: 4142: 4140: 4107: 4105: 4048: 4046: 3590:Japanese Industrial Illustrated Guide 3037: 2934: 2930: 2928: 2926: 2924: 2922: 2920: 2272:"Suspect", episode 13 of season 2 of 1781: 1722: 1560: 1496: 1385: 1217:at the behest of Italifilm president 1185:shortly thereafter. According to the 10745:Artists Under the Big Top: Perplexed 5988:New York: Routledge, pp. 63–90. 5715: 5254: 5230:"100 Best Films of the 20th Century" 5199:"Sight & Sound top 10 poll 1992" 5036:Birzer, Nathaniel (April 19, 2022). 4940: 4871: 4792: 4359: 4237: 4113:People Who Talk About Akira Kurosawa 3010: 2888: 2886: 2641:National Museum of Modern Art, Tokyo 2619:included it among his top ten films. 1812: 1639:Outstanding Directing – Feature Film 1508:Honorary Foreign Language Film Award 1490: 1297: 1078:" in the December 1954 issue of the 826:, since it would have been equal to 776:(1952) was over twice the budget of 602: 9021:Gilbert M. "Broncho Billy" Anderson 7922:Volver a Empezar ('To Begin Again') 5671:Classical Japanese Cinema Revisited 5572:"Rashomon Blu-ray - Toshirô Mifune" 4564:from the original on March 28, 2017 4551:: Remembering veena S. Balachander" 3933: 3275:a 2003 article by Mike Sugimoto in 2827: 2538:13th - Critics' poll in 2002, 2458:, and it is also cited in the book 1848: 1535:Best Art Direction, Black-and-White 1366:gave the film a positive review in 1302: 312:from a screenplay he co-wrote with 13: 11326:Japanese nonlinear narrative films 5701:. University of California Press. 4960:Maunula, Vili (February 1, 2012). 4833:Magnusson, Thor (April 25, 2018). 4793:Raup, Jordan (November 21, 2023). 4692: 4137: 4102: 4043: 4001:. Vol. 35. 1954. p. 248. 3881:Tatara, Paul (December 25, 1997). 3673:"The Unexceptional Japanese Films" 3481:Baltake, Joe (September 9, 1998). 3050:from the original on June 15, 2020 2917: 2639:, the National Film Center of the 2107:Remakes of films by Akira Kurosawa 1953:as the start of the international 1941: 1783:Venice International Film Festival 1159:reported that the film had earned 995: 371:upon the completion of Kurosawa's 14: 11367: 11291:Films produced by Masaichi Nagata 11261:Fiction with unreliable narrators 10349:The Diving Bell and the Butterfly 8975:Bausch & Lomb Optical Company 8957:20th Century-Fox Film Corporation 8743:and his associates / Rey Scott / 8621:Museum of Modern Art Film Library 6039: 5551:bbc.com published 27 October 2018 4998:Huntley, Kristine (May 1, 2006). 4706:Richlin, Harrison (May 5, 2024). 4669:"10 Classic Movies Referenced In 4667:Sherlock, Ben (August 13, 2021). 4370:] (in Japanese). p. 165. 3484:"Kurosawa deserved master status" 3291:Japanese Cinema: Kurosawa's Ronin 2935:Sharp, Jasper (January 4, 2023). 2883: 2662:List of films considered the best 1629:Directors Guild of America Awards 546:as Takehiro Kanazawa, the samurai 11286:Films directed by Akira Kurosawa 11203: 11191: 11179: 11135:All the Beauty and the Bloodshed 10554:Venice Film Festival Golden Lion 8274:Florian Henckel von Donnersmarck 7894:Moscow Does Not Believe in Tears 7757:The Garden of the Finzi-Continis 6897:Under the Flag of the Rising Sun 5564: 5539: 5517: 5487: 5461: 5435: 5414: 5388: 5366:Greatest Films of All Time 2002" 5354: 5336: 5306: 5288: 5228:Hoberman, J. (January 4, 2000). 5080:(5th Anniversary/3rd ed.). 4761:Davids, Brian (March 19, 2024). 4590:. W.H.Smith. 1991. p. 270. 4248:"The 25th Academy Awards (1953)" 4217:"The 24th Academy Awards (1952)" 3260:Rashomon (Rutgers Film in Print) 2807:Davis, Anderson & Walls 2015 2603:18th - Director's top ten poll, 2527:National Society of Film Critics 1816: 1155:overseas. Later that same year, 1040:Allegorical and symbolic content 750:are scarce and differ. In 1952, 679:{{Translated|ja|羅生門 (1950年の映画)}} 607: 9238:National Endowment for the Arts 8745:British Ministry of Information 6730:Best International Feature Film 5886:Akira Kurosawa and Modern Japan 5593: 5221: 5191: 5173: 5067: 5048: 5029: 5010: 4991: 4972: 4953: 4934: 4808: 4786: 4754: 4725: 4660: 4632: 4616:Best of Kinema Junpo: 1950―1966 4604: 4576: 4537: 4519: 4505:(in French). 1998. p. 64. 4493: 4477:(in Japanese). 1958. p. 27 4454: 4432: 4406: 4374: 4353: 4320: 4292: 4268: 4209: 4177: 4161:University Press of Mississippi 4082: 4005: 3985: 3959: 3901: 3874: 3846: 3821: 3793: 3773:. September 20, 1963. p. 4 3735: 3710: 3683: 3661: 3637: 3607: 3576: 3549: 3521: 3474: 3415: 3399:Akira Kurosawa and Modern Japan 3390: 3360: 3320:13.2 (Fall/Winter 2002) 115-28 3235: 3210: 3186: 3170:Robert Altman. "Introduction". 3163: 3117: 3101: 3075: 3062: 3031: 2780: 2758: 2745: 2736: 2630: 2563:by Steven Jay Schneider in 2003 2207:, where a 1990 episode called " 2187:"Rashomama", a 1983 episode of 1724:National Board of Review Awards 438:6th British Academy Film Awards 11266:Films scored by Fumio Hayasaka 11246:Japanese black-and-white films 10836:The Legend of the Holy Drinker 10268:Crouching Tiger, Hidden Dragon 8735:, John N. A. Hawkins, and the 8493:All Quiet on the Western Front 8174:Crouching Tiger, Hidden Dragon 7518:Samurai, The Legend of Musashi 5716:Falk, Ray (October 21, 1951). 5074:Schneider, Steven Jay (2008). 5017:Maunula, Vili (May 12, 2013). 4861:"5 great Rashomon TV episodes" 4280:. April 16, 1952. p. n736 4123:. September 2004. p. 30. 3038:Ishii, Taeko (June 10, 2020). 2719: 2684: 2605:100 Greatest Films of All Time 2592:100 Greatest Films of All Time 2300:CSI: Crime Scene Investigation 2204:Star Trek: The Next Generation 1878:Dedication of the Great Buddha 1208:Venice Film Festival screening 703: 677:You may also add the template 1: 11311:1950s Japanese-language films 10032:That Obscure Object of Desire 9264:National Film Board of Canada 7655:Yesterday, Today and Tomorrow 5948:10.1525/aa.1988.90.1.02a00050 3813:(in Japanese). Archived from 2975:National Board of Review 1953 2793: 2729:presented the category as an 2590:26th - Critics top ten poll, 1853:The international success of 1655: 1265: 1181:in 1951, and reached roughly 1106: 598: 446:is now considered one of the 11281:Films based on short fiction 11271:Films set in the 8th century 7261:Nagasaki: Memories of My Son 6873:Profound Desires of the Gods 5654:. Rutgers University Press. 5420:Schröder, Nicolaus. (2002). 4941:Boyd, Greg (July 23, 2013). 4151:Cardullo, Bert, ed. (2008). 3529:"«Расёмон» (Rashomon, 1950)" 3368:"Hiroshima: A Retrospective" 3142:"Akira Kurosawa on Rashomon" 2555:by Nicolaus Schröder in 2002 2500: 1758:New York Film Critics Circle 1467: 1292: 1197:in the United States alone. 888:—who had played the lead in 7: 9004:Samurai I: Musashi Miyamoto 7245:The Light Shines Only There 6761:Samurai I: Musashi Miyamoto 5838:Robertson, Patrick (1991). 5819:The Performing arts in Asia 5698:The Films of Akira Kurosawa 5669:Russell, Catherine (2011). 5082:Barron's Educational Series 3679:. Vol. 6. p. 273. 3108:The World of Kazuo Miyagawa 2650: 2423:Gunfight at the O.K. Corral 2317:, an episode of the series 1897:(1953), and Keigo Kimura's 1604:British Academy Film Awards 965: 296: 16:1950 film by Akira Kurosawa 10: 11372: 8693:Motion Picture Relief Fund 7866:Get Out Your Handkerchiefs 4918:. May 30, 1965. p. 15 4886:Internet Broadway Database 4155:Akira Kurosawa: Interviews 3925:. p. 261 – via 3807:- DVD & Blu-ray]. 3424:Film Yearbook 1951 Edition 3285:November 28, 2005, at the 2963:Jitsugyo no Nihon Sha 1952 2456:greatest films of all time 2446:Retrospective reassessment 2104: 1768:Best Foreign Language Film 1427:Masaichi Nagata's response 1419:'s selection list for the 1101: 1043: 927: 871: 839: 762:. The following year, the 641:Machine translation, like 552:as Masago, Kanazawa's wife 426:Best Foreign Language Film 18: 11301:Films set in feudal Japan 10958: 10755: 10560: 10279: 10012: 9751: 9650: 9357: 9171: 8961:Bell & Howell Company 8913: 8737:RCA Manufacturing Company 8561: 8188: 7827: 7532: 7402: 7362: 7303: 7134: 6963: 6736: 6670: 6651: 6624: 6581: 6465: 6206: 6178: 5263:. Da Capo Press. p. 5042:Online Library of Liberty 4612:ベスト・オブ・キネマ旬報（上） 1950-1966 4368:Showa Film Social History 3885:. Tcm.com. Archived from 3801:"羅生門 - DVD & Blu-ray" 3397:Conrad, David A. (2022). 3267:November 1, 2022, at the 3254:November 1, 2022, at the 2901:Wesleyan University Press 1808: 1796: 1786: 1771: 1756: 1742: 1727: 1715: 1700: 1684: 1677: 1647: 1627: 1622: 1602: 1565: 1489: 1486: 1483: 1480: 1477: 1474: 884:. He also suggested that 622:the corresponding article 287: 264: 254: 246: 238: 228: 213:August 26, 1950 198:August 25, 1950 189: 181: 165: 155: 147: 137: 101: 93: 76: 57: 47: 42:Theatrical release poster 35: 30: 21:Rashomon (disambiguation) 11306:Japanese courtroom films 9911:The Sleeping Car Murders 8311:The Secret in Their Eyes 7838:Black and White in Color 7269:Her Love Boils Bathwater 6255:No Regrets for Our Youth 6033:Rutgers University Press 6018:Rutgers University Press 6000:Rutgers University Press 5979:Rutgers University Press 5964:Rutgers University Press 5897:Rutgers University Press 5884:Conrad, David A. (2022) 5749:National Board of Review 5648:Foster, Gwendolyn Audrey 3998:American Cinematographer 3971:. 1972. pp. 71–73. 3833:The Criterion Collection 3748:. July 1953. p. 79. 3669:National Board of Review 3176:The Criterion Collection 2677: 2328:At the Gate of the Ghost 2065:Deadpool & Wolverine 1421:4th Cannes Film Festival 1287:The Criterion Collection 1187:National Board of Review 891:No Regrets for Our Youth 764:National Board of Review 448:greatest films ever made 432:, and was nominated for 10804:A Year of the Quiet Sun 10309:The Barbarian Invasions 10102:A Sunday in the Country 9971:The Sorrow and the Pity 8689:William Cameron Menzies 8227:The Barbarian Invasions 7669:The Shop on Main Street 7206:Nobody to Watch Over Me 6247:Those Who Make Tomorrow 6231:Sanshiro Sugata Part II 5935:American Anthropologist 5902:Erens, Patricia (1979) 5652:A Short History of Film 4327:O'Neil, Thomas (2003). 4193:When Moivies Were Happy 3454:Richie, Donald (2001). 