Knowledge

Performance (film)

Source đź“ť

629:"—has been removed. This is because at this crucial stage of the film (the music sequence), one of the stereo sounds has been used on both channels. Other music and sound effects are also missing from this scene on the DVD release (some drums, the throbbing sound as Turner plugs a lead into his music generator, and the shrieking sound at the climax of his fluorescent light tube dance). These sounds, the dialogue and the music are all audible on other releases of the film. The voices of Harry Flowers (Johnny Shannon), Moody (John Bindon) and Lorraine, the young maid in Turner's mansion (Laraine Wickens), have been restored to the voices of the original actors. 551:, originally broadcast on 3 October 1993, and later repeated on BBC Four in 2005 and 2006), Roeg said that a Warner Bros. executive commented on the scene depicting Jagger in a bath with Pallenberg and Breton, 'Even the bath water was dirty.' The film was shelved by Ken Hyman, head of Warner Brothers, when he concluded that no amount of editing, re-looping, or re-scheduling would cover up the fact that the picture ultimately made no sense. The response from the studio was to deny the film a cinematic release. 817: 354:, Chas goes there and pretends the musician was a friend who recommended him. He tells Pherber, a woman living there, that he is a fellow performer, juggler Johnny Dean. She lives there with Turner, a reclusive, eccentric former rock star who has 'lost his demon', and Lucy, with whom he enjoys a non-possessive and bisexual ménage à trois. Floating in and out of the house is a child, Lorraine. 566:, working under the close supervision of Cammell, with a brief from Warner Bros. to introduce Jagger earlier in the film) and changes in administration at Warner Bros. When the film was first released in the United States, the voices of a number of the actors in key roles were dubbed because the studio had feared that Americans would find their 346:
betting shop owned by Joey Maddocks, he forbids Chas to get involved because he feels Chas' complicated personal history with Maddocks may lead to trouble. Chas is angry about this and later humiliates Maddocks, who retaliates by wrecking Chas' apartment and attacking Chas, who in turn shoots him, packs a suitcase and runs from the scene.
1348:
bit wary of each other, but when the big sex scene of the movie was filmed, instead of simulating sex they got really into each other, and although what wound up in the picture was a lot of vague, tumbling bodies in the sheets, nothing explicit, there was a lot of explicit footage of Mick and Anita really screwing, steamy, lusty stuff."
482:) was to play the gangster role of 'Chas'. At that stage, the story involved an American gangster hiding out in London. James Fox, previously cast in rather upper crust roles, eventually took the place of Brando, and spent several months in South London among the criminal underworld, researching his role. 1347:
Anita and Mick's rapprochement did not go unnoticed. It wasn't a secret that she was playing his lover. Ex-Stone Ian Stewart occasionally worked on the set and happened to catch their infamous sex scene: "As far as Anita and Mick, I always felt there was no love lost there; they always seemed to be a
715:
called it 'the kind of brilliant, baffling film about which it would be marginally more easy to write a book than a review ... though visually dazzling, wittily and literately scripted, and brilliantly conceived, the film inevitably derives much of its strength from its performers, nearly all of whom
357:
At first, Chas is contemptuous of Turner, who himself attempts to return the rent paid in advance, but they start influencing each other. Pherber and Turner understand his conflict, and want to understand what makes him function so well within his world. To speed up the process, Pherber tricks him by
345:
Chas is a member of an East London gang, led by gangster Harry Flowers; his specialty is intimidation through violence, as he collects pay-offs for Flowers. Chas is very good at his job, and has a reputation for liking it. His sexual liaisons are casual and rough. When Flowers decides to take over a
1148:
A novelisation of Donald Cammel's screenplay was published in 1970, under the by-line William Hughes (the publishing identity of Hugh Williams, a British author who seems never to have written under his own name, nor to have written anything but a diverse catalogue of screenplay novelisations). It
728:
gradually acquired a cult following on the late night and repertory cinema circuits. By the 1990s, it had undergone a critical reappraisal. The film has become canonised by many theorists of British cinema, who have suggested it is iconic within the British gangster genre. This is primarily due to
365:
Before all this, he phones Tony (a trusted friend who refers to Chas as 'Uncle') to help him get out of the country. Flowers and his henchmen use Tony to track Chas to Turner's flat. They allow him to go and collect his things upstairs. Chas tells Turner and Pherber he is leaving, then shoots and
316:
was reluctant to distribute the film, owing to its sexual content and graphic violence. It initially received a mixed critical response, but its reputation has grown since then, and it is now regarded as one of the most influential and innovative films of the 1970s, as well as one of the greatest
531:, who was present on set. When Richards heard the rumours, he apparently took to sitting in his car outside the house where the film was being shot. Needless to say, this did not do much for the Jagger–Richards musical chemistry, and the soundtrack came together from a number of other sources. 46: 697:' and that filmmakers Cammell and Roeg had done a 'fundamentally rotten' job, regularly 'upstaging the action and the actors with tricky (and often unintelligible) sound recording and 'striking' composition. Oddly enough, they may have stumbled into a cult hit.' 349:
