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nature passionate, her style direct and simple. Her acting reveals force of character, experience, observation, thought, sensibility, ardor, definite purpose, and unusual command of the mechanics of art...She is an admirable listener, an excellent speaker...The disposition she exhibits in this performance seems altogether childlike and lovely. Under
Belasco's sagacious direction, she should go far.
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Biographer
William Winter called her a "born actress," someone who Belasco hoped would fulfill the theater's need for talent. Winter also notes that no one in her family had ever been involved in acting, adding: "She resorted to the dramatic calling not through mere vanity, the impulse of personal
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Miss Lenore Ulric, who acts the part, is possessed of exceptional natural advantages,—youth; a handsome face; abundant hair; expressive eyes, dark and beautiful; a slender, lithe figure; a sympathetic voice; strong, attractive personality, and an engaging manner. Her temperament is intense, her
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After watching her on stage, he asked her to audition at his playhouse. He watched her perform while he sat incognito in one of the theater's seats. "After twenty minutes," he said, "I knew I was watching a very talented and unusual young woman." He then offered her the leading role in
378:
After seeing Ulric in some of her plays, British producer
Charles Cochrane cabled David Belasco with an "urgent request" that he be granted the privilege of presenting Ulric at one of his London playhouses. During that time, however, Belasco had been writing a new version of
170:
Lenore Ulrich was born on July 21, 1892, to Franz Xavier Ulrich, who was a United States Army hospital steward, and Ida Ulrich (née
Engenhart). Both of her parents were first generation German-Americans. Franz reportedly named his daughter Lenore due to his fondness for the
275:
in 1913, after Ulric wrote to him requesting that he see her on stage. Belasco, who would go on "fishing trips" to find new stage talents, recalled that it was often a long time between "bites," but he enjoyed the sport as he sometimes would "hook a big one."
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for Ulric to star in. According to one critic, "Miss Ulric's youth fits her peculiarly for the part, while her undisputed genius as an emotional actress justifies the prediction that she would be the greatest
Camille who has ever been seen upon the stage."
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had small roles in the production.) She told a critic, "I certainly never really left the theater." Belasco had managed her stage career until shortly before his death. In a tribute to
Belasco, she said:
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179:". She later dropped the "h" from her surname. She had four sisters, Isabel, Francis, Alma, and Florence, and a brother, Roy Richard. She left school after completing 3rd grade.
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All of us who were with him depended upon him so much that we'd just flounder around and say, "What do I do now?" He was a good soldier, a hard worker, and a great director.
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434:, while the play in which she appeared was secondary. Ulric's "name in white lights blazing on the playhouse marquee was always more compelling" than the play itself.
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Under
Belasco's management during most of her stage career, Ulric played a variety of female roles. Among them was her portrayal of Rose, a French-Canadian orphan, in
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During the height of her stage career, Ulric was considered one of the
American theater's "great stars." She was noted for portraying fiery, hot-blooded women and "
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813:
284:. He recalled: "Among the biggest I have ever landed is, I believe, little Miss Ulric: I think she will grow bigger every season she is before the public."
510:"I don't think I'm comfortable to live with. I have a temper. I'm difficult. I'm too quick and too impulsive. And men have a right to be comfortable."
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She specialized in playing sultry, impassioned women. In 1915, she went to work for Pallas
Pictures starring in several silent pictures, such as
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339:(1919), a play about China by Belasco and George Scarborough, which ran for 223 performances. She played a Parisian street urchin in
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307:(1917). Winter says that Ulric's personality traits allowed her to play the role realistically as written:
158:, who would go on to manage her stage career, she was noted for portraying fiery, hot-blooded women of the
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Success goes to women who are interesting. Nothing else matters. I don't believe even beauty matters.
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She acted in numerous plays at the
Belasco Theater, all under the direction of Belasco. She played in
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In 1947, after doing seven films in Hollywood, she returned to the Belasco Theater as Charmian in
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exhibition, or the acquisitive hope of profit, but because her natural vocation is acting."
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American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
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978:, Volume 49, March 1920 to March 1921, Chapple Publishing (1921), p. 361
584:(1915, short, extant, Library of Congress) – Doris Calhoun – aka Kilmeny
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from 1929 to 1939. She accepted some of the blame for their divorce:
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355:. Other stars who played at the Belasco during that period included
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347:(1924), and in one of Ulric's biggest hits for Belasco, the 1926
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At this Theatre: 100 Years of Broadway Shows, Stories and Stars
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to make several films with an approximate salary of $ 650,000.