3326:March 17, 2005, at the 3245:anthologies, including 2209:A Matter of Perspective 2101:Remakes and adaptations 2062:' initial proposal for 1802:Italian Critics’ Prize 1688:Top 10 Japanese Movies 1177:stated that it grossed 1063:television use of the " 1022:The film was scored by 688:For more guidance, see 540:as Tajōmaru, the bandit 516: 461: 10681:Last Year at Marienbad 9304:Michelangelo Antonioni 8828:William Nicholas Selig 8555:Academy Honorary Award 7701:Closely Watched Trains 7613:Through a Glass Darkly 6785:The Ballad of Narayama 5895:(ed.). New Brunswick: 5644:Dixon, Wheeler Winston 4772:The Hollywood Reporter 4765:Star Wars: The Acolyte 4531:Dorling Kindersley Ltd 4300:"毎日映画コンクール第5回（1950年）" 4024:Hollywood Citizen-News 3431:. 1951. p. 27, 52 2690:The Japanese title is 2147:The Dick Van Dyke Show 2098: 1972:Last Year at Marienbad 1450:Nagata later embraced 1369:Hollywood Citizen-News 1350: 1236: 1167:) overseas, which was 1119: 1115:US release poster for 1060:mutually contradictory 1008:into seeing one shot; 1005:The Impact of Rashomon 975: 925: 744: 533: 10975:The Magdalene Sisters 10828:Au revoir les enfants 10729:The Battle of Algiers 10198:Farewell My Concubine 10001:The Story of Adele H. 9901:Juliet of the Spirits 9260:Eastman Kodak Company 8903:The Walls of Malapaga 7457:The Walls of Malapaga 6825:Twin Sisters of Kyoto 6127:"The Rashomon Effect" 6008:(1987) "Rashomon" in 5786:Jitsugyo no Nihon Sha 5675:Bloomsbury Publishing 4888:. The Broadway League 4420:] (in Japanese). 4391:Motion Picture Herald 4119:] (in Japanese). 4064:] (in Japanese). 3921:] (in Japanese). 3646:1954 New Year Special 3592:] (in Japanese). 2090: 2030:The television shows 1353:International reviews 1341: 1223: 1114: 973: 917: 752:Jitsugyo no Nihon Sha 739: 690:Knowledge:Translation 661:copyright attribution 524: 424:abroad. It later won 379:Principal photography 11356:1950s Japanese films 11256:Existentialist films 11236:Films about adultery 10780:Marianne and Juliane 10657:General Della Rovere 9733:No Award (1942–1949) 9675:Carnival in Flanders 9477:Jean-Claude Carrière 9067:/ Fred L. Metzler / 9065:William L. Hendricks 8943:/ George Mitchell / 8507:The Zone of Interest 8316:Juan José Campanella 7159:The Twilight Samurai 6996:MacArthur's Children 6817:Being Two Isn't Easy 6641:See What I Wanna See 6488:Kurosawa Film Studio 6263:One Wonderful Sunday 6188:Filmmaking technique 6135:Criterion Collection 5911:Galbraith IV, Stuart 5860:Galbraith, Stuart IV 5505:on November 24, 2011 5000:"CSI -- 'Rashomama'" 4648:. September 24, 2023 4444:Beauty and the Thief 4418:Beauty and the Thief 4384:Beauty and the Thief 4163:. pp. 176–177. 4015:(January 22, 1952). 3889:on December 25, 2008 3764:"A Religion of Film" 3603:. 1956. p. 438. 3277:Japan Studies Review 3148:on November 28, 2010 2767:Clothes of Deception 2637:Academy Film Archive 2134:The Play of the Week 2111:It spawned numerous 1928:Beauty and the Thief 1910:Beauty and the Thief 1702:Mainichi Film Awards 1219:Giuliana Stramigioli 1215:Venice Film Festival 858:, who was scripting 770:spent on Kurosawa's 19:For other uses, see 11321:Golden Lion winners 10884:Three Colours: Blue 10868:The Story of Qiu Ju 10788:The State of Things 10705:Hands over the City 10673:Tomorrow Is My Turn 10258:All About My Mother 10208:Eat Drink Man Woman 10092:Fanny and Alexander 9134:Charles S. Boren / 8791:The House I Live In 8782:Daniel J. Bloomberg 8759:Metro-Goldwyn-Mayer 8269:The Lives of Others 8160:All About My Mother 8053:Gabriele Salvatores 8006:Pelle the Conqueror 7936:Fanny and Alexander 7843:Jean-Jacques Annaud 7285:Weathering with You 7191:I Just Didn't Do It 7060:The Oil-Hell Murder 6865:The Sands of Kurobe 6722:Japanese submission 6570:Ryūnosuke Akutagawa 6359:The Hidden Fortress 6035:, pp. 149–158. 6020:, pp. 167–172. 5981:, pp. 183–192. 5966:, pp. 173–177. 5906:. Boston: G.K.Hall. 5899:, pp. 159–166. 5870:. Faber and Faber. 5449:on January 10, 2014 5402:on October 20, 2011 5324:on February 1, 2017 4054:Nishimura, Yūichirō 4018:"Behind the Scenes" 3770:The Emporia Gazette 3621:(in Japanese). 1952 3302:on January 15, 2006 3087:Akira Kurosawa Info 2672:Unreliable narrator 2667:Nonlinear narrative 2645:The Film Foundation 2360:Ulidavaru Kandanthe 2078:In a 1998 issue of 1431:Daiei's president, 911:When Kurosawa shot 812:Stuart Galbraith IV 780:. According to the 430:24th Academy Awards 338:Ryūnosuke Akutagawa 302:is a 1950 Japanese 88:Ryūnosuke Akutagawa 11296:Films set in Kyoto 11151:The Room Next Door 11095:The Shape of Water 11087:The Woman Who Left 10999:Brokeback Mountain 10932:The Way We Laughed 10796:First Name: Carmen 10168:Cyrano de Bergerac 10052:La Cage aux Folles 9981:Cries and Whispers 9871:Sundays and Cybele 9781:A Queen Is Crowned 9695:La Grande Illusion 9457:George Stevens Jr. 9136:Edward G. Robinson 8836:George Kirke Spoor 8673:and Allen Davey / 8669:, Walter Oberst / 8665:, Harry D. Mills, 8283:The Counterfeiters 8246:Alejandro Amenábar 8025:Giuseppe Tornatore 7964:The Official Story 7885:Volker Schlöndorff 7627:Sundays and Cybèle 7509:Teinosuke Kinugasa 7052:Rhapsody in August 7044:The Sting of Death 6857:Portrait of Chieko 6833:Woman in the Dunes 6793:Fires on the Plain 6614:The Bottomless Bag 6508:Seven Samurai 20XX 6447:Rhapsody in August 6367:The Bad Sleep Well 6223:The Most Beautiful 6170:Films directed by 6085:TCM Movie Database 5732:The New York Times 5625:"January 20, 1952" 5535:. August 24, 2012. 5422:50 Klassiker, Film 5376:on August 13, 2016 5255:Carr, Jay (2002). 5023:akirakurosawa.info 4966:akirakurosawa.info 4645:The Indian Express 3854:Tanaka, Jun'ichirō 3594:Iwasaki Publishing 3378:on August 20, 2013 3353:2015-09-15 at the 3316:by Greg M. Smith, 3296:"Kurosawa?s Ronin" 2553:50 Klassiker, Film 2418:Tombstone Rashomon 2392:The Bottomless Bag 2375:and their culture. 2231:helicopter in the 2229:Bell UH-1 Iroquois 2220:Courage Under Fire 2158:, a 1964 American 2006:Courage Under Fire 2000:The Usual Suspects 1873:Teinosuke Kinugasa 1863:Kōzaburō Yoshimura 1828:. You can help by 1788:September 10, 1951 1661:Best Foreign Film 1562:Blue Ribbon Awards 1285:in February 2009. 1148:RKO Radio Pictures 1126:took place at the 1120: 976: 807:The New York Times 766:reported that the 669:interlanguage link 534: 475:Rashōmon city gate 11167: 11166: 11161: 11160: 10844:A City of Sadness 10520: 10519: 10509:Anatomy of a Fall 10138:Manon des Sources 10022:The Marquise of O 9891:World Without Sun 9841:Wild Strawberries 9771:The Sound Barrier 9610: 9609: 9565:Samuel L. Jackson 9527:Donald Sutherland 9513:Frederick Wiseman 9075:William J. Tuttle 9035:Maurice Chevalier 8945:Joseph M. Schenck 8887:The Bicycle Thief 8814:Claude Jarman Jr. 8780:Republic Studio, 8741:Leopold Stokowski 8681:Douglas Fairbanks 8598:The March of Time 8521: 8520: 8484:Ryusuke Hamaguchi 8470:Thomas Vinterberg 8423:A Fantastic Woman 8386:Paweł Pawlikowski 8325:In a Better World 8288:Stefan Ruzowitzky 8213:Nowhere in Africa 8146:Life Is Beautiful 7790:François Truffaut 7720:Sergei Bondarchuk 7687:A Man and a Woman 7632:Serge Bourguignon 7599:The Virgin Spring 7557:Nights of Cabiria 7346: 7345: 7237:The Great Passage 7100:Princess Mononoke 6937:Empire of Passion 6688: 6687: 6536: 6535: 6193:Awards and honors 6031:. New Brunswick: 5998:. New Brunswick: 5977:. New Brunswick: 5962:. New Brunswick: 5877:978-0-571-19982-2 5851:978-1-558-59236-0 5814:Brandon, James R. 5576:www.dvdbeaver.com 5527:Sight & Sound 5430:978-3-8067-2509-4 5396:"Empire Features" 5364:Sight & Sound 5274:978-0-306-81096-1 5236:on March 31, 2014 5091:978-0-7641-6151-3 4915:The Journal Times 4817:Time Out New York 4597:978-0-600-57397-5 4428:on June 23, 2021. 4422:Kadokawa Pictures 4256:. October 4, 2014 4225:. October 5, 2014 3978:978-0-8161-7994-7 3817:on June 14, 2021. 3810:Kadokawa Pictures 3516:Galbraith IV 1994 3408:978-1-4766-8674-5 3340:by Robert van Es 3247:Focus on Rashomon 3110:(original title: 2610:Sight & Sound 2597:Sight & Sound 2540:Sight & Sound 2534:Sight & Sound 2520:The Village Voice 2512:Sight & Sound 2466:review aggregator 2344:Police Story 2013 2181:All in the Family 2081:Time Out New York 2056:Hirokazu Kore-eda 2042:(1993–2004), and 2033:All in the Family 1983:Quentin Tarantino 1868:The Tale of Genji 1846: 1845: 1806: 1805: 1734:Best Foreign Film 1729:December 17, 1951 1668:(Robert Mochrie) 1594:Shinobu Hashimoto 1540:Takashi Matsuyama 1478:Date of ceremony 1298:Critical response 1225:I was shocked by 1001:Stanley Kauffmann 737:, Kurosawa said: 701: 700: 634: 630: 558:as the woodcutter 416:became the first 404:Upon winning the 399:premiered at the 314:Shinobu Hashimoto 308:film directed by 274: 273: 68:Shinobu Hashimoto 11363: 11331:Films about rape 11251:Daiei Film films 11208: 11207: 11206: 11196: 11195: 11194: 11184: 11183: 11182: 11175: 10697:Ivan's Childhood 10625:Romeo and Juliet 10547: 10540: 10533: 10524: 10523: 10513: 10503: 10493: 10483: 10473: 10463: 10453: 10443: 10433: 10423: 10413: 10403: 10393: 10383: 10373: 10363: 10353: 10343: 10333: 10323: 10313: 10303: 10293: 10272: 10262: 10252: 10242: 10232: 10222: 10212: 10202: 10192: 10182: 10172: 10162: 10152: 10142: 10132:Jean de Florette 10126: 10116: 10106: 10096: 10086: 10076: 10066: 10056: 10046: 10036: 10026: 10005: 9995: 9985: 9975: 9965: 9955: 9945: 9935: 9925: 9915: 9905: 9895: 9885: 9875: 9865: 9855: 9851:The World of Apu 9845: 9835: 9825: 9815: 9811:The Silent World 9805: 9795: 9791:Romeo and Juliet 9785: 9775: 9765: 9744: 9734: 9729: 9719: 9715:The Baker's Wife 9709: 9699: 9689: 9685:The Eternal Mask 9679: 9669: 9664: 9637: 9630: 9623: 9614: 9613: 9449:D. A. Pennebaker 9439:James Earl Jones 9292:Federico Fellini 9216:Barbara Stanwyck 9189:Laurence Olivier 9091:Y. Frank Freeman 9025:Charles Brackett 8933:Merian C. Cooper 8882:Cecil B. DeMille 8859:Monsieur Vincent 8806:Laurence Olivier 8796:Peggy Ann Garner 8775:Margaret O'Brien 8617:W. Howard Greene 8603:W. Howard Greene 8548: 8541: 8534: 8525: 8524: 8514: 8500: 8486: 8472: 8458: 8444: 8430: 8416: 8402: 8388: 8374: 8372:Paolo Sorrentino 8367:The Great Beauty 8360: 8346: 8332: 8318: 8304: 8290: 8276: 8262: 8248: 8234: 8220: 8206: 8181: 8167: 8153: 8139: 8125: 8111: 8097: 8095:Nikita Mikhalkov 8090:Burnt by the Sun 8083: 8069: 8055: 8041: 8027: 8013: 7999: 7985: 7971: 7957: 7943: 7929: 7915: 7901: 7899:Vladimir Menshov 7887: 7873: 7859: 7845: 7820: 7806: 7804:Federico Fellini 7792: 7778: 7764: 7762:Vittorio De Sica 7750: 7736: 7722: 7708: 7694: 7680: 7662: 7660:Vittorio De Sica 7648: 7646:Federico Fellini 7634: 7620: 7606: 7592: 7578: 7564: 7562:Federico Fellini 7550: 7548:Federico Fellini 7525: 7511: 7497: 7492: 7478: 7464: 7450: 7448:Vittorio De Sica 7436: 7429:Monsieur Vincent 7422: 7420:Vittorio De Sica 7389: 7382: 7375: 7366: 7365: 7350: 7349: 7108:Begging for Love 6769:The Burmese Harp 6715: 6708: 6701: 6692: 6691: 6679:The Moonlit Road 6563: 6556: 6549: 6540: 6539: 6351:The Lower Depths 6164: 6157: 6150: 6141: 6140: 6123: 6107: 6091: 6075: 6059: 6002:, pp. 1–21. 