Knowledge

Isaac Blessing Jacob (Gerbrand van den Eeckhout)

Source 📝

208: 240: 196: 272: 255: 287: 220: 98: 46: 29: 188:
The choice of subject by the 21-year-old son of a goldsmith who himself chose painting over engraving and smithwork is possibly related to the high regard that the artists of Amsterdam had for this memorial cup. Van Eeckhout drew it with variations as one of several examples in a print book published
153:
The painting shows the biblical story quite literally, with Jacob wearing his older brother's "best jacket" (which is too large) and his hands and neck have been covered in goatskin. On his back is a hunting quiver of arrows, but on the floor is a bow that has its string loose, indicating that it
154:
couldn't have been used in its current state. On a side table covered with a carpet, a still-life arrangement with napkin, salt-cellar and wine flask accompany Jacob's "tasty goat meat". The most prominent item on the table is the
171:
bequest in 1925. It was first researched in 1990 when the provenance was documented back to the sale of Elizabeth Valckenier, née Hooft (1712–96), widow of Wouter Valckenier. It is probably the same painting that was sold at the
239: 195: 166:
Little is known of the early history of the painting, though it is considered an example of Van Eeckhout's dependence on Rembrandt in his early years. This painting came into The Met's collection via the
207: 141:. It shows Jacob kneeling at the bed of his blind father Isaac under the watchful eye of his mother Rebecca as he receives his brother Esau's blessing. It is in the collection of the 158:, a famous silver object that itself shares a brotherly theme. Van Eeckhout's father was a member of the silversmith's guild, and the salt cellar could be one of his creations. 271: 483: 261: 254: 454:, "return" exhibition in 1990-1991 celebrating 200 years of Dutch-US foreign relations, Mauritshuis & Fine Arts Museums of San Francisco, 1990, 219: 286: 155: 493: 459: 408: 498: 488: 322: 142: 84: 138: 39: 430: 97: 45: 478: 398: 168: 8: 113: 314: 418: 376: 233:
Van Eeckhout is also known for using the cup again, in at least four other paintings:
455: 404: 173: 28: 394: 472: 178:
piece representing Isaac blessing his son Jacob by Gerbrand van den Eekhout
122: 367:
Duyvené de Wit-Klinkhamer, Th.M. (1966). "Een vermaarde zilveren beker".
342: 380: 65: 201:
Engraving (in reverse) by Michiel Mosyn after Gerbrandt van Eeckhout
109: 246:
David Promises Bathsheba that Solomon will be his Successor
76:
100.6 cm (39.6 in) × 128.3 cm (50.5 in)
366: 470: 452:Great Dutch Paintings from America 1990-1991 484:Paintings in the Metropolitan Museum of Art 446: 444: 442: 440: 96: 44: 27: 156:ewer of the Amsterdam silversmith's guild 437: 393: 471: 16:Painting by Gerbrand van den Eeckhout 369:Nederlands Kunsthistorisch Jaarboek 343:"Explore Gerbrand van den Eeckhout" 213:Silver-gilt ewer by Adam van Vianen 176:in The Hague on 24 April 1737 as a 13: 14: 510: 285: 270: 253: 238: 218: 206: 194: 137:is a 1642 religious painting by 403:. Metropolitan Museum of Art. 387: 360: 335: 307: 148: 1: 300: 183: 161: 7: 10: 515: 494:Dutch Golden Age paintings 323:Metropolitan Museum of Art 143:Metropolitan Museum of Art 85:Metropolitan Museum of Art 139:Gerbrand van den Eeckhout 119: 114:The Met object ID: 436266 105: 90: 80: 72: 61: 53: 40:Gerbrand van den Eeckhout 35: 26: 21: 293:The Continence of Scipio 262:The Continence of Scipio 278:Joseph and His Brothers 189:by Cornelis Danckert. 