111:, Cantabria. He was a student of Antonio de Zabaleta. In 1848 he graduated as the first in his class from the Special School of Architecture of Madrid. He undertook further studies in Germany and the United Kingdom, and traveled throughout Europe. He was the first Spanish architect to gain first hand knowledge of the ruins of the Parthenon of Athens, making a drawing of their plans. In 1853 Jerónimo de la Gándara became a teacher at the Madrid School of Architecture, where he became a Professor in 1855 and held academic positions until 1873.
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in Madrid, which was undertaken by José María Sánchez
Guallart and opened on the birthday of Queen Isabella II in 1856. It provided a venue for "Zarzuela Theatre", which combines spoken scenes with scenes where the performers sing and dance. The original building burned down in 1909, but Cesareo
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Iradier later reconstructed it. The theater followed the
Italian tradition, with a horseshoe-shaped hall containing three levels of boxes. In 1857 he designed the Palace of the Marquis de Viluma, which opened in 1859.
154:, which was inaugurated on 8 December 1861. The facade, restored in 1920, is in the classical style. It has two levels, each with three arches, and a pediment that holds a medallion with the likeness of
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and his successors. He resisted pressure to attempt to move ancient mosaics to Madrid from the site in which they were found due to the great difficulty of preserving them intact.
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174:. One of the largest theaters in Spain, it was designed in an eclectic neo-classical style. The Calderón opened in 1864. In 1867 he constructed the Spanish pavilion for the
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published by the state in 1859, with text in
Spanish and French. In this role, he was involved in excavations, exploring ruins in central Spain that predated the
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Gándara was a member of the commission that investigated
Spanish monuments and reported their findings in the major illustrated book
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In 1845 Gándara and Aníbal Álvarez
Bouquet remodeled the facade of the Senate building. He designed the
95:(1825–1877) was a Spanish architect who designed a number of public buildings during the reign of
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Historia general de España y de sus Indias: desde los tiempos más remotos hasta nuestros días...
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Arte y arquitectura funeraria: Los cementerios de
Asturias, Cantabria y Vizcaya(1787-1936)
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520:(in French). Vol. 34. Société française d'archéologie, Musée des monuments français.
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Travel Madrid, Spain: Illustrated Travel Guide, Phrasebook, and Maps (Mobi Travel)
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Anthem Guide to the Opera, Concert Halls and
Classical Music Venues of Europe
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Nations en quête de passé: la Péninsule ibérique (XIXe-XXe siècles)
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Aureliano Ibarra y La
Alcudia: Una mirada a la arqueología del XIX
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415:(in Spanish). Real Academia de la Historia.
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211:Teatro Calderón de la Barca in Valladolid
514:Société française d'archéologie (1868).
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478:(in Spanish). Universidad de Alicante.
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499:(in French). Presses Paris Sorbonne.
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385:"Personajes: Jerónimo de la Gándara"
368:(in Spanish). University of Oviedo.
250:Société française d'archéologie 1868
116:Monumentos arquitectonicos de Espana
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162:. In 1864 he built the pantheon of
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404:(in Spanish). Libreria española.
362:Bermejo, Carmen Lorenzo (1998).
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152:Lope de Vega Theater, Valladolid
85:Lope de Vega Theater, Valladolid
569:19th-century Spanish architects
199:Teatro Lope de Vega, Valladolid
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409:Gómez, Antonio López (2001).
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176:Universal Exposition of Paris
138:Teatro Calderón in Valladolid
532:(in Spanish). Archived from
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472:Rodes, Concha Papí (2008).
168:Teatro Calderón de la Barca
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412:Madrid Desde la Academia
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93:Jerónimo de la Gándara
23:Jerónimo de la Gándara
526:"Teatro Lope de Vega"
164:Manuel Beltran de Lis
144:Teatro de la Zarzuela
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298:MobileReference 2007
97:Isabella II of Spain
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158:sculpted by
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124:Justinian I
65:Nationality
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390:2012-05-27
375:8483170558
334:Gómez 2001
274:Rodes 2008
217:References
172:Valladolid
120:Al-Andalus
73:Occupation
383:Ceceñas.
103:Biography
76:Architect
49:Cantabria
355:Sources
238:Ceceñas
186:Gallery
182:style.
109:Ceceñas
68:Spanish
51:, Spain
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