5951: 5928: 5881: 5869: 5855: 5834: 5832: 5830: 5809: 5803: 5801: 5781: 5764: 5762: 5744: 5742: 5740: 5728: 5725: 5712: 5688: 5665: 5639: 5627: 5619: 5587: 5586: 5584: 5582: 5568: 5562: 5561: 5559: 5557: 5543: 5537: 5536: 5521: 5515: 5514: 5512: 5510: 5501:. Archived from 5491: 5485: 5484: 5482: 5480: 5475:on July 11, 2012 5471:. Archived from 5465: 5459: 5458: 5456: 5454: 5439: 5433: 5418: 5412: 5411: 5409: 5407: 5392: 5386: 5385: 5383: 5381: 5372:. Archived from 5358: 5352: 5351: 5340: 5334: 5333: 5331: 5329: 5320:. Archived from 5310: 5304: 5303: 5292: 5286: 5285: 5283: 5281: 5262: 5252: 5246: 5245: 5243: 5241: 5225: 5219: 5218: 5216: 5214: 5209:on June 18, 2012 5205:. Archived from 5195: 5189: 5188: 5177: 5171: 5170: 5168: 5166: 5142: 5136: 5135: 5130: 5128: 5126: 5102: 5096: 5095: 5071: 5065: 5064: 5052: 5046: 5045: 5033: 5027: 5026: 5014: 5008: 5007: 4995: 4989: 4988: 4976: 4970: 4969: 4957: 4951: 4950: 4938: 4932: 4931: 4925: 4923: 4911: 4904: 4898: 4897: 4895: 4893: 4878: 4869: 4868: 4856: 4843: 4842: 4830: 4821: 4820: 4812: 4806: 4805: 4803: 4801: 4790: 4784: 4783: 4781: 4779: 4758: 4752: 4751: 4749: 4747: 4729: 4723: 4722: 4720: 4718: 4703: 4690: 4689: 4687: 4685: 4664: 4658: 4657: 4655: 4653: 4636: 4630: 4629: 4608: 4602: 4601: 4589: 4580: 4574: 4573: 4571: 4569: 4553: 4541: 4535: 4534: 4523: 4517: 4516: 4497: 4491: 4490: 4484: 4482: 4475: 4462:"Issues 123-128" 4458: 4452: 4451: 4436: 4430: 4429: 4424:. Archived from 4410: 4404: 4403: 4401: 4399: 4378: 4372: 4371: 4357: 4351: 4350: 4334: 4324: 4318: 4317: 4315: 4313: 4305:Mainichi Shimbun 4296: 4290: 4289: 4287: 4285: 4272: 4266: 4265: 4263: 4261: 4244: 4235: 4234: 4232: 4230: 4213: 4207: 4206: 4181: 4175: 4174: 4158: 4148: 4135: 4134: 4109: 4100: 4099: 4086: 4080: 4079: 4058:黒澤明と早坂文雄風のように侍は 4056:(October 2005). 4050: 4041: 4040: 4034: 4032: 4020: 4009: 4003: 4002: 3989: 3983: 3982: 3963: 3957: 3951: 3940: 3937: 3931: 3930: 3905: 3899: 3898: 3896: 3894: 3878: 3872: 3871: 3850: 3844: 3843: 3841: 3839: 3825: 3819: 3818: 3797: 3791: 3790: 3780: 3778: 3766: 3759: 3750: 3749: 3739: 3733: 3732: 3730: 3728: 3714: 3708: 3707: 3705: 3703: 3687: 3681: 3680: 3665: 3659: 3658: 3641: 3635: 3634: 3628: 3626: 3611: 3605: 3604: 3602: 3580: 3574: 3573: 3571: 3569: 3553: 3547: 3546: 3544: 3542: 3525: 3519: 3513: 3507: 3506: 3500: 3498: 3490:The Windsor Star 3486: 3478: 3472: 3471: 3451: 3445: 3444: 3438: 3436: 3419: 3413: 3412: 3394: 3388: 3387: 3385: 3383: 3374:. Archived from 3364: 3358: 3311: 3309: 3307: 3298:. Archived from 3239: 3233: 3232: 3230: 3228: 3222:Encyclopedia.com 3214: 3208: 3190: 3184: 3183: 3167: 3161: 3160: 3155: 3153: 3144:. Archived from 3140:Akira Kurosawa. 3137: 3128: 3121: 3115: 3105: 3099: 3098: 3096: 3094: 3089:. March 24, 2024 3079: 3073: 3068:Qtd. in Richie, 3066: 3060: 3059: 3057: 3055: 3035: 3029: 3023: 3014: 3008: 3002: 2996: 2990: 2984: 2978: 2972: 2966: 2960: 2954: 2953: 2951: 2949: 2932: 2915: 2914: 2890: 2881: 2875: 2869: 2863: 2852: 2851: 2834: 2825: 2816: 2810: 2804: 2787: 2784: 2778: 2775: 2762: 2756: 2749: 2743: 2740: 2734: 2723: 2717: 2688: 2482:weighted average 2425:in the style of 2403:, also based on 2401:Rustam Khamdamov 2315:The Rashomon Job 2249:King of the Hill 1918: 1900:The Princess Sen 1849:Associated films 1841: 1838: 1820: 1813: 1763:January 20, 1952 1657: 1634:February 1, 1953 1492: 1472: 1471: 1418: 1399:music plagiarism 1303:Japanese reviews 1281:in May 2008 and 1203: 1196: 1184: 1180: 1170: 1166: 1162: 1154: 1138: 1128:Imperial Theatre 1122:The premiere of 896:Hisatora Kumagai 854:with his friend 829: 821: 817: 814:noted a reputed 803: 795: 791: 788:had a budget of 769: 761: 757: 680: 674: 647:Google Translate 632: 628: 611: 610: 603: 594:as the policeman 576: 481:named Tajōmaru. 423: 401:Imperial Theatre 388: 385:on an estimated 340:'s short story " 301: 299: 289: 270: 260: 220: 218: 208:Imperial Theatre 205: 203: 40: 28: 27: 11371: 11370: 11366: 11365: 11364: 11362: 11361: 11360: 11316:Jidaigeki films 11216: 11215: 11214: 11204: 11202: 11192: 11190: 11180: 11178: 11170: 11168: 11163: 11162: 11157: 10967:Monsoon Wedding 10954: 10916:Michael Collins 10892:Before the Rain 10751: 10617:Forbidden Games 10601:Justice Is Done 10556: 10551: 10521: 10516: 10506: 10496: 10486: 10476: 10466: 10456: 10446: 10436: 10426: 10416: 10406: 10396: 10386: 10379:Of Gods and Men 10376: 10366: 10356: 10346: 10336: 10326: 10316: 10306: 10296: 10286: 10275: 10265: 10255: 10248:Central Station 10245: 10238:Shall We Dance? 10235: 10225: 10215: 10205: 10195: 10185: 10175: 10165: 10155: 10145: 10129: 10119: 10109: 10099: 10089: 10079: 10069: 10059: 10049: 10039: 10029: 10019: 10008: 9998: 9988: 9978: 9968: 9958: 9948: 9938: 9928: 9918: 9908: 9898: 9888: 9878: 9868: 9858: 9848: 9838: 9831:Pather Panchali 9828: 9818: 9808: 9798: 9788: 9778: 9768: 9758: 9747: 9737: 9732: 9722: 9712: 9705:Port of Shadows 9702: 9692: 9682: 9672: 9668:No Award (1935) 9667: 9657: 9646: 9641: 9611: 9606: 9601:Carol Littleton 9559:Lina Wertmüller 9519:Charles Burnett 9505:Lynn Stalmaster 9463:Angela Lansbury 9429:Jean-Luc Godard 9405:Robert F. Boyle 9399:Ennio Morricone 9353: 9167: 9129:Charlie Chaplin 8981:/ Kemp Niver / 8950:Forbidden Games 8909: 8832:Albert E. Smith 8723:Nathan Levinson 8671:Oliver T. Marsh 8655:Farciot Edouart 8647:Gordon Jennings 8573:Charlie Chaplin 8557: 8552: 8522: 8517: 8512:Jonathan Glazer 8503: 8489: 8475: 8461: 8447: 8433: 8428:Sebastián Lelio 8419: 8405: 8391: 8377: 8363: 8349: 8335: 8321: 8307: 8293: 8279: 8265: 8251: 8237: 8223: 8209: 8195: 8184: 8170: 8165:Pedro Almodóvar 8156: 8151:Roberto Benigni 8142: 8128: 8114: 8100: 8086: 8081:Fernando Trueba 8072: 8058: 8044: 8034:Journey of Hope 8030: 8020:Cinema Paradiso 8016: 8002: 7992:Babette's Feast 7988: 7983:Fons Rademakers 7974: 7960: 7950:Dangerous Moves 7946: 7932: 7927:José Luis Garci 7918: 7904: 7890: 7876: 7862: 7848: 7834: 7823: 7809: 7795: 7781: 7767: 7753: 7739: 7725: 7711: 7697: 7683: 7665: 7651: 7637: 7623: 7609: 7595: 7581: 7567: 7553: 7539: 7528: 7523:Hiroshi Inagaki 7514: 7500: 7495: 7485:Forbidden Games 7481: 7467: 7453: 7443:Bicycle Thieves 7439: 7425: 7411: 7404: 7398: 7393: 7358: 7347: 7342: 7299: 7175:Blood and Bones 7130: 6959: 6732: 6719: 6689: 6684: 6666: 6647: 6620: 6577: 6567: 6537: 6532: 6527:Kazuko Kurosawa 6461: 6343:Throne of Blood 6215:Sanshiro Sugata 6202: 6174: 6168: 6117:Box Office Mojo 6101:Rotten Tomatoes 6042: 6016:New Brunswick: 5925: 5878: 5852: 5828: 5826: 5799: 5797: 5760: 5758: 5754:Films in Review 5738: 5736: 5726: 5723:Rings the Bell" 5709: 5685: 5662: 5631:Chicago Tribune 5616: 5596: 5591: 5590: 5580: 5578: 5570: 5569: 5565: 5555: 5553: 5545: 5544: 5540: 5523: 5522: 5518: 5508: 5506: 5493: 5492: 5488: 5478: 5476: 5467: 5466: 5462: 5452: 5450: 5441: 5440: 5436: 5424:. Gerstenberg. 5419: 5415: 5405: 5403: 5394: 5393: 5389: 5379: 5377: 5360: 5359: 5355: 5342: 5341: 5337: 5327: 5325: 5312: 5311: 5307: 5294: 5293: 5289: 5279: 5277: 5275: 5253: 5249: 5239: 5237: 5226: 5222: 5212: 5210: 5197: 5196: 5192: 5185:Roger Ebert.com 5179: 5178: 5174: 5164: 5162: 5144: 5143: 5139: 5124: 5122: 5115:Rotten Tomatoes 5104: 5103: 5099: 5092: 5084:. p. 250. 5072: 5068: 5053: 5049: 5044:. Liberty Fund. 5034: 5030: 5015: 5011: 4996: 4992: 4977: 4973: 4958: 4954: 4939: 4935: 4921: 4919: 4906: 4905: 4901: 4891: 4889: 4880: 4879: 4872: 4857: 4846: 4839:Taste of Cinema 4831: 4824: 4813: 4809: 4799: 4797: 4791: 4787: 4777: 4775: 4759: 4755: 4745: 4743: 4731: 4730: 4726: 4716: 4714: 4704: 4693: 4683: 4681: 4665: 4661: 4651: 4649: 4638: 4637: 4633: 4626: 4610: 4609: 4605: 4598: 4582: 4581: 4577: 4567: 4565: 4542: 4538: 4525: 4524: 4520: 4513: 4499: 4498: 4494: 4480: 4478: 4469: 4460: 4459: 4455: 4438: 4437: 4433: 4412: 4411: 4407: 4397: 4395: 4380: 4379: 4375: 4358: 4354: 4347: 4339:. p. 144. 4325: 4321: 4311: 4309: 4298: 4297: 4293: 4283: 4281: 4274: 4273: 4269: 4259: 4257: 4246: 4245: 4238: 4228: 4226: 4215: 4214: 4210: 4203: 4182: 4178: 4171: 4149: 4138: 4131: 4111: 4110: 4103: 4088: 4087: 4083: 4076: 4068:. p. 659. 