When Flowers makes it clear that he has no intention of offering protection to Chas, but instead wants him eliminated, Chas decides to head for the countryside to hide out, but after overhearing a musician talk about going on tour and leaving his rented room in
570:
accents difficult to understand. Different edits were shown around the world, with the film gaining a following through to the late 1970s, by which time a variety of versions of varying quality could be seen in a handful of independent cinemas around London. A
362:, and Chas accuses her and Turner of poisoning him. He soon accepts it, and in his hallucinogenic state, he experiments with clothing and identity, including the wearing of feminine clothes. Chas opens up, and he begins a caring relationship with Lucy. 682:
gave the film two-and-a-half stars out of four, writing that the first 40 minutes 'crackle with excitement', but then 'the pace slows down considerably, the nudity tires and the growing attraction of Fox for Jagger is unprepared for'. Gary Arnold of
763:
as 'one of the best rock movies of all time.' He praised James Fox's performance as his favourite British gangster portrayal in cinema, and expressed admiration for the film's exploration of the darker side of the 1960s
624:
DVD was released on 13 February 2007 and elsewhere soon after. Although the film has undergone significant restoration, one famous line of dialogue—Jagger's 'Here's to old England!' heard during the sequence involving
522:
It was intended that The Rolling Stones would write the soundtrack, but due to the complicated nature of the various relationships on and off-screen, this never happened. At the time of filming, there was fear from
489:(whose portrait, on a book cover, can be seen at a crucial moment in the film), as he re-drafted the script to create an intense, intellectual film dealing with an identity crisis. The theories put forward by 1074:
in its second issue, "Paint it Black", prominently featuring Jagger's Turner character (though with the name "Turner" spelt "Terner" to avoid copyright infringement). The plot of the issue is about
586:, who went on to write a guide to the film), a screening of the uncut UK edition, and finally a question-and-answer session. Those in attendance included Fox (and family), Pallenberg, set designer 656:
wrote that it 'is not a very good movie', but the personalities of Jagger and Fox were enough to make it 'the kind of all-round fun that in the movies is often tried but rarely so well achieved'.
609:
in Portobello Road in London's Notting Hill (with an incognito Pallenberg in attendance). An individual member of a group of stalwart London based fans of the movie (which included the journalist
613:) worked to ensure that any eventual DVD release was not merely a straight 'VHS to DVD' transfer of the dubbed VHS version (as was often the policy of Warner Bros. at the time) by making sure 590:
and Cammell's brother, who introduced part of a video interview with Donald, shot just before his death. Jagger was originally to appear but was committed to the Rolling Stones'
743:'all-time greats' poll of critics and directors. After Cammell's death in 1996, the film's reputation grew still further. It is often cited as a classic of British cinema. 366:
kills Turner before being escorted into Flowers' car. As the car is driving away, Chas still wears his feminine clothes and wig, but his face is identical to Turner's.
1058: 803:
is an exuberant and grimy ode to the sexual revolution, evoking cultural upheaval and identity crisis with rock 'n' roll verve and a beguiling turn by Mick Jagger.'
2266: 543:
was a surprise to the studio. It has been reported that during a test screening, the wife of one Warner Bros. executive vomited in shock. In the series
709:
described the film as 'the most disgusting, the most completely worthless film I have seen since I began reviewing'. By way of contrast, Jan Dawson of
1053:, Oldman (as Drexl) is seen swinging a lamp-shade back and forth in front of someone, as Turner does during the sequence involving "Memo from Turner". 2276: 1754: 527:
that Pallenberg, his partner, took part in real sex during the filming with his bandmate Mick Jagger. This was later confirmed to have happened by
947:
pushed boundaries by featuring explicit sex scenes and drugs, which have been rumoured to be real instead of simulated. Although the films of
921:-type music videos (particularly the sequence with "Memo from Turner", in which Jagger sings) and many popular films of the 1990s and 2000s. 2271: 1305: 2301: 2221: 1747: 1278: 301:
as a violent and ambitious London gangster who, after killing an old friend, goes into hiding at the home of a reclusive rock star (
1784: 2311: 2226: 1689: 1007:
is quoted on numerous occasions during the film. His photograph appears in the brief montage that follows the shooting of Turner.
2216: 1953: 1082:
and shows just how Turner 'lost his demon', which in this case is a literal demon, i.e., a demonic possession. In the world of
881: 1088:, Turner takes the role that Jagger had in reality with the analogue of The Rolling Stones band called "The Purple Orchestra". 2286: 2281: 1253: 1163: 1084: 853: 1545: 1359: 1333:
Parachute Women: Marianne Faithfull, Marsha Hunt, Bianca Jagger, Anita Pallenberg, and the Women Behind the Rolling Stones
2246: 2211: 834: 860: 2256: 2206: 1340: 2196: 1666: 1384: 1234: 1203: 900: 497:, mainly responsible for the 'look' of the film—also benefited from a lack of interference from studio executives at 2306: 1566: 1000:, including "Moving in With", "Performance" and "Mad Cyril" (the latter of which contains dialogue from the film). 867: 2296: 2201: 2139: 1722: 485:
As the project evolved, the story became significantly darker. Cammell was influenced by the Argentinian writer
2251: 2163: 1638: 838: 672:
called it a 'pretentious and repellent little film' that 'cannot rise above the world it pretends to examine'.
