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433:(1878–1935), Charlie Mitchell (1885–1957), who looked after Tuke's boats, Willie Sainsbury, Tuke's eldest nephew, Leo Marshall, Georgie and Richard Fouracre (sons of his housekeeper), George Williams – younger son of close neighbours, Maurice Clift – nephew of a family friend, Ainsley Marks, Jack Rolling (in some sources misspelt "Rowling"), Freddy Hall, Bert White and Harry Cleave.
254:. Daniel survived there and lived on until he was 68. He established a small doctor's practice in his house in Wood Lane. His sister, Maria Tuke Sainsbury (1861–1947)—who wrote a biography of her brother after his death—was born there. William went on to study medicine but Henry, or Harry as he was called by the family, showed no interest in the profession.
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artist, Lindsay
Symington (1872–1942), modelled for the blonde boy holding onto the boat in the water; though not a regular model, Symington was a good friend of Tuke, the latter often visiting the Symington family home, Pixies' Holt, at Dartmeet. Tuke painted some female nudes but these were not as
416:
Tuke painted oil studies of young male nudes during a tour of Italy in his early twenties in 1881, but the theme did not become central to his work until after 1885, when he had moved back to
Falmouth, then still a secluded part of Cornwall and a part of the country with a very mild climate that was
563:
In later life Tuke was in poor health for many years, and died in
Falmouth in 1929 and was buried in a Falmouth cemetery close to his home. He kept a detailed diary all his life but only two volumes survived after his death and have since been published. He also kept a detailed artist's Register
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In his early paintings, Tuke placed his male nudes in mythological contexts, but the critics found these works to be rather formal, lifeless and flaccid. From the 1890s, Tuke abandoned mythological themes and began to paint local boys fishing, sailing, swimming and diving, and also began to paint
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After his death, Tuke's reputation faded, and he was largely forgotten until the 1970s, when he was rediscovered by the first generation of openly gay artists and art collectors. He has since become something of a cult figure in gay cultural circles, with lavish editions of his paintings published
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He would often commute to London as
Falmouth was well served with a railway service and he was not therefore isolated from the London art scene. He produced numerous portraits of society figures, local officials and members of the Tuke family circle. He also painted many more saleable landscapes
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Tuke's paintings of nude youths are never explicitly sexual. The models' genitals are almost never shown, they are almost never in physical contact with each other, and there is never any suggestion of overt sexuality. Most of the paintings have the nude models standing or crouching on the beach
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Tuke favoured rough, visible brush strokes, at a time when a smooth, polished finish was favoured by fashionable painters and critics. He had a strong sense of colour and excelled in the depiction of natural light, particularly the soft, fragile sunlight of the
English summer. Although Tuke often
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The cottage remained Tuke's permanent base until his death, although he often lived aboard boats. Here he could indulge his passion for painting boys. His early models were brought down from London but he soon befriended some of the local fishermen and swimmers in
Falmouth who became his close
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Tuke was encouraged to draw and paint from an early age. Tuke and his siblings were taught by a governess at home. Maria described their childhood in
Falmouth as "a very happy and healthy one" and the long summer days spent on the beach and swimming in the sea had a lasting effect on Tuke; other
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Tuke is also regarded as an important maritime artist. Over the years, he painted many pictures of the majestic sailing ships, mainly in watercolour, that were common until the 1930s. Tuke was often fascinated with the beauty of a fully rigged ship, and since his childhood could draw them from
160:, of which he became a Full Member. In addition to his achievements as a figurative painter, he was an established maritime artist and produced many portraits of sailing ships. He was highly prolific, with over 1,300 works listed and more being discovered.
723:(TGA 9019). The papers in the Tate Archive provide context in which Tuke worked, not just the locations of his paintings and the relationships with his models, but his artistic allegiances such as his deep friendship with the painter Thomas Cooper Gotch.
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finished paintings in the studio, photographic evidence shows that he worked mainly in the open air, which accounts for their freshness of colour and the realistic effects of sunlight reflected by the sea and on the naked flesh of his models.