4051: 4044: 4030: 4028: 4010: 4006: 3991: 3990: 3986: 3979: 3965: 3964: 3960: 3952: 3943: 3938: 3934: 3906: 3902: 3892: 3890: 3879: 3875: 3864:Masaichi Nagata 3851: 3847: 3837: 3835: 3827: 3826: 3822: 3799: 3798: 3794: 3776: 3774: 3761: 3760: 3753: 3741: 3740: 3736: 3726: 3724: 3716: 3715: 3711: 3701: 3699: 3696:Box Office Mojo 3689: 3688: 3684: 3677:Films in Review 3666: 3662: 3643: 3642: 3638: 3624: 3622: 3613: 3612: 3608: 3596: 3582: 3581: 3577: 3567: 3565: 3555: 3554: 3550: 3540: 3538: 3527: 3526: 3522: 3514: 3510: 3496: 3494: 3479: 3475: 3468: 3452: 3448: 3434: 3432: 3421: 3420: 3416: 3409: 3395: 3391: 3381: 3379: 3366: 3365: 3361: 3355:Wayback Machine 3328:Wayback Machine 3305: 3303: 3294: 3287:Wayback Machine 3269:Wayback Machine 3256:Wayback Machine 3240: 3236: 3226: 3224: 3216: 3215: 3211: 3191: 3187: 3169: 3168: 3164: 3151: 3149: 3138: 3131: 3122: 3118: 3106: 3102: 3092: 3090: 3081: 3080: 3076: 3067: 3063: 3053: 3051: 3036: 3032: 3024: 3017: 3009: 3005: 2997: 2993: 2985: 2981: 2973: 2969: 2961: 2957: 2947: 2945: 2933: 2918: 2911: 2891: 2884: 2876: 2872: 2864: 2855: 2836: 2835: 2828: 2820:Chicago Tribune 2817: 2813: 2805: 2801: 2796: 2791: 2790: 2785: 2781: 2769: 2763: 2759: 2750: 2746: 2741: 2737: 2724: 2720: 2689: 2685: 2680: 2653: 2633: 2503: 2480:, which uses a 2470:Rotten Tomatoes 2448: 2196:thirtysomething 2109: 2103: 2086:Andrew Johnston 2075: 1955:New Wave cinema 1944: 1942:Cultural impact 1912: 1889:Kenji Mizoguchi 1851: 1842: 1836: 1833: 1826:needs expansion 1811: 1752:Akira Kurosawa 1667: 1643:Akira Kurosawa 1592: 1585:Best Screenplay 1566:March 22, 1951 1543: 1542:(art direction) 1470: 1433:Masaichi Nagata 1429: 1412: 1391: 1355: 1305: 1300: 1295: 1268: 1247:Japanese cinema 1210: 1201: 1194: 1182: 1178: 1168: 1164: 1160: 1152: 1136: 1109: 1104: 1065:Rashomon effect 1048: 1046:Rashomon effect 1042: 998: 996:Post-production 968: 951:. According to 938:cinematographer 930: 882:Takashi Shimura 874: 842: 827: 819: 815: 801: 793: 789: 767: 759: 755: 706: 697: 696: 695: 678: 672: 635: 612: 608: 601: 577:as the commoner 570: 556:Takashi Shimura 525:Press photo of 519: 490:wife has fled. 464: 456:Andrew Johnston 452:Rashomon effect 421: 386: 330:Takashi Shimura 281: 268: 258: 231: 224: 216: 214: 201: 199: 192: 177: 170: 168: 133: 124:Takashi Shimura 85: 72: 43: 24: 17: 12: 11: 5: 11369: 11359: 11358: 11353: 11348: 11343: 11338: 11333: 11328: 11323: 11318: 11313: 11308: 11303: 11298: 11293: 11288: 11283: 11278: 11273: 11268: 11263: 11258: 11253: 11248: 11243: 11238: 11233: 11228: 11213: 11212: 11200: 11188: 11165: 11164: 11159: 11158: 11156: 11155: 11147: 11139: 11131: 11123: 11115: 11107: 11099: 11091: 11083: 11075: 11067: 11059: 11051: 11043: 11035: 11027: 11019: 11011: 11003: 10995: 10987: 10979: 10971: 10962: 10960: 10956: 10955: 10953: 10952: 10944: 10936: 10928: 10920: 10912: 10904: 10896: 10888: 10880: 10872: 10864: 10856: 10848: 10840: 10832: 10824: 10816: 10808: 10800: 10792: 10784: 10776: 10768: 10759: 10757: 10753: 10752: 10750: 10749: 10741: 10733: 10725: 10717: 10709: 10701: 10693: 10685: 10677: 10669: 10661: 10653: 10645: 10637: 10629: 10621: 10613: 10605: 10597: 10589: 10581: 10573: 10569:The Southerner 10564: 10562: 10558: 10557: 10550: 10549: 10542: 10535: 10527: 10518: 10517: 10515: 10514: 10504: 10494: 10484: 10474: 10464: 10454: 10444: 10434: 10424: 10414: 10404: 10394: 10384: 10374: 10364: 10354: 10344: 10334: 10324: 10319:The Sea Inside 10314: 10304: 10294: 10283: 10281: 10277: 10276: 10274: 10273: 10263: 10253: 10243: 10233: 10223: 10218:Shanghai Triad 10213: 10203: 10193: 10183: 10173: 10163: 10158:Story of Women 10153: 10143: 10127: 10117: 10107: 10097: 10087: 10077: 10067: 10057: 10047: 10037: 10027: 10016: 10014: 10010: 10009: 10007: 10006: 9996: 9986: 9976: 9966: 9956: 9951:The Wild Child 9946: 9936: 9926: 9921:Elvira Madigan 9916: 9906: 9896: 9886: 9876: 9866: 9856: 9846: 9836: 9826: 9816: 9806: 9796: 9786: 9776: 9766: 9755: 9753: 9749: 9748: 9746: 9745: 9735: 9730: 9720: 9710: 9700: 9690: 9680: 9670: 9665: 9654: 9652: 9648: 9647: 9640: 9639: 9632: 9625: 9617: 9608: 9607: 9605: 9604: 9593:Angela Bassett 9590: 9576: 9562: 9548: 9534: 9516: 9509:Anne V. Coates 9498: 9488: 9485:Maureen O'Hara 9481:Hayao Miyazaki 9474: 9460: 9446: 9436: 9425:Kevin Brownlow 9422: 9408: 9402: 9396: 9390: 9384: 9378: 9372: 9369:Robert Redford 9365:Sidney Poitier 9361: 9359: 9355: 9354: 9352: 9351: 9341: 9335: 9329: 9323: 9317: 9307: 9301: 9295: 9289: 9283: 9273: 9270:Akira Kurosawa 9267: 9257: 9251: 9241: 9231: 9225: 9219: 9213: 9207: 9200: 9182: 9179:Margaret Booth 9175: 9173: 9169: 9168: 9166: 9165: 9159: 9149: 9142:Henri Langlois 9139: 9132: 9126: 9116: 9110: 9100: 9094: 9084: 9078: 9072: 9069:Jerome Robbins 9062: 9048: 9038: 9032: 9014: 9008: 9000: 8991:Vincent Winter 8972: 8954: 8930: 8917: 8915: 8911: 8910: 8908: 8907: 8894:Louis B. Mayer 8891: 8871: 8851: 8817: 8810:Ernst Lubitsch 8802:Harold Russell 8799: 8778: 8768: 8762: 8748: 8733:William Garity 8726: 8716: 8713:Technicolor SA 8678: 8667:Louis Mesenkop 8663:Loren L. Ryder 8631:J. Arthur Ball 8628: 8610: 8594: 8591:D. W. Griffith 8588: 8585:Shirley Temple 8582: 8576: 8565: 8563: 8559: 8558: 8551: 8550: 8543: 8536: 8528: 8519: 8518: 8516: 8515: 8501: 8487: 8473: 8459: 8445: 8442:Alfonso Cuarón 8431: 8417: 8414:Asghar Farhadi 8403: 8389: 8375: 8361: 8358:Michael Haneke 8347: 8344:Asghar Farhadi 8333: 8319: 8305: 8291: 8277: 8263: 8249: 8241:The Sea Inside 8235: 8221: 8207: 8192: 8190: 8186: 8185: 8183: 8182: 8168: 8154: 8140: 8126: 8112: 8109:Marleen Gorris 8104:Antonia's Line 8098: 8084: 8070: 8067:Régis Wargnier 8056: 8042: 8028: 8014: 8000: 7986: 7972: 7958: 7944: 7941:Ingmar Bergman 7930: 7916: 7902: 7888: 7874: 7871:Bertrand Blier 7860: 7846: 7831: 7829: 7825: 7824: 7822: 7821: 7818:Akira Kurosawa 7807: 7793: 7779: 7765: 7751: 7737: 7723: 7709: 7695: 7692:Claude Lelouch 7681: 7663: 7649: 7635: 7621: 7618:Ingmar Bergman 7607: 7604:Ingmar Bergman 7593: 7579: 7565: 7551: 7536: 7534: 7530: 7529: 7527: 7526: 7512: 7498: 7496:1953: No Award 7493: 7479: 7476:Akira Kurosawa 7465: 7451: 7437: 7434:Maurice Cloche 7423: 7408: 7406: 7400: 7399: 7392: 7391: 7384: 7377: 7369: 7363: 7360: 7359: 7344: 7343: 7341: 7340: 7332: 7324: 7316: 7307: 7305: 7301: 7300: 7298: 7297: 7289: 7281: 7273: 7265: 7257: 7249: 7241: 7233: 7225: 7217: 7209: 7203: 7195: 7187: 7179: 7171: 7163: 7155: 7147: 7138: 7136: 7132: 7131: 7129: 7128: 7124:After the Rain 7120: 7112: 7104: 7096: 7088: 7080: 7072: 7064: 7056: 7048: 7040: 7032: 7024: 7016: 7008: 7000: 6992: 6984: 6976: 6967: 6965: 6961: 6960: 6958: 6957: 6949: 6941: 6933: 6925: 6921:Sandakan No. 8 6917: 6909: 6901: 6893: 6885: 6877: 6869: 6861: 6853: 6845: 6837: 6829: 6821: 6813: 6805: 6797: 6789: 6781: 6773: 6765: 6757: 6749: 6740: 6738: 6734: 6733: 6718: 6717: 6710: 6703: 6695: 6686: 6685: 6683: 6682: 6674: 6672: 6668: 6667: 6665: 6664: 6655: 6653: 6649: 6648: 6646: 6645: 6637: 6628: 6626: 6622: 6621: 6619: 6618: 6610: 6602: 6594: 6585: 6583: 6579: 6578: 6566: 6565: 6558: 6551: 6543: 6534: 6533: 6531: 6530: 6524: 6518: 6511: 6504: 6501:Kurosawa's Way 6497: 6490: 6485: 6480: 6475: 6469: 6467: 6463: 6462: 6460: 6459: 6451: 6443: 6435: 6427: 6419: 6411: 6403: 6395: 6387: 6379: 6371: 6363: 6355: 6347: 6339: 6335:I Live in Fear 6331: 6323: 6315: 6307: 6299: 6291: 6283: 6279:The Quiet Duel 6275: 6267: 6259: 6251: 6243: 6235: 6227: 6219: 6210: 6208: 6204: 6203: 6201: 6200: 6195: 6190: 6185: 6179: 6176: 6175: 6172:Akira Kurosawa 6167: 6166: 6159: 6152: 6144: 6138: 6137: 6131:Stephen Prince 6129:, an essay by 6124: 6108: 6092: 6076: 6060: 6041: 6040:External links 6038: 6037: 6036: 6025:Richie, Donald 6021: 6010:Richie, Donald 6003: 5992:Richie, Donald 5989: 5982: 5971:Richie, Donald 5967: 5956:Richie, Donald 5952: 5929: 5923: 5907: 5900: 5893:Richie, Donald 5889: 5882: 5876: 5856: 5850: 5835: 5816:, ed. (1971). 5810: 5796:. Vol. 55 5794:Business Japan 5790:"Issues 11-17" 5782: 5745: 5713: 5707: 5693:Richie, Donald 5689: 5683: 5666: 5660: 5640: 5636:Newspapers.com 5620: 5615:978-1138827097 5614: 5595: 5592: 5589: 5588: 5563: 5538: 5516: 5486: 5460: 5434: 5413: 5387: 5353: 5335: 5318:old.bfi.org.uk 5305: 5287: 5273: 5247: 5220: 5190: 5172: 5137: 5120:Fandango Media 5097: 5090: 5066: 5047: 5028: 5009: 4990: 4971: 4952: 4933: 4928:Newspapers.com 4899: 4870: 4844: 4822: 4807: 4785: 4753: 4724: 4691: 4671:Reservoir Dogs 4659: 4631: 4624: 4603: 4596: 4575: 4536: 4533:. p. 113. 4518: 4512:978-2879391885 4511: 4492: 4453: 4431: 4405: 4373: 4352: 4345: 4319: 4291: 4267: 4253:Academy Awards 4236: 4222:Academy Awards 4208: 4201: 4185:Tanaka, Tokuzō 4176: 4169: 4136: 4129: 4121:Asahi Sonorama 4101: 4081: 4074: 4042: 4037:Newspapers.com 4004: 3984: 3977: 3958: 3941: 3932: 3909:Iwasaki, Akira 3900: 3873: 3845: 3820: 3792: 3783:Newspapers.com 3751: 3734: 3709: 3682: 3660: 3636: 3606: 3575: 3548: 3520: 3518:, p. 309. 3508: 3503:Newspapers.com 3473: 3466: 3446: 3414: 3407: 3389: 3359: 3347:by Orit Kamir 3234: 3209: 3185: 3162: 3129: 3116: 3100: 3074: 3061: 3030: 3028:, p. 132. 3026:Galbraith 2002 3015: 3003: 2999:Robertson 1991 2991: 2989:, p. 127. 2979: 2977:, p. 290. 2967: 2965:, p. 164. 2955: 2916: 2909: 2903:. p. 53. 2882: 2880:, p. 128. 2878:Galbraith 2002 2870: 2853: 2826: 2824:, p. 169. 