579: 2236: 2231: 2147: 1168: 849: 773: 606: 2291: 1777: 511: 318: 1039:: at one point, Owen's character says 'I know a thing or two about performing'—a quote from Turner; while 2261: 2241: 1912: 2101: 1946: 778: 2002: 1509: 1158: 1067: 711: 326: 2120: 1309: 1111: 796: 493:, on the links between performing and madness, also influenced Cammell, who—along with co-director 1595: 1091:
The soundtrack song "Harry Flowers" was inspired by the character in the film, and was covered by
2050: 1770: 1220: 979: 827: 610: 591: 1542:"Film Comment's Trivial Top 20 (expanded to 50): Best Acting Performance by a Musical Performer" 1919: 1695: 1195: 1191: 1075: 598: 528: 330: 1738: 874: 2026: 1939: 1858: 1825: 1706: 169: 1117: 8: 2191: 2186: 1475: 739: 685: 662:
panned the film for 'needless, boring sadism', a 'dull' script, and 'flat' performances.
359: 582:
on 18 October 1997, incorporating a talk by film theorists (including, in the audience,
2058: 2018: 1422: 1405: 1133: 963: 730: 658: 652: 306: 2155: 1994: 1684: 1662: 1634: 1628: 1441: 1380: 1336: 1249: 1230: 1224: 1199: 1097: 1004: 930: 756: 668: 614: 587: 516: 486: 430: 415: 351: 88: 2093: 1986: 1866: 1817: 1436: 1295:
This is stated in the documentary accompanying the film in the UK Region 2 edition.
918: 785:
was not only the greatest seventies film about identity; if any movie in the whole
700: 663: 626: 621: 388: 337:
magazine ranked the film 182nd on its list of the 500 Greatest Movies of All Time.
111: 1011: 1003:
In keeping with the intellectual bent of Jagger's character, the Argentine writer
959: 2074: 2034: 1931: 1733: 1613: 1549: 1492: 1459: 1400: 1185: 938: 705: 690: 647: 471: 409: 1793: 1727: 1608: 1541: 1129: 548: 524: 502: 490: 467: 436: 424: 290: 62: 28: 2180: 1762: 1700: 1181: 1137: 1092: 987: 795:
holds an 82% approval rating on Rotten Tomatoes, based on 34 reviews, with a
694: 583: 563: 475: 442: 286: 205: 154: 1963: 1850: 1125: 1049: 1043:, played by Oldman, dances with a fluorescent tube, just as Turner does in 748: 498: 494: 313: 294: 180: 138: 67: 752:, Jagger's Turner was voted the best performance by a musician in a film. 575:
release eventually appeared in 1980, but contained the dubbed US version.
562:
was released in 1970, after major re-editing (performed by the uncredited
1454: 1279:"'Performance': Inside the Rock 'n' Roll Movie Too Shocking for the '60s" 1079: 1028: 1024: 974: 948: 934: 765: 675: 506: 403: 382: 302: 106: 1711: 1678: 1528: 733:
and the bohemian culture in London during the 1960s and 1970s. In 1995,
2066: 2010: 1893: 1874: 1063: 1032: 1020: 841: in this section. Unsourced material may be challenged and removed. 572: 397: 283: 951:(and other underground filmmakers) had featured such behaviour before 1457:(September 20, 1970). "'Performance' Pace Fast at First, Then Lags". 1121: 1040: 478:(with whom he later collaborated on the posthumously published novel 376: 298: 101: 45: 1377:
Cult Movies: The Classics, The Sleepers, The Weird and the Wonderful
816: 2042: 1717: 1490:
Schickel, Richard (2 October 1970). "A completely worthless film".
620:
After a period of campaigning with Warner Brothers in Burbank, the
1149:
was released by Tandem Books in the UK and Award Books in the US.
955:, it was unprecedented that they appeared in a studio production. 789:
should be compulsory viewing for film makers, maybe this is it.'
567: 519:
which included graphic depictions of violence, sex and drug use.
1473:
Arnold, Gary (19 September 1970). "Pulp and Pop 'Performance'".
1596:
http://www.channel4.com/programmes/the-story-of-film-an-odyssey
992: 729:
its reflection of the coexistence of the criminal world of the
224: 312:
The film was produced in 1968 but not released until 1970, as
755:
In an introduction before the film's screening on Sky Indie,
1567:"Quentin Tarantino named the best "rock movie of all time"" 1059:
The League of Extraordinary Gentlemen, Volume III: Century
1016: 716:
achieve a near-symbiotic relationship with their roles'.