315:"Isaac Blessing Jacob" 225:Detail of the ewer in 227:Isaac Blessing Jacob 169:Collis P. Huntington 134:Isaac Blessing Jacob 22:Isaac Blessing Jacob 110:RKDimages ID: 58157 499:Paintings of Isaac 489:Paintings of Jacob 91:Accession No. 174:Confrerie Pictura 130: 129: 506: 463: 448: 435: 434: 428: 424: 422: 414: 391: 385: 384: 364: 358: 357: 355: 353: 339: 333: 332: 330: 329: 311: 289: 274: 257: 242: 222: 210: 198: 123:edit on Wikidata 101: 100: 49: 48: 31: 19: 18: 514: 513: 509: 508: 507: 505: 504: 503: 469: 468: 467: 466: 450:Cat. no. 19 in 449: 438: 426: 425: 416: 415: 411: 395:Liedtke, Walter 392: 388: 365: 361: 351: 349: 341: 340: 336: 327: 325: 313: 312: 308: 303: 296: 290: 281: 275: 266: 258: 249: 243: 229: 223: 214: 211: 202: 199: 186: 164: 151: 126: 112: 95: 94:25.110.16  43: 17: 12: 11: 5: 512: 502: 501: 496: 491: 486: 481: 479:1642 paintings 465: 464: 436: 409: 386: 359: 334: 305: 304: 302: 299: 298: 297: 291: 284: 282: 276: 269: 267: 259: 252: 250: 244: 237: 231: 230: 224: 217: 215: 212: 205: 203: 200: 193: 185: 182: 163: 160: 150: 147: 128: 127: 120: 117: 116: 107: 103: 102: 92: 88: 87: 82: 78: 77: 74: 70: 69: 63: 59: 58: 55: 51: 50: 37: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 511: 500: 497: 495: 492: 490: 487: 485: 482: 480: 477: 476: 474: 461: 460:9789066302440 457: 453: 447: 445: 443: 441: 432: 420: 412: 410:9781588392732 406: 402: 401: 396: 390: 382: 378: 374: 370: 363: 348: 344: 338: 324: 320: 316: 310: 306: 294: 288: 283: 279: 273: 268: 265:, ca. 1650-55 264: 263: 256: 251: 247: 241: 236: 235: 234: 228: 221: 216: 209: 204: 197: 192: 191: 190: 181: 179: 175: 170: 159: 157: 146: 144: 140: 136: 135: 124: 118: 115: 111: 108: 104: 99: 93: 89: 86: 83: 79: 75: 71: 67: 64: 60: 56: 52: 47: 41: 38: 34: 30: 25: 20: 451: 399: 389: 372: 368: 362: 350:. Retrieved 346: 337: 326:. Retrieved 318: 309: 292: 277: 260: 245: 232: 226: 187: 177: 165: 152: 133: 132: 131: 427:|work= 400:Cat. no. 42 149:Description 106:Identifiers 473:Categories 375:: 91, 93. 328:2017-08-03 301:References 184:Silver cup 162:Provenance 73:Dimensions 429:ignored ( 419:cite book 66:oil paint 397:(2007). 381:24705276 352:3 August 81:Location 68:, canvas 319:The Met 458:  407:  379:  347:Rkd.nl 295:, 1658 280:, 1657 248:, 1646 62:Medium 42:  36:Artist 377:JSTOR 121:[ 456:ISBN 431:help 405:ISBN 354:2017 57:1642 54:Year 475:: 439:^ 423:: 421:}} 417:{{ 373:17 371:. 345:. 321:. 317:. 180:. 145:. 462:. 433:) 413:. 383:. 356:. 331:. 125:]

Index


Gerbrand van den Eeckhout
Edit this on Wikidata
oil paint
Metropolitan Museum of Art
Edit this on Wikidata
RKDimages ID: 58157
The Met object ID: 436266
edit on Wikidata
Gerbrand van den Eeckhout
Metropolitan Museum of Art
ewer of the Amsterdam silversmith's guild
Collis P. Huntington
Confrerie Pictura
Engraving (in reverse) by Michiel Mosyn after Gerbrandt van Eeckhout
Silver-gilt ewer by Adam van Vianen
Detail of the ewer in Isaac Blessing Jacob
David Promises Bathsheba that Solomon will be his Successor, 1646
The Continence of Scipio, ca. 1650-55
The Continence of Scipio
Joseph and His Brothers, 1657
The Continence of Scipio, 1658
"Isaac Blessing Jacob"
Metropolitan Museum of Art
"Explore Gerbrand van den Eeckhout"
JSTOR
24705276
Liedtke, Walter
Cat. no. 42
ISBN

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.