2811: 2798: 2797: 2795: 2792: 2789: 2788: 2779: 2757: 2744: 2735: 2731:Honorary Award 2718: 2698:gate built in 2682: 2681: 2679: 2676: 2675: 2674: 2669: 2664: 2659: 2652: 2649: 2632: 2629: 2628: 2627: 2620: 2614: 2601: 2588: 2578: 2564: 2556: 2550: 2542: 2536: 2530: 2523: 2515: 2502: 2499: 2447: 2444: 2443: 2442: 2430: 2414: 2388: 2376: 2369:Rakshit Shetty 2367:film directed 2356: 2348: 2340: 2324: 2312: 2304: 2295: 2288:Tamil-language 2279: 2270: 2267:eidetic memory 2253: 2245: 2236: 2233:First Gulf War 2216: 2200: 2191: 2185: 2176: 2172:The Odd Couple 2167: 2151: 2142: 2129: 2102: 2099: 1988:Reservoir Dogs 1943: 1940: 1932:Werner Bischof 1850: 1847: 1844: 1843: 1823: 1821: 1810: 1807: 1804: 1803: 1799: 1798: 1795: 1790: 1785: 1779: 1778: 1775: 1770: 1765: 1760: 1754: 1753: 1750: 1744: 1743: 1741: 1736: 1731: 1726: 1720: 1719: 1717: 1714: 1709: 1704: 1698: 1697: 1694: 1689: 1686: 1683: 1675: 1674: 1672: 1669: 1662: 1659: 1653: 1645: 1644: 1641: 1636: 1631: 1625: 1624: 1621: 1616: 1611: 1606: 1600: 1599: 1596: 1590:Akira Kurosawa 1587: 1581: 1580: 1577: 1572: 1567: 1564: 1558: 1557: 1555: 1552: 1549:set decoration 1537: 1532: 1530:March 19, 1953 1526: 1525: 1523: 1520: 1510: 1505: 1503:March 20, 1952 1500: 1498:Academy Awards 1494: 1493: 1488: 1485: 1482: 1479: 1476: 1469: 1466: 1428: 1425: 1390: 1384: 1354: 1351: 1315:Tadashi Iijima 1304: 1301: 1299: 1296: 1294: 1291: 1267: 1264: 1209: 1206: 1108: 1105: 1103: 1100: 1080:Antioch Review 1041: 1038: 1024:Fumio Hayasaka 997: 994: 967: 964: 942:Kazuo Miyagawa 929: 926: 878:Toshiro Mifune 873: 870: 866:The Blue Pearl 861:The Blue Pearl 841: 838: 714:Akira Kurosawa 705: 702: 699: 698: 694: 693: 686: 675: 653: 650: 639: 636: 617: 616: 615: 613: 606: 600: 597: 596: 595: 589: 578: 568:Kichijirō Ueda 565: 559: 553: 547: 541: 538:Toshiro Mifune 527:Toshiro Mifune 518: 515: 463: 460: 391:Kazuo Miyagawa 387:¥15–20 million 350:Shinto psychic 318:Toshiro Mifune 310:Akira Kurosawa 272: 271: 266: 262: 261: 259:¥15–20 million 256: 252: 251: 248: 244: 243: 240: 236: 235: 232: 229: 226: 225: 223: 222: 211: 195: 193: 190: 187: 186: 183: 182:Distributed by 179: 178: 173: 171: 166: 163: 162: 160:Fumio Hayasaka 157: 153: 152: 151:Shigeo Nishida 149: 145: 144: 142:Kazuo Miyagawa 139: 138:Cinematography 135: 134: 132: 131: 126: 121: 116: 111: 109:Toshiro Mifune 105: 103: 99: 98: 95: 91: 90: 78: 74: 73: 71: 70: 65: 64:Akira Kurosawa 61: 59: 55: 54: 52:Akira Kurosawa 49: 45: 44: 41: 33: 32: 15: 9: 6: 4: 3: 2: 11368: 11357: 11354: 11352: 11349: 11347: 11344: 11342: 11339: 11337: 11334: 11332: 11329: 11327: 11324: 11322: 11319: 11317: 11314: 11312: 11309: 11307: 11304: 11302: 11299: 11297: 11294: 11292: 11289: 11287: 11284: 11282: 11279: 11277: 11274: 11272: 11269: 11267: 11264: 11262: 11259: 11257: 11254: 11252: 11249: 11247: 11244: 11242: 11239: 11237: 11234: 11232: 11229: 11227: 11224: 11223: 11221: 11211: 11201: 11199: 11189: 11187: 11177: 11176: 11173: 11153: 11152: 11148: 11145: 11144: 11140: 11137: 11136: 11132: 11129: 11128: 11124: 11121: 11120: 11116: 11113: 11112: 11108: 11105: 11104: 11100: 11097: 11096: 11092: 11089: 11088: 11084: 11081: 11080: 11076: 11073: 11072: 11068: 11065: 11064: 11060: 11057: 11056: 11052: 11049: 11048: 11044: 11041: 11040: 11036: 11033: 11032: 11028: 11025: 11024: 11020: 11017: 11016: 11015:Lust, Caution 11012: 11009: 11008: 11004: 11001: 11000: 10996: 10993: 10992: 10988: 10985: 10984: 10980: 10977: 10976: 10972: 10969: 10968: 10964: 10963: 10961: 10957: 10950: 10949: 10945: 10942: 10941: 10937: 10934: 10933: 10929: 10926: 10925: 10921: 10918: 10917: 10913: 10910: 10909: 10905: 10902: 10901: 10897: 10894: 10893: 10889: 10886: 10885: 10881: 10878: 10877: 10873: 10870: 10869: 10865: 10862: 10861: 10860:Close to Eden 10857: 10854: 10853: 10849: 10846: 10845: 10841: 10838: 10837: 10833: 10830: 10829: 10825: 10822: 10821: 10820:The Green Ray 10817: 10814: 10813: 10809: 10806: 10805: 10801: 10798: 10797: 10793: 10790: 10789: 10785: 10782: 10781: 10777: 10774: 10773: 10769: 10766: 10765: 10764:Atlantic City 10761: 10760: 10758: 10754: 10747: 10746: 10742: 10739: 10738: 10737:Belle de Jour 10734: 10731: 10730: 10726: 10723: 10722: 10718: 10715: 10714: 10710: 10707: 10706: 10702: 10699: 10698: 10694: 10691: 10690: 10686: 10683: 10682: 10678: 10675: 10674: 10670: 10667: 10666: 10665:The Great War 10662: 10659: 10658: 10654: 10651: 10650: 10646: 10643: 10642: 10638: 10635: 10634: 10630: 10627: 10626: 10622: 10619: 10618: 10614: 10611: 10610: 10606: 10603: 10602: 10598: 10595: 10594: 10590: 10587: 10586: 10582: 10579: 10578: 10574: 10571: 10570: 10566: 10565: 10563: 10559: 10555: 10548: 10543: 10541: 10536: 10534: 10529: 10528: 10525: 10511: 10510: 10505: 10501: 10500: 10495: 10491: 10490: 10485: 10481: 10480: 10475: 10471: 10470: 10465: 10461: 10460: 10455: 10451: 10450: 10445: 10441: 10440: 10435: 10431: 10430: 10425: 10421: 10420: 10415: 10411: 10410: 10405: 10401: 10400: 10395: 10391: 10390: 10385: 10381: 10380: 10375: 10371: 10370: 10365: 10361: 10360: 10355: 10351: 10350: 10345: 10341: 10340: 10335: 10331: 10330: 10325: 10321: 10320: 10315: 10311: 10310: 10305: 10301: 10300: 10295: 10291: 10290: 10289:Amores perros 10285: 10284: 10282: 10278: 10270: 10269: 10264: 10260: 10259: 10254: 10250: 10249: 10244: 10240: 10239: 10234: 10230: 10229: 10224: 10220: 10219: 10214: 10210: 10209: 10204: 10200: 10199: 10194: 10190: 10189: 10184: 10180: 10179: 10178:Europa Europa 10174: 10170: 10169: 10164: 10160: 10159: 10154: 10150: 10149: 10144: 10140: 10139: 10134: 10133: 10128: 10124: 10123: 10118: 10114: 10113: 10108: 10104: 10103: 10098: 10094: 10093: 10088: 10084: 10083: 10078: 10074: 10073: 10068: 10064: 10063: 10058: 10054: 10053: 10048: 10044: 10043: 10042:Autumn Sonata 10038: 10034: 10033: 10028: 10024: 10023: 10018: 10017: 10015: 10011: 10003: 10002: 9997: 9993: 9992: 9987: 9983: 9982: 9977: 9973: 9972: 9967: 9963: 9962: 9961:Claire's Knee 9957: 9953: 9952: 9947: 9943: 9942: 9937: 9933: 9932: 9931:War and Peace 9927: 9923: 9922: 9917: 9913: 9912: 9907: 9903: 9902: 9897: 9893: 9892: 9887: 9883: 9882: 9877: 9873: 9872: 9867: 9863: 9862: 9857: 9853: 9852: 9847: 9843: 9842: 9837: 9833: 9832: 9827: 9823: 9822: 9817: 9813: 9812: 9807: 9803: 9802: 9797: 9793: 9792: 9787: 9783: 9782: 9777: 9773: 9772: 9767: 9763: 9762: 9757: 9756: 9754: 9750: 9742: 9741: 9736: 9731: 9727: 9726: 9721: 9717: 9716: 9711: 9707: 9706: 9701: 9697: 9696: 9691: 9687: 9686: 9681: 9677: 9676: 9671: 9666: 9662: 9661: 9656: 9655: 9653: 9649: 9645: 9638: 9633: 9631: 9626: 9624: 9619: 9618: 9615: 9602: 9598: 9594: 9591: 9588: 9584: 9580: 9577: 9574: 9570: 9566: 9563: 9560: 9556: 9552: 9549: 9546: 9542: 9541:Lalo Schifrin 9538: 9535: 9532: 9528: 9524: 9520: 9517: 9514: 9510: 9506: 9502: 9499: 9496: 9495:Gena Rowlands 9492: 9489: 9486: 9482: 9478: 9475: 9472: 9468: 9464: 9461: 9458: 9454: 9450: 9447: 9444: 9440: 9437: 9434: 9430: 9426: 9423: 9420: 9419:Gordon Willis 9416: 9412: 9411:Lauren Bacall 9409: 9406: 9403: 9400: 9397: 9394: 9393:Robert Altman 9391: 9388: 9385: 9382: 9381:Blake Edwards 9379: 9376: 9375:Peter O'Toole 9373: 9370: 9366: 9363: 9362: 9360: 9356: 9349: 9348:Ernest Lehman 9345: 9342: 9339: 9338:Andrzej Wajda 9336: 9333: 9330: 9327: 9326:Stanley Donen 9324: 9321: 9318: 9315: 9311: 9308: 9305: 9302: 9299: 9296: 9293: 9290: 9287: 9284: 9281: 9277: 9274: 9271: 9268: 9265: 9261: 9258: 9255: 9254:Ralph Bellamy 9252: 9249: 9245: 9242: 9239: 9235: 9234:James Stewart 9232: 9229: 9226: 9223: 9222:Mickey Rooney 9220: 9217: 9214: 9211: 9208: 9205: 9204:Alec Guinness 9201: 9198: 9194: 9190: 9186: 9183: 9180: 9177: 9176: 9174: 9170: 9163: 9162:Mary Pickford 9160: 9157: 9153: 9150: 9147: 9143: 9140: 9137: 9133: 9130: 9127: 9124: 9120: 9117: 9114: 9111: 9108: 9104: 9103:John Chambers 9101: 9098: 9095: 9092: 9088: 9087:Yakima Canutt 9085: 9082: 9079: 9076: 9073: 9070: 9066: 9063: 9060: 9056: 9052: 9049: 9046: 9045:Lee de Forest 9042: 9041:Buster Keaton 9039: 9036: 9033: 9030: 9026: 9022: 9018: 9015: 9012: 9009: 9006: 9005: 9001: 8998: 8997: 8992: 8988: 8984: 8980: 8976: 8973: 8970: 8966: 8962: 8958: 8955: 8952: 8951: 8946: 8942: 8938: 8934: 8931: 8928: 8927: 8922: 8919: 8918: 8916: 8912: 8905: 8904: 8899: 8898:George Murphy 8895: 8892: 8889: 8888: 8883: 8879: 8875: 8874:Jean Hersholt 8872: 8869: 8865: 8861: 8860: 8855: 8854:Walter Wanger 8852: 8849: 8848: 8843: 8842: 8837: 8833: 8829: 8825: 8821: 8820:James Baskett 8818: 8815: 8811: 8807: 8803: 8800: 8797: 8793: 8792: 8787: 8786:Walter Wanger 8783: 8779: 8776: 8772: 8769: 8766: 8763: 8760: 8756: 8752: 8751:Charles Boyer 8749: 8746: 8742: 8738: 8734: 8730: 8727: 8724: 8720: 8717: 8714: 8710: 8706: 8702: 8698: 8697:Jean Hersholt 8694: 8690: 8686: 8682: 8679: 8676: 8672: 8668: 8664: 8660: 8656: 8652: 8648: 8644: 8643:Mickey Rooney 8640: 8639:Deanna Durbin 8636: 8632: 8629: 8626: 8622: 8618: 8614: 8611: 8608: 8607:Harold Rosson 8604: 8600: 8599: 8595: 8592: 8589: 8586: 8583: 8580: 8577: 8574: 8570: 8567: 8566: 8564: 8560: 8556: 8549: 8544: 8542: 8537: 8535: 8530: 8529: 8526: 8513: 8509: 8508: 8502: 8499: 8498:Edward Berger 8495: 8494: 8488: 8485: 8481: 8480: 8474: 8471: 8467: 8466: 8465:Another Round 8460: 8457: 8453: 8452: 8446: 8443: 8439: 8438: 8432: 8429: 8425: 8424: 8418: 8415: 8411: 8410: 8404: 8401: 8397: 8396: 8390: 8387: 8383: 8382: 8376: 8373: 8369: 8368: 8362: 8359: 8355: 8354: 8348: 8345: 8341: 8340: 8334: 8331: 8327: 8326: 8320: 8317: 8313: 8312: 8306: 8303: 8302:Yōjirō Takita 8299: 8298: 8292: 8289: 8285: 8284: 8278: 8275: 8271: 8270: 8264: 8261: 8257: 8256: 8250: 8247: 8243: 8242: 8236: 8233: 8229: 8228: 8222: 8219: 8218:Caroline Link 8215: 8214: 8208: 8205: 8204:Danis Tanović 8201: 8200: 8199:No Man's Land 8194: 8193: 8191: 8187: 8180: 8176: 8175: 8169: 8166: 8162: 8161: 8155: 8152: 8148: 8147: 8141: 8138: 8137:Mike van Diem 8134: 8133: 8127: 8124: 8120: 8119: 8113: 8110: 8106: 8105: 8099: 8096: 8092: 8091: 8085: 8082: 8078: 8077: 8071: 8068: 8064: 8063: 8057: 8054: 8050: 8049: 8043: 8040: 8039:Xavier Koller 8036: 8035: 8029: 8026: 8022: 8021: 8015: 8012: 8008: 8007: 8001: 7998: 7994: 7993: 7987: 7984: 7980: 7979: 7973: 7970: 7966: 7965: 7959: 7956: 7955:Richard Dembo 7952: 7951: 7945: 7942: 7938: 7937: 7931: 7928: 7924: 7923: 7917: 7914: 7910: 7909: 7903: 7900: 7896: 7895: 7889: 7886: 7882: 7881: 7875: 7872: 7868: 7867: 7861: 7858: 7857:Moshé Mizrahi 7854: 7853: 7847: 7844: 7840: 7839: 7833: 7832: 7830: 7826: 7819: 7815: 7814: 7808: 7805: 7801: 7800: 7794: 7791: 7787: 7786: 7785:Day for Night 7780: 7777: 7773: 7772: 7766: 7763: 7759: 7758: 7752: 7749: 7745: 7744: 7738: 7735: 7731: 7730: 7724: 7721: 7717: 7716: 7715:War and Peace 7710: 7707: 7703: 7702: 7696: 7693: 7689: 7688: 7682: 7679: 7675: 7671: 7670: 7664: 7661: 7657: 7656: 7650: 7647: 7643: 7642: 7636: 7633: 7629: 7628: 7622: 7619: 7615: 7614: 7608: 7605: 7601: 7600: 7594: 7591: 7587: 7586: 7585:Black Orpheus 7580: 7577: 7573: 7572: 7566: 7563: 7559: 7558: 7552: 7549: 7545: 7544: 7538: 7537: 7535: 7531: 7524: 7520: 7519: 7513: 7510: 7506: 7505: 7499: 7494: 7491: 7487: 7486: 7480: 7477: 7473: 7472: 7466: 7463: 7459: 7458: 7452: 7449: 7445: 7444: 7438: 7435: 7431: 7430: 7424: 7421: 7417: 7416: 7410: 7409: 7407: 7401: 7397: 7390: 7385: 7383: 7378: 7376: 7371: 7370: 7367: 7361: 7357: 7351: 7338: 7337: 7333: 7330: 7329: 7325: 7322: 7321: 7317: 7314: 7313: 7309: 7308: 7306: 7302: 7295: 7294: 7290: 