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Tuke enjoyed a considerable reputation, and he earned enough money from his paintings to enable him to travel abroad and he painted in France, Italy and the West Indies. In 1900 a banquet was held in his honour at the
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Owing to Tuke's habit of interchanging heads and bodies of his models in his paintings, it is often not possible to identify each figure exactly. All of Tuke's regular models were eventually called up during the
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and bought a fishing boat for £40, 'Julie of Nantes', and converted it into a floating studio and living quarters. He rented two rooms in
Pennance Cottage, situated between Pennance Point and Swanpool Beach.
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at the Tate, London in 1894. But he was also well known as a portraitist, and maintained a London studio to work on his commissions. Among his best known portraits is that of soldier and writer
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379:. Tuke's style was more impressionistic than that of the other Newlyn painters and he only stayed a short time. However, he remained close friends with many of the artists until his death.
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610:, the largest such collection in public ownership. The bulk were donated by a single collector in the 1960s, but the Society maintains a policy of adding to the collection.
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more agreeable for nude bathing. There Tuke focused on maritime scenes and portraits, which showed boys and young men bathing, fishing and sunbathing on sunny beaches.
269:. It was in Falmouth that the young Tuke had been introduced to the pleasures of nude sea bathing, a habit he continued into old age. After graduating he travelled to
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are named after Tuke, a tribute to him as both an artist, and a famous resident of the town. At the time they were built and named, the school was known as the
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is a keen collector of Tuke's works and in 2008 lent eleven of his own pieces, including works in oil, pastel and watercolour, for an exhibition in
Falmouth.
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in a more naturalistic style. His handling of paint became freer, and he began using bold, fresh colour. One of his best-known paintings from this period is
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and was well regarded as a painter of ships in sail. Henry Scott Tuke was elected
Associate of the Royal Academy in 1900 and Royal Academician in 1914.
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for instance, I had two sets of boys, and one set got perished with the cold they got relieved and the others went on duty." Tuke in an interview for
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A Hidden Treasure Revealed: A selection of the works on paper by Henry Scott Tuke from the Royal Cornwall Polytechnic Society
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memory. His decision to return to Falmouth in 1885 was, in part, influenced by the constant presence of the ships there.
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where it was hoped the warmer climate would benefit Tuke's father, Daniel, who had developed symptoms of
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In 2008, to mark the 150th anniversary of Tuke's birth, there were three exhibitions of his work:
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which survives and has been published by the Royal Cornwall Polytechnic Society in Falmouth.
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were also well-known social activists. The Tuke family's ancestry can be traced back to Sir
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488:(1893–94; Tate, London), a study of four mostly nude youths bathing from a boat. The
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289:(who was also a painter of male nudes, although this was little known in his lifetime).
137:(12 June 1858 – 13 March 1929), was an English artist. His most notable work was in the
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195:. His brother William Samuel Tuke was born two years earlier in 1856. His father,
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Major examples of his male nudes were purchased by major art galleries including
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In Newlyn, in 1884, Tuke completed his first painting of boys in boats. Called
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For correct spelling see: Wallace, "Paintings from Cornwall". pp. 34, 36, 51
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H.S. Tuke's works are held in a number of galleries and museums including
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style and he is best known for his paintings of nude boys and young men.
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Maria Tuke Sainsbury, "Henry Scott Tuke: A Memoir", London, 1933, p. 160
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enduring memories were the firm friendships the young Tuke formed.
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Catching the Light: the art and life of Henry Scott Tuke 1858–1929
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Wainwright and Dinn, ""Under Canvas", pp.36,40,41,42,44,45,47,49
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Falmouth Tukes (2005) Falmouth Art Gallery Collection volume 6
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Catching the light: the sunshine paintings of Henry Scott Tuke
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https://www.wattsgallery.org.uk/whats-on/henry-scott-tuke/
1390:(with 35 colour and 25 monochrome plates), Heretic Books
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Melissa Denny; Wainwright, David; Catherine Dinn (1989).
976:. The Royal Cornwall Polytechnic Society. p. 165.
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Catching the Light: A Retrospective of Henry Scott Tuke
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facing out to sea, so only the back view is displayed.
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as a commercial outlet mainly for their own paintings.