617:(London) were fully aware of the new BFI-financed print. 1439:(August 5, 1970). "Mick Jagger Stars in 'Performance'". 297:, written by Cammell and filmed by Roeg. The film stars 1659:
Your Face Here: British Cult Movies Since The Sixties
1633:(1st U.S. ed.). New York: Bloomsbury Pub. 1999. 1365:, Students' British Board of Film Classification page 929:
has been imitated by many popular directors such as
515:(1964). Instead, Cammell and Roeg delivered a dark, 16:
1970 British film by Donald Cammell and Nicolas Roeg
470:as "The Performers", and was to be a light-hearted 1961: 605:, which was premiered at the recently refurbished 2178: 973:The song "Further Back and Faster", recorded by 1246:Performance: The Biography of a 60s Masterpiece 983:, also contains dialogue samples from the film. 1792: 1947: 1778: 1743:on "The Garden of Forking Paths" Borges site. 1507:Dawson, Jan (February 1971). "Performance". 1229:. Bloomsbury Movie Guides. Bloomsbury USA. 1078:concert that took place after the death of 966:, contains extensive dialogue samples from 578:A commemorative event was held at London's 545:Hollywood UK: British Cinema of the Sixties 2267:British avant-garde and experimental films 1954: 1940: 1785: 1771: 1403:(4 August 1970). "Screen: 'Performance'". 1120:on 19 September 1970. It features Jagger, 44: 1529:"Top 100 Films (Centenary) from Time Out" 1399: 1143: 901:Learn how and when to remove this message 799:of 8.00/10. The site's consensus reads: ' 2277:1970s avant-garde and experimental films 1489: 1277:Blauvelt, Christian (13 February 2019). 1276: 1564: 1379:. U.S.A.: Gramercy Books. p. 257. 1180: 746:In the September–October 2009 issue of 689:wrote that the film was suggestive of ' 2179: 1506: 1472: 1330: 1035:, contains at least two references to 1935: 1766: 1374: 1219: 1164:List of films featuring hallucinogens 1116:The soundtrack album was released by 1085:The League of Extraordinary Gentlemen 996:, features several songs inspired by 632: 474:romp. At one stage, Cammell's friend 276:(stylised in promotional material as 1243: 839:adding citations to reliable sources 810: 2272:Films produced by Sanford Lieberson 501:, who believed they were getting a 13: 2302:English-language crime drama films 1331:Winder, Elizabeth (27 July 2023). 1174: 534: 14: 2323: 1672: 1565:Russell, Calum (10 August 2021). 1047:. In the earlier Tony Scott film 2222:Films directed by Donald Cammell 1244:Buck, Paul (10 September 2012). 917:were novel, and it foreshadowed 815: 719: 1657:Ali Catterall and Simon Wells, 1621: 1601: 1585: 1558: 1555:website, September/October 2009 1535: 1521: 1500: 1483: 1466: 1448: 1335:. Hachette Books. p. 112. 826:needs additional citations for 2312:LGBT-related crime drama films 2227:Films directed by Nicolas Roeg 1553:Film Society of Lincoln Center 1430: 1413: 1393: 1368: 1353: 1324: 1298: 1289: 1270: 1070:, makes several references to 458: 1: 2217:Films scored by Jack Nitzsche 1592:The story of film: An odyssey 1263: 1169:List of British films of 1970 1105: 774:The Story of Film: An Odyssey 724:In the late 1970s and 1980s, 453: 2287:1970s English-language films 2282:1970 directorial debut films 1306:"Borges - Film: Performance" 806: 7: 1913:Pride (In the Name of Love) 1152: 771:In his 15-hour documentary 737:appeared at number 30 in a 466:was initially conceived by 448:Laraine Wickens as Lorraine 329:of the 20th century by the 23:, released in Australia as 10: 2328: 2247:Films set in New York City 2212:British LGBT-related films 1802:Films written and directed 1109: 642:Upon its initial release, 637: 554: 327:48th greatest British film 18: 2257:British independent films 2207:British crime drama films 2131: 2112: 2085: 2003:The Man Who Fell to Earth 1970: 1904: 1885: 1842: 1801: 1723:Photos by Robert Whitaker 1630:Mick Brown on Performance 1598:(Accessed: 20 March 2016) 1510:The Monthly Film Bulletin 1226:Mick Brown on Performance 1159:BFI Top 100 British films 712:The Monthly Film Bulletin 261: 253: 245: 235: 186: 176: 160: 150: 131: 123: 94: 84: 76: 55: 50:Theatrical release poster 43: 38: 2197:The Rolling Stones films 1751:at DBCult Film Institute 1112:Performance (soundtrack) 646:received mixed reviews. 