7287: 7286: 7282: 7279: 7278: 7274: 7271: 7270: 7266: 7263: 7262: 7258: 7255: 7254: 7250: 7247: 7246: 7242: 7239: 7238: 7234: 7231: 7230: 7226: 7223: 7222: 7218: 7215: 7214: 7210: 7207: 7204: 7201: 7200: 7196: 7193: 7192: 7188: 7185: 7184: 7180: 7177: 7176: 7172: 7169: 7168: 7164: 7161: 7160: 7156: 7153: 7152: 7148: 7145: 7144: 7140: 7139: 7137: 7133: 7126: 7125: 7121: 7118: 7117: 7113: 7110: 7109: 7105: 7102: 7101: 7097: 7094: 7093: 7089: 7086: 7085: 7081: 7078: 7077: 7073: 7070: 7069: 7065: 7062: 7061: 7057: 7054: 7053: 7049: 7046: 7045: 7041: 7038: 7037: 7033: 7030: 7029: 7028:Hope and Pain 7025: 7022: 7021: 7017: 7014: 7013: 7009: 7006: 7005: 7001: 6998: 6997: 6993: 6990: 6989: 6985: 6982: 6981: 6977: 6974: 6973: 6969: 6968: 6966: 6962: 6955: 6954: 6950: 6947: 6946: 6942: 6939: 6938: 6934: 6931: 6930: 6929:Mount Hakkoda 6926: 6923: 6922: 6918: 6915: 6914: 6910: 6907: 6906: 6902: 6899: 6898: 6894: 6891: 6890: 6886: 6883: 6882: 6878: 6875: 6874: 6870: 6867: 6866: 6862: 6859: 6858: 6854: 6851: 6850: 6849:Lake of Tears 6846: 6843: 6842: 6838: 6835: 6834: 6830: 6827: 6826: 6822: 6819: 6818: 6814: 6811: 6810: 6809:Immortal Love 6806: 6803: 6802: 6798: 6795: 6794: 6790: 6787: 6786: 6782: 6779: 6778: 6774: 6771: 6770: 6766: 6763: 6762: 6758: 6755: 6754: 6750: 6747: 6746: 6742: 6741: 6739: 6735: 6731: 6727: 6726:Academy Award 6723: 6716: 6711: 6709: 6704: 6702: 6697: 6696: 6693: 6681: 6680: 6676: 6675: 6673: 6669: 6663:(short story) 6662: 6661: 6657: 6656: 6654: 6650: 6643: 6642: 6638: 6635: 6634: 6630: 6629: 6627: 6623: 6616: 6615: 6611: 6608: 6607: 6603: 6600: 6599: 6595: 6592: 6591: 6587: 6586: 6584: 6580: 6575: 6571: 6564: 6559: 6557: 6552: 6550: 6545: 6544: 6541: 6528: 6525: 6522: 6519: 6517: 6516: 6512: 6510: 6509: 6505: 6503: 6502: 6498: 6496: 6495: 6491: 6489: 6486: 6484: 6481: 6479: 6476: 6474: 6471: 6470: 6468: 6464: 6457: 6456: 6452: 6449: 6448: 6444: 6441: 6440: 6436: 6433: 6432: 6428: 6425: 6424: 6420: 6417: 6416: 6412: 6409: 6408: 6404: 6401: 6400: 6396: 6393: 6392: 6388: 6385: 6384: 6380: 6377: 6376: 6372: 6369: 6368: 6364: 6361: 6360: 6356: 6353: 6352: 6348: 6345: 6344: 6340: 6337: 6336: 6332: 6329: 6328: 6327:Seven Samurai 6324: 6321: 6320: 6316: 6313: 6312: 6308: 6305: 6304: 6300: 6297: 6296: 6292: 6289: 6288: 6284: 6281: 6280: 6276: 6273: 6272: 6271:Drunken Angel 6268: 6265: 6264: 6260: 6257: 6256: 6252: 6249: 6248: 6244: 6241: 6240: 6236: 6233: 6232: 6228: 6225: 6224: 6220: 6217: 6216: 6212: 6211: 6209: 6205: 6199: 6196: 6194: 6191: 6189: 6186: 6184: 6181: 6180: 6177: 6173: 6165: 6160: 6158: 6153: 6151: 6146: 6145: 6142: 6136: 6132: 6128: 6125: 6122: 6118: 6114: 6113: 6109: 6106: 6102: 6098: 6097: 6093: 6090: 6086: 6082: 6081: 6077: 6074: 6070: 6066: 6065: 6061: 6058: 6053: 6049: 6048: 6044: 6043: 6034: 6030: 6026: 6022: 6019: 6015: 6011: 6007: 6004: 6001: 5997: 5993: 5990: 5987: 5983: 5980: 5976: 5972: 5968: 5965: 5961: 5957: 5953: 5949: 5945: 5941: 5937: 5936: 5930: 5926: 5924:0-89950-853-7 5920: 5917:. McFarland. 5916: 5912: 5908: 5905: 5901: 5898: 5894: 5890: 5887: 5883: 5879: 5873: 5868: 5867: 5861: 5857: 5853: 5847: 5843: 5842: 5836: 5825: 5821: 5820: 5815: 5811: 5807: 5795: 5791: 5787: 5783: 5780: 5778: 5774: 5768: 5757:. Vol. 4 5756: 5755: 5750: 5746: 5734: 5733: 5724: 5722: 5714: 5710: 5708:9780520017818 5704: 5700: 5699: 5694: 5690: 5686: 5684:9781441107770 5680: 5676: 5672: 5667: 5663: 5661:9780813544755 5657: 5653: 5649: 5645: 5641: 5637: 5633: 5632: 5626: 5621: 5617: 5611: 5607: 5603: 5598: 5597: 5577: 5573: 5567: 5552: 5548: 5542: 5534: 5530: 5528: 5520: 5504: 5500: 5496: 5490: 5474: 5470: 5464: 5448: 5444: 5443:"1001 Series" 5438: 5431: 5427: 5423: 5417: 5401: 5397: 5391: 5375: 5371: 5367: 5365: 5357: 5349: 5345: 5339: 5323: 5319: 5315: 5309: 5301: 5297: 5291: 5276: 5270: 5266: 5261: 5260: 5251: 5235: 5231: 5224: 5208: 5204: 5200: 5194: 5186: 5182: 5176: 5161: 5157: 5156: 5151: 5149: 5141: 5134: 5121: 5117: 5116: 5111: 5109: 5101: 5093: 5087: 5083: 5079: 5078: 5070: 5062: 5058: 5051: 5043: 5039: 5032: 5024: 5020: 5013: 5005: 5001: 4994: 4986: 4982: 4975: 4967: 4963: 4956: 4948: 4947:thiswastv.com 4944: 4937: 4929: 4917: 4916: 4910: 4903: 4892:September 26, 4887: 4883: 4877: 4875: 4866: 4862: 4855: 4853: 4851: 4849: 4840: 4836: 4829: 4827: 4818: 4811: 4796: 4789: 4774: 4773: 4768: 4766: 4757: 4742: 4738: 4736: 4728: 4713: 4709: 4702: 4700: 4698: 4696: 4680: 4679: 4674: 4672: 4663: 4647: 4646: 4641: 4635: 4627: 4625:9784873761008 4621: 4617: 4613: 4607: 4599: 4593: 4588: 4587: 4579: 4563: 4559: 4558: 4552: 4550: 4540: 4532: 4528: 4522: 4514: 4508: 4504: 4503: 4496: 4488: 4476: 4473: 4468: 4467:Eiga Geijutsu 4463: 4457: 4449: 4445: 4441: 4435: 4427: 4423: 4419: 4415: 4409: 4393: 4392: 4387: 4385: 4377: 4369: 4365: 4364: 4360:児玉数夫 (1982). 4356: 4348: 4346:9780399529221 4342: 4338: 4337:Berkley Books 4333: 4332: 4323: 4308:(in Japanese) 4307: 4306: 4301: 4295: 4279: 4278: 4271: 4255: 4254: 4249: 4243: 4241: 4224: 4223: 4218: 4212: 4204: 4202:9784890081516 4198: 4194: 4190: 4186: 4180: 4172: 4170:9781578069972 4166: 4162: 4157: 4156: 4147: 4145: 4143: 4141: 4132: 4130:9784257037033 4126: 4122: 4118: 4114: 4108: 4106: 4097: 4093: 4092: 4085: 4077: 4075:9784480873491 4071: 4067: 4066:Chikuma Shobō 4063: 4059: 4055: 4049: 4047: 4038: 4026: 4025: 4019: 4014: 4008: 4000: 3999: 3994: 3988: 3980: 3974: 3970: 3969: 3962: 3956:, p. 80. 3955: 3950: 3948: 3946: 3936: 3928: 3924: 3920: 3916: 3915: 3910: 3904: 3888: 3884: 3877: 3869: 3865: 3861: 3860: 3855: 3849: 3834: 3830: 3824: 3816: 3812: 3811: 3806: 3802: 3796: 3789: 3784: 3772: 3771: 3765: 3758: 3756: 3747: 3746: 3738: 3723: 3719: 3713: 3698: 3697: 3692: 3686: 3678: 3674: 3670: 3664: 3656: 3652: 3648: 3647: 3640: 3632: 3620: 3616: 3610: 3600: 3595: 3591: 3587: 3586: 3579: 3564: 3563: 3558: 3552: 3536: 3535: 3530: 3524: 3517: 3512: 3504: 3492: 3491: 3485: 3477: 3469: 3467:9784770029959 3463: 3459: 3458: 3450: 3442: 3430: 3426: 3425: 3418: 3410: 3404: 3400: 3393: 3377: 3373: 3369: 3363: 3356: 3352: 3349: 3346: 3342: 3339: 3335: 3333: 3329: 3325: 3322: 3319: 3315: 3301: 3297: 3292: 3288: 3284: 3281: 3278: 3274: 3270: 3266: 3263: 3261: 3257: 3253: 3250: 3248: 3244: 3238: 3223: 3219: 3213: 3206: 3202: 3198: 3194: 3193:Teruyo Nogami 3189: 3182: 3177: 3173: 3166: 3159: 3147: 3143: 3136: 3134: 3126: 3120: 3113: 3109: 3104: 3088: 3084: 3078: 3071: 3065: 3049: 3045: 3041: 3034: 3027: 3022: 3020: 3013:, p. 4X. 3012: 3007: 3001:, p. 33. 3000: 2995: 2988: 2983: 2976: 2971: 2964: 2959: 2944: 2943: 2938: 2931: 2929: 2927: 2925: 2923: 2921: 2912: 2910:9780819570871 2906: 2902: 2898: 2897: 2889: 2887: 2879: 2874: 2868:, p. 70. 2867: 2862: 2860: 2858: 2849: 2848: 2843: 2841: 2833: 2831: 2823: 2821: 2815: 2809:, p. 15. 2808: 2803: 2799: 2783: 2776: 2773: 2768: 2761: 2754: 2748: 2739: 2732: 2728: 2722: 2715: 2714:In the Forest 2711: 2710: 2705: 2701: 2697: 2693: 2687: 2683: 2673: 2670: 2668: 2665: 2663: 2660: 2658: 2657:Kishōtenketsu 2655: 2654: 2648: 2646: 2642: 2638: 2625: 2621: 2618: 2615: 2612: 2611: 2606: 2602: 2599: 2598: 2593: 2589: 2586: 2584: 2579: 2576: 2572: 2570: 2565: 2562: 2561: 2557: 2554: 2551: 2549: 2548: 2543: 2541: 2537: 2535: 2531: 2528: 2524: 2522: 2521: 2516: 2514: 2513: 2508: 2507: 2506: 2498: 2496: 2495: 2490: 2485: 2483: 2479: 2475: 2471: 2467: 2463: 2462: 2457: 2453: 2440: 2436: 2435: 2434:The Last Duel 2431: 2428: 2424: 2420: 2419: 2415: 2412: 2411: 2406: 2402: 2398: 2394: 2393: 2389: 2386: 2382: 2381: 2377: 2374: 2370: 2366: 2362: 2361: 2357: 2354: 2353: 2349: 2346: 2345: 2341: 2338: 2334: 2330: 2329: 2325: 2322: 2321: 2316: 2313: 2310: 2309: 2308:Vantage Point 2305: 2302: 2301: 2296: 2293: 2289: 2285: 2284: 2280: 2277: 2276: 2271: 2268: 2264: 2260: 2258: 2254: 2251: 2250: 2246: 2243: 2242: 2237: 2234: 2230: 2226: 2222: 2221: 2217: 2214: 2210: 2206: 2205: 2201: 2198: 2197: 2192: 2190: 2189:Mama's Family 2186: 2183: 2182: 2177: 2174: 2173: 2168: 2165: 2164:Michael Kanin 2161: 2157: 2156: 2152: 2149: 2148: 2143: 2140: 2136: 2135: 2130: 2127: 2123: 2122: 2118: 2117: 2116: 2114: 2108: 2097: 2094: 2089: 2087: 2083: 2082: 2076: 2073: 2071: 2067: 2066: 2061: 2060:Ryan Reynolds 2057: 2053: 2052: 2047: 2046: 2041: 2040: 2036:(1971–1979), 2035: 2034: 2028: 2026: 2025: 2020: 2019: 2014: 2013: 2008: 2007: 2002: 2001: 1996: 1995: 1990: 1989: 1984: 1980: 1979: 1974: 1973: 1968: 1967: 1962: 1961: 1956: 1952: 1948: 1939: 1937: 1933: 1929: 1925: 1920: 1916: 1911: 1906: 1902: 1901: 1896: 1895: 1890: 1886: 1885: 1880: 1879: 1874: 1870: 1869: 1864: 1860: 1856: 1840: 1831: 1827: 1824:This section 1822: 1819: 1815: 1814: 1801: 1800: 1794: 1791: 1789: 1784: 1780: 1776: 1774: 1769: 1766: 1764: 1761: 1759: 1755: 1751: 1749: 1748:Best Director 1746: 1745: 1740: 1737: 1735: 1732: 1730: 1725: 1721: 1718: 1713: 1710: 1708: 1705: 1703: 1699: 1695: 1693: 1690: 1687: 1682: 1681: 1676: 1673: 1670: 1666: 1663: 1660: 1654: 1651: 1646: 1642: 1640: 1637: 1635: 1632: 1630: 1626: 1620: 1617: 1615: 1612: 1610: 1609:March 5, 1953 1607: 1605: 1601: 1597: 1595: 1591: 1588: 1586: 1583: 1582: 1578: 1576: 1573: 1571: 1568: 1563: 1559: 1556: 1553: 1550: 1546: 1541: 1538: 1536: 1533: 1531: 1528: 1527: 1524: 1521: 1518: 1514: 1511: 1509: 1506: 1504: 1501: 1499: 1495: 1484:Recipient(s) 1473: 1465: 1462: 1458: 1453: 1448: 1446: 1442: 1438: 1437:Tokuzō Tanaka 1434: 1424: 1422: 1416: 1411: 1406: 1404: 1400: 1396: 1388: 1383: 1381: 1377: 1376: 1371: 1370: 1365: 1361: 1359: 1349: 1346: 1340: 1338: 1337:Donald Richie 1334: 1329: 1326: 1325:Akira Iwasaki 1322: 1321: 1316: 1312: 1309: 1290: 1288: 1284: 1280: 1276: 1272: 1263: 1260: 1256: 1252: 1248: 1243: 1241: 1235: 1232: 1228: 1222: 1220: 1216: 1205: 1198: 1192: 1188: 1176: 1175: 1158: 1149: 1144: 1142: 1141:Donald Richie 1134: 1129: 1125: 1118: 1113: 1099: 1097: 1096: 1090: 1085: 1081: 1077: 1073: 1068: 1066: 1061: 1057: 1053: 1047: 1037: 1035: 1034: 1029: 1028:Maurice Ravel 1025: 1020: 1018: 1013: 1011: 1010:Donald Richie 1006: 1002: 993: 