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As a young girl, Lenore obtained a job with a stock company in
736:"Lenore Ulric, Broadway Star of Belasco Era, Is Dead at 78",
891:
Allan Dwan and the Rise and Decline of the Hollywood Studios
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American Theatre: A Chronicle of Comedy and Drama 1914-1930
616:(1916, extant, Library of Congress) – Countess Sonia Varnli
165:
135:; July 21, 1892 – December 30, 1970) was a star of the
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She died of heart failure in Rockland State Hospital,
608:(1916, extant, Library of Congress) – Paula Figueroa
976:National Magazine: An illustrated American Monthly
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430:, theater-goers would go to her plays just to see
442:Lenore came to Hollywood in 1929 and appeared in
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480:. Ulric returned to Broadway in 1940, acting in
680:(1946) – Horsewoman with Sebastian (uncredited)
795:"Lenore Ulric's Mother Dies (Published 1937)"
470:. She was successful in a supporting role in
16:American stage and screen actress (1892–1970)
267:Ulric was discovered by theatrical producer
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624:(1916, extant, Library of Congress) – Hafsa
194:. She worked briefly as a film actress for
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640:(1923, extant) – Rose Bocion – Tiger Rose
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672:(1946) – Maria Ynez – Inn of the 4 Winds
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154:Discovered in 1913 by theater director
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502:Ulric was married only once, to actor
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186:. She played with stock companies in
166:Early life, theater, and silent films
466:. Some of the scenes were filmed in
198:and joined another stock company in
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933:, Univ. of Toronto Libraries (1918)
488:and again in 1947, in a revival of
247:Lenore Ulric on the front cover of
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880:, Oxford Univ. Press (1995), p. 43
401:in the title roles. (Future stars
14:
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1068:American people of German descent
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518:, on December 30, 1970, aged 78.
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1053:20th-century American actresses
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558:(1911, short) – Miriam Chetwood
438:Hollywood and return to theater
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1083:People from New Ulm, Minnesota
1063:American silent film actresses
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576:(1912, short) – The Young Lady
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1073:Burials at Ferncliff Cemetery
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656:(1929, lost) – Rosalie Dumay
592:(1915, short) – Olive Baxley
231:, that survive today at the
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1011:Internet Broadway Database
951:, Hal Leonard Corp. (2002)
857:"Ancestry.com - undefined"
696:(1947) – Baroness Kruposny
931:The Life of David Belasco
909:, McFarland (2012) p. 296
893:, McFarland (2013) p. 174
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1078:Actresses from Minnesota
963:, January 3, 1932, p. 34
961:The Brooklyn Daily Eagle
343:(1921), a seductress in
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35:Ulric in September 1917
564:(1911, short) – Louise
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331:. This is a lost film.
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188:Grand Rapids, Michigan
600:(1915) – Kate Tripler
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271:who first saw her in
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200:Schenectady, New York
889:Lombardi, Frederic.
516:Orangeburg, New York
491:Antony and Cleopatra
456:Fox Film Corporation
426:." According to the
390:Antony and Cleopatra
273:The Bird of Paradise
202:. She found work in
184:Milwaukee, Wisconsin
115: 1929;
78:Orangeburg, New York
801:. October 26, 1937.
740:, December 31, 1970
648:(1929, lost) – Talu
574:There's Many a Slip
282:The Heart of Wetona
233:Library of Congress
1029:at Virtual History
799:The New York Times
605:The Heart of Paula
589:Capital Punishment
562:A Polished Burglar
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532:The Heart of Paula
454:. She signed with
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208:A Polished Burglar
59:New Ulm, Minnesota
929:Winter, William.
905:Soister, John T.
876:Bordman, Gerald.
693:Northwest Outpost
568:For Memory's Sake
530:Lenore Ulrich in
407:Maureen Stapleton
399:Katharine Cornell
361:Katharine Cornell
192:Chicago, Illinois
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86:Years active
70:December 30, 1970
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486:Ernest Hemingway
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462:was directed by
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337:The Son-Daughter
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992:Lenore Ulric
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251:in May 1918.
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229:The Intrigue
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216:(1915), and
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129:Lenore Ulric
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72:(1970-12-30)
23:Lenore Ulric
1048:1970 deaths
1043:1892 births
522:Filmography
478:Greta Garbo
476:, starring
403:Eli Wallach
145:silent-film
139:as well as
1037:Categories
701:References
685:Temptation
637:Tiger Rose
464:Allan Dwan
349:Lulu Belle
305:Tiger Rose
147:and early
51:1892-07-21
836:"Unknown"
814:"Unknown"
774:"Unknown"
752:"Unknown"
677:Notorious
542:Ulric in
345:The Harem
295:Ulric in
177:The Raven
141:Hollywood
327:ad from
239:Broadway
220:(1915).
210:(1911),
206:(1911),
1009:at the
661:Camille
581:Kilmeny
545:Camille
473:Camille
381:Camille
213:Kilmeny
175:poem, "
121:
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548:(1936)
534:(1916)
468:Alaska
409:, and
299:(1919)
263:, 1925
190:, and
162:type.
131:(born
94:Spouse
80:, U.S.
61:, U.S.
397:and
151:era.
149:sound
111:(
107:
996:IMDb
448:and
359:and
353:Mima
341:Kiki
227:and
160:vamp
117:div.
67:Died
41:Born
994:at
484:by
432:her
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709:^
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49:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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