348:, Cornwall joining a small colony of artists including
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1252:"Elton John to lend his own paintings to exhibition"
277:, where he studied with the French history painter
1454:(This features paintings in the collection of the
360:. These painters, and others, became known as the
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1023:Wallace, "Catching the Light", pp. 42, 45, 47, 53
448:Tuke established an art gallery in Falmouth with
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1400:Falmouth Art Gallery Collection volume 6 (2005)
658:at the Fine Art Society, New Bond Street, London
584:and his works fetching high prices at auctions.
1414:Wainwright, David & Dinn, Catherine (1989)
741:The silk gown, Portrait of Maria Tuke Sainsbury
656:Catching the Light: The Art of Henry Scott Tuke
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344:In 1883, Tuke returned to Britain and moved to
152:, Tuke developed a close relationship with the
296:and other prominent poets and writers such as
199:, a well-known medical doctor specialising in
156:of painters, his work being exhibited at the
273:in 1880, and from 1881 to 1883 he lived in
1596:People associated with Falmouth University
1290:. Series 35. Episode 7. 18 November 2012.
1351:142 artworks by or after Henry Scott Tuke
1167:Henry Scott Tuke, 1858-1929, under canvas
974:Henry Scott Tuke: paintings from Cornwall
661:7 June - 12 September 2021 Watts Gallery
144:Trained at the Slade School of Art under
1444:Henry Scott Tuke Paintings from Cornwall
1416:Henry Scott Tuke 1858–1929: under canvas
959:Wallace; "Paintings from Cornwall", p.31
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493:successful as his male nude paintings.
1531:Alumni of the Slade School of Fine Art
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629:6 September 2008 – 27 September 2008:
1388:The Life and Work of Henry Scott Tuke
1282:"Falmouth National Maritime Museum 1"
394:, portrait of Jack Rolling circa 1886
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1298:from the original on 5 January 2013
1262:from the original on 2 January 2019
429:friends and models. These included
312:, and also contributed an essay to
231:, who served as an adviser to King
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1496:Tuke works in Falmouth Art Gallery
1456:Royal Cornwall Polytechnic Society
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1202:from the original on 11 March 2010
651:, the Royal Cornwall Museum, Truro
608:Royal Cornwall Polytechnic Society
598:The student halls of residence at
518:Royal Cornwall Polytechnic Society
211:at York, one of the first modern
184:Tuke was born at Lawrence Street,
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1621:19th-century English male artists
1616:20th-century English male artists
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1005:Falmouth Tukes (2005) see Sources
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755:Portrait of Mrs Florence Humphris
531:at Leeds Art Gallery in 1890 and
215:, in 1796. His great-grandfather
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1232:from the original on 4 June 2011
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472:at Newporth Beach, near Falmouth
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292:During the 1880s, Tuke also met
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16:English painter and photographer
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1192:"Henry Scott Tuke - Christie's"
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1521:19th-century English painters
1169:. Sarema Press. p. 148.
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242:In 1859, the family moved to
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1432:, Edinburgh: Atelier Books
715:The papers of H.S. Tuke and
614:Exhibitions and publications
445:) who was killed in France.
431:Edward John "Johnny" Jackett
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1586:LGBTQ people from Yorkshire
1561:English LGBTQ photographers
972:Wallace, Catherine (2008).
622:3 May 2008 – 12 July 2008:
600:University College Falmouth
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265:, where he enrolled in the
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1462:Youmans, Joyce M. (2002).
1442:Wallace, Catherine (2008)
1428:Wallace, Catherine (2008)
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654:21 July – 28 August 2008:
1322:Seasonal Exhibitions 2008
817:Rounding the Manacle Buoy
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116:Royal Watercolour Society
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1591:Newlyn School of Artists
1386:Cooper, Emmanuel (2003)
1357:. Retrieved 22 May 2016.
1104:pp. 68, 108 photographs
721:Tate Archive collections
604:Falmouth College of Arts
559:, Tuke left him £1,000.
553:Ruby, Gold and Malachite
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539:("Lawrence of Arabia").