991: 986: 984: 980: 979:Robert Altman 972: 963: 960: 956: 954: 953:Donald Richie 950: 945: 943: 939: 934: 924: 922: 916: 914: 909: 907: 903: 902: 897: 893: 892: 887: 883: 879: 869: 867: 863: 862: 857: 853: 849: 848: 837: 835: 834: 833:Seven Samurai 825: 813: 809: 808: 799: 787: 783: 779: 775: 774: 765: 753: 749: 743: 738: 736: 731: 729: 728:Sōjirō Motoki 725: 724: 719: 715: 711: 710:Donald Richie 708:According to 691: 687: 684: 676: 670: 666: 662: 658: 654: 651: 648: 644: 640: 638: 637: 631: 629:(August 2024) 625: 623: 618:You can help 614: 605: 604: 593: 590: 588: 587: 582: 579: 574: 569: 566: 564:as the priest 563: 562:Minoru Chiaki 560: 557: 554: 551: 548: 545: 544:Masayuki Mori 542: 539: 536: 535: 532: 528: 523: 514: 510: 506: 502: 500: 495: 491: 488: 482: 480: 476: 472: 469: 459: 457: 453: 449: 445: 441: 439: 435: 431: 427: 419: 418:Japanese film 415: 411: 407: 402: 398: 394: 392: 384: 380: 376: 375: 370: 366: 362: 361:Sōjirō Motoki 358: 353: 351: 347: 343: 339: 335: 331: 327: 326:Masayuki Mori 323: 319: 315: 311: 307: 306: 298: 293: 285: 280: 279: 267: 263: 257: 253: 249: 245: 241: 237: 233: 227: 212: 209: 197: 196: 194: 191:Release dates 188: 184: 180: 176: 172: 164: 161: 158: 154: 150: 146: 143: 140: 136: 130: 129:Minoru Chiaki 127: 125: 122: 120: 117: 115: 114:Masayuki Mori 112: 110: 107: 106: 104: 100: 97:Jingo Minoura 96: 92: 89: 83: 79: 75: 69: 66: 63: 62: 60: 58:Screenplay by 56: 53: 50: 46: 39: 34: 29: 26: 22: 11149: 11141: 11133: 11125: 11117: 11109: 11101: 11093: 11085: 11077: 11069: 11061: 11053: 11045: 11037: 11029: 11023:The Wrestler 11021: 11013: 11005: 10997: 10989: 10981: 10973: 10965: 10959:2001–present 10946: 10940:Not One Less 10938: 10930: 10922: 10914: 10906: 10900:Vive L'Amour 10898: 10890: 10882: 10874: 10866: 10858: 10850: 10842: 10834: 10826: 10818: 10810: 10802: 10794: 10786: 10778: 10770: 10762: 10743: 10735: 10727: 10719: 10711: 10703: 10695: 10689:Family Diary 10687: 10679: 10671: 10663: 10655: 10649:Rickshaw Man 10647: 10639: 10631: 10623: 10615: 10608: 10607: 10599: 10591: 10583: 10575: 10567: 10507: 10497: 10487: 10477: 10467: 10457: 10447: 10439:The Salesman 10437: 10427: 10417: 10407: 10397: 10389:A Separation 10387: 10377: 10367: 10357: 10347: 10337: 10329:Paradise Now 10327: 10317: 10307: 10297: 10287: 10280:2001–present 10266: 10256: 10246: 10236: 10226: 10216: 10206: 10196: 10186: 10176: 10166: 10156: 10146: 10136: 10130: 10120: 10110: 10100: 10090: 10080: 10070: 10062:The Tin Drum 10060: 10050: 10040: 10030: 10020: 9999: 9989: 9979: 9969: 9959: 9949: 9939: 9929: 9919: 9909: 9899: 9889: 9879: 9869: 9859: 9849: 9839: 9829: 9819: 9809: 9801:The Prisoner 9799: 9789: 9779: 9769: 9760: 9759: 9738: 9725:Pépé le Moko 9723: 9713: 9703: 9693: 9683: 9673: 9658: 9583:Diane Warren 9579:Euzhan Palcy 9545:Cicely Tyson 9523:Owen Roizman 9467:Steve Martin 9415:Roger Corman 9387:Sidney Lumet 9358:2001–present 9344:Jack Cardiff 9320:Michael Kidd 9310:Kirk Douglas 9298:Deborah Kerr 9286:Satyajit Ray 9276:Sophia Loren 9202:Hal Elias / 9185:Walter Lantz 9152:Howard Hawks 9146:Groucho Marx 9123:Orson Welles 9119:Lillian Gish 9097:Arthur Freed 9059:Hayley Mills 9029:B. B. Kahane 9011:Eddie Cantor 9002: 8996:Gate of Hell 8995: 8987:Jon Whiteley 8965:Joseph Breen 8948: 8941:Harold Lloyd 8925: 8924: 8901: 8885: 8878:Fred Astaire 8868:Adolph Zukor 8857: 8845: 8841:Bill and Coo 8839: 8824:Thomas Armat 8789: 8709:Conrad Nagel 8701:Ralph Morgan 8685:Judy Garland 8675:Harry Warner 8659:Loyal Griggs 8625:Mack Sennett 8613:Edgar Bergen 8596: 8569:Warner Bros. 8505: 8491: 8479:Drive My Car 8477: 8463: 8456:Bong Joon-ho 8449: 8435: 8421: 8409:The Salesman 8407: 8400:László Nemes 8393: 8379: 8365: 8351: 8339:A Separation 8337: 8330:Susanne Bier 8323: 8309: 8295: 8281: 8267: 8253: 8239: 8232:Denys Arcand 8225: 8211: 8197: 8189:2001–present 8172: 8158: 8144: 8130: 8116: 8102: 8088: 8076:Belle Époque 8074: 8060: 8048:Mediterraneo 8046: 8032: 8018: 8011:Bille August 8004: 7997:Gabriel Axel 7990: 7976: 7962: 7948: 7934: 7920: 7913:István Szabó 7906: 7892: 7880:The Tin Drum 7878: 7864: 7850: 7836: 7811: 7797: 7783: 7769: 7755: 7741: 7734:Costa-Gavras 7727: 7713: 7699: 7685: 7667: 7653: 7639: 7625: 7611: 7597: 7590:Marcel Camus 7583: 7576:Jacques Tati 7569: 7555: 7541: 7516: 7504:Gate of Hell 7502: 7490:René Clément 7483: 7470: 7469: 7462:René Clément 7455: 7441: 7427: 7413: 7355: 7334: 7328:Perfect Days 7326: 7318: 7312:Drive My Car 7310: 7304:2021–present 7293:True Mothers 7291: 7283: 7275: 7267: 7259: 7253:100 Yen Love 7251: 7243: 7235: 7229:Our Homeland 7227: 7219: 7211: 7205: 7197: 7189: 7181: 7173: 7167:Nobody Knows 7165: 7157: 7149: 7141: 7122: 7114: 7106: 7098: 7090: 7082: 7074: 7066: 7058: 7050: 7042: 7034: 7026: 7018: 7010: 7002: 6994: 6986: 6978: 6970: 6951: 6943: 6935: 6927: 6919: 6911: 6903: 6895: 6889:Dodes'ka-den 6887: 6879: 6871: 6863: 6855: 6847: 6839: 6831: 6823: 6815: 6807: 6799: 6791: 6783: 6775: 6767: 6759: 6753:Gate of Hell 6751: 6744: 6743: 6677: 6658: 6639: 6631: 6612: 6604: 6596: 6589: 6588: 6521:Yōko Yaguchi 6513: 6506: 6499: 6492: 6478:Film remakes 6453: 6445: 6437: 6429: 6421: 6413: 6407:Dodes'ka-den 6405: 6397: 6391:High and Low 6389: 6381: 6373: 6365: 6357: 6349: 6341: 6333: 6325: 6317: 6309: 6302: 6301: 6293: 6285: 6277: 6269: 6261: 6253: 6245: 6237: 6229: 6221: 6213: 6198:Bibliography 6111: 6095: 6079: 6063: 6046: 6028: 6013: 5995: 5985: 5974: 5959: 5942:(1): 73–81. 5939: 5933: 5914: 5903: 5885: 5865: 5840: 5827:. 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Retrieved 5113: 5107: 5100: 5075: 5069: 5060: 5050: 5041: 5031: 5022: 5012: 5004:csifiles.com 5003: 4993: 4984: 4974: 4965: 4955: 4946: 4936: 4926:– via 4920:. Retrieved 4913: 4902: 4890:. Retrieved 4885: 4864: 4838: 4816: 4810: 4798:. Retrieved 4788: 4776:. Retrieved 4770: 4764: 4756: 4744:. Retrieved 4740: 4734: 4727: 4715:. Retrieved 4711: 4682:. Retrieved 4676: 4670: 4662: 4650:. Retrieved 4643: 4634: 4615: 4611: 4606: 4585: 4578: 4566:. Retrieved 4555: 4548: 4539: 4526: 4521: 4501: 4495: 4487:Google Books 4485:– via 4479:. Retrieved 4465: 4456: 4443: 4434: 4426:the original 4417: 4408: 4396:. Retrieved 4389: 4383: 4376: 4367: 4362: 4355: 4330: 4322: 4310:. Retrieved 4303: 4294: 4282:. Retrieved 4276: 4270: 4258:. Retrieved 4251: 4227:. Retrieved 4220: 4211: 4192: 4188: 4187:(May 1994). 4179: 4154: 4116: 4112: 4096:Musical Arts 4095: 4090: 4084: 4061: 4057: 4035:– via 4029:. Retrieved 4027:. p. 12 4022: 4013:Sullivan, Ed 4007: 3996: 3987: 3967: 3961: 3939:(Richie, 80) 3935: 3927:Google Books 3919:Film History 3918: 3913: 3903: 3891:. Retrieved 3887:the original 3876: 3868:Google Books 3863: 3858: 3848: 3836:. Retrieved 3832: 3823: 3815:the original 3808: 3804: 3795: 3786: 3781:– via 3775:. Retrieved 3768: 3745:Kinema Junpo 3743: 3737: 3725:. Retrieved 3721: 3712: 3700:. Retrieved 3694: 3685: 3676: 3663: 3655:Google Books 3650: 3645: 3639: 3631:Google Books 3629:– via 3623:. Retrieved 3618: 3609: 3589: 3584: 3578: 3566:. Retrieved 3560: 3551: 3539:. Retrieved 3537:(in Russian) 3532: 3523: 3511: 3501:– via 3495:. Retrieved 3493:. p. B6 3488: 3476: 3456: 3449: 3441:Google Books 3439:– via 3433:. Retrieved 3423: 3417: 3398: 3392: 3380:. Retrieved 3376:the original 3372:illinois.edu 3371: 3362: 3344: 3337: 3331: 3318:Asian Cinema 3317: 3313: 3306:November 16, 3304:. Retrieved 3300:the original 3290: 3276: 3272: 3259: 3258:in 1972 and 3246: 3242: 3237: 3225:. Retrieved 3221: 3212: 3196: 3188: 3179: 3171: 3165: 3157: 3150:. Retrieved 3146:the original 3124: 3119: 3111: 3107: 3103: 3091:. Retrieved 3086: 3077: 3069: 3064: 3052:. Retrieved 3043: 3033: 3006: 2994: 2987:Brandon 1971 2982: 2970: 2958: 2946:. Retrieved 2940: 2895: 2873: 2845: 2839: 2819: 2814: 2802: 2782: 2765: 2760: 2753:RKO Pictures 2747: 2738: 2721: 2713: 2707: 2704:Heian period 2686: 2634: 2631:Preservation 2608: 2595: 2581: 2580:22nd – 2574: 2569:Kinema Junpo 2567: 2558: 2552: 2545: 2539: 2533: 2518: 2510: 2504: 2494:Great Movies 2492: 2487:Film critic 2486: 2473: 2460: 2451: 2449: 2439:Ridley Scott 2432: 2426: 2416: 2408: 2390: 2378: 2358: 2350: 2342: 2326: 2318: 2314: 2306: 2298: 2292:Kamal Haasan 2281: 2273: 2262: 2255: 2247: 2239: 2218: 2212: 2202: 2194: 2179: 2170: 2153: 2145: 2139:Sidney Lumet 2132: 2120: 2110: 2092: 2091: 2079: 2077: 2074: 2069: 2064: 2050: 2044: 2037: 2032: 2029: 2023: 2021:(2002), and 2017: 2011: 2005: 1999: 1994:Pulp Fiction 1993: 1987: 1976: 1970: 1964: 1959: 1950: 1946: 1945: 1935: 1927: 1923: 1908: 1899: 1892: 1884:Gate of Hell 1882: 1877: 1866: 1858: 1854: 1852: 1834: 1830:adding to it 1825: 1772: 1738: 1707:Best Actress 1691: 1680:Kinema Junpo 1678: 1664: 1618: 1574: 1545:H. Matsumoto 1512: 1460: 1456: 1451: 1449: 1444: 1430: 1407: 1402: 1401:, including 1394: 1392: 1386: 1379: 1373: 1367: 1362: 1357: 1356: 1344: 1342: 1332: 1330: 1320:Kinema Junpo 1318: 1313: 1307: 1306: 1274: 1269: 1250: 1244: 1240:Yasujirō Ozu 1237: 1230: 1226: 1224: 1211: 1199: 1190: 1174:Kinema Junpo 1172: 1165:¥300 million 1156: 1145: 1123: 1121: 1116: 1093: 1079: 1075: 1071: 1069: 1049: 1031: 1021: 1014: 1004: 999: 989: 987: 977: 958: 957: 948: 946: 935: 931: 920: 918: 912: 910: 899: 889: 886:Setsuko Hara 875: 865: 859: 856:Ishirō Honda 845: 843: 831: 805: 800:cited it as 797: 785: 777: 771: 747: 745: 740: 734: 732: 721: 707: 665:edit summary 656: 627: 619: 592:Daisuke Katō 584: 581:Noriko Honma 531:Daisuke Katō 511: 507: 503: 496: 492: 483: 465: 443: 442: 413: 396: 395: 372: 364: 354: 303: 277: 276: 275: 230:Running time 221: (Japan) 25: 11143:Poor Things 10429:Son of Saul 10299:Talk to Her 9660:Man of Aran 9573:Liv Ullmann 9551:David Lynch 9537:Marvin Levy 9531:Agnès Varda 9501:Jackie Chan 9453:Hal Needham 9433:Eli Wallach 9314:Chuck Jones 9244:Paul Newman 9210:Henry Fonda 9156:Jean Renoir 9055:Stan Laurel 9051:Gary Cooper 8983:Greta Garbo 8864:Sid Grauman 8755:Noël Coward 8729:Walt Disney 8705:Ralph Block 8635:Walt Disney 8579:Walt Disney 8395:Son of Saul 7978:The Assault 7969:Luis Puenzo 7852:Madame Rosa 7813:Dersu Uzala 7776:Luis Buñuel 7706:Jiří Menzel 7354:Awards for 7277:Shoplifters 7213:Confessions 7004:Gray Sunset 6972:Muddy River 6905:Coup d'État 6801:Late Autumn 6606:The Outrage 6598:The Outrage 6415:Dersu Uzala 6006:Sato, Tadao 5556:October 27, 5453:October 21, 4865:Den Of Geek 4470: [ 3993:"May, 1954" 3954:Richie 1965 3923:Toyo Keizai 3722:The Numbers 3597: [ 3293:by G. Sham 3227:October 21, 2866:Richie 1965 2770: [ 2733:until 1956. 