601:financed a new print of 421:Anthony Morton as Dennis 317:films in the history of 215:7 January 1971 2307:1970 LGBT-related films 1759:by Colin MacCabe (book) 1194:Film Classics. London: 1019:promo film directed by 925:The gangster aspect of 850:"Performance" film 592:Bridges to Babylon Tour 369: 340: 196:3 August 1970 2297:British gangster films 2202:1970 crime drama films 1696:British Film Institute 1661:(Fourth Estate, 2001) 1548:3 October 2009 at the 1144:Paperback novelisation 1076:The Stones in the Park 599:British Film Institute 394:Michèle Breton as Lucy 331:British Film Institute 2252:Films shot in England 1594:(2015) Available at: 1375:Danny, Peary (1981). 693:trying to write like 170:Goodtimes Enterprises 2237:Films set in Germany 2232:Films set in England 2094:Un Ballo in Maschera 1571:faroutmagazine.co.uk 1445:. Part IV, p. 1, 11. 1426:: 20. 5 August 1970. 1223:(20 November 1999). 1118:Warner Bros. Records 980:Love's Secret Domain 835:improve this article 360:psychedelic mushroom 282:) is a 1970 British 2292:1970s British films 2140:Sweet Bird of Youth 1476:The Washington Post 1312:on 28 December 2011 913:Several aspects of 686:The Washington Post 143:Brian Smedley-Aston 2262:Warner Bros. films 2242:Films set in Japan 2164:Samson and Delilah 1962:Films directed by 1748:Performance (1970) 1707:TCM Movie Database 1573:. Far Out Magazine 1463:. Section 5, p. 2. 1406:The New York Times 1134:Buffy Sainte-Marie 964:Big Audio Dynamite 653:The New York Times 633:Critical reception 512:A Hard Day's Night 307:the Rolling Stones 19:For the 2012 film 2174: 2173: 2156:Full Body Massage 2148:Heart of Darkness 2121:Glastonbury Fayre 1929: 1928: 1442:Los Angeles Times 1437:Champlin, Charles 1255:978-1-84938-700-2 1248:. Omnibus Press. 1098:Strange Cargo III 1056:The comic series 1005:Jorge Luis Borges 931:Quentin Tarantino 911: 910: 903: 885: 757:Quentin Tarantino 669:Los Angeles Times 615:Warner Home Video 588:Christopher Gibbs 517:experimental film 487:Jorge Luis Borges 431:Anthony Valentine 416:Allan Cuthbertson 352:Notting Hill Gate 289:film directed by 269: 268: 89:Sanford Lieberson 2319: 1956: 1949: 1942: 1933: 1932: 1818:White of the Eye 1787: 1780: 1773: 1764: 1763: 1645: 1644: 1625: 1619: 1618: 1605: 1599: 1589: 1583: 1582: 1580: 1578: 1562: 1556: 1539: 1533: 1532: 1525: 1519: 1518: 1504: 1498: 1497: 1487: 1481: 1480: 1470: 1464: 1452: 1446: 1434: 1428: 1427: 1417: 1411: 1410: 1401:Greenspun, Roger 1397: 1391: 1390: 1372: 1366: 1357: 1351: 1350: 1328: 1322: 1321: 1319: 1317: 1308:. Archived from 1302: 1296: 1293: 1287: 1286: 1274: 1259: 1240: 1216: 1214: 1212: 977:for their album 906: 899: 895: 892: 886: 884: 843: 819: 811: 797:weighted average 701:Richard Schickel 664:Charles Champlin 627:Memo from Turner 445:as The Chauffeur 433:as Joey Maddocks 427:as Harry Flowers 389:Anita Pallenberg 222: 220: 203: 201: 112:Anita Pallenberg 48: 36: 35: 2327: 2326: 2322: 2321: 2320: 2318: 2317: 2316: 2177: 2176: 2175: 2170: 2127: 2108: 2081: 1966: 1960: 1930: 1925: 1920:All You Zombies 1900: 1881: 1838: 1797: 1791: 1734:Rotten Tomatoes 1675: 1649: 1648: 1641: 1627: 1626: 1622: 1614:Rotten Tomatoes 1607: 1606: 1602: 1590: 1586: 1576: 1574: 1563: 1559: 1550:Wayback Machine 1540: 1536: 1527: 1526: 1522: 1505: 1501: 1488: 1484: 1471: 1467: 1460:Chicago Tribune 1453: 1449: 1435: 1431: 1420:"Performance". 1419: 1418: 1414: 1398: 1394: 1387: 1373: 1369: 1358: 1354: 1343: 1329: 1325: 1315: 1313: 1304: 1303: 1299: 1294: 1290: 1275: 1271: 1266: 1256: 1237: 1210: 1208: 1206: 1184:(1 July 1998). 1177: 1175:Further reading 1155: 1146: 1114: 1108: 939:Jonathan Glazer 907: 896: 890: 887: 844: 842: 832: 820: 809: 722: 691:Mickey Spillane 680:Chicago Tribune 648:Roger Greenspun 640: 635: 607:Electric Cinema 557: 539:The content of 537: 535:Post-production 461: 456: 451: 439:as Tony Farrell 410:Stanley Meadows 372: 343: 238: 231: 230: 218: 216: 211: 199: 197: 189: 172: 165: 163: 146: 119: 72: 51: 32: 17: 12: 11: 5: 2325: 2315: 2314: 2309: 2304: 2299: 2294: 2289: 2284: 2279: 2274: 2269: 2264: 2259: 2254: 2249: 2244: 2239: 2234: 2229: 2224: 2219: 2214: 2209: 2204: 2199: 2194: 2189: 2172: 2171: 2169: 2168: 2160: 2152: 2144: 2135: 2133: 2129: 2128: 2126: 2125: 2116: 2114: 2110: 2109: 2107: 2106: 2102:Hotel Paradise 2098: 2089: 2087: 2083: 2082: 2080: 2079: 2071: 2063: 2055: 2047: 2039: 2031: 2027:Insignificance 2023: 2015: 2007: 1999: 1995:Don't Look Now 1991: 1983: 1974: 1972: 1968: 1967: 1959: 1958: 1951: 1944: 1936: 1927: 1926: 1924: 1923: 1916: 1908: 1906: 1902: 1901: 1899: 1898: 1889: 1887: 1886:Films directed 1883: 1882: 1880: 1879: 1871: 1863: 1859:The Touchables 1855: 1846: 1844: 1840: 1839: 1837: 1836: 1830: 1822: 1814: 1805: 1803: 1799: 1798: 1794:Donald Cammell 1790: 1789: 1782: 1775: 1767: 1761: 1760: 1752: 1744: 1736: 1725: 1720: 1709: 1698: 1687: 1674: 1673:External links 1671: 1670: 1669: 1647: 1646: 1639: 1620: 1600: 1584: 1557: 1534: 1520: 1499: 1482: 1465: 1447: 1429: 1412: 1392: 1385: 1367: 1352: 1342:978-1580059589 1341: 1323: 1297: 1288: 1268: 1267: 1265: 1262: 1261: 1260: 1254: 1241: 1235: 1217: 1204: 1182:MacCabe, Colin 1176: 1173: 1172: 1171: 1166: 1161: 1154: 1151: 1145: 1142: 1130:The Last Poets 1110:Main article: 1107: 1104: 1103: 1102: 1089: 1054: 1012:Beat the Devil 1008: 1001: 984: 971: 956: 942: 909: 908: 823: 821: 814: 808: 805: 721: 718: 639: 636: 634: 631: 556: 553: 549:Richard Lester 547:(presented by 536: 533: 525:Keith Richards 505:equivalent of 503:Rolling Stones 491:Antonin Artaud 468:Donald Cammell 460: 457: 455: 452: 450: 449: 446: 440: 434: 428: 425:Johnny Shannon 422: 419: 413: 407: 401: 395: 392: 386: 380: 373: 371: 368: 358:feeding him a 342: 339: 325:was voted the 319:British cinema 291:Donald Cammell 267: 266: 263: 259: 258: 255: 251: 250: 249:United Kingdom 247: 243: 242: 239: 236: 233: 232: 229: 228: 212: 210: 209: 193: 192: 190: 187: 184: 183: 178: 177:Distributed by 174: 173: 168: 166: 161: 158: 157: 152: 148: 147: 145: 144: 141: 135: 133: 129: 128: 125: 124:Cinematography 121: 120: 118: 117: 116:Michèle Breton 114: 109: 104: 98: 96: 92: 91: 86: 82: 81: 80:Donald Cammell 78: 74: 73: 71: 70: 65: 63:Donald Cammell 59: 57: 53: 52: 49: 41: 40: 29:A Late Quartet 21:A Late Quartet 15: 9: 6: 4: 3: 2: 2324: 2313: 2310: 2308: 2305: 2303: 2300: 2298: 2295: 2293: 2290: 2288: 2285: 2283: 2280: 2278: 2275: 2273: 2270: 2268: 2265: 2263: 2260: 2258: 2255: 2253: 2250: 2248: 2245: 2243: 2240: 2238: 2235: 2233: 2230: 2228: 2225: 2223: 2220: 2218: 2215: 2213: 2210: 2208: 2205: 2203: 2200: 2198: 2195: 2193: 2190: 2188: 2185: 2184: 2182: 2166: 2165: 2161: 2158: 2157: 2153: 2150: 2149: 2145: 2142: 2141: 2137: 2136: 2134: 2130: 2123: 2122: 2118: 2117: 2115: 2113:Documentaries 2111: 2104: 2103: 2099: 2096: 2095: 2091: 2090: 2088: 2084: 2077: 2076: 2072: 2069: 2068: 2064: 2061: 2060: 2056: 2053: 2052: 2048: 2045: 2044: 2040: 2037: 2036: 2032: 2029: 2028: 2024: 2021: 2020: 2016: 2013: 2012: 2008: 2005: 2004: 2000: 1997: 1996: 1992: 1989: 1988: 1984: 1981: 1980: 1976: 1975: 1973: 1971:Feature films 1969: 1965: 1957: 1952: 1950: 1945: 1943: 1938: 1937: 1934: 1921: 1917: 1914: 1910: 1909: 1907: 1903: 1896: 1895: 1891: 1890: 1888: 1884: 1877: 1876: 1872: 1869: 1868: 1864: 1861: 1860: 1856: 1853: 1852: 1848: 1847: 1845: 1843:Films written 1841: 1834: 1831: 1828: 1827: 1823: 1820: 1819: 1815: 1812: 1811: 1807: 1806: 1804: 1800: 1795: 1788: 1783: 1781: 1776: 1774: 1769: 1768: 1765: 1758: 1757: 1753: 1750: 1749: 1745: 1742: 1741: 1737: 1735: 1731: 1730: 1726: 1724: 1721: 1719: 1715: 1714: 1710: 1708: 1704: 1703: 1699: 1697: 1693: 1692: 1688: 1686: 1682: 1681: 1677: 1676: 1668: 1667:0-00-714554-3 1664: 1660: 1656: 1655: 1654: 1653: 1642: 1636: 1632: 1631: 1624: 1616: 1615: 1610: 1609:"Performance" 1604: 1597: 1593: 1588: 1572: 1568: 1561: 1554: 1551: 1547: 1543: 1538: 1530: 1524: 1516: 1512: 1511: 1503: 1495: 1494: 1486: 1479:. p. C6. 