520:. He was elected to the
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405:Ruby, Gold and Malachite
354:Albert Chevallier Tayler
261:In 1874, Tuke moved to
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636:10 May – 12 July 2008:
1566:English LGBTQ painters
1536:British marine artists
802:All Hands to the Pumps
668:22 August 2021 at the
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298:John Addington Symonds
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719:are also held in the
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706:Royal Academy of Arts
686:Hunterian Art Gallery
642:Royal Cornwall Museum
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304:(then usually called
233:Henry VIII of England
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158:Royal Academy of Arts
1326:Falmouth Art Gallery
1318:"Catching the Light"
1067:The Windsor Magazine
300:, most of whom were
1611:Tuke family of York
1556:English gay artists
1464:"Tuke, Henry Scott"
1222:"Midsummer morning"
717:Thomas Cooper Gotch
577:Return from Fishing
358:Thomas Cooper Gotch
287:John Singer Sargent
267:Slade School of Art
88:Slade School of Art
1606:Royal Academicians
1153:Catching the Light
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1045:pp. 42, 69, 55, 85
1043:Catching the Light
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702:Bodleian Libraries
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690:Grundy Art Gallery
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150:Sir Edward Poynter
76:Falmouth, Cornwall
1576:Gay photographers
1476:on 13 August 2007
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279:Jean-Paul Laurens
178:Leeds Art Gallery
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37:Tuke in the 1880s
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68:13 March 1929
67:
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58:
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1571:Gay painters
1478:. Retrieved
1474:the original
1467:
1446:, Halsgrove
1443:
1429:
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1387:
1346:
1334:. Retrieved
1330:the original
1321:
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1286:
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260:
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252:tuberculosis
241:
205:William Tuke
183:
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126:
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70:(1929-03-13)
53:12 June 1858
18:
1516:1929 deaths
1511:1858 births
1302:18 November
1236:13 February
1206:13 February
1061:August Blue
787:The Promise
727:Other works
676:Collections
533:August Blue
529:The Bathers
485:August Blue
443:August Blue
377:Little Argo
333:August Blue
294:Oscar Wilde
237:Thomas More
221:Samuel Tuke
193:Tuke family
174:The Bathers
1505:Categories
1336:21 January
1226:artnet.com
1058:p. 69 "In
869:References
845:Carnations
631:Tall ships
588:Elton John
412:, London).
373:Summertime
340:, London).
315:The Studio
310:The Artist
302:homosexual
229:Brian Tuke
223:and uncle
217:Henry Tuke
201:psychiatry
164:Early life
49:1858-06-12
1480:19 August
1469:glbtq.com
1266:2 January
1151:Wallace;
1138:Wallace;
1126:Wallace;
1113:Wallace;
1100:Wallace;
1087:Wallace;
1054:Wallace;
1041:Wallace;
950:pp. 37–47
946:Wallace;
933:Wallace;
920:Wallace;
911:pp. 19–29
907:Wallace;
894:Wallace;
885:pp. 13–17
881:Wallace;
847:- a study
524:in 1914.
84:Education
78:, England
59:, England
1296:Archived
1260:Archived
1230:Archived
1200:Archived
1117:pp.53–54
831:Honduras
666:Archived
422:Swanpool
392:Our Jack
383:Falmouth
368:valley.
285:painter
283:American
248:Cornwall
244:Falmouth
94:Movement
1365:Sources
644:, Truro
408:(1902;
366:Lamorna
306:Uranian
209:Retreat
176:(1888;
1450:
1436:
1422:
1408:
1394:
1355:Art UK
1173:
1155:p. 153
1142:p. 129
980:
579:(1907)
568:Legacy
507:, 1914
346:Newlyn
263:London
190:Quaker
104:Awards
1091:p. 11
937:p. 68
924:p. 29
898:p. 15
543:Death
460:Style
275:Paris
271:Italy
1482:2007
1448:ISBN
1434:ISBN
1420:ISBN
1406:ISBN
1392:ISBN
1338:2009
1304:2012
1268:2019
1238:2010
1208:2010
1171:ISBN
978:ISBN
682:Tate
557:will
490:Looe
356:and
186:York
148:and
65:Died
57:York
43:Born
1292:BBC
246:in
239:).
134:RWS
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