2702:during the 2617:Woody Allen 2566:7th – 2489:Roger Ebert 2454:one of the 2373:Tulu people 2155:The Outrage 2045:The Acolyte 1991:(1992) and 1913: [ 1881:(1952) and 1837:August 2024 1793:Golden Lion 1712:Machiko Kyō 1658:April 1952 1413: [ 1389:controversy 1364:Ed Sullivan 1259:Golden Lion 1137:¥10 million 1084:atomic bomb 906:Machiko Kyō 828:¥90 million 790:¥15 million 760:¥35 million 756:¥20 million 704:Development 624:in Japanese 571: [ 550:Machiko Kyō 406:Golden Lion 322:Machiko Kyō 316:. Starring 269:$ 1 million 119:Machiko Kyō 94:Produced by 48:Directed by 11226:1950 films 11220:Categories 11007:Still Life 10991:Vera Drake 10983:The Return 10948:The Circle 10876:Short Cuts 10713:Red Desert 10577:The Strike 10479:La Llorona 10419:Wild Tales 9861:Die Brücke 9597:Mel Brooks 9587:Peter Weir 9569:Elaine May 9471:Piero Tosi 9443:Dick Smith 9332:Elia Kazan 9248:Alex North 9193:King Vidor 9113:Cary Grant 9107:Onna White 8979:Danny Kaye 8969:Pete Smith 8921:Gene Kelly 8765:George Pal 8651:Jan Domela 8297:Departures 8260:Gavin Hood 8123:Jan Svěrák 7748:Elio Petri 7678:Elmar Klos 7405:(Honorary) 7199:Departures 7183:Hula Girls 7084:Deep River 7012:Final Take 6988:Antarctica 6913:The Fossil 6625:Literature 6574:In a Grove 6529:(daughter) 5348:listal.com 5181:"Rashomon" 5163:Retrieved 5155:Metacritic 5125:January 6, 4882:"Rashomon" 4800:August 23, 4778:August 23, 4746:August 23, 4717:August 23, 4684:August 12, 4678:ScreenRant 4652:August 12, 4568:August 12, 4549:Andha Naal 4481:August 19, 4398:August 19, 4312:August 11, 4284:August 11, 3883:"Rashomon" 3829:"Rashomon" 3718:"Rashomon" 3691:"Rashomon" 3651:1954年新年特別号 3615:"Volume 4" 3557:"Rashômon" 3429:Jiji Press 3205:1933330090 3083:"Rashomon" 3054:August 12, 3044:Nippon.com 2794:References 2478:Metacritic 2410:In a Grove 2352:The Affair 2283:Virumaandi 2275:Smallville 2105:See also: 1960:Andha Naal 1777:Runner-up 1696:5th Place 1623:Nominated 1579:4th Place 1554:Nominated 1266:Home media 1234:excellent. 1133:Jiji Press 1107:Box office 1089:occupation 1044:See also: 1017:Iwao Ōtani 1003:writes in 983:Tadao Sato 733:Regarding 599:Production 369:Daiei Film 342:In a Grove 265:Box office 234:88 minutes 217:1950-08-26 202:1950-08-25 175:Daiei Film 167:Production 82:In a Grove 11127:Happening 11119:Nomadland 11079:From Afar 11063:Sacro GRA 11039:Somewhere 10756:1980–2000 10641:Aparajito 10561:1946–1968 10369:A Prophet 10188:Indochine 10013:1976–2000 9752:1951–1975 9740:The Titan 9651:1934–1950 9555:Wes Studi 9491:Spike Lee 9280:Myrna Loy 9228:Hal Roach 9172:1976–2000 8914:1951–1975 8847:Shoeshine 8562:1928–1950 8132:Character 8062:Indochine 7828:1976–2000 7674:Ján Kadár 7543:La Strada 7533:1956–1975 7415:Shoeshine 7403:1947–1955 7135:2001–2020 6964:1981–2000 6953:Kagemusha 6737:1951–1980 6644:(musical) 6473:Criticism 6423:Kagemusha 6399:Red Beard 6311:The Idiot 6287:Stray Dog 5829:August 5, 5761:August 7, 5739:August 7, 5719:"Japan's 5606:Routledge 5165:August 6, 4922:April 19, 4712:IndieWire 4557:The Hindu 4260:August 8, 4229:August 8, 4189:映画が幸福だった頃 4031:April 19, 3777:April 19, 3727:August 2, 3702:April 19, 3625:August 5, 3568:April 19, 3541:April 19, 3534:Kinopoisk 3497:April 19, 3435:August 6, 3279:Volume 7 3093:March 24, 3011:Falk 1951 2948:August 5, 2694:from the 2501:Top lists 2464:. On the 2405:Akutagawa 2395:, a 2017 2383:, a 2015 2363:, a 2014 2337:Ayutthaya 2331:, a 2011 2286:, a 2004 2223:, a 1996 1907:, titled 1859:jidaigeki 1614:Best Film 1570:Best Film 1481:Category 1468:Accolades 1293:Reception 1273:released 1202:$ 143,376 1195:$ 300,000 1193:exceeded 1183:$ 800,000 1179:$ 500,000 1169:$ 200,000 1161:$ 800,000 1153:$ 700,000 1095:jidaigeki 1056:witnesses 901:The Idiot 820:$ 250,000 816:$ 140,000 784:in 1971, 683:talk page 468:Heian-era 434:Best Film 422:$ 800,000 305:jidaigeki 148:Edited by 11351:Rashōmon 10812:Vagabond 10609:Rashomon 10469:Parasite 10459:Cold War 10409:The Past 10228:Ridicule 10082:Mephisto 9991:Amarcord 9761:Rashomon 9081:Bob Hope 8937:Bob Hope 8926:Rashomon 8771:Bob Hope 8719:Bob Hope 8451:Parasite 7908:Mephisto 7799:Amarcord 7571:My Uncle 7471:Rashomon 7356:Rashomon 7221:Postcard 7092:Gakko II 7076:Pom Poko 7068:Madadayo 6745:Rashomon 6660:Rashomon 6633:Rashomon 6590:Rashomon 6576:" (1922) 6455:Madadayo 6303:Rashomon 6112:Rashomon 6096:Rashomon 6080:Rashomon 6069:AllMovie 6064:Rashomon 6047:Rashomon 6029:Rashomon 6014:Rashomon 5996:Rashomon 5975:Rashomon 5960:Rashomon 5913:(1994). 5862:(2002). 5800:July 26, 5788:(1952). 5777:Rashomon 5751:(1953). 5721:Rashomon 5695:(1965). 5650:(2008). 5533:Collider 5280:July 27, 5148:Rashomon 5108:Rashomon 4562:Archived 4448:Archived 4117:黒澤明を語る人々 3911:(1961). 3856:(1962). 3805:Rashomon 3671:(1955). 3351:Archived 3324:Archived 3283:Archived 3265:Archived 3252:Archived 3243:Rashomon 3181:present. 3172:Rashomon 3123:Richie, 3048:Archived 2840:Rashomon 2651:See also 2577:in 2009. 2529:in 2002. 2474:Rashomon 2468:website 2452:Rashomon 2427:Rashomon 2399:film by 2320:Leverage 2257:Farscape 2225:war film 2213:Rashomon 2126:Broadway 2121:Rashomon 2093:Rashomon 2070:Rashomon 2027:(2023). 2015:(2001), 2009:(1996), 2003:(1995), 1997:(1994), 1981:(1982), 1978:Yavanika 1975:(1961), 1969:(1957), 1963:(1954), 1951:Rashomon 1947:Rashomon 1936:Hokkaido 1924:Rashomon 1887:(1953), 1871:(1951), 1855:Rashomon 1773:Rashomon 1739:Rashomon 1692:Rashomon 1665:Rashomon 1619:Rashomon 1575:Rashomon 1513:Rashomon 1461:Rashomon 1457:Rashomon 1452:Rashomon 1445:Rashomon 1441:Kyōbashi 1358:Rashomon 1345:Rashomon 1333:Rashomon 1308:Rashomon 1275:Rashomon 1271:Kadokawa 1251:Rashomon 1231:Rashomon 1227:Rashomon 1191:Rashomon 1124:Rashomon 1117:Rashomon 1076:Rashomon 1072:Rashomon 990:Rashomon 966:Lighting 959:Rashomon 949:Rashomon 921:Rashomon 913:Rashomon 802:$ 40,000 794:$ 42,000 786:Rashomon 778:Rashomon 768:$ 85,000 748:Rashomon 735:Rashomon 659:provide 444:Rashomon 414:Rashomon 397:Rashomon 365:Rashomon 363:pitched 346:Rashōmon 297:Rashōmon 284:Japanese 278:Rashomon 250:Japanese 247:Language 156:Music by 102:Starring 77:Based on 31:Rashomon 11172:Portals 11031:Lebanon 10924:Hana-bi 10449:Foxtrot 8179:Ang Lee 7320:Plan 75 7116:Poppoya 6980:Onimasa 6841:Kwaidan 6466:Related 6383:Sanjuro 6375:Yojimbo 6295:Scandal 6133:at the 6083:at the 5581:May 15, 5370:bfi.org 5328:May 13, 5061:cbr.com 4985:Tor.com 4440:"美女と盗賊" 4414:"美女と盗賊" 4363:昭和映画世相史 3838:May 15, 3562:Lumiere 3174:(DVD). 2696:Rajōmon 2692:derived 2397:Russian 2365:Kannada 2241:Frasier 2160:western 2113:remakes 2088:wrote: 2051:Monster 2039:Frasier 1966:Valerie 1487:Result 1311:films. 1283:Blu-ray 1102:Release 1052:samurai 928:Filming 872:Casting 840:Writing 723:Scandal 681:to the 663:in the 626:. 583:as the 436:at the 428:at the 408:at the 374:Scandal 334:samurai 292:Hepburn 239:Country 215: ( 200: ( 169:company 11154:(2024) 11146:(2023) 11138:(2022) 11130:(2021) 11122:(2020) 11114:(2019) 11106:(2018) 11098:(2017) 11090:(2016) 11082:(2015) 11074:(2014) 11066:(2013) 11058:(2012) 11050:(2011) 11042:(2010) 11034:(2009) 11026:(2008) 11018:(2007) 11010:(2006) 11002:(2005) 10994:(2004) 10986:(2003) 10978:(2002) 10970:(2001) 10951:(2000) 10943:(1999) 10935:(1998) 10927:(1997) 10919:(1996) 10911:(1995) 10903:(1994) 10895:(1994) 10887:(1993) 10879:(1993) 10871:(1992) 10863:(1991) 10855:(1990) 10847:(1989) 10839:(1988) 10831:(1987) 10823:(1986) 10815:(1985) 10807:(1984) 10799:(1983) 10791:(1982) 10783:(1981) 10775:(1980) 10772:Gloria 10767:(1980) 10748:(1968) 10740:(1967) 10732:(1966) 10724:(1965) 10721:Sandra 10716:(1964) 10708:(1963) 10700:(1962) 10692:(1962) 10684:(1961) 10676:(1960) 10668:(1959) 10660:(1959) 10652:(1958) 10644:(1957) 10636:(1955) 10628:(1954) 10620:(1952) 10612:(1951) 10604:(1950) 10596:(1949) 10588:(1948) 10585:Hamlet 10580:(1947) 10572:(1946) 10512:(2023) 10502:(2022) 10492:(2021) 10489:A Hero 10482:(2020) 10472:(2019) 10462:(2018) 10452:(2017) 10442:(2016) 10432:(2015) 10422:(2014) 10412:(2013) 10402:(2012) 10392:(2011) 10382:(2010) 10372:(2009) 10362:(2008) 10359:Mongol 10352:(2007) 10342:(2006) 10339:Volver 10332:(2005) 10322:(2004) 10312:(2003) 10302:(2002) 10292:(2001) 10271:(2000) 10261:(1999) 10251:(1998) 10241:(1997) 10231:(1996) 10221:(1995) 10211:(1994) 10201:(1993) 10191:(1992) 10181:(1991) 10171:(1990) 10161:(1989) 10151:(1988) 10141:(1987) 10125:(1986) 10122:Otello 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4509: 4343: 4199: 4167: 4127: 4072: 3975: 3893:May 2, 3585:日本産業図說 3464: 3405: 3382:May 2, 3203: 3152:May 2, 2907: 2709:dharma 2622:4th - 2613:(2012) 2600:(2012) 2583:Empire 2547:Empire 2497:list. 2380:Talvar 2024:Fast X 1894:Ugetsu 1809:Legacy 1475:Award 1403:Boléro 1395:Boléro 1387:Boléro 1380:Boléro 1033:Boléro 847:ryokan 782:UNESCO 742:film." 499:medium 479:bandit 328:, and 255:Budget 206: ( 11210:1950s 11186:Japan 11111:Joker 11055:Pietà 11047:Faust 10908:Cyclo 10633:Ordet 10593:Manon 10499:Close 10399:Amour 9941:Shame 9821:Ordet 8353:Amour 8118:Kolya 7336:Cloud 7036:Rikyu 7020:Zegen 6777:Aruse 6652:Other 6582:Films 6319:Ikiru 6207:Films 6183:Works 5727:(PDF) 4614:[ 4474:] 4442:[ 4416:[ 4366:[ 4191:[ 4115:[ 4094:[ 4060:[ 3917:[ 3862:[ 3803:[ 3649:[ 3601:] 3588:[ 3125:Films 3070:Films 2774:] 2700:Kyoto 2678:Notes 2385:Hindi 1917:] 1685:1950 1517:Japan 1417:] 1255:truth 1157:Scene 852:Atami 773:Ikiru 643:DeepL 575:] 471:Kyoto 383:Kyoto 242:Japan 185:Daiei 11198:Film 11103:Roma 8711:) 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