1478: 1477: 1469: 1462: 1461: 1456: 1451: 1444: 1443: 1438: 1433: 1425: 1424: 1416: 1408: 1407: 1402: 1396: 1388: 1386:0-517-20185-2 1382: 1378: 1371: 1364: 1363: 1356: 1349: 1344: 1338: 1334: 1327: 1311: 1307: 1301: 1292: 1284: 1280: 1273: 1269: 1257: 1251: 1247: 1242: 1238: 1236:1-58234-043-9 1232: 1228: 1227: 1222: 1218: 1207: 1205:0-85170-670-3 1201: 1197: 1193: 1189: 1188: 1183: 1179: 1178: 1170: 1167: 1165: 1162: 1160: 1157: 1156: 1150: 1141: 1139: 1138:Merry Clayton 1135: 1131: 1127: 1123: 1119: 1113: 1100: 1099: 1095:on his album 1094: 1093:William Orbit 1090: 1087: 1086: 1081: 1077: 1073: 1069: 1068:Kevin O'Neill 1065: 1061: 1060: 1055: 1052: 1051: 1046: 1042: 1038: 1034: 1030: 1026: 1023:and starring 1022: 1018: 1014: 1013: 1009: 1006: 1002: 999: 995: 994: 989: 988:Happy Mondays 985: 982: 981: 976: 972: 969: 965: 961: 957: 954: 950: 946: 943: 940: 936: 932: 928: 924: 923: 922: 920: 916: 905: 902: 894: 883: 880: 876: 873: 869: 866: 862: 859: 855: 852: â€“  851: 847: 846:Find sources: 840: 836: 830: 829: 824:This section 822: 818: 813: 812: 804: 802: 798: 794: 790: 788: 787:Story of Film 784: 780: 776: 775: 769: 767: 762: 758: 753: 751: 750: 744: 742: 741: 736: 732: 727: 720:Retrospective 717: 714: 713: 708: 707: 702: 698: 696: 695:Harold Pinter 692: 688: 687: 681: 677: 673: 671: 670: 665: 661: 660: 655: 654: 649: 645: 630: 628: 623: 618: 616: 612: 608: 604: 600: 597:In 2003, the 595: 593: 589: 585: 584:Colin MacCabe 581: 576: 574: 569: 565: 564:Frank Mazzola 561: 552: 550: 546: 542: 532: 530: 526: 520: 518: 514: 513: 508: 504: 500: 496: 492: 488: 483: 481: 477: 476:Marlon Brando 473: 472:swinging '60s 469: 465: 447: 444: 443:John Sterland 441: 438: 435: 432: 429: 426: 423: 420: 418:as The Lawyer 417: 414: 411: 408: 405: 402: 399: 396: 393: 390: 387: 384: 381: 378: 375: 374: 367: 363: 361: 355: 353: 347: 338: 336: 332: 328: 324: 320: 315: 310: 308: 304: 300: 296: 292: 288: 285: 281: 280: 275: 274: 264: 260: 256: 252: 248: 244: 240: 234: 226: 214: 213: 207: 206:New York City 195: 194: 191: 188:Release dates 185: 182: 179: 175: 171: 167: 159: 156: 155:Jack Nitzsche 153: 149: 142: 140: 137: 136: 134: 130: 126: 122: 115: 113: 110: 108: 105: 103: 100: 99: 97: 93: 90: 87: 83: 79: 75: 69: 66: 64: 61: 60: 58: 54: 47: 42: 37: 34: 30: 26: 22: 2162: 2154: 2146: 2138: 2119: 2100: 2092: 2073: 2065: 2057: 2049: 2041: 2033: 2025: 2017: 2009: 2001: 1993: 1985: 1978: 1977: 1964:Nicolas Roeg 1905:Music videos 1892: 1873: 1865: 1857: 1849: 1833:The Argument 1832: 1824: 1816: 1809: 1808: 1755: 1746: 1739: 1728: 1712: 1701: 1690: 1679: 1658: 1652:Bibliography 1651: 1650: 1629: 1623: 1612: 1603: 1591: 1587: 1575:. Retrieved 1570: 1560: 1552: 1537: 1523: 1514: 1508: 1502: 1496:. p. 6. 1491: 1485: 1474: 1468: 1458: 1455:Siskel, Gene 1450: 1440: 1432: 1421: 1415: 1404: 1395: 1376: 1370: 1361: 1360:Case Study: 1355: 1346: 1332: 1326: 1314:. Retrieved 1310:the original 1300: 1291: 1282: 1272: 1245: 1225: 1209:. Retrieved 1198:Publishing. 1186: 1147: 1126:Randy Newman 1115: 1096: 1083: 1071: 1057: 1050:True Romance 1048: 1044: 1036: 1010: 997: 991: 978: 967: 952: 944: 926: 914: 912: 897: 888: 878: 871: 864: 857: 845: 833:Please help 828:verification 825: 800: 792: 791: 786: 782: 779:Mark Cousins 772: 770: 760: 754: 749:Film Comment 747: 745: 738: 734: 725: 723: 710: 704: 699: 684: 679: 674: 667: 657: 651: 643: 641: 619: 602: 596: 577: 559: 558: 544: 540: 538: 521: 510: 499:Warner Bros. 495:Nicolas Roeg 484: 479: 463: 462: 412:as Rosebloom 364: 356: 348: 344: 334: 322: 314:Warner Bros. 311: 295:Nicolas Roeg 279:performance. 278: 277: 272: 271: 270: 237:Running time 181:Warner Bros. 139:Antony Gibbs 127:Nicolas Roeg 68:Nicolas Roeg 33: 24: 20: 2086:Short films 2059:Cold Heaven 2051:The Witches 1979:Performance 1810:Performance 1796:filmography 1756:Performance 1740:Performance 1729:Performance 1713:Performance 1702:Performance 1691:Performance 1680:Performance 1362:Performance 1221:Brown, Mick 1187:Performance 1080:Brian Jones 1072:Performance 1045:Performance 1037:Performance 1029:Gary Oldman 1025:James Brown 998:Performance 986:The second 968:Performance 953:Performance 949:Andy Warhol 945:Performance 935:Guy Ritchie 927:Performance 915:Performance 801:Performance 793:Performance 783:Performance 766:psychedelic 761:Performance 735:Performance 726:Performance 676:Gene Siskel 644:Performance 603:Performance 560:Performance 541:Performance 529:Ian Stewart 507:The Beatles 464:Performance 459:Development 404:John Bindon 383:Mick Jagger 323:Performance 321:. In 1999, 303:Mick Jagger 273:Performance 241:105 minutes 107:Mick Jagger 85:Produced by 56:Directed by 39:Performance 25:Performance 2192:1971 films 2187:1970 films 2181:Categories 2132:Television 2067:Two Deaths 2011:Bad Timing 1894:Demon Seed 1640:1582340439 1517:(445): 28. 1316:13 January 1264:References 1106:Soundtrack 1064:Alan Moore 1033:Clive Owen 1021:Tony Scott 958:The song " 891:March 2018 861:newspapers 611:Mick Brown 573:home video 454:Production 437:Ken Colley 398:Ann Sidney 391:as Pherber 333:. In 2008 219:1971-01-07 200:1970-08-03 162:Production 77:Written by 1987:Walkabout 1826:Wild Side 1283:IndieWire 1122:Ry Cooder 1041:The Devil 807:Influence 385:as Turner 377:James Fox 299:James Fox 132:Edited by 102:James Fox 2075:Puffball 2043:Track 29 2035:Castaway 1922:" (1985) 1915:" (1984) 1718:AllMovie 1546:Archived 1211:30 April 1153:See also 740:Time Out 731:East End 622:Region 1 406:as Moody 265:ÂŁ750,000 254:Language 151:Music by 95:Starring 1705:at the 1694:at the 1577:8 April 1423:Variety 990:album, 875:scholar 781:says: ' 768:dream. 678:of the 666:of the 659:Variety 638:Initial 568:Cockney 555:Release 480:Fan Tan 400:as Dana 379:as Chas 257:English 246:Country 217: ( 198: ( 164:company 2167:(1996) 2159:(1995) 2151:(1993) 2143:(1989) 2124:(1972) 2105:(1995) 2097:(1987) 2078:(2007) 2070:(1995) 2062:(1991) 2054:(1990) 2046:(1988) 2038:(1986) 2030:(1985) 2022:(1983) 2019:Eureka 2014:(1980) 2006:(1976) 1998:(1973) 1990:(1971) 1982:(1970) 1897:(1977) 1878:(1998) 1870:(1979) 1862:(1968) 1854:(1967) 1835:(1999) 1829:(1995) 1821:(1987) 1813:(1970) 1665:  1637:  1383:  1339:  1252:  1233:  1202:  1015:, the 993:Bummed 962:", by 877:  870:  863:  856:  848:  759:cited 335:Empire 262:Budget 225:London 223: ( 204: ( 27:, see 1851:Duffy 1409:: 21. 1062:, by 960:E=MC² 882:JSTOR 868:books 287:drama 284:crime 1867:Tilt 1685:IMDb 1663:ISBN 1635:ISBN 1579:2023 1493:Life 1381:ISBN 1337:ISBN 1318:2012 1250:ISBN 1231:ISBN 1213:2012 1200:ISBN 1136:and 1066:and 1031:and 975:Coil 937:and 854:news 706:Life 370:Cast 341:Plot 293:and 1875:RPM 1732:at 1716:at 1683:at 1196:BFI 1192:BFI 1017:BMW 919:MTV 837:by 703:of 650:of 580:ICA 309:). 305:of 2183:: 1611:. 1569:. 1544:, 1515:38 1513:. 1345:. 1281:. 1190:. 1140:. 1132:, 1128:, 1124:, 1027:, 933:, 777:, 594:. 509:' 1955:e 1948:t 1941:v 1918:" 1911:" 1786:e 1779:t 1772:v 1643:. 1617:. 1581:. 1531:. 1389:. 1320:. 1285:. 1258:. 1239:. 1215:. 1101:. 970:. 941:. 904:) 898:( 893:) 889:( 879:· 872:· 865:· 858:· 831:. 625:" 227:) 221:) 208:) 202:) 31:.

Index

A Late Quartet

Donald Cammell
Nicolas Roeg
Sanford Lieberson
James Fox
Mick Jagger
Anita Pallenberg
Antony Gibbs
Jack Nitzsche
Goodtimes Enterprises
Warner Bros.
New York City
London
crime
drama
Donald Cammell
Nicolas Roeg
James Fox
Mick Jagger
the Rolling Stones
Warner Bros.
British cinema
48th greatest British film
British Film Institute
Notting Hill Gate
psychedelic mushroom
James Fox
Mick Jagger
